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#we used to be a society! @.@
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puddingcatbeans · 1 year
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to be perfectly honest. i don't care if it is cheesy or cliched or idealistic. i like stories where the core of it is about kindness, the warmth we can offer others and the gentleness we receive in return. maybe the moral of the story IS love triumphs. it better fucking be
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Gay people will be like “this is my comfort show!” And then show you the most emotionally devastating, stress-inducing, tragic piece of media you have ever witnessed
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poorly-drawn-mdzs · 2 months
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Swapping tips on how to be a bestie in the bath.
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theabigailthorn · 5 months
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You're not uniquely talented or hard working you just went to the right schools.
Yes, yes! This is exactly why I started Philosophy Tube! Why shouldn't someone else, anyone else, have access to the education I got??? The intellectual and cultural heritage of our species is for everyone, not just privileged people like me! :)
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baldursgays3 · 6 months
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DO IT FOR HIM (WYLL) ✰ Karlach, Minthara, Lae'zel, Shadowheart, Jaheira, Alyin & Isobel, Alfira, Gale ✰ reminder that T*RFs can fuck off, only interact if you love trans & nb folks ♡
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s0fter-sin · 10 days
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mermay idea
mers keep their faces covered as a way to indicate social status and familiarity. warriors have intricate masks, handcrafted when they win their first battle and the more detailed a mask is, the more accomplished the wearer is. they're rarely shed and are only taken off for their closest kin and mates
warrior bull shark mer!soap seeing human!ghost, seeing his skull mask and immediately knowing he's a high ranking warrior; one to be feared going off the numerous scars covering his body
an ideal and worthy mate, so long as he can prove his prowess
so he follows him as he's deployed on a mission near the ocean and is smitten when he sees how ruthless and capable he is; bathing himself in his enemies blood. he keeps his distance, not wanting to tempt fate but ghost spies the tip of his fin cutting through the water
and he's nothing if not an opportunist; kicking the bodies off the pier to the waiting jaws below
but soap? all he sees is the first step in a courting ritual
and he has to come up with something truly brilliant to match such a glorious offering
on ghost's part, it's been difficult getting people to understand the depths of his dependence on his mask. price thinks it's something to overcome, gaz and other soldiers just think it's an accessory to help with intimidation
the few partners he's tried to have thought he was someone to "fix"; nothing more than an object, a notch on their belt to prove how "good" of a partner they were to put in so much work to make him better. it always leaves him feeling violated, more so than if they'd just taken his mask off outright. one night stands were hardly worth it either; scratching a physical itch but falling so short of the intimacy and connection he craves that he feels worse off than he'd started
when he finally meets the mer that's been hunting him across the country, sees the bright red mask so artfully hewn and attached to his face?
it's like looking at a reflection of himself
he might have finally found the understanding he's been searching for
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my-autism-adhd-blog · 2 months
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Autistic People Are Often Told to Change Ourselves…
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Neurodivergent_lou
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inkskinned · 10 months
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it just sucks because nothing is ever fucking made for you, and if it is made for you like 75% of the time it gets chopped into little pieces by every person alive because this is the one thing you have, so it has to prove itself to you.
like, a thing can't just be for women. men need to assign it to women. women have to experience "must" or "should" before their hobbies and passions - women are allowed to do silly, passive things like tuck our ankles and titter behind a fan, or something. women are allowed to, they are welcomed to. like the world is a house and we are supposed to be in the kitchen and now we are being given the divine right to enter the living room if we bring chips
because when it becomes for you, or about you, that is when the thing is vile. you should/must wear makeup so you can appear beautiful to men. once you wear makeup for yourself, or because you yourself enjoy putting it on, then you are no longer doing the right thing. there is a reason men hate certain fashion trends. there is a reason men hate things like the pumpkin spice latte - because it's not about them. you are buying it because it is good for you. they degrade your passions and interests. there is a reason women-led fields are largely seen as being "not a real" profession. when you are a good cook, that is because you can provide for him. close your eyes. you're not going to be a chef, be honest. that is a man making food for himself.
bras are made so breasts will be appealing to men. they are rarely about comfort or support. you have given up entirely on the idea of pockets. young girls have to worry about a shorter inseam on their shorts. a girl on instagram gets her septum pierced, and men in the comments are rabid about it - i just want to rip it out of her face. she'd be beautiful without it.
and fucking everything is for them. even the media that is "for you" is for them, eventually. remember "my little pony"? remember how hard it is to convince any executive to believe that little girls are worth selling to? in the media that is for you, you see little ways that you still need to make it accessible for them - the man is always powerful, smart, masculine. he is a man's man. the media usually forgives him. it usually says okay, some men are awful, but hey! gotta love 'em. because if you don't hold their hands and say "this is literally just a story about my lived reality", they shit their pants about it. they demand you put them into the media that's for you.
these are people who are so used to glutting themselves on the world. they are used to having every corner and every dollar and every place of leadership. so you say can i please have one slice of cake, just for myself, please, holy shit. and they fucking weep about it. they say you're being unfair, because some of their one-thousand-slices aren't beautiful, and your singular cake slice doesn't have their name on it. and aren't you being rude by not offering to share?
and honestly. fucking - yeah, man. you were kind of surprised, because the cake is a little basic (you bake at home, you're way past this stuff). but holy shit, it was nice just to be offered cake in the first place. you're used to having to starve. you're used to getting nothing, but going to the party anyway, because you're expected (professionally) to show up. you liked that it is a simple cake, and that it is warm, and mostly: you like that there is, for once, a cake-for-you.
in the real world, outside of metaphor, it feels like fucking being slapped. barbie didn't even say anything particularly unusual; it literally just made factually evident points. there are less women in leadership than men. we can look at that fact objectively. that is a real thing that is happening. and the movie is aware that it has to defend itself! that it has to spend like half an hour just turning to the camera and saying: i know this is hard for you to understand, but this is a real thing that women experience.
it's just - this is that one kid on the playground who thinks its allowed to hog all the toys. he builds this hoard that nobody else is allowed to even look at, or he'll get aggressive. everyone's a little scared of him, so they let it slide, because his daddy gave him the golden touch. he hates when people cry and thinks bullying is cool. he writes boys only! on a big sign and makes all his friends take "alpha male" classes.
and then girls pick up barbies, because there was nothing left for them. and in the void they've been given, with their scraps: they make long, spiraling narratives about how barbie is actually descended from snakes and has given her righteous followers magical (if concerning) powers and can speak 32 languages (2 of which are animal related) and has big plans for infrastructure (beginning with the local interstate). and the boy comes over, and he has a huge fit about how the girls aren't "including" him. he wants to know why the girls aren't making the story about ken.
"we didn't like your story." the girls blink at him. they point to his war stories and the gi joes and the millions of male-led narratives and how still in the modern day men get two-thirds of the speaking roles in movies and they point to men making mediocre shows that don't get lambasted and they point to men encouraging toxic masculinity and they point to men everywhere, men and men and men. and they say: "how is this our fault? you had ken."
"no!" he is already back to screaming and stomping his feet and tearing at his hair and intentionally reminding them that men are holding back thinly concealed violence and he says: "if it's not for me, it's actually sexism."
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kaladinkholins · 4 months
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shoutout to taigen for being the most expressive character in the entire show.
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you will never not know whatever the hell he is feeling or thinking at the moment because he will literally tell you (either very earnestly like when he traumadumps to mizu or very sarcastically which is the other 99% of the time he talks to mizu) or you will see it plain as day on his face.
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this is the textbook definition of a man wearing his heart on his sleeve. look in the dictionary for what a "simple man" means and you will find taigen's face there.
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like once you cut through the massive ego and pompousness he uses to mask his own insecurities and traumas, he is literally just some guy. he's not evil or stupid. not super kind or super smart either. an asshole but not the worst there is. he's incredibly skilled but he's not the strongest ever or even the most skilled. he is literally! just a guy!
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y'all can hate him all you want but let's be real, taigen is actually the most relatable character out of everyone. like this man is POOR, he is PATHETIC, he is COMPLAINING ALL THE TIME, and most of all he is OBSESSED WITH MIZU. if that shit ain't relatable idk what is.
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pettson · 6 months
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i could make a comment on how tess being overlooked in the tlou fandom is because of the misogynistic views on older women we have in this society where any woman over 35 is not considered sexy anymore and therefore loses her worth, but do i want to
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welcometogrouchland · 5 months
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I understand that literature nerd Jason Todd is kind of overblown in fanon compared to it's actual presence in canon (a few issues during his pre (and post?)crisis Robin tenure that highlight it) BUT consider that I think it's hilarious if the unhinged gun toting criminal has strong opinions on poetry
#ramblings of a lunatic#dc comics#Jason Todd#batfamily#it's just a fun quirk! it's a fun lil detail and I simply cannot slight ppl for enjoying and incorporating it into works#like obviously jason isn't the only one. I'm a big believer in the batfam having over lapping interests they refuse to bond over#i know dick canonically used the robin hood stories (which are pretty flowery in their language far as i can tell) as inspo for Robin#and i know babs was a librarian and even tho her area of nerddom is characterized as more computery she probably knows quite a lot-#-about literature as well#duke is a hobbyist writer i believe? i saw a fan mention that- which if so is great and I hope he's also a nerd#(i mean he is canonically. i remember him being a puzzle nerd in his introduction. but i mean specifically a lit nerd)#damian called Shakespeare boring but also took acting classes so i think he's more of a theatre kid.#Tim's a dropout and i don't think he's ever shown distinct interest in english lit and i can't remember for Steph?#I'm ngl my brain hyperfocused on musician Steph i forget some of her other interests I'm sorry (minus softball and gymnastics!)#and then Cass had her whole (non linear but it's whatevs) arc about literacy and learning to read#went from struggling to read in batgirl 00 to memorizing Shakespeare in 'tec and is now an avid read in batgirls!#she's shown reading edgar allen poe but we don't know if it's his short stories or his poems#point to all of the above being: i know Jason's not the only lit nerd in the batfam#but also i do need him to be writing poetry in his spare time and reading and reviewing it#jason at the next dead robins society meeting: evening folks today I'll be assigning all of us poems based on laika the space dog#damian and steph who have been kidnapped and brought to jasons warehouse to hangout: LET US GO BITCH#speaking of^ random poem i think jason would like: space dog by alan shapiro#wake up one morning in an unfamiliar more mature body with a profound sense of abandonment. the last four lines. mmm tasty
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novelconcepts · 1 year
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There’s a line from American Gods I keep coming back to in relation to Yellowjackets, an observation made early on by Shadow in prison: “The kind of behavior that works in a specialized environment, such as prison, can fail to work and in fact become harmful when used outside such an environment.” I keep rotating it in my head in thinking about the six survivors, the roles they occupy in the wilderness, and the way the show depicts them as adults in society.
Because in the wilderness, as in prison, they’re trapped—they’re suffering, they’re traumatized, they’re terrified—but they’re also able to construct very specific boxes to live in. And, in a way, that might make it easier. Cut away the fat, narrow the story down to its base arc. You are no longer the complex young woman who weighs a moral compass before acting. You no longer have the luxury of asking questions. You are a survivor. You have only to get to the next day.
Shauna: the scribe. Lottie: the prophet. Van: the acolyte. Taissa: the skeptic. Misty: the knight. Natalie: the queen. Neat, orderly, the bricks of a new kind of society. And it works in the woods; we know this because these six survive. (Add Travis: the hunter, while you’re at it, because he does make it to adulthood).
But then they’re rescued. And it’s not just lost purpose and PTSD they’re dealing with now, but a loss of that intrinsic identity each built in the woods. How do you go home again? How do you rejoin a so-called civilized world, where all the violence is restricted to a soccer field, to an argument, to your own nightmares?
How does the scribe, the one who wrote it all out in black and white to make sense of the horrors, cope with a world that would actively reject her story? She locks that story away. But she can’t stop turning it over in her head. She can’t forget the details. They’re waiting around every corner. In the husband beside her in bed. In the child she can’t connect with across the table. In the best friend whose parents draw her in, make her the object of their grief, the friend who lives on in every corner of their hometown. She can’t forget, so she tries so hard to write a different kind of story instead, to fool everyone into seeing the soft maternal mask and not the butcher beneath, and she winds up with blood on her hands just the same.
How does the prophet come back from the religion a desperate group made of her, a group that took her tortured visions, her slipping mental health, and built a hungry need around the very things whittling her down? She builds over the bones. She creates a place out of all that well-intended damage, and she tells herself she’s helping, she’s saving them, she has to save them, because the world is greedy and needs a leader, needs a martyr, needs someone to stand up tall and reassure everyone at the end of the day that they know what’s best. The world, any world, needs someone who will take those blows so the innocent don’t have to. She’s haunted by everyone she didn’t save, by the godhood assigned to her out of misplaced damage, and when the darkness comes knocking again, there is nothing else to do but repeat old rhymes until there is blood on her hands just the same.
How does the acolyte return to a world that cares nothing for the faith of the desperate, the faith that did nothing to save most of her friends, that indeed pushed her to destroy? She runs from it. She dives into things that are safe to believe in, things that rescue lonely girls from rough home lives, things that show a young queer kid there’s still sunshine out there somewhere. She delves into fiction, makes a home inside old stories to which she already knows the endings, coaxes herself away from the belief that damned her and into a cinemascope safety net where the real stuff never has to get in. She teaches herself surface-level interests, she avoids anything she might believe in too deeply, and still she’s dragged back to the place where blood winds up on her hands just the same.
How does the skeptic make peace with the things she knows happened, the things that she did even without meaning to, without realizing? She buries them. She leans hard into a refusal to believe those skeletons could ever crawl back out of the graves she stuffed them into, because belief is in some ways the opposite of control. She doesn’t talk to her wife. She doesn’t talk to anyone. It’s not about what’s underneath the surface, because that’s just a mess, so instead she actively discounts the girl she became in the woods. She makes something new, something rational and orderly, someone who can’t fail. She polishes the picture to a shine, and she stands up straight, the model achievement. She goes about her original plan like it was always going to be that way, and she winds up with blood on her hands just the same.
How does the knight exist in a world with no one to serve, no one to protect, no reason propelling the devastating choices she had grown comfortable making? She rechannels it. She convinces herself she’s the smartest person in the room, the most capable, the most observant. She convinces herself other people’s mysteries are hers to solve, that she is helping in every single action she takes. She makes a career out of assisting the most fragile, the most helpless souls she can find, and she makes a hobby out of patrolling for crimes to solve, and when a chance comes to strap her armor back on and ride into battle, she rejoices in the return to normalcy. She craves that station as someone needed, someone to rely upon in the darkest of hours, and she winds up with blood on her hands because, in a way, she never left the wilderness at all.
How does the queen keep going without a queendom, without a pack, without people to lead past the horrors of tomorrow? She doesn’t. She simply does not know how. She scrounges for something, anything, that will make her feel connected to the world the way that team did. She moves in and out of a world that rejects trauma, punishes the traumatized, heckles the grieving as a spectacle. She finds comfort in the cohesive ritual of rehabilitation, this place where she gets so close to finding herself again, only to stumble when she opens her eyes and sees she’s alone. All those months feeding and guiding and gripping fast to the fight of making it to another day, and she no longer knows how to rest. How to let go without falling. She no longer wears a crown, and she never wanted it in the first place, so how on earth does she survive a world that doesn’t understand the guilt and shame of being made the centerpiece of a specialized environment you can never explain to anyone else? How, how, how do you survive without winding up with blood on your hands just the same?
All six of these girls found, for better or worse, a place in the woods. All six of them found, for better or worse, a reason to get up the next day. For each other. And then they go home, and even if they all stayed close, stayed friends, it’d still be like stepping out of chains for the first time in years. Where do you go? How do you make small choices when every decision for months was life or death? How do you keep the part of yourself stitched so innately into your survival in a world that would scream to see it? How do you do away with the survivor and still keep going?
They brought it back with them. Of course they did. It was the only way.
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normal people about their shows symbolism: the curtains aren't yellow, they're blue actually
2021 era black sails fans: there are no curtains and now there never will be, rope is out to get you, chairs and boats and clocks are haunted, mimetic crises are real & out to get you, you can never escape the narrative because this story's ending is already written but you can slip through the cracks of it if you're lucky & favored by the narrative enough
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midnights-dragon · 9 months
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Crowley would be kind to trans kids in particular I think
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lovelessrage · 3 months
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Pro-kink advocacy goes hand in hand with aspec advocacy and if you don't understand this you need to start.
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