Two arts? In one day? Is it my birthday?
ALKSJSDLKJ I KNOW you know it's funny i was actually going to mention something like that, like how it's unusual for me to do that lol
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forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.
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that scene in the first season where annabeth tries to reassure herself that percy's alive because he has to be and then he comes back and she gets to hug him contrasting the scene we'll get in the fourth season when annabeth tries to reassure herself that percy's alive because he has to be and then she has to speak at his funeral because no one's heard anything from him in two weeks.
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You guys really finished Dracula Daily and went and made up a fake Martin Scorsese film to obsess over when we could easily ruin people's lives for the next ✨two years ✨if we all collectively agree to sign onto Whale Weekly.
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