[podfic of] The Tricks and Capers of the Mountain Stiles
link to fic: here
length: 16 minutes
rating: T
summary:
“This really isn’t so bad. I mean, no, if I’d had to pick an animal to shift into, it sure as fuck wouldn’t be this, but I bet it could be useful. After all, who’d expect this? I can totally picture Scott’s face when he — oooooh.”
“No.”
“But what if…yes?”
“…”
“Don’t look at me like that. It’d be hilarious. C’mon, I’m the one that got nonconsensually turned into a werecreature during what was supposed to be a romantic getaway weekend. Lemme have some fun with it.”
“…”
“Don’t be such a sourwolf. Please?”
“…Fine.”
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I'll find you. Wait for me.
hee hee hoo hoo AUUUUGHHHHHHHHHHHHHHHH PAIN PAIN SUFFERING PAIN IN ALL DIRECTIONS!!!! TO HELL WITH IT (LITERALLY)!!!!!!!!!
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Something I like about Leo is that he’s honestly really chill? It’s easy to remember the moments where he’s being obnoxious or excitable but I feel like most of the time he’s incredibly “go with the flow” and has an overall affable demeanor.
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you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah
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oot zelda doodle i liked :’-)))
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im still drinking this water
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"haha, are you an art gay, a science gay, or a math gay"
Actually, I find the division between art, science, and math to be a very nebulous idea and useless when you actually interact with the universe. The more you learn about the world, the more you surround yourself with art and science and math, and you'll never be able to see it any other way and it will be beautiful. When I take your hand, it won't be the science of our atoms closing the distance between us that we will experience, but the math of our fingers interlocking and the art of our bodies that we will experience. You are math and you are science and you are art, and nothing will make you any lesser💛
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Okay inspired by this post by @irispurpurea and this post by @ouidamforeman (both of which are excellent, please read) I wanted to add some thoughts about the structural weirdness of season 2.
The reason season 2 feels so structurally WEIRD is that it's the second beat what is now a three act story, but that wasn't written as one in the first place.
Season 1 was a complete, self-contained story arc with completed character development, based on a complete, self-contained novel. The story of Good Omens is about an angel and a demon going from opposite sides to their own side, aligned with earth and its humans. And at the end of season one this story has been told! It's done!
If you want to keep the story going, then, you have two options -- either you find a completely new story to tell with these characters, or you do what Neil Gaiman et al have chosen to do and you complicate and unresolve the conclusion from the first story in order to tell the same story but in an even bigger and more nuanced way.
The challenge of season two, then, is to reframe the events of season one not as a completed story but as the first act of a three-act arc.
And genuinely I think this is just not the way that most TV shows tasked with writing their second season go about doing it. Not that this is a bad choice! But the reason it feels weird on first glance is because it's taking its structure from like... half of the sequel to a novel, not a TV show that gets a second season.
This is the point of all of the historical flashbacks in season 2-- to make us understand that Crowley and Aziraphale are not on the same page and haven't been for 6000 years, despite appearing to be by the end of the first season.
The other thing I think season 2 does is make the whole story about Crowley and Aziraphale's relationship in a way it just wasn't in season 1. Taken on its own, season one's A-plot is the apocalypse, and the B-plot is relationship between this angel and demon.
What season two does then is literally FLIP the importance of those two things structurally. Season one's apocalypse and various side characters now occupy the same place as the Gabriel mystery in season 2. Which is also why it feels so weird to be like "wait this thing that felt like The Big Important Thing before is now suddenly the background of something else."
All this to say, this season is SO structurally interesting because it's just straight up not like other TV shows in structure, and because of the way everything now has to be marketed and framed in trailers as one, more typical kind of story, AND because the first season was a complete story that has now been reframed as an incomplete story, Good Omens season two feels very weird but imo much less weird upon rewatching, and will again feel less weird once we have season 3 and the story gets to complete its arc.
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i hate how commodity and capitalism has ruined so much storytelling . i hate how sequels and prequels and whatever else all ring like merch sales; i hate that i as an author have to include any social media following i have as a marketable trait; i hate that everything feels like a xerox of a copy of a dream of a memory.
i hate that my nostalgia has been turned into profit. i hate that companies fear consumer backlash so no real commentary may be made; i hate that companies care more about quantity over quality. i hate that so many artists and creators are being overworked to the point of complete collapse rather than being allowed to tell the story their way. i hate that every point of representation has to be fought for. i hate it i want us all to go back to living in a cave .
when you sit with friends over a bonfire and the night is getting long and people start telling this slow, almost hypnotic story - in this quiet voice, like they don't expect you to listen while they say the most fucked up shit you've ever heard - that is storytelling. who cares if the punchline is car hand hook door. storytelling has always been about community, about us all sitting in the dark, choosing to fill the silence while the last embers are dying. we forgot that storytelling is spellwork. hallucinating together, our breaths held, waiting for the ending we already knew was coming.
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people, who are confused as to why phum and peem aren't directly discussing the kisses are a little funny to me. i mean, don't get me wrong, if you were so emotionally mature and well-rounded at 20 years of age that you discussed all your relationship developments openly, then good for you. life must have been great and building relationships must have been easy. that is decidedly not the average 20-year-old-dating-for-the-first-or-maybe-like-second-time-ever experience though.
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would you be able to give examples/explain more about how race only impacts gideon in the tlt-universe? not being facetious or condescending, genuinely asking. thank you!
Hi anon! If you mean my tags to this post, I wrote
#earth conception of race doesn't impact any character in the series except the canonically brown main antagonist
By which I mean my Worstie and main antagonist of the series, John Gaius (PhD).
I don’t think TLT as a series engages with race in any especially meaningful ways. It’s set in a post-Earth society with entirely different social norms, and there’s no concept of race and ethnicity within the population of the Nine Houses. Physical descriptions of the characters are scarce to say the least, and they rarely spell out the kind of features that suggest specific racial connotations, because the POV characters don’t seem to think it’s something worth remarking upon. iirc, it takes until halfway through HtN for the narrative to confirm that Harrow has brown skin.
[See also Tamsyn’s GtN characters description post. It quotes passages from the book, and you can see how minimal the descriptions are, and she repeats several times that her characters’ appearances are up to the readers’ interpretations. It just doesn’t seem to be a big concern of hers]
Then there’s John, who grew up in twenty-first-century New Zealand and IS explicitly Māori in a way that absolutely impacted his character arc. It's not A major theme of his Nona chapters, but it’s there if you read between the lines. The boarding school he went to, which IRL had a high percentage of low-income Māori students on scholarship. The depth of his climate anxiety, his uncompromising “Nobody left behind” stance before the cryo project was halted, and his fervent hatred of ‘the trillionaires’ afterwards... these are all informed to some extent by his background as an indigenous man imo, and so was the global reaction to his developing powers. The “We were going to put you fellas in jail, weren’t we?” the way his initial attempts at publications are all flat-out ignored by the scientific community and dismissed as culty gimmicky faith healing until he leans into it.
John being Māori is just one of the many pieces of his backstory, and far from the most impactful to what eventually went down, but my point remains that he is the ONLY character in TLT whose racial background 1) affects his story arc and 2) is relatable to the audience. Everyone else is ten thousand years removed from Earth, and I’m just not very interested in using racial identifiers when exploring these characters and their dynamics, because the characters themselves don’t care and neither does the narrative.
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All i know is the Season 9 of Hermitcraft, hc x dsmp crossover and Tilly do us apart. The rest you mention is foreign to me. So yeah and also I agreed that no person should see the entirety of dsmp history. Like damn... many things have occur in a short period of time?!
Glad you've asked! Here is a list of things part of mcyt history that has happened in the last 4 years:
Hermitcraft season 7 will be 4 years old in a month (February 2020)
The dsmp will be 4 too in a few months (April 2020)
Dream SMP War by Sadist, the video that caused one of the largest surges of popularity for the dsmp, turns 4 in August
Doomsday celebrated it's 3rd anniversary about a week ago (6th January 2021)
Yes. Almost ALL of the dsmp story up to that point happened within the span of about 5 months. From the VERY BEGINNING OF THE DISC SAGA TO THE TOTAL DESTRUCTION OF LMANBURG. It all took place from July to early January. What the fuck.
3rd life will be turning 3 in April (April 2021)
Penismp turns 3 in May. I cannot stress this enough. Remember the fake smp that predated goncharov BY A FUCKING YEAR AND A HALF and trended 3rd on Tumblr for 2 days straight??? That was almost 3 years ago now.
The surge of popularity for Passerine happens around May of 2021, following Sadist's animation Sunsprite's Eulogy
Empires season 1 will be 3 years old in June
Hermitcraft season 8 will also be 3 in June (exactly one week apart! Esmp started on 12th June while hcs8 started on the 19th)
Yes, you heard it right, the life series and empires predate season 8! Pearl and Gem became hermits roughly a week AFTER the cactus ring.
June 2021 is ALSO the month where MCC Pride 2021 took place. Y'know, the one with Wilbur's office on fire and technoblade getting nicknamed Tech by grian. THIS IS ALSO turning 3 this year. June 2021 was a wild month.
Techno's escape from prison will be 3 years old this year too. September fucking 2021. It's been 3 years since this happened.
The canary's curse has been a concept in the fandom for a little over 2 years now, following jimmy's final death in last life (early November 2021)
Moon Big also occurred around this time frame, which means it's turning 3 this year!
Mangoball becomes a dsmp fandom staple around early December 2021
The 2 year anniversary of @/chrisrin's curses last life animation is in 2 days! (16th January 2022)
Following the end of empires season 1, hermitcraft season 8 and the lore drought of the dsmp, this is where the big Content Drought of 2022 happens. This is where dreamempirescraft became a thing. This is also where that drawing came from.
Hermitcraft season 9 will also be 2 soon (March 2022). Longest season, everyone.
Double life is currently a year and a half old! (June 2022) Every mention of tilly, pearl being the devil, the scarlet pearl, something wicked this way comes, ALL of it, came from a year and a half ago
Yes, this means that season 9 saw the beginning and end of not one, not two, but THREE seasons of the life series. Longest season, everyone.
Speaking of longest season, anyone remember the esmp crossover? This will also turn 2 this year (November 2022)
Qsmp is about to turn a year old soon! This is less of a fact to make you feel old but a fact that makes you think "ALL THAT IN LESS THAN A YEAR?????", and you'd be right! What the fuck! How did this all happen in less than a year!
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[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]
saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.
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i know im an overemotional, overreactive pathetic little wimp about my hyperfixation, and i dont even mean that derogatory, i think its both my best AND worst quality, im well aware of it, especially in moments when im already stressed i have a hard time to get my brain back into control, im so well aware of it that i HAVE been managing to learn how to deal with it actually
which is why, instead of letting myself spiral any further, i went to bed to let my brain calm down
and it worked!
i still hate the live action zelda thing, i still think it WILL be bad, and it will still negatively affect how i feel about the franchise as a whole, i am not spiraling out of control about it though, which i think is a win in my book, some people hate that i say my opinion at all though, more on twitter than here so hey, im grateful to not be called pathetic to my face bc i said something someone might decry as too 'weird'
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in your most recent tyson post, you said something about leo being distinctly autistic-coded and I was wondering if you could elaborate on that? it sounds really interesting (sorry if you've already posted something on this, I couldn't find anything though)
Of course! I do have a specific tag for talking about Leo's autistic-coding/traits - [here], and [one for Nico as well].
The main aspects with Leo being autistic-coded actually have a lot to do with Nico being autistic-coded, because it's the comparisons between the two that most clearly indicate Leo is autistic-coded rather than it just being his ADHD or etc.
So with Nico being autistic-coded, it's very clear in the Titan's Curse that he's intended to be autistic. First, the first series has a repeating pattern of secondary characters being very distinctly neurodivergent-coded in different ways (Annabeth's adhd/dyslexia, Tyson's down syndrome-coding, Nico's autism-coding). With Nico's introduction, he's pretty stereotypically autistic and we're given a lot of descriptors about him that are notably not attributed to him being ADHD, like it would be for other demigod characters. He doesn't register social cues such as people getting annoyed at him, he's asking/making inappropriate or impolite questions/comments, he gets particularly upset about change (such as Bianca joining the Hunt) and generally gets emotional, and one of his most notable traits he's introduced with is the fact that he has a special interest (MythoMagic) - and we're shown that this special interest particularly colors how Nico navigates the world. While ADHD has hyperfixations, we don't really get much acknowledgement of hyperfixations with demigods usually - Annabeth gets a little, but most others don't and it's not nearly as focused-in on as Nico's is.
Then as the series continues we see these traits stick with him and him start to show or voice more traits that similarly indicate he's autistic: He regularly mentions how he doesn't understand living people and prefers the company of the dead (social issues). He has more notable stims than other demigods (twisting his ring, fiddling with bones, etc). He's indicated to have strong sensory preferences (usually wearing mostly black/aversion to bright colors, usually wearing layers/his coat, multiple times he's described as wearing loose/baggy clothing or clothes too big for him). He has specific comfort items (his ring, likely his jacket(s) as well). We later get even more information about his special interests (Mythomagic/mythology/history and an older interest in pirates - the latter he specifically notes likely heavily influenced his feelings towards Percy). He struggles with emotions and facial expressions and tone. He struggles particularly with ostracism and feeling like he doesn't fit in and has something distinctly different about him from the people around him (who notably, all have ADHD, which indicates it isn't the ADHD that's making him feel that way), and other characters regularly describe him as being off-putting because of his strange behaviors - again, different from specific ADHD traits they recognize. And that last point is kind of notable because we have Hazel and Bianca for comparison - we know people are off-put by both Nico and Hazel because of being children of Hades/Pluto and their powers/aura, but other characters get past that general feeling of discomfort way faster with Hazel. And even after characters get past the death stuff with Nico, there's a second thing that they aren't moving past that isn't a factor with Hazel (Nico's autism).
So that brings us to Leo - Leo is paralleled to Nico a lot. And there's some very specific traits about him that we know are autistic-coding because of how they're used with Nico: He similarly struggles with social cues/etc, and in a very similar parallel to Nico describes how he prefers the company of machines to people because machines make more sense to him. He has similar types of clothing/sensory preferences (again some stuff with layers but also - pockets! He likes having pockets and things to put stuff in! He's even introduced as having a jacket with lots of pockets), and he has a distinct special interest (machinery) that we specifically know heavily influences how he views and navigates the world (constantly comparing things to machinery, describing things with machinery metaphors/terminology, etc etc). He even describes his entire general worldview to Hazel and it's a machine metaphor. He also similarly struggles with ostracization like Nico does, the only difference being that Leo specifically puts on a persona to compensate for areas he knows he's lacking in and very explicitly describes it as a means to make people like him, because without it he normally struggles to fit in (He's masking!). We also see notes of characters describing that similar discomfort with Leo's behaviors that they do with Nico, except without the aura of death this time. And when we're in Leo's POVs we see a very stark difference between his masking and his actual personality/behaviors such as his internal dialogues or how he behaves when he's alone. Also, like Nico, he stims more than other demigods, though for Leo it's more attributed to his ADHD. Leo also, more often than most, similarly struggles with tone and reading the room, such as making misplaced jokes/comments or etc.
But yeah! It's really interesting. Also it's just a fun thing that ADHD/dyslexia and autism have comorbidity, so it makes sense that we see demigods who are also autistic. It's also really fun to look at how other characters are coded in the series, what coding looks like in the riordanverse specifically (usually it's tied into the mythological stuff - like Chiron being in a wheelchair but he's actually a centaur, Grover being introduced as having a muscular disease but he's actually a satyr, demigods having adhd/dyslexia, Tyson being coded as having down syndrome but he's a cyclops, etc etc - it's a lot of specific metaphor stuff that I've talked about a bit before), and to look at how characters are compared to one another.
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get early access or leave a tip!
rare pairs for your consideration 3/? - daring do x ditzy doo
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