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#when is this thing set?
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The Subtle British Pop Culture/Timeline In CHICKEN RUN
On occasion, I've pointed out when the original CHICKEN RUN is set.
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It's often been written that CHICKEN RUN was "set in the '50s", a sort of vague descriptor of its rather dreary post-war England setting. One could assume that from the technology present in the movie, and the homages to 1950s prisoner-of-war films. The obvious ones being STALAG 17 (the number 17 is on the main hut that the chickens all plot in) and THE GREAT ESCAPE. The character Fowler was of the mascot division of the Royal Air Force during World War II. All that talk about his medals. Chocks away!
The easiest way to pinpoint when CHICKEN RUN is set, at the earliest, is knowing what the songs are.
The chickens, in a hut, dance to a cover of Joe Turner's 'Flip, Flop and Fly', Turner's original was released in 1955, an early example of a rock n' roll song. Britain certainly had rock n' roll in a pre-Beatles era, but it doesn't seem as well-known to the average American as American rockers - you know, Elvis, Little Richard, etc. - are to Brits.
Later in the film, Rocky the rooster is jamming out to 'The Wanderer' by Dion.
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The song first appeared in North America in November of 1961 - both as a single and as an album track on RUNAROUND SUE (the title track another big hit for him), and if you look in the opening credits sequence, Mrs. Tweedy works with a calendar that says "November"... However, 'The Wanderer' was first released in the UK in January of 1962. And it doesn't seem like much time has passed since the opening credits and the end of the movie...
'The Wanderer' reached #10 in the UK, which was great for an American rock/pop song over there... If anything, the movie is likely set in November/December 1962, so that was plenty of time for 'The Wanderer' to climb the charts, and then be played on the radio every once in a while. Things took a little while in a pre-streaming age, ya know? *waves cane* *I'm actually not that old, nowhere near lol I just love this kinda pop culture history*
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So CHICKEN RUN is still kind of a post-war/pre-Beatles England, and it's set in a secluded location inhabited by a middle-aged couple who likely wouldn't have had any idea what was going in the teen beat scene. The Beatles' 'Love Me Do', the single that really put them on the map in the UK, was released in early October of 1962. Being their first true single (not the 'My Bonnie' recording they did in Germany with Tony Sheridan), it charted at a great #17 in the UK... Which of course was nothing compared to what was to come, the strings of #1s, or at least close to that. 'Please Please Me' was the second single, released in January 1963, it hit #2 in the UK. Beatlemania pretty much becomes a thing in the UK by the middle of 1963... It would take a little while for us yanks to catch the fever...
Anyways, CHICKEN RUN is set in November/December 1962. Or maybe it's 1963, who knows, but I think it's pre-Beatlemania rural England. Yorkshire to be exact.
It's kinda funny how the Disney animated ONE HUNDRED AND ONE DALMATIANS shares some similarities in this regard. That film was released in January 1961, and is set in both London and rural England. Its second half during the late fall/early winter no less. The puppies arrive in October, as stated in the film, and the film ends during Christmastime. Snow everywhere, dreary atmosphere, etc.... And then you have the Tweedys in CHICKEN RUN. Mrs. Tweedy is kind of a combination of Cruella de Vil *and* Jasper. She's got the contempt for animals like Cruella, and is taller and the brains like Jasper. Horace, the shorter, pudgier one in the equation - who is onto what the animals are doing but isn't believed, is totally Mr. Tweedy.
That brings us to the recently-released CHICKEN RUN: DAWN OF THE NUGGET... The sequel swaps prisoner-of-war movies and World War II imagery for James Bond and MISSION: IMPOSSIBLE. Spy movies in general.
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One look at Mrs. Tweedy's high-tech new factory shows that in *spades*. But the folks at Aardman Animations did their homework, a lot of the details and background design and such, it legitimately looks like the lair of a supervillain in a '60s spy movie. Much like how Nomanisan Island does in THE INCREDIBLES, another very midcentury modern-inspired movie and franchise. There's also that charming UPA-esque cartoon on how the chickens are processed into nuggets, great stuff there. I also kind of get a bit of a Gerry Anderson vibe here, too. He was known for marionette shows - done in a process called "Supermarionation" - like THUNDERBIRDS and CAPTAIN SCARLET AND THE MYSTERONS. I assume most of the crew behind these movies grew up watching those shows.
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And of course, a big indicator... Towards the end of the film, all the chickens - brainwashed by mind-control collars that make them all happy-go-lucky - are being forced up an escalator to a popcorn chicken death. In this pretty creepy sequence, they're all doing this while Cliff Richard's 'Summer Holiday' plays in the background. The bright, pastel-colored set adorned with simplistic countryside-looking hills that these chickens are brainwashed in before they are to be ground into fast food is reminiscent of vintage British and European children's programs. I was thinking of stuff like THE MAGIC ROUNDABOUT and such, which was also a stop-motion production.
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Oh yeah, 'Summer Holiday'. That song came out in January 1963, it was the title song for a movie that was *huge* in England when it first came out. Cliff Richard is the prime example of a pre-Beatles British pop/rock star, I feel he's almost synonymous with that period of British pop music before John, Paul, George, and Ringo showed up. So, CHICKEN RUN 2 is set *after* January 1963. Plus, Ginger and Rocky's daughter Molly needed some time to grow up a bit.
Either this was intentional or not, but it strangely adds up. It's pretty chronological, either by accident or they made sure they didn't have too many anachronisms... Other than the cartoonishly high tech of Mrs. Tweedy's Fun-Land Farms, but then again, the pie machine in the original CHICKEN RUN was kind of improbable too. But that's the fun of the CHICKEN RUN movies, so it's a staple.
And even in other Aardman works, there are fun nods to British pop culture and media. For example, in WALLACE & GROMIT: THE CURSE OF THE WERE-RABBIT, Art Garfunkel's 'Bright Eyes' can be heard on the car radio in one scene. Garfunkel is American, yes, but 'Bright Eyes' was composed and recorded for the soundtrack of the British animated classic WATERSHIP DOWN. Just in case you've never seen or even heard of that movie. WATERSHIP DOWN is about rabbits, and in the WALLACE & GROMIT movie, they're dealing with rabbits! Quite clever.
Another favorite of mine is in FARMAGEDDON: A SHAUN THE SHEEP MOVIE. Of course, Shaun the Sheep is spun off from WALLACE & GROMIT, he appeared in the short film A CLOSE SHAVE. The second SHAUN THE SHEEP movie brings in science fiction and aliens, a real 180 from the small-scale first film. At the end of the film, the Farmer accidentally gets onto the UFO and is not on Earth anymore! Before they get him back, a song called 'Forever Autumn' can be heard playing on a radio.
'Forever Autumn' is a rewrite of a Lego commercial jingle composed by Jeff Wayne in 1969, with lyrics by Gary Osborne and Paul Vigrass. The two lyricists recorded the first version of that song in 1972 for an album called QUEUES. A couple years later, Jeff Wayne got the idea to do a musical version of H. G. Wells' THE WAR OF THE WORLDS. A musical album, bringing in several mostly British talents to retell - through story and song - the British sci-fi staple. 'Forever Autumn' was covered for the album, with lead vocals sung by Justin Hayward of The Moody Blues. Of course, another British group... all for the section of the album in which the protagonist - a journalist - fears his wife had been killed in the Martian invasion. "'Cause you're not here." Which is the lyric heard in FARMAGEDDON when they realize that the Farmer went to outer space!
(It takes a special kind of skill to take such a depressing song and make it FUNNY in any context.)
Anyways, those are just a couple examples off the top of my head. Aardman's work is distinctly British, to the core. And the CHICKEN RUN movies give me a fascinating idea of when they are set, a very cartoon British '60s.
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quibbs · 1 month
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just had SO much fun with the fallout tv show... i love you missus okey dokey
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egophiliac · 2 months
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(almost) four years in, and I finally had time to draw something for the anniversary! woo! 🎉🎉🎉
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bookshelfdreams · 5 months
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yk when you see someone share a finished handmade item that they clearly spent a lot of time and money on and it's just. The absolute tackiest thing you have seen in your life. And then you ask yourself why someone would waste all those resources on such an eyesore.
(no, of course you can't relate to that because you're a much nicer person than me)
In any case.
BEHOLD!
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A wool coat!
The top fabric is handwoven and handspun, the whole thing is sewn by hand, too.
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Leftovers. Barely anything, all things considered, which is very satisfying.
This thing took me well over 3 years to make, on and off. And now I'm done.
Thank you for your attention.
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nerdpoe · 7 months
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Danny wakes up, strapped into a rollercoaster train car with a bunch of other civilians, in a dilapidated amusement park, with an insane clown laughing through the speakers.
He can see that the track is entirely broken, and that it will send them straight to the ground.
Danny knows he won't die.
Danny knows the civilians in the train car with him will.
So he slowly freezes the wheels until the car stops, a mere four feet from the edge, allowing the icy tendrils to snake down the support struts and reinforce them. His eyes are letting out a faint blue glow, his hands frosted over, and he isn't so much focusing on keeping the ice stable as he is focusing on getting it into the gears and ensuring that the train car can't be knocked off the track.
Now the civilians are feverishly whispering words of encouragement to him, to keep it up, while the local vigilante family fights the Joker.
Why, oh why, did he think that going on vacation in Gotham was a good idea?
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The ring was small and silver with a single emerald embedded in the metal.
It wasn’t something flashy, it probably cost less than the smallest gem from his vault all together.
But it was perfect.
Which made it so heartbreaking to turn it down.
“Dick.. you know me so well.. I wish I could take this ring, i really do.”
Dick was still on one knee in the little apartment, but he put the small box down on the floor as he asked.
“Then what’s stopping you?”
Danny let out a bitter chuckle,
“The US government.”
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vyeoh · 28 days
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(The Washington Post)
For those who don't know, the US Supreme Court just ruled that states are allowed to enforce trans healthcare for minors. Undoubtedly, this will trigger a wave of other states that either hope to pass or have already passed policies to do the same. This is going to kill children, and harm more in long-lasting ways.
So, how can you help?
FUCKING VOTE. I don't care if you don't like Biden, he's not the only one on the ballot. Vote representatives into your city council who will turn our city into a sanctuary city. Vote for governors and state reps who will, even if they don't pass new protections, oppose bans being pushed through. Chsllenge and kick out conservative incumbents who are banking on their races being obscure enough for people to not vote in.
Anyone telling you voting is useless is either lying to you or grossly uninformed and think saying this is the edgy new take that will make them look hip and informed. Yes, the system is broken. But short of burning the whole thing to the ground (which personally I'm not a fan of as I quite enjoy having like. Roads and the FDA) what we can do is to change it for the better, by starting with the local races and working our way up.
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tapakah0 · 30 days
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Song
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yrsonpurpose · 2 months
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Mary & George (2024) Episode 3 'Not So Much as Love as by Awe'
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shorthaltsjester · 10 months
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watching the sdcc panel and i am just very :) about how sweet their answers to “what are some of the micro moments from the game that have stuck with you the most over the years?” are. taliesin saying what the fuck is up with that which was the first like The Party Gets To Know Each Other moments of c3. travis saying asking his wife if he could kiss her in campaign. marisha going way back to the cannonball competition in campaign one. ashley choosing the beauyasha date but also just the silly goat noise matt made. liam adding onto that to compliment matt roleplaying grass so well and then saying his favourite moment was writing a story for laura and reading it to her as caleb for jester. and then matt saying that was his answer, and that his favourite moments of the game are when they find ways to give gifts to each other whether tangible or not. and sam saying his favourite moments have less to do with the story and is more so when he can just. see his friends across the table from him. when marisha perches and when laura and ashley are (badly) drawing dicks and liam saying he loves when sam sneezes and ashley tells him to stop it and just. yeah. they Are an extremely popular online powerhouse, but i’m so happy that they’re also friends building a world together out of gifts to and love for one another.
like i Am so enamoured with the characters and the world of exandria but the moments when you can feel the love that those people have for each other reach out from behind the stained glass of their performances (to steal a metaphor from brennan lee mulligan) are so extremely special and i am endlessly grateful that they decided to share their silly little home game with the world.
#it’s just the. laura and travis’ characters always being supportive of one another when they’re facing hardship#taliesin and marisha consistently making characters who challenge one another and still protect each other relentlessly#all of them being so fond of ashley’s characters always and literally seeing them light up in c1 episodes when ash got to join in person#sam and liam always making characters who offer one another reprieves into kindness that they don’t always get in the campaign setting#liam making orym after falling in love with keyleth as vax#marisha making laudna after matt’s storytelling with delilah and choosing vex as her body double#ashley using ‘i would like to rage’ and matt having kord ask her where she finds her strength#laura and matt always weaving these deeply complicated and emotional interactions between a daughter and a father#the gasps and yells and clapping when matt makes cool sound effects or reveals a map or breaks/ends on a cliff hanger#them ending both campaign 1 and 2 with ‘what a great/nice story’ and travis saying ‘let’s do it again!’#and it’s like. yes yes i love the comics and i’m a fan of tlovm but . seeing this well produced thing that somehow mimics#the feeling i get sitting in my living room laughing with my roommates about my ranger’s giant rat failing to climb stairs#it’s very special it’s very sweet#critical role#sdcc 2023#taliesin jaffe#travis willingham#marisha ray#ashley johnson#liam o’brien#matthew mercer#laura bailey#sam riegel#cr cast#critical role cast#my posts
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fluffyartbl0g · 1 year
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FRICK YOU *age regresses all ur nakama including their memories for leik a month or two*
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booasaur · 1 month
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Renegade Nell (2024) - 1x06
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poorly-drawn-mdzs · 5 months
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Bonus 7: Time moves sideways
[First] Prev <–-> Next
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rendevok · 10 months
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“Take my hand” pages 12-15
1 - 2 - day 3 - 💙free day❤️ - 4
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trensu · 10 months
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Steve had always wanted to be a skilled fighter. The schools that churned out the best fighters all happened to be schools for holy warriors. It was possible that Steve maybe sort of lied a little (with the help of his friends Robin and Dustin) to get into this school by claiming he was full to the brim of religious fervor but hadn’t decided who to pledge his sword to yet. It shouldn’t have worked, if he were honest with himself, but by some stroke of luck it did, and he finished his training as one of the top combatants. 
The issue now was that he had to pick a god whose crest to carry. There were all sorts of gods. Gods of water, gods of air, gods of agriculture, war gods, cat gods, plant gods...the list was endless. And while Steve was one of the best fighters around, he was most definitely not one of the best researchers. Thankfully Dustin and Robin were very clever and knew where to find details about the many gods in existence.
“So what kind of god do you want to follow? Maybe we can start there,” Robin asked.
“Uh…a good one?”
“You’re no help at all, you know that?” Dustin grumbled.
They suggested a local god known as Carver who stood for righteousness, but Steve turned that down. It didn't feel like a good fit. They suggested a love god by the name of Chrissy, who valued love of all kinds, romantic, platonic, familial...Steve had been tempted, very tempted, because Steve had always carried an excess of love in his heart. Robin had vetoed that one stating that Steve was already too reckless with his love and she wouldn't stand by and watch him break his own heart over and over again.
Dustin suggested a god of knowledge, Clarke, who blessed and guided those with curiosity, imagination, and a knack for invention. Steve shot that one down immediately. He was never one to be overly imaginative or curious; he preferred to deal with concrete things. Out of their quickly dwindling list, Robin reluctantly suggested Hargrove, a war god favored by a nearby kingdom, but if Carver was ill-fitting, then Hargrove was outright repellent to Steve.
"C'mon, Steve, you gotta pick someone!" Dustin huffed in frustration. 
Robin thunked her head against the table in the library where they were looking up deities. She was obviously at her wit's end too. Steve, however, just dug his heels in with a particularly stubborn scowl.
"I can't just pick anyone!" Steve said. "If I'm going to pledge my sword to someone, it has to be someone...someone good. Someone that, I don't know, someone I can believe in, even when--no especially when things go wrong. That’s the whole point!"
"Yeah, I get that," Robin sighed, a mix of fond and annoyed, "but this is the eighth book we've gone through and the only one left here is called the King of Darkness which is hardly going to--huh."
Robin paused mid-rant to look at the page more closely. Steve and Dustin both huddled around her to peek into the book as well. Dustin also made a sound of curiosity.
"That's weird," Dustin said.
"Right?" Robin asked enthusiastically.
"What? What's weird?" Steve didn't get what caught their attention.
"This god only has a couple of sentences," Dustin explained, "And they don't really make sense. Something about dark creatures and the undeserving? The grammar and structure is all weird though."
"It looks like a half-assed translation," Robin added with a nod. "We should find the original text."
"Yeah! And if we can make a better translation, we could get it added to the next edition and they'd have to put our names on the book," Dustin said excitedly. Robin's eyes lit up at the thought and they both rushed off to the stacks to track down any original sources.
"Guys! Guys, what about my..."
The librarian hushed Steve, irritated. Steve groaned in defeat.
"...godly choices. Yeah, fine," Steve slumped back on his seat. "I need to find non-nerd friends."
Two days later, Robin and Dustin finished translating a slim, dusty book. They were nearly vibrating in their seats as Steve reviewed their notes on what they found. Dustin gripped his arm and gave him a shake.
"So? What do you think?" he asked excitedly.
Robin slung her arm across Steve's shoulders. With more tenderness than Steve expected, she said, "I know it doesn't seem like it, he doesn't really fit with your whole style, but it could work."
"Yeah," Steve said with a hopeful smile. "Yeah, this feels right."
--
It took longer than Steve would've liked, but eventually he managed to track down a small, crumbling shrine. It was an alcove carved near the entrance--no more than a crack in the stone really--of a cave at the edge of a lush forest. He almost missed it, it was so drowned in overgrown crawling vines and weeds. It bore a modest statue, no bigger than Steve, standing atop an equally modest plinth. There was a spot that obviously held a plaque once, but it must’ve been dug out by thieves at some point.
The sight of it made something in Steve's chest twinge; a strange pang of melancholy at seeing a god so forgotten and abandoned. It surprised him as he had never been particularly religious, but there was just something about this one that drew him in.
It was the middle of the day, so Steve quickly made camp and took advantage of the light to begin clearing the shrine. He started where the plaque had been, scrubbing off the dirt and moss that had filled the indentation. He knew a good smith; he could commission a new plaque to be made. After that, he weeded the immediate area around the plinth where worshipers would typically lay their offerings and pray.
By the time he finished that, it was late afternoon and he decided that was good enough for today. He had to eat and get a few hours of sleep so he could be alert once night fell. When he curled up on his bedroll, he couldn't help the grin that spread on his face. He was going to offer himself to his god tonight, and with any luck, his god would accept him.
--
He woke to a multitude of high pitched squeaks and the sound of many, many flapping wings. The sun had just fully set, and the stars that could be seen through the canopy burned brightly. Steve took his time to fasten on his armor and scabbard properly, and fixed his hair so not a strand was out of place. He took a few deep breaths to calm an unexpected bout of nerves before going to the shrine and kneeling.
His god had no official prayers. Or rather, the prayers for his god were forgotten. Robin and Dustin did their best to find anything prayer-like but it had been in vain. They suspected that most of the god's holy items and lore were purposely lost. Lacking that, Steve decided it was best that he introduce himself.
"Um, hi," he started and immediately winced. "Sorry. I'm not used to...this. I couldn't find any of your…holy words? Prayers? The right ways to speak to you, I guess.
"I'm Steve. Steve Harrington. I'm a fighter. I finished my training a few weeks back. I was the top of my cohort when it came to combat. I'm good with my sword and I know how to take a hit. I can turn just about anything into a weapon if it's needed."
Here Steve paused for a moment, straining to hear but there was nothing other than the typical sounds of a night out in the woods. Steve took a breath and plowed forward.
"I want to be more than a fighter, though. I don't want to just wave a sword around for nothing. I want it to...to matter. So I spent a lot of time trying to decide who to wield my sword for. It took me a while, but I found you. I want to be your shield and sword, if you'll have me."
Steve stopped again to listen. Nothing. Robin warned him this might happen. Gods didn't always accept warriors who offered themselves to them, and forgotten gods weren't always reachable. It was fine, though; he’d try again tomorrow night. Steve turned in just before dawn, eager for night again.
--
Steve worked on clearing the vines tangled around the statue's legs and feet. He yanked out the thick, scraggly vines, and carefully picked apart the prickling thorny ones. There was a particular gnarl of vines that didn't seem like they had a stranglehold on his god's statue. They were healthy and strong, and the way they curled and grew looked more like a caress than an invasion. He decided to leave those on, though he gently rearranged them while removing the more invasive vines so they looked more decorative.
When night arrived with the sound of squeaks and wings, Steve went to kneel at the shrine. He introduced himself again, gave the same spiel as the night before. Still he heard nothing. He scratched the back of his neck in mild insecurity.
“I guess I should tell you I didn’t find you on my own. My friends Robin and Dustin helped me. They’re way smarter than me, you know? Total nerds. I can swing a sword like nothing, but books and research? Yeah, that never works out for me, so they helped me look up all sorts of gods.
“There’s a lot of them. Way more than I thought. Dustin and Robin both recommended me ones or vetoed others. They were getting frustrated with me because I kept rejecting the ones they gave me. 
“Then Robin found you. Kind of by accident, to be honest. But she did her research thing and I knew that I wanted to carry your symbol. It took me forever to find this shrine. Robin said this was probably the only shrine you had left, so I had to find it. 
“Dustin kept saying it was on the other side of the forest, but obviously he was wrong. Not that he’ll ever admit it, the little shit, but whatever. I’m sorry your shrine was abandoned like this, but I promise I’ll fix it up. I’m good with my hands, I can do it.”
There was no response to his admittedly disorganized ramble. It was fine, he told himself. He needed to be patient. He’d come back the next night.
Around the statue’s waist there was another tangled mess of vines, except these vines had died and rotted to dark sludge. There was fungus growing on it, and it reeked. It was gross. Steve scrubbed at it for hours because the rot had stained the stone. He was able to get rid of the rot and most of the stains before going to catch a few hours of sleep in the afternoon.
Night fell and Steve was kneeling for the third time. He repeated most of what he said the previous two nights. There was still no response. He thought maybe he was pushing too hard. He’d never been the super talkative type anyway. He could share the quiet night with his god, if that was what his god wanted.
A few hours passed when he was startled out of his near meditative state by the sound of snapping twigs. He leapt to his feet, hand on his scabbard. Someone–a man by the look of it–stumbled out of the woods. He was pale and dark haired, dressed in ragged clothes that were probably awful even when they were new. He looked like a vagabond. 
Steve stepped in front of the shrine, protectively. The stranger grinned at him and Steve could already tell he was not going to enjoy the conversation that was about to happen.
“Who are you and what are you doing here?” Steve asked firmly, cutting the man off before he could speak. The smile only grew wider.
“I could ask you the same thing, sir,” the man said, adopting the annoyed huff of a wealthy lord. Steve scowled.
“I asked first.”
“I asked second!”
“You didn’t ask me anything,” Steve responded, somewhat smug. The man paused and then snorted a laugh.
“Yeah, okay.” He raised his hands in mock surrender. “You got me.”
“So?”
“So what?”
“What are you doing here? Who are you?” Steve repeated shortly. The teasing grin was back, and Steve felt his scowl deepen.
“Nothing and no one, m’lord,” the man bows mockingly.
“I’m not a lord.”
“Huh. Could’ve fooled me. You’re certainly as demanding as any lord I’ve ever met.”
“Oh fuck you,” Steve snapped. “I’m a holy warrior.”
The man laughed at him outright.
“Well that doesn’t sound very holy warrior-ish. Are your type allowed to swear?”
Steve grinded his teeth and decided it was not worth it to continue this conversation for much longer.
“Look, if you’re here to steal, I’ve got nothing on me.”
“That’s exactly what someone with something to steal would say.”
“Well, I don’t! I’m on a pilgrimage and I don’t want to spill blood on holy ground. So.” Steve wrapped a hand around the hilt of his sword. “Leave. Please.”
“Holy ground? Here?” the man barks out a laugh. “Don’t you know what this place is?”
“Yes,” Steve says shortly, placing himself more firmly between the shrine and the man. “Please leave. There shouldn’t be violence done here.”
“Oh, it’s far too late for that. This place used to belong to the King of Darkness. It’s said he was so evil that nothing grew here until he was run out and defeated by the god of righteousness. You know the one. Really plays up the holier than thou thing by making his hair all gold and glowy? Gotta say, you could give him a run for his money though.”
“You’re wrong.”
“No really! Your hair is great. Way better than Carver, even with the glowy thing.” 
“Not that!” Steve said in frustration. This guy really liked the sound of his own voice and Steve was starting to get a headache. It was near dawn and all he wanted was to spend the last hour or so in the quiet night with his god.
“So you agree your hair is better than a god’s?” The man tsks at him. “That’s pretty blasphemous. Are you sure you’re a holy warrior?”
“No! I mean, yes. Wait,” Steve growls at his own bumbling. “No, I’m not better than any god. But I am a holy warrior. Kind of.”
“Kind of.”
“Look, I’m working on it so I need you to leave. You’ve insulted him enough already.”
“Your god is the King of Dark–”
“Call him that again, and I will draw my sword,” Steve said, voice steely. “He’s the Lord of Night, and I won’t let you insult him at his own shrine.”
The man goes quiet for the first time since he showed up. He looked almost surprised, his mocking grin gone. His eyes flicked over to the dilapidated statue and then back at Steve.
“Lord of Night doesn’t sound much different than what I called him,” the man said lightly.
“Well, it is,” Steve told him. “Now, will you please leave?”
The man stared at him for a moment before shrugging. “Yeah, alright.” And then he left as suddenly as he had arrived.
The tension that had built up in Steve’s shoulders drained away. He went back to kneel in front of the shrine again when he noticed the barest hint of sunrise on the horizon. He cursed under his breath then was hit with a wave of embarrassment at cursing in front of the shrine and the whole situation that had transpired.
“I’m sorry about that,” Steve said, abashed. “It won’t happen again, I promise.”
It happened again.
now with an additional snippet here and here
ps: i do not do those reader tag list things. if you'd like to keep up with my stuff, follow my writing tag: trensu tells stories
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