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#the roll is not wanting to do my finals
crafting-mojo · 15 days
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oh that's just my bird don't mind him anyways-
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poorly-drawn-mdzs · 6 months
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If I was in a lucid dream with a ghost, I would simply impress them with my blunt rolling skills
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wigglebox · 9 months
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Found you ☀️
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ryllen · 8 days
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A question I have just recently,
can Sebek handle spicy?
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this is what i generally think of fae.
tho i think,
lilia knows spicy spices from his travel.
even tho in dragon form, malleus breathes fire from his mouth, and fire is hot, it might be like the kind of fire that doesn't hurt him in the first place
sebek father might bring spicy spice from human world with him, but since i think of him as a mellow man, he might not be interested in spicy food in the first place
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yasmeensh · 1 year
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Got the Master sword! I believe there is still one more upgrade to go...
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Bonus Groose after Link sealed the imprisoned.
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front-facing-pokemon · 9 months
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#spheal#i wish i could post circular images on tumblr. because this one is deserving of a fully circular PNG. i could technically just take a#regular square image and then make the edges transparent to make it *effectively* a circle‚ but like… would that appeal?#if that would appeal then i'll do it. i don't think it would be *too* prohibitively hard. i would be willing to make an addendum#with a circular transparent image of spheal staring at the screen if enough of you want it. either way#this guy rolls everywhere and i think tumblr is gonna like that. i feel like this is gonna end up being a well-liked pokémon amongst tumblr#as in. i feel like. it already is. because. of how it is. i just don't know bc spheal isn't like. one of my favorites#it's cute don't get me wrong but it's just not one i think about all the time. it's one that i'll like if prompted but not unprompted#i'm gonna stop before i dig myself into a hole. i beat totk finally. it was very good and i honestly had way way more fun with it than i did#with botw. i have my criticisms obviously. it's not perfect it's not pmd. but it was very good. and now i've moved onto the next game in my#backlog. which is very long but i'm steadily working through it. hopefully i can get it done before i graduate this december and stop having#any time for the rest of my life ever forever to play video games. dreading that day. but uh#until then i will game. and hang out with my friends. and go on tumblr. and do all these things i like to do. until i no longer can#wow this got depressing i'm gonna Stop here. enjoy spheal
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skitskatdacat63 · 5 months
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Fernando Alonso & His Relationship With Cards
I'm sure we're all familar with the cards on the back of Fernando's Vegas GP helmet by now, but did you know his relationship with cards goes a lot deeper?
I. Magic Tricks
You've probably seen or heard someone at least mention Fernando's propensity for card tricks. As far as I can tell he was doing them(publically) as far back as 2003 all the way to as recently as 2018. Even once performing a card trick, with a condom and a teddy bear(!??!?!??!!), in front of Valentino Rossi who said "How was that possible?"(x)
But how did this start? According to James Allen, "Fernando admits to having been heavily influenced by his grandfather, a mercurial figure, who taught him magic and card tricks, still one of his passions away from the race track."(x) And I'm not sure the validity of this one, because I couldn't find an actual source, but apparently he once said: "My parents are responsible for the two things I like doing most - driving and magic tricks. They bought me my first go-kart and a magician's kit."
In several interviews he described it as his hobby off track, and that he loved learning new tricks and surprising others in the garage with them! So clearly cards are pretty important to him both as a hobby but also to who he is as a person since they've been with him just as long as racing has.
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II. Card Symbolism in His Helmets
This is the reason I originally made this post, but I thought I should also explain the origins of his card fascination first. As I said, we probably all remember the cards on the back of his helmet in Vegas, but did you know that wasn't the first time he had cards on the back of his helmet?
From 2008-2013, he used to have a pair of cards on the back of his helmets. The symbolisms of the cards themselves as well as the evolution of their design is really fascinating to me! Even more so with the recent development of the card choice in 2023.
Fernando said he wanted to reference his two titles in some way on the back of his helmet and after his friend sent him several ideas, he decided on having two cards(an ace of clubs and an ace of hearts, sometimes pictured with 05 and 06 on them as well), saying: "I picked the cloverleaf [the ace of clubs - Ed] to give me luck, but the only pity is that it doesn't have four leaves!"(X)
2008.
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Here's the very first appearance of the cards! They're displayed flat, with the 05 and 06 clearly visible
2009.
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Very similar to 2008, but with a slightly different design, and they're maybe a bit more straight with less shadow?
2010.
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This is the first major change! I was sad they didn't have the years on them anymore, but then I realized they're sparkly to match with his signature lightning bolts on the top of the helmet!!
2011.
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Honestly I'm still somewhat unsure if this is the actual 2011 helmet? It's pretty difficult to find clear photos of the back of helmets from older seasons. It's easiest to find them on replica sites or auction sites so I'm not 100%? But anyways, I like that this has the championship years on the underside of the cards
2012.
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This is when I started getting weirdly emotional about the helmets. Do you see how they've progressed from being a centerpoint to being curled up and sad at the bottom of the helmet? Not listing the year anymore??
2013.
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Same thoughts as 2012. And after this season, they cease to exist (just like his ferrari chair in the garage, WOAH CALLBACK), until cards make a reeappearance in his Vegas helmet, albeit in a different form
2013 Monaco(Honorable Mention):
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For some reason 2013 helmets were easier to find proper pictures of, so I happened to witness this absolute beauty. The creativity of this helmet genuinely blows me away??? Wanting to keep the card motif, but making sure to incorporate it into the rest of the puzzle piece design?? Mwah! There was another special 2013 helmet but they didn't change the cards at all so I really applaud this one
2023 Las Vegas(The Return of The King):
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The magnificent return! But look! The cards are different cards! Instead of being two aces, it's now an ace of hearts, a four of hearts(his driver number of course!) and, the, now iconic, representation of himself as a Joker. I literally could not believe my eyes when this helmet was released and I saw the Joker card, what a fucking silly old man....I really wonder if he felt nostalgic having cards on his helmet again or if he didn't think about it all and was just like, "ah cards because Vegas!!!"
III. Why Does This Matter?
*The rest of the post was factual, this is moreso my personal thoughts on the symbolism of the cards/designs
This post spawned from me recently watching the 2010 Bahrain gp and noticing "hey wait a minute...are those CARDS ON THE BACK OF HIS HELMET!?" It's a really tiny detail that's unfortunately covered up by the HANS device pretty much whenever he's wearing the helmet, so it's really difficult to spot! But I became fascinated with the fact that he had cards on his helmet before that recent helmet, and now here we are!
There's something to me about how the design of the cards evolves over the course of six seasons from the cards being front and center to being smaller, more folded up and closer to the bottom of the helmet. As I said, the 2012-2013 ones genuinely made me depressed because it feels, symbolically, like his hopes for getting another Ace are becoming more and more unlikely and falling away until they eventually fall falt and fade away entirely after 2013 and disappear for basically a decade.
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But when they return? They're not the same cards! Instead of representing Fernando's championships, they now represent him as a person, displaying his driver number and his persona of being a Joker!! Though I do think it's interesting he happened to keep the Ace of Hearts, even though he talked more about the Ace of Clubs before. I'm not sure it's actually this deep in reality, but I like to think that it's him not letting his championships(and the lack thereof) define him, but rather letting who he is as a person shine and be the centerpoint instead! But on a sadder note, as @suzuki-ecstar said to me, maybe the Aces aren't there anymore because he's lost all hope for a chance at a third Ace entirely :(
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#yes its finals week and im up to my eyes in coursework but instead decided to spend like 5 hours researching and writing this post#nah bcs i actually genuinely put more work into this then I think I have all semester dsfjdskjg#that thing about him using a condom and teddy bear in a magic trick genuinely had me crying with laugher. actual tears rolling down my face#<- HOW!?!? WHAT WAS THE TRICK?? its literally inconceivable to me what he did. oh if only there were pics UGH#anyways!! this post was a lot of fun to make!! i really really love the symbolism and design of helmets so this was a rly fun project#and i also went down a lot of rabbitholes while make this and saw many very weird articles from yore#i feel like i make an equal amnt of deranged posts abt seb and nando but i dont know why nando is gifted w all my well researched projects#<- i.e. chair post. that was the same level of research as this one but at least this one i could find actual sources about....#idk theres smth about the extremely long history of nando's history that evokes research posts like this KLAJSLSKDJ#theres just so much that i dont think I ever really see people discussing! so i must create.#haha what was that joke tag i wanted to make abt my researched posts? I think:#normal posts that catie normally makes in a normal fashion#<- one day ill go back and actually tag posts w that. bcs the amtn of research compared to my actual schoolwork is so unwell#fernando alonso#fa14#f1#formula 1#catie.rambling.txt#we do a little bit of f1
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red-moon-at-night · 11 months
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An Analysis of Haruka’s MVs: Distance and Disability
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Hello! I’ve recently fallen down the rabbit hole that is Milgram and I have been itching to make some completely normal and sane analysis posts. My silly alternate title for this was gonna be “Things About Haruka’s MVs That Just Make Sense: A Hyperfixation-fuelled Analysis”, because honestly my autistic brain has been having a field day over here.
I am in awe with just about every single music video in this project; the animation is incredible and each one packs so much carefully laid out information. But I have been rotating Haruka’s in my head constantly since I first watched them, and I have a lot of Thoughts. Not about whether he’s guilty or innocent/forgiven or unforgiven. Not about whether or not I can justify his murders. Just some straight up imagery and symbolism analysis, through the lens of disability.
Haruka’s disability has not been specified, but I am confident we can at least say he is neurodivergent. I feel like the cultural differences in names for several things e.g. ‘learning disability’ vs ‘learning difficulty’ will just invite unnecessary drama, and is a little pedantic. What does matter here is that Haruka's experience as a disabled person is heavily intertwined within his story and his motives. 
So, without further ado... let’s get into this!
Trigger warnings/TW: I will be discussing ableism, eugenics and harm towards disabled people. Everything else will be related to the music videos ‘Weakness’ and ‘All Knowing and All Agony’, so any triggering content within them may also be mentioned. Read at your own discretion and stay safe!
Disability: some brief (important) historical context
It is only within the last few decades that those who are disabled have been ‘seen’ for the first time. A modern society is (ideally) expected to be built to include and accommodate for disability, and to acknowledge disabled people’s existence. But for many countries (even the ones making steps outlined above) this is still not the case. For a very, very long time, globally, that has not been the case.
For most disabled people, society makes it very clear that they are a burden to it and are better off not existing. 
I’m going to make this section as succinct as possible because...it’s heavy stuff. But it’s important, and I want you all to get the gist of what I’m saying. The weight of it.
Let’s highlight a piece of history regarding IQ and eugenics, surrounding the publication and subsequent worldwide reception of ‘The Kallikak Family: A Study in the Heredity of Feeble-mindedness’ by Henry Herbert Goddard in 1913:
“In 1927, it was used as evidence in the case of Buck v. Bell, which culminated in a Supreme Court ruling that the involuntary sterilization of ‘mentally defective’ persons was not unconstitutional in the United States. By 1938, thirty-three US states had passed laws allowing for the forced sterilization of women with learning disabilities and twenty-nine had made sterilization  compulsory for people who were thought to have genetic conditions. Many European countries followed suit: Denmark in 1929, then Norway in 1934, and after that Sweden, Finland, Estonia, Iceland, Czechoslovakia, Yugoslavia, Latvia, Hungary and Turkey.”
— Limburg, J. (2021) Letters To My Weird Sisters: On Autism and Feminism, p. 126
This history of a ‘sterilization law’ includes Japan, who between 1948 and 1996 enacted the Eugenics Protection Law which “authorised the sterilization of people with intellectual disabilities, mental illnesses or hereditary disorders.” According to the government, about 25,000 were sterilized.
SO. It’s important to bring this up. To establish how much disabled people are not wanted, just from their governments. Let alone society. To this day, disabled people are hidden away from the public by families that are ashamed of their existence.
Japanese culture values collectivism, and maintaining the harmony of a group...to the extent of excluding those that don’t fit into the mould. That are different.
The question is: where do they go? The ones that are publicly rejected?
Haruka and The Curious Case of Distant Waters
Okay that’s enough of the heavy real-world stuff! Time to delve into some...*checks notes*...heavy fictional stuff. Fun!
Haruka’s MVs prominently display themes of distance and separation through the motif of water, specifically being submerged underwater. 
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The name Haruka reinforces this concept as the specific kanji used (遥) translates to ‘distant’, ‘remote’ or ‘far away’. As there are many, many kanji choices for the name (including but not limited to: ocean/sea, eternity/permeance, clear/distinct/obvious, and spring/growth/cherry blossom) it feels like a particularly cruel and intentional choice to go with that one.
Through the exploration of this motif, we can see the extent in which Otherness/the state of being ‘Other’ drives Haruka to great lengths to close the distance and escape it.
What I noticed throughout both MVs (particularly AK&AA but note the beginning scene of Weakness), is that whenever Haruka looks at himself in a reflective surface (e.g. the vanity mirror, the fish tank), water either begins to rise and overwhelms him, or is already there and he appears submerged:
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I think this is the “All-Knowing” part of AK&AA. He knows he’s different, and he knows there’s a huge ocean between him and his peers, his family, everyone. A disconnect when trying to listen and understand, but also when trying to be understood by others and listened to himself.
You know when you submerge your head in water, and your hearing gets all muffled and incomprehensible? And have you ever tried speaking underwater? You can’t, because if you open your mouth you’ll drown. It’ll just come out as bubbles rising to the surface.
I also think the bubbles symbolise rising tension, between what he wants and what he currently has. Bubbles are everywhere in these MVs, even in places where they shouldn’t logically be? Such as this scene, following the line “don’t wipe me out, don’t wipe me out”:
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Immediately pans up to Haruka gasping for breath, droplets of water rising from...somewhere. For about a split second, and they’re gone. 
This boy is really going through it. I’m getting an ‘emerging from the ocean before I drown’ vibe from this one folks. When the line that follows this scene is “I can’t stop, I can’t stop”, what I’m REALLY hearing is “I can’t stop (killing) or I’ll drown”. This is his lifeboat, pulling him out from the depths of being neglected and hidden away, into the spotlight.
Some interesting images from Weakness in relation to that (of spotlights):
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Anyways, onto the next point:
Blue to Orange: Water to...Nectar?
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So, the orange liquid. It’s clearly representing blood, but I don’t think this is just a “danganronpa pink blood” situation of censoring/getting this video onto youtube without restrictions.
I think it’s most likely honey, specifically nectar.
The etymology of the word nectar shows its compounds translate to “death” and “overcoming”. Nectar is also called the drink of the gods, so it would make sense for it to be a ‘death-defeating’, immortalizing liquid.
For Haruka’s victims to contain nectar is very interesting. It reinforces that necessity to kill, to take the life of another, to sustain himself. To overcome the ‘living death’ he is experiencing by being hidden away from society. 
This is his means of escape from drowning.
However, as we all know, things don’t turn out great for him. By the end of AK&AA Haruka is rejected once again by his mother, after which the door is shut (the light with it is gone too) and we’re met with this imagery:
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The nectar floods the room, engulfing him much like the water from earlier. 
There are many things we could take from this. One being that the nectar-gathering/killing-spree has clouded his vision; it’s so sweet, so sickly sweet and he’s addicted to the taste of attention, even if it’s very bad attention. 
Who else has honey imagery in their MV again?
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Oh, right. 
Anyway, the nectar/honey situation could also be representing submerging into an even further level of distance. All that murder is gonna push people away, despite his motive being to close the gap between him and normal people. The 'ocean’ has lost clarity and become a maddening, delusional substance. After all, there is a type of honey literally called ‘mad honey’ known for its medicinal and hallucinogenic properties.
That’s enough about honey, though. Let’s move onto less unfortunate... oh, sorry, what was that? *checks notes*...Ah, yes. I meant to say, let’s move onto even more unfortunate symbolism:
The Necklace
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So, this necklace. Haruka steals it from his mother’s belongings, and is his only material, physical connection to her. It is taken on the declaration of “making (her) love me again” and getting her attention once more, now he is no longer a child but a teenager closer to adulthood (at least, that’s what I consider the ‘shirt with a vest sweater and tie’ to represent. child him = the blue polo, teenager him = this one, adult him = an amalgamation of his teenager clothes).
I wasn’t sure if this was an opal or pearl/mother of pearl, but I’m leaning towards opal from the other depiction of it in Weakness:
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Opals are fun because they can symbolise both good luck and bad luck, usually to do with whether it’s your birthstone. There’s something to be said of Haruka’s belief in his ‘misfortune’ and the superstition surrounding these gemstones.
But they are even more interesting for the powers they supposedly have; in medieval times the opal was considered the ‘patron of thieves’ for their ability to grant the wearer invisibility.
There is a deliciously sad irony to Haruka’s theft with that titbit of information.
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Now, if this isn’t an opal, and it’s a pearl/mother of pearl there’s still some fun interpretation to be had! A little less sad, even. Pearls invoke strong imagery of the sea, of purity, and of a connection to the maternal. If this is the last thing he has relating to his mother, I can see this necklace representing a lifeline when he’s deep in the ocean. A reminder of why he’s doing all of this killing, and who it’s for.
His mother’s attention (or the idea of having a mother at all, any mother) is his driving force in life.
Speaking of that...
So We Really Need To Talk About That Fish Tank: AKA, Why Haruka’s Mom Wins ‘The Worst Parent of The Year’ Award
This fucking fish tank.
Okay, I’m gonna start by saying: I don’t think this is reading too far into things. When it takes an animation team months, sometimes years to create a 3-5 minute music video, and one as detailed as this...you don’t just wing it. There are storyboards, there are key frames and there are choices made down to the smallest of details.
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From the sheer volume of animal/insect/fish décor that resides in the Sakurai household, you bet I’m gonna pay attention to what type of fish are in that fish tank.
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For one thing, they live in saltwater. This is a marine tank, aka the harder choice of aquarium to have. I mean, way, WAY harder. For the experienced only.
These fish right here? One is a clownfish, and the other is a yellow boxfish.
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Boxfish are a nightmare to keep alive. This article goes into more detail than I will, but all you need to know is: if there was ever a fish out of all the fish you could possibly want in your tank, this is the one to avoid like the plague.
They release deadly toxins when stressed, as a survival instinct. Boom. All your fish are dead. They need to eat a shit ton of food, but are notoriously clumsy swimmers and slow eaters. Boom. Starving, stressed out boxfish. Boxfish either dies from starvation or dies from stress and toxins.
For Haruka’s mom to have not just one of these fuckers, but a tank consisting ONLY OF MULTIPLE BOXFISH AND CLOWNFISH...
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This is a high-maintenance tank. And it shows how much time and effort, how much care she puts into the things she loves.
How neglectful she is as a parent of a disabled child in contrast.
There’s something about the last scene between Haruka and his mother that reinforces this for me:
Haruka’s relationship with animals and himself: AKA, “why don’t I just become the damn fish tank?”
Let me backpedal a little bit. This subheading will make sense in a minute.
So, like I said earlier we have a lot of décor in this house relating to insects and fish. We also have a lot of pets. Both living and dead, taxidermized creatures in one household, proudly on display.
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I think this may have created some confusion for Haruka regarding the value of animals being alive or dead, as in his perspective his mother values both equally. The fish in a tank may be full of alive creatures, but they’re still on display as if it’s artwork. Isn’t breaking the glass of a framed picture of a fish equal to breaking the glass of a tank with a ‘picture of living fish’?
(This isn’t to say Haruka is clueless to the impact of his actions, nor to justify any harm to animals. I just find the train of thought to be intriguing.)
So when considering these ‘objects’ are proud trophies of his work:
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This is a carefully arranged display, which by the way, doesn’t contain a single fish. In fact the only piece of that moment visible here is the...large piece of driftwood? Okay. Keep that in mind.
We proceed into Haruka’s mother opening the door and seeing her son, for the first time in any of the MVs. Note the way they composed this shot:
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I’m obsessed with this scene. The blue eye framing Haruka, with a literal fishbowl effect on him...
He is the goddamn fish in the aquarium now. His mother’s full attention is on him and him alone, with only the dead animals, the books, the lamp and the driftwood as window dressing to this wonderful display.
Doesn’t it just scream “Look at me! Look at what I did, mom!” to you?
That blue spotlight is on him once more. He is not just drifting deeper into an endless ocean, but contained in a vessel to be stared at.
One Last Observation
I didn’t know where to fit this in but I think the end feels appropriate.
His clothing here:
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Is a frankenstein-esque mash up of clothes from his younger years. He wears this throughout AK&AA, and as I mentioned before it signifies him as an adult. However, I should clarify what I mean here as Haruka says “he thinks he’s 17″ and “doesn’t care about his age”. So... not an adult, but on the cusp of adulthood.
But I think he actually does care about his age, and quite a lot too.
This outfit feels symbolic of refusing to let go of the past, and of himself as a child. He’s literally grown out of his clothing, but he still clings onto it. He’s attached to the past because it not only contains his happiest moments, but the change from being loved to becoming neglected.
As a disabled person, you’re often treated with a lot more forgiveness when you’re younger. That is to say, some people don’t realise that children with disabilities grow up into adults with disabilities. There is a point where even support from medical and social services drops off like a cliff edge once you turn 18.
The ill-fitting clothing in this context becomes more than a reflection on Haruka’s feelings, and extends to reflecting society’s feelings on disabled adults ‘refusing to grow up’.
I don’t blame Haruka for holding onto his childhood like this. He’ll be even less publicly visible and seen once he is no longer a pitiful child, but a ‘weird’ adult in ill-fitting, children’s clothes.
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pup-pee · 20 days
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slooper!!!!!
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small doodle i decided 2 digitalize
goodnightyy now :3 queueueing tjis weee
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plantboiart · 1 month
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I want to write Kian getting absolutely pissed off I need it for my mental well being I need to write him screaming and blaming other people for everything they’ve done wrong I need to write them getting into an argument with Rand and blaming him for her death and then regretting it immediately afterwards I need to write him being absolutely fucking unhinged and then hating herself for it who needs therapy when you can just write your fave snapping
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sighonaraa · 2 months
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“home is INDEED with sam and dani!!! the three of them bought a house together (+ jude and big ben of course)”
PLEASE YOU CANNOT LEAVE ME ON THIS I NEED TO KNOW MORE PLEASE PLEASE PLEASE HAVE MERCY
I'M SORRY I WILL NOT LEAVE YOU ON THIS. I AM HERE TO PROVIDE.
the lore, as it were:
They'd decided to move in together during the longest, hottest days of the summer, when everything was honeyed light and everything seemed like a good idea. It had been Jamie's idea, chlorine-bleached as they'd floated around in Roy's pool, spoken lazily and half-formed into the muggy afternoon air. "We should get a house," was what he'd said, blunt and to-the-point, the way he was about his heart when he knew he didn't have to protect it. And then, again, as though proving the gravity of the statement, "We should get a house, eh?" "...We?" Sam had echoed. He gestured between him and Dani, and then returned his gaze to Jamie. Jamie, who had lifted his head from the water and was staring at them both with big, solemn eyes, like Jude when he was silently making his case for another treat. "As in, all of us?" "Who else'd I be talkin' to, Twenty-four?" said Jamie, teasing and soft with it. "The clouds?" "I like this idea," Dani had said, turned on his back to the sky. He was going in circles around the perimeter of the pool. "I've never liked sleeping in my house all by myself. It gets lonely." "It does," Jamie agreed. It was tender beneath its firm surface, a brimming wound that would seep if it was poked, but Sam hadn't poked it. Not then. Later, he had, and it had been worth it to excise the poison and leave the flesh clean enough to heal, but. In that moment, he hadn't. There were certain things best untouched until the sun had gone away. "So, what d'you say? In or out?" "In!" Dani had nearly shouted (Roy had come running two minutes after, certain someone had started drowning) and Sam-- Well. There, in the waning light, the world had seemed simple and uncomplicated. Here were his friends, and he loved them, and they him. They would buy a house together and it would be there that their love would live. So Sam had said, "Of course, I'm in," and he hadn't regretted it, not once.
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eternadreeblissa · 8 months
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Ok but the potential for Silent Prince Link. In that roleswap or so AU in BOTW
Listen, imagine him, the descendant of Hylia, trying to achieve his sealing powers but his prayers keep falling on deaf ears. The suffering he has to endure with a strict parent who doesnt give him much freedom, failing expectations so exceptionally well he beats himself up silently and secretly resents Hylia. We all know that but imagine inserting darling for a sec: he meets this person, who's been nothing but kind to him. They don't berate him or scold him, they don't expect much from him and wants nothing more but for him to be happy and given relief from his duties. His heart has never been touched and caressed so gently like soul, so he just, follows darling around, maybe roping them in strolls somewhere outside the kingdom. He takes every excuse to spend time with you, including skipping his training, or, maybe he has you with him instead of Zelda guarding him.
Now, his relationship with Zelda, isn't the greatest. One of the people who speaks their minds aloud to him (AKA near outright berating). I imagine this Zelda thinks he has it easy, or that maybe he's so privileged that he can do whatever he wants. Whatever it is she just got the wrong idea abt him. She doesn't like the fact she has to babysit him or smth guarding him; the guy avoids her like a plague anyway! (Asides from escorting him to the shrines and all. But on Link's side, he just didn't want to handle Zelda's criticism on him on top of his own parent's disappointment) she was living her best life being herself bonding with her mom, but she had to be taken away bcs she had the whole knight lineage thing under her name.
Anyway meeting darling was a breath of fresh air to him. I imagine he thinks of them as an escape: similar to how people escape reality. He spends nearly every waking moment with them, or at least as much as time and duties can allow. He never met someone who saw him for himself: as Link. Not the prince, not the descendant of Hylia. Just... Link. And she loved and cared for him like a real person.
Zelda, didn't exactly like this. Mostly bcs asides from already getting in trouble for not having Link in her vision as part of her job, if she lets you go on you might as well steal the prince away from Hyrule the more he skips duties and she might even be replaced. And while that would be awesome she'll be in even more trouble with the king or queen, AKA: Link's parent. She couldnt go back to the life she once had, not when it was taken from her and robbed of her childhood and all...
Yes, you and Link have to avoid Zelda a lot. He's actually pretty good at hiding. While he gets heavily lectured by his own personal guard its all worth it spending time with you.
But then... Hylia happened.
Why now, of all times, did his powers awaken and why of all people, did it have to be you? You were the real light of his life, in a world of darkness and oppression. The only one who gave him hope and more to live for than just his duties. Why now, when he was about to confess and run away with you, and he had you in his arms, did suddenly his own voice betray him? He wasn't himself— no, it wasn't him speaking AT ALL. THIS IS A DIFFERENT PERSON TALKING THROUGH HIM PLEASE STOP.
But he was helpless, helpless as his words were twisted to hurt you: no you weren't useless to him, you weren't in the way! You were everything he needed in life— no you were his life! He needed you! He truly loved you please! But your tears fell from his eyes, and just as he thought it was over, his hands glowed gold, he panicked, not understanding what's going on, but his hands were raised towards you, and his voice chanted; and in a bright flash, you were gone.
No. No... NO!
He fell to the ground. His life just came crashing down. Any light and joy and hope, all the good things he had in life, were taken with you as you were sealed— no, vanquished by his own hands. (he couldn't bear the thought he truly did seal you away from Hyrule forever)
It... It wasn't him. No it wasn't...
That light. That golden light. The one that his hands were forcibly used against you. There's only one person who he knows could do that to you: Hylia.
If he only disliked Hylia for putting him all through this not answering his call before, then he certainly hates her with every fibre of his being for making him lose you.
(Under the cut if yall are interested in how my OC Ava handles this! And it has some more details on how things happened—)
When she met silent prince link, he was out hiding from Zelda again and escaping from his well, life, while Ava stumbled into his world separated from the chain.
I imagine, she started off being all nice and everything to him. While Link is confused cuz this gal thinks he's the hero? Anyway, they started off a bit smooth at least and this first meeting alone had him enjoy her company, and wishes to see her more.
So they meet up more and more. Link clarified he wasn't the hero, or heroine in this matter, but didn't reveal he was the prince either. All he said to her was that, he was just Link, a nobody. And he wants to know more about her. Ava respected that, and they talked and all, but at some point Zelda found out abt her and shooed her off. (Link has never disliked Zelda more than he has now, astonishing really, currently nearly up with his resentment for Hylia)
Thank goodness he found her in some of the usual spots she visited. It was a good thing she told him about it too (if she hadn't he'd scour the entirety of Hyrule just to find her—) he tells her not to be discouraged to continue meeting up with him. He truly did enjoy his time together with her, and he doesnt like Zelda or pretty much all of Hyrule kingdom in general, sometimes including his own parent, and especially Hylia. He then spills his past to her, leaving his whole heart bare to her being.
Ava, in processing this, is then a little conflicted: His story is just like Wild's except... he's in flora's position? Wherever she is, she's somewhere very, very far. History can't be turned upside its head and forget everything and have... This. But how did it happen? Asides her thoughts, Ava understood, and would be more than happy to be there for him. Link couldn't be any more happier.
...There's just one problem: Hylia. She isn't sure how... They could continue on for long. She tells his she wants to stay a bit and help him out but, Hylia, as far as shes known that goddess, meddled a lot with her life. Often using Zelda to seal her away every time (sometimes she beats the Zeldas to it, by going back home on her own. Either the Zeldas sealed her away willingly, or forcibly, as there are some who didn't actually mean to do anything. Regardless, she was often in all sorts of troubles of messes because of her. All of this lore bit abt her can be explained for another day jsufbfhhb). She tells him Hylia doesn't like her, and if he's a descendant as he actually says he is, then she might.. use him against her.
Hearing all this, Link was furious. His resentment for that white goddess just increased a ton. He told her he won't let it happen. No matter what. He promises. Ava could only hope that promise can still hold true even with Hylia looming...
So they spent more time together, and they bonded a lot. But the King/Queen heard Link hasn't been doing his duty, (as if he hasn't already been slacking off in their eyes) so Ava didn't see Link for a few days and worried about him. The next time Ava saw a glimpse of him, he was out with Zelda, who seemed more of a hawk than she was before, heading out for training and everything.
It was quite horrid for Link :'(( so when he got back to her, he was latching onto her like a koala, wanting her attention on him and only him. If anyone tried to take her eyes away from him he glares and it's the most chilliest thing anyone has ever seen, nor did they even know Link was capable with that kind of expression! (Considering his lack thereof, in the public eye). Ava had to distract him and tell him to stop or at least, lessen that just a bit, as she takes him away somewhere more isolated where nobody will, hopefully get hurt. (He looks like he's just one breath away from hurling a book at someone's face—)
Anyway, Link wanted to catch back on lost time spent being away from her. And they did that! But again... Hylia happened.
After coming back to train once again or so, Link felt different. A bad different. He feels like he wanted to wash himself off from this feeling all over his body. He probs bathed like 3 times but, it didn't get rid of it. Probably bcs he despises Hylia a lot now and being around her mere statues or stuff just sickens him. He hopes all of that will be forgotten or washed away around Ava's presence but haha it couldn't be any more worse :'))) just like time and time again, Hylia used Link, awakening his powers and sealed her away.
...In the end, she didn't learn her lesson did she? Try as she might, leaving before she was sealed off from any of Hylia's vessels but, here she is. She stayed too long. She got attached again. She got both of them attached again and now, they're both going to be hurt, wounded from this. It's her fault she let this happen. She could only hug him in tears, trying to be there for him and comfort even though he spoke piercing words and trying to get her off from him. But deep down, this wasn't him. It was Hylia. Link always told her he loved her company and wanted nothing more but for her to stay. But just like before, with every link she met, no matter what she gets separated every. Single. Time.
So before she completely vanishes into the light and she burns in pain from its power, she could only tell Link, through her tears, she'll come back again. Just like before, as well. Because even though despite the fact she will always end up leaving or not staying for as long as she wanted, even though both her world and his wanted them apart, they'll just meet each other, again and again. In another time, or a different era, maybe a whole other world even. It cannot be helped, they were both connected. Maybe in his case, the hero's spirit didnt call her like it did with the others, simply because he doesn't have it, being Hylia's descendant. But somehow, even without it, she was here, met Link again, and similar scenarios were played. It's almost like... They truly were soulmates weren't they?
Because of that, she assures him: she'll come back, as a goddess. She'll train more, work harder, learn, just so she can stand against the selfish divine who kept meddling with their lives. She'll be there for him, and he won't have to suffer for so long in silence, but for now... It's farewell, until they meet again.
It was the one hope Link clung onto for dear life, as everything else in his world faded from mind.
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creamecream · 1 year
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Scaramouche: “Fine. In light of what you did today, you can hug me for four-to-five seconds.”
Tartaglia: “FOURTY FIVE SECONDS!?!?!”
Scaramouche: “NO.”
Tartaglia, already smothering Scaramouche: “No backsies!”
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flamboyant-king · 8 months
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Cammy went on a trip for a month to meet up with old friends and told Harvey to do the same. So, Harvey had to fend for himself socially without his emotional support fairy and he realized, "Hey, I can do this. I don't need to have Camellia with me all the time to do these things I've been afraid to do....but I do *want* them here."
For Cammy's side, they realize that it's nice to have a home to keep coming back to. The fairy village used to be that, but Harvey's garden is their home now.
And yeah, I cry, what of it?
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viciousewe · 2 months
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I’m not avoiding my 3 spinning and 4 knitting projects!!! I’m not!!!
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fluffs-n-stuffs · 3 months
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Eusine being one of the most stacked units in pokemas will forever be the funniest thing to me because everytime I send him out I just imagine it like
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Directly based on this;
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