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feckin-zicons · 3 years

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that's why i hate larries, i hate them with all my heart. besides being boring they are hypocrites 🙄

Hey nonnie, sorry its taken me so long to reply but if you’re following me you know I’ve been travelling lately and have been more scatterbrained than usual. Not that I’m ever not scatterbrained, but its been just a little crazier than usual!

Now I wouldn’t go as far to say I hate Larries. After all their delusions can be pretty funny sometimes!

Joking aside, I don’t hate Larries, I love Larries, I’m a Larry, so I really hesitate to tarry the whole group with the same brush. However I do strongly agree with you that there are those who are complete hypocrites. Nothing annoys more more than when Larries ™ treat the other boys, other celebrities, their friends and even family as one more side character to the Larry Show.

In particular when Larries ™ flood comment sections asking or in some cases, ordering people to confirm rumors/the couple being together. The absolute fucking disrespect. Not just because they’re flooding comment sections in videos streams, tweets, what have you, that sometimes have nothing to do with the couple in question, but because its presumptuous and rude as fuck to think they’re owed a coming out- just because they’re fans of the boys.

Stop it. Thats fucking ugly as hell.

While I have no doubt all the boys will one day be out (as referenced by their continued efforts in fighting the closet. I don’t get the sense the boys will just stop at being freed from their contractual obligations). It should and will be on their own terms. Provided they’re not forcibly outed some other way.

Coming out is a deeply personal experience and no one, no one ever, has the right to out someone else. I’ll never not be absolutely furious at the Larries ™ who posted about having ‘receipts’ that would out the boys. Which… tbh weren’t receipts at all but thats a whole other story. I’m also still angry at the reactions after Liams Attitude spread that wouldn’t have been as bad if not for the entitled fandom that peddled ridiculous claims beforehand about Liam confirming Larry to be real.

I mean… What the actual fuck. Setting aside the fandom experience of the time, and boy was it an experience. What right would Liam have confirming Louis and Harry’s relationship? I mean, get some perspective? It doesn’t help that a lot of fandom adults were the ones coming up with, and reblogging those theories and the younger fans ate it up. It would have made more sense for Louis and Harry to do it but idk maybe I’m still out of touch for thinking so. I mean, it felt like every other week someone was talking about Larry coming out. It was such a shit storm oh my god.

Biggest issue I still have with them is that the entitled behaviour hasn’t stopped. For some it seems like, Larry coming out is it for them. Like pack it up, goodbye, shows over, Louis and Harry are gay and in a relationship and everything is rainbows, we get to see cute pictures of them and everyone lives happily ever after.

Yeah, no. Coming out, for anyone, is just the beginning, can’t even begin to imagine what its like for them. They’re still going to need everyones support, and it irritates me that for some fans it seems so fucking conditional.

Time and time again, I’ve seen tweets, and posts, and videos, whatever, going on about Larry coming out and it reads like a fucking wattpad story. Not just that but its always on the assumption by the poster, on the off chance they consider the other 3/5ths of the band and Ziam being a possibility, that Larry will come out first?

What?

I’m sorry but, what?

Everything I’ve seen from the boys tells me they’re all in this together, they support each other and are working through the bullshit as a team. We have all seen the No Judgement music video yes? The merch, posts, double speak etc referencing each other, yes?

I mean, I suppose if you only look at Louis and Harry, like so many do, sure. Only Larry matters, everyone else is a side character in their life.

(Lemme just, scream for a second).

However, that kind of thinking leads them to the wrong conclusions. Like… assuming the SBB/RBB countdown was attributed to nothing, when it counted down to Liam finally being free of Sophia. In the years since, I’ve seen Larries ™ backtrack on claiming the bears had anything to do with the boys, that they weren’t behind it at all, or that they were just trolling the fandom.

You know, despite all the proof otherwise, and some really, really good posts breaking down clues about what the boys were trying to tell us. The moment something might not actually be about Louis and Harry its like all their thinking shuts off. Its frustrating. Really fucking frustrating.

Seriously, fans of the other boys as individulas, not just Ziams, have been talking about the stunts too and how they fit together. Its why we tend to be right, because we’re considering the entire group. They’re still a group. They’re not free until all of them are free.

Just for that Nialls coming out first. Lmao. I’ll call it now. Lets go Niall, whens the baby coming. We all wanna know. Its been years.

Imagine, imagine! Acting like coming out is some race to be won. The fucking audacity.

Go outside and touch fucking grass you absoulte ninny.

I get it, you want to be vindicated, you want to be rewarded for putting your faith in two celebrities being together.

Newsflash you dandelionfluff, its not a race, Louis and Harry coming out isn’t a fucking prize. Thats not what supporting a relationship looks like.

Its worse when someone admits they don’t know much about Ziam or the possibility of Niall being LGBT+, and claim they’re open to it, but then immediately tweet or reblog or sub tweet or tag comment a post or answer an ask from another Larry ™ talking about how Larries ™ are the most marginalized and persecuted group.

???

In what fucking world?

IN WHAT FUCKING WORLD?

If we wanna play that game, boohoo, the media claims Louis and Harry aren’t friends anymore because of crazy shippers. Meanwhile Zayn publicly isn’t friend with anyone and “left” the band… despite the Ziam fandom calling the stunt about either Louis or Zayn “leaving” and getting it down to the exact week (the second article coming out a week before about the Ziam kiss pretty much cemented it for Zayn leaving. Which did a lot to fan the flames of the already rabid fanbase when Ziam got two articles confirming a Ziam kiss over the years and Larry got nada. Like that actually means anything).

Not to mention Larries ™ using the hetties and management tactics against the other parts of the fandom to silence them.

Who cares what the media says anyway! TPTB, 1DHQ, The Sun, The Mirror, Simon and his minions and their unpaid interns have used the media to split the fandom apart and it worked.

Who the fuck cares if the media calls the 1D stans delusional, you know the truth! The truth it out there and you’ve seen it! The truth is coming! Who gives a damn about what some two bit “journo” who failed out of their creative writing course writes? They get worse by the year. If it wasn’t so pathetic and hilarious I might actually feel embarrassed for them. They can’t even come up with new stories and have just taken to copying old articles, but you’re upset with them??? Give it a rest. Honestly.

The sense of disconnect, entitlement and victimhood of some Larries ™ is absolutely ridiculous.

Oh my god they’re Karens. I’m not trying to be insulting, but thats exactly who they remind me of.

I’m not going to say its a surprise to me that so many in the Ziam fandom are POC, LGBT+, and Neurodivergent and any combination of those, but I am going to say I’ve read a lot of Larry fics that just have Het sex made gay. Those in the Ziam fandom just tend to look at facts in a different way than Larries do due to their life experiences. A interfaith, interracial, relationship where one or both partners fall under the Bi umbrella (not saying Louis or Harry can’t be or aren’t Bi+ but rumors, and the way the fandom markets them, puts them firmly in the gay category) looks very, very different than gay or straight relationship. Both looking from outside and being in one. There’s just different dynamics at play that aren’t often realized or understood by the gays and hets.

Its not a bad thing. All relationships are different. The issue is that theres a lot of biphobia/racism/religious prejudice etc that arises from people being unwilling to understand the inherent differences.

Taking myself for example, I’m bi, like, bi as hell, and I don’t understand how gays and hets only like one gender. I just don’t. Can’t wrap my head around it. If someone asks me to choose one gender over the others to prefer I can’t. Its so stressful. My brain goes into panic mode and it feels like I’m being torn apart. My sense of identity is shaken- its a shit feeling. I just can’t lie to myself like that. If other people feel the same well, its no wonder bi+ have such high rates of depression and suicide. Its not about choosing who to like, there is no choice, I just feel attraction to everyone. Aces, I get. Its similar to being the opposite of what I feel, or not feeling an attraction to someone I’m not interested in. Easy. Gays and hets? I’m completely lost on.

Completely, and I know I’m not the only one who feels that way. But that doesn’t mean I’m not willing to try and understand where they’re coming from. Its alien to me, personally, but I’m not going to shut down the fact, that theres a fuck ton of people who only like one gender or try and make up reasons as to why they’re actually bi+

I digress, none of the boys fall neatly into the gay stereotypes, its just that parts of the Larry fandom have boxed Louis and Harry into certain roles to fit preconceived notions (likely do to them initially fitting in better with the white, sassy, somewhat effeminate twink thats been plastered all over Hollywood as their “LGBT+ representation” for years. Gag), they can understand better, and only look for proof to back up their theories but don’t look at things objectively.

They really need to get out more and make some LGBT+ friends that aren’t on the internet and talk to some gay elders. They need educating that’s not the often sanitized and insulting Hollywood version, that’s all I’m saying.

They made Louis and Harry more palatable for themselves and its… really gross.

I don’t know, I don’t get it.

Some Larries ™ turned the boys into their fandom and fanfiction stereotypes when they’re so much more than that. The Sony leaks should have been enough to dissuade the fandom, and prove that the brand sold to the broader audience is just that- a brand, and yet… Niall only talks about food and golf and Ireland and is only allowed to be straight or ace. If he exists at all its just to be Capt Niall. Liams slow and dumb and depending on the day he’s either Capt Liam or a horrific abusive homophobe. Zayns just The Worst, a unstable drug addict, and the boys hate each other, and they should have kicked him out of the band sooner because he never wanted to be part of them anyway, etc.

It drives me absolutely around the bend some days. They’re real people who don’t owe anyone anything, especially not coming out.

Yes, I think they will. But they’re not obligated to. They can change their minds, I’ll support them regardless of an “official” coming out or not.

Look, a part of me gets it. They wanna be right, they wanna prove the haters wrong, they want to be able to say I called it all along! The vindication will be sweet.

But like, it takes a quick look at someone other than Louis and Harry to realize theres something hinky going on with Liam, Zayn and Niall. Please listen to their fans who have spent just as much time as you have looking into Louis and Harry compiling together evidence.

It might take a weekend to watch the ILYSM and pterodactyl bros videos and a few more hours looking into some Niall blogs, which isn’t much compared to the hours I know they’ve spent looking into Larry. At least then they’ll have enough information to form an opinion on things.

I wonder, for some, what would happen if Larry didn’t come out, or didn’t come out first, or one of the other boys was outed against their will. Because… I don’t know. It seems like some would rather just be proven right at this point.

I get it. We’re tired. Its been eleven long years. But this isn’t a television show were everything can come to a head with a s3 or s4 cliff hanger and fixed in the series finale. Its real life, and they started off as boys trusting industry veterans who never had their best interests at heart.

Iduno. I just want some Larries ™ to take a step out of the echo chamber, realize life isn’t The Larry Show & co. And especially. ESPECIALLY, that every instance were someone, friends, family, co-works, industry peeps etc support the boys they are SUPPORTING THE BOYS, NOT THE FANDOM. They are not “confirming Larry for the fans” they’re doing it to support the couple, not to cater to the fandom. Please stop confusing the two. There’s a huge fucking difference. Learn it.

#Honestly it should be the Liam Payne the three guys who’ve had a crush on him and the one who married him.#aka the hill I'll die on #lmao #sorry not sorry #IM SORRY IT LOOKS LIKE I HAD A LOT MORE TO SAY ABOUT THIS THAN I THOUGHT I WOULD #ASDFGHJKL;#also please don't think I'm calling anyone out specifically #these are a lot of generalizations and trends I've noticed after being in fandom for nearly 11 years they pop up all the damn time #circles we're just going in circles #I've been following Ziam in particular since the Nov 2011 interview #but suspected Liam had a crush sometime before when I saw a gifset of him talking about Zayns birthday presentsbc he as acting the exact sa #e way I was when I was crushing on a girl I knew #I saw myself in him and ignored it for another day #lmaooo #ziam #larry tunnel vision #larry vs ziam #Larry vs Niall #fandom bs #ask

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jazajas · 4 years

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okay so i finished love, victor a while ago and i saw some other reviews and thoughts about it here so now i've got a pretty good list on my thoughts and feelings.

tl;dr: it has some issues, yes, but im gonna hold out and hope it gets better later on because the same thing happened with the first few eps, i wasn't that into it but then it got good, and nothing is ever great with the first season, because at that point we're getting used to those characters.

⚠️caution: spoilers ahead (im on mobile, i cant get an under-the-cut)⚠️

1. while a leah on the offbeat movie would have been amazing movie sequel (even tho i havent read the book yet, im just here for the wlw content) i am kind of glad we got this instead. mostly because I've seen book series where one movie was good, so they decide to do the rest, turn out bad (hunger games? divergent? percy jackson? the hobbit?) because so much was cut from the book-to-first movie writing, that other scenes wouldn't make sense to future movies if they had those in while cutting others. however, i am sad that i didn't get to make the choice of deciding whether what was cut was wrong etc. about future movies, but i'll take what i can get.

2. LGBTQ+ POC as a lead! that's amazing! as a ace/bi lantina that's close to home (it also is great that victor's from texas and so is ya gorl) and even then it's a mixed latinx family! i think pilar mentioned that at least the grandmother left Colombia and i saw the Puerto Rican flag in victor's room. also the salazar's are definitely from small town texas, even without knowing the name. (church barbeques, the use of the words "such a diverse city" in regards to atlanta)

3. a lack of actual lgbtq+ main storylines (so far) is kind of sad for a show like this. i was getting serious bi/pan vibes (as a lot of other people) from victor from the beginning, and when it was implied that victor was actually gay (while great, not shaming) as it has been brought to my attention, there was a lot of looking at a lot of straight relationship problems (please let us know more about benji)- edit 6/18: upon further consideration, it very much is a show about questioning your sexuality, I'm speaking about the other straight relationship issues, not mia and Victor's, its just the first season.

4. let us talk about cheating for a sec. never okay, in any circumstance. i feel sorry for mia that she saw victor making out with benji and the fact that he was doing any of that in the first place. victor made a choice to lie about the espresso machine and then kissed benji at the hotel and then when benji was fighting with derek, basically confessed his love and mistakes, then proceeded to makeout with benji after he broke up with derek, he built that grave and now he must lie in it. i get having feelings for a guy when you are in a relationship with a girl, and not accepting yourself enough to end that relationship but you really want it to work so you can be "normal". really, he should have told mia after he got back from the trip tho. i get being in highschool and doing stupid stuff and making dumb decisions, but for a show aimed at teens i think we should also remind said teens to make good choices even if we have to lose some realism within the character choices.

4. pilar and her decisions based off her brother pissed me off. because i honestly think that if she'd kept her mouth shut about what she knew or confronted victor about it in the first place we could have avoided a LOT of mess. did she not learn from snooping around her mother's business about her relationships that going behind a person's back doesnt end well? i did, however, like the pilar/felix friendship and was really kind of hoping that they'd get together during their coffee hangout (although now im glad that didn't happen) because they had a deeper understanding of each other. same with wendy/felix, although they do seem to much alike to work out in the long run but i still feel bad for wendy.

5. i don't know how i feel about lake and andrew, as people separate from each other. both seem to be the way they are from their upbringing (not confirmed why andrew is such an ass, but if his comment about his dad is anything to go by i bet it's got something to do with attention) but andrew seems to be less, idk, superficial? like he turned down mia because he didn't want to be a rebound, he didn't out victor, he actually stood up to early teasing the other dudes in the lockerroom were doing at victor (with teasing of his own obviously but that interaction had him on my nice list until much later). lake? lake. i honestly don't have an opinion of her? not really. i mean after hanging out with pilar i was hoping felix wouldn't go back to lake. is her name laken? i feel like her full name is laken. but they also played the "im only like this because my mom is really superficial about stuff and i do like the geeky nice guy but appearances" to "actually screw the norms im gonna makeout with him infront of the whole student body". i honestly thought she was gonna be bi because she kept hitting on mia when she was helping set up for her "date" and "big night" and there was one point where i saw her face fall at something mia said in relation to her and idk i was hoping she'd be bi (i figured early on that victor/mia wasnt gonna work and was like "oh mia/lake would be cute" but now idk.

6. okay on to the "big night", i have one word. NO. i didn't like the peer pressure into having sex. i agreed with felix when he said "your body your choice" but im also disappointed that victor made out with mia and when lake was talking to felix after victor left he didn't try to stand up for victor.

7. on to age gaps because i hadn't really thought of this at first. we'll start with benji/derek: WHAT GRADE IS BENJI?! because that determines my thoughts. if he's a sophomore that meant that he and Derek started dating benji's freshman year and thats eugh, don't do that, don't care if its a gay couple that shouldn't be happening because the maturity of the two characters is DRASTICALLY different (this is also a reason i am not a fan of cmbyn) but that would explain why they were so rocky. hoping the event at the gay bar was open to anyone not just for drinking, but not liking that fact that not one of the adults with victor were like: hey, this is a 16 year old, that's kind of wack when that dude was hitting on victor. that made me question some stuff. although i figure it might be making up for the lack of a gay bar scene in love, simon. but even then, in svthsa it's a restaurant with a bar that some people go to just to drink at, it wasn't just a bar, simon could be there but should NOT have accepted drinks from college kids, not matter how attractive.

8. i loved how bram and simon and their friends helped victor out though. i like how bram was like: hey i know my friends are a lot so here's a gay basketball league becaue there's no one way to be gay. i like how Simon talked about needing help himself just to help victor and how he said his friends were cool with it because it's a community. i like of justin(?) mentioned how being what his parents wanted was putting on a mask and pretending, not him doing drag. my favorite lines from that ep are: "and before you ask my pronouns are they/them/theirs" "'they're all gay? even that guy? he's like [insert really tall number]' 'yeah. you should see him in heels'" "or in simon's case: really unathletic" "and also because bram said that if i wore [the jean jacket] one more time he'd burn it". also katya was there. and the group hug too!

9. the back hand homophobia in relation to family is sad, but realistic and i sincerely hope his parents are kind enough not to be too harsh on victor because of it. anything they say that isn't positive or supportive of victor is bad but i hope they realize that there is more to him than that and that they can come to terms with it because it's not always that hard to be a part of that community and super religious. i am biromantic and catholic. and while there are some things i wont agree on my mom with, i know that it's more of a strike against God for kicking out gay kids from families than it is to be gay, because those parents were given trust by GOD to love those kids no matter what, and be good parents. so in the end, the parents are wrong and harmful and in the case of christians against jesus's teachings to love everyone.

10. this is fan speculation but dont think simon/bram are going through a rough patch? i honestly think it'd be a little cruel to the characters to have on of their actors be producing but then not have that relationship stay. and while it's not set in stone and obviously things happen in the real world, we have no proof script wise about there being a rift. all we have are bad photoshopped ig photos and scenes where two characters are never standing next to each other probably beccaue schedules never link up correctly for minor characters. who knows, maybe nick robinson was filming for a movie where is does have an even more major role than victor's gay guru in a series about victor so his filming time was around that. im gonna keep hope that things are okay.

11. that being said: we need more mainstream wlw content, because someone said it earlier and it really does seem to be catering to straight girls. i'll admit i did freak out when benji played call me maybe which is something i associated with him and victor but then kissed a guy because who wouldn't? we get that serenade and sweetness and then it'a ripped from us. but i did mellow out. if i flipped later it was because victor was making dumb decisions and i had to give myself a moment of compsure before i continued.

in the end, i'd say that there is a lot of growth this series needs to go through, but i also know that some people just aren't going to like it and i get that. but i also know that sometimes the best of stories have rocky starts, nothing is ever perfect from the beginning. and besides, further seasons are on hold until we figure out this covid thing, which means that you bet they're gonna be looking at our feedback. they saw what we thought before, they can do it again

i really did like it but we need more ACTUAL lgbtq+ relationship stuff from this series and better decisions on what we are teaching the younger generations, as well as what we want to focus on and realism within characters. i'm giving it an 8/10, because there is always room for growth and i really hope we get better things out of this than what we have been given in season 2.

edit: someone mentioned it really seeming like it was meant for Disney+ and i felt that. also to anyone who reaches the tags agter reading ALL OF THIS: i am sorry

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what-big-teeth · 4 years

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Spark (Male Fire Elemental, pt. 1)

When graduate student Simone Price inherits her deceased grandmother’s house, she hopes to mend bridges that were long burned prior to the sudden passing by way of fond memories. But she soon learns two important truths. One, the cause behind those severed connections is still around. Two, the childhood fables her grandmother told her are more rooted in reality than imaginative fantasy.

Female Human (POV) x Male Monster [Part 2] [Part 3] [Part 4] ”It’s...charming, you know? Really rustic.” Mica carefully chooses her words and attempts a cheerful smile. When she fails, she settles on tucking a loose microbraid behind her deep brown ear. “Right, Mason?”

Mason hefts the large, black garbage bag full of cleaning tools off the ground, gives the old house a once-over from top to bottom, then snorts. Loudly. Mica swiftly elbows her twin in the ribs for “being rude”, but even I can’t stop my nose from scrunching up in displeasure.

She can dress up her opinion with as many euphemisms as she wants. But the truth is plain as day: Nana’s place has gone to the dogs.

The two story’s once brilliant white paint is a dingy, chipping mess that reveals the underlying dark decay. The windows, always transparent enough to see through when the curtains were drawn back, are caked with grime and rust. And the front door, a deep, beautiful burgundy my mind can still picture, has dulled into a paler shade of red. I wouldn’t be surprised if Nana’s little garden in the backyard has been choked by weeds and overrun with wild plants. It saddens me to see the current state of her home compared to when my visits were more common. That was before Dad suddenly severed all contact with Nana ten years ago, when I was only thirteen.

A warm weight settles onto my shoulder, fending off the morning’s autumnal chill. Mica wears a sympathetic smile.

“Are you alright, Simone?”

I’ll never be able to thank Mica and Mason enough for sacrificing part of their Thanksgiving break to help me out. But I can try by remaining as positive as possible.

“I will be,” I say. “Once Nana’s place starts looking like it used to.”

“It’s your house now,” Mason says, adjusting his grip on the garbage bag. Oddly enough, his words sound sad. “You sure you don’t want to do anything different with it?”

It came as a shock when Nana’s last will and testament bequeathed the entirety of her property and assets to me. Dad did all he could to contest the document, but his attempts failed. I’ll never forget the haunted look in his dark eyes when I asked him why he disagreed with my newfound inheritance.

“That place isn’t a home, baby. Not with what it’s got locked inside of it.”

I later refused to budge on the matter, even when he begged me to. After that, Dad told me to do as I wished, but to be careful and stay vigilant. I didn’t understand what he meant then and I still don’t. But I hope, with some hard work and lots of love, Nana’s house will be whole again. Then with time, Dad will come to visit and remember the good times before his mother’s passing.

“Earth to Simone,” Mason says. “Did you hear me?”

“Yeah, and I’m sure.” I fish out the front door key from my coat pocket and smile. “Let’s get to work.”

We hang our coats in the entryway. Once the buckets, brooms, and mops are divvied up among us, Mason works on doling out the cleaning solution. We then decide on who gets what area. Mason is quick to claim the upstairs, citing the possibility of rotten wood weakening the floor.

“I’d rather fall to the first floor and get hurt than see it happen to you two,” he says in an obstinate tone. “Especially since you two might end up worse off.”

“Always the gentleman,” Mica mutters, rolling her light brown eyes. “I’ll take the kitchen and dining room. Might be worth it to see what condition your Nana’s cookware is in.”

“Good idea,” I say. “Just be sure to yell if you find anything interesting.”

“Will do!” She grabs her broom, bucket, and mop,then leaves the foyer.

“Guess that leaves me with the living room and fireplace,” I say.

Mason replies with a hum I can’t discern, which is weird since Mica and I are fluent in Mason-ese. Always have been since we were little kids.

“Something up?” I ask.

His neutral expression doesn’t reveal a thing and that worries me. He’s always had a tell or two, even when he’s tried to hide something from me. Instead of talking, he just ties back his dreadlocks, grabs his share of the cleaning supplies, and walks towards the stairs.

“Call me if you need anything.”

I follow his old sneakers until they vanish from my line of sight. That was weird. But there’s no point in digging to figure out what’s going on. He’ll tell me when he feels like it.

After locking the front door and grabbing a broom, my feet guide me down the main hallway towards the living room. And my heart nearly breaks at the sight. Just about everything is covered in a thin layer of dust and cobwebs, including Nana’s knitting basket and needles. The floor and rug are worst off and I’m somewhat scared to tackle the fireplace. But if I don’t, no one else besides Mica and Mason will. Especially not anyone in town.

After asking for directions and mentioning our reasons for being here, nearly everyone bid us a swift farewell, claiming they had something to do. Only a few upfront people told us to leave the estate alone and head back home, claiming that a witch once lived there.

My grip on the broom handle tightens to the point of pain.

Nana was many things; a huge sun tea addict, an amazing storyteller, and a wonderful knitter. She may have used Black folk magic to help me with my childhood night terrors, but she wasn’t a—

“Ow!”

A thick wooden splinter peers up at me from my index finger alongside a bead of blood. This is why I told Mason we should’ve packed the plastic brooms instead. I lean the broom against the brick mantle, swiftly remove the sliver, and flick it into the dead fireplace.

The piled ash sparks with light and heat, singeing the cobwebs.

“What in the…”

“Simone!”

“Gah!” I wait until my racing pulse calms a bit then respond. “Yeah?”

“I found your Nana’s bundt cake pan,” Mica yells out, “but I can’t tell if it’s still usable.”

“I’ll be there in a moment!”

I look back at the fireplace. Nothing but cold ash. I shake my head and make my way to the kitchen, trying to recall where Mason keeps the mini first-aid kit in his pickup truck.

Midday sneaks up on us, warming the chilly house a few more degrees. Mica decides it’s the perfect time to break for lunch and Mason agrees.

“We passed by a burger joint on the main road,” Mica says, wiping off her hands. “Wanna give it a try?”

Even with the tempting prospect of a patty melt, my mind keeps drifting back to the fireplace. And what I think I witnessed.

“Sure, but do you guys mind going without me? I want to get more cleaning in before the day’s out.”

“Seriously?” Mason is quick to call out my attempt at an excuse. “We’ve been at it for four hours.”

Before Mica can chastise him for being, well, himself, I think up a compromise.

“What if I took an extended break instead? I won’t touch a broom, mop, or bucket while you guys are out and I’ll eat with you once you get back. Sounds good?”

“Sounds perfect!” Mica chirps up. She grabs Mason by his forearm and starts hauling him towards the foyer before he can object. “We’ll be back soon. A patty melt with onions and a small fry?”

“And a bottled water too, please!”

The front door slams shut, the sound echoing until the truck’s engine revs up. I let out a heavy sigh and plop down onto the couch, uncaring of the weak cushioning.

“Finally. I thought they’d never leave.”

I stop myself from launching off the sofa, but my feet still slip on the area rug. My ass slams onto the floor with a hard thud and a deep chuckle follows soon after.

“You’re not very graceful, are you?”

“Who—!”

A large, bright flame emerges from the ash piled in the fireplace. It twists and curls in random patterns until it settles into the distinctive outline of a humanoid face. It grins. I scramble away and slam into the opposite wall.

“What’s this?” it says. “A descendant of Abigail, afraid of me?”

No shit. Who in their right mind wouldn’t be? But, as the barely-calm-and-reasonable part of my brain points out, I won’t get any answers if I let my tongue turn into lead.

“Who are you? How do you know Nana?”

The flame…face…creature remains silent far longer than need be. Its eyes narrow.

“Don’t mock me, girl. You know very well who I am. Or did you forget Abigail’s tales all too quickly?”

The creature’s words slowly begin to make sense, as much as my mind begs them not to. Nana used to tell me all kinds of stories when I was little. But she’d always retell my favorite whenever I asked: the story of a fearless Black girl who trapped an evil flame spirit, thereby saving the town she lived in.

“Oh my god. That story was about you?”

“Cruel, isn’t it? Conditioning a child to believe a lie through a simple fable. All whilst I could hear and see everything. Abigail was always a manipulative, abusive wench.”

Hot, white anger floods my body, wrenching me to my feet.

“Like hell,” I hiss, stalking towards the fireplace.

The creature peers up at me, stunned and silent. Good.

“Nana would never harm anyone. But she sure as hell didn’t take shit from anybody. Ever. What did you do?”

The story always characterized the fire spirit as evil, but never gave a reason. So why not ask the source?

“Well?!”

“Simone?”

My gaze snaps up. Mason stares at me with brows furrowed with concern and confusion. My rage dissipates into nothing, leaving me drained.

“You alright?” he asks.

I glance down at the fireplace. The creature’s vanished. Leaving me to look like an utter fool.

“Uh, yeah! I was just…re-enacting a scene from my favorite drama! Nothing else to do while waiting for you guys to get back, right?”

Mason’s eyes narrow, the simple action screaming ‘bullshit’. “Not even looking at your phone?”

I jam my hand inside my back jeans pocket and pull out my smartphone. Surprisingly, there’s service.

“Not enough bars,” I lie.

Mason doesn’t look convinced in the slightest, but thankfully, he lets my horrible excuse slide. He holds up a large, white paper bag stained with grease. The scent wafting from the inside makes my empty stomach clench with anticipation.

“Mica and I will be in the dining room. Be sure to come and eat while the food’s hot.”

He walks off, the wooden floor creaking underneath his every step. With a heavy sigh, I start to follow.

“Perhaps you are more like Abigail than I first believed: utterly stubborn and foolishly brave.”

I stop moving. If the creature’s words were meant to insult me, they fail. Pride wells up in me and it takes all my willpower to not smile. It somehow notices and scoffs.

“To answer your earlier questions, past humans have called me a fire elemental. And one gave me the name Ignis.”

The creature...Ignis begins to recede back into the ash pile, but my mouth opens before it can vanish.

“Wait.”

He does, to my surprise.

“You weren’t awake before we arrived, right? Which means something made you come around.”

I carefully recall Nana’s story, then all of the related events leading up until now. My eyes widen.

“It was my blood on the splinter. That’s what woke you up. Because I’m of her bloodline.”

Ignis continues to sink further into the ash, but says one last thing.

“You have a sharp mind as well. How interesting…”

The fireplace goes dark, but I stand before it, staring.

I get it now. I understand why Dad severed contact with Nana ten years ago and never wanted me to inherit this place. Why Nana told me those childhood fables and willed her home to me.

But Dad’s still wrong. This house will be a home. But first, I have to finish what Nana started.

#monster boyfriend #monster/human #monster romance #fire elemental boyfriend #exophilia #there are tons of stories where MC/reader inherits a house #why not add another #my writing #female reader #fem reader

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normal-thoughts-official · 4 years

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anyway so a friend asked me why i don’t consider that just because a sh character has an actor of color, it means that they’re a character of color, and i think that explaining that to them i managed to get my point across quite nicely so i’m putting this here too in case anyone cares about my views on this

usually whatever race the actor is the character is, that mostly works

but it doesnt for sh because they hired a lot of actors of color for characters who are explicitly supposed to be white, and written as such. not just from the books but just like, for the story to work

Lorenzo is the most obvious example of that, Javier is latino but Lorenzo is explicitly white in show canon ("needless to say, being born in spain during the siglo de oro was quite the experience"; he's not only a spaniard, but explicitly a spaniard who was born at the height of the colonization and exploitation of the Americas and directly benefitted from it. his riches and influence are all the direct result of colonization. not only is he white, he is a literal colonizer and he's directly involved in the historic exploitation of latino and african ppl. so obviously Lorenzo is not latino, even if Javier is). but that logic applies to a lot of the charactes

take izzy for example. izzy wasn’t written as a latina woman, she was written as a white woman. i think that becomes particularly clear in the r*zzy plotline, and how the show writing treats it

recapitulating: izzy goes after the vampires, looking for a bite. they almost kill her. raphael sweeps in and saves her, and tells her to go away and sweat it out. in an attempt to show his empathy, he mentions that he’s handled addiction before, that he’s been addicted to human blood. izzy then slits her wrist and shoves it in raphael’s face, clearly seeing how this affects him. he still tries to tell her no, but she pushes him anyway. finally, he caves in and ends up drinking her blood. later, that same theme continues, with raphael not wanting to take izzy’s blood, and izzy triggering his addiction on purpose to make him. at one point, she threatened him with a sword to get him to drink her blood

so far so good, yes? but then we see the way that the writing treats this plotline, and it doesn’t add up

alec sees them and punches the shit out of raphael, up until magnus stops him. later, when he leaves, magnus talks to raphael and all but scolds him for what he’s doing (“let’s see if you still think that when you’re not getting high”) without even learning the full story. in fact, the fact that izzy was the one who triggered raphael’s addiction (repeatedly) is never brought up again. when izzy talks about it with simon, later, he’s all worried and tells her to stay away from raphael. and none of this is never questioned by any of the writing. we never see raphael getting any support, except for magnus taking him into his home again. we don’t see him struggling with his own addiction and his issues. we only see izzy, and in that process, raphael is unquestioningly framed as the villain, as the one who “lured” and got her addicted, despite the fact that this is objectively not true

this doesn’t make any sense at all, unless you take into account that izzy was supposed to be a white woman

and then we see what’s going on. obviously, sexy vampire who lures the unsuspecting mundane woman stereotypes also play into this, sure. all the scenes with blood drinking are weirdly sexualized; the first time that raphael bites izzy’s wrist, she moans and kind of leans back against the car and he’s over her body and it looks every bit like some sort of “sexual predator taking advantage of poor woman” painting, or trope, or whatever. but that’s also- well, a stereotype that’s used with white women

because women of color aren’t typically painted as the victims of luring and using and abusing. on the contrary, they are usually painted as the ones who lure the men in, the ones who are “intoxicating”, exotic, dangerous, irresistible, the femme fatale stereotype, etc

white women are the ones who are helpless and need to be protected by everyone, who are used and abused and taken by men (particularly moc, let’s not forget the historical use of “protecting white women from predators” as an excuse to increase policing and repression in neighborhoods of color, as well as the lynching and murdering of moc). white women are the ones who are unsuspectingly lured into a drug addiction and then used, needing to be later saved be everyone. white women are victims, and moc are predators. latino men in particular are also drug dealers and criminals and gang leaders. sounds familiar? yeah

so when izzy was being written - when this entire plotline was being written - she was written as a white woman. it doesn’t make sense otherwise. it doesn’t work otherwise. the entire plotline relies on racial tropes and stereotypes, and the writing lays that in so thick and naturalizes the narrative that izzy is being used so much that almost the entire fandom buys that idea, and never talks about how izzy used and triggered and abused raphael, and frequently writes him, if not as the culpable one, at the very least as co-responsible for her suffering. never as the victim, despite that being, through any objective lenses, what he is

so i think it’s indisputable that izzy was written as a white woman, that even as the writers knew that emeraude was playing izzy, they were still imagining a white woman as they wrote her. they weren’t thinking about that when they hired emeraude to play her (in fact, emeraude was chosen to play izzy because izzy is supposed to have “exotic beauty”), otherwise alec (and robert and max) wouldn’t be white. it doesn’t WORK

which gets us to: why are there so many actors of color playing characters who were originally white, and who were explicitly written as such, in sh?

i think the main reason sh had so many actors of color playing white characters is because it's cheaper

actors of color, particularly immigrants, can get lower salaries because they dont have the same opportunities as other actors. for the same price you could get a bad white actor, you can get a reasonable actor of color, but most studios choose the white actor anyway. sh hired many actors of color because then they could get better actors for a lesser price, and it fit the whole "woke, there is rep in it" vibe the show was going for

that's my two cents, of course. i dont have proof of that but i think its highly likely that's what happened.

so that puts the racial relations in this particular fandom in a unique perspective. because the characters are white and that shows in writing, but due to the fact that the actors ARENT, the fandom still sees them with racial bias, so it's a loose and complicated intersection. i’ve seen plenty of racist depictions of izzy in fandom, so much so that i got triggered by the way she’s written as a sexual object for white people, the way she’s written as servicing in ships with white women and men and her pain and abuse is fetishized, among other things

so it’s a very complicated and particular situation, but as a whole, for these characters, the racism comes from the fandom, not from the writing. because they are written as white, i consider them white, but that doesn’t mean that the fandom treatment of them can’t be influenced by racist views and stereotypes.

in short: in the sh universe, they are white, but to the viewers, they might not be, so they’re still subjected to racist treatment in fandom. there’s a disparity between their race in-universe and outside of it, and that creates unique intersections and views and writing of these characters

(this doesn’t apply to every character who was originally white and played by an actor of color; luke, for example, isn’t explicitly written as white at any point, so i consider him black. but izzy, lorenzo, maryse, camille, and others, were written as white, so i consider them white)

(besides, white actors play poc all the time, so why the fuck not have it be the other way around for once)

and look i mean obviously it's perfectly valid to hc those characters as poc and write them as such, especially in aus, but to me that’s that, a hc (well except for Lorenzo because hc-ning him as a poc when he explicitly was their oppressor historically is frankly disrespectful, and I'm not saying that because i dont like him, im saying that because thats how i see it), and not a fact in the writing & story

and that’s my take basically

#this is long and useless but oh well #sh #discourse #anti izzy lightwood #kinda #not really but a little bit

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captain-aralias · 4 years

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“Fuck the Mage” – a look at the politics of Carry On’s most and least popular characters

I’ve written this not to try and make anyone feel bad about liking Baz, or Fiona, or Natasha, or any of Baz’s family (I like Baz and Baz’s family). I haven’t even written it to try and make it OK to like the Mage, or to stop it being OK not to like him. (It’s OK to not like him – he’s a bad guy.)

But we’re coming up to another general election. Today is actually the day of the Conservative party manifesto launch! And I said I would write this to @basic-banshee, who I like and admire, and who was right to say Baz is a Tory earlier in the week.

It feels like the right time.

I should also say now that I don’t closely follow politics. This isn’t my specialist subject. I’m just British and I live with a hardcore socialist.

I also think I said all of these things in The Mage’s Heir already, so if you want you can read that instead. It has vampire sex too, which this doesn’t.

(Keep reading will take you to an essay that is almost five thousand words long. So strap in.)

---

"One will come to end us; and one will bring his fall” - the narrative drive of the Chosen One story

It is a truth universally acknowledged that ‘Carry On’ is based on ‘Harry Potter’. More than that, though, it’s specifically a challenge to the kind of book that Potter is – in which a hero is chosen and fulfils his destiny defeating the big bad. It purposefully subverts the expectations of readers familiar with that sort of story.

That means that, where the villain in ‘Harry Potter’ is a racial supremacist who is obviously and actively evil, the supposed big-bad villain in ‘Carry On’ doesn’t really exist. The Humdrum is just an echo of Simon, who by the end of the book identifies himself as the villain as well as the hero. This is a neat twist on the format. It isn’t supposed to be an argument that all heroes are actually the causes of their own destruction, although you could read it that way.

The real villain is the Mage. Who in classic Dumbledore fashion left Simon to be raised in horrible conditions and never gave him enough information to make his own choices. He also murders Ebb, locks Baz in a coffin in inhumane conditions, and let vampires into Watford – an event that directly or indirectly led to the death of Natasha Grimm-Pitch.

This is again a twist on the format. The Mage fills the role of the wise mentor and we find out as early as ‘Fangirl’ that he’s Simon’s father. Even though there’s a strong movement that argues that Dumbledore is a manipulative dick who used to date a Nazi, I don’t think anyone would call him the villain of Potter. He’s still far more good than bad and he’s still absolutely necessary in helping Harry work out how to defeat Voldemort.

That’s why the Mage has to be the villain – it’s because you wouldn’t expect it of the person in his narrative role or with his political views. (I’d guess it’s not supposed to be a statement about all wise mentors, though it could be. Or even all socialist reformers.) It’s also because the kinds of things that Dumbledore did to Harry are worse when viewed through the more personal lens of YA romance, rather than the more traditional school-story fantasy of Potter.

Fandom is essentially united in its absolute condemnation of the Mage as a character.

He’s almost always written as an abusive father in fic. (This is particularly noticeable for me in non-magic AUs where he often physically and mentally hurts Simon outside of the fantasy genre where sending a child to take on a dragon is loosely acceptable.)

Penny tells us that he’s sexist (although Agatha – who also doesn’t like the Mage – points out that it’s possible the Mage just hates everyone). Penny tells us that anyone can call themselves the ‘Great Reformer’ and she’s right. The Mage’s Men are actively equated to Nazis through their raids, which is backed up by other familiar emotive language like ‘banned books, banned phrases’.

But the thing is, the Mage really was a great reformer. And Baz’s family really were a bunch of privileged, self-centred assholes who deserved not to be in charge, no matter how much we like them. We don’t talk about it much, beyond how Malcolm’s (very standardly conservative) homophobia affects Baz on a personal level, because the emotions of the story lead us down a different path.

Baz is the romantic hero, Natasha Pitch is his dead and wronged mother, and the Mage is the villain. Not because he’s a Nazi (he isn’t). Not even because he killed Ebb or imprisoned Baz.

It’s primarily because, unlike Natasha, he isn’t a good parent.

Which is fine. It makes sense for all the reasons above, and the Mage is a bad parent

But the problem with ‘Carry On’ being an inversion of the tropes of traditional narratives is that we end up with a canon that (even though it’s full of POC characters and gay characters and disabled characters) almost asks us to be OK with the politics of Baz’s family and class, because we like Baz and we don’t like the Mage.

And they’re not really OK.

“Not one of ours” – the Old Families as Conservatives

I’ll talk more about the Mage later, but he exists as a reaction to the Pitches, so let’s talk about their political leanings first. Specifically, I’m going to talk about Loyalty, The Other, Vampires, and Taxes.

Ban wrote a nice and also brief description of what Conservatives/Tories are to start you off, if you didn’t read it. Later an anon (sorry if this was you!) said that Rainbow would never have really meant for Baz to be read as a Tory.

But I’m pretty sure she did and I respect how much she didn’t shy away from it.

In fact, the only way I can imagine Baz and his family not voting Conservative/Tory is if they just didn’t vote at all, because they thought Normal politics were unimportant. Which is also a highly privileged position to take as it assumes that none of them will ever need to take advantage of Normal public services and that it’s no concern of theirs what happens to everyone else in the country i.e. this is the one situation where not voting Tory is actually the most Tory thing you could ever do.

1. Loyalty

Now obviously Baz’s family do care – passionately – about the people they care about. This is one of their most appealing characteristics as characters. It’s very likeable and understandable. Rainbow has suggested Baz is a Hufflepuff. Hardworking – and (this is the key) loyal. I see it, although I think he would have turned out very differently if he’d been told from the age of eleven that this is who he was, rather than being essentially told he was a Slytherin. But that’s a detour.

The problem with being loyal is that there are people you aren’t loyal to, and you can see this clearly in the Pitches. The people they love must be protected, even at the expense of everyone else. Its barely a choice. Although the Pitches would never betray each other, they’re famous betrayers.

I adore Fiona, she’s one of my favourite characters. But she is also – as Rainbow stated recently – ‘a dangerous lunatic’. She is hardly bothered when the specific action that she insights Baz (a child) to take against Simon (a child who hasn’t done anything to her) causes Philippa Stainton (another child who really hasn’t done anything to her) to be permanently disabled.

Baz is almost unable to comment on how this event makes him feel even in his POV - probably because he’s loyal and he doesn’t want to criticise Fiona. Although we know it causes him to stop trying to kill Simon, so I’d guess that it troubled him, even if it didn’t trouble Fiona. (We’ll come back to Baz as part of his family later.)

2. The Other

If Natasha were still in charge of Watford, Trixie wouldn’t be allowed to attend. Gareth wouldn’t be allowed to attend. Simon wouldn’t be allowed to attend. The Minotaur worked on the grounds, since ‘creatures weren’t allowed on the staff’ (which is horrifically racist language, even if it’s true.)

Oddly, Simon is able to voice this within the text (probably because he’s been hanging around with the Mage so much), although his opinion is disregarded because it sounds naïve and because even he tell us that he doesn’t understand what’s going on.

“I still don’t think it’s a war,” Agatha insists. “It’s just politics, just like in the Normal world. The Mage has power, and the Old Families want it back. They’ll bitch and moan and cut deals and throw parties---” “It’s not just politics.” Simon leans towards her, pointing. “It’s right and wrong.” Agatha rolls her eyes. “But that’s what the other side says, too.” … “It’s not just politics,” he says again. “It’s right. And wrong. It’s our lives. If the Old Families had their way, I wouldn’t even be here. They wouldn’t have let me into Watford.” “But that wasn’t personal, Simon,” Agatha says. “It’s because you’re a Normal.”

Firstly – it probably was personal, let’s face it. But secondly – even if it wasn’t personal-personal, it’s still an example of a prejudice that echoes the distain people like the Malfoys have for ‘Mudbloods’. Just because Simon could be the first Normal to gain magic, doesn’t mean he shouldn’t be allowed to join Watford. The Mage shouldn’t have to give him a title and a sword just to get him in.

Simon’s right, even if he doesn’t mean it this way. Politics affects people’s lives.

“Ask Natasha Grimm-Pitch about suicide rates among low-magicians,” the Mage tells Mitali Bunce – who is right that killing people isn’t the answer, but also not nearly as progressive as she thinks she is. “Ask your Coven what they’re doing to fight pixie sticks and every other magickal disease that doesn’t affect their own sons and daughters.

3. Vampires as a specific example of the Other

Natasha and the Old Families were in charge when Nicodemus Petty joined the vampires. It wasn’t the Mage who struck Nicodemus’s name from the book and pulled out his fangs. Which we’re told is fine, actually, because it’s against Mage Law. Even though the idea of this happening to Baz is horrific and unthinkable, and even though we have no evidence that Nicky ever killed anyone. Just that he wasn’t human.

If you’ve read ‘The Mage’s Heir’ you’ll know I think Nicky is a very interesting character to bring into this space. He’s powerful and he’s innovative, inventing spells Baz has never heard of even after he has his magic taken away from him. He’s like the Mage, and like the Mage (who is from Wales, which is traditionally a very poor area of the UK), he’s clearly from a low-class family. The accent that both he and Ebb have is East-End London, which means they’re poor. Even though they’re powerful magicians and therefore theoretically as valid as the Pitches in the Pitch-world order.

Yes, he chose to become a vampire and Baz didn’t but partly he’s punished for being poor and trying to become more powerful in a way that the Pitches don’t understand. He wasn’t necessarily going to kill anyone.

Are vampires even bad?

Because Baz isn’t bad – or not just because he’s a vampire, anyway. We see Simon wrestling with this in ‘Wayward Son’ and he struggles because of his personal hatred for Lamb.

Even (and perhaps especially) under the Mage, the World of Mages just uniformly accepts that a whole group is evil. I think ‘Wayward Son’ begins to trouble this, even as Lamb betrays Baz and vampires are the enemy. But we find Baz actually thinking: “I’m not used to thinking of vampires as fellow victims.”

What he means is that he’s not used to thinking of them as people.

It’s completely appalling to keep Baz in a coffin – I’m sure we all agree with that. If it was another vampire, would the Old Families and the rest of the World of Mages feel the same way, or would they think that was a proportionate response?

When we talk about the death of Natasha Pitch we talk about the Humdrum having killed her, or the Mage having killed her. The vampires are presented as a random instrument of death (which if they had been taken over the Humdrum they would have been), rather than people who were paid by the Mage to do something.

The way the situation is presented to us in the Record, by Natasha herself, and by popular memory is that monsters broke into the nursery and would have killed Baz and Natasha if she hadn’t responded as she did.

However, Nicky says to Baz: “For what it’s worth, I don’t think he meant for your mum to die – but I don’t think he minded much. Made everything a lot easier.”

So it’s at least worth contemplating a reality where this is what happened:

The Mage paid vampires to break into Watford and cause a disturbance. He didn’t think anyone would die.

One of the vampires bit Baz but didn’t intend to either kill or Turn him, which we know is now a possibility but which nobody in the World of Mages had ever bothered to find out.

Even if the vampires did intend to Turn Baz, it could easily be a political statement – an opportunity to show that even a Pitch could be a vampire and that the World of Mages might like to reappraise its choices.

When Natasha arrived, she saw her son being threatened, acted on her prejudices and didn’t ask questions. She murdered a large group of people who had broken into her school, but who otherwise hadn’t necessarily done anything wrong.

I don’t say this is what happened, just that it’s a possibility.

Even if these vampires are evil and this was a terrorist attack (a phrase I’m using deliberately) the fact that presumably most of the others aren’t evil is still relevant. We barely scratch the surface of what this means for the World of Mages even in ‘Wayward Son’.

One of the things I think that’s most interesting about the Mage’s rise to power is that he does using the same hateful speech that the Old Families use, just exclusively directed against the Dark Creatures, rather than all creatures and low-powered magicians. It probably made it easier for him to gain support because these are views that everyone holds, but it’s completely at odds with his whole stated reason for being in charge.

Definitely not ideal. We do deserve better.

4. Taxes

Baz also tells us that his family are against the idea of taxation, which the Mage has introduced largely to benefit people who aren’t like Baz.

‘Taxes to cover all the Mage’s initiatives; most notably to pay for every faun bastard and centaur cousin, and every pathetic excuse for a magician in the Realm to attend Watford. The World of Mages never had taxes before. Taxes were for Normals, we had standards instead.’

I’m writing this post in November 2019, about a week after the Labour manifesto has dropped. It has this to say about taxes:

Universal public services, collectively provided through general taxation and free at the point of use for all, are how we guarantee the right to a good life. Public services do more than make sure everyone has the basics. They create shared experiences and strengthen social bonds. They make our lives richer and more fulfilling. A decade of Tory cuts has pushed our public services to breaking point. Labour offers real change – we will make Britain’s public services the best and most extensive in the world. We will pay for this by creating a fairer taxation system, asking for a little more from those with the broadest shoulders, and making sure that everyone pays what they owe. We will reverse some of the Tories’ cuts to corporation tax while keeping rates lower than in 2010. We’ll ask those who earn more than £80,000 a year to pay a little more income tax, while freezing National Insurance and income tax rates for everyone else. We will end the unfairness that sees income from wealth taxed at lower rates than income from work. VAT is a regressive tax that hits the poorest hardest and we guarantee no increases in VAT.

The Conservatives have launched a rival site called https://www.labourmanifesto.co.uk/ It has this to say about taxes:

“Hardworking taxpayers would have to pay an extra £2,400 each year in tax on average to cover Jeremy Corbyn’s reckless spending.”

The language of the Conservative party is about how higher taxes will negatively affect you the voter, rather than benefit the whole country. It’s also about tradition and how brilliant it is.

We Will Put You First Getting Brexit done. Investing in our public services and infrastructure. Supporting workers and families. Strengthening the Union. Unleashing Britain’s potential. The future is there for us to grasp. Not a future in which we endlessly refight the battles of Brexit and the Scottish independence referendum, or in which Jeremy Corbyn and John McDonnell – propped up by Nicola Sturgeon – lead a Government which rejects everything that has made the UK great.

I’m not saying traditions aren’t important (unless they’re bad traditions – like imperialism, which made the UK great, for sure), but they’re definitely less important than helping large groups of people through public service. Also Brexit sucks and is incredibly bad for the economy the Tories claim is so important to them.

If you aren’t from the UK (as I’d assume most readers aren’t), it may not be so cripplingly obvious that Baz’s family are rich therefore Conservative. But they’re also conservative – and therefore Conservative.

“a Tory vampire” – Baz’s own politics

Baz is a version of Draco Malfoy, who calls Hermione a ‘Mudblood’ and supports Umbridge and then Voldemort, although he later regrets it.

I haven’t really read any Harry/Draco (I was in Wolfstar), but I’m guessing that a lot of the fic builds on the fact that Draco cries in a bathroom, is unable to go through with murdering Dumbledore and Harry, and that his family ultimately decide to leave the Final Battle rather than support Voldemort. I’d guess that we argue that he was young and stupid, didn’t understand the full impact of what he was doing until it was too late, and then had to stay with the Death Eaters because he was afraid for his life and the lives of his family.

Baz, I am arguing, comes from a similar upbringing and has similar beliefs, even if he never got to the murdering Mudbloods stage. (He’s given an out in a way by never being in power when we see him.)

I’d also argue – because I really like Baz and I don’t want him to be ‘racist and speciest’ – that his actions and beliefs are, like Draco’s, massively affected by situational factors outside of his control. And that he, too, was young and stupid. I find it almost impossible that he could arrive at Watford with any other ideology – and I say this as an ex-Remus/Sirius shipper, who clearly found it totally reasonable that Sirius would hate his family and side immediately with a bunch of do-gooding Gryffindors.

The key there, though, is that Sirius hates his family; whereas Baz and Draco love their families and are (see above) incredibly loyal to them. One of the reason it’s easy for me to sit here and say ‘voting Conservative isn’t a thing I would ever do’ is that my family are hardcore ‘Not Conservative’ voters. If I ultimately decided I didn’t agree with them, I could do that, but I started out thinking they were probably right. This is the case with Baz and Draco – they have further to go than someone like Penny who was raised by Mitali and still tells Shepard that imagining being a Normal is like imagining being a frog.

I think Baz is a more sympathetic character than Draco Malfoy by a long way, but Draco has a strong justification for being more evil in that Voldemort will literally murder him if he doesn’t perform hateful actions. Baz merely worries that the Mage will “drive his whole family out of magic” if he doesn’t fight Simon, which is a bit of a weak argument when you think about it.

What has the Mage actually done? He’s forced the Old Families off the Coven – of course he did. They would have voted against his reforms. He’s raided their houses for dark objects that they do actually have. He doesn’t let them meet in large groups – which is an edict that they’re clearly ignoring given that the Club (so Tory) exists and also that the Old Families do actually have a Consortium that meets to try and work out how to seize power through potentially illegal means.

Are these actions designed to win the love of the Old Families? Of course not. Could there have been better, less repressive strategies? Yes, absolutely.

But how empty are Baz’s coffers really? They still have at least two massive houses that we know about. They’re not exactly on the streets.

All that aside though, Baz does have a very good reason for acting the way he does, much better than Malfoy. His entire life that has been warped around his mother’s death.

The fact that she’s dead, and that she died in (arguably) heroic circumstances, makes it very difficult for Baz to think of her as anything other than completely perfect and right about everything. Even when he thinks about how she’d probably kill him for being a vampire, even though he knows that he’s never hurt anyone and therefore does not deserve to die, even then he still thinks that she must be right and that he is a monster who deserves to die. Fiona has exactly the same reaction.

Because he thinks his mother was perfect and because everyone around him tells him what a good headmistress she was (and because the Mage is presumably very bad at this part of his job), he also has to regret the fact that she isn’t in charge of the school anymore. Education is important to him.

And the timing of Natasha’s death is also specifically and strongly linked to the loss of power, and the two are inextricably bound together. If Baz is to love and honour his mother, to regret her loss, he must also regret the loss of the things that she stood for.

Now the Mage isn’t in power anymore, and Baz’s mother is at peace, he probably can start to think differently about the way the society is structured.

I believe that ‘Wayward Son’ – in which I don’t think Baz thinks a single racist thing, and instead queries the idea of going to America given the ‘current political climate’ – shows that he’s already starting to consider his view on the world differently.

Part of this is because of who he is personally. He’s gay – and of course he’s a vampire, both of which wouldn’t normally be acceptable to his family. (Although you can be gay and a powerful Conservative, of course. It’s much less unacceptable than being poor.) (Incidentally, I know you didn’t ask, but I don’t think the Mage would care if Simon was gay. He’s a liberal. He’d want to be OK with it, even if he wasn’t. But he’d care that Simon was dating a Tory and would definitely try and forbid it.)

Baz has more reason than any other Pitch to reassess his family’s politics, because they negatively affect him personally.

The trick will be to see if he can look outwards from himself, and care about things that don’t help him at all. Which I think he can.

“He’s still more good than bad, I think” – the Mage and his poor decisions

OK, here we go. The most controversial part.

So, the Mage is the villain and is also a bad guy who left Simon in a home, tortured Baz, killed people, and incited hate against vampires. As I said right at the beginning, I’m not going to argue that you should forgive or even like him because ultimately I can’t if eighth year plays out as it does in canon.

But Lucy tells us that we shouldn’t take him as a straight-forward villain and if we’re willing to give the Pitches the benefit of the doubt over some things, I think we should at least give it a try for the Mage.

Here’s what I’ve got.

1. The political situation at the start of ‘Carry On’

In a story where the Mage was the hero, the book would have finished where he got into power. We’ve defeated the evil oppressive empire and now it’s a chance for reforms, hurrah! Everything will probably be good.

What we actually find at the beginning of Simon’s eighth year is that the Mage has been fighting the Old Families solidly for the last twelve years. They’ve resisted absolutely everything he’s tried to do, and far from being powerless now they’re not in charge, they’re actively and effectively using extreme wealth to obstruct the process of normal government:

“Half of Wales has stopped tithing. The Pitches are paying three members of the Coven to stay away from meetings, so we don’t have quorum. And there have been skirmishes up and down the road to London all summer long.” “Skirmishes?” “Traps, tussles. Tests – they’re all tests, Simon. You know the Old Families would seize the reins if they thought for a moment I was distracted. They’d roll back everything we’ve accomplished.” “Do they think they can fight the Humdrum without us?” “I think they’re so shortsighted,” he says, looking over at me “that they don’t care.”

Now, obviously, this is the Mage’s viewpoint on what is happening and so can’t be trusted in terms of the Old Families motivations. We also can’t ask them because we only hear from Baz (and once, briefly, from Fiona) who has his own view of the world which is coloured massively by his relationship with Simon and his mother.

Shockingly Simon again said it best: “That’s the problem with all the Pitches and their allies – it’s impossible to tell when they’re up to something and when they’re just being people.”

I sort of expect that the Mage is right, though, based on everything I know and feel about the Old Families. The Humdrum hasn’t directly affected them – or it doesn’t until the hole in Hampshire – meanwhile the Mage “will drive them out of magic.” (Will he though? Or will taxing people who earn over £80k a year not actually affect their lifestyle all that much?)

To be fair, I think the Mage probably thinks that the Old Families are the greater threat as well - they were the threat that he summoned the Greatest Mage to fight – although it’s the threat of the Humdrum that drives him to try and take Ebb’s magic.

I’m not saying that if they cooperated the Mage would have been able to work out what to do about the Humdrum, but their refusal to acknowledge that fighting the threat is important is probably infuriating.

2. He’s alone, overworked, and doesn’t trust anyone

The Mage has the two most important jobs in the World of Mages. It’s strongly implied that these were held by separate people before he took them both. And the reason he took them both is that I doubt he thought anyone else could be trusted, because until he became a political figure, only one person had ever treated him as anything other than a complete lunatic. After that, he gets people like Premal and the Mage’s Men (and Simon and Lucy) who obsessively and unquestioningly follow him, which also can’t be good for him.

He probably wasn’t very old when he worked out how to summon the Greatest Mage, probably 22-23. He doesn’t go to university and took power before he was 30, well before most Normal politicians. (Natasha, obviously, also wasn’t very old, so take that as you will.)

He’s doing two incredibly difficult jobs at a time when there’s a world-level threat (that admittedly he caused, but by accident) as well as a constant political threat. Of course he’s shit at both of them. Of course he didn’t think he could take care of a child on his own while this was happening.

He doesn’t have Dumbledore’s excuse of ‘Old Magic’ keeping Simon safe during the holidays, but I think he probably thinks it’s for the best and doesn’t see many other options when he’s so time-poor himself.

He doesn’t have any friends and never has done, because he’s never valued the personal over the global. He doesn’t have time for friends and family; finds it impossible to forgive the lightest of slights, like Mitali valuing tradition as well as wanting change; and even if he did have time for friends and found someone to be friends with, he wouldn’t be willing to spend time enjoying himself while what he perceived to be injustice was going on. People have headcanon-ed Simon as autistic before; if he is, it’s not impossible he got it from his father.

By the time we see him in ‘Carry On’, I assume the Mage is exhausted and angry and making the worst decisions of his life in an attempt to try and stop the Humdrum from destroying the world.

That doesn’t justify any of them, but I think it puts them into perspective. And for me – it means he is redeemable in an AU if you avert Baz’s kidnapping, which is unforgiveable even if you assume he didn’t know how the numpties would treat him.

It doesn’t mean he will have been a better father to Simon, though. Simon will still have had to have grown up scared and hungry and alone, for the greater good.

So it depends what you think makes a villain.

The end:

This essay was a lot longer than I thought it was going to be. It took me some time to write, and presumably longer for you to read than you might have expected, so thank you for getting to this point.

I think that’s probably all I have to say right now. Please read ‘The Mage’s Heir’ and ‘Keep Calm’, if you found this interesting. I’m also turning over a thing in my head where Natasha is still alive, which will almost certainly be a lot gentler than this, because I barely talk here about the good things about Natasha and the Pitches of which there are many. But which will show a lot of the above playing out – like Penny’s roommate just won’t be Trixie anymore.

I hope ‘Any Way the Wind Blows’ has something to say about politics that isn’t just tied to the Mage!

I think it’ll be easier to tell what’s really going on without him being there.

And please, if you live in the UK - even if you want to vote Conservative - register to vote before the 26th of November.

But also - consider not voting Conservative.

#carry on #meta #my meta #my content

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minimoonstar · 5 years

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Midsommar

I read a post the other day that said the least stressful way to handle “to-do list debt” was LIFO. So I’m writing up the most recent film I saw in the theatre while the thoughts are still fresh.

I liked Midsommar better than Hereditary, in the sense that I’ll never watch Hereditary a second time (it’s burnt onto my retinas so I can reference it at will!), but I can see myself rewatching Midsommar. Perhaps to introduce it to a friend, although every horror fan knows by this point whether Ari Aster is a waste of time as far as they’re concerned, and I wouldn’t spring him on the unprepared. For my part, I didn’t find it overlong, or unsympathetic, or unintentionally predictable (much of the humour in the movie comes from trope-savviness -- not just horror tropes -- and an armoury of Chekhov’s guns are deployed as visual gags).

The thing I keep coming back to, is Hannibal’s equally divisive Italy arc. there’s one solid murder tableau remix homage, not to mention the flower crowns and mushroom tea, but the similarity is in the shape of the thing, a dreamy, droll, dread-laden slide into alterity with its own symbolic language; a land where inexpressible emotional truths are externalized as metaphor, gory or not. Put another way, Midsommar provides the caustic pleasure of an r/relationships ratio, except it literally **** the emotionally unavailable **** ** ****, not just as a figure of speech by the outraged commentariat.

Also, I suspect some aspects of the story are more elided in the finished film than in the script, which seems to be floating around (again, similarly to Hannibal, where the writers worked out how A gets to B gets to C so that all such mechanics could be confidently excised from the running time). Thoughts on these, with major ending spoilers:

Aside from the A-plot (Dani’s grief and the Dani/Christian breakup), there’s a B-plot (Josh’s anthropological research) and a C-plot (Pelle and Ingmar’s mission) that seem to me fully thought out in their implications. First of all, putting Chidi-from-The-Good-Place in as the stock anthropologist who gets offed for disrespecting the natives is an actually good “reverse the racist trope” joke, because care is taken to make the psychology sound: if any POC is going to not only ignore, but seemingly not notice the Get Out 2: Aryan Homeland Boogaloo situation they’ve found themselves in, it’s a postgrad who is big mad that their passion thesis topic has just been stolen by the second most mediocre white guy in their program. Isn’t that what academia is about these days -- trying to publish while ignoring red flags for one’s own health and sanity?

Secondly, the only ending reveal is what had been up with Pelle and Ingmar, though it’s glossed over because the movie is fully in Dani’s headspace. Pretty much any closed eugenicist community that doesn’t practice traditional marriage (1-to-1 mating assortment) will end up with young men who are genetically redundant unless they bring in "new blood.” Of course, the Hårga don’t just make an excuse to kick them out like polygamous Mormons might, so for Pelle and Ingmar, this is a mate-or-die variation where the best case is bringing a woman to join the community (be one’s mate), the neutral case is bringing a man who gets selected as a genetic donor, and the worst case is the sacrificial pyre. Ingmar, it seemed, wanted Connie, enough that he ignored whether she was psychologically amenable -- notably, the fact that she’d already chosen Simon over him, and Simon might not be easily induced to cheat. Pelle was a lot more canny, not just about Dani, but about who would be a prime target for sperm harvesting (and yes, I think the generically handsome horndogs of few scruple being white was intentional, both in and out of story. Scandinavia has an embarrassing history of eugenics, and Aster has done his research).

I saw a theory that Pelle engineered the deaths of Dani’s family, which I don’t think the movie supports, but I would have to watch it again to see whether he caused the topic of the trip to come up at the party (once Christian proved too feckless to proactively speak to Dani about it). He does seem to me a practical romantic: he was prepared to return without a lady in tow, rather than select someone likely to join but that he wasn’t attracted to, or vice versa. Luckily, it had been apparent for ages that Christian didn’t deserve his girlfriend!

#Midsommar #Ari Aster #Hannibal #movies

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jake-marshall · 7 years

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5, 9, 12 (can be a case, a game, an arc, whatever), 19 (go for it :P)

I can’t believe I have to put a disclaimer but I know how this fandom is with snooping around, so I’ll make one: these are my opinions, and boy are they salty. As such, I’ve tried to slash out tags of ever ship mentioned in here (regardless of positive or negative speak of it), so let me know if anything shows up in the tags and I”ll go back and block it, because I”m not trying to spread hate; I’m answering questions for a friend who enjoys my saltiness >:pIf you don’t agree with my opinions, that’s fine, good for you, i don’t think everyone has to agree with me, just as I don’t agree with everyone. Don’t try to engage me in a conversation about it because you can not possibly imagine how much I do not care.

Has fandom ever ruined a pairing for you?*I’ve already talked before aboutKl/apol/lo being the main answer for this (more so than Nar/u/mitsu Iguess because at least I understand where Nar/u/mitsu comes from) soI’ll mention these two:I wouldn’t say that the fandom hasmade me dislike La/namia, but it’s really disheartening that there’sso much content of it that’s either blatantly bisexual erasure(“they’re lesbians sorry i don’t make the rules!” shit likethat) and/or is less about celebrating the pairing and more of avessel to spread hatred of Godot (and very occasionally Jake). So asa result I don’t actively seek out content for it the way I do otherships I like, which sucks, because I don’t get to enjoy it as muchas I want to. It’s my fave f/f ship after Junith/ena, mostdefinitely.As for a pairing I was originally indifferent tothat the fandom has soured me on? Lmao Simon/Nahyuta anyone? Backbefore SoJ came out and this was a crack ship that was born out of“omg Simon would think Nahyuta is so anime bishie! ^_^”(because they were aching for a male character to ship Simon with,I’m sure), I was just like “whatever. Immature and side-eyeinducing, but ultimately, whatever.” Now, after seeing their purely negativeinteraction in SoJ treated as “omgz sexual tension!” when,if it was a heterosexual pairing, I GUARANTEE it would becondemned/considered wildly unhealthy (Kl/ema is the closest thing Ican compare it to? Like, can’t bitches just dislike each other???),I can not possibly roll my eyes hard enough at this steaming garbageship and the idea that Yuty’s precious luv will heal Simon’s abusedbroken baby birb soul! And omgz they’re so hawtttt together i hopedem boiz maek out xD! It just reeks of “yaoi” fandom (andyes I mean that in a derogatory sense). Oh, and don’t forget thatFulbright isn’t dead now, because he’s not even treated like he was alive in the first place! he’s just a plot device for Simon to angstover even more so Yuty has more chances to soothe him! Ew.I mean, I guess it boils down to, Iwouldn’t dislike this ship so much if it was actually acknowledged asa silly crack ship instead of being extolled and placed on thispedestal as if it’s some pinnacle of how a relationship should be. Because ah, no, as a legitimate pairing it really is total andcomplete shit.Most disliked character(s)? Why?GOD well my most hated characters arecharacters we’re supposed to dislike, and/or love to hate? I sayKristoph a lot for this since Klavier is one of my faves, and becuaseof how innocent Vera was. Gant and MvK too, because of (likeKristoph) how long they were willing to be so self-serving anddeceitful and manipulative and had no guilt over their crimes? But Imight hate Kristoph the most because, like Dahlia for you, Holly, Isee him get a lot of apologists, which is gross.

I see this a lot for Phanty too, theapologists and humanization of him when he’s nothing but fuckingtrash, and I hate the fandom for it? but I don’t care about Phantyenough to really hate him (opposed to hating a certainship involving him COUGH COUGH). He’s just like some meme to me; Ilaugh at him and would rather spend my time focusing on Fulbright andhow much I like him because he’s the one who deserves my time, notthis loser^.

Kristoph, however, was a betterdeveloped/written character. Even though we don’t know what’s behindhis psych-locks, and granted his motive was petty, I think that’swhat makes him interesting and creepy and realistic, and therefore heevokes a stronger opinion from me.

Is there an unpopular arc that you like that the fandom doesn’t? Why?

I really like TUrnabout BIg Top a lot, because I generally like ensemble casts such as this, and Acro is one of my favorite murderers. I definitely understand why it makes people uncomfortable but I also have to wonder if people dislike it and JfA in general for the reason that there is little interaction between Nick and Edgey. I don’t think Moe is as annoying as the fandom generally thinks he is, either, I honestly find him pretty sympathetic in many ways; it’s just his testimony that’s frustrating, as the player.

It puzzles me when this fandom whines for poc/disabled characters and then we have Acro (even though he assumably wasn’t born physically disabled considering he was a professional acrobat but) and lmao no he’s boring. But wait, actually, it doesn’t puzzle me… because..... (see below)

What is the one thing you hate most about your fandom?

Oh there’s more than one thing, and it’s certainly not exclusive to the AA fandom but:

If you think ANY character (other than a commonly hated one like Godot of course) is white OR cis OR straight OR neurotypical you’re a horrible person who doesn’t support marginalized folks!

Along that vein, if you don’t ship X popular gay ship/do ship x het ship, you obviously are just a homophobe! and should kys because you don’t ~respect the source material~

Also along that vein, a character is ONLY interesting if you slap on random labels re: their sexuality/gender identity/mental health because that’s what defines them, of course!

Female characters can do whatever the fuck they want and can not be criticized for it, because it’s always justified and they’re always the victims but if you like a morally grey male character (or even just find him interesting as a character!)… that’s right! You’re awful!

On a more personal note: It’s perfectly acceptable to develop an AU where Dadworth lives, or where Mia lives, or where Clay lives, or Jove lives, or literally any character not named Fulbright lives, but if you ship (ACTUAL) Black/bright you’re an idiot who isn’t following canon, how dare you!I hated this fandom going into it so I’ve kind of been like… resilliant to letting it get to me too much, and I have made some wonderful friends and it’s really reinvigorated my love for writing, which is important. BUt on a whole, it’s a shit fandom and I advise against people getting too involved in it, if they have any opinions on the games/ships/characters that might mildly differ from the majority.

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