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#when people say there is a masculinity crisis this is what they mean
trzepotttt · 27 days
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perfect man doesn't exist-
literally him:
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thewhizzyhead · 15 days
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anyways on this episode of izzy's gender fuckery crisis we have this update: oki so like being referred to as a girl and solely a girl and being forced to be feminine because "syempre babae ka kailangan ka maging babae (ofc since u r a girl u have to act like one)" irritates me to death. Other modes of feminine presentation aka skirts and dresses and anything that makes me appear too much of a feminine person also legitimately SCARES ME TO DEATH especially when I'm forced to do so.
however, that being said, upon further introspection on the chick i once really really liked that is now presenting more masc than ever, I have realised that I am not too comfy presenting myself as too masc either. like, I don't want people to look at me and perceive me as a duuuuude , but I don't want to present myself too femininely either as it legitimately makes my skin crawl. like, I find myself comfy in men's clothes and styling but if I imagine/see myself presenting way too much like a man, then I feel very weird and not in a good way - which is weird kasi I thought I would like being more masc presenting given my absolute panic attack-inducing aversion to appearing typically feminine. So anyways the gist is androgyny is my best friend and I would rather be perceived as a blob than as a specific gender
#like fjdj LOOK THIS STARTED WITH TWO THINGS:#a.) the chick i once really liked becoming more masc leaning by the hour#and b.) eloise davies. please do visit her instagram and you'll see what i mean#so like i've figured out my type and its once-femme-presenting women embracing more of their masc side#but while looking at eloise's insta page i thought to myself: oki so like eloise's clothing style screams comfort to you#but do you wanna dress like them in public though#like do i want the world to perceive me as more masc#because like i certainly dont wanna be perceived as typically feminine#so like shouldn't i be more comfy and more accepting of myself if i stylized myself more masculinely and everything#and um the answer to that is no because i feel weird either way like fjdnd#its like i look into the mirrors with both versions on display and yet both say the same thing: this isn't you#like its like id rather not have my gender perceived...at all. like i just want people to ignore that shit when they see me#like just perceive me for what i choose to highlight - my traits and whatnot- but ignore the ones i dont deem too important to who i am#i may be rambling rn but its just because I LEGIT DONT KNOW HOW TO TALK ABOUT THIS LIKE EVEN TO MY IRL FRIENDS#bECAUSE I CANT EVEN UNDERSTAND THIS GENDER CRISIS ON MY OWN LIKE fjdjd i dont know what i want#other than just being perceived as a living organism that does not give a fuck about gender#and would rather not be bound by the constraints and expectations that come with compliance#anyways i hope this made sense esp to my fellow gender crisis fuckery bros because like. tbh i kinda need solidarity here kasi#i cant understand shit gjcjd#personal shit
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suzukiblu · 8 months
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Excerpt from an in-progress DP x DC soulmate AU starring Jazz Fenton, a very unfortunate mugger, and a smoothie. Oh, and I guess Jason is there too.
Jazz meets her soulmate in, of all places, Park Row. Or as the locals call it, Crime Alley.
Seems about right for her life, she decides as she kicks the shit out of the guy who was trying to stab him for his wallet fifteen seconds ago. Her soulmate watches her curiously, seeming unconcerned by the fuss, and takes a sip of his smoothie.
Also seems about right, for her soulmate. A guy who got too nervous when necessary violence happened was not going to survive Thanksgiving in Amity Park, much less Christmas.
Well, it is Gotham.
"Hi," he says.
"Hi, sorry, one sec," Jazz says, then leans over the groaning mugger and offers him a card to the best local crisis center she's managed to track down via research and word of mouth in the four months she's been in Gotham. Not her card, obviously, since she just roundhouse-kicked the guy in the head to protect her soulmate from him and that's arguably a conflict of interest. Or close enough, anyway. "So you should check these guys out, they've got a very high success rate in their job program and there's an associated food bank and rent assistance, if you qualify."
"What?" the mugger says dazedly.
"Also if you ever touch my soulmate again I'll make you wish for the cold mercy of the Infinite Realms," Jazz adds pleasantly. The guy goes very, very pale. Then he snatches the card from her and runs for his life and eternal soul.
"This is the nicest thing the universe has ever done to me," her soulmate muses, taking another sip of his smoothie.
"Getting you mugged?" Jazz asks wryly, raising an eyebrow at him.
"Are you religious? Do you want kids?" her soulmate asks. "Also, who's your favorite Bat?"
"Robin, obviously," Jazz says. "The overdramatic and feral little stabby one, I mean. He reminds me of my little brother. Makes me feel a little bit maternal, to be honest. So that answers two out of three, and as far as religion goes, I only believe in Psychology Today, highly customized guns, and my mom's ninth-degree black belt."
"This better not awaken anything in me," her soulmate mutters under his breath.
"That seems unlikely, or we wouldn't be soulmates," Jazz says.
"Point," he says, sipping his smoothie again. Jazz didn't even know anywhere in Crime Alley sold smoothies, but she is new around here. "Wanna go break my bed? Or maybe go get coffee?"
"You've already got a smoothie," Jazz says.
"So I do," he says.
Jazz looks him over. He's her soulmate, so she's not surprised to find him gorgeous. She wasn't ever expecting a familial soulmate–Danny is a very intense sibling to have, and her parents are very intense parents to have, not to mention everything about Dani, and "soulcousins" aren't typically a thing–and she's never been especially interested in keeping around too many close friends, so considering all that, she was already expecting her soulmate to be a romantic one. If they are platonic, it's definitely only going to be because her soulmate is an aromantic asexual. Which he probably isn't, since he already asked about kids and religion and if she wanted to go break his bed.
Then again, she's met people who'll posture worse than that. Especially guys, and especially ace ones with a clear investment in their masculinity, and given this particular guy is built like a brick house could only dream to be, chances are he has some feelings about his masculinity. Though he's also drinking a visibly pink smoothie, not a neutral-colored protein shake or generic black coffee, so . . . fifty-fifty there, maybe?
Further inquiry will probably be required.
"I'm Jazz," she tells him. "What's your name?"
"Robin," he says. Then he–pauses. Blinks. "I mean–Robin."
He looks very confused for a second, and Jazz blinks too, and refocuses her eyes a bit. Oh, is he–
"Are you overshadowing that guy?" she assumes. For the love of–of course her soulmate would be a ghost, she thinks dryly. Who'd want a soulmate their mom and dad wouldn't want to grill for information and ask a thousand invasive questions, after all? "I mean, he's really hot, don't get me wrong, he looks good on you, but I'd rather meet you for real."
"'Overshadowing'?" Robin looks bemused.
"I'm Danny's sister," Jazz clarifies. Robin does not look less bemused. "You know, the new king?"
"What?" Robin says. Jazz frowns a little, feeling a bit bemused herself.
"Do you not get out much?" she asks.
"Never, actually, but also yes and constantly and way too often," Robin says. "My job is kind of demanding that way."
"What's your job?" Jazz asks curiously. Ghosts' jobs are always interesting, even if only for how they interact and manifest with their Obsessions. She wonders what his Obsession is, actually, because smoothies seem like an unlikely option but she doesn't have much else to go on here.
Can't be weirder than Box Ghost, either way.
"I'm a Bat," Robin says, then looks absolutely alarmed and also absolutely horrified.
"Huh," Jazz says, tilting her head. He seems really big to be one of the Robins, and a little too old besides. A year or two younger than her, maybe, and even the older Robin she's pretty sure is at best Danny's age. Though that's assuming this body is the one he fights crime in, admittedly. Although it's kinda funny if one of the Bats is just named Robin. Must get annoying on patrol, though. "I didn't know any of you were dead, but I guess that's not actually a surprise either, given the profession."
"Why did I say that to you?" Robin asks tightly.
"I told you, I'm the new king's sister," Jazz says. "You know, it's the royal family thing. Technically I'm his regent, legally speaking, but only because I'm better at paperwork and he doesn't count as a legal adult in the Infinite Realms yet. Hasn't been dead long enough, you know how it is. But I've been alive long enough to, apparently? But his 'being alive' technically stopped tracking at fourteen. It's complicated, basically."
"What the fuck does that mean?!" Robin demands.
"It means you can't lie to me because you're one of my brother's subjects," Jazz says, really not understanding his reaction. Every ghost knows this, after all. The only ones who wouldn't know it are too young to be away from their guardians' haunts or even leave the Infinite Realms at all. Definitely a ghost who knows how to overshadow someone this thoroughly and fully is old enough and experienced enough to know it, though. "Whose body is that, anyway?"
"It's my father's," Robin says. Jazz's eyes widen a little and she has several very concerned internal reactions before he chokes and sputters–"I mean–it's not–he's not–!"
"You realize there is no healthy way to mean that, right?" Jazz says. Robin looks frustrated and freaked out and she feels bad about it, because she didn't mean or want to upset him, but she clearly has. "Sorry. I mean, I still secretly feel like I'm the one parenting my parents half the time, you're not the only one with weird feelings about yours."
"I'm his," Robin says, then grits his teeth in visible pain. He's this close to crushing the smoothie cup he's holding but hasn't actually done it. Jazz wonders if that's an example of deliberate self-control or subconscious restraint.
She's pretty sure Robin didn't mean to say that, though.
"Are you okay?" she asks, a little concerned. Normally ghosts just stop talking about things they want to lie about, when they realize who she is.
"No," Robin says. "I'm just his. I've always been his, I always will be, his good soldier, his worst mistake, not his actual fucking son, why am I telling you this?!"
"I don't know," Jazz says, frowning in increased concern. "Usually people can work around the inability to lie a little bit, but you sound like you're being compelled to speak. Increasingly like, actually. Hm. What's your Obsession? And what kind of core do you have?"
"What?" he says.
"They might be making you unstable, is all," Jazz says. "I don't think it'd be a soulmate thing but to be fair I don't really know how that works. Are you dead, or are you a manifestation of something?"
"I'm dead," Robin says, staring at her. "That bastard clown beat my head in with a crowbar and blew up what was left of me. I woke up in my grave and–I–how did you know that?"
"Well, I didn't, that's why I asked," Jazz says reasonably, idly wondering why the Joker isn't dead yet, since this is Gotham and obviously it wouldn't be another "bastard clown" Robin was referencing, even if he wasn't a Bat. But like, at least dead via the court system, if nothing else. The Joker is insane, yes, but no one can argue he doesn't know right from wrong at this point. Does New Jersey just not have the death penalty, maybe? She hasn't thought to check. "Maybe it's the guy you're in? He's not drunk or high or anything, is he?"
"I hate drugs," Robin says, gritting his teeth again; tightening his grip on the smoothie again. He's trembling, just barely. "I hate them. I'd never touch them. I don't know what you are. You're scaring me. Please stop."
He definitely didn't mean to say that, Jazz can tell.
But . . . he doesn't know what she is.
He doesn't know.
Well, that's a problem.
"Robin," she says gently, and for some reason his face twists painfully at the sound of his own name. "Can I see your core? Please?"
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petrichor-idyllic · 1 year
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Heyyy do you do reacts? Like "How the TMR boys would react to you calling them pretty" . If so, thank youuu :)
Oooo I never even thought about doing this, but I can absolutely give it a go :))
YOU THINK I'M PRETTY?
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MASTERLIST | MULTI-CHARACTER MASTERLIST
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SUMMARY: See above. Gender neutral reader.
WARNINGS: None really, maybe some inappropriate language and flirty behaviour.
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"You know, you're actually kinda pretty."
THOMAS
Would not know how to react.
Thomas absolutely would be completely dumbfounded.
He'd been attracted to you ever since he'd arrived in the Glade, so you complimenting him would leave him in a stunned state.
Probably would also be the first and only time he gets complimented because the Gladers just call each other ugly on a daily basis.
"Oh, uh- thanks- thank you."
You probably wouldn't think much of it and go about your day.
He would spend the next four years thinking about it.
"They think I'm pretty."
Definitely a much needed confidence boost since he (especially in the books) is having a permanent identity crisis.
He might not know who he is, but damn, at least he's pretty.
NEWT
Newt isn't a stranger to compliments. He's one of the oldest standing Gladers and people often comment on his work ethic and ability to think fast.
His appearance though?
That's new.
He'd probably freeze, laughing it off as you just kinda randomly say it whilst he's working with the Track-hoes.
"Heh, what?"
In all honesty, you'd have been watching him for a while, admiring his features and when you say it, it would have been a thought you didn't mean to say out loud more than anything.
That wouldn't stop him from thinking about it. It would get brushed over fairly quickly since Newt is a busy dude, but he would definitely ask Minho and his friends about it.
"What do you think it means?
"Uh, that they think you're pretty? Duh."
Like Thomas, he would probably lie awake thinking about it, or just throughout his day, a soft smile playing on his lips, and he would definitely get caught laughing.
"Dude, you're thinking about it again?"
"Shut up, slinthead!"
"Touched a nerve, pretty boy?"
MINHO
Minho knows he's pretty. Everyone knows he's pretty. Just look at the guy. Even Thomas thinks he's pretty (*cough* the three paragraphs dedicated to describing Minho's arms in the book *cough*).
He'd probably laugh.
Sure, it's common knowledge that he's a good looking guy, but for someone to say it to him?
That'd be entertaining.
He'd tease you about it, making you the one that becomes a blushing mess.
"Hey, so how pretty do you think I am, exactly?"
He would not let it go.
But he wouldn't brag to the other Gladers about it. He would keep the information to himself, mainly keeping up the light bullying in private and leaving other Gladers confused as to why you tended to leave his presence bright red.
Secretly, he'd be thrilled. Of course, just that you think he's attractive to begin with, but also because it clearly runs deeper at your constant embarrassment.
He probably also wouldn't know how else to flirt with you. But he's trying his best. Compliments don't come as easy to him as they do you, so this is how he expresses it.
Definitely an ego boost.
GALLY
He would be insulted.
Gally wouldn't take it as a compliment at first. He wants to be a tough guy and you calling him pretty feels like a insult to his masculinity.
Definitely not the intention.
You think he's soft? Pretty? How dare you. How could you?
It wouldn't be until he spoke to Frypan that he'd realise.
"They called me pretty. Pretty! Do I look like a shuckin' sissy?"
"Dude, I'm pretty sure it was a compliment- they think you're hot."
"Oh."
That's when he'd be flustered.
In private, of course, but flustered nonetheless.
He'd feel like such a dick for reacting how he did and without even processing it properly.
He'd end up apologising and you'd laugh about it.
"It's okay, I won't call you pretty again. Promise."
But now he knows you think he's attractive, he'd definitely be bummed that you said you wouldn't compliment him like that again.
"I mean- you can still... yanno- say that."
Turns out Gally actually kinda is a softie when he wants to be.
You find it cute.
FRYPAN
He would be ecstatic.
Oh my God, you think he's pretty? His life is complete. The world is good. Kill him now, this is the best day of his life.
He'd tell everyone who would listen.
"Yeah! They called me pretty! Suck it! I'm prettier than you slintheads!"
"Fry, I really don't care."
He'd constantly ask you to call him pretty again. Or even other compliments and you'd find it funny.
He'd be surprising hard to fluster, but very easy to please.
It wouldn't be uncommon to find him grinning from ear to ear after talking to you.
He would also have the courage to return the compliments, creating a friendship that's basically filled with constant praise.
He would worship the ground you walk on.
Thinks he's in love every time you make eye contact.
ALBY
"Yeah, okay."
Alby would not give a shit.
The man is stressed 24/7.
You can't really blame him. He's in charge of a bunch of teenage boys in a Maze full of monsters, and he has to make sure that everyone is comfortable and surviving.
He has too much on his plate to even realise what you'd be saying at first.
The brain lag is real, and it would be three days later when he'd understand what you said.
"Wait a shuckin' second..."
After that, he'd think about it a lot, internally kicking himself and regretting the choice.
You wouldn't be shocked. This is exactly the kind of response you'd expect from the Leader. But you almost said it because you knew what his response would be.
You wouldn't have to worry about Alby being weird or acting different or telling anyone.
Though, he would become a lot friendlier towards you, starting to develop a sweet spot for you.
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Would ya look at that, I can actually write for characters other than Minho? Who woulda guessed? In all seriousness, this was really fun and I enjoy writing headcanons as much as I like writing stories. I really enjoy these typa requests, tysm for sending it in.
Hope you all enjoy :))
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2kiran · 11 months
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“COD MEN REACTING TO YOU COMING OUT AS GENDERFLUID”
characters simon “ghost” riley. john “soap” mactavish. john “bravo six” price. könig. alejandro vargas. keegan p. russ genre fluff cw lowercase typing. slight hurt/comfort. suggestive dialogues. mentions of homophobia. implied violence. swearing. google translated language.
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simon riley
• he's really really confused
• he knows about the Igbtq+ community as he’s seen people of the same gender on the base giving romantic affection to each other
• he just doesn’t know what it means
• after you explain it to him, he blinks a few times and goes like “oh”
• he doesn’t mean it in a bad way, he just doesn’t care about that very much
• he’s supportive and protective of you, if anyone badmouths you he’s already beating their ass
• if you’re already dating him, he immediately accepts you
• “that’s fine with me as long as you’re comfortable with who you are.” he would tell you as he holds your hand
• if you’re crying while telling him, he would try his best in comforting you by giving you an awkward pat on the back
• he’d research more about your gender and the community
• he’d ask you which name or pronouns you’re identifying with almost everyday just to make sure he doesn’t offend you
• “that's my boy/girl/lover”, “atta boy/girl/love”, and “good boy/girl/love”
• he tries to refer to you neutrally, just in case
• “mmhf, you’re s’good to me.”
• “k-keep goin’, love.”
john mactavish
• he has probably heard about it at least once
• he’s curious, so he might’ve stumbled across some information about it
• “that’s nice.” he smiles at you
• he’s really supportive of you
• if you’re already dating him, he’ll tell you “you’re my lover and nothing’s gonna change that.” and pulls you closer to him
• if you’re crying while telling him, he tries to crack a joke to make you feel better and tells you that it’s completely okay with him
• “yer s’ cute!” he'll exclaim while squishing your cheeks once you’ve calmed down
• he’ll remember which name or pronouns you identified with last week and attempts to find a pattern like it’s some kind of mystery and he's trying to solve it
• “i can’t believe i’m your boyfriend!” you caught him speaking to himself, well, more like a picture of you on his phone
• definitely giggles when seeing a photo of you, in an appreciative way
• begins to be curious about his own identity
• “wait... so what’s my sexuality? pansexual? or–”
• has his own identity crisis
• he’d spend his time locked in his room trying to figure it out
• after thinking about his identity for so long, he starts to say the stupidest shit
• “wait... what if... i’m not soap? am i even john mactavish?! what is happening?!”
• he nearly gets a panic attack because of that
• he also says corny pick up lines
• “hey, are yer a cupcake? 'cause yer so sweet.” with a wink
• “can’t believe i didn’t make ya do this t’me sooner, hah.”
• “ya taste s'good, mmph.”
john price
• he’d also be confused at first
• “i’m proud of you.” he’d say while having a loving smile painted on his lips
• very supportive
• he’d attempt to help you be more comfortable with your gender
• immediately researches once he gets to his office
• frequently compliments you
• if you’re already dating him, he just accepts you with kisses pressed onto your face
• if you’re crying while telling him, he’ll immediately pull you into a hug and telling you that there’s nothing wrong with that and that it’s okay
• when you’re feeling masculine, he’d go “just me or you’re a lot handsome today?”
• when you’re feeling feminine, he’d go “i got you this. it's pretty, just like you.”
• when you’re feeling more neutral, he’d go “you look very amazing, as always.”
• protective of you, he’s already tasing the people who badmouthed you
• he shows you off, especially to laswell
• “that’s my lover right there.” he boasts proudly. laswell responds with, “i get it, price. go do your own work.”
• “fuck, love. right there.”
• ”ah, you're g-gonna be the– mm... death of me.”
könig
• “huh?”
• poor könig is afraid that he’ll misgender you
• spends his entire night researching about it
• he’ll frequently ask you what you’re identifying with
• he’s trying his best
• you have the extremely tall scary dog privilege whenever you’re with him
• cusses people out in german when they shit talk you
• people are scared of him, so they’ll whisper to each other about you but könig still manages to hear them
• guess who’s got a bloody nose? neither you nor könig!
• bingo! it’s the shit talkers. they'll hide in the infirmary away from you and könig
• if you’re already dating him, he nods along and tells you “that’s nice, mein schatz. what are you.. uh, identifying with currently?” ( my darling )
• if you’re crying while telling him, he immediately tries to comfort you but he doesn’t know what to exactly do to help
• “w-what? it’s okay! that’s great!?” he waves his hands around in panic
• he’s baffled on what to say and do but he’s got the spirit
• he calls you pet names in german
• könig is a proud boyfriend
• he isn’t very poetic, but he tries his best to write poems for you
• he just wants to be romantic for you
• “you look very handsome... like you always are, i-i mean.”
• “beautiful... i mean! uh... you! yeah, i- you're very beautiful.”
• “woah- sorry, sorry! you're just very eye catching.”
• “ah, mein gott. s-slow down, bitte.” (my god) (please)
• “b..bitte! hör nicht auf.”(p..please! don’t stop.)
alejandro vargas
listens intently
definitely a sweetheart
he knows about it because some of the people at his base are also apart of the community
“thank you for telling me, mi corazón.” ( my heart )
he’s really proud of you for coming out
buys you your favorite food
if you’re already dating him, you most likely would’ve came out to him during a date with him or just a stroll near the base
if you’re crying while telling him, he immediately wraps his arm around your shoulders and shushes you, both of you end up just sitting down
he wipes your tears away with the back of his hand
you sobbed more because he was so sweet to you
hands you his handkerchief to wipe away your snot and tears
“you’re just as amazing as ever, mi amor. don’t let anybody say otherwise.” ( my love )
ensures that you’re comfortable
death glares anyone who seems to want to talk badly about you
feel free to use his rank as a way to scare people off because he uses it against them too
“if anyone talks bad about you, you tell them that you’ll tell colonel vargas about it and that he won’t be tolerative about the situation.”
he gets really curious about it sometimes so expect to be bombarded with questions every now and then
“tell me i’m doing good, please, mi vida?” ( my life )
“d-demasiado, cariño. ay dios mío. hng– se siente tan bien. mierda.” ( t-too much, sweetheart. oh my god. hng– feels so good. fuck. )
keegan p. russ
literally does not care
he’d say “good for you?” in a questioning tone because in his head you’re acting like he asked you
you most likely came out to him while he was cleaning his gun
“keegan, i’m genderfluid.” he glances at you, “ok.” then he focuses on whatever he was doing again, “that’s it?” you were confused, “i got something to do, kid.”
it wasn’t obvious at first that he supported you
you just thought that he was neutral about it
until a rookie on base looked at you in disgust when you corrected them about your gender and you’ve never seen keegan more pissed off
multiple people along with their comrades pried keegan off of the rookie who had offended you
“you look at ‘em like that again and i’ll fuckin’ blow your head off.”
you stood there frozen, brain only functioning again when he said that
you didn’t expect keegan to be protective of you like that
if you’re already dating him, he’ll genuinely listen to you while you explain what it means
if you’re crying while telling him, he’ll unintentionally gawk at you while trying to comprehend what you’re saying before he puts his hand on your back
he doesn’t mean to be rude, he just doesn’t know what he’s supposed to say
suddenly recalls that you came out to him one night then he started doing research
he would definitely surprise you with “hey, what’re your pronouns?” leaving you puzzled
bombards you with questions randomly
“sweetheart, please move.”
“please just touch me already.”
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masterlist
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whimsicalpoet44 · 2 years
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Does Saturn really hate us? Thoughts from a Cap Rising.
If you're in the astrology community, you've probably heard a lot of discourse about Saturn and how tough of a planet it is. Many say it's the planet of limiting beliefs, how you give and get revenge for maltreatment, and where you receive your toughest lessons. Which isn't wrong, but I think Saturn gets a bit of a bad rep.
Saturn is there to help you. He assists in identifying the parts of our lives that we struggle with the most. Saturn is there to protect you. Saturn holds you to your highest potential. He sees all that you have the capability to become and he pushes you to get there. By any means necessary.
Saturn ruled signs and people with heavy Saturn placements (Capricorn and Aquarius) are pushed slightly harder than everyone else. Think of them like the older sibiling that's holding the family together. Heavy Capricorn and Aquarius placements aren't held to the same standards as the rest of their family (maybe with the exception of Pluto, but that's another topic for another day).
You get what you give
When Capricorn and Aquarius placements harm others, Saturn makes sure that he holds them accountable. It can seem harsh, but from a young age, people with Saturn placements usually learn quickly to live from a set value system to avoid turmoil.
In the reverse, Saturn placements receive quicker vengeance from Saturn if someone harms them. If you mess with Caps or Aquas, be prepared to receive a visit from Saturn. And soon.
If you're ruled by Saturn, then you've probably been accused of hexing a person after they did you wrong. Typically, this is because their life will fall apart bit by bit until Saturn has decided the act was repaid in kind. Saturn always looks out for his children.
So, is Saturn the villain?
No. He isn't. But he does demand attention. If he sees unused potential inside of you, he's going to make you use it. Look to the house and the sign ruling it to determine what that potential may be.
What form will vengeance take for those that do us harm?
You can usually tell how someone's life will be affected when they cause you harm by looking at the house their Saturn placement is in.
1st House: Self, identity, appearance, attitude, first impressions.
This can look like someone having an identity crisis, spilling their coffee on their shirt the day they're supposed to present that power point at work, having a negative change in attitude about life which shifts their perspective, or they may leave bad impressions on the new people they meet.
2nd House: Money, work, income, daily routine, material possessions
They could have troubles with their finances unexpectedly, they may get demoted or struggle to keep up with their work duties, their bank account could lock on a trip and prevent them from accessing it, their daily routine could be thrown off from an unexpected event, or they could break items that are important to them.
3rd House: The mind, thinking, communication, sibilings, social activity, neighbors.
This person could begin to feud with their neighbors, began fighting with their sibilings, experience issues with electronics or forms of communication, be excluded from social activities or stop going to them on their own accord, or they can be troubled with overthinking. They may also end up on the receiving end of lies from those they care about
4th House: Home, neighborhood, hometown, family, self-care, emotions, mother, children, femininity
This person may struggle with feelings of hopelessness. They may struggle with seeing the way out of a bad situation. They can struggle with lack of emotional support, poor self-care practices, trouble with their childhood or their mother, and they could even be battling their own wounded divine feminine energy (we all have masculine and feminine energy).
5th House: Romance, love, affairs, play, creativity, joy, self-expression.
They may have their creative work judged harshly or have a hard time navigating romantic endeavors. They may have their joy taken from them or they could have a form of their own self expression ripped away. Instead of self expression causing peace, it could humiliate them instead. They may struggle with their confidence or they may find it difficult to connect to their inner child.
6th House: Health, fitness, systems, pets, work habits, organization, services, feeling useful.
If they slack off at work or take credit for a project you accomplished, they may find themselves demoted or criticized by your boss. Their system of organization could be a victim to the consequences of their wrongdoings. They may struggle with the confidence at it relates to their job or any services they provide others.
7th House: Relationships, marriage, contracts, business partners, interpersonal style.
They may encounter struggles in business agreements or among business associates. They may experience a change in relationship status that they weren't expecting. They could have contracts fall through or business deals might not work out. They may even experience a crisis regarding their fashion decisions.
8th House: Intimacy, shared finances, inheritance, taxes, loans, assets, property, goals.
This person may have trouble connecting with others emotionally or romantically. They could have disputes on inheritances or may receive a bill from the IRS about taxes they didn't pay. Their goals can fall flat and any assets they have may be subject to criticism or legal matters.
9th House: Travel, wisdom, philosophy, higher education, law, religion, learning ethics, cross-cultural relations.
Someone that tries to harm you may find themselves caught up in an existential crisis. They may be questioning their faith, their values, their ethics, and even their perspective of how they view the world. They may end up in legal troubles or their grades may suffer if they're enrolled in school.
10th House: Career, long-term goals, status, reputation, public image, masculinity, fathers, fame.
If a person treats you wrong, they may soon find their reputation being called into question. They may struggle with achieving goals that once came easy to them. They could struggle with the career trajectory and the positive influence their name once held may disappear.
11th House: Groups, friends, social awareness, humanitarianism, technology, hopes, wishes for the future.
Friend groups may dissolve. They could be kicked out of their friend groups. They may struggle with understanding how they fit in socially (note: this would not be due to autism or neurodivergency. This would be for a person that once knew their social standing and then suddenly didn't after experiencing a falling out with friends.).
12th House: Endings, healing, closure, spirituality, solitude, old age, afterlife, limiting beliefs, subconscious.
They may experience nightmares or an opportunity may be taken out of their reach. They may struggle to find closure and experience more limiting beliefs than they were before.
Note: this is just how it may present. It doesn't mean this exactly how it will present. Just giving examples.
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Eddie Munson’s Bandana: An Analysis
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Content Warning: discussion of flagging, sex, sexual preferences, HIV/AIDS, drugs
Y’know, I’ve seen a million takes on the handkerchief Eddie has in his back pocket. I’ve seen people who prefer Eddie as a top in fanworks point at it and say, “there’s your proof, no point in denying it.” On the other hand, I’ve seen people who prefer him as a bottom say that he is unaware of the implications of the bandana, or simply write his bandana to be in his other pocket. I even saw a fanfic where it was because Eddie didn’t know his left from his right.
But I think there could be more subtly to it. As a gay guy, I gotta tell you, there’s a million reasons for Eddie to have that bandana in his pocket.
One is the obvious — he’s flagging his preferences so other queer men know what he’s looking for. The pocket he wears it in canonically would indicate that he prefers a top/dominant role in the bedroom. Now that could meant submissive top or dominant bottom, not just dominant top. The color is another issue. A black hanky is indeed representative of S/M, but in the 80s, around the time of the HIV/AIDS crisis, black and white hankies were worn to represent safe sex. Basically, “Hey, it’s cool if we hook up as long there’s protection.” Does Eddie have handcuffs hanging in his room? Yeah. Would that indicate an interest in S&M? Yeah. But the black and white hanky DID have another meaning at the time the story takes place.
Another option is that Eddie wants other queer people to think he’s a top, even if he may not identify that way. As a short king myself, I have to say that in certain situations (see: gay bars), I tend to attract more aggressive guys. By dressing and acting in a more aggressive, masculine way, I can sort of deter those kinds of guys when I’m not looking to hook up. I found that was less true when I lived in San Francisco, but while living in a small town (like Hawkins), I see a lot more of that “masculine tops” and “feminine bottoms” mentality. Also a lot more of the “no such thing as a true switch” mentality. Now, I’m not old enough to tell you what it was like to be queer in the 80s, but there wasn’t nearly as much information about being gay back then. You could only learn from other individuals — no looking up how gay sex works on Google. So it wouldn’t shock me if that whole “who’s the man in the relationship?” thing was something queer folks had to reckon with way more than we do now. Basically, for Eddie, that bandana could be a sign to other queer folks that he’s a safe person to talk to, while simultaneously working as a deterrent to “doms” who wouldn’t know safe, sane, and consensual is it slapped them on the ass. And, even today, there’s a lot of those.
Or, given Eddie’s, er, career path, it could be a sign to potential buyers. If you’ve never been a gay man, you might never have heard of poppers. In the 80s, it was known as the gay drug. And honestly, it still sort of is today. In a queer space, you can say poppers and everyone will know what you’re talking about, but I’ve mentioned it to straight friends and had to explain it, since they’d never heard of them. I’m one of those so-sober-he’s-boring people. I’ve never done recreational drugs, and I rarely drink. I’m often the designated driver, and I’m happy ordering a Shirley temple at the bar while my friends get sloshed. And I still know about poppers. The idea is to make anal sex more comfortable and enjoyable. So, by flagging, Eddie could be signaling that it’s safe to ask him for some.
If Eddie is flagging for non-sexual reasons — just trying to signal to other queers that he’s safe — the pocket he chooses could be incidental. What if he’s a switch? I’ve read articles saying that you can take a bunch of bandanas, tie them together, and wear them like a belt to show you’re a switch, but as far as I can tell, that wasn’t a thing back then. Whether or not it should be a thing now, from a fashion standpoint, is another issue. Something that I like about Eddie is that he does actively go out of his way to create a safe space for other “freaks.” It’s a really endearing part of his character, so flagging without sex being his actual goal makes sense for him.
The last possibility I want to address here is probably something that angst writers will eat up. I’m gonna tell a personal story here, just heads up. What if Eddie has been TOLD that he is a top? I was in a long-term relationship with this guy — I mean we were living together and talking about marriage, adopting kids, it was serious. And he basically said that I was bad at bottoming. Really, he just wanted me to top all the time, but he got it in my head that I wasn’t a good bottom, that I made unattractive faces, or it took me too long, or fucking whatever, but after we called it quits, I didn’t have sex for four years. Because I thought that the way I enjoyed having sex wasn’t enjoyable for my partner. If Eddie did have a partner who made him feel insecure about his preferences, he could be flagging as a top, maybe even believing that he is a top, because his experiences bottoming haven’t been great. In truth, he could be a switch, or hell, just a straight up bottom, but not want anyone knowing about that side of him.
Finally, just to wrap this up, I want to point out that this was all just food for thought, not what I see as the “correct” way of viewing Eddie’s bandana. Basically, I just wanted to show writers that they don’t have to say Eddie didn’t know he was flagging if they want him to bottom in their fics. I honestly think the fanfiction community gets hung up on top vs bottom way more than is actually realistic. While I am one of those people who does have a definite preference, I think I’ve run into more switches than tops OR bottoms, doms OR subs. And at the end of the day, we’re all just getting off to fictional characters, trying to find content that caters to our own preferences, so there’s absolutely no reason to fight each other about it.
Aaaaaand that’s that. I’m curious what you guys think about all this, so feel free to comment or shoot me a message or something.
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Update: @nam-draws reminded me that Eddie’s bandana has implications in the metal scene as well, I wanted to talk about those as well!
So, one of the bands that we see Eddie likes a lot is Judas Priest. He’s got a pin on his vest and two posters in his room. Their lead singer, Rob Halford, is a homosexual man — he officially came out in 1998, but he had a coming out song, Raw Deal, way back in ‘77, that he said queer fans recognized for what it was while going over the heads of straight fans. Halford wore a bandana in his back pocket whenever he performed, and some metalheads started wearing them as well, trying to emulate his fashion. He contributed hugely to metal fashion; according to Rob Halford himself, the aesthetic of his outfits on stage came from the San Francisco gay BDSM scene in the 70s.
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In the photo above, you can see what his look entailed. Note the handcuffs! We see that Eddie has handcuffs hanging in his room, not to mention his belt buckle. It could mean that he’s into BDSM, or it could be in homage to one of his favorite musicians. That’s another way authors can play with the implications of his costume and set design — maybe Eddie is super kinky, or maybe he just wants to emulate Rob Halford! It’s up to you. So maybe Eddie wears his bandana like that as part of his metal fashion instead of his queer fashion. After all Rob Halford ensured that the two would have significant overlap for half a century to come! There is another musician who Eddie could be paying tribute to (although I think it’s less likely for reasons I’ll get into in a bit).
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James Hetfield, co-founder, lead vocalist, and rhythm guitarist of Metallica also wears a bandana in his back pocket on stage, but not for flagging purposes. He claims that he shouts into the bandana before a show, so if he loses his voice on stage, he’ll always have an extra yell in his back pocket. Just for reference, Judas Priest released their first album in September of 1974, but didn’t get mainstream traction until their Sin After Sin album released in April 1977. Metallica, on the other hand, released their first album in 1983, and didn’t see commercial success until their Master of Puppets album released in 1986. It’s also worth noting that Metallica hasn’t found its way onto Eddie’s battle vest yet, likely because he discovered them recently. Basically I’m saying that if Eddie really is emulating either Halford or Hetfield, Halford makes more sense from a timeline standpoint.
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What do you define as traditional femininity and masculinity? I don’t think it was bad that women were liberated. Not everyone wants to marry so she should have the right to be able to take care of herself and domestic violence was very high back then so an escape route for women was needed. I think we need higher wages and maybe fewer hours as a whole. Including more time for parental leave. I am curious though as a gay man, do you think two same sex parents lead a home life that is lacking?
First off, I don't see it as "liberation", hence the quotes I used in the last ask. All women's lib did was add more taxable income to the income pool and lead to children being raised by strangers and devices. It's a net negative for society and culture, even if some individual women benefited. I'm not saying women shouldn't be allowed to work, but in a family, only one parent should work full time.
Traditional masculinity is when a man takes responsibility for himself and his family. He provides for his children, treats his wife right, and leads by example. One of his main goals is to see his children lead a better life than he did. If he doesn't have a family, then he should do his best to leave society better than he found it. He should be strong, decisive, and hard working. He should be polite and well dressed. He should protect his family at all costs. He should be his wife's strongest supporter and advocate.
Traditional femininity isn't as different to traditional masculinity as you'd think. Femininity is not weak, it's just strong in different ways. Where a man is more attentive to the physical needs of his family, a woman should be more attentive to the emotional needs. She's the one the kids come to with their issues and their feelings. She maintains the house and does the chores the man can't because of his other responsibilities. She should be publicly modest. She should be unrelenting in defense of her family. She should be her husband's strongest supporter and advocate.
And despite me using the words "man and woman", masculinity and femininity aren't necessarily gender locked. A man can fill the traditionally feminine role, and vice versa. In a single parent family, the parent can potentially fulfill both roles, or another family member can step in to one of them. But the roles themselves are important, in my opinion. You need both influences to raise children right. And they're both ideals that everyone should strive for regardless of which role they want to fulfill.
As to the rest of your ask, higher wages and fewer hours would solve nothing. Assuming by "higher wages" you mean "all jobs raise their wages for all employees" you're basically arguing for an increased minimum wage which always results in higher prices, negating the entire point of raising it in the first place. Just throwing money at a cultural crisis isn't going to fix it. It needs to be fixed within the culture itself. People need to want to fix it. And sadly, most people won't even admit that there's a crisis.
Your claim that domestic violence was "very high back then" doesn't really have data to support it. Domestic violence wasn't even tracked until the 70s, so there's no real data before that, and the first organizations to track domestic violence were feminist activist groups, which have a political motive to inflate domestic violence against women and have a history of lying about women's suffering. The rate of domestic violence has gone down since the 90s, but that rate has mirrored exactly the rate of all violent crime falling, so there's no way to tell if that had anything to do with domestic violence laws being passed, or women being able to work, or any other specific factor other than society becoming less violent as a whole. As for domestic violence being mainly an issue of men beating women, that's just not true. Rates of perpetration are much closer between the genders, with female perpetrators exceeding male perpetrators in some demographics, such as high school students. Lifetime rates are higher against women, but in more recent years men have been victimized more.
Actually I'm just going to post that second link here, because there's a lot of interesting data to look through that shows domestic violence isn't as cut and dried as activists and tv shows try to make it out to be.
So the idea that women need to work in order to be "saved" from abusive husbands might be true in some cases, but it's not a society wide fact of life. And again, I'm not saying women shouldn't work ever. If a woman wants to leave an abusive man and she needs a job to do so, then she should get that job and leave that man. The problem here isn't with women being "kept out of the work place", it's with the whole society wide scam of "you need college and an unbroken work history to be qualified for any job", which is another society wide problem that must be fixed with a cultural shift that will take years, if not generations.
Finally, to answer your question about gay parents, I honestly don't know if gay parents are overall good or bad. All the studies that have been done that show either children of gay parents being worse off than straight parents, or vice verse, have methodology and/or sample size issues and they're all politically motivated. So I tend to disregard all of them. What I do see is entirely non-scientific, but there's a severe lack of proper morals in the gay community that I'm very wary of those people getting their hands on children. At the same time, the gay "community" doesn't represent all gay people. Not every gay person is a trans cultists or a sexual degenerate. But when those people are the public face of "LGBT", and there's no significant push back against that from the rest of the supposedly normal gays, it's not an unreasonable assumption that those kinds of behaviors are, if not practiced by most gays, at least seen as acceptable. Which is not okay and is not an environment children should be raised in.
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kittythelitter · 1 year
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Thinking about a hypothetical episode of Community with the original 7 where Shirley brings one of her friends from church to Greendale, let's call her Mariah
This friend is a trans woman who is a devout Christian and because she's Christian Shirley listened to her about trans issues and stuff and decided if this nice Christian person wants to be addressed as a woman the Christian thing to do is to treat her like a woman and be respectful of how she wants to be addressed. Whether Shirley personally views Mariah as a woman is ambiguous.
Pierce doesn't clock her or even understand what's going on when the group discusses that she's trans, he just sees a hot new lady and is constantly sexually harassing her and she calls him a chaser which he decides is a new word for like a pick up artist and starts self identifying with it and ends up having his own mostly off screen adventure about it.
Britta immediately outs herself as a terf but gets all her terf talking points slightly wrong. Her whole arc is just her talking herself in circles until she sees Mariah experience transmisogyny and is like. Actually what defines a woman is suffering in society as a result of your gender which means trans women are women. But at the end of the episode she meets Mariah's boyfriend who is also trans and sees someone be transphobic to him and is like. But if you're suffering aren't you also a woman? And that's the very end of the episode so instead of a resolution about it we just leave Britta to whatever she's debating with herself and move on.
Jeff doesn't have an opinion of trans people going in but defends trans people just to disagree with Britta, but as he argues in defense of trans people he manages to get really into what he's saying and ends up doing some public speaking for a trans rights group on campus. (The Dean is there just because Jeffrey is there being all eloquent and manly, half learns terminology and starts referring to himself as "Dean-der Fluid" and "non-dean-ery".) A trans guy talks to Jeff about his hair and his workout routine and Jeff realizes he and the trans guys at the event have a lot in common in terms of how they perform masculinity in order to get others to see them the way they see themselves/want to be seen.
Abed similarly spends time talking with the trans group about performing gender among other things and knowing yourself even when others don't understand you or want to change you. They complain about transphobia in tv and he admits that community has had some transphobic bits and talks with them about better representation and problematic stereotypes and tries to get one of them to stay on as a series regular in order to make community a better more representative show.
Troy and Annie both try to figure out if being attracted to Mariah makes them gay. They both come to the conclusion that Mariah is a woman so Annie is probably some kind of queer and Troy is still not gay for being attracted to her. They both go to the event with Jeff and Abed.
Troy meets a really hot trans guy and is like. Okay i am attracted to men. And then we see flashbacks of him clearly flirting with and/or going on dates with guys since he got to Greendale and just not realizing it. He, rather than having a bi crisis has a "I had a chance with all those hotties and i blew it" crisis before hitting on the trans guy who he thought was flirting with him but who was actually under the impression that troy and abed were a couple and was trying to figure out if they'd be down for a 3-way.
Meanwhile Annie starts doing research with the pamphlets laid out at the events to figure out what kind of queer she is and every time it cuts back to her theres more and more queers around her flirting with her. Including some butch lesbians, some nonbinary people, and some trans guys who are all enamoured with her sweet femme charm. (We get snippets of conversations that have things like compulsory heterosexuality, different flavors of bi, asexuality etc) she turns up at the end with a lesbian pride pin on her backpack and her hair and lip gloss very mussed.
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oldshrewsburyian · 2 years
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I finished s1 of OFMD, and I have Thoughts. I am, of course, not going to inflict them all on you, but I do want to point out one place where my reading/reception of the show and its characters diverged wildly from other reception I’ve seen. And it’s here: I think Stede spends much (most) of the first season as a terrible person who hasn’t unlearned the toxic masculinity of the patriarchal structures he’s steeped in and benefited from. Moreover, I think this makes the show better and more interesting than it would be with the Naive and Sanguine Gay Man Runs Away To Sea narrative. Polysemy is cool and all, and this show is obviously into that, but here’s my case, put briefly in a series of responses to examined objections. [Spoilers, obviously, ahead.]
“He abolishes the plunder system in order to establish a kindlier, gentler piracy!” ...He abolishes the plunder system and reestablishes the salary system of the British Navy. I’m not saying he’s being disingenuous when he tells the crew what he wants to do. But what it amounts to is also replicating the only system he’s used to.
“He tells the pirates bedtime stories!” Hmm yeah. Put another way, he runs away from the patriarchal system in which he is such a signal failure, and from which he has been shown to be voluntarily disengaged, to recreate another patriarchal system in which he can have (or at least playact) absolute control. On the Revenge, in contrast to his household, he can be the patriarch who has supreme authority and who shows care (in ways of his choosing) to be rewarded with love in return. The fact that he recreates a gentleman’s sanctum (library, wardrobe, pantry) is also significant, I think.
“He likes marmalade, aww!” He’s not Winnie the Pooh. He increased the entire crew’s risk of starvation because he likes Seville marmalade on his toast. Here and elsewhere, he is shown to be stunningly self-centered (though not self-aware.)
“He just doesn’t understand how to cope with society!” Oh, I think he understands perfectly well; he just doesn’t want to. After all, he understands both the mores of the aristocratic class and how to manipulate them, as illustrated at the party. When he decides to unleash “passive aggression,” moreover, he does so in ways that are strikingly vicious. It’s a scene played successfully for comedy, of course; these are terrible, exploitative people who are a hairsbreadth away from tearing out each other’s throats in order to preserve respectability. But also: Stede is ready to destroy their lives and like it.
“He just likes drama and wants to make Ed happy!” He does want to make Ed happy, yes. He is dangerously, incorrectly confident that he knows what that means. The art of fuckery, for instance, is achieved despite Stede, with the crew on their own initiative using ideas he vetoed in his authoritarian snit.
For all these reasons, I think that the end of e7, where Blackbeard suggests co-captaining, is a really important moment in Stede’s character development. He is -- finally! -- relinquishing his need for absolute control. It is only in partnership with Blackbeard, in other words, that he can actually start moving towards a less hierarchical, less authoritarian, even queered (ahem) model of piracy and life.
After e7, in a non-linear fashion (!), we see Stede making progress. But it still seems entirely plausible to me that Blackbeard would decide that, when it came to a moment of crisis, Stede would decide on the comfort zone of familiar patterns rather than a high-risk sailing into the great unknown. There’s enough truth in Badminton’s nocturnal monologue to make it sting. (After all, it is Ed who is equated with Peter Pan, who thinks that even Death will be an awfully big adventure. Stede is equated with Pinocchio, who just wants to be accepted as normal in/by society.)
In a very satisfyingly classic dramatic move, Stede literally descends to the brink of death, in ways that are hilariously overkill: first Badminton tries to shoot him, then Mary tries to Jael-and-Sisera him (I support her), and then he finally does “perish” ...in a coup de theâtre that requires him to receive help from people he has previously ignored or despised or both. This, not e6, shows him as a full participant in collaborative fuckery. So Stede, having gone like Gilgamesh and Odysseus and Aeneas to the land of the dead, can finally return and start being a hero on the model he (with a kindly assist from the crew) previously deluded himself into believing he was. That’s what I call a season finale.
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foggyfanfic · 1 year
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Encanto Headcanons Nobody Asked For
Hello! I am putting off writing my last essay of the semester, so here are some headcanons!
The thing where the kids touch the candle and promise to help Encanto however they can started as Alma's way to reassure nervous villagers that the Madrigals wouldn't misuse their gifts.
When Alma first got her door and saw an old woman on it, she was super confused, but also too tired from the day's events to question it too much. When she eventually looks the same as her picture on the door she has a small mid-life crisis that she reveals to nobody.
Same for each of the triplets.
People do actually break into song in universe, it is a side effect of all the magic in Encanto. The first time it happened was about seven months in and everybody freaked out about it for months.
Alma eventually gets used to the singing thing and never thinks to mention it isn't normal to her kids or grandkids. In fact, most people in Encanto take the singing for granted, so when the mountains open up and they get a few new villagers nobody bothers to warn them that the village will regularly break into song.
I know the creators said the village is completely self sufficient, but like... where's the quarry for all the stone? Where are they making glass, that requires a specific kind of sand, do they have that sand? How are they getting new books? Nah bro, the village has three merchants who journey past the mountains twice a year.
I know the generally accepted headcanon is that Agustin was born outside of the Encanto, but I think his parents were city dwellers visiting family when the village got raided. They escaped with their hosts and planned to take their family back to the city with them, then ended up in a magic paradise instead.
In the same vein, Agustin's dad was a banker and has become the town's unofficial treasurer since that's about the only way he can contribute with his skill set.
Agustin's mother passed in childbirth, his father eventually remarried, but only after a few years of grieving. Agustin has three much younger half siblings.
Bubba comes to Encanto and does indeed get with Isabela, but I mean... some AMAB dude who surrounds himself with the trappings of masculinity and had zero problem seeing through Isabella's hyper feminine facade? Trans woman Bubba. All I'm saying. (Transphobes dni, neither of us will change the other's mind).
The art book had something about Isabela looking more indigenous than her sisters, so we know the family has indigenous roots. I wasn't able to find a lot about queer history in Colombia, but I did see that two native men were murdered by colonizers for being gay out in the open. That kinda implies that homophobia comes from the colonialist side of modern Colombia. I choose to believe that Alma has a great aunt on the native side of her family who is married to a woman. She grew up hearing that they have to keep the marriage secret to protect her aunts, so when she notices Bruno has a boyfriend, she starts planning a secret wedding without mentioning anything to Bruno.
Bruno doesn't realize his mama knows he's not straight, he thinks he's hidden it very well. When Isabela and Bubba nervously come out at dinner and Alma asks Bruno if he has any advice about being queer, Bruno inhales what he's eating and needs the Heimlich.
I agree in general with queer Madrigal headcanons, but I'm also aware that we're dealing with an isolated community a couple decades before the lgbt rights movement really kicked off in Colombia. I suspect most of the characters wouldn't use any of the labels we use today, and in fact, characters like Mirabel wouldn't stop to consider they're not straight until they've already been happily married for two decades.
That said, I think Mirabel is what we consider to be bi with a heavy preference for men. Her husband is quiet and doesn't have a single creative bone in his body, but thinks everything she sews deserves to be put in a museum. They bond because he commissions her to make something for his mother.
Luisa gets a tiny little husband who falls to pieces when she flexes. He does not understand people who say she is too masculine, or call Isabela the pretty one.
Camilo's youngest son is autistic, not that any of them know that's what the kid's deal is. Camilo just thinks his son is hilariously blunt and really into bugs. He doesn't really get how the kid can spend hours looking at an ant hill without getting bored, but whatever, he'll just buy the kid an ant farm for his birthday.
When women marry into the Madrigal family that don't have anybody to walk them down the aisle, they ask Tio Bruno to do it. It started with Camilo's wife, whose father is abusive, and became a tradition as the family grew.
When Mirabel becomes a grandmother the family starts calling her Mirabuela. Similarly, Antonio eventually becomes Tio Nio, to the point that some people forget he has a first name.
I actually have a lot of headcanons about the future of the Madrigal family but this is getting long, so I'm going to stop. I've ended up mentally writing whole ass fics for Camilo's wife and his youngest granddaughter, as well as for Mirabel's daughter, and Dolores' great grandson, so if I get into all of that this thing is going to triple in length.
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gin-juice-tonic · 1 year
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Hey Gin this might be a silly thing to ask, but how did you realize you were trans? Cause ever since I saw your trans Stan and Ford I think I had some sort of relivation, it started with just really enjoying the art you drew to me feeling some sort of envy. Either that I want to dress more masculine or that I actually want to be a man, cause honestly when I look at your trans stans I just feel so much gender envy (jealousy?) And on my last period I had a whole crying fit over it starting, which has never happened before. I just don't know if this is actually what I'm feeling or if it isn't. I've had thoughts of telling my mom and fearing the consequence. This is just all so new and I'm honestly scared. I figured I'd ask you since I look up to you and from what I've seen you are quite wise. I don't really know why I have so much self doubt and constantly flip flop over things. It's frustrating, I just wish I could be certain about something for once. Sorry about this, I'm a mess really.
It’s not silly to ask. My answer is unfortunately a little silly, because I’m a goober. I also typed A LOT so its all going under a read more
So, I was 16 and on tumblr even more than I am now, and I was (still am) friends with a trans woman who reblogged a post that was like “Just trans girl things: eating dark chocolate because it has substances similar to estrogen” and I went “Haha i guess I should stop eating it.” followed by “…why do I feel that way” and THAT was followed by quite the crisis.
Trans men weren’t as well known about back then, so I was like “Well, it means nothing, since only women can be trans”. And then I found out men could be trans too and that pushed my crisis further along. And I started to think. About how I liked when people defaulted to male pronouns for me on the internet, or how when i was a kid I would use a crazy amount of shampoo to make my hair look short and flatten my chest in front of the mirror and look at it. Things like that. And I got upset because “no i can’t be trans that’s impossible”. I would google things like “how do you know if you’re trans”, “quiz to see if you’re trans”, ect.
But the idea of being seen as a man was exciting. It was tantalizingly exciting. And I knew it could be possibility for me someday, and I knew that made a part of me happy and I couldn’t un-know it.
Final straw was a nonbinary person I had been following made a post about how they were going to start taking testosterone. And instead of feeling happy for them I just got mad and started sobbing to myself. Because I was so extremely jealous. So jealousy absolutely has its place in figuring things out.
You should think. Think about attaining the things you’re envious about. Does this make you happy? It’s okay if it’s upsetting or scary at the same time. Change often is. But if it makes you happy, excites you, gives you hope for the future, it’s worth thinking more about.
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You don’t have to jump into telling your mom right away (and I wouldn’t really recommend it till you’re a little more sure of yourself). You can go at whatever pace you want to. I didn’t tell my mom (or anyone in my real life at all) till I was like, 20. And I’d known for 4 years at that point. You’ve sent me a tumblr message, so I’m assuming you’ve got an account here. I’d say asking your friends on this website to address you as male would be a good way to ease into things. And you can see if you like that or not.
For how you dress, again, you can ease into it. Personally it made me happy to dress in athletic clothing (especially tank tops- to show off my non existent guns), or to dress like a greaser (Though I preferred a black t shirt to a white one), or a golfer. None of those things particularly scream ‘man’ but they were man enough to me. You can find things man enough for you. If you want to try out a binder and think you can get one without anyone noticing, my first ever one was a Tri-top from Underworks. They’re like $30 or so. I was able to get away with buying it because I was a cosplay nerd so I just said it was for that.
If you’re the type of person who owns makeup- you could try to find some time alone just to have an experiment of mimicking drag king makeup, or makeup for cosplayers doing male characters. I did that once early on, and while it looked admittedly goofy, it made me ecstatic at the time.
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Er sorry for things getting so long. But I just want to say lastly that self doubt is both normal and okay. And thinking far in the future (ie- things like coming out to people or hormones or anything like that) might scare you. But you can take things one step at a time if you want to. Play with just looking at clothes, making outfits on pinterest or whatever, imagining scenarios where people address you as male, thinking of names you might like. See what makes you happy, and expand on the things that do from there.
And regardless of what you discover, in the end you will have learned more about yourself. And that's always a good thing.
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beanghostprincess · 5 months
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Dipping in and saying transfem Sanusop is great but also just that transmasc Sanji has just a real special place in my heart. He’d probably join the crew already transitioned, just because I can easily see Zeff just being immediately supportive of his boy, and nobody ever questions Sanjis gender ever. He’s „blackleg“, „pervert“, „lovecook“ Sanji and nothing is ever gonna change that. Enter Sanuso tough and things get more complicated because Sanjis ideas of what makes a man are weird and nonsensical at times and him being a „ladies man“ is something he prided himself in and now he has to come to terms with the fact that: No, most straight men don’t regularly think about what it would be like to be in a fulfilling relationship with another man, no not even to „just see what it’s like“, most straight men don’t get those types of butterfly’s around their best friend. And poor Sanji is having an internal struggle because a weird part inside him feels like this somehow invalidates his gender. Bad times and dysphoria all around. Usopp may actually even already know that Sanji likes him back but doesn’t know how to proceed past this issue. He wants to tell Sanji that he loves him, that he would love for him to be his boyfriend, but nothings worth putting Sanji trough a mental breakdown and the thought that them being together would somehow make Sanji feel like a „false man“ is just horrific to him. In my mind they navigate trough it eventually just because I love fluff, but they have a slow burn type of relationship with lots of two steps forwards one step backwards types of progress.
Oh, I absolutely love this.
I've said it already a couple of times, but even if I'm very fond of transfem Sanji, I think transmasc Sanji works just as well with his character and story. He's so trans that no matter what you like, you're probably going to be right. Unless you think he's cis. Then you're definitely wrong. He's trans in every way possible.
His whole view on women and the fact that he worships them so much would have played, in my opinion, a big role in his gender discovery. He would feel so guilty and just... Wrong rejecting womanhood. Like- If he thinks women are the best thing the world has ever created, then why is it so hard to be one? He would have it rough, honestly, accepting himself. Especially after escaping the Vinsmokes and trying to forget all the things they said about him (and how many of them are related to femininity). But I think everything would get easier with time after getting adopted by Zeff. He transitions and he's finally happy with himself (almost, because he still has to fight every day against his own thoughts and past. But at least he's more comfortable in his own skin, now).
And everything goes well from there. Except when he meets Usopp.
It's not that Sanji thinks being gay means being less of a man or anything. He keeps saying he has nothing against gay people and he's being completely genuine there. But his own view on masculinity and what it means to be a man for him includes being a ladies' man. Liking women. Only women. That, and the fact that men and manhood have brought so much pain to his life, make it really hard for him to accept that he's in love with Usopp. With a man. Besides, he has created this persona- This different personality (slightly different from his own. Just a bit more confident and a bit happier and stronger and everything he thinks he's supposed to be considered a man, including liking girls) to feel like a real man. And he is a real man. He knows this. He just feels like if he doesn't follow the right norms he has established for himself and his own masculinity, everything will fall apart.
So, yeah, he kind of has a whole crisis when he realizes he's in love with Usopp. I love talking about Sanji's internalized homophobia/biphobia because I honestly think it's such an interesting topic... But I don't want to make this too long, so I'll just say that he would have a really hard time trying to accept this. The situation would make him angry at himself and even angrier at his surroundings. It would also make him isolate himself because, of course, he won't ask for help. And if Usopp (his best friend) enters a room, Sanji will get out of there just as quickly. His brain is a mess. My poor boy.
Usopp knows, of course, because it's not hard to tell when Sanji is in love with someone. But of course, he won't say anything until Sanji is ready to say something first, because it's pretty much obvious that he's having a hard time, and it's even more noticeable because he becomes more and more and more annoying when it comes to women now. He tries to overcompensate and reaffirm his gender by acting like the ladies' man he tries to be (it doesn't work). And Usopp doesn't mind waiting for Sanji, even if it takes him years, but he can't bear to see Sanji doing this to himself without doing anything to help him.
Not gonna turn this into a whole fanfic because if you're asking me this you probably know my posts and how long they end up being because I turn them into whole one-shots at this point- I swear I won't this time!! But!!
Just saying that Usopp trying to talk things out with Sanji and Sanji having a whole breakdown + Usopp comforting him and saying that they don't have to rush anything if he doesn't want to, that they can go as slow as Sanji wants. That he would wait forever for Sanji. And Sanji accepting to date him and getting used to being loved and loving in that way... I don't know. It feels like a good way to reach the fluff you were looking for with a bit of angst and slow burn first!!!
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freelanceexorcist · 2 months
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Spoilers and more pedantry that I would ever ask you to live though if I was in my right mind right now:
So I’m pretty firmly in the camp of Watashi Sephiroth and Ore Sephiroth being two different people, or more accurately, two versions of the same person from different timelines. I’ll find out soon enough if I’m wrong about this or not, but there have been clues dropped that this could be the case.
So let me put my speculatin’ hat on one last time.
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I know I told you the last time was the last time, but things change.
The pronoun switch from Watashi to Ore in Japanese is just the first clue, and I can’t blame anyone who misses that one because they don’t speak Japanese and/or don’t have access to good faith translations of Japanese materials. I was lucky enough to stumble upon the Twitter account of @aitaikimochi, who is an absolute treasure in this department as she’s fluent in both English and Japanese (don’t know which one is her first language).
Then there’s the bit in the Ultimania (or maybe an interview? I don’t remember) where they pretty much come right out and say Ore is a version we’ve never seen before. But that’s also in Japanese so again, no one can blame anyone for missing that one either.
Another subtle clue is the other characters’ reactions when Sephiroth is onscreen. When Cloud has one of his glitches in the presence of others and Sephiroth appears, the others don’t react the same way he does. This is because Cloud is the only one who can see him and the creators have said as much. There are multiple versions of Sephiroth, according to official sources. One version is a memory and the other is described as an illusion. It’s not clarified if by illusion they mean a vision with an external source or a hallucination. That one will probably remain a Maybe Magic, Maybe Mundane (warning: TV Tropes) situation.
He has a third form in which he manifests using Marco and the other black-cloaked men as a meat suit. But still…other characters’ reactions make it seem like Cloud is still the only one who can see him. In Marco’s apartment, Cloud is attacked by Sephiroth using Marco. Tifa rushes in just in time to see Cloud about to cut him in two with the Buster Sword.
So how does she react? Is it shock at seeing Sephiroth after all this time? Is it fear? Is it happiness that Sephiroth is about to get got? Nope. It’s concern. For Sephiroth.
But why though? She of all people should be thrilled that the man who ruined her life is about to get what’s coming to him.
Yet she stops Cloud and goes to help. Why? Because all she sees is Marco, perhaps. She doesn’t see Sephiroth.
Another instance is in The Drum. Cloud glitches and then all of a sudden Sephiroth appears. Cloud is scared and angry, but the rest don’t react in a way you’d expect. That is to say they don’t really react at all. When Cloud charges at Sephiroth, Tifa cries out to him. But is it because her friend is going full Leeroy Jenkins on someone who can squash him like a grape? Or is it because she sees him charging at Marco?
My point, and I do have one, is that Watashi is the one that likely only Cloud can see. Meanwhile, Ore can be seen by and can interact with everyone. Hell, they all fight him.
Then there’s the issue of behavior. I’ve talked about these differences before, but here’s a summary. Ore Sephiroth is helpful to Cloud. He asks for his help. He seems dejected when Cloud refuses. When they fight, he merely disarms him, drops a cryptic line and peaces out after deciding Cloud isn’t strong enough to help yet (that’s how I’m interpreting his “not yet” line, anyway). There are other differences though, that I’m just now realizing.
The way he walks. Watashi’s gait is slightly feminine, with softly swaying hips. It’s subtle, but he got dat lady swagger. In the Rebirth demo, his gait is more masculine. You can’t tell much from Crisis Core, because the mechanics are just as clunky as the original even though the graphics have a new coat of paint.
His facial expressions. That is to say, Ore actually has more than one. Watashi’s facial expression is rarely anything but smugness or malice. Ore’s face expresses gentleness, openness, disappointment and determination or, when he’s fighting the party, anger and intensity. He gets a smug look before he fights Cloud, but even then it looks more like he knows he’s about to have some fun. This same expressiveness can be seen in the Ever Crisis trailer, Crisis Core and the Rebirth demo.
His body language. Watashi faces a target or opponent head on and looks them dead in the eye nearly the whole time. The latter can be a sign of attentiveness but also a display of dominance. He never allows himself to appear vulnerable. He never turns his back on his opponent. We don’t see him sitting in any scenes, so there’s not data there yet. He gives no clue to what he’s thinking or feeling using his body movements.
Ore, in Crisis Core, Ever Crisis and the Rebirth demo, often turns his body away from someone he’s speaking to if he doesn’t fully turn his back to them. He bows his head or looks at the ground when he speaks so his hair hides his expression. This can be interpreted as shyness or discomfort. He crosses his arms over his torso. This can be interpreted as a self-protective gesture or one of defensiveness. It’s the same with the crossed legs when he’s sitting in the truck in the Rebirth demo. Like Watashi, we don’t see Ore sitting, so nothing to analyze there.
Finally, and this one is a little tricky, is his fighting style. There are indications that the remaining Whispers have at least some degree of control over him and are trying force him into his one-winged angel role during his fight with the party. For example, his wing dissolves into a cloud of them.
But that’s neither here nor there. When he’s fighting the party (presumably) under the influence, he fights like hell. In some shots you can see the effort he’s putting out there. He takes it very seriously, as well he should.
Ore in the Edge of Creation looks like he’s having fun. He’s just playing with Cloud, likely testing him out. He’s just styling on him, barely putting any effort into the fight and he doesn’t really need to, using over the top, dancer-like moves and blocking strikes without even looking. At the end, he merely disarms Cloud. To him, the fight was just a friendly sparring session.
If at any point Ore covers his face with one hand or places a hand over his heart, I think that will clinch it that he’s not the same as Watashi, who is highly unlikely to display such vulnerability.
So where does Ore come from? Well, I’ve speculated in the past that Ever Crisis takes place in a different timeline than main Remake story, quite possibly in the one where Zack survives. If this doesn’t turn out be the case, everything I’m about to say is rendered invalid.
But if it does…
In the Ever Crisis timeline, he knows what his mother looks like even though he was given a false name. He even has a picture of her until he loses it. This picture means so much to him that he’s willing to search corpses in hopes of finding it again. In the original, he didn’t even have that much, as Genesis knows he doesn’t even know what she looks like, because he taunts him with it.
In this timeline, he makes friends early on, and he grows close enough to them that he’s willing to rebel against Shinra alongside them. He cared enough about them to risk his own hide. The First Soldier trio will probably end up getting fired. But Sephiroth? Based on what we know of Hojo’s treatment of him, he should be so lucky. He seems to know that firing him is not an option because he’s so valuable to Shinra. Assuming “I’m one of Professor Hojo’s soldiers” is just a whiffed localization, he’s the only one of his kind. But based on what we know of how Hojo treated him, he would be punished. Painfully. He would need to be reminded of his place and who he belongs to. He was willing to risk that to be with his friends and help someone he’s never met.
His friends, specifically his big bro Glenn, teach him compassion. Companionship and camaraderie. They teach him how to loosen up and have fun. They teach him empathy. They treat him the same way they would treat any other kid. He gets to see how a normal group of friends interacts and tries to be a part of that group.
And if it wasn’t just a whiffed translation? That would mean there were at least a few others like him, at least for a while. He would be less alone. He would still know he was different and special, but he’d at least have others in the same boat to relate to.
That little bit of kindness, camaraderie and having others like him in his life who were like him, even if only briefly, while we must assume that Watashi didn’t have these things, could very well have set Ore on a different path. And the people who want him to suffer endlessly and become irredeemably evil in every universe will just have to be happy with the one version.
But what about that line about him acknowledging that he killed Tifa, you ask. Good question.
This seems to suggest that Ore accepts responsibility for the Nibelheim incident, but without context, it’s hard to say.
Trailers and promos are notorious for deceptive editing that misdirects the audience, especially if the editors are trying to keep a lid on a big twist. Naoki Hamaguchi has been notoriously enthusiastic about the huge twists he promises are coming yet he’s still doing a great job of preventing us from figuring out what they are.
So that bit from the trailer might be misdirection. How many times have we seen bits of dialogue in trailers and promos that are spoken while scenes the conversation doesn’t take place in appear onscreen? It’s also not unheard of for lines of dialogue being spoken in two or more scenes to be edited together to seem like they all took place at the same time. Hell, I wouldn’t be surprised if that line doesn’t even appear in the final product, although that’s unlikely. Without context, we just don’t know what’s going on.
Ore may be responsible for Nibelheim and Tifa’s injury and the trailer truly is being plainspoken about that. This is the simplest explanation.
Or maybe it’s a wee bit more complicated. Here are some possibilities ranging from zero to Epileptic Trees (again, TV Tropes).
Ore Sephiroth killed his own version of Tifa and the Nibelheim incident went down as usual. Zack and Cloud ending up in the same place at the same time and under the same circumstances in the timeline where he survives as they were in the one where he was set up to die strongly indicate that. At some point, Ore shook off Jenova’s influence and has his own agenda now, though that agenda is unknown at this point.
Ore, for some reason, believes himself to be responsible but for reasons unknown may not actually be.
As they merge the multiple timelines to bring about Rebirth, Mommy & Me may be performing a Fusion Dance (you know the drill) and absorbing all the variants of Sephiroth in the other timelines/universes to gain their power, and Ore is no exception. He “remembers” killing Tifa for the same reason Cloud “remembers” being a SOLDIER 1st Class: because he’s receiving bits and pieces of Watashi’s memories and confusing them for his own. I kind of like this one because damn, what potential for drama. Ore would feel all of the guilt and shame of an act he didn’t even commit. He would be desperately trying to atone for something he wasn’t even responsible for. He would be slowly losing himself and becoming a part of some twisted hive mind without knowing it. Hmm, maybe one of the promised twists is that it will be a race against the clock to stop Mommy & Me from becoming too powerful and keeping Ore from getting assimilated.
Ore says “I killed her” because saying “he, that guy that looks like me and is probably what I would have become if I’d gotten even fewer hugs growing up” just seemed to awkward to him. Yeah, even adjusting my tinfoil hat doesn’t make that one sound less stupid.
But I digress.
In conclusion (“oh, thank GOD” – everybody), Ore may not be who we think he is because he is from a different timeline and while the same person as Watashi in a sense, he is a version of him whose life took a slight detour.
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wolves0nmars · 7 months
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i loved cal bowman's arc in season 4 of sex education. it was one of the first times i've ever felt seen in any trans rep on television.
SO so much trans rep is so white. and all of it is so passing. when i look at the trans people i see on screen, specifically the trans kids i see on screen, and then i look at the trans people in my life... something does not add up. one of the biggest problems the trans community is facing rn is access to medical transition between crisis in the NHS, and growingly restrictive laws in the US. and it all applies so much more heavily on trans kids. but the trans teens i see on screen are all... um. well, they're played by 24 year old models. they've been on HRT for years, and they'll typically have ffs/top surgery. which is really not the slightest bit relatable to actual trans teens.
but back to cal. because cal is a complete rebellion of all this. cal is not white, cal is not transfemme, and most of all, they are very early in their transition.
throughout season 4, they literally compare themselves to the other transmasc kid on the show. 2? in 1 show? i know right!!! roman has top surgery, and has clearly been on HRT for at least a couple months. this is the trans teen representation that we see all the time!!! something that is so out of reach from most trans kids. but cal is not like roman. cal is on a waiting list for top surgery, and can't afford it if they go private. the private HRT is already expensive enough. they are also literally just starting HRT. that is a lot more relevant to real trans kids, who are probably kind of just starting it or haven't at all. looking at roman makes cal so dysphoric and envious, because it's everything they can't have. that is the reality of a lot of trans kids. that is the precise discrepancy between trans rep and real trans people. and when cal literally runs away, not to get anywhere, not to run to the netherlands or something. but just to sit on a rock and look out at a world which they don't belong in.
i have never felt more fucking seen in my life.
and some even more stuff, 1, cal's mom. she supports cal... but she doesn't really... get it? its giving left leaning centrist. it's giving average joe or josephine. its giving... my mother!!! hahaa ha
and 2, roman. i said roman is kind of a representation of a lot of the trans rep we see but thats not actually completely true. most of the trans rep we see is white, thin, and minimalist. and also transfemme but thats a conversation for another time! what i mean when i say minimalist is that the androgyny and gender noncomformity of it is very... nothing. i guess it's the difference between being enby as in neither gender, and being enby as in both genders. the androgyny we see all the time is very masculine, with short hair, short nails, no boobs, no bulge, no color, no nothing. i think this post describes that pretty well. i would definitely recommend reading it.
but roman on the other hand, is not white, has long hair, and long nails. he isn't performing that kind of masculinity that's... expendable?blends into the background. he's performing a kind of femininity which is loud, which is something to be looked at, something to be admired. and thats the kind of androgyny we need to see more often.
overall, i really really enjoyed the trans storylines in this season, and i would definitely recommend watching it. just skip over all the otis parts cause hes a annoying little bitch
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pinkpinkstarlet · 26 days
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Nah but it's the way every time a story features or is about women or a woman's story, people always want to try to make it about men or say "what if there were men instead?"
My Little Pony: Friendship is Magic and Six: the Musical both have parts of their fanbase(although thankfully in Six it's not the majority) saying that there should be a version with all men or going "what if this female main cast had a male main cast instead"? Even though the point of both is to provide representation for women, MLP is about how there's no wrong way to be a girl and changing the way girls'/girly shows are seen as shallow and less good, and giving girls multiple strong female characters to see themselves in instead of just one token/cookie cutter archetype, while Six is all about REAL-LIFE women whose lives were destroyed because of misogyny, it is all about girl power(same as mlp) and women getting to reclaim their stories from a patriarchal society that shortchanged and silenced their voices throughout history, but no let's make it about men lol.
The same is true for Sailor Moon, I have seen some people say that it's sexist or "misandrist"(as if that's even a thing lol) because it's all about women and the women are more powerful and how Tuxedo Mask "always needs to be saved" like goddamn let the girls be the heroes who save the world for once.
And for that matter PRECURE. Unpopular opinion that will surely get my head bitten off by fans but I don't think Precure NEEDS male Cures and it's not "erasing" feminine boys or saying boys can't be feminine or "reinforcing gender roles" to point that out. Precure is a franchise about female characters being the heroes and main characters who are powerful while also being feminine, it's supposed to place the women center stage and give them the spotlight when most media doesn't do that, trying to fit boys in it is just ruining that message imo. Tbh I would be happy if there were no male Cures at all, idgaf about your "but let boys be feminine" shit cuz I mean yeah but like go watch Cute High Earth Defense Club Love or something, that show seems more your speed(@ sexist Precure fans who say this, not you). I once got my comments removed TWICE for trying to point this out to someone, to the point where I just blocked them lol. One person even went so far as to make a petition for Toei Animation to make an all-male Precure season, again, just go watch Cute High, bc clearly that's what you're looking for.
I also saw some people complaining about Project MC^2 being "sexist" against boys and making them out to be stupid just because it's about girls being smart spies and good at math/art/science, one review even said "teach girls that boys matter too!" oh rly like they don't know already??? Like the world doesn't already tell them that each and every single day??????? The second girls get the spotlight everybody acts like boys are being attacked, but when boys get the spotlight it's all crickets and shit bc boys are supposed to take center stage like no one cares about girls getting attention. Your seven-year-old son isn't going to enter a self-hating misandrist crisis because one wee show said "women do run the world!" we still live in a patriarchy ffs.
Also in Cardcaptor Sakura the main character is a girl and the story has many female characters and is very empowering to women in general(while also having a great deal of powerful men and even a canon m/m couple), and yet I still saw this one annoying guy write an entire screed about how Sakura sucks as a character and should never have been Cardcaptor, the cherry on top was them saying that Syaoran should be the Master of the Clow Cards instead...because it's not enough that this show has multiple representations of positive men/masculinity in addition to women/femininity, it's still not good enough if it's a girl power fantasy, it MUST make a boy the hero!
I also saw someone say that Touhou, which has an all-female cast, needs more men. Wonder if they'd say the reverse if it had an all-male cast(correct answer: they wouldn't).
And then there's the Encanto fandom's entire can of worms where they went through that phase of wanting the female-dominated cast to be all about Camilo and Bruno, sidelining the women in the process. Like bruh. 😕
I really do wish that people would stop this shit, female-centric media is really never allowed to exist without people wanting men to be prioritized in it and take away from the female representation even though men have enough representation already lol, people can't handle when not everything is about men. It's why I will never listen to or take anyone seriously when they complain about shows like these being "sexist against men" and say that anything I write is too female-centric. Like. GOOD. The world needs more female-centric casts to shake up the status quo! You guys love complaining about shows being gendered and wanting gender equality in fiction only towards female-centric works, because you don't want to see women playing central roles without men also being there. Sucks to be on the other side of the playing field now, huh?
Anyway, I was inspired to write this to you rather than make it an original post because of your comment about people wanting Jennifer's Body to be about men(with Miguel as Jennifer) and yeah that is so disgusting and irritating. 🤢 I didn't even know that was happening but I'm not surprised because nobody ever lets shows about girls just center girls first and foremost. It truly is everywhere and I'm sick of it. Not everything needs to be about men, just let the women have something. Please.
Sorry this was long lol. 😅 Thanks for reading this far lol. You're a trooper! Have a nice day!
THIS ASK IS SO REAL ON SO MANY LEVELS!!
this also extremely effects lesbians and trans women because with lesbian women you’ll have people being like “do they really have to be gay? Why can’t they just be normal?” And with trans women it’ll be like “why can’t we just have normal nonqueer characters” or even “why can’t men just be men anymore” it’s like they hate any and all women and girls no matter what we do and it’s so insane to me
also I talked a little about this same phenomenon happening with Jennifer’s Body (2009), where there were people making aus of that movie with mainly MALE characters which downplays the whole message and plot of the god damn movie and it’s so ughhh
anyways sorry I took so long to get to this ask but everything you said is extremely true and I’m glad you brought attention to it!
also btw RADFEMS AND TERFS FUCK OFF THIS POST IS NOT FOR YOU
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