DO NOT BE AFRAID
this is combining Ovid's Heroides and the Excidium Troie because I can't stop thinking of Hermes telling him not to be afraid. what the fuck!! Ares is wearing the crown that Paris gave him.
I have. thoughts. about Paris. he's almost got this Troilos parallel in my mind, that the event that defines him in detail exists in a lost narrative that we don't have (the Cypria), but everyone else knew. the event that defines Troilos is his death (murdered, butchered by Achilles, the violence of which haunts everything after. Achilles, child killer, you can't escape that!), and the event that defines Paris is the Judgement. what's a lost text but a kind of grave!!
idk I don't think that Paris before the Judgement would recognize himself after bc when you become god touched, it rearranges your guts. you become transformed in the worst way possible! how could you recognize yourself! but I also think that all the Parises after the Judgement would recognize each other because that event is so locked into the trauma of war and the scar it leaves on the land, it's like a scar on the narrative too. it exists like this forever, over and over again, so you exist like that forever too. Troy collects grief and despairs.
Troy as trauma: Reflections on intergenerational transmission and the locus of trauma, Andromache Karanika
and Paris is like. a miserable little god/corpse-puppet or something, like a match for the gods to throw onto gasoline.
The Excidium Troie + Ovid's Heroides:
Excidium Troie, trans. Muhammad Syarif Fadhlurrahman
Ovid, Heroides 16 (trans. Harold Isbell)
a collection of things regarding Paris that made me go 😬 but under a cut bc this is getting. very long.
The Divine Twins in Early Greek Poetry, Corolla Torontonensis
Iliad 24 and the Judgement of Paris, C.J. Mackie
Elegy and Epic and the Recognition of Paris: Ovid "Heroides" 16, Elizabeth Forbis Mazurek
Ennian Influence in "Heroides" 16 and 17, Howard Jacobson
Paris/Alexandros in the "Iliad", I. J. F. de Jong
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I wanted to make a post starting with "There's no heterosexual explanation for the way Troy and Abed" and start talking about specific events in a specific episode, but y'know I don't even think I need more than that.
There's no heterosexual explanation for Troy and Abed
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I've also been reading the three musketeers and the thesis chapter had me Cackling. the clowning on learning latin in particular and aramis as a character constantly emphasizing that being part of the higher sought after and hard-to-get-into regiment of the king's musketeers is just kind of a temp job for him is so funny. character of all time. (also bazin wanting aramis to be a abbe so bad is so good)
Disclaimer that I was actually not reading the book, just giving a look and toying with the idea of reading it soon. In fact I was reading something else, but the chapter was so funny I've abandoned it and will probably start The three musketeers instead xD
Yes! Bazin was so funny. While reading him I couldn't help but be reminded of Smee wanting to leave Neverland and done with Hook's obsession for Peter Pan. Aramis dismissing being a musketeer is hilarious, but it becomes particularly funny after reading Cyrano de Bergerac, where Cyrano mentions being a musketeer wistfully a couple of times. While I was reading the play I kept thinking that Cyrano's aspirations were basically to be Aramis haha
The use of Latin each character (the curate, the Jesuit, D'Artagnan and Aramis) does was indeed very funny, as well as insightful. I ended up reading a paper on the command each of the four protagonists has of Latin, and I loved the comparison it established between Athos and Aramis. I don't have an opinion on this formed because I have yet to read the book, which is a good thing (it will hopefully keep me from rambling), but I found what I read super interesting.
The chapter was very funny, and I felt Dumas managed everything very well? I loved the writing itself. Every part of the chapter worked wonderfully as a whole to enhance every aspect, making the funny parts more fun and drawing a more clear lively depiction of the characters.
By that I mean, basically, that even from the initial interaction between D'Artagnan and the hostess in which he asks for Aramis and she goes "the charming hot guy?" we can see Aramis' hypocrisy and unsteadiness by a mile. It's hilarious to read the chapter and see how Aramis ends up contradicting everything he does or says, at times not even that long after saying it xD
Which takes me to the thesis itself. Honestly, I loved the topics. I know they're supposed to sound a bit ridiculous and funny, but I thought Dumas conveyed very well the air of some of those intricate questions of theology that seem trifle but have a lot of implications, and end up being of a very poetic nature (such as the question about how many angels can dance on the head of a pin, one of my all time favourite questions). I wasn't very interested on the topic of the hands until the Jesuit commented that sprinklers "simulate an infinite number of blessing fingers"; that's beautiful.
Now, the topic Aramis himself proposes is just gorgeous. The way he defends it with a syllogism is so clever of Dumas considering the link between theology and the development of Logic. Besides that, despite how unorthodox the topic may appear at first, as Aramis himself puts it, there is a lot of truth in what he says about the world being full of temptations and it being very much a sacrifice to leave it, and how there lies the devotional act. I ended up being very intrigued by the potential development of this thesis in a mix of appreciation of the world as God's creature, and thus the leaving of the world as an act of true love for God, of more importance; how instead of an easy surrender, the struggle and doubts are as much reflection of the condition of humanity's frailty as it is a more steady and full surrender to God.
The topic of Aramis' thesis is somewhat paradoxical yet sound, and reflects doubts, as well as an appreciation for the world, aesthetics and beauty; I think it reflects so much of what makes Aramis himself.
And then, again, there's the whole hypocrisy through the entire chapter (which is what makes it for me haha). The way he says he isn't defending a regret at renouncing the world while proposing the thesis, that the mere idea is sacrilegious, how he insists he won't miss it, that friends are but shadows and the world a grave, and still how his resolution wavers almost instantly with his "And yet, while I still hold to the earth, I would have liked to talk with you, about you, about our friends" (and what a tender shaking), only to end up asking D'Artagnan to tell him about the world in the last line? Hilarious. What an hypocrite xD
But how extremely charming and adorable, I must admit! I love how when D'Artagnan tells him "But how are you going to live while you wait for me? No more thesis, no more commentaries on fingers and blessings, eh?", Aramis smiles and replies "I shall compose verses". Truly one of the characters of all time xD
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hey guys the bad news is i’m heading back to uni so i won’t be super active for a bit. good news is i think i’ll be better at managing my time this semester and i’ll still get on tumblr and write prompts/drabbles. it just won’t be like every day
peace
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not to be an Absolute Hater but :/// the thing about those of us who had Patroclus feelings (me im talking about me personally) before reading tsoa is like i feel the need to over explain myself when I'm talking about him all the time now like. yes I love him I feel like he's one of the most important characters in the entire epic and its NOT bc he's been WOOBIFIED its bc he contains multitudes
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I hate in shows when there’s a big time jump and all of a sudden a couple that we’re happily together for years all of a sudden are broken up or having difficulties
and you know it’s just for drama reasons
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sorry. walking dead 4x14 and hannibal parallels. i forgive you and then one day you change, we all change. sorry. gpd jesus fucking christ sorry
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