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#which is where i became aware of this
zarvasace · 1 year
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Another Point in Favor of Vidow
By this point, many of us in the Four Swords manga fandom are aware of the relationship that is (or maybe isn't) implied between Vio and Shadow. I agree that it is up for some debate, but also my opinion is that the relationship is as clear as it can get, operating within the bounds of its context—that is, early-2000s Japan, kids' manga, the bias against gay couples.
This is just another pin on the conspiracy board of red lines!
The moon is present in three main places during the Vio/Shadow arc—very first (and most damning) when the two meet one-on-one, once in a panel showing the Fire Temple that the two are hanging out in, and once behind the two as they ride on the dragon to cause chaos. (Many thanks to @hauntinghyrule for helping me find those!)
There is a common belief in Japan that the author Natsume Souseki once told a student that their translation was wrong. They'd translated "I love you" as "kimi o aisu," and he thought it was far too blunt. He was a product of the Meiji era, and preferred the idea that the Japanese language should be more poetic and subtle. He then proposed the idea that instead of "ware kimi wo aisu," one should say "tsuki ga kirei desu ne" instead, which translates to English more as "the moon is beautiful, isn't it?" (You can read more about that, and why the guy might not have actually said it, here!)
You can see where I'm going with this.
Whether or not Souseki actually said it, the phrase is widely understood to be a sideways way of saying "I love you." The moon has a lot of meanings in Japanese culture and language, and I won't say that this is the interpretation, or if our lovely authors meant this at all, but they might have. They seem fond of hinting at it. ("We feel blessed that the characters' feelings came across so clearly.")
If we can read into the presence of the moon as presence of romantic possibility, what happens then? Well. A lot.
When Shadow first approaches Vio, he's seen hanging out on top of a pine tree with the moon bright and full behind him.
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This isn't the actual manga panel, I don't have that right now, but this art was based on that specific scene, and you may recognize it. There are a few other panels this scene that Vidow shippers like to call out—Vio's apparent blush when Shadow casually moves his sword away (a power move regardless of intent that made me fall in love with him), or the way Shadow hangs on Vio when persuading him to turn to the dark side. If we can read the moon's presence as a hint towards romance, then it's pretty clear what's being implied here—there's an element of seduction.
The second place we see the moon is just after Vio and Shadow's heart-to-heart on the balcony, one of the only canon interactions between them during this period without a lot of plot happening. Here's the panel I mean:
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Like hauntinghyrule pointed out, if the moon is visible here, it was likely present during that conversation. That feels like reaching, but I think it's pretty significant that we can see the moon in this panel, too. It's here for that bonding moment. It's part of establishing the tone and setting. If the moon is inherently romantic, then so is this scene.
And then the third panel that the moon is seen in is this one, Vio and Shadow flying on a dragon to bring chaos and fire:
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If the moon means romance, then this is a date. They've had their moment, they're in love, all is going well.
It might not mean that much. I could be veering into atla-levels of overanalyzation, for sure! However, this feels like something that could definitely be intentional. "月が綺麗ですね" is understood to sort-of kind-of mean "I love you," turning the moon into a symbol of implied love.
And...it's very thematic, even if it isn't intended. Come on. The moon, hinting toward unspoken romance in some of the scenes where Vio and Shadow's dynamic is at its most stable? Dramatic. Amazing.
...You could read even more into it, and say that Vio is Shadow's moon—reflected light of the Hero or the Princess, guiding him to see the good, a desirable light in the darkness that Shadow insists he has to stay in. There's something lovely about that interpretation, too. :)
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inkskinned · 1 year
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what is considered "beautiful" by society is inevitably sexist, racist, ableist, classist, transphobic, and bigoted. it targets and attacks any perceived difference, and it particularly villainizes women of color while co-opting aesthetics; as if features and cultural norms can be worn as accessories.
and the scary thing! you can see all of these things, know them to be true logically, and also know that you are treated better if you are perceived as beautiful. if you have ever been treated as "ugly", you know exactly how much society reviles you if you don't manage to scamper along and perform to their rules.
and how are you supposed to balance that? do you want a nose job to fix your broken nose, or have you just recently been seeing videos about how many people look better after nose jobs. do you want to lose weight to feel good, or is it that when you lose weight people treat you better. do you want to wear this outfit, or is it just the thing that's least likely to get you harassed. do you want to get lip injections for your reasons or is your whole reason that you don't feel beautiful unless you get those lip injections?
and the definitions shift. the goals get more specific. in the way that you only become aware of your tongue when someone mentions it; parts of your body are introduced as problems. i had never heard the term "hip dip" until about a year ago - and it was in the context of how to get rid of this. i'm 30, i know this shit is invented, and yet! i still find that strange voice saying but do you think someone is going to notice?
how the fuck am i supposed to say "this is my genuine choice i am making for my body" when i also know that years of my life have been spent socializing me to accept this as my inevitable fate? how do i know i'm actually doing this out of love for my body - or am i doing it for how i want others to see me, which will be lovely enough to feel loved? how am i supposed to recover when my unhealthy habits are seen as self-discipline but if i relax i'm openly mocked for "letting time win"? how the fuck am i supposed to say "i'm doing it for me" when i'm also very aware that i'm doing it to stop myself from being teased or demeaned? is it my choice if the other option is being bullied?
we are living in a hostage negotiation - either consent to the demands or spend the rest of your life being treated like you're a despicable person.
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vimeo
The Ultimate Sterek Supercut - on vimeo
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aria0fgold · 7 months
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Wait, actually. I got another OC semi-ramble to say. Aint bout Alec and Ray this time, but bout a non-human OC that is now bouncing around my head cuz of one of the snippets I wrote.
Can yall imagine how mind-breaking it is to actually have a character in a story that is self-aware and fully knows the fact that everything in their world is nothing more than a fabrication made by a human behind a screen typing everything out with a predetermined fate that they're powerless towards it?
Meet Alerik, Creator of All in my original and vast universe. He is... a mess to write for. Mind-breaking for me and him honestly, whenever I think of his self-awareness it's like I go on a philosophical journey and an existential crisis that neither of us is prepared for.
But can yall also imagine how lonely and heart-breaking it is to have that character, that instead of going through with the bad route of breaking free from it, continues to love and love and love and just continues to hope, making the best outta his own situation even if he's fully aware bout everything, so he comes off as carefree instead?
Yeah his life is a mess...
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I had a lucid dream a few days ago where my friend and I were in this very abstract, gray place that looked like the backgrounds artists who can't draw backgrounds draw and she told me that I should practice lucid dreaming because it'd provide me with more distraction and entertainment and you know what? Dream version of bestie is right that was so out of character she wouldn't encourage my fucked up escapist ways like that
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chompmon · 2 years
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This is so funny this dude s here depressed n shit and juns like you're still here? Take this quiche and haul ass dude
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cinnabeat · 1 month
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i am perpetually haunted by my brother very briefly commenting that he thinks id really like that law guy from one piece and then never elaborating again like PERPETUALLY HAUNTED abt it bc i see that man on my dash every fucking day and im reminded that my brother is probably right and i hate it immensely
#ive said this so many times#im sorry#but it really does haunt me#less bc my brother is right and more bc i want to know how he came to that conclusion#what abt me says id like that character#why did he say that#he no longer remembers#it fucking haunts me#it haunts me bc im regularly reminded#but you know what else haunts me?#that sub i had in eighth grade history who told me i had an accent (??) and it sounded brazilian (??????????)#was not aware i had an accent#my speech patterns and potential accent also haunts me regularly and full disclosure i blame the sub#she started that and ever since then ive had people comment on it#my friend told me my spanish sounded like cursive. she did not know what that meant but everyone agreed and so did my brother#i always thought my spanish sounded staccato-y but sure it sounds like cursive#i talked to someone in spanish and they clocked me like *squinting* where are you from and going ah of course when i tell them my parents ar#are from chile. theyre like you sound it :) like hello. no one ever tells me that. my parents make fun like you sound mexican :) which is ho#horrifying im sorry and my relatives make fun bc my spanish apprently isnt that good when THEYRE the ones who speak like thre english words#this became abt accents sorry but it truly haunts me. after the sub thing i turned to my friend like do i have an accent???? and she was lik#like im not sure?? like thank you so hepful that also haunts me#anyways. if someone comments on my speech patterns or a possible accent it gives me an identity crisis and then i remember it forever#i will never ever forget spanish for spanish speakers 1-2 in middle school and getting made fun of bc i didnt know what a chancla was. i was#i was feeing ashamed for not being a true mexican when im not in fact mexican. like hello. AND THEN. people get upset when IM the one upset#bc someone makes a chile/chili joke like fuck OFF its really not rhat funny bitch#will also never forget the cultural fair in middle school and one class had chile as a booth and they lovingly decorated it with chilean fla#flags with an obnoxiously large flaming pepper in the middle and spicy made feom mexico candy to sell#like sure whatever fine like that makes ANY sense fuck you#ANYWAYS.#michi tag
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stjohnstarling · 3 months
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Alright, so: I want to explain a little more about this connection between the Twilight fandom, Fifty Shades of Grey, and seemingly, the self-publishing industry as a whole. It's a lot, so I'm going to have to chip away at it a bit at a time, and I think the best place to start is by describing the scene in late 2000s Twilight fandom.
In 2009, Twilight was one of the biggest fandoms in the world, although it was nearly invisible to outsiders because it
Was about a straight couple, while most other fandoms were predominantly gay, and
Was conducted almost entirely on fanfiction.net among a group of people who had little other background in fandom. (x)
That meant for many Twilight fans, Twilight was fandom. It was all they knew, and many had no path out. That also made it a corked champagne bottle with the pressure building.
Because of these community dynamics and the declining quality of the Twilight books themselves, Twilight fanfiction evolved to be mostly AUs so alternate they were more-or-less original romance novels that used Bella and Edward as broad character templates. (x)
Seriously, Twilight fandom got really crazy big for a few years there. It was not totally uncommon to get multi-million clicks on a semi-popular story. It's weird looking back on it and calling it "Twilight fandom" because it was really more like "Romance Novel fandom". For real, for a period there, calling a Twilight fanfic author a 'Twilight fan' would be the ultimate insult. But they never stopped writing about Edward and Bella! It's so weird. (x)
If you were in 2000s era fandom, you're probably aware of the phenomenon of Big Name Fans and the various social-climbing dynamics that happened around them. The Twilight fandom took this social power game another level:
This wasn't even just an author thing. There were Big Name Authors (BNAs) but there were also Big Name Readers. These were basically like... full-time rabid fans of a BNA. They devoted so much of their time to helping out the BNAs, reviewing their chapters, making them fanart, promoting their fics, kissing their asses with cringe-worthy intensity, you name it. Which is why you saw what looked like BNAs having 'employees', such as Moi, tby789's Director of Marketing. (x)
It became apparent that these power games weren't just for fandom clout. The fandom was proving that that social power could be translated into real-world dollars. You see, the Twilight fandom used to organize charity auctions where big name authors would auction off custom fanfiction, and the money generated was substantial:
Mostly authors would auction off stories. So if you donated in my name, I'd write you 10,000 words of porn in my Tattward universe, or something new, etc. That's how it worked. The 2009 auction raised $80,000. The 2010 auction raised $140,000. The 2011 auction raised $20,00. [NOTE: this is likely a typo] (x)
A lot of these dynamics were not unique to the Twilight fandom, but it was the combination that created a perfect storm of opportunism. This would end up changing not just fandom dynamics but the publishing industry as a whole.
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gender-trash · 8 days
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I would be very interested in hearing the museum design rant
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by popular demand: Guy That Took One (1) Museum Studies Class Focused On Science Museums Rants About Art Museums. thank u for coming please have a seat
so. background. the concept of the "science museum" grew out of 1) the wunderkammer (cabinet of curiosities), also known as "hey check out all this weird cool shit i have", and 2) academic collections of natural history specimens (usually taxidermied) -- pre-photography these were super important for biological research (see also). early science museums usually grew out of university collections or bequests of some guy's Weird Shit Collection or both, and were focused on utility to researchers rather than educational value to the layperson (picture a room just, full of taxidermy birds with little labels on them and not a lot of curation outside that). eventually i guess they figured they could make more on admission by aiming for a mass audience? or maybe it was the cultural influence of all the world's fairs and shit (many of which also caused science museums to exist), which were aimed at a mass audience. or maybe it was because the research function became much more divorced from the museum function over time. i dunno. ANYWAY, science and technology museums nowadays have basically zero research function; the exhibits are designed more or less solely for educating the layperson (and very frequently the layperson is assumed to be a child, which does honestly irritate me, as an adult who likes to go to science museums). the collections are still there in case someone does need some DNA from one of the preserved bird skins, but items from the collections that are exhibited typically exist in service of the exhibit's conceptual message, rather than the other way around.
meanwhile at art museums they kind of haven't moved on from the "here is my pile of weird shit" paradigm, except it's "here is my pile of Fine Art". as far as i can tell, the thing that curators (and donors!) care about above all is The Collection. what artists are represented in The Collection? rich fucks derive personal prestige from donating their shit to The Collection. in big art museums usually something like 3-5% of the collection is ever on exhibit -- and sometimes they rotate stuff from the vault in and out, but let's be real, only a fraction of an art museum's square footage is temporary exhibits. they're not going to take the scream off display when it's like the only reason anyone who's not a giant nerd ever visits the norwegian national museum of art. most of the stuff in the vault just sits in the vault forever. like -- art museum curators, my dudes, do you think the general public gives a SINGLE FUCK what's in The Collection that isn't on display? no!! but i guarantee you it will never occur, ever, to an art museum curator that they could print-to-scale high-res images of artworks that are NOT in The Collection in order to contextualize the art in an exhibit, because items that are not in The Collection functionally do not exist to them. (and of course there's the deaccessioning discourse -- tumblr collectively has some level of awareness that repatriation is A Whole Kettle of Worms but even just garden-variety selling off parts of The Collection is a huge hairy fucking deal. check out deaccessioning and its discontents; it's a banger read if you're into This Kind Of Thing.)
with the contents of The Collection foregrounded like this, what you wind up with is art museum exhibits where the exhibit's message is kind of downstream of what shit you've got in the collection. often the message is just "here is some art from [century] [location]", or, if someone felt like doing a little exhibit design one fine morning, "here is some art from [century] [location] which is interesting for [reason]". the displays are SOOOOO bad by science museum standards -- if you're lucky you get a little explanatory placard in tiny font relating the art to an art movement or to its historical context or to the artist's career. if you're unlucky you get artist name, date, and medium. fucker most of the people who visit your museum know Jack Shit about art history why are you doing them dirty like this
(if you don't get it you're just not Cultured enough. fuck you, we're the art museum!)
i think i've talked about this before on this blog but the best-exhibited art exhibit i've ever been to was actually at the boston museum of science, in this traveling leonardo da vinci exhibit where they'd done a bunch of historical reconstructions of inventions out of his notebooks, and that was the main Thing, but also they had a whole little exhibit devoted to the mona lisa. obviously they didn't even have the real fucking mona lisa, but they went into a lot of detail on like -- here's some X-ray and UV photos of it, and here's how art experts interpret them. here's a (photo of a) contemporary study of the finished painting, which we've cleaned the yellowed varnish off of, so you can see what the colors looked like before the varnish yellowed. here's why we can't clean the varnish off the actual painting (da vinci used multiple varnish layers and thinned paints to translucency with varnish to create the illusion of depth, which means we now can't remove the yellowed varnish without stripping paint).
even if you don't go into that level of depth about every painting (and how could you? there absolutely wouldn't be space), you could at least talk a little about, like, pigment availability -- pigment availability is an INCREDIBLY useful lens for looking at historical paintings and, unbelievably, never once have i seen an art museum exhibit discuss it (and i've been to a lot of art museums). you know how medieval european religious paintings often have funky skin tones? THEY HADN'T INVENTED CADMIUM PIGMENTS YET. for red pigments you had like... red ochre (a muted earth-based pigment, like all ochres and umbers), vermilion (ESPENSIVE), alizarin crimson (aka madder -- this is one of my favorite reds, but it's cool-toned and NOT good for mixing most skintones), carmine/cochineal (ALSO ESPENSIVE, and purple-ish so you wouldn't want to use it for skintones anyway), red lead/minium (cheaper than vermilion), indian red/various other iron oxide reds, and apparently fucking realgar? sure. whatever. what the hell was i talking about.
oh yeah -- anyway, i'd kill for an art exhibit that's just, like, one or two oil paintings from each century for six centuries, with sample palettes of the pigments they used. but no! if an art museum curator has to put in any level of effort beyond writing up a little placard and maybe a room-level text block, they'll literally keel over and die. dude, every piece of art was made in a material context for a social purpose! it's completely deranged to divorce it from its material context and only mention the social purpose insofar as it matters to art history the field. for god's sake half the time the placard doesn't even tell you if the thing was a commission or not. there's a lot to be said about edo period woodblock prints and mass culture driven by the growing merchant class! the met has a fuckton of edo period prints; they could get a hell of an exhibit out of that!
or, tying back to an earlier thread -- the detroit institute of arts has got a solid like eight picasso paintings. when i went, they were kind of just... hanging out in a room. fuck it, let's make this an exhibit! picasso's an artist who pretty famously had Periods, right? why don't you group the paintings by period, and if you've only got one or two (or even zero!) from a particular period, pad it out with some decent life-size prints so i can compare them and get a better sense for the overarching similarities? and then arrange them all in a timeline, with little summaries of what each Period was ~about~? that'd teach me a hell of a lot more about picasso -- but you'd have to admit you don't have Every Cool Painting Ever in The Collection, which is illegalé.
also thinking about the mit museum temporary exhibit i saw briefly (sorry, i was only there for like 10 minutes because i arrived early for a meeting and didn't get a chance to go through it super thoroughly) of a bunch of ship technical drawings from the Hart nautical collection. if you handed this shit to an art museum curator they'd just stick it on the wall and tell you to stand around and look at it until you Understood. so anyway the mit museum had this enormous room-sized diorama of various hull shapes and how they sat in the water and their benefits and drawbacks, placed below the relevant technical drawings.
tbh i think the main problem is that art museum people and science museum people are completely different sets of people, trained in completely different curatorial traditions. it would not occur to an art museum curator to do anything like this because they're probably from the ~art world~ -- maybe they have experience working at an art gallery, or working as an art buyer for a rich collector, neither of which is in any way pedagogical. nobody thinks an exhibit of historical clothing should work like a clothing store but it's fine when it's art, i guess?
also the experience of going to an art museum is pretty user-hostile, i have to say. there's never enough benches, and if you want a backrest, fuck you. fuck you if going up stairs is painful; use our shitty elevator in the corner that we begrudgingly have for wheelchair accessibility, if you can find it. fuck you if you can't see very well, and need to be closer to the art. fuck you if you need to hydrate or eat food regularly; go to our stupid little overpriced cafeteria, and fuck you if we don't actually sell any food you can eat. (obviously you don't want someone accidentally spilling a smoothie on the art, but there's no reason you couldn't provide little Safe For Eating Rooms where people could just duck in and monch a protein bar, except that then you couldn't sell them a $30 salad at the cafe.) fuck you if you're overwhelmed by noise in echoing rooms with hard surfaces and a lot of people in them. fuck you if you are TOO SHORT and so our overhead illumination generates BRIGHT REFLECTIONS ON THE SHINY VARNISH. we're the art museum! we don't give a shit!!!
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mask131 · 4 months
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The truth about Medusa and her rape... Mythology breakdown time!
With the recent release of the Percy Jackson television series, Tumblr is bursting with mythological posts, and the apparition of Medusa the Gorgon has been the object of numerous talks throughout this website… Including more and more spreading of misinformation, and more debates about what is the “true” version of Medusa’s backstory.
Already let us make that clear: the idea that Medusa was actually “blessed” or “gifted” by Athena her petrifying gaze/snake-hair curse is to my knowledge not at all part of the Antique world. I still do not know exactly where this comes from, but I am aware of no Greek or Roman texts that talked about this – so it seems definitively a modern invention. After all, the figure of Medusa and her entire myth has been taken part, reinterpreted and modified by numerous modern women, feminist activist, feminist movements or artists engaged in the topic of women’s life and social conditions – most notably Medusa becoming the “symbol of raped women’ wrath and fury”. It is an interesting reading and a fascinating update of the ancient texts, and it is a worthy take on its own time and context – but today we are not talking about the posterity, reinvention and continuity of Medusa as a myth and a symbol. I want to clarify some points about the ACTUAL myth or legend of Medusa – the original tale, as told by the Greeks and then by the Romans.
Most specifically the question: Was Medusa raped?
Step 1: Yes, but no.
The backstory of Medusa you will find very often today, ranging from mythology manuals (vulgarization manuals of course) to Youtube videos, goes as such: Medusa was a priestess of Athena who got raped by Poseidon while in Athena’s temple, and as a result of this, Athena punished Medusa by turning her into the monstrous Gorgon.
Some will go even further claiming Athena’s “curse” wasn’t a punishment but a “gift” or blessing – and again, I don’t know where this comes from and nobody seems to be able to give me any reliable source for that, so… Let’s put this out of there.
Now this backstory – famous and popular enough to get into Riodan’s book series for example – is partially true. There are some elements here very wrong – and by wrong I do mean wrong.
The story of Medusa being raped and turned into a monster due to being raped does indeed exist, and it is the most famous and widespread of all the Medusa stories, the one people remembered for the longest time and wrote and illustrated the most about. Hence why Medusa became in the 20th century this very important cultural symbol tied to rape and the abuse of women and victim-blaming. HOWEVER – the origin of this story is Ovid’s Metamorphoses, from the first century CE or so. Ovid? A Roman poet writing for Roman people. “Metamorphoses”? One of the two fundamental works of Roman literature and one of the two main texts of Roman mythology, alongside Virgil’s Aeneid. This is a purely Roman story belonging to the Roman culture – and not the Greek one. The story of Medusa’s rape does not have Greek precedents to my knowledge, Ovid introduced the element of rape – which is no surprise given Ovid turned half of the romances of Greek mythology into rapes. Note that, on top of all this, Ovid wasn’t even writing for religious purposes, nor was his text an actual mythological effort – he wrote it with pure literary intentions at heart. It is just a piece of poetry and literature taking inspiration from the legends of the Greek world, not some sort of sacred text.
Second big point: The legend I summarized above? It isn’t even the story Ovid wrote, since there are a lot of elements that do not come from Ovid’s retelling of the story (book fourth of the Metamorphoses). For example Ovid never said Medusa was a priestess of Athena – all he said was that she was raped in the temple of Athena. I shouldn’t even be writing Athena since again, this is a Roman text: we are speaking of Minerva here, and of Neptune, not of Athena or Poseidon. Similarly, Minerva’s curse did not involve the petrifying gaze – rather all Ovid wrote about was that Minerva turned Medusa’s hair into snakes, to “punish” her because her hair were very beautiful, and it was what made her have many suitors (none of which she wanted to marry apparently), and it is also implied it is what made Neptune fall in love (or rather fall in lust) with her. I guess it is from this detail that the reading of “Athena’s curse was a gift” comes from – even though this story also clearly does victim-blaming of rape here.
But what is very fascinating is that… we are not definitively sure Neptune raped Medusa in Ovid’s retelling. For sure, the terms used by Ovid in his fourth book of Metamorphoses are clear: this was an action of violating, sexually assaulting, of soiling and corrupting, we are talking about rape. But Ovid refers several other times to Medusa in his other books, sometimes adding details the fourth-book stories does not have (the sixth book for examples evokes how Neptune turned into a bird to seduce Medusa, which is completely absent from the fourth book’s retelling of Medusa’ curse). And in all those other mentions, the terms to designate the relationship between Medusa and Neptune are more ambiguous, evoking seduction and romance rather than physical or sexual assault. (It does not help that Ovid has an habit of constantly confusing consensual and non-consensual sex in his poems, meaning that a rape in one book can turn into a romance in another, or reversal)
But the latter fact makes more sense when you recall that the rape element was invented and added by Ovid. Before, yes Poseidon and Medusa loved each other, but it was a pure romance, or at least a consensual one-night. Heck, if we go back to the oldest records of the love between Poseidon and Medusa, back in Hesiod’s Theogony, we have descriptions of the two of them laying together in a beautiful, flowery meadow – a stereotypical scene of pastoral romances – with no mention of any brutality or violence of any sort. As a result, it makes sense the original “romantic” story would still “leak” or cast a shadow over Ovid’s reinvented and slightly-confused tale.
Step 2: So… no rape?
Well, if we go by Greek texts, no, apparently Medusa was not raped in Greek mythology, and only became a rape victim through Ovid.
The Ancient Greek texts all record Poseidon and Medusa sleeping with each other and having children, but no mention of rape. And the whole “curse of Athena” thing is not present in the oldest records – no temple of Athena soiling, no angry Athena cursing a poor girl… “No curse?” you say “But then how did Medusa got turned into a Gorgon”? Answer: she did not. She was born like that.
As I said before, the oldest record of Medusa’s romance but also of her family comes from Hesiod’s Theogony (Hesiod being one of the two “founding authors” of Greek mythology, alongside Homer – Homer did wrote several times about Medusa, but only as a disembodied head and as a monster already dead, so we don’t have any information about her life). And what do we learn? That Medusa is part of a set of three sisters known as the Gorgons – because oh yes, Ovid did not mention Medusa’s sister now did he? How did Medusa’s sisters ALSO got snake-hair or petrifying-gaze if only Medusa was cursed for sleeping with Neptune? Ovid does not give us any answer because again, it is an “adaptational plot hole”, and the people that try to adapt Ovid’s story have to deal with the slight problem of Stheno and Euryale needing to share their sister’s curse despite seemingly not being involved in the whole Neptune business. Anyway, back to the Greek text.
So, you have those three Gorgon sisters, and Medusa is said to be mortal while her sisters are not. Why is it such a big deal? Because Medusa wasn’t originally some random human or priestess. Oh no! Who were the Gorgons’ parents? Phorcys and Keto/Ceto, aka two sea-gods. Not just two sea-gods – two sea-gods of the ancient, primordial generation of sea-gods, the one that predated Poseidon, and that were cousins to the Titans, the sea-gods born of Gaia mating with Pontos.
So the Gorgons were “divine” of nature – and this is why Medusa being a mortal was considered to be a MASSIVE problem and handicap for her, an abnormal thing for the daughter of two deities. But let’s dig a bit further… Who were Phorcys and Ceto? Long story short: in Greek mythology, they were considered to be sea-equivalents of Typhon and Gaia. They were the parents of many monsters and many sea-horrors: Keto/Ceto herself had her name attributed and equated with any very large creature (like whales) or any terrifying monster (like dragons) from the sea. The Gorgons themselves was a trio of monsters, but their sisters, that directly act as their double in the myth of Perseus? The Graiai – the monstrous trio of old women sharing one eye and one tooth. Hesiod also drops the fact that Ladon (the dragon that guarded the golden apples of the Hesperids), and Echidna (the snake-woman that mated with Typhon and became known as the “mother of monsters”) were also children of Phorcys and Ceto, while other authors will add other monster-related characters such as Scylla (of Charybdis and Scylla fame), the sirens, or Thoosa (the mother of Polyphemus the cyclop). Medusa herself is technically a “mother of monsters” since she birthed both Pegasus the flying horse and Chrysaor, a giant. So here is something very important to get: Medusa, and the Gorgons, were part of a family of monsters. Couple that with the absence of any mention of curses in these ancient texts, and everything is clear.
Originally Medusa was not a woman cursed to become a monster: she was born a monster, part of a group of monster siblings, birthed by monster-creating deities, and she belonged to the world of the “primordial abominations from the sea”, and the pre-Olympian threats, the remnants of the primordial chaos. It is no surprise that the Gorgons were said to live at the edge of the very known world, in the last patch of land before the end of the universe – in the most inhuman, primitive and liminal area possible. They were full-on monsters!
Now you might ask why Poseidon would sleep with a horrible monster, especially when you recall that the Greeks loved to depict the Gorgons as truly bizarre and grotesque. It wasn’t just snake-hair and petrifying gaze: they had boar tusks, and metallic claws, and bloated eyes, and a long tongue that constantly hanged down their bearded chin, and very large heads – some very old depictions even show her with a female centaur body! In fact, the ancient texts imply that it wasn’t so much the Gorgon’s gaze or eyes that had the power to turn people into stone – but that rather the Gorgon was just so hideous and so terrifying to look at people froze in terror – and then literally turned into stone out of fear and disgust. We are talking Lovecraftian level of eldritch horror here. So why would Poseidon, an Olympian god, sleep with one of these horrors? Well… If you know your Poseidon it wouldn’t surprise you too much because Poseidon had a thing for monsters. As a sort of “dark double” of Zeus, whereas Zeus fell in love with beautiful princesses and noble queens and birthed great gods and brave heroes, Poseidon was more about getting freaky with all sorts of unusual and bizarre goddesses, and giving birth to bandits and monsters. A good chunk of the villains of Greek mythology were born out of Poseidon’s loins: Polyphemus, Antaios, Orion, Charybdis, the Aloads… And even his most benevolent offspring has freaky stuff about it – Proteus the shapeshifter or Triton half-man half-fish… So yes, Poseidon sleeping with an abominable Gorgon is not so much out of character.
Step 3: The missing link
Now that we established what Medusa started out as, and what she ended up as… We need to evoke the evolution from point Hesiod to point Ovid, because while people summarized the Medusa debate as “Sea-born monster VS raped and punished woman”, there is a third element needed to understand this whole situation…
Yes Ovid did invent the rape. But he did not invent the idea that Medusa had been cursed by Athena.
The “gorgoneion” – the visual and artistic motif of the Gorgon’s head – was, as I said, a grotesque and monstrous face used to invoke fright into the enemies or to repel any vile influence or wicked spirit by the principle of “What’s the best way to repel bad stuff? Badder stuff”. Your Gorgon was your gargoyle, with all the hideous traits I described before – represented in front (unlike all the other side-portraits of gods and heroes), with the face being very large and flat, a big tongue out of a tusked-mouth, snake-hair, bulging crazy eyes, sometimes a beard or scales… Pure monster. But then… from the fifth century BCE to the second century BCE we see a slow evolution of the “gorgoneion” in art. Slowly the grotesque elements disappear, and the Gorgon’s face becomes… a regular, human face. Even more: it even becomes a pretty woman’s face! But with snakes instead of hair. As such, the idea that Medusa was a gorgeous woman who just had snakes and cursed-eyes DOES come from Ancient Greece – and existed well before Ovid wrote his rape story.
But what was the reason behind this change?
Well, we have to look at the Roman era again. Ovid’s tale of Medusa being cursed for her rape at the hands of Neptune had to rival with another record collected by a Greek author Apollodorus, or Pseudo-Apollodorus, in his Bibliotheca. In this collection of Greek myths, Apollodorus writes that indeed, Medusa was cursed by Athena to have her beautiful hair that seduced everybody be turned into snakes… But it wasn’t because of any rape or forbidden romance, no. It was just because Medusa was a very vain woman who liked to brag about her beauty and hair – and had the foolish idea of saying her hair looked better than Athena’s. (If you recall tales such as Arachne’s or the Judgement of Paris, you will know that despite Athena being wise and clever, one of her main flaws is her vanity).
“Wait a minute,” you are going to tell me, “The Bibliotheca was created in the second century CE! Well after Greece became part of the Roman Empire, and after Ovid’s Metamorphoses became a huge success! It isn’t a true Greek myth, it is just Ovid’s tale being projected here…” And people did agree for a time… Until it was discovered, in the scholias placed around the texts of Apollonios of Rhodes, that an author of the fifth century BCE named Pherecyde HAD recorded in his time a version of Medusa’s legend where she had been cursed into becoming an ugly monster as punishment for her vanity. We apparently do not have the original text of Pherecyde, but the many scholias referring to this lost piece are very clear about this. This means that the story that Apollodorus recorded isn’t a “novelty”, but rather the latest record of an older tradition going back to the fifth century BCE… THE SAME CENTURY THAT THE GORGONEION STARTED LOSING THEIR GROTESQUE, and that the face of Medusa started becoming more human in art.
[EDIT: I also forgot to add that this evolution of Medusa is also proved by strange literary elements, such as Pindar's mention in a poem of his (around 490 BCE) of "fair-cheeked Medusa". A description which seems strange given how Medusa used to be depicted as the epitome of ugliness... But that makes sense if the "cursed beauty" version of the myth had been going around at the time!]
And thus it is all connected and explained. Ovid did invent the rape yes – but he did not invent the idea of Athena cursing Medusa. It pre-existed as the most “recent” and dominating legend in Ancient Greece, having overshadowed by Ovid’s time the oldest Hesiodic records of Medusa being born a monster. So what Ovid did wasn’t completely create a new story out of nowhere, but twist the Greek traditions of Athena cursing Medusa and Medusa having a relationship with Poseidon, so that the two legends would form one and same story. And this explains in retrospect why Ovid focuses so much on describing Medusa’s beautiful hair, and why Ovid’s Minerva would think turning her hair into snake would be a “punishment fit for the crime”: these are leftovers of the Greek tale where Medusa was punished for her boasting and her vanity.
CONCLUSION
Here is the simplified chronology of how Medusa’s evolution went.
A) Primitive Greek myths, Hesiodic tradition: Born a monster out of a family of sea-monsters and monstrous immortals. Is a grotesque, gargoylesque, eldritch abomination. Athena has only an indirect conflict with her, due to being Perseus’ “fairy godmother”. Has a lovely romance with Poseidon.
B) Slow evolution throughout Classical Greece and further: Medusa becomes a beautiful, human-looking girl that was cursed to have snake for hair and petrifying eyes, instead of being a Lovecraftian horror people could not gaze upon. Her conflict with Athena becomes direct, as it is Athena that cursed her due to being offended by her vain boasting. Her punishment is for her vanity and arrogant comparison to the goddess.
C) Ovid comes in: Medusa’s romance with Poseidon becomes a rape, and she is now punished for having been raped inside Athena’s temple.
[As a final note, I want to insist upon the fact that the story of Medusa being raped is not less "worthy" than any other version of the myth. Due to its enormous popularity, how it shaped the figure of Medusa throughout the centuries, and how it still survives today and echoes current-day problems, to try to deny the valid place of this story in the world of myths and legends would be foolish. HOWEVER it is important to place back things in their context, to recognize that it is not the ONLY tale of Medusa, that it was NOT part of Greek mythology, but rather of Roman legends - and let us all always remember this time Poseidon slept with a Lovecraftian horror because my guy is kinky.]
EDIT:
For illustration, I will place here visuals showing how the Ancient art evolved alongside Medusa's story.
Before the 5th century BCE: Medusa is a full-on monster
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From the 5th century to the 2nd century BCE: A slow evolution as Medusa goes from a full-on monster to a human turned into a monster. As a result the two depictions of the grotesque and beautiful gorgoneion coexist.
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Post 2nd century BCE: Medusa is now a human with snake hair, and just that
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dollerines · 5 months
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How I entered the void so easily after 1 year of trying
So after 1 year and half of trying to enter I finally did it and I am so mad because it REALLY IS SOOOOO EASY and tbh if in this post you are looking for any sort of validation or info you smart ass already know then please REMEMBER THIS : entering the void is extremely easy. You just have to do it in a way that resonates with you.
Personally for me since I had adhd I couldn’t just stay still and affirm for 1 or even a few for 10 mins. Not just because I was lazy but because just repeating “I am in the void” for so long gets me tired and makes me think of the void more and you actually don’t want to think too deeep about it. I couldn’t wake 3 hours prior and then affirm or even have the patience to do the psych k, yes I was extremely lazy back then and unpresistent but one thing that helped me even backed then was THE ALPHA STATE MEDITATION !
You just have to find what works for you, find a method technique whatever you want to do that doesn’t seem like a chore. So In a post back then I found on @gorgeouslypink acc talking about doing the alpha sate meditation and I tried it back then and I felt really relaxed and it was a good feeling but like I said back then I was realllly lazy so after a few mins I stopped. Then many months later passed and I was still looking for anything and everything on the void. Then just like two days ago I came across another post which was pretty simple and the technique I used was called the DISTRACTED TECHNIQUE.
All there was to do was the usual you get into a comfortable position and then she said to use the alpha state meditation and used the one gorgeouslypink recommended. So I used it and then what she tell you to do is to just think of anything else just get distracted basically and this WAS SO GOOD 4 ME because back then I had adhd so it made it harder to concentrate on just affirming and so yeah I just thought of random things and then at some point where I was completely distracted I felt my body like lift up 😭 if that makes sense I just can’t clearly describe it. It felt really like a shift and I was like ‘panicking’ in a way but I wasn’t actually panicking I just kinda became aware what was going and then I got scared a little but I just relaxed shortly after. Also my fan that was making like a loud noises was coming in an out and then I only hear it in one ear and then I didn’t hear anything and I just stayed there wondering if I reached the void and i actually was!!! I didn’t feel my body it felt like I had no body at all and it was pitch black just like how I imagined the void to be. For a few minutes I just stayed there feeling the most surreal peace I have ever felt. I needed that peace fr 💀.
So then I affirmed for my desires all I said was “I have all my desired results from my subliminal playlist.” Then just to be extra sure I just said “I have everything I want.”
At that point I got really excited and then I wiggled my toes to get out because I was too dam happy I needed to see all my shit the moment I wake up and then I slowly started getting out and when I tell you I cried for like a good dam minute when I woke up and saw how DIFFERENT. My room looked. I literally screamed onto my pillow. I was so dam scare and yet excited to see how I looked.
WHAT I MANIFESTED :
Desired body and face
Having silky straight tailbone length hair cuz mines was originally curly
And everything in my sub playlist
My desired boyfriend and guys I made him be like Gojo Satoru ( because we are all delusional over him 🤪) and let me tell you he is so tall, handsome, sexy and a literal god. He is so silly too 🩷
Moving countries I now live in ny
Never actually meeting my ex and all the people in my old school forget me and have actually never even met me. Like if u asked them about me they have never heard or known me before
Extremely rich rich like hella bands
Got rid of my anxiety and mental health issue
Plus +++
NEVER EVER GIVE UP ON YOUR DREAMS.
Even if the circumstances seem to be eating you alive don’t mind that too much. Even if all seems hopeless don’t give up because you already know nothing can decide or be unless you give it power to be. So stop being goofy and take responsibility and DONT STRESS!! You don’t see God stressing do you. All he has to do is blink and whatever he wants to happen, happens. Plus a lot of confidence came from non dualism that I owe a huge thanks to @trynafindbarbiee she really said it like it is !!
YOU GOT THIS ML 🩷🩷🩷🩷
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pottersfia · 2 months
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For your Theo fluff - He hates touch, like absolutely does not get touched by anyone ever. His friends know it. Everyone knows - but then you come along and it’s all you do. Hugs, hand holding, legs in lap, all the touchy things. And you have no idea that Theo was ever NOT a touchy person because he never said anything. And then Pansy or Draco tell you how he used to hate being touched, and you’re like ???? Because he never said anything. And then you stop. Like no more hugs, no fiddling with his hands during class, nothing. And then he’s like ???? And then you tell him why and he’s like … I only wanna be touched by you. And it’s just so fluffy and a little hint of sunshine!reader.
You are the best Theo fluff writer😭🔥❤️
theodore nott x sunshine!reader
a/n: sorry i’ve been so busy i’m catching up on requests now!!
theodore very instinctively backed away from blaise's incoming hands. the boy was simply joking around with his friend, but as he lifted his hands to pat his back, super bro-dude of him, Theodore backed away.
"sorry mate." blaise noticed his flinch and laughed. theodore shook his head and gave a small smile to his friend.
"you act like everyone but you has the black plague or something, theo." pansy laughed at the interaction.
"what?" theodore asked.
"you back away from touch so quick." the girl replied.
"yeah, you never let anyone touch you." Draco added.
"i don't think i've ever seen you hug som-"
"theo!" blaise was interrupted by you walking towards the group of slytherins with an unmissable smile on your face. theodore's face visibly lit up as he stood up to greet you. you instantly walked up to him and reached out for a hug which he gladly reciprocated. blaise, draco, and pansy looked at eachother in shock. they knew theodore liked you but for him to display pda so naturally was strange. the two of you had only been dating for a week and before that you seemed to be close already, but the group still never saw this side of the relationship.
"hello to you too, y/n." blaise said, holding back a laugh with a smile. you turned to the group and smiled at them.
"hi guys." despite the two breaking your hug, your arm did not leave his body. "can i sit?" she asked.
"of course, i don't think theo will let you leave anyway." pansy replied making everyone not so discreetly laugh. theodore scowled at them and led you to sit down next to him. you smiled as he placed his arm around you and chatted about your day to him.
the scene was incredible to theodore's slytherin friends. you couldn't keep your hands off him as you sat together and he did not mind at all. you held on to his hands, placed a hand on his thigh, even touched his hair as you spoke to him. all he did was stare and listen to you as you talked, occasionally giving commentary and melting in your touch.
"i'll go get it for you." theodore said as he stood up, responding to something you mentioned you forgot in his room.
"where are you off to?" draco asked.
"getting something for y/n, i'll be back." he replied as he headed to his dorm.
"that boy must really like you." pansy turned to you as soon as he was out of sight. you smiles.
"well i hope so."
“it’s so funny, we were just talking about how much he hates being touched before you came over.” blaise said. you furrowed your eyebrows at his comment.
“he does?” you questioned. they all nodded. you never would have thought that about theodore. you were naturally very touchy with people you cared about and didn’t think theodore had a problem with it because he never said anything. as you thought about it, you did realize that he rarely was as physically affectionate with you in the same way so maybe he didn’t like it?
as the week went on, this thought never left your head. you suddenly became self aware of all your actions around theodore. your hugs were shorter instead of unnecessarily being prolonged, you held his hand instead of clinging onto his arm, and you rarely played with his hair.
theodore did not understand what was going on. he knew something was different as soon as he noticed you hesitating to hug him. he was never one to initiate physical affection so he wasn’t sure how to go about this. his break point was one afternoon in the empty school courtyard when the two of you sat in the grass talking and enjoying each other’s company. you were next to him but did not even attempt to touch him the entire time.
theodore looked down at the hand you were leaning on that was in between the two of you. you were ranting about your divination exam but all he could think of was how much he missed your touch. he looked back up at you and nodded to your words. he moved his hand without looking to touch yours, intending to hold on to it, but you immediately moved it away.
“why are you doing that?” he interrupted you. you stared at him in silence.
“doing what?” you asked.
“you’re not touching me. are you upset with me or something?” he asked. you looked at him in disbelief.
“no. i’m not i just,” you looked down not really knowing what to say.
“just what?” he asked again.
“i thought you didn’t like being touched.” you said. he tilted his head at your words. “it’s your friends, they told me you don’t like being touched by people soon figured i would hold back on it because i don’t want you to be uncomfortable.”
“ragazza dolce (sweet girl),” he placed a hand on your cheek making you look at him. “i only like being touched by you. i miss it so much.” he says.
“really?” you asked. he nodded. you smiled and kissed him, placing your hand on his arm.
“now please give me a hug. yours are the best.” he smiled at you.
“if you insist.” you gave him a hug as he requested, smiling and closing your eyes as you lingered in the feeling.
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leclerc-hs · 4 months
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don't wake the kids - cl16
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pairing: charles leclerc x nanny!reader (fem) summary: in which you got his daughter to finally fall asleep but risk waking her up not too long later warnings: 18+, slight smut, oral (f-receiving), bad french (please correct me i was tired while writing this lmao), not proofread!!!! word count: 1608 author’s note: i think i’ll write more for them bc i like the idea of single dad charles LMAO. this was fun xoxoxo
PART 2
✦ .  ⁺   . ✦ .  ⁺   . ✦ ✦ .  ⁺   . ✦ .  ⁺   . ✦
THERE WAS SOMETHING about Mr. Leclerc that always made you stare at him in admiration. Maybe it was the fact that he always excelled at everything he did. For instance, raising a daughter on his own couldn’t have been easy. Hell, merely spending a single night watching over his kid has you feeling thoroughly drained. So, when Charles came home to you sprawled along his couch with the TV on a low volume, he wasn’t surprised. In fact, the sight brought a grin to his lips. You were the absolute cutest thing he had ever seen. Aside from his own daughter of course.
You weren’t even aware of the impact you left on him and his daughter. There wasn’t a day where you weren’t mentioned by his daughter. She adored you, and he did too.
“Comment était-elle?” How was she?  His voice was deep as he dropped his keys on the table of the entry way table. “Fatiguée?” Tired?
You barely moved as he approached the room, too comfortable to even sit all the way up for him. His hands rest in the pockets of his dress pants as he leaned up against the arch of the living room, suit jacket slung over his shoulder, eyes never straying from yours. 
You felt yourself swallowing harshly at the sight of him. He’s so fucking hot. “Elle était un ange!” She was an angel! There was a soft glow of moonlight that seeped through the curtains, casting a gentle radiance on the room as you whispered those words. You were whispering, careful to not wake her in the next room over. But also, in attempt to hide the desire in your voice. It would be a complete lie if you said you didn’t find him attractive. If you didn’t think about him that way.
With a subtle exhalation, Charles gracefully moved away from the archway, making his way towards the couch. He lowered himself onto the couch beside you, his head finding a comfortable perch on the back cushions, a gentle smile gracing his features. His legs extended languidly, and the contours of his thigh muscles subtly asserted themselves through the delicate fabric of his dress pants.
Turning his head to look at you, “Would you mind staying in the spare room tonight?” 
His eyes, an enchanting shade of green, held you captive in a mesmerizing trance. Lost in their depths, his question became a distant echo, momentarily forgotten in the captivating allure of those verdant depths.
It wasn’t an abnormal question. At least, not anymore it wasn’t. You’ve been watching his daughter for months now and have occasionally crashed at his when it was too late at night. When you didn’t answer right away, lost in thought, Charles felt the need to wearily add an “I’m too tired to take you home.”
It’s not that you didn’t have your license, but you didn’t have a car. And because it meant more money, you always said yes. At least you always told yourself it was for the money. But it really was for all the times you got to see a shirtless Charles in the morning. His hair all disheveled, eyes full of sleep. The rasp in his voice. And also, the breakfast.
His hand swiftly dropped to your exposed thigh, the tennis skirt adorning your body doing little to cover you. He patted the area right above your knee softly for your attention, “Je suppose que tu n’as pas de vêtements; je vais te trouver quelque chose.” I assume you don’t have clothes; I’ll grab you something. The touch was so miniscule, so quick, that you could barely grasp the concept that it happened before he was already standing.
Although staying over wasn’t new, borrowing his clothes was.
You found yourself unable to speak as he stood from the couch and made his way to his room. The air was charged with a delicate tension. You were convinced it was the suit that had you stumbling for words, or maybe the fact you haven’t had sex in months and Charles is just that fucking hot, and in front of you, looking at you, touching you.
“J’espère que cela est assez bon.” I hope these are good enough. Bathed in the gentle luminescence of the room, Charles gazes down at you with an intensity the captures the essence of the moment. In his hands, he holds a neatly folded pile of clothes, extending them toward you with a certain grace. A faint, sleepy smile graces your lips as you accept them. 
With a languid elegance, you begin to rise from the comfort of the couch, only to find Charles extending his hand toward you. His fingers confidently entwine with yours, pulling you up. Although, it seems Charles underestimated his strength because you are sent flying to your feet, awkwardly tripping in the process. But before you can make a total fool of yourself, Charles is slipping an arm around your waist, holding you to his chest.
You can feel your cheeks redden in embarrassment, “Je suis tellement désole.” I’m so sorry.
You feel Charles laugh reverberate in his chest, making you more alert of just how close you two were. “Ne sois pas désolée.” Don’t be sorry.
In that suspended moment, time seemed to stretch, creating a timeless place where you and Charles were encapsulated. Locked in a shared gaze, the world outside this intimate bubble ceased to exist. Uncertainty lingered in the air, an unspoken question hovering between you two. Charles’ firm hold persisted, grounding the moment in the tangible warmth of his touch. 
As the stillness enveloped you, his eyes were fixated on your flushed cheeks, a canvas painted in hues of warmth. The intensity of his gaze conveyed an admiration that transcended words. To Charles, the sight of your blushing complexion was nothing short of captivating – an endearing revelation of vulnerability that only heightened your allure.
“Tellement jolie,” So pretty. The words were so soft. Barely audible if it wasn’t for your proximity. It was as if he didn’t even know he said them out loud.
You felt frozen while trying to decide if this was a dream or not. But when the pads of Charles thumbs made way to your face, tracing your bottom lip slowly, you knew you were fucked.
“Est-ce que je peux?” Can I?
You wanted to scream. Yes! You felt your stomach churning with need. But externally, you were calm. You needed to be quiet.
You made the move to nod your head when his lips collided with yours. It was slow and tentative at first. Like he was trying to test the waters. He pulled away for a moment, eyes staring into yours once again, as if he needed to make sure you were okay with this.
But as soon as he saw your lips draw into a smile, he knew he was fucked.
The second time your lips met it was feverish and messy. All tongue and no air. The clothes that he handed you previously, now lay on the floor in a messy pile, your hands sliding around his neck. You both go tumbling down onto the couch.
He groaned quietly into your mouth – a sound as if the taste of you was something he craved his whole life. His hands dropped from your jaw, closing around your neck, as you felt him push your further into the couch cushion with the weight of his body.
“J’ai besoin de toi,” I need you.  You managed to slip the words out, your fingers trailing through his hair on the back of his head.
Before you had the chance to press your lips back together, he was pulling away, leaving you breathless and a little confused until his hands dropped to the waistband of your skirt. His fingers shoving their way in and pulling them down, your underwear being yanked off in the process. His gaze met yours once more, filled with anticipation and eagerness.
“Tu as l’air tellement putain de bien comme ça.” You look so fucking good like this.
Like this. Spread out and beneath him. Completely bare and whimpering for him. 
You could hear him curse to himself as he draped your leg over his shoulder, seeing how wet you already were. 
The first drag of his tongue on you was enough to make your back arch instantly. He groaned, his nose brushing against your clit as he dipped his tongue inside of you. Every dip of his tongue sent you bucking your hips harder against him. And he loved it. 
With every stoke of his tongue, your fingers fisted his hair tighter. You began to buck your hips, so close to reaching your orgasm, but he denied. His hands were quick to push your hips down onto the couch. He wanted to hear you beg. 
“Charles,” you sighed softly.
“Hm?” You didn’t even have to look at him to know he was smirking. His tongue was placing slow licks to your clit, light enough to keep you right on the edge.
“S’il te plaît.” Please.
Charles was back sucking on your clit in less than a second, his hands sliding up to your covered breasts, squeezing them. He moaned into your pussy, the sound enough to send you spiraling over the edge. You gripped onto anything that was near and placed it over your face, trying to cover the moans that were escaping your lips.
Your body shook as you pressed the pillow into your face. He licked you as you came down and didn’t stop until you were practically shoving him off.
His lips were glossy and puffy, coated with you. A smirk on his face as he stood up and looked down at you completely flushed on his couch, half bare. You looked at the bulge of his cock, pressing against the seams of his dress pants, and then back up at his eyes.
“Bedroom?”
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fortima · 1 year
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that reblog made me think like i really cannot handle people who are so lacking in social skills they always make me cringe when something questionable is said like something that is clearly a faux pas that like you really wouldnt want someone else saying to you and i get ppl dont do it on purpose but i really hate it
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kisses4reid · 2 months
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convenient | ·˚ ༘ spencer reid ,,
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summary - studying while working at a convenience store is easier that thought when a regular happens to be a genius.
genre - fluff, fem!college!reader x earlyseasons!spencer
warnings - school work, that always scares me. they’re the same age!!! early 20s. mention of condoms.
edit - bc this is getting so much love, i’m opening a taglist for part 2!!! just comment or put in a req to join the ‘convenient’ taglist 🫶
the chime of the door didn’t phase you, the creaks and squeaks of the store slowly becoming one with you. flipping onto the next page of your biology textbook, something that was unnecessarily expensive, you shake your hand to get rid of the cramp you slowly became aware of.
it was only when a wave of man’s cologne and a plastic bag stood in front of you that you ripped your eyes off of your books.
he was tall, skinny, had long(ish) hair and looked amazing. there wasn’t really anything else to say, other than that the thin smile he displayed toward you made you smile back.
“just these for today?” you ask, fixing your posture and pushing some loose strands back to their place behind your ears.
“yes, thank you.” he says, voice as timid as his appearance. it was a bag of apples, a 2 minute bolognese container, and a bag of coffee. you scan them, weigh the apples, and watch him as his long fingers slip through his wallet to find a debit card. “have a good night.”
your eyes return to your textbook as you go to erase an answer you had previous written, obviously wrong.
“the heads of the phospholipid bilayer are hydrophilic, not phobic.” he says. it surprised you, making you return to his gaze slowly before realising you should probably reply instead of staring at the man.
“oh- yeah, thanks. i caught that it’s just, i guess i’ve been staring at the same words for so long i can’t differentiate them.” you give a small fake laugh as he nods, giving you a long look before coughing and leaving promptly. he leaves with his bag, and his hands fiddling with each other.
you can barely focus after that. customers come and go, and although you’ve only been doing the late shift for a week, this encounter with the unknown man couldn’t leave your mind. the way he dressed, his smell, his voice and how he corrected you (which would totally annoy you usually). you hoped he would return.
and he did. three days later, this time even later than the last.
you were stuck in a dark purple sweater, the aircon in the store blasting cold air that you were too lazy to fix. and although the air flipped pages of notes and questions, you were still stuck in a trance.
the blasting aircon blew a wind of mens cologne this time, it smelt like wood. your eyes glanced up from your books and trailed the familiar man, noticing how he was reusing the plastic bag from days before.
he returned to the checkout with apples, a 3 minute cannelloni, and a bag of coffee. he was now the one trailing you, “where did Latrice go?” you look up, chuckling a bit,
“Latrice is getting paid by her daughter-in-law to babysit the twins,” you reply, surprised you were willing to tell him so much information. he could be a stalker for all you know. or just a regular, obviously that’s way more likely. “trust me, i miss her as much as you do. $14.98.”
he nodded with a small smile and sliced his card down the side of the card reader.
you searched for him now, only after two encounters you were already craving some sort of human interaction at work. usually you avoided it since the only other ‘regulars’ were old men and mean teenagers. you had switched to writing a biology report on your computer, the sound of the keyboard almost covering the sound of the door bell.
a bag of apples, a 2 minute lasagne, a bag of coffee, and a banana muffin.
“big night?”
“uh- what?”
“you got a banana muffin. i thought you were starting to become predictable.” you bagged his things as he chuckled, looking over you and your laptop. you noticed only because you were also looking at him, “biology report. wanna read it?” you joked, but he didn’t catch that part.
now he was behind the register, sat on your wheelie stool reading and editing your report while walking you through everything he was changing. you didn’t understand most, but you were just happy to stay around him. you weren’t even scared of Old Alan, the guy who only buys cucumbers and condoms. nobodies ever asked him, don’t think anyone wants to know.
“what’s your word limit?”
“3500.”
“only 3500?” he gave you a raised eyebrow, voice getting slightly higher. he coughed, “sorry, that’s nearly impossible.”
you sigh, “i know… i’m y/n by the way. thought you should know who your helping cheat.”
“i’m not helping you cheat, i’m just… editing,” he hit backspace a few times with a lowered bottom lip, “my names spencer.”
you smiled and crossed your arms as you leaned against the counter. spencer. yeah, that sounded nerdy enough.
pt. 2
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insert-content · 11 months
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a summar(ule)y of 196 culture
since the tumblr veterans have been kind enough to introduce us newbies to their site and culture, i think it is only fair that we explain the culture of our glorious former home to any tumblr users who might be interested in the #196 tag. keep in mind, all these things are based on my perspective of the situation.
first of all, some general information (that you might’ve already heard):
196 (r/196 on reddit) was a subreddit with only one (official) rule; "post before you leave." it was mainly a meme/shitposting sub, but it cultivated a large queer and left-leaning community. in protest of the recent api chances in reddit, 196 has shut down indefinitely until reddit reverts these changes.
now for some culture/references that you might come across
spronkus kronkus:
spronkus is this yellow, rabbit-like creature.
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they were the mascot of our subreddit. their appearance can vary from images to image, but as far as i’m aware, their full outfit consists of a bandanna in the colours of the trans flag around their neck, a gun labelled as such (other wise you obviously wouldn’t know what you’re looking at), and an axe also coloured like the trans flag.
r/place:
this is a rare event on reddit where the entire website gets a huge white canvas and can start creating pixel art on it. 196 participated by collaboratively creating our mascot, spronkus with "196!" written next to them.
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this version of the pixel art was recreated by me as i couldn't find a nice image of it. there were some changes between the first version and the end result, so this might not be exactly how it looked in the end
post titles/"rule":
reddit forces it's users to title every post they make. as most of the posts on 196 spoke for themselves, many user instead titled their posts "rule", to indicate that they followed the subreddit's only rule. some people also tried to make puns with the word or tried to include it in words that shared some letters (example: wor(ule)d).
anarcho-stripperism:
as the amount of cropped porn jokingly posted to the subreddit increased, the moderators decided that porn would be banned from the sub, with one exception: anarcho-stripperism. she made food fucking videos, in which she jokingly tested the fuckability of different food items (fruits, pasta, etc.)
bigotry showcase:
bigotry showcase was a post flair (basically the reddit equivalent of tags) on the subreddit and was later restricted to only be used on saturdays. under this flair people posted instances of different forms of bigotry to make fun it.
eating babies/hungryposting:
at some point, the subreddit started to pretend to like eating babies, which started a variety of memes regarding the subject. even a post flair called "hungrypost" was added because of this
goblinhog:
goblinhog is the most prominent and well-known member of the 196 moderation team. besides this, on 196 he was mostly known for changing people’s flair if you enjoyed him enough about it.
flairs:
flairs are little tags that are displayed under your name in posts or comments, they are also subreddit specific. most subreddits give their users a palette of preset flairs and the option to make your own custom flair. however, in 196 you only had the option to customize your flair during special events. if you wanted to customize your flair outside of those events (which was basically the entire time), you had to ask a mod to do it for you.
punching nazis:
from time to time, the same gif of a person with a nazi armband getting punched in the face, and promptly falling to the ground, was reposted to the subreddit. this became a sort of tradition.
discourse/drama
wasp discourse:
the wasp discourse was a one to two weeks long heated discussion that generally divided the subreddit into two factions. one side said that they were justified in killing wasps if they were attacked by them, while the other claimed that since wasps are just animals, they aren't aware of what they're doing in the same way humans are, and therefore should be spared.
drama about the british:
there was a time when jokes along the lines of "ew, british" became pretty frequent on the subreddit. as a response, some user claimed that this was akin to racism and tried to get others to stop with the jokes. a debate over whether or not it was important or necessary to stop followed afterwards.
pillar discourse:
this was a debate over which type of pillar should be considered the best (ionic; doric; corinthian). i have seen the question "which pillar is the best?" being used as a sort of greeting between 196 refugees on here.
related subreddits
195:
195 was the predecessor to 196, and also was a social experiment with the same premise as 196 (one rule, post before you leave). as the creators of 195 ended the experiment, the community wanted something with the same vibe to continue posting, and thus 196 was born.
197:
197 is another part of the 196 ecosystem and is commonly understood to be the more politically right-leaning and bigoted as 196, as some people who were banned from 196 continued posting there. besides that, the subreddits were essentially the same in terms of how they functioned.
19684:
this subreddit adds a second rule which banned all mentions of sex (that’s why it’s name is a pun on 1984). some people took this as banning all discussion of sexuality, which resulted in a community that was slightly less accepting of queer people. it is currently still up and running as the 196 moderation team wants a way to stay in contact with the community.
amendments to the posts:
u/femboy_expert:
another well-known 196 user. as the name suggests they're an expert on the subject of femboys, with their flair on 196 reading "phd in feminine boys". as the subreddit was somewhat obsessed with femboys, it's no wonder that they became popular.
u/shitcum_backup:
this was the main account of a pretty popular shitposter on the subreddit. although i didn't see them as much in the last few months, i remember them sometimes having a unique speaking pattern, in which they referred to themself in the third person.
u/monko74:
this user commented "Every day I thank god for not making me a r/196 celebrity," which led to many users of the subreddit treating them like a micro celebrity. there are even a few subreddits solely dedicated to u/monko74.
691:
a sister subreddit that inverts the rule of 196, here you would be (temporarily) banned for posting. some time ago the members of this sub initiated a rebellion/revolution against the bot who performed all the bans (roomba).
u/Smart_Calendar1874:
this wasn’t necessarily part of the subreddit, but it was a pretty popular meme. and since it’s getting posted on here again, and i know enough about it, i’ll add it to the post. this user made a post to r/AskReddit titled "How would you get a small cylinder (5.1in length, ~4.5in girth) unstuck from a mini M&Ms tube filled with butter and microwaved mashed banana? [sic]" it was pretty clear that they were referring to their penis, yet they continued to claim "it’s a cylinder," in the comment section. this lead to comments like "it is imperative that the cylinder […] remains unharmed," in response to people’s advice of cutting the m&m tube.
it's going to be very interesting to see which aspects of 196 culture are going to survive the tumblr migration, and which aspects won't be applicable on this site.
i'm obviously not the ultimate scholar on 196 lore. if i’ve missed or left out anything, or said something wrong, please comment it.
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