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In love with the idea of captain marvel being Billy's imaginary friend. Like, it'd be so easy. Early depictions had them as almost fully separate people sometimes, like one soul with two minds, rather than just two filters like we mostly see now.
But imagine a Billy down on his luck, hurt and hiding from police and criminals alike, daydreaming the hours away as children do, taking inspiration from all the superheroes rising to fame, making little stories to play out his dreams of saving the world with a generic action doll he found while dumpster diving once. Most of the paint's rubbed off.
Red's his favourite colour, his comfiest jumper is a bright ruby even after all the grime and washes. Gold, too, it's shiny and warmer than silver! A hero cape is a must, big and eye catching! And he can fly, of course, like superman, and in his daydreams, when he's sore and frustrated after a long day's grind, his superhero is smart enough and knows all the right words to get the bullies to stop without resorting to fighting.
His superhero fantasy is one he spends a lot of time on, the first one he goes for when struggling to sleep at night, and he can picture it so clearly. Captain marvel is big and bright and kind, strong enough to lift the boxes for the old lady up the road who's moving all by himself, fast enough to catch Jamie who fell out of the tree on Saturday and broke his leg and couldn't come to class for weeks. He appears at the entrance to alleys when Billy is cornered, he steps up behind to cover for him when he gets caught shoplifting, he sits at the bus stop with him when it's pouring rain and the right bus doesn't seem to be coming.
And then the wizard comes, or rather whisks him away, and like a magician from a fairytale breathes life into his imaginary friend until Billy feels thrice his size and a million times more invincible.
From then on, captain marvel is a real hero, just like Billy is a real boy, and as one they save the whole city, and then the whole world, and get cats down from trees and help Mrs Victoria move the last of her boxes and she gives them a pinch in the cheek and cookies for the road and sometimes it hurts but it's so much better than he imagined.
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Danny Phantom AU where some other billionaire's company gets better employee ratings, so Vlad gets pissed off and competitive. Meanwhile, Danny & friends are enjoying the break from his nonsesnse & the occasional rants that Vlad calls the Fenton parents with.
News headline: Wayne Enterprises has best benefits in the country!
Vlad: bullshit. *gives better benefits and an almost-living wage* there I win.
Headline: Stark Industries to pay all employees a minimum $2/hr above living wage.
Vlad: that BITCH *matches SI payrates*. I need to win...hmmm.... *establishes 40% tuition reimbursement program*. Ha! Beat that!
Headline: Luthorcorp to start donating 1% of profits to environmental organizations
Vlad: Son of a... *1% matching to the environment, 1% to homeless shelters across the country, and 1% to emergency relief funds* Finally, I've won!
Headline: Wayne enterprises to start 100% daycare reimbursement under new CEO, Tim Drake!
Vlad: *demonic screeching* *matches daycare reimbursement and ups tuition reimbursement to 50% for all relevant programs.*
Headline: LutherCorp secretly donating funds to himself! In prison for tax fraud!
Vlad: Finally. I've done it. Best billionaire.
3 months later:
Headline: Stark Industries to offer paid internships with college credits!
Vlad: Oh COME ON!!!!
This goes on until *everyone* wants to work at WE, SI, or DalvCo. The pissing contests do not end there. No.
They escalate, much to everyone else's exasperation, enjoyment, or (in case of Republicans) horror.
Wayne Enterprises synthesizes insulin, sells for $25/bottle- undercutting major medical companies who sell for minimum $300/bottle.
Stark Industries pioneers new affordable mobility aids- like Rhodey's braces, for example.
Therefore, Vlad has to put *his* two-cents in and starts 3-d printing/cloning organs for (comparitively) little money based on the original person's dna to eliminate chances of rejection.
And THAT means they move onto the next thing- fixing homelessness, because surely if they solve *that* they can win. Only to find the anti-homeless laws are *so* strict they can't do much.
Vlad: I'm evil, but not that evil.
So 2 asshole billionaires- and Bruce & Tim- get together. Stark beats Trump and is president. Vlad wins a senate race. Bruce is forced (kicking and screaming) to run for congress- which he loses. And they start working on homelessness.
Give me a Sam screeching when a grown-ass dracula looking motherfucker floats into her room.
Vlad: stop screaming. Don't- why are you shooting me, I haven't tried to kill you in YEARS! Not the thermos, not the-
Later:
Look, just tell me how to fix this shit.
I just- give me assholes (and Bruce & Tim) viciously competing to make the world a better place.
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What I hate about modern-day comic book writing is that it's so jokey. The Riddler can break out of Arkham, kill twelve people, and threaten to blow up a subway car, and everyone will act like they're just LARPing? There'll be random hook-ups and a bunch of pop culture references and the whole situation will be treated with these knowing kid gloves, like everyone involved is Ralph and Sam clocking into work.
And you can't even say that it's lighthearted irreverence or dark humor, because the moment one of the writer's pet causes come up, THEN everyone gets all serious and solemn. So you get these scenes where the characters are treating gentrification like it's the worst thing imaginable, then playing grabass with Mr. Serial Killer like he's just their wacky neighbor.
It completely takes me out of the story, because it's clear the writer is only going to invest actual pathos and engagement into this world when it can be spun to some social justice angle.
I mean, even the shipping... the shipping is arguably bad on its own, but the way straight couples are treated like a retarded soap opera, pairing up at random and then breaking up for no reason, while gay couples are always treated like the second coming of romance and they're forever endgame... how does anyone take this stuff seriously?
Why is marriage this terrible thing that ages the characters and makes them boring, unless it's a gay couple, in which case them getting married is some long overdue triumph over adversity and the best possible direction the story could take and you're just supposed to marinate in how much sex these two characters are having with each other. It's not even porn. I could respect porn. It has a purpose. This is just like... there is a literally published Harley Quinn high school AU comic.
And you know, I watch a Mission: Impossible movie, it has real stakes. Tom Cruise is going "we have to stop this guy before he sets off the nuke!" That's all I'm asking for. That they treat the situation like it's a real thing that's happening to them and not a game show they're on. But these are such shitty writers that they can't put themselves into the headspace of "how would I feel if this were happening to me?"
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Johnny soap Mactavish 👀
JOHNNY!
That is so true!
The moment he goes on leave, he's no longer Sargeant John 'Soap' MacTavish.
He's your childhood best friend, your boyfriend, your Johnny.
And in your arms, he'll always snooze— with a roughened palm kneading the soft flesh of your breast because at work, he sleeps alone, with a raggedy military blanket and a stiff cot.
But when he's with you?
He's home.
as they say, home is where the heart is.
and where your boobs are.
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Friend: what’re you working on?
Me: a wholesome tale of friendship and self-actualization!
Friend: and what’s that you're listening to?
My headphones: THE RIVERBED WILL RUN RED WITH THE BLOOD OF THE SAINTS AND THE BLOOD OF THE HOLY—
Me: wholesome music
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love it when people think they have to defend their evil 'blorkos' or whatever the fuck like noooo they're just evillll haha .. they're just evil you silly goose .... get over it
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