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#ugolino and his sons
capra-persa · 17 days
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📍Metropolitan Museum (MET), New York 🇺🇸
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conceptualizaticn · 2 years
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"Ugolino and His Sons" (1865-67) by Jean-Baptiste Carpeaux (1827-1875)
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panthermouthh · 2 months
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“I ought to be thy Adam, but I am rather the fallen angel.”
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solemntoad · 2 years
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Adventurers burdened with the weight of Fate.
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orangerosebush · 1 year
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CW DISCUSSION OF ABUSE
I am trying to find papers on the subject of fathers who consume (knowingly or unknowingly) their children in myth. Although writing on mothers who consume their children has already explored the monstrous inversion of birth/pregnancy present in those stories, there's certainly an analogous tenor to stories that instead feature fathers with murderous appetites, and I want to see what has been written on that note. Parental cannibalism in these stories is particularly interesting to me as a way of exploring certain kinds of abuse (e.g., sexual), as the violence of these acts is symbolically so close to incestuous abuse. To elaborate on why I see there being a connection, I return to why cannibalism in myth within families is a kind of double cannibalism. Parental cannibalism is cannibalism, of course, in the sense that one is eating a member of one's community, of one's community. Yet the act is cannibalism in another sense: in the sense that the cannibalism is occurring within a family unit (i.e., not just transgressing the boundary of eating someone of the same species, but of the same species and bloodlines). Furthermore, just as the comestible line we must not cross is drawn at the boundary of species, so too is the line drawn sexually transgressed in the context of incestuous abuse.
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miasmatik · 5 months
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Sins of the Mother 🩸
Pose referenced from Ugolino and His Sons, one of my favorite sculptures based on a story from Dante’s Inferno about a father who dooms his children to eternal starvation. Felt very House Dimitrescu ~ links
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jayessart · 11 months
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Bailin and Li Yun (OCs for my merman comic)
Study based on Ugolino and His Sons by Jean-Baptiste Carpeaux.
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fugengulsen · 3 months
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Detail on the statue Ugolino and His Sons, 1865–67. Sculpture Jean-Baptiste Carpeaux
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iphisesque · 8 months
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Study for Ugolino and his sons, Jean-Baptiste Carpeaux
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lindmaar · 1 year
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Ugolino and His Sons
(Jean-Baptiste Carpeaux, 1827–1875)
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schoonheid-1229 · 3 months
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Ugolino and His Sons - Jean-Baptiste Carpeaux
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catharticscream · 8 months
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Listen/purchase: Reinventing a Dream (rough demo) by Scott Brown
Here’s a song I wrote recently. I still can’t even play the guitar part that I wrote myself. Also, disregard the art. I had to add something so I just used an engraving of Ugolino and his dead son that I happened to have on my desktop. I’m probably gonna get self conscious and delete this in like twenty minutes but you never know! maybe not!
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Count Ugolino della Gherardesca and His Sons - Émile Vernet-Lecompte // Famous Last Words (An Ode to Eaters) - Ethel Cain
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pelideswhore · 2 years
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ORESTES AND PYLADES
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Detail from David, Michelangelo // unknown // Detail from Ugolino and his Sons, Jean-Baptiste Carpeux // Weight by Jacqueline Woodson // An Oresteia trans. by Anne Carson // Secret Worlds by The Amazing Devil // An Oresteia trans. by Anne Carson // The Beatrice Letters by Lemony Snicket // An Oresteia trans. by Anne Carson // An Oresteia trans. by Anne Carson
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Ugolino and His Sons
Jean-Baptiste Carpeaux, Born May 11th, (1827-1875)
The subject of this intensely Romantic work is derived from canto XXXIII of Dante's Inferno, which describes how the Pisan traitor Count Ugolino della Gherardesca, his sons, and his grandsons were imprisoned in 1288 and died of starvation. Carpeaux's visionary statue, executed in 1865–67, reflects the artist's passionate reverence for Michelangelo, specifically for The Last Judgment (1536–41) in the Sistine Chapel of the Vatican, Rome, as well as his own painstaking concern with anatomical realism.
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charlesreeza · 2 years
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Ugolino and His Sons, bronze, 1862, by Jean-Baptiste Carpeaux
Musée d'Orsay, Paris
The work depicts an episode from Dante's Inferno in which Count Ugolino is sentenced by Archbishop Ruggieri to die of starvation in a tower prison with his sons and grandsons. Upon witnessing their father’s grief and sorrow, Ugolino’s children begin urging their father to eat them in order to relieve their father of his great hunger and ensure his survival. Carpeaux shows Ugolino at the moment when he considers cannibalism.
Count Ugolino and his sons were real 13th century people who died of starvation, as Dante described, around thirty years before the Inferno was written. Though Urgolino was a treacherous and selfish politician, later scientific analysis of their remains indicated that he did not resort to cannibalism.
A marble version of this sculpture is in the Metropolitan Museum of Art in New York.
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