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notebooknonbinary · 1 year

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Byler Week, Day 1: Halloween

Happy Halloween to those who celebrate! (Happy s2 Byler to all) And happy first day of Bylerweek!

Today is Day 1: Halloween / AU / –gate. I chose to write a fic bc my drawing skills need serious brushing up skills and I can eventually stuff this fic into my other fic’s universe😌.

Edit: Also posted to Ao3:)

Halloween used to be Mike’s favorite holiday. He’s always loved dressing up as whatever his favorite character that year is. And he loves seeing what other people dress up as.

One year, before the Party started doing group costumes, he and Will had gone as Kirk and Spock. He’d even made the ultimate sacrifice and let Will be Kirk.

Tiny little seven-year-old Will had made an adorable Starship Captain (equally tiny Mike had thought he looked super cool). Mike’s fake ears had itched, but he’d liked the cool blue color of his shirt. And everyone that gave them candy that night had known they were a pair, which had thrilled them both to pieces.

The first year that the Party did group costumes, Mike and Dustin had convinced the other two to go as DC superheroes (Lucas and Will have always preferred Marvel). Lucas had been Green Arrow, and Dustin had picked the Flash (his favorite). Everyone had expected Mike to go as Superman, who was his all-time favorite. Except he’d gone as Batman instead and asked Will to be Superman. Everyone’s costumes had turned out great, but Mike’s favorite had absolutely been Will’s—handmade by Mrs. Byers as always.

(It seems obvious in retrospect, that Mike had already begun to get a crush on Will—which is why he’d wanted him to be Superman.)

(And then, of course, the Halloween—only a few days before Will would be taken by Vecna, the Party had dressed up as Star Wars characters. This time it’d been easy to convince everyone that Will as Luke was just the obvious, correct choice, and not because Luke was obviously the best character.)

But Eighth grade had been the last time any of them had dressed up (“Who you gonna call?”) —and it hadn’t exactly ended well.

(Well, technically that Halloween had ended with Mike and Will hanging out alone in the basement, watching a lighthearted movie and sitting close together to feel safer—so that part…)

Freshman year, Mike had been in the middle of being miserable and missing Will and El too much to even think about a costume—and last year, they’d been in the middle of recovering from an apocalypse (neither Will, nor Max, had even been awake yet).

So now there are multiple anniversaries right around Halloween that seem much more prevalent than going around getting candy (which they’re pretty much too old for anyway, in Mike’s unhappy opinion), or going to a Halloween party—with too many people they’re not friends with, and alcohol, which none of the Party even likes.

So yeah, Mike doesn’t really intend to broach the subject of costumes this year.

Instead it’s Will who brings it up. “If all I have to focus on this year are the shitty memories and handing out candy, I’m going to scream.” Then he grins, a little mischievous. “Plus this is the first Halloween that we’re dating. I’ll be able to tell you this time that I think you look handsome in your costume, instead of pretending that you, as Han Solo, didn't fluster me half to death.”

Mike, they’ve both learned, is much easier to tease out of the two of them—Will makes a game sometimes, out of all the easy ways he can make Mike blush. Like right now.

“You’re mean,” he grumbles, hiding his suddenly warm face in his hands. It only gets warmer at Will’s delighted laugh. “You wanna do a group costume with the Party, or a pair like we used to?”

“The Party’s a lot bigger than it was back then—it’d be too hard to coordinate on short notice. But…” Will trails off. Mike risks a look at Will, who is suddenly much closer, smile softened but eyes still bright with mirth. “I think, Michael, that in this context, it’d be a couple’s costume, not just a pair.”

Mike resists the urge to hide his face again.

“Everyone always thinks I’m the mean one of the two of us,” he grumbles, but accepts the embrace Will is silently, cheerfully, offering—nosing into the other boy’s shoulder. “I’m gonna tell your mom you were bullying me. She loves me, you’ll get in trouble.”

“Tattletale,” Will singsongs. “I’ll stop bullying you if you let me pick our costumes this year.”

Mike, who doesn’t actually want Will to ever stop bullying (aggressively flirting with) him, cocks his head. “Alright Byers, deal.” He pauses. “And you just have to lay off flustering me in front of our friends—they already think I’d let you get away with anything.”

Will snickers. “You know what? Deal. But, for the record, I think you would let me get away with anything. Which is why, one day, you’ll go with me and El to Vegas so we can use our powers to scam the slot—”

Mike interrupts this long-running (hopefully a) joke to kiss Will. Will leans into it briefly, reaching up to weave a hand into Mike’s hair. After a moment, though, he pulls back, looking thoughtful.

“Now we have to figure out what we’re doing for Halloween.”

…

The Halloween of Mike and Will’s Junior year of high school, the Extended Party (minus Jonathan and Nancy, away at their colleges) convene on the Byers-Hopper house, dressed to the nines in their Halloween costumes. The plan is to watch minorly scary movies, eat far too much junk, and take turns answering the door for Trick-or-Treaters.

The Original Members of the Party (including Max) show up early to help set up.

Dustin is in a full suit and tie, a gun holster (with two full water guns in it), and a fedora. The entire setup is impressive, but none of his friends can guess who he’s supposed to be. The only one who understands who his character is immediately, is—oddly—Hopper.

“Elliot Ness.”

“Yes! Thank you!!”

It turns out that, having recently seen the Untouchables, Dustin had gone on a research spree about the Real-life man, and been fascinated. Thus, his choice of costume.

Lucas and Max have decided against couple costumes. Instead, Max wanted to go as Wonder Woman, so she has (and she looks every bit the Amazon warrior, sitting in her wheelchair like it’s a throne).

Lucas, on the other hand, has finally been able to be a Marvel superhero. After long deliberation between all of his favorites, he’d finally settled on Falcon—partly because he enjoyed the recent comics miniseries, but also because if he’d gone as Spider-Man (his other big choice), he’d have to keep removing the mask to eat.

“Falcon is just cool enough to date Wonder Woman,” Max tells him, mock-loftily.

He laughs, leaning across her lap to give her a kiss. “Well, Wonder Woman is more than cool enough to date Falcon.”

This being one of El’s first actual Halloweens’, she chose to go as the ghost she’d wanted to go as on her first Halloween—though the simple sheet had been switched for a white dress, pale makeup, and fake blood (with the occasional appearance of actual blood when she used her powers to get another soda, or pop Mike across the head with a pillow).

Steve and his group seem to have collectively decided to go as the Breakfast Club (or perhaps Steve is in regular clothes, it’s hard to tell). Robin, dressed as the outcast girl, is lounging across Vickie’s (dressed as Molly Ringwald’s character) lap, attempting to toss popcorn into Steve’s mouth. She’s largely just making a mess, but neither of them seem to care.

The (actual) adults of the bunch settle in the kitchen. Joyce convinced Hopper to do a couple’s costume with her (they’ve gone as Frankenstein and the Bride of Frankenstein), but Murray shows up wielding a bottle of something very strong for them to drink and wearing just a dollar store cape over his regular clothes.

(Erica, out with her other friends for one last candy-haul before high school next year, will come at eight-thirty. She’s dressed up as her DnD character, Lady Applejack. She has no plans whatsoever to share her candy—even though she knows she probably will end up doing so.)

Joyce had been overjoyed to see what costumes Mike and Will picked this year.

She hadn’t been the only one.

When Will told Mike what costumes he wanted, Mike almost cried. He is (not so) secretly a sap, and Will knows it (though Will isn’t much better on that front, honestly).

“Shall we, Mr. Spock?”

“Indeed we shall, Captain Kirk.”

It’s the best Halloween yet, in their opinions.

#bylerweek #stranger things #byler #vee attempts to write #mike wheeler #will byers #bylerweek2022 #long post #I’ve been writing off and on since I saw the Bylerweek post. we’re gonna be driving all day today so I’m setting this for 12am Oct31 #i did far more research into deciding what all their costumes should be than was warranted #i debated honestly bc I read an interview where Caleb said he’d want to play DC’s Static Shock one day but that didn’t come out til the 90s #but he’s also said that Lucas would be more into marvel I think so #also did I make byler Kirk and Spock to push my spirk agenda? absolutely.#i think they’d ship it and send in works to Star Trek fanzines (bc there were spirk-specific fanzines at this point p sure?) fandom history #i have not seen the untouchables but I watched the trailer and it looks cool and Elliot ness was real and cool p sure #also sorry if byler seems the tiniest touch ooc I’m shoving in characterization that hasn’t happened yet bc it’s Going to happen in p2—#—and I haven’t even posted part 1 yet. i am Stressing.#i hope everyone is doing well! be safe today and tonight!#tbh I need to make a tag for my fic universe but I am not doing that today #i didn’t my best to edit this but hh if u see any glaring typos no u didn’t #edited header for easier viewing #edited to make it less unwieldy on a blog #Bylerweek day one #vee fic

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lumeha · 2 years

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I need to make a separate collection on my shelves for my collection of fanzines and my collection of zines/perzines

As much as I love the really worked-on, glossy art and writing collections... There's something so beautiful about the messier, smaller, printed and stapled zines. There's something free and with a bite there, and I want to get more of those

#I should go back to search for perzines on Etsy and in cons when I can hhh #just found two I stashed somewhere random while searching for something else and #the one about the artist's first relation #and then what happened next #it's... IDK there's something so... good about it ? in the way that ?#idk it's ! strong ! full of feelings !! I love that...#I also need to organise my fanzine collection better at some point siighhh to have the ones I contributed to somewhere different #barks.txt

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whatwouldhappenif-zine · 2 years

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ZINE UPDATES🗞️

Our zines are home !!!

We are still waitting for the Keychains and Stickers but take a look!!!!

Thanks yo everyone that made this possible

#Zine #fandom zine #mdzs zine #mo dao zu shi #mo dao su zhi #mo dao zu shi zine #what would happen if zine #the untamed #untamed art #art zine #mha zine #fanzine #mdzs

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dcafanzine · 1 month

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Hello everyone! We’ve compiled this handy-dandy FAQ to hopefully answer any basic questions regarding this zine that you all may have.

(As this FAQ has gotten pretty extensive, all of the questions and answers are now listed under the cut!)

FAQ

What’s a fanzine?

A fanzine is a collection of fan works (typically art and/or writing) by fans for fans that focuses on a specific fandom, ship, or character! Most of the time contributors and the team behind a zine are not paid, and the cost of the zine covers production and shipping costs. Any surplus may be donated to charity, or, in the case of a for-profit zine, the contributors and team will be financially compensated.

What’s this zine about?

This zine will be focusing on the daycare attendant (DCA) from Five Nights at Freddy’s in all of their canon variants: Sun, Moon, and Eclipse (including other forms such as the Ruined and arcade cabinet forms and Jack o Moon). We aim to celebrate all canon forms of these characters with a similar number of pieces dedicated to each of their main three forms (Sun, Moon, Eclipse) together or separately.

Will this zine be SFW?

All content produced for this zine will be SFW. NSFW and 18+ pieces will not be included in this zine.

Will ships/pairings be included?

Following feedback from the zine interest check, we’ve decided to focus more strongly on the DCA as characters in general for this zine rather than on romantic pairings. Romantic ships won’t be the primary focus of any pieces for this zine. Platonic interactions and fluff are A-okay.

(Ship lovers please see the question below for an added note on ships!)

Will AUs be included?

Following the zine’s interest check results, for this zine, most pieces will be focusing on more canon-adjacent leaning depictions of the DCA where the designs and/or circumstances are not too far removed from those depicted in canon (for example, where the daycare attendant/s are still working or had previously worked at the pizzaplex, with room for AUs like role swaps where Sun has the more prominent effects from the virus, the DCA working in the theatre or as Glamrocks or on the carousel or something else, the characters being in separate bodies or the same body, etc etc), with some wiggle room for more differentiated AU content and designs to be included in a few pieces so long as it is submitted by either the creator of the AU or with the AU creator’s express permission and depending on the pitch(es) provided by the applicant(s).

(A note on the last two questions: There will be a potential for a bonus PDF or two to be produced focusing more closely on AUs (submitted by the creator of the AU or with the creator’s permission) and/or SFW shipping content depending on contributor interest and availability. This will be separate from the main zine. Interest in this or lack thereof will in no way affect your application and no one will be obliged to participate.)

Will other canon characters / self inserts/ y/n characters / OCs be included?

Other canon characters are completely okay to include so long as the piece still strongly focuses on the DCA! Self inserts, y/ns and OCs may be included so long as:

They have a defined physical design (if drawn) and are either the contributor’s own creation or submitted with the express permission of their creator.

The primary focus of the piece is still the DCA.

What are the general requirements for joining this zine as a contributor?

All zine contributors must be aged 16 or over.

Most zine communications will happen over Discord. Zine contributors should have a Discord account and be willing to use Discord for communications when working on the zine.

Zine contributor applications should include at least one piece (preferably more) depicting the DCA (canon-adjacent or in an AU form where they still have a similar general physical appearance and/or play a similar role is preferred) for a good chance of a successful application. Contributors will also be asked to pitch an idea or two on what they potentially want to do for their piece in the zine which may help secure them a spot in the zine and aid in brainstorming for their piece even if they don’t ultimately use the suggestions they gave for their pitch.

Will this zine be for profit or for charity?

Surplus profits from this fanzine will be donated to charity (when a specific charity has been chosen by the mod team, we will announce this and update the FAQ - suggestions are most welcome!).

Who will be contributing to this zine?

At the heart of this zine from behind the scenes is a team of 8 mods working together to bring you tons of fun DCA content who will be announced in due time!

While exact contributor numbers have not yet been finalised, the zine’s contributor lineup will include something resembling the following:

23 page artists who will draw full-page coloured illustrations with backgrounds as standalone pieces for the zine

5 writers who will each write a short piece for the zine (around 1.5-2k words) which will be illustrated by an accompanying spot artist

5 spot artists who will illustrate scenes to accompany pieces written by the writers working on the zine

2-3 merch artists who will design merch to be produced dependent on the zine hitting certain financial targets

Will mods be allowed to contribute to the zine?

Yes, mods will be allowed to contribute to the zine, if they find that they have the time, but this will not affect the number of other contributors that we take on. Mods will be held to the same standards as every other contributor and must complete the check ins regardless of their mod status. Mods will only be allowed to contribute one piece of work, or may instead opt to be a pinch hitter in the case of a contributor dropping out!

Will this zine be physical or digital?

Dependent on sales, we are hoping on making this a physical printed zine with the option to purchase a digital copy. There will be a selection of bundles available with a range of merchandise.

Are contributors allowed to collaborate?

Two or more contributors may work on a single piece for the zine so long as they work well together! Collaborations will be counted as a single submission.

Will contributors receive a free copy of the zine?

Contributors will receive a free digital copy of the zine and, dependent on sales, will receive a free physical copy of the zine as well. We are hoping to offer discounted or free merch for contributors as well, although this will depend on sales.

In the case of collaborations, whilst each of the collaborators collaborating on a piece will be guaranteed a free digital copy of the zine, each collaborator receiving a free physical copy of the zine will ultimately depend on sales.

When can I apply?

Contributor applications will open on the 25th of March and will close on the 22nd of April.

Can I apply for more than one role?

You can apply for as many roles as you like on the zine (though be sure your application caters specifically to the role you are applying for when you complete each of your applications!), however, you will still only be selected as a contributor for one role. A comment field will be made available in each application form so you can state your order of preference here if you like!

How long will I have to complete my piece if I’m selected?

Zine contributors will have around three months to complete their pieces upon being selected. If you have applied to and are selected to be a pinch hitter (taking a spot in case another contributor drops out) this may vary.

If your question hasn’t been answered here or you’re looking for more clarification, please head on over to our ask box or our CuriousCat!

#dca fan zine #dca fandom #fnaf daycare attendant #daycare attendant #fnaf dca #dca fanzine #fanzine #dca fanzine asks #zine asks #long post

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sheikfangirl · 15 days

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A page from my post-Botw Zelink comic. Each chapter covers key moments of my headcanon. I don't think my comic is super revolutionary in terms of story because there is so much fan content out there and im super classic and vanilla... but i dont care. I'm having fun creating my own take on what happened. This project is a time consuming blackhole and I draw it all out of order because I have no discipline whatsoever 😭 😂 It was originally just random black and white pages here and there with no cohesions, like my stand alone illustrations... but the illustrations became pages. The project is basically me fan-servicing my own self. 😂😂

Then it exploded, i've been adding color, cleaning up my panels, pimping the backgrounds.

I still unsure on which platform i will make it available to read. The friends who got my out of my shipping closet are screaming to me to print a fanzine, but i'm lazy hahaha. Might do a patreon eventually, idk.

Oh yeah, this is a panel from the chapter where Zelda and Link go back to Korok forest to put the Master Sword back in it's pedestal... I'm old, i played the old games. One of my BotW nitpics was that it didnt include the classic moment where the sword rests once again, like in ALttP and OoT. I like traditions okay!!!! Cheers!!!

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rogues-the-fanzine · 3 months

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Transcript

Catie: Do you think the henchmen need to unionize?

Cato: actually….if they HAVE to, but, I don’t think they-

Ed barges into the door with a BAM and angry footsteps

Edward: YOU TWO HAVE DONE IT THIS TIME!!

Catie and Cato: wait what?-

Edward: you’re going to explain to me why you’ve been in the Rogues! The Podcast fandom for HOW LONG and yet you NEVER talk about me even though I’m the main character!

Catie: have you like actually seen my content? I talk about you like exclusively

Edward: (sticks his hand up to silence Catie) Oh we all know what happened to your “content” while you were in England.

Edward: AND YOU…you’re a TRAITOR! You wear that symbol and color with SHAME!

Cato: Pink and Green are complementary colors, I have a brand to keep up with.

Edward: That is NOT an excuse. The idea that you are that good at drawing Jonathan Crane is vile. And now…you’re going to make it up to me.

Cato and Catie: Wait what? (Huh?)

Edward: You are going to tell ME about the spectacular, well thought out plan YOU have CREATED. To apologize to ME for your atrocious lack of Riddler themed content

Edward: So what is it?? What’s that great master plan of yours? I’m listening and awaiting an answer.

Cato and Catie fumble a bit as they try to speak on their behalf. This could be improvised between Catie and Cato while recording.

Catie snaps her fingers at a probable solution.

Catie: The Zine!!! We have a zine.

Cato: You are the main character in our upcoming Zine.

Catie: a big art collaboration featuring 36 fantastic artists, all drawing YOUR likeness.

Cato: including an exclusive interview with-

Edward: wow! Don’t care, tell me the parts about ME.

Cato: well… It features many illustrations, writings, and Comics from various moments from the hit ‘ROGUES! The Podcast’

Catie: it features mainly you, and plenty of background characters such as Jonathan Crane, Oswald Cobblepot, Laura Cameron, Query and Echo, and more! But it’s all just for highlighting your existence and greatness as The Riddler.

Edward: …. You’re just kissing my ass aren't you. This zine isn’t just about me! You’re lying!

Catie: Actually statistically you’re featured in 25 pieces while Jonathan Crane for example is only in ____ pieces which is like a ___ difference.

Edward: Do I look like someone who doesn’t know basic arithmetic?

There are some strong knocks on the door

Cato: I’ll get it.

Cato opens the door revealing Jonathan Crane

Jon: Well well well I knew I heard a narcissist and my favorite overreacter! Have any drawings of me yet? You know people go crazy when you draw me (Jon chuckle)

Cato: (forced laughter) HAHAHAHA! I'm gonna go to the other room now.

Catie: (forced laughter) HAHHAHAHAHA. You’re gonna sit down. HAHAHAHAHA

Cato: (forced laughter turns to defeat) OK OK.

Edward: No no! They’re not drawing you! They have a lot of drawings of ME to catch up on since this little Zine project isn’t even centered around me!

Jon: Of course it’s not all about you Ed. It’s Rogues! The fanzine not Riddler! The fanzine

Catie and Cato: that's right!

Catie: it features almost everyone that appears in Rogues! the podcast!

Cato: including iconic scenes from all the seasons and special events like Lockup’s Lockdown and murder in the house of mystery

Captain Boomerang for some reason: am I in it?

Catie and Cato: NO

Edward: You know. This could be a good thing. More people would see how much better I am.

Jon: You are insufferable, you know that right?

Edward: And I’m in more zine pieces than you. That means some people find me charming.

Jon: you two. When is this zine thing out?

Catie: January 31st!

Cato: and it’s free so you don’t have to pay to see it

Edward: Ah, perfect. People don’t even have to pay to see Jon’s ugly mug

Jon: Oh you're funny. That was funny.

Cato: you know what would be funny? If you guys left right now.

Catie: yeah you interrupted Cato’s vampire Jon drawing time

Jon: Vampire Jon?

Edward: And that is our cue to leave! You two need to feature me more!

Catie/Cato: yes sir will do!

Jon and Edward leave

Cato: I’m killing you

Catie: WHAT DID I DO!?

#rogues! the fanzine #cv!edwardnygma #cv!jonathancrane

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cranity · 1 year

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Oh no Zoro... what happened?

My piece for the op horror fanzine! Go check it 🔪

#roronoa zoro #one piece #blood #my art

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dduane · 1 year

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With regards to etiquette regarding authors and fan-works: how does this work with authors who participate in fandom subsequently writing authorized spin-offs or...whatever you'd call "I don't own this IP but I have permission to publish a thing"? Obviously "don't send someone fic directly so they can choose whether or not to engage" is a good rule to follow, but if you — as an example — read a bunch of Sherlock fic and then get hired to write a Sherlock novel, is that then legally problematic?

Hmm.

Let's first sharpen up the terminology a bit, so we can all be sure what we're talking about. The owners of a given IP may not necessarily be the ones tasked with the actual business of inviting others into the property to create new material in that universe. So for convenience's sake let's just lump the actual owners and the ones managing the IP on their behalf together as "the Licensors". The person/s allowed by the licensor to execute this new art, or to hire people to do it, is/are the licensee/s. (...It's actually a little more complicated than that, but let's leave it there for the moment.)

Now, about your first question: let me head first for a situation where I've been in the past, so I can tell you what I did.

Let's say someone who's read Star Trek fanfic—not exactly vast amounts, but some, a decade or so previously—goes pro and then gets asked by the licensor, "Hey, wanna write a Star Trek novel?" When that happened to me, I let my editor know that I'd read some Trek fic in my time, but would do my best to avoid any storyline that was anything like any fic material I could remember. And for a long time I had an informal agreement with Pocket Books—noncontractual, but one I adhered to rigidly—that I would avoid reading any Trek fanfic while I was writing Trek professionally, and would only read Trek material provided to me by the publisher themselves. (This habit has persisted for a long while, as—these days in particular—there's no telling when the phone might ring...)

Back in the day, this approach worked well enough to be going on with. For one thing, Trek fanfic was then way thinner on the ground than it is now, and (being printed pretty much exclusively in paper fanzines) was far easier to avoid. It also worked because I had no desire whatsoever to take the chance of borrowing anybody else's material to begin with. Then as now, I'd have felt that would've been seriously wrong—and anyway, I had more than enough ideas of my own. ...And it worked for a third set of reasons, peculiar to Trek.

Early on, the attitude of (first Paramount, then Gulf&Western, then... who came next? Viacom? Anyway—) the corporate owners was essentially, "We own this IP; nobody should be writing fic in it without our permission; if anybody gives us grief about one of our books being like something of theirs they wrote illegally, we'll come after them with the lawyers." This attitude was markedly not Roddenberry's (at least early on...). He absolutely knew about fic, saw it at conventions, and largely seemed not to mind. This weird dichotomy of stances contributed to an atmosphere in which ficcing fans were inclined to walk softly, try to keep from being noticed by the corporate levels, and (if they engaged with Gene on the subject) keep it very low-key.

Now around the same time I was doing my first couple/few Trek works, the profic/fanfic interface started to get spikier. This was at least partly due to the problems that followed Marion Zimmer Bradley's engagement with a fan writer in her Darkover universe. At least partly as a result of this, various pros' attitudes toward people ficcing in their universes noticeably hardened—the emphasis shifting from concerns about personal preference to sharper ones centering on the writer's potential legal exposure. (Though the two kinds of issue did sometimes get tangled together.)

So that bubbled along for a good while in the background, coming more seriously to the boil when the Internet became a thing, and fic started to percolate through it in newsgroups and mailing lists and (finally) onto easily accessible web pages; and most recently, into platforms like AO3.

And this is where the question of ease of access becomes a significant part of the equation, and the picture shifts equally significantly.

I can't help but smile at the phrasing "If you—as an example—read a bunch of Sherlock fic and then get hired to write a Sherlock novel..." Because though there may be some Tumblerini sitting at the bottom of the crater Daedalus or in the depths of Valles Marineris* who don't know about this, well, I'm a Sherlock fan... and this query is pertinent.

Let's say that Messiah comes, the King returns, and the BBC commissions Sherlock S5. And secondary to that, let's say that the production staff call my agent and say, "We hear you've got this hot licensed-property writer who's done work for all these different licensors. How about you ask her if she wants to write a Sherlock novel for us?"

And now we're up against it... because there's more than one kind of tie-in novel.

One is the kind where you novelize a script. Of agreeing to that I'd have no fear, because the boundaries of such work are tightly circumscribed. The writer's job in such a situation is to render the dialogue and visuals as gracefully as possible into prose, and otherwise to avoid unnecessary flights of fancy that might jar against the writers'/producers' creative vision. ...So if that was what they wanted, I'd pretend to think about it for a couple of days, and then have the agent call them back and say "Yeah, sure, let's do it." (And then the shrieks of delight would begin. Sometimes it's useful to live this far out in the country.)

But if they wanted an original novel? A new Sherlock story?...

I would have to say no. Because my AO3 bookmarks are hip-deep in Sherlock fics, and there is no way, NO way, I could say with my hand on my heart that I was sure I wasn't going to wind up, however accidentally, borrowing or restating something I'd seen of someone else's. If I accepted that job, and then (a year, two years, five years later) someone appeared with evidence in their hands and said, "You used a situation / language that's clearly mine", I would be utterly shattered.

And would it be "legally problematic"? You bet it would. Forgive me for not spelling out all the ways it could be Bad. But even if the situation was finally resolved in the friendliest way possible for everybody concerned, the fact of what had gone wrong would hang like a shadow over every other piece of licensed work I might ever want to do. (And there probably wouldn't be a lot of those.)

So realistically speaking, the ethics of the situation would make that a challenge I wouldn't dare take. I would walk away and try my best to keep to myself the annoyance that would follow. It'd be sad, but it'd be necessary: because the lines I expect to be drawn to protect me, I must also make sure will equally protect others. It's only right.

Anyway, thanks for the question(s). Hope I've sufficiently covered the ground; and HTH.

*I almost typed that as "Valles Marinaris". Yeah, the Solar System's biggest known crevasse now suddenly full of spaghetti sauce? I almost did that. Always proof your copy three times...

#fanfic #profic #and their changing interface

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vidding · 7 months

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On June 23, 2021, You Tube announced that any Pre-2017 unlisted videos will be made private on July 23, 2021. Why? BTW this is an attempt to raise awareness about an event few fans may even know took place and highlight the importance of supporting archiving projects. It's written by those directly involved - any re-blogs are appreciated. An example of a rescued vid is at the end. Security update: Why? You Tube screwed up when it first developed unlisted videos. There was a loophole. Any unlisted video that was added to a playlist would automatically be made public. Oops! June 23, 2021 was when they made a formal announcement about their efforts to rectify it. You Tube's Solution? - Blanket privatization of ALL pre-2017 unlisted videos & then apply the security update for all new unlisted videos going forward. What if you don't want your pre-2017 unlisted videos to be made private? Filling out a form telling You Tube to do nothing is one option. Great for people who don't mind filling forms to send to You Tube. Make your videos public. 🤨 or download them and reupload them then make them unlisted with the new update. 🙄 You can watch the video below for descriptions of all the options. Most not ideal. Official Video: Released June 23, 2021. You can watch it whenever if you want to, but I must say contrary to what one would expect it is a very clear explanation without too much technical jargon. However, it doesn't really explain the obvious ramifications of this.

youtube

What are the freaking Ramifications: You Tube is 18 years old. What?!?!! 😲 Yeah, I know. Any pre-2017 videos would account for more than half of You Tube's history (11 years) and therefore fandom's history on You Tube. How many fans would be aware they had a 30-day notice and could act in time? Were you even aware of this?

More Issues: More importantly, how many users with abandoned accounts with noteworthy, valuable unlisted fanvids are no longer around to fill out a form. How many "Dead Embeds" would be the result of this when the videos go private. Many prefer to Unlist and Embed on other sites. Unlisted is not the same as private. It only means the videos can't be searched and found on You Tube but is available to anyone with a link or Embed. Private basically means no longer accessible and limited to people who were emailed a link directly.

There were only 2 people in Fandom (to my knowledge) who worked on rescuing content like that. We had about 2 weeks before the July 23, 2021 deadline to archive about 11 years of Pre-2017 unlisted fanvids and ask questions later. One of those people was Morgan Dawn and the other was myself. Other archive teams did work on this but their focus was on other types of videos related gaming, political history, anime, etc. Essentially non-fandom. In a nutshell, our collaboration led to the rescue approximately 12K unlisted fan videos. 12K fanvids that would have been made private forever and unable to be seen. The Work About 50% of that total came from accounts that had never uploaded a video since 2018. The work involved required more technical knowledge & resources than we had ever used before on any prior archive projects. There were several brand-new archive techniques we developed specifically out of necessity during that intense time period. One example was renting multiple virtual machines to sift through thousands of playlists just to find a fraction of unlisted videos. There was so much at stake. What happened with the content that was archived?

To my knowledge, there isn't an Open Doors for fanvids. There is just a few dedicated individuals who may be bad at promoting their work. Let's face it, when there is a fire at a library you marshal all resources to save as many books as you can and worry about everything else later. If archiving speaks to you whether that is fanzine, oral history or fanvid related, then there are certain things you can do:

Follow this Tumblr (we will post about relevant projects here)

If you have time, ask us how you can volunteer on projects and see if what we offer works for you. You can always opt out.

Re-blog this so that maybe someone who does have time sees this.

If you don't have time support our Patreon https://patreon.com/vidding

If you don't have time or money like this post acknowledging you appreciate that this work is being done even if you can't assist in those ways.

Choose whichever options work for you if possible.

This kind of work is done by very few people and not necessarily by those you would think would do this type of work. It can fly under the radar and so can support. This is an attempt to raise awareness which sometimes we are too busy to take time to do. If support doesn't go to the right places projects like this may never have happen or may not be as successful as they could be. This Unlisted You Tube Project is a perfect example of something a lot of fans may not be aware even took place. Thank you for whatever method of support you choose. The following experience was brought to you by archiving.

The following vid is one of the 12k saved. It's a Kirk/Spock vid. You will not find this vid anywhere but here. I know. I went to the original vidder's You Tube Channel https://www.youtube.com/@xKelociraptor and they have other vids on there. Last vid uploaded 11 years ago and no contact info. You want to know the kicker? I looked at all the other vids they have available but the best one (in my opinion) is the one that was unlisted & rescued. Unlisted vids are not necessarily unfinished projects or bad takes of a final version that should not see the light of day. They can in some cases be the best vids you will never see.

If you liked this post you might like this:

The last vidder friendly hosting & streaming site?

#fanvid #vidding #archiving #Youtube

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frozen10fanzine · 20 days

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Frozen Through the Years

Yearly Spotlight: 2023

Written by @toriofthetrees

This year marked...

Frozen’s 10th Anniversary

It was wild.

Starting off with a bang, in February Disney CEO Bob Iger announced that Frozen III was in development, later confirmed by Josh Gad. Idina Menzel and Jen Lee confirmed it in June, with Jen Lee going on to say that she would not be directing this installment of the franchise. However, she confirmed that she knew the person who was, she loved their story, and she trusted them completely.

Her enthusiasm did not go unnoticed.

On top of the 10th Anniversary for Frozen (November 27) this year also marked the 100th Anniversary for Disney Studios as a whole (October 16). To commemorate both, much of the activity peaked towards the last three month of the year.

The hashtag #Frozen10 was created to celebrate the anniversary.

On October 11, the Forces of Nature podcast was released over several installments. It was met with mixed reviews; some enjoyed it, some were more critical of it, and most agreed that while it was fun, it did not have the chops to be a major installment of the Frozen franchise.

On October 16, Disney released a short film called Once Upon a Studio to commemorate their centennial celebration. It aired on ABC and showed the hustle and bustle of Disney Studios as everyone (all of our favorite characters) prepared for the big celebration! Elsa, Anna, Kristoff (and technically Hans) were among the many classic Disney characters that appeared!

Two novels were released this year. The first book was the first installment in the Disney Legends trilogy entitled Fixer Upper, written by Jen Calonita. It tells the story of Kristoff’s childhood and life before he met Anna in Frozen. The second novel, an anthology of short stories, was created specifically to celebrate #Frozen10. It is called All is Found, and it brought together 10 authors to write 10 short stories to celebrate the anniversary. It was edited by Heather Knowles and Mari Mancusi, veterans in non-film Frozen lore.

November is the month things started reallly picking up. The merchandising train at Disney rolled out a lot of Frozen merch, including limited edition dolls of the sisters specifically for the 10th anniversary. On November 16, Bob Iger announced a fourth installment of the franchise, with multiple voice actors and creators tied to the project confirming it later that same day. This coincided with the Grand Opening ceremony of the World of Frozen at Disneyland Hongkong. Jen Lee joined in this celebration, with the gates to the park opening four days later.

She informed the world on November 22 that Frozen III and Frozen IV were one story across two installments.

The anniversary itself was on November 27. Disney released a press release on their official website commemorating all that had happened in Frozen history (kind of like what we are doing with these blog posts). And, of course, the merchandising train spun out once again to give us all new merch specifically for the #Frozen10 celebration.

Towards the end of the month, the Frozen song playlist was added to Spotify and Season 5 of Disney Speedstorm was released with Frozen characters.

The year ended with exciting activity from the fandom! The Youtuber GeekCritique worked closely with the Arendelle Archives to create a video detailing the history of Arendelle. The video was released on December 23 and managed to make headlines! The other major project was a fanzine celebrating #Frozen10. Inspired by All is Found, several fans came together to create Water Has Memory: A Frozen Decade. Within the zine are the fandom's Frozen memories, presented in the form of Elsa & Anna accessing them together through Ahtohallan.

Needless to say, this year was a major leap forward for all things Frozen. It gave so much to look forward to, and it was a sizable way to commemorate the 10th Anniversary of this beloved story.

Stay Tuned for More

👆🏻 Click above if you want to celebrate the 10th Anniversary of Frozen. The due date is April 12, 2024.

4 Days Left

We look forward to seeing your memories ❄️

#frozen #frozen10 #frozen 2 #water has memory #frohana #elsa #sven #kristoff #anna #olaf #frozen 10th anniversary #frozen fever #for you #ofa #olaf's frozen adventure

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on-this-day-mcr · 1 year

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On this day, April 9

In 2002: My Chemical Romance gave their first ever interview. The interview, featuring Gerard and Mikey, was for Snagglezine, a New Jersey fanzine run by two Eyeball Records interns. Read the interview here, or below the cut!

M: I'm Michael Way, I play the bass guitar. G: I'm Gerard Way, I'm the singer. K: Your biggest influences? G: Iron Maiden. M: The Smiths. G: At the Gates, Brit pop, Blur, Morrisey, shit like that. Like metal, like melodic metal. We're all about it, like Helloween, big influences. M: Oh yeah. Keeper of the Seven Keys. G: You can't hear any of our influences in our music though but it's there. M: It's subconsciously in the music, but nobody else can pick it up unless you're looking for it, you can't really pick on what's there. K: We hear that you just signed to Eyeball (Records). How's it feel to be signed to such a great label? G: We're fucking really excited. M: It's so excellent. G: I've know Alex for a while, I probably shouldn't say that, Alex is fucking great. M: ..and an amazing human being. We've known him and he took care of fucking Thursday and we were psyched about that, but not only that, we were really psyched to be with Pencey Prep because those kids fuckin helped us out right from the start. They gave us their tour van when we needed it, they gave us their fuckin tour van! Hambone gave us the tour van and fuckin cause they're getting a new one and they gave us a spot in their practice studio that we share with them, so we share a practice studio with them. C: Yeah Alex got us our first interview, Thursday. M: Yeah I remember, I was right there. No, but it's great cause it's like a family, we all hang out all the time, it's amazing. G: We can't hang out with Thursday as much as we'd like to cause they're always on tour which is gonna happen to all our bands now. K: Favorite bands to play with and favorite venue? G: Pencey (Prep). M: So far it's just Pencey (Prep) but the Loop (Lounge) was hot. G: But the Loop, even though they don't let kids in which sucks, I don't like that 21 and over stuff, but it had great sound. M: Yeah, there's like a professional sound guy. G: But this place (Garfield American Legion) had great sound. C: CBGB'S had good sound for Thursday. M: Oh the Piebald one? C: Yeah. G: Oh I want to play there. C: It's good. M: So far we only played about 5 shows, out of 5 shows, the Loop was the best. G: And we got an encore there. M: Yeah people were calling for an encore. K: That's awesome, we've never been there. Have you guys played in any bands before? G: Me and Mikey had this band called Raygun Jones and we were like, you know, really young and he was the bass player back then too. We had a female bass player and she just dropped out so we just put a bass on Mikey pretty much the same way we did this time. We put a bass on him and said play. We trained him. M: Yeah exactly. It's like I normally play guitar but like my brother came up to me with the material and I was just so blown away that I had to join. I was like, "I don't care what I play" and "I have to be in this somehow". G: He really filled out our band. We had a good vibe going anyway but then when he was in it, it clicked. And that's why, the way you saw us play out there today, we weren't playing like that until Mikey was playing tight with us and joining. K: How long have you guys been established and what was your reason for starting a band? G: The band, uh, me and Otter really got together in November, I believe, and the real reason we established it was because it has a lot to do with the September 11th attack. I was on my way to get ready for a Cartoon Network meeting because I do cartoons and stuff and he had that option. We saw the plane hit right from the train and when we got there we were all just standing on the pier in Hoboken like right on the edge. There's like 300 people that were friend and family and we all saw it go down. That's when I realized that doing this cartoon was bullshit, I love to draw and make art but it was so commercial, it was just that I felt like having meetings with people in suits, it just made me realize what the hell I'm doing with my life. That's what our 1st song that we always open with "Skylines and Turnstyles" is about. It's about the Trade Center. C: Although I'm a big fan of the Cartoon Network and like 3 in the afternoon in your pajamas... G: Yeah but dealing with them is not fun. That actually got it and everyone like came together through the music. It's like therapy. K: How did you get the name and does it imply that you guys are quite the partiers? M & G: Hahaha Oh!!! G: We used to call Mike "Mikey Party" but now he's "Mikey Romance". K: That's how we met you! M: Yeah it was at a party. G: It's like 11 different meanings for the band. You can take them anywhere. On a personal level, for me, it's about anti-depressants. I was like so depressed about a year ago and I just wanted to cut my fuckin face off. It's also like a reference to Irvine Welsh and his books. M: All his books are like classified as Chemical Romances. It's like love stories where there's like drugs involved. C: Yeah, I went to google to see if you guys had a site and all his stuff came up. M: Yup yup, Irvine Welsh. Now there's only 2 people so far that picked up on that. Two people were like "Whoa, you mean like Irvine Welsh?". But it's a personal level, like we took the name and we brought it to a personal level. G: Yeah it really means for me anti-depressants. Like we drink beer and shit... M: We like to party. K & C: Hell yeah. G: We drink and party, we rock and roll man. K: Yeah, the most "un-edge" name, right? G: We don't like do drugs though. C: You're not my friend then. (haha, he's kidding). M: Yeah we don't need drugs to have a good time. :: Gerard announces slumber party and that guitar player takes guitar to a whole new level because he has a gash and is bleeding:: K: One more serious one, what do you guys think of the sudden outburst of bands on indie labels such as Thursday, Phantom Planet, Hot Water Music, and Rival Schools being played on MTV2 and MTVX? G: I think, I always thought this because I've been an artist with comics from that whole scene too. Anything from the underground eventually makes its way up. It's like something underground, it's new and fresh and it's eventually gonna make its way up to the tv. It's bound to happen, it happens with everything. Nirvana is the best example of it and I think that's what's gonna happen with Jersey and I think it's gonna be great. M: I think it's like survival of the fittest cause like whoever's doing it for the right reasons is gonna survive and whoever's doing it for the wrong reasons is gonna get chopped and fried and we all know who's doing it for the right reasons. C: Yeah we know. Do you guys like Dragon Tales? G: We're Lord of the Rings fans. M: No, he's talking about the cartoon. C: ...on PBS. G: The only exposure I have with Dragon Tales is that little kids come in and ask for the cd @ B & N. C: Best Valentine's gift you ever got? G: I'm about to get one right now but I haven't seen it yet. Shit. I haven't really gotten any. I got roses, I love roses so a girl got me roses. That was pretty cool. M: You know what, I can't even remember getting one because there hasn't been a powerful female outlet in my life to give me a Valentine's day gift. So there's no Valentine's day gift I can remember. C: No little candy hearts from grandma or mom or anything like I usually get? M: No way! K: You got frogs this year. M: You're lucky dude. C: Yeah I got frogs from her. Disney character that most represents you? M: Donald Duck. G: Yeah Mike dressed up like Donald Duck in 2nd grade. M: It was a fuckin rad costume, my grandma made it. G: It was fuckin hot and then the next year he dressed up as a stay puff marshmallow. M: And it was also really hot. G: Mr. Toad. C: Would you guys ever cover "The Lady Is A Tramp" by Frank Sinatra? M: It could be done. G: Could we do that? M: It could totally be done. G: Yeah I could see us doing that. M: Cause Frankie's awesome. G: What about doing a Dean Martin or a Sammy? M: Those guys knew how to party man. C: The Rat Pack. G: The Sans Crew. Vegas man. We want to bring Hambone with us cause he always wins on slots. M: He's the King of Slots. ::tangent on Hambone:: Other members not in interview: Otter (Matt)->drums Ray Toro->guitar, phenomenal

#honestly i would prefer a better source for this if anyone has one #but it seems to be pretty well accepted and the quotes are so sweet i had to include it anyway #on gerards birthday!! they would have been uh #just turned 25 :')#april 9 #bullets era #interview #2002

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meruz · 2 years

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designs i made for the showtime zine fundraiser!! i think they are pretty cute... a very unfortunate thing happened to this fanzine and some ppl have probably already seen it on game news sites but u can get it straight from the source [here] and [here] and [here]. long story short it needed an emergency fundraiser which is a bummer... but on the bright side! you can get charms and stickers and prints and other stuff in what could be (?!) the biggest joker/akechi online storefront to ever exist (?!) well worth checking out!

#persona 5 #akeshu #shuake #joker #akechi goro #meruzart

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coldgrovestudios · 11 months

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Game Night - A UTMV Fanzine

Game Night is an Undertale zine all about games and bringing people together, with the goal of raising money for a good cause! It’s all about your favorite characters dressing as characters from your favorite games, playing games, or being in games themselves! We are looking for artists and writers for this zine.

FAQ

Is there an age requirement for contributors?

Yes, you must be 18 years of age or older when sending your application.

What AUs are we allowed to use?

We are mainly looking for mainstream ones and characters people would recognize. Aftertale, Underswap, Underfell, Dreamtale, Xtale, Fresh, Ink, Error, Paperjam, Template and Pale, you get the idea. Variants, fan kids, and fusions may be used but are not the preferred focus. OCs and sonas may also be slipped in but must not be the main focal point.

What kind of games am I allowed to pick?

Any! Preferably board games, video games, or something of that nature though. Game night is supposed to be something you can have in a comfortable place like home.

Are ships allowed for this zine?

Artists are allowed to imply a ship if they choose to, but we do not explicitly want pieces to be about a certain ship as that is not what this zine is about. More information can be requested from artists as needed.

Where is my money going?

The money earned from this zine will all go towards Child’s Play Charity. The only money taken will be to recover the production costs of the physical copies and merch should merch happen. You can read more about Child’s Play and their goals here.

Can artists/writers sell their work after the project is over?

Contributors may use their work however they wish once the project has ended. They retain all rights to their artwork and writing and may do with it what they please.

Will there be any additional merch and/or goodies?

To be determined once the main zine contributions are finished.

What do contributors get?

All contributors will receive a free digital copy of the zine and the opportunity to buy a physical copy of the zine at production cost.

What is the age rating of the zine?

The zine may feature mature content and themes but will not include any explicit sexual content.

I have a question that isn’t listed here!

Feel free to send an ask to our Tumblr or a dm to our Twitter.

https://forms.gle/fGU1J3g2K8XPjJ769

#undertale au #utmv #utmv fanart #zine #zine applications #undertale #open zine #open zine applications

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dcafanzine · 1 month

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☀️ Application Tips 🌙

Applying to a fanzine can be a pretty nerve-wracking experience, especially if this could potentially be your first zine! This set of tips has been made in the hopes of easing any potential anxiety and making the application process smoother for everyone!

Please read on to find out more and see some cute little puppets!

Read the FAQ and guidelines carefully

The FAQ and guidelines explain the theme of the zine as well as what we’re looking for when it comes to contributor applications. Reading these will help strengthen your application when you come to apply!

Make sure the zine schedule matches your availability

Please verify you’ll be able to keep up with the zine’s schedule if you’re selected to contribute a piece for the zine! For this zine, once selected, you’ll have about three months to complete your piece, with check-ins every month. Life happens, and unexpected things can make us all busy at the last moment (and our mods will try our very best to work with you to get things sorted!), but please be mindful when applying to check that your availability matches with the schedule.

Step one: Follow the guidelines carefully when submitting your application(s).

Please pay careful attention when reading and answering the application questions to ensure that your application follows the guidelines and answers everything as clearly as it can. Applications will stay open for a month - there’s no rush if you need time to complete your application in detail! If there is a maximum number of samples, a word count range, or a specific theme requested on the application form, please make sure your application adheres to these so we can properly evaluate your application. If you’re unsure about anything, please feel free to ask, as our mod team is only too happy to help!

Step two: Make sure we can see your samples.

Once contributor applications open, we’ll be asking to see existing samples of your work so we can see if you’re a good fit for the zine! Please be sure to link specific examples of your work that you think fit the zine’s theming as well as the style and quality level you’re hoping to meet when contributing to the zine. Bear in mind the mod team are likely going to be looking at a lot of entries, so if you link to a gallery that has a huge number of examples, we might not be able to give a fair amount of time looking at the pieces that best showcase your work! These don’t have to be posted publicly on social media, but please ensure we can see them for the duration of the application period (e.g., the links work, the links aren’t set to private or followers only, and the links don’t expire before the application period ends).

Step three: Make sure your application samples fit the theme of the zine.

In this case, we’re looking for examples of your work featuring the DCA. The zine will primarily focus on canon-adjacent depictions of the DCA, with some slots available for AU content made by the AU’s own creator or with express given permission from the creator of that AU. Your application should ideally provide one or more samples depicting the DCA, with at least one of those preferably depicting the DCA in a canon-adjacent form or setting.**Canon-adjacent here doesn’t mean the depiction has to be biblically accurate, just that the design should not differ so substantially from what would typically be recognised as the DCA to essentially be a separate character. This fandom is intensely creative and we love and applaud the originality of the many different variants of the DCA, but this zine aims to focus primarily on canon-adjacent depictions, with a limited number of slots for AU content as well. Having canon-adjacent depictions of the DCA will massively help round out your application for this zine!

Step four: This one’s for the merch artists - please don’t apply with the same samples you’d use for a page/spot artist application!

Including actual merch designs for your samples helps a lot, as prior experience making merch is a massive advantage for a merch artist application!

Bear in mind, you don’t strictly need to follow all of these steps to a tee when completing your application - the mod team will try to accommodate where we can. However, it will really help your application to take these things into consideration!

And most importantly …

Step five: If you get rejected this time, please don’t let it discourage you!

Zines often get a huge number of applications vs contributor spots, and a lot of tough decisions (often taking hours or even days) will likely have to be made between several really good applicants.

Being rejected from a zine in no way means you’re bad at what you do, or in any way less worthy or skilled than anyone else. You deserve to be here just as much as anyone else does, and there are people who adore what you do, so keep doing it! In some cases, certain applications might fit the theme of the zine better, particular applicants explained themselves more clearly in their application, or it was just all in all an extremely close call with one lucky winner. So please don’t ever let a rejection email discourage you from trying, and bear in mind rejection happens to the best of us at some point!

We appreciate every single application we get, so good luck out there!

#dca fanzine #dca fan zine #sundrop #moondrop #fnaf security breach #eclipse fnaf #jack o moon #daycare attendant #application tips

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autumnslance · 2 months

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We can finally share our works for The Thancred Anthology, the free pdf fanzine.

Here's my short story, of Thancred checking on the specter of Pandaemonium in the Aitiascope, and having an unexpected but perhaps due conversation with Fourchenault.

On Ao3 and under the cut for those who prefer Tumblr.

Being one of the saviors of the star had its perks in certain places. No one questioned Thancred’s presence in Thaumazein, nor his use of the Aitiascope’s elevator to reach the research platforms built in the shallows of the Aetherial Sea.

Researchers measured and recorded the current unusual phenomenon: the presence of the ancient research facility and prison called Pandaemonium. The creation and responsibility of the Convocation’s Speaker.

Lahabrea.

Thancred could mostly touch on the topic when it rarely came up. So long as he did not linger, anyroad. There were still rare moments, however, when the thought of that red mask made him break out in a sudden sweat.

Much had happened since that day he had walked out of Raubahn’s office, dejected and self-remonstrating, and on his way to the Sapphire Exchange had been distracted by strangeness in an alley…

And then a looming blank period; only a few terrible, hazy scenes flashing through that darkness, until waking in an Adder tent with the Elder Seedseer leaning over him. Sometimes it seemed he was still waking from the nightmare, that he would blink and find Kan-E’s sad green eyes and calm voice explaining all he had done.

It was difficult to take that first step from the elevator.

On the Ragnarok, when they reached Ultima Thule’s crushing non-weight of uninhabitable despair, he had managed to trudge forward to protect the others. There was no avatar of despair holding him back now, but also no one to protect, no reason to force his feet closer to that inimical ancient visage.

Yet he kept moving, until he ran out of platform.

Thancred stood at the edge and watched the swinging cages and flickering torches. The reports—and a late-into-the-night discussion—of Lahabrea’s involvement had given him insights into his recurring nightmare that he had not expected.

A stubborn man dedicated to the burdens of his great responsibilities. Who loved his child but held him at arms’ length, keeping important secrets, telling himself it was for the child’s own good, unable to see the hurt he caused because he was so wrapped up in his own situation.

From his pocket, Thancred drew out a pink ribbon wrapped around a letter, Ryne’s handwriting covering the folded pages.

“Horrifying, isn’t it?” A familiar deep voice said from behind him.

Thancred nodded. “It doesn’t match other Ancient architecture, as if purposefully twisted to match the terrors it kept inside.”

“If the reports are accurate,” Fourchenault said as he joined Thancred at the rail.

“Given who wrote them,” Thancred replied, tucking the letter back into a pocket. “They are.”

They stood in silence for a long while. They had always been awkward; Fourchenault had graduated from the Studium and was entering politics when his father brought home a Limsan orphan. Between the constant trips to and from the Motherland, and Thancred’s intense training, he and his foster brother had seen little of one another before Emporium was abandoned and Thancred sent to Ul’dah. Their differences in political opinions had not helped their bonds.

Now here they were a lifetime later, knowing only slightly better what had led each of them upon their respective paths.

“I’ve a question—unrelated to the current view,” Thancred said. Unrelated so far as Fourchenault was concerned. Thancred continued before losing his nerve. “Did parenting that pair of rapscallions highlight…well…the ways in which Louisoix…”

“Failed?” Fourchenault finished quietly. His blue eyes turned to the researchers engrossed in their duties.

“I wouldn’t put it quite so harshly, but…Yes, about the mistakes he made, I suppose. As a parent, specifically.”

“This is about the girl on the first reflection of Etheirys?”

“Naught gets left out of Alphinaud’s letters,” Thancred said dryly. “Yes; I found myself unexpectedly guardian to an adolescent. It was…” He suddenly floundered on how to explain.

“Enlightening,” Fourchenault said. “Terrifying, horrible…and wonderful.”

Thancred nodded.

Fourchenault sighed. “Yes, raising my children did highlight the matters I wished my father had handled…better. That I tried to handle better. At the same time, it showed me goals hopelessly out of my reach, my own shortcomings as a parent. You’re rather familiar with some of my failings already.”

“At one point, while in the First, Alisaie bluntly said I reminded her of you; in that instance, she did not mean it as a compliment.”

Fourchenault laughed, brief and a tad bitter. “Was she wrong?”

Thancred had to laugh sheepishly as well. “Not at all.”

“We did have a singular model,” Fourchenault said. “Much as we perhaps tried to fight against that image.”

“Or did not, at the time, understand what we had,” Thancred replied quietly.

“You were a stubborn little wharf rat,” Fourchenault said, with little of the sting of their youth. “That stubbornness at least has not changed, thank the Twelve.” Fourchenault smiled genuinely, reminiscent of Alphinaud—or perhaps the other way around. “But I do recall thinking you ungrateful for the opportunity Father had inexplicably granted you.”

“I had more than a few unkind thoughts of you myself. ‘Tis only recently that they have…adjusted. In some ways.”

“I find myself in a similar frame of mind,” Fourchenault said, a ghost of that smile still visible. He studied Pandaemonium. “Did you come to see what new trouble your colleague dredged onto our doorstep—or to face your specters?” he asked, voice soft and almost kind.

“I suppose the letters included that as well.” Thancred had the terrible urge to drink until just before that darkness swallowed him again. He bit it down.

“Not explicitly. In stories since, however, quite a few of the Scions’ adventures have been detailed.” Fourchenault paused. “The twins enjoy my discomfort almost as much as their mother does.”

Thancred couldn’t help huffing out another laugh. “Well, you do make quite the graceful picture when tripping out of a room lest you faint,” he noted. Some things blessedly never changed.

“Bah,” Fourchenault waved a dismissive hand. “Though the tales of your time under the Ascians’ thrall sounded particularly horrifying.”

“It was.” Thancred rubbed his eyes; he would have to speak to Alphinaud about what he shared, even with family. “Though from the reports now I wonder if Lahabrea influenced me more than I’d first thought. Or perhaps…sought a familiar resonance.” Hand in his pocket, he threaded the ribbon through his fingers.

“From what little I’ve heard, there seem to be some superficial similarities,” Fourchenault said. “But the same might be said for my own tale as a parent. Or even Father’s choices. We do what we think is best for our children, and don’t always realize when we’re truly making it easier on ourselves. One doesn’t need an Ascian’s influence to fall into that trap.”

“Hrmph. I know the twins told you what a hash I made of things.” Even now, recalling how close his girl had come to tragedy due to his own actions ran around his mind in darker hours, though she would hate to hear that; it was past.

“They also told me how you admitted your errors and strove to do better by the girl, your comrades, and yourself,” Fourchenault said. “Lessons I myself yet struggle with, after a lifetime of assurance that I knew best.” He smiled wryly. “Not the first time that you’ve outpaced me; nor I suspect the last.”

Thancred stared at Fourchenault. Louisoix’s actual son, born to privilege, beloved of the amazing Ameliance, national leader, brilliant sage…

“If you try to deny it, I shall tell your fellow Scions,” Fourchenault continued blithely.

“We’re disbanded,” Thancred reminded him.

Fourchenault did not quite roll his eyes. “I once asked Father why he was more…available for the twins than myself,” he continued. “Or even for you, off with your master for much of your time under our roof. I remember the…regret, I think, in Father’s smile, when he said he had learned better since our youths. He urged me not to make the same mistakes, and I swore I would not. Yet here we are.” He turned to Thancred. “I think Father would be proud of you. Not just for all you’ve done as a Scion, but for your girl, and the man you’ve become. I am, for as little as it counts from me.”

Thancred couldn’t manage to say that it meant more than he had imagined, so he settled for “Thank you. Though I feel there’s still much to learn about parenting.”

“There always is. Especially when they’re far away. But we’ve now the time. And if that ancient sorcerer could learn better, we certainly can,” Fourchenault gestured at the ghost facility.

Thancred laughed, squeezing Ryne’s letter. “We do have that singular example.”

Fourchenault nodded, then took a breath. “You should—I was thinking—Would you join us for dinner?” As Thancred raised a brow he hastily continued, “Ameliance would love to see you.”

“Of course,” Thancred replied. Learning how to be better fathers wasn’t the only thing he and Fourchenault needed to figure out. But as he had said, there was now time to make even a belated start.

#final fantasy xiv #Lyn Writing #Fanzine #The Thancred Anthology #Thancred Waters #Fourchenault Leveilleur #Endwalker

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