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#the point is creating is pain but also worth it

grendelsmom · 6 months

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Knitting Update or as I like to call it: the ice bear sock (mis-)adventure

So, I've been getting more comfortable with patterns lately and I thought "Hey! I wanna try my hand at this with something easy!". Seeing as christmas is around the corner I decided I would knit a pair of socks for a friend. And as a little challenge I wanted to design my own pattern for it. Which I mainly did by taking inspiration from an old pair of socks and changing the design around until it fit the amount of stitches required for the size of socks I wanted to knit. And look at that! They look nice - don't they? And they're almost finished!

Lovely ice bears walking through the snow! Only, I made a mistake with the first sock, which I only noticed once I reached the Zwickel of the second sock (my dictionary is telling me it's called gusset or gore? basically the part of the sock where the heel turns into the foot). In the first sock I had forgotten to leave two normal rows inbetween the decreasing rows - meaning that that part of the sock is now much steeper. It does still fit me, but it could potential be a problem for someone with bigger feet. So, I asked my other friend with the same shoe size to try them on for me. It wasn't a problem. What was however a problem was the ice bear pattern part at the top of the sock. You see, I did try my hardest to knit it as loosely as possible, but I still only knitted the stitches recommend in the guidline for a normal pair of socks without a two colour pattern. Meaning the part, because of the two colours, is less elastic and therefore too tight.

At this point I concluded that I had two options. The work I already done wouldn't fit my friend, so I decided to make them shorter later on and use them myself or gift them to a friend with smaller feet so they wouldn't be wasted. Continuing with the project I could either re-work the pattern so that it would work on a higher stich count or knit two plain socks and then stitch the pattern on afterwards. Because the second sounded like less work, I decided to go with that. And tada!

Looks fine, right? A perfectly normal sock, just waiting for the pattern to be stitched on. Yeah... well... as you can see I used a different yarn for this one. (I was getting kind of bored of the first one and the local store didn't have it in stock anymore anyway so I decided to change it up.) The first 1 1/2 socks were knitted in a 4 ply yarn. The second one in 6 ply. Or so I thought. Until I put them next to each other and realised that the second version looked way tighter.

So, I looked back on the yarn label (something I apparently hadn't done since buying the yarn) and - yes, you guessed it - turns out it was actually a 4 ply yarn and I had somehow confinced myself that it was 6 ply to the point that I never double checked it again. (Actually, I know how I did it. I was choosing between two different yarns and the other was a 6 ply. I thought "Oh, I definitely must remember that, because I'll need a different amount of stitches then". Which, yes, I remembered that. I just didn't remember that that wasn't the yarn I went with.) This is a sock the length of a EU 44/45 (US 11.5) with the amount of stitches, so width, of a EU 34/35 (US 4.5) - yes, it's that ridiculous.

So, instead of fixing the original problem of the socks being too tight, I actually just made it worse. And now three weeks after I started a project, that was supposed to take me a week max, I have 2 1/2 socks I cannot use for their intended purpose and just started the first sock I will hopefully, actually be able to gift my friend.

#the point is creating is pain but also worth it #knitting #sock knitting #knitblr #fiber arts #knitters of tumblr

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drewsaturday · 5 months

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i've had such a weird relationship with making fanon things lately for a few diff reasons i think.

i haven't rly been inspired enough to take things beyond my thoughts and make an actual thing out of them. part of this is probs bc of my medication. the other part is that...

i don't have the time to dig too deeply into my favorite things rn. this means i don't dig up new parts to feel excited about, i don't feel Qualified to carry those ideas out bc my understanding of the source material is so limited and people expect waaaay too much quality from fanworks these days, and i feel like i'll never be able to finish what i start anyway.

lastly, i've been doing fandom so repetitively i'm just... tired? of the same thing over and over again. i work on a thing, i polish the thing, i post the thing, i wait for feedback that is either nice/mean/empty, rinse and repeat. the solution would be to just not post these things, but why go through all that effort to carry something up out of an idea stage then since that's what makes me most excited? and if i spend the time drafting, it feels like a waste of time since it's not going to go anywhere.

i do think a lot of this is medication, because it dulls Just how insane i am capable of getting about a thing. in the past i would have sooo much drive because i felt like if i didn't make a thing, i'd explode. i don't rly get that anymore, at least not in a big enough burst to keep me working on things very long.

i've instead been thinking a lot about diving into original content because... although i make everything for fun, i think original stuff has way less of the above issues attached.

there's no time limit. i'm not... "competing" for being able to get an idea done first, or trying to get a fanfic out while there's still hype over a show, or worrying about my work being ooc compared to someone else's, or worrying the fandom landscape i vibe with is going to change when people move on.

it's theoretically not as repetitive. i'm sure the things i'm interested in shows are similar to what i come up with from my brain, and i could just try to make different things for fandom than i'm used to. but i am kind of tired of my inability to do anything besides hurt/comfort oneshots for the same kind of pairing over and over again. this would force me to actually develop other shit too lmfao.

it's Technically something i could profit off of if i really wanted to, making it less of a waste of time. for fandom, it feels like a waste of time if i'm not putting a fanon thing out for other fans to see. it also feels like i put a ton of work into my own little understanding of a show--fleshing out backstories and worldbuilding etc. so if i move onto another fandom... it feels like it was all for nothing, esp if i don't make something from it all. ideally i would be doing it just for the fun but there needs to be some balance with what i consider pay-off. and since i usually don't stay motivated long enough to do these big huge projects, or people move on, or other people do the idea first because i work so slow, it's just gotten rly un-motivating.

there's like, layers of motivation imo. i like a thing and i get excitement about making stuff for it and exploring certain parts of it. and i can do that for myself, but to make it stand on its own enough to post for other people to see isn't something i currently get enough motivation for. and because of that, it makes the fun part feel like a waste of time i guess.

i usually stay away from my own original stuff bc i honestly just don't feel the level of excitement with it as i have felt with fandom in the past, and... it's just harder lmao? but i think it would be good for me to at least fuck around with it.

fandom started as a vessel for creativity for me. i wanted to make videos, it gave me footage. i wanted to draw, it gave me designs for characters. i wanted to write, it gave me a sandbox to play in. and i still find those things fun, but i guess it just feels like i'm limiting myself by only playing with other people's dolls in a public park for all to see. like i'm just not as connected to the Making part as a hobby or to the parts of myself i would put into it.

idk, i am just rambling and i think honestly if i Did have more time it would help take a lot of the above pressures and risks away and balance me out so that making silly little fanfics sometimes would feel more worth it because i'd feel free to do other things as well.

i also do sort of get glued to the screen when i'm in mode of making and posting things and i'd like to uhhh. do other things with my life too sometimes lmfao. part of this boredom does probably stem from being chronically ill and therefore barely leaving my house. i haven't been able to do other things beyond fanon creations in years. so no wonder i'd feel less inspired and more bored.

i also think i've gotten tired of watching things feeling like a chore. oh shit i need to write down this scene so i can use it on a fanvid, or make sure i take note of this piece of dialogue for this character's backstory, etc. i know i bitch about how i don't hate the word "content creator" bc it is just an easier catch-all for me as someone who makes lots of diff things, and i still agree with that, but i do think because of my own levels of perfectionism, mixed with honestly how weirdly expectant of quality fandom has become, it's become a chore to engage with source material.

another thing is i've always felt like i've needed a purpose in what i've made and that purpose tends to be justified by the community interactions. it makes me feel less lonely and it helps me feel inspired and like... it doesn't hurt to know you'll get feedback on something because you've found so many supportive friends in it. i rly just haven't landed in any new communities i vibe with a ton for the things ive gotten into lately, so there's less motivation there. that's not to say anyone's Bad, just... discord servers are too big, tags are too dead or all over the place, i don't message people to become friends, and the communities and friends i do have from fandom are all kinda doing different things rn, etc.

the other form of purpose would be challenges--exchanges, bingos, etc. this fanwork isn't just a random thing for fun, it has a reason for me to work on it enough to let it see the light of day. and i think i've kinda broken my brain a bit using those for motivation so much, but the alternative would be to never get anything into a publishable state, but without it being a publishable state and interacting with communities through it there's no reason for me to really spend all that much time on it in the first place, which means i'm really not getting to Create.

i think the biggest issue these days if every part of the creative process now feels like it's "for show" and original stuff that has literally no audience is the only way to kinda undo the amount of rules that's put on me and my creativity.

tl;dr i'm just not feeling the same fulfillment from making fanon stuff as i used to so i guess i need to experiment with making other things so i can still do the Making part and see where that lands me, and see if it can help undo some of the toxic mentalities being an exclusively fandom girlie for so long has kinda instilled in me.

i'm sure i'll still make fanon shit every so often--i honestly have been so busy that output won't be noticeably different from my usual once every five months contributions. i just need to get back into the right blend of circumstances for it to feel worth it, and until then i guess i need to dig out the dolls from my own attic instead of someone else's so i can have a less complicated vessel for creative hobbies because i'm fairly certain i'd still like to create.

#txt #this is just a v long ramble that im not sure makes much sense honestly or will be readable to anyone but myself at this point but eh #just needed to word it all out #...also just remembered another reason that causes that imbalance of fun #is chronic pain making certain art forms like drawing quite painful so although i've been wanting to learn art techniques #and practice generally in non-fandomy ways #i'm stopped by how it's more worth it to sketch a blorbo every so often #but idk i want to try figuring out better ways of going about that for myself and #since i can't have both fandom and original without pushing myself too far i kinda have to Choose art advancement #over stupid blorbo drawings #same with if i spend too much time typing etc #and that plus time constraints are why im making it out to be such a one or the other thing #but it also... is...#because i rly don't think i can keep doing fanon stuff without at least mixing things up somehow #if not moving to original stuff altogether #i do think that once im out of school and i have a more stable schedule #i'll be able to set aside specific free time each day as opposed to being all over the place #and that will help as well so i don't feel Guilty over creating things #when i should/could be doing something more productive bc i also do want to move my life forward rather than being SO escapist #and the guilt aspect gets in the way a lot more than it when i had more passion to beat it back with #that rly is my own fault tho for being in charge of my own schedule and being so bad at it lol #one last little note for myself is i think a lot abt non-fandomy hobbies i have like music #where yeah ive made some filks but for the most part idk what im doing #im just there to have fun and enjoy myself bc it's just... the entire reason i do it #and i dont rly get that from the things i also can use for fanon creations these days more readily

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ariel26c · 2 months

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🎀Things I’ve learned about Shifting 🎀

1. Background noise doesn’t matter. I come from a Hispanic family household and let me tell you hun it’s freaking loud as hell. It’s like a zoo lol but guess what? I still shifted. At some point you will start to feel your CR kinda “fade away”. I have been in this state where I am in between my CR and DR. I can hear background noise from my CR but I still feel like I’m in a different room or I hear sounds from my DR as well. Has anyone experienced this?? Let me know, I’m curious 🤨

2. Have patience. Allow yourself to relax and naturally connect to your DR. Don’t stress about having random thoughts or having an itch or things like that. Have patience with yourself like seriously you got this babe. Sometimes for me it’s feels like it’s takes 1 or 2 hours until I feel fully connected to my DR. (It’s different for everyone btw) you may take less time than I do. Those things don’t matter if you decide that those things don’t matter.

3. Methods really aren’t needed. If you think about it all methods consist of the same thing usually. It usually consists of affirmations, visualization, subliminal audios, meditation, counting, blah blah blah. If you want to use a method, then do that but don’t force yourself to do a method that doesn’t resonate with you. If you don’t like counting, then don’t count. If you don’t like visualizing, then don’t visualize. Change things up a bit and listen to music that reminds you of your DR or do something that you think is fun.

4. Just because some people like to lie about their shifting experiences doesn’t mean that shifting is fake. Just like in every community there is going to be people that are dishonest or don’t have the best intentions but that doesn’t mean that shifting is a big inside joke. Don’t allow these people to discourage you from shifting to your DR or make you doubt in its existence. Don’t depend on other people's content to feel motivated or believe in shifting. Just KNOW it’s real and motivate yourself to shift. (even though motivation isn’t needed to shift)

5. Shifting is Real. I think we all should know this by now, but I don’t think people really fully understand just how REAL shifting is. I mean you are going to be able to use all of your senses. You will be able to taste food, see your reflection in the mirror, talk to people that may be considered as fictional in this reality, etc. The process of shifting is safe but if you are shifting somewhere that has violence or gore make sure you script your own well-being. High pain tolerance, no trauma, etc.

6. Time isn't important. Just because it's been 4 years or 5 doesn't mean you can't do it. Time doesn't apply to shifting because time is just man-made thing. We created the concept of time not the Universe. Don't blame the Universe for your "Failure". (Spoiler alert: it's not failure) You just need to realize that no matter what, it will happen. It is completely inevitable. Some people have shifted after 5 years so don't give up! It will be worth it.

7. You can't fail at shifting. When you do your method, you will shift to your DR or shift to your CR. You shift all the time. We are constantly shifting consciously or unconsciously. Manifestation and shifting are very much closely related. (But that's another discussion for another time) Just like how we are manifesting on autopilot we are also shifting on autopilot. So, when you do a sleep method, and you wake up in this reality instead of your DR you still shifted. (Just not to your DR) (Get it?)

I hope you found this post helpful! :)

#affirmations #desired reality #law of the universe #shifting #shifting realities #reality shifting community #reality shift #reality shifting #shifting community #shifters #shiftblr

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ambrosiagourmet · 1 month

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In chapter 28, Marcille lays out why the journey she's been on has been worth the pain: because they were able to bring Falin back. The injuries, the indignity, and the mess of it all - they are tolerable primarily in context of destination she believes she's reached at this point.

In truth, of course, the story is far from finished. In fact, I would argue that this is actually where hers really starts. This scene holds the seed of the very thing the Winged Lion will exploit to lead Marcille to become the Lord of the Dungeon. After all, with a desire as far reaching and deeply held as Marcille's, if the only acceptable outcome is success, what other choice does she have but to bargain with the infinite?

So let's talk about this idea - where it leads her, how Laios' path intersects with it, and how they both help each other move forward in the face of failure.

First though, I want to step back and talk about something else: the shapeshifter chapters.

With these chapters recently covered by the anime, there has, of course, come plenty of fun discussions about which version of each character belongs which other character's perceptions, and what that means.

One thing I've seen pointed out a few times is the fact that both Laios and Marcille's impressions of each other are based around Falin. Marcille's version of Laios is larger and more masculine, because those are the traits that stuck out to her in contrast to Falin. Laios' version of Marcille was directly inspired by her appearance and demeanor when resurrecting Falin.

So why is this important to a discussion about Marcille being focused on success? Well, it shows us where Laios and Marcille's relationship starts: built primarily around their shared love for Falin. It's from that shared beginning that they begin to learn about each other on their own terms.

And this is true for the whole group, to be clear. They are united by circumstance - love for a lost companion, a sense of responsibility, a desire for freedom - but they all grow and help each other beyond that circumstance. They help Senshi bury the ghosts of his past and eat some Hippogriff stew. They help Izutsumi open up to mutual love and friendship. And they learn so much about each other: about Chilchuck's family and Laios' love of monsters and Marcille's desires to live life alongside others.

In the particular case of Marcille and Laios, understanding each other is what lets them save each other. It is not through Falin that Laios talks Marcille down from the edge the Lion has brought her to, nor is it through her that Marcille comforts Laios after the demon is defeated, when it is still unclear how everything will work out.

In fact, it is very specifically the unknown fate of Falin that Marcille comforts him about.

She is willing to accept the outcome - willing, now, to embrace the journey itself, rather than only accepting it as a means to an end.

This is a lesson she learns from Laios, and it's a lesson we watch Laios learn, too.

Just before making her deal with the Lion, Marcille recalls everything that led her to that moment. She lingers on the pain, recalling the worst of their journey:

She only pushes through by remembering her goals: saving Falin, and equalizing the lifespans of her friends to match her own.

And yet, 10 chapters later, when reflecting on why she actually wants to see her goals through, it is the good parts of that very same journey that shine through.

There's an inherent contradiction here, one which Marcille doesn't know how to face. How can the suffering that she tolerates also be the love that drives her forward? How can the loss that she's worked so hard to reverse also be the very circumstance that created a world she, now, cannot stand to give up?

And Laios confronts her with the truth. Because it just is.

Losing Falin forced him to open up to others in a way he never had. It forced him to choose what he cares about, and in making that choice, it gave him the opportunity to be seen. To connect with others.

He has already had to come to terms with the fact that Falin's death has given him something - he would not have been able to kill her again if he hadn't.

There is something here that is fundamental to Dungeon Meshi's understanding of what life even is. Like, I don't think it's a coincidence that part of Laios' speech to Marcille in chapter 85 is actually first seen in the chapter where they fight off ghosts.

In 'Sorbet,' while possessed , Laios thinks that it would have been better if the dragon had eaten him, instead of Falin. The ghosts make people lose their will to live - they are dragged away from life.

When he's pulled back from that brink, Laios realizes that he can't move forward without accepting that she is gone. He even compares the way he was holding on to her to being possessed: it pulled him away from life, from the present moment.

To carry on, he must accept what has been lost, and focus on protecting the life that they still have.

Like Marcille, he has to accept the contradictions of their journey. That life means eating, and eating requires death. That sometimes one must be selfish in order to be kind, and that selflessness can easily be twisted into to cruelty.

That loss will, inevitably, lead you to find happiness that you may not have found otherwise.

This is how he gets through to Marcille. And I think part of the reason he reaches her with these specific ideas is because those contradictions are baked so thoroughly into their relationship.

Marcille only met Falin after she had been left behind by Laios. Laios was able to reconnect with Falin because she left Marcille. They both met each other through Falin, and yet they only really got to know and care for one another after she died.

And of course, that's why Marcille uses the same ideas to comfort Laios, in the final chapter. It is because of Laios that she is able to accept the journey for itself, and not need the happy ending to justify its meaning to her.

Together, they help each other move forward, and accept that they may not be able to bring Falin back.

Which, if I'm being honest... I think this is the reason Falin can come back, narratively speaking, without the resurrection feeling like it takes away from the themes of the story.

After all, she doesn't do it for Marcille or Laios - she does it for her own sake. Her own hunger and her own desire to eat are the things that lead her back to life.

All three of them, together, end the story like this: not clinging to the things they are afraid to lose, but knowing they can choose to move forward together.

And, importantly, this happy ending is no longer the thing that gives the journey meaning. Rather, it is the privilege of the journey itself that is her happy ending: the chance to walk alongside others in the time they have, to get to know each other, and to eat well.

#dungeon meshi #delicious in dungeon #marcille donato #laios touden #falin touden #dungeon meshi spoilers #dunmeshi analysis #for anyone keeping track I'm on pdt so it IS still the same day that I said I'd post it on #PUT DOWN THE TOMATOES

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astrologydayz · 7 months

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ASTROLOGY FUCKING NOTES

WHY do people say that if someone's planets falls into your 7th house, then YOU'RE THEIR IDEAL LOVER??? Bitch bye. If someone's planets falls into YOUR 7th house, then U DIG THEM OR HATE EM, AS IT'S YOUR 7TH HOUSE! Let's say that your crush planets falls into your 1st and 7th house, then obviously u like their looks (1st house) and the way they show themselves off 2 other people, (how they treat other people/people u know (7th house! Don't project.

Pluto conjunct Ascendant in synastry, is a stalker aspect🤷‍♀️🤷‍♀️. It kinda reminds me of Hailey running around after Justin at his interviews, when they were young and he had no idea🤨🫣😭🤣 . SO FUCKING CREEPY. Pluto is obsessed, and way 2 "fixated" on the asc person. It can get dangerous, cuz ASC person has no idea about how deeply the obsession runs with Pluto, fr💀. The worst part is that they usually know that the Pluto person can be kinda "creepy", but not about how deep it actually runs. U won't ever really know with Pluto, cuz they won't even give out 20% of their secrets - they can't help it. Unless they literally have no aspects from Pluto 2inner planets in their own natal chart.

Your Bella asteroid - 695 conjunct/trine/quintile someone’s ASC means that the ASC person finds u really beautiful, (physical attraction) 🍒🫦. With the opposition it's on & off, like sometimes yeah and other times no - It switches. With the square/quincunx - takes time, but grows into a really strong attraction, the longer you're 2gether/know each other.

Why the fuck do people think that 8th house energy is only about sex and intense connections? If a person has planets in your 8th house = that person does not like u 9/10 times. They'll talk shit about u when u ain't present/gaslight u/do things behind your back. They're usually jealous of u. Trying 2 cross your personal boundaries all the fucking time. WHO GOT TIME4THAT?? NOT ME LOVE⚠⚠.

Why do Cap inner placements/points always get a "boring", or a "cold" rep? We just don't like u? Trust me. We'll show u a good time, if we think you're worth it.

Jupiter is not only good. It enlarges EVERYTHING. So if someone has Sado asteroid (118230) conjunct Jupiter in their natal chart = a very smart/knowledgeable Sadist. They want to know everything! Hours&hours of research. They can't get enough with Jupiter! They're into some sick shit, and can use some really AGGRESSIVE ways 2 create that "pain and suffering". "shhh, I'm here baby, it's okay"🤨. 9/10 times = addiction 2 being that Sado "teacher" with Jupiter here🔞🔞. They can even brag about it!

Nessus asteroid - 7066 in synastry can definitely cause sexual attraction. But the Nessus person will always take advantage of the other person, no matter what. It may not be as "in your face"/prominent, like it is with the conjunction/square/opposition, but it will take place. Some can like Nessus contacts in synastry, if they have Nessus aspecting their own planets - especially inner planets, or points. And they can also handle Nessus energy way more, than someone who doesn't really have any Nessus contact, as they're already used to it. It doesn't make it good tho.

WOMEN with Black Moon Lilith conjunct/square/opposite Mars can hate being touched by men. Can also have trouble regarding intimacy with men in general/bc of their experiences with them🪚🪚. I have this, and if a man touches me out of nowhere = I'll punch him back 2 the year he should have stayed in a fucking condom 🦄.

Lilith asteroid - 1181) in 3rd house synastry can mean that the house persons siblings doesn't like Lilith if it's "poorly" aspected😮‍💨😮‍💨. Or that house persons siblings doesn't even want 2 try 2 create a relationship, because they already heard so much "shit" about Lilith🫠🫠.

💜 Pluto conjunct asteroid Valentine - 447) in a natal chart loves so fucking hard. They'll literally take a bullet 4 the person they love. They don't “create” a connection with anyone easy either. They're so intense when it comes 2 love, and with how they connect 2 another being. They transform/find themselves - Pluto, through those few people they do end up loving. Most people can't handle their intense ways of showing love🖤🔫.

Inner planets in Gemini degrees 3/15/27° in a natal chart are the real champions, when it comes to overthinking - but knowing everything beforehand. They already thought about ALL the different outcomes, 2 every fucking situation!🫰🫠😍🤭. They already know what time it is, before u tryna tell em.

Look at your Vertex persona chart 2 c what kind of fated things you're supposed2 go through in this life ✍👀. Make a synastry chart and c if your Vertex chart makes any significant aspects 2 your natal! It can show important life events/secret fated "events" that won't be seen in just natal or Vertex pc alone👽.

Lol, I'VE SEEN A LOT OF PEOPLE SAY THAT ARIES RISING WILL HAVE RED HAIR, OR COLOR THEIR HAIR RED AT SOME POINT? I'm an Aries rising, and I would rather get shot in the face. I'm naturally blonde, and honestly? I haven't met a single Aries rising who has red hair, or would color their hair red.

Anti - Vertex persona chart shows what YOU choose2 let into your life, and what u choose 2 do without fate intervening. It also shows u how u choose 2 act, in moments where u find no "meaning", and that's where your Vertex pc comes in right after - Fate intervening 🔮🔮.

Pluto opposite ASC/conjunct DSC in synastry can show the Pluto person deciding/or trying to at least, who the house person talks 2/surrounds themselves with. They can think a person is "bad company" 4 the house person. They can be in DSC persons business, a lot! House person is alarmed/or not, depending on how Pluto is aspected in their own chart. If Pluto is afflicted = they kinda like it.

ANYONE who has benefitted/benefits from me = a planet/point/NN/Vertex/asteroid conjunct my POF. Your POF is all the things (material/or spiritual wealth/growth), u have "picked up" on/will pick up on throughout your life. U "help" others with that planet/point or asteroid in synastry💰🦉💳.

Star asteroids - Starr - 4150), Kallisto - 204), Fama - 408), Europe - 52), actor - 12238), Lumiere - 775 - acting, Apollo - 1862), Talent - 33154), Klio - 84), Fan - 151590), Records - 30718), Varuna - 20000) Webb - 3041).

✨✨✨✨🎭🎬🎨

Music, writing&poetry asteroids - Polyhymnia - 33), Euterpe - 27), Apollo - 1862), Terpsichore - 81 - song and dance) Luscinia - 713 - Singing), Melpomene - 18, Harmonia - 40), Erato - 62), Kalliope - 22), Singer - 10698), Cantor - 16246 - singing), Poesia - 946), Parthenope - 11 - singing), Tone - 1266), Echo - 60), Mnemosyne - 57).

🎤🎧🎼

"Lucky asteroids" - Fortuna (19), Opportunities - 39382), Paradise - 2791), Winner - 15606), Abundantia - 151), Angel - 11911), Bless - 92891), Bonus - 10028), Tyche - 258), Midas - 1981), Magion - 2696), Spirit - 37452), Nike - 307).

🍀🍀🍀

Please look at these asteroids in synastry. Prey - 6157), Sado - 118230), Devience - 21419), Nessus - 7066), Pain - 5188), Lie - 26955), Blink - 4425), Nemesis - 128), Swindle - 8690), Lilith - 1181), Hades - h41), wild - 1941), Fanatica - 1589), Medea - 212), Savage - 29837), Not - 2857), Pervert - 18624), Hard - 28077).

🔞

THANKS4READING BABE!!

Appreciate u, always❤️

#astro community #astro notes #astro observations #astrology #astrology notes #asteroids #synastry #lilith

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ssahotchnerr · 4 months

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Can I request a fic based on these thought ❤️Aaron would 100% be the kind of dad that would spend all night building a barbie house or dolls house and would also very willingly sit and play barbie’s with his daughters.

well worth it

YOU'RE SO RIGHT THAT'S TOO CUTE cw; girl dad!aaron, bau!fem!reader, fluff <3

growing impatient and nearly beginning to doze off without him, you exited your bedroom in search of aaron. you've waited all day to be cozied up with him, and you simply couldn't wait any longer.

you've been comfortably waiting for over an hour; having gone through your full night routine, getting into bed, reading a few chapters of your current read. aaron even came in to change into his pajamas at one point, but trailed out again.

"hey you," you peeked your head into the living room, finding aaron laying stomach-down on the plush carpet. "you coming to bed? it's getting late."

"in a minute." aaron mumbled gently in response, his voice vaguely muffled into whatever it was he had in front of him. "as soon as i finish up here."

you ventured further into the room in curiosity, the closer proximity allowing you to see your daughter's new dollhouse set before him.

your nose crinkled lightly in amusement, a small smile forming on your face. and as if aaron could sense it - he peered up at you, a matching smile on his own lips as he saw your tickled expression, his brown eyes aglow.

"i promised i would have it ready in the morning." aaron admitted with a soft chuckle as he sat up, you scrambling down on the carpet to join him. "it's done, there's just so many damn stickers that have to be in certain spots." he grabbed the instruction pamphlet, studying it for a moment. "wallpaper for every room, that was a pain. things like a bath rug for the bathroom. even some go on the furniture - they're tiny, tiny stickers..."

as he trailed on and on, listing all the details, you fell quiet the more you followed along to his words, your eyes analyzing his face in slight astonishment.

"what?" aaron laughed breathlessly again, his eyebrows furrowing quizzically as he tossed the pamphlet aside, the paper creating a fluttering sound as it fell. he grasped onto the sticker sheet once more, his lips drawing into a frustrated line as he struggled to peel one off - his large hands all to blame.

"it still surprises me out of nowhere sometimes, despite how much time has passed." you shook your head slightly in content, swiping the sheet from his hands. you easily removed the sticker, handing it to him. "you're listing off the necessities for a dollhouse. for our daughter. there was a time where the most i heard you talk was while giving a profile, and just, here we are now. i dunno, does that make sense?"

"completely." aaron agreed as his smile retook form on his face, placing the sticker where it belonged. "happens to me every day. how lucky i am to have you. never thought i'd be dad to another, yet alone a girl dad at that."

"it suits you." you grinned, leaning over to press a quick kiss to his cheek. "want some help? anything to get you to bed sooner."

aaron looked at the instructions again, a soft hum leaving his mouth as he thought. "again, it's pretty much finished foundation wise. but if you wanna start setting the furniture inside, be my guest darling."

side by side, the two of you worked together, rather giddily at that. quiet quips, playful comments how your own home could use these and whatnot (aaron groaned at your suggestion of wallpaper). warm but soft laughter, to prevent waking up jack and your little girl. you continued to help aaron peel the stickers as needed, and he, the notorious stickler, double checked you were putting items in the correct places 'according to the instructions'. you both knew once your daughter had her hands on her dollhouse, would nothing remain where it belonged, but that didn't stop him from teasing you; "did you put it in the-" "aaron, yes!"

finally, once in bed with aaron at your backside this time, one of his arms draped securely around your waist, you fell asleep with the heartwarming thought that your daughter's very first request in the morning - after her initial excitement - would be for aaron to play dolls with her. and of course, would he comply (just for a bit, and as long as she finished breakfast first). five minutes would surely turn into ten, fifteen, twenty depending on how early she awoke.

such brought up the potential risk of aaron being late to work, but if it allowed just a few more smiles to come from baby girl, it was well worth it.

#aaron hotchner x reader #aaron hotchner #aaron hotchner fluff #aaron hotchner x you #aaron hotchner x fem!reader #aaron hotch x reader #aaron hotchner imagine #criminal minds #criminal minds x reader #criminal minds x you #criminal minds drabble #aaron hotchner drabble #criminal minds imagine #criminal minds fanfiction #hotch imagine #criminal minds x fem!reader

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linkspooky · 13 days

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The Next Gojo Satoru

As you've probably guessed I have a lot to say about this chapter. However, right away I want to start out by pointing out once again that the fandom is taking a mostly gojo-centric view of this chapter. Which I understand it's Gojo's body that's being puppeteered around and dehumanized in the exact same way that Kenjaku one of the sickest and most inhuman characters used Geto's body.

However I think it shouldn't be understated how shocking it is to see Yuta betray all of his values like this. The most human character who represents love in the cast has given up on the cast and betrayed someone he loves. So let's talk about what this all means for Yuta under the cut.

GOJO GETS AN F IN TEACHING.

I understand why most of the focus is on Gojo, because yes Gojo's body is the one being violated here. He's not even allowed to rest in death after fighting on the front lines against Sukuna to the point where his brain was hemmoraging in the middle of battle and he was brutally cut in half.

Considering how much horror Gojo experienced when he saw Geto's body taken from him and made into Kenjaku's pupet. Cosidering the horrible pain that Nanako and Mimiko endured just seeing Geto's body still moving around denied a good death (Nanako and Mimiko were tellingly willing to let go and not try to take revenge against Gojo for killing Geto because of their friendship even though Geto was their whole world, but they'd never forgive Kenjaku for taking his body). Considering that Gojo even went out of his way to say he wanted to kill Kenjaku / Geto on Christmas Eve again in order to give him a proper burial it's understandable how horrifying this update is.

This is also a series where the two main antagonists are parasites who take the bodies, and steal away all bodily autonomy from characters like Yuji and Megumi and then force them to do horrible things they would never do and bear witness to it, such as the slaughter at Shibuya, or the murder of Tsumiki at Megkuna's hands.

It's understandable how people had such a visceral reaction to this chapter. However, I think the fandom has a tendency to paint Gojo like he's the central victim of all of Jujutsu Society when he's both victim and perpetrator.

Gojo is someone who has only been regarded as the strongest his entire life, and been used as a tool to keep Jujutsu Society stable his entire life. Gojo is also someone who never tried to be anything other than the strongest, never tried to empathize with anyone other than those who were just as strong as he is, and who raised all of his students to be tools too.

To illustrate my point here's an incredibly similiar character from Tokyo Ghoul: Arima Kishou. They are so similiar that they're both white haired mentor characters to the protagonist, they're both the strogest in their respective worlds, and Gege straight up copied this section of panels from the Tokyo Ghoul Manga.

Arima is a breeding project, who was bred by the Washuu Family who mxies blood between humans and ghouls through a series of controlled marriages for the purpose of creating hybrid ghoul human children. Arima isn't the ideal hybrid they were looking for, but he was so ungodly talented he quickly rose to being the most powerful and well-respected investigator in the CCG.

However, this is how Arima reacts to the fact that his entire purpose in life was just to be a weapon to kill ghouls.

Arima loathes violence, he loathes being an investigator, he loathes himself most of all and designs his entire political revolution around him finally being killed by Kaneki - to punish himself and also to relieve himself of the burden of living a life where he was only meat to kill others.

Gojo on the other hand loves being the strongest, he lives for Jujutsu. Arima's death is tragic and nihilistic believing his life had no real worth because all he ever was was a weapon to hurt others, whereas Gojo died satisfied.

Arima's last battle against Kaneki is grim, silent, and tragic, he does everything he can to make Kaneki despise him, to force Kaneki to kill him by being the worst version of himself and when Kaneki still wants him to live he just slits his own throat because even if Kaneki forgives him he can't forgive himself. Gojo laughs his head off and has the time of his life fighting against Sukuna, and going out in a blaze of glory.

Gojo dies smiling, Arima dies finally breaking into tears after a life of pretedig to be cold and emotionless. Gojo's dying regret is 1) that Geto wasn't there to say goodbye to him, and 2) that he wasn't able to draw out all of Sukuna's strength. Arima's dying regret was all the pain and suffering he caused throughout his life and how he was never able to rise above his circumstances and be anything other than what he was born to be.

These two characters are incredibly similiar, they are both the strongest, and they were both made into tools by a dehumanizing system they were born into. However, their attitudes are entirely different. Gojo enjoys being strong, and yes part of it is that Gojo himself doesn't realize he's a victim or what society has groomed him into becoming, but the other part is just because it's an ego trip for him. Gojo doesn't see himself as the tragic victim his fandom makes him out to be.

If you were to transplant him into Tokyo Ghoul Gojo would be happily killing ghouls, and he would think killing ghouls is fun because he's the strongest and best at killing ghouls. This is the complexity that is Satoru Gojo, he has been dehumanized and put on a pedestal his ow life, but Gojo also enjoys being on that pedestal and won't ever step down from it willingly.

I'm not saying that Arima is a better person than Gojo. I think the fact that Gojo doesn't think of himself as a victim is tragic in its own right, because he lacks the self-awareness to actually grow and change as a person. In the end both Arima and Gojo believe they couldn't be anything better than what they were, and their only release is death which is just insanely sad to me because as long as the future exists people always have a chance to get better no matter who they are. To give up on the future, to see an early death as a good thing simply because you can't endure life any longer is one of the most hopeless things imaginable.

Gojo's not sad because he was born to be a tool exploited for society's benefit, he's sad because he was lonely. He doesn't even realize it's his own darn fault he's lonely, because not only has Shoko said that he's not alone she's always been right there, but this chapter we get a repeat of Gojo's students begging him to let them in and Gojo himself decided to draw that line between himself and others and thinking an enlightened, godlike being like himself can't possibly be understood.

All of this to say I think Gojo is the sole victim here, but he's the middle of a chain of of victimhood. I think ultimately the biggest victim here is Yuta, and yes I will not only play trauma olympics here I'm going to win.

If this chapter goes to show anything it's that Gojo has completely failed in his ideals of protecting the youth from the dehumanizing system of sorcerers that takes children and reduces them to cogs in a machine.

A lot of people criticize Jujutsu Kaisen for dropping basically all of its political elements and themes of reform in the second half after Shibuya, and while I understand the criticism I think Gege intentionally shifted away from politics because Gojo's political revolution was never going to succeed.

From the beginning Gojo's solution to reforming Jujutsu Society and it's habit of taking away the youth of children and raising them up instead as child soldiers is... to make stronger child soldiers.

This is Gojo's blindspot and it has always been Gojo's blindspot.

It's why Gojo is completely okay with someone like Mei Mei who at the best uses her brother as a human shield to get out of curse domains and has stolen his entire childhood away to make him own pet little shoulder, and at worst actively molests him.

It's why Gojo is stated in the databooks to have only taken an interest in Megumi and Yuta because they were strong.

Gojo understands that he's being exploited by Jujutsu Society, but doesn't understand you need to deconstruct unfair systems of power and exploitation in order to build something better. Gojo from the beginning only had one plan, and that was to replace the people at the top with his own allies who'd support his agenda. He just thought waiting for them to die out and the children to grow up was the more peaceful way of doing it.

Gojo's political revolution was doomed from the beginning and that's why we see him go back on his word this chapter and just slaughter everyone at the top. His choice of a new leader for Jujutsu Society is hardly better than the elders, the person who executed Gojo's teacher and tried to get all the children to kill Itadori early on. Good choice.

This is what Gojo said would happen though, if he just wiped everyone out at the top no real systemic change would occur because they'd just be replaced with someone who wasn't that differet. Gojo's just given up on the notion of lasting change out of pragmatism.

Which is why Gojo himself is not that different from the elders in the first place, not because he's a bad person but because he was shaped by that same society and he's the pinnacle of that society.

I think the thing is and this point often gets ignored - a lot of the choices the elders make are because of outdated traditions like choosing to oppress Maki and Toji just because they challenge the traditional notions of cursed energy.

However, some of the decisions they make are out of cold hard pragmatism. Gakuganji actually turned out to be right in his assassiation attempt against Yuji Itadori. If they had succesfully killed Yuji, then the massacre in Shibuya would have been prevented and likely Kenjaku's plans would have been pushed back. The elders didn't sentence Yuta to execution just to be cruel, or just because they're superstitious but because he's already had several incidents of nearly killing people because he can't control Rika.

It's easy to dismiss the Elders as evil because they're just faceless entities, but then we witness in this very same chapter the main characters making the same heartless decisions out of the same sense of pragmatism.

Gojo understands Jujutsu Society is flawed, but doesn't understand exactly why it's wrong. He doesn't raise his students to be independent free thinkers because then they might question him, he raises them to be very powerful because that's more pragmatic.

Here are the next generation of sorcerers who are going to bring about the change to Jujutsu Society that Gojo so desperately seeks.

Nobara Kugisaki: Dead

Hakari Kinji: His greatest ambition is to start a fight club

Yuji: Actively calls himself a mindless cog and just wants to kill whatever society points him at and tells him to kill.

Maki: Mass murderer.

Yuta: Just stole Gojo's body and said he had to become a monster i Gojo's place.

Megumi: Begging to be killed.

Inumaki: Tuna Mayo

Panda: Is a Panda

(Joke lovingly ripped off from @kaibutsushidousha)

I understand that fighting Sukuna takes precedence now, but do you think once the dust settles any of these characters are going to do anything to make lasting change?

Are we going to see anything for them at the end of the road other than a mountain of their fellow sorcerers corpses?

Gojo didn't nurture his students to grow into healthy adults, he raised them into stronger child soldiers and yes that's the pragmatic thing to do to help them survive in the Jujutsu World, but the elders make those decisions out of cold pragmatism as well.

MHA is also showing a story where the children are failing to learn from the previous generatio's mistakes, but it's far less frustrating to watch in JJK because it almost seems like that's the point?

Maki sacrificed Mai for the sake of becoming someone strong enough to reform the Zen'in Clan, only for her sister to die and Maki to slaughter the rest of her family failing in both her goals to reform her clan and protect Mai.

Yuji became the host of Sukuna in order to help others, because the total deaths of people in the world would go down if he ate all the fingers. Not only did that decision lead to the death of thousands in Shibuya, but he's even lost his role of being Sukuna's host to Megumi.

Yuta wanted to find a reason to live and a purpose in protecting his friends, and also wanted to pay back the man who saved him, not only is Yuta choosing to die in a way that breaks his friends heart he's also violating his beloved teacher's bodies.

There's a lot of arcs like this where characters fail in what they set out to accomplish, because like in most tragedies they don't try to grow as people they only care about getting stronger. It's the same choice over ad over again, a decision made of cold pragmatism that brings about their tragic ending.

I think it speaks to why systems like this perpetuate themselves, because it becomes so hard to hold onto your humanity that even trying gets you actively punished all the while people like Mei Mei crawl to the top. However, even if you throw your humanity away purely as an act of survival you're still helping perpetuate that system instead of fighting against it.

Anyway, that's enough hating on Gojo, onto the main event.

THE NEXT GOJO SATORU.

It's almost masterful how perfect the foreshadowing for this chapter's twist was. Yuta sharing a common ancestor in Sugawara with Gojo.

The irony that Kenjaku said out loud that someone like Yuta could never become Gojo, on top of the fact that Yuta's true power comes from detaining his loved ones soul. He's turning Gojo's body into a weapon the same way that he once used Rika's vengeful cursed spirit as one (he even channels her strength into a sword, the same way Maki uses the sword that Mai gave her life to create in battle).

The way that Yuji's first impression of Yuta from his powerful presence and cursed energy alone was calling him someone even creepier than Gojo.

The idea that Kenjaku has been trying to get his hands on the six-eyes for years, which is what led most of the fandom to theorize a possible Kenjaku return by stealing Gojo's corpse. The fact Tengen said the six eyes, himself and the star plasma vessel are all connected and one time Kenjaku killed the six-eyes from a child only for another one to appear right away.

Yuta being told he could never reach Sukuna's heights because he lacks the selfishness of a calamity.

Even Yuta trying to tell a nameless assassin Uro to be less selfish, only to be chastised by her for not understanding because it's impossible for someone as blessed as he is to know what it's like to not have a name, to not have a face, to not be someone important.

Now here Yuta is, not only is he making the selfish decision to use his teacher's body as a tool, he's also most likely in five minutes going to die in someone else's body, having sacrificed not only his name, and face, but also his personal values in order to become a monster.

This arc makes it seem like Yuta's gone against everything he's stood for, making his arc a complete circle from Jujutsu Kaisen Zero and that's kind of the point. Heck, even something as small as Yuta's decision to show mercy to Ishigori was rendered pointless because Sukuna immediately killed him soon after taking Megumi's body.

If Yuta's regressed in his character it's because Gojo's purpose was not to raise these children into healthy adults, but strong soldiers.

What happened to Yuta is a direct consequence of the way Gojo recruits these children, and the underhanded motivations he has behind those recruitments.

Yuta's decision to take Gojo's body is more tragic on Yuta's part then it is on Gojo's, because Yuta is a child, and Gojo is an adult.

It is sad that Gojo is all alone, that he's forced to become a tool to society, but Yuta shouldn't be the one who feels responsible for that. Gojo is supposed to protect Yuta, he's the adult, the teacher, the one with power and Yuta is the child. Yuta is not the one who should be making this speech because it is not Yuta's responsibility to do any of this - but Yuta thinks it is because he owes Gojo.

However, when Gojo recruits people it's with the unspoken implication that they now owe him. He wants them to feel indebted, because then they'll be easier to use as pieces in his intended political revolution. We see this blatantly with the way he recruited Megumi.

I'll make sure you and your sister don't starve but you owe me in the form of labor later on in your life.

Gojo saved Yuta because he thought Rika was powerful and the elders were foolish for executing a potentially powerful sorcerer for THE GREATER GOOD instead of teaching him to control his power out of fear. Gojo recruited Yuji, because someone with Sukuna's power and who could eat his fingers as a vessel had the makings to be an incredibly powerful sorcerer. Gojo didn't even think of Megumi until after Geto defected, and Gojo decided he needed to start making changes to Jujutsu Society.

While Gojo's pragmatism is understandable to a point it also poisons his more nobler intentions. Since Gojo expects payment in return when he sticks his neck out for people, because these children are assets first and children secod.

I think Gojo likes Yuta. I think he gets along with him well. Yuta clearly respects him as a mentor. He did in fact go to great lengths to save Yuta from execution. He was right that it was more ethical to teach Yuta to control his powers rather than execute him for the danger he might represet. He even gives Yuta emotional advice a couple of times.

However, if Yuta was just like a grade 4 sorcerer with no special talent I doubt Gojo would have blinked at his execution. He sees Yuta for his talent first, and his potential to become someone like him. If anythig there are clear comparisons to both Megumi and Yuta. They're both prodigies born with incredible techniques, but Yuta is a lot more receptive to Gojo's grooming than Megumi is who's too traumatized to function. Gojo's not just grooming Yuta into being a powerful sorcerer, but another version of himself.

So it's almost karmic that not only does Yuta basically turn his back on everything that makes Yuta himself (his love for people, his desire to live and be surrounded by others), he also does so by literally becoming Satoru Gojo and transplanting his brain into Gojo's body.

Because Yuta is despite possessing a similiar level of talent as far from Gojo as possible. Gojo is not well liked by his comrades, he's there because he's needed due to his power. Yuta on the other hand has everyone vehemently disagreeing with his backup plan in the event of Gojo's death because they don't want to lose him.

People need Gojo, they want Yuta because of the connections that Yuta has made with them and because they care about Yuta as a person. Gojo is someone who deliberately draws a line between himself and others because he believes the strongest can't be comprehended, Yuta only fights for the sake of being accepted by others because he needs their approval in order to live.

Yuta's now turned his back on those two things, his tendency to put his loved ones first, and his desire to live, both because he feels he owes Gojo.

This comes about because of two factors, number one Gojo helping him with the implication that this help means that Yuta owes him something which makes Yuta desperate to pay him back and therfore easy to mold, and number two Gojo's intentions to begin with to take Yuta and make another Gojo out of him. To make a successor who would carry on the same burdens that Gojo did.

Gojo succeeded one hundred percent in making his successor as opposed to Megumi who turned out to be too different from Gojo i the end. He took what make Yuta unique and ironed out all those wrinkles until he was left with someone willing to make the same inhumane, pragmatic decisions that Gojo was.

I think it's tragic that as much as Gojo wanted to make things better for the next generation, he basically led Yuta down the same road he did, to make the same choice to throw his humanity away along with all of his loved ones. Especially since Yuta started out in such a different place.

Yuta has learned to become selfish like Gojo, because selfishness is apparently now the only way to get by in this world. A cycle that has been started with the elders, and continued on with Gojo, remains unbroken as Yuta becomes just another link in the chain. Yuta's likely going to die in a stranger's body, leaving all of his friends behind to mourn him, but even if he lives what life will that be exactly?

It speaks to the arcs in Jujutsu Kaisen that they're all kind of circles at this point. We have this heartwarming goodbye of Rika telling Yuta to live, and Yuta's whole arc was to learn to try to live without Rika and make new friends, but it's now likely goig to end with Yuta dying a year after Rika finally moved on.

Choso was told to try living on as a human and Yuki even sacrificed her life to give him the opportuity to escape the fight, and he only lived a month longer to die right in front of Yuji's eyes.

Gojo put all of his hope in the next generation, but now not only did he put all the power in Gakuganji's hands but he ended up dying a year after Geto did just like Yuta will likely die a year after Rika.

I think these character arcs are turning out to be circles because the characters aren't actually doing anything to try to break the cycles that they're trapped inside of - they're only trying to get stronger. Which is why they end up resembling the actions of the villains, Yuji becoming more curselike, Yuta stealing Gojo's body the way Kenjaku did with Geto's.

It reminds me of a quote from Critical Role that I absolutely adore.

“I have just taken an audience with the Raven Queen who has snuffed any hope of my redemption, for which I am truly grateful. With new clarity, I can finally see my life as a series of compounding, poor choices.” Vax winces. “There was nothing I could’ve done to save my family, yet I still sold my soul in search of vengeance. Later I allowed Ripley to leave, knowing full well she was a greater threat to the world than the Briarwoods would ever be. I traded the world’s safety for the belief that I could murder my way to peace; that if I could be a greater horror, it would bring my family back. And once this lie was shattered I scrambled to find asolution, to make a deal, to undo my mistakes and balance the scales. I nowunderstand that there are no scales, there is no redemption, and no ledger that judges me good or evil. I am free to simply be myself and live with the terrible mistakes I’ve made."

Especially this sentence: I believed I could murder my way to peace; that if I could be a greater horror, it would bring my family back.

Maki is a character that I have not found all that interesting in a while because she committed such a huge mass murder, only for it to have no consequences in the narrative and never be mentioned again, but this chapter she suddenly became an interesting character again.

Maki who lost everything but gained strength, doesn't seem all that bothered by the loss. People compare Megumi's reaction to losing Tsumiki to Maki's reaction to losing Mai, but Megumi's reaction is much more interesting because it's always better to see a character be weak and fall apart then to be strong and power through things.

However, maybe the reason Maki hasn't experienced any grief at all towards Mai and has instead delighted in her newfound strength and independence is because of this, because she still had Yuta.

Maki is a character who's not really said anything other than exposition the past like twenty chapters, but now she's the most vocally against Yuta sacrificing himself for the greater good. Yet this is against Maki's own ideology of doing everything you can to be stronger, to win. Maki was always about individualism, not about friendship or the bonds between others, she severed her own bonds to be free. Yet, she can't stand to see Yuta do the same thing as her, to become more like her.

This might be the consequence of Maki's continued choice to value freedom and the power to achieve that freedom over all else. Now, the one time Yuta is trying to throw away the same things that she threw away she can't say anything meaningful or convince him to stop him.

Which reminds painfully of this chapter as well.

Mai killing herself in order to free Maki from cursed energy is an obvious parallel to Sukuna devouring his own twin in the womb, but the difference is in this situation Maki didn't want Mai to go, she begged her not to. However, just like with Yuta there was nothing Maki could ahve said or done by that point to convince Mai to stay. Maki has always chosen power over her sister, she's always abandoned Mai, so what exactly can she say to convince her that she cares more about Mai more? That her dream of defeating the Zen'in and having revenge against them isn't worth the price if it comes at the sacrifice of Mai?

Maki didn't want to abandon Mai, or for Mai to sacrifice herself, but tragically her every action indicated otherwise. It all comes down to this: I believed I could murder my way to peace; that if I could be a greater horror, it would bring my family back.

Maki seems to have achieved peace by murdering the Zen'in, but we see the same kind of circular arc that we have for Yuta.

Maki gave up on everything for strength, but Maki's not strong enough to finish Sukuna then and there, forcing Yuta to sacrifice himself the same way Mai did.

Maki can't talk Yuta out of making that sacrifice, or come up with any convincing argument with why he shouldn't because of all the choices she's made before this.

Maki chose to murder her way to peace, but it came at the cost of her humanity and growth and thus she's faced again with the exact same situation with Mai and she's forced to watch her heart be taken from her again.

It goes to show that we think these characters are getting stronger but they're actually sacrificing something vitally important.

These characters are just going to keep going around in circles and you have to wonder just when is it going to stop?

#yuta okkotsu #gojo satoru #jjk meta #jujutsu kaisen meta #yutamaki #jujutsu kaisen theory #jjk 261 #jujutsu kaisen 261 #jjk 261 spoilers #jujutsu kaisen 261 spoilers

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ghostheartfelt · 10 months

Text

*:･｡☆ warnings: heavy gore, torture, hurt/comfort, whump, s/a towards reader, men being gross, gunshot wounds, stab wounds, blood and violence, branding (torture method), waterboarding (torture method), reader (thaye) is a badass, first kiss, dismemberment of fingers, eye trauma, protective!ghost, implications of smut/sex, aftermaths of torture. (there is probably a lot i missed, but idc lol all the other shit should b enough warning!!) 〔☆〕 desc: you and the 141 are deployed to austria with the intel of a drug boss known as rolmuth who is harboring romanian soldiers to the east coast to smuggle illegal mercenary personnel into america. what happens when a rapid snowstorm picks up and you (callsign 'thaye') are separated from the others then further captured and interrogated alongside your lieutenant?

—✩ PHANTOM TOUCH ✩—

word count —15.6k

a/n: sorry for my inactivity! the entire time i was workin on this shit... let me tell you.. this is 51 pages on google docs LMAO so i hope the length and word count makes this fat fucking hurt/comfort one shot worth it.

VIENNA, AUSTRIA.

“Move, move, move!” Price yells.

Snow fell and blanketed the ground beneath you, you were dressed in white camouflage tactical gear.

Your movements were slower as you trudged yourself through the snow, you turned in every direction searching for your captain.

Your lieutenant.

Anybody.

Rapid snowy winds smacked you in the face, nearly forcing your eyes shut as you traveled through the gusts.

“Soap?!” You shout, planting your feet below into the patches of snow,

Your arms raise to cover your face.

“Fuck!”

“Thaye!” A voice echoed through the snow that encased you in a blanket of long silence.

Snow nestled into the ground below—everything around you seems to just slow down.

You traipse yourself heavily through the thickness around you as you snap a clip into your M4 carbine, swinging it behind you like it had been previously.

Thump.

Your head droops down and you feel your heart drop into your stomach seeing the body of one of the men you were deployed with face up.

His head four inches deep in the snow and his right eye completely destroyed, his chest marred with several bullet wounds.

The root of his nose is fractured to the point where it’s flattened into what’s left of his skull.

You swallow the knot in your throat that might have also been barf trying to make its way out of you, kneeling down to peel the soldier’s dog tags off of his corpse.

Hudson “Scooter” Wheeler.

It makes you smile slightly, your thumb dragging over the metal tag to wipe off the thickness of blood that had coated the carving of his name.

“I’m sorry, Wheeler.”

The loss of fallen soldiers leave footprints and engravings on one’s heart that never allows them to be the same, again.

You wished sometimes you could just be without the worry about who you have to lose and who you have to save.

Restless nights followed by mornings and afternoons full of nothing but unpromised resolutions. You nearly felt as if insanity would be a better route than going through the pain of losing the people you stood side by side with, enduring the effects of grief, bloodshed, and war.

Although there were moments of bonding and camaraderie that were forced to turn into utter gore and distrust due to the change of the objective that deemed those to turn against one another in hopes of survival and success.

Pride; a fickle sense that could drive an individual to the depths of madness and create a staked claim to prove more power then they own or deserve.

You didn’t understand it. Nor did you want to.

You were left in a society where the drabness of gray ruled the world and pain of loss clenched to the soldier’s hearts almost desperately.

And yet that perpetual colour of gray; a colour so dull but so compelling, it still lights the depths of hell you lived in by merely a petite dose.

Your mouth had begun to feel tacky with your muscles stiffening as the weather conditions intensify by every fleeting moment.

Inside your combat boots, you feel your feet begin to grow numb; similar to the feeling of stepping on fresh-cut grass and grazing dull needles.

Now, you wonder what hypothermia would feel like. You weren’t used to this sort of weather.

Even under your white half-face balaclava, you felt your lips and their absence of moisture.

Still, you trekked forward, squinting eyes searching for any sign of life around you.

Your face lights up at the sight of a shadow-like movement through the blistering storm and rapid winds once you wipe off the frost lingering on your goggles.

They moved closer—it seemed to be one person.

There’s a tree to your left—your legs manage to jerk themselves through the snow until you're beside it.

You cautiously lower your body into the snowpack below you, clutching your rifle in your grip while your eyes fixate on the moving figure ahead of you.

Your finger grazes over the trigger of your carbine rifle.

A leg comes before the torso, then the face.

The skull mask.

Ghost.

Relief washes over you immediately—raising to your knees.

“Lieutenant!” You call.

His head immediately snaps in your direction, and the time spent staring at each other seemed everlasting, though in reality it was just a few seconds before his large hand was squeezing your shoulder and he was right in front of you.

“Thought we lost’ya,” Ghost rasps.

“What’s the sitrep?”

“Enemy force has ordnance on standby—Price ordered all units to the West Safehouse,” he says.

You nod softly.

“Why’d you hang back?”

His eyes widen under his balaclava and you open your mouth to speak—Ghost tugs you by your vest, pulling you to the side.

“Gh—“

There’s a person behind him.

Sounds muffle around you, complete silence surrounding you as Ghost’s head is slammed with the butt of a rifle.

Your hands reach down to pull your handgun from off of your hip, pointing it towards his attacker, squeezing on the trigger and unhesitantly dropping him to the ground before he can double back and finish him off.

No words leave your mouth as you turn in one quick jerk, the barrel of a L1A1 being aimed between your eyes.

Not even seconds later was the thick handle of a bowie knife met with the back of your head.

Immediately, your body meets with the snow, and you feel the coldness of the snow over your mask.

You struggle to pick up your head, pain surging in the back of your head enough to blur your vision.

Keeping your eyes open was a challenge—they constantly blink shut as you watch the enemy force yell at each other, manhandling Ghost by ripping his weapon sling off of him and dragging him by his fur-lined parka.

His body was dragged up into a Humvee and roughly thrown in before you were picked up by your ankles and wrists and tossed right on top of him.

Your head slumps against Ghost’s bicep as you're washed up by incapacity, your mind fogging against your will. Enervation holds you captive and sweeps you off your feet.

You’re met with blackness, next, yet the only thing you could think of was your failure to protect your superior.

☆════━━━┈┈┈┈━━━════☆

You awoke to the sounds of struggling—something teetering on the floor.

It takes a moment for you to come to your senses and stir from unconsciousness, eyes fluttering open to take in your surroundings.

The ever-present smell of waste and deteriorated flesh smacks you with reminiscence, the overbearing cold, the taste of grime, blood, and bile in your mouth.

When you go to move your hands, they’re immobile; binded by thick ropes that with your state of exhaustion and physical weakness, would be impossible to escape from.

Your heavy head manages to shift for oneself to observe the room—your gear was purloined, leaving you in your cargos and a tank-top.

Below you, the ground was concrete and stained with blood that led to the large metal door that had a closed hatch.

Vaguely, you recall in short and brief flashes why you were there, your eyes shutting for a few moments before opening once again.

Ghost.

Where was Ghost?

“Lieutenant,” you cough. “Ghost, wh—“

“‘M here, kid.” Ghost wheezes. “To’yr left.”

Your head turns, stopping at the sight of his mask on the concrete, blood smeared across the maw of the skull, over the eye socket.

“Ghost, are you injured?”

“No.”

Slowly, your eyes trace up the ground beneath you until Ghost’s boots are in view.

His soles skid against the ground as he attempts to drag the dentist chair he’s strapped in. “Fuck!”

You shift in your wooden seat in an attempt to reach your hand down to pull up the velcro flaps of your cargos. You couldn’t reach.

Ghost’s boots stop skidding against the floor as the metal door’s rusted hinges creak, the door being flung open to welcome a man inside—three other men were behind him holding military grade rifles with drum magazines.

The man inside the room raises his hand, offering departure in the Hindi language, to which his men shut the door behind him.

His arms were wrapped behind his back, the sound of his heavy boots echoing off of the thick stone walls.

He walks around the room for a while, allowing you to raise your head to take in who he was.

A European man that’s approximately 184 centimeters with long pushed back shaggy dark hair; his eyebrows arched, a bushy beard.

On his cheek, a nasty deep laceration scar that reaches the end of his eyebrow. Under his left eye, another scar reaches the bridge of his nose.

The man is inches from your face, now, a tilt in his head.

“We see how long it takes to break you, Sergeant.” His eyes crinkled as his lips upturned in a depraved smile.

He lifts himself from his bent position, grips the crest rail of the chair, and pulls you farther from Ghost.

“Who is your commanding officer?” He asks, feet spread apart as he looks down at you to assert his dominance.

“Fuck you.” You bite back.

The man’s hand roughly takes hold of your chin, tilting your head up towards the dangling ceiling light.

“I eat boys like you for breakfast.”

Ghost chuckles beside you.

His eyes narrow as he releases a choked scoff, his head swinging back before bursting into laughter.

“My drug ring reigns across the entire country—my men swarm all city.”

His accent is thick, though his English isn’t terrible.

“It is either you tell me now and you and friend die quick, or you die slow of bleeding until we find on our own.”

“Good fuckin’ luck,” Ghost grunts.

You swallow thickly, groaning as the man pulls your head back by the scalp of your hair.

You purse your lips as you collect saliva from the walls of your mouth, spitting just above the man’s eyebrow and watching as the gob runs down over his eye.

He snarls, dragging an open hand down his face. Using that same hand, the male flexes his hand into a fist and socks you in the jaw.

“Hey!” Ghost shouts.

You hear it pop and you immediately outstretch your neck and slam your forehead into the bridge of his nose, arms jerking in an attempt to escape your restraints. “You motherfucker!”

He lets out a groan, his head flinging back as blood streams down his nostrils, his hand trembling over his nose.

“Bitch! Madarchod! Bevakooph veshya…” He hisses through clenched teeth. “Broke my nose!”

His palm smacks you across the face so hard, a pinkish red hue starts blossoming across your cheek. He repeats it again, then again, and again.

You squeeze your eyes shut, bracing yourself as numbness circles inside the flesh of your cheek, a similar feeling to those static electricity globes that you’d get for your twelfth birthday and press all five of your fingertips against.

“Hey! This is between you an’ me, a’right?” Your lieutenant gives a sharp nod, trying to reason with the man.

He stares at Ghost for a few moments, squeezing his fingers in his fist before leaving the room, the door slamming loudly behind him.

You take the moment to actually look at Ghost, your eyes taking in his features entirely.

From his long and messy dirty blonde undercut, to his shade and stubble.

To his bruised and bloodied lips and the thick scar running from his top lip to the underside of his chin.

To his thick and beautiful eyebrows, the scar on the start of his left eyebrow, running down to the bridge of his nose.

To his deep and all familiar brown eyes—long and light eyelashes accompanying their shape.

To the scar that spread out from the right inner corner of his lip and across his cheek as if it was the engravings of a smile line.

There were several scars littered across the male’s face; each one of vast distinction from the other.

Once again, the door thrusts open and the man returns, cotton wads up his nostrils with another male by his side, pushing in a rolling mayo stand with different tools and items you assumed were torture devices.

“Hey! Hey! What’re y’doing?” Ghost jerks in his seat, his eyebrows furrowing as the man picks up a syringe, flicking the glass and squeezing out a droplet of the liquid inside. “What th’fuck is that?”

“You will have your answer soon enough,” he simply replies.

“Agarwal—blade.”

The second man grabs the rotary tool from off the tray, a saw blade in the other.

Your hands tug against their bindings enough to chafe your wrists, it feels as if your skin is being shredded with a cheese grater.

“Paip rinch, ab.” The taller man holds out his arm, to which the man who was now identified as Agarwal hands him a pipe wrench.

“English, asshole.” You grunt.

He slings it over his shoulder and slowly walks towards Ghost as he whistles.

Ghost’s eyes don’t avert from his gaze, even as the pipe wrench drops from off his shoulder to clatter on the floor, hanging from his wrist and dragging along the ground.

“Who…is…your…superior?” His voice is grim, each word coming out as he takes a step.

Using the hook jaw of the wrench, he lifts Ghost’s chin.

“Piss off,” the blonde huffs.

Not even seconds later does the man swing the wrench around and belt it into his stomach. Ghost lets out a wheeze, his body lurching over in reaction to the sudden pain coursing through him.

“No!” You yell.

“Who.” He asks again with spite in his tone—he was demanding, it no longer was a question in his favor.

“You’ll know who when he comes’a knockin’ ‘n blows lead thru th’lot of ya.” Ghost says with a slight raise in his head.

The wrench is swung back into his stomach, causing Ghost to hurl and expel vomit onto his boots.

“Leave him the fuck alone!” You kick yourself forward a bit using your boots. Agarwal��s hands grip the slat of the chair and pull you back towards the tray.

“No, no,” he nearly coos, yanking your head back by the thinner group of hairs on the nape of your neck.

You clench your jaw and subside, lifting yourself up with your hips to help avoid the pain.

His eye’s strain, beads of sweat rolling down the end strands of his hair regardless of how cold it was inside of the formidable room.

“Get me my player,” the bearded man says as he trails his 12” redwood handle knife across Ghost’s jawline.

Agarwal’s hand releases your hair to your relief and he leaves the room.

“Disgusting—“ the male snarls. “Making mess of my floor.”

Your eyes narrow as you watch a pool of blood start to form as he slashes Ghost’s cheek, a groan spilling from your lieutenant’s throat.

“Fuck you ‘n y’r floor,” Ghost coughs.

He drops the wrench to the floor, then uses a rag that was hanging out of his pocket to swipe off the blood from the knife’s blade.

Two men walk in, one pushing in a record player and the other holding a tactical vest and a book.

Your vest and your book.

His name patch reads “Gamble”, the one who throws your vest and the book onto the floor.

“Rolmuth, the woman—she has had access to our radio frequency and has been writing down our shipment codes and locations.”

Ghost’s head raises, his pupils shrunken as he takes in the sight of the morse code book.

The man holding the knife cracks his head in your direction before proceeding towards you.

“Thaye…” he susurrated.

You don’t flinch when his arms raise to swing the knife over towards your temple, a maniacal laugh escaping through the barriers of Rolmuth’s teeth.

The knife lowers to release one of your hands, though before you can reach for anything, he slams your arm backward against the back leg of the chair, the feeling of your bones snapping beneath your skin causes you to let out a sharp, excruciating cry as your now-broken arm falls limp to your side.

“Thaye!” Ghost shouts. “Fuckin’ bastard…”

“How?!” Rolmuth yelled through his teeth, lips drawn back in a snarl as he nearly foamed out of his mouth.

His fist meets with your cheek and your eyes squeeze together in grimace to the pain as he punches you again.

Ghost calls out your name and you can hear the metal of his chair scrape and grind against the ground.

You feel your cheek begin to swell, the tender flesh on your face blooming into purple and blue bruises.

He walks to the record player and takes a record out of its sleeve that was resting on the shelf of the small table the player was brought in on. It has wheels on it—similar to the mayo tray.

Rolmuth blows on the record, though the sleeve looks too clean to hold any dust, then places the record on the platter. After pressing play, he drops the tone arm down.

The record scratching sends chills up and down your spine before the music almost beautifully fills the room.

Why does the sun go on shining?

You watch Rolmuth pick up a pair of pliers.

Why does the sea rush to shore?

You wonder if he’s going to try to rip out your teeth.

Don’t they know it’s the end of the world,

He clasps them around one of your fingers on your broken arm.

Fuck.

The cold metal around your finger makes you nearly want to cry.

‘Cause you don’t love me anymore?

He was going to rip off your finger.

“Who is your captain?” His hand squeezes the pliers, applying pressure to your singular finger.

“Go…to hell—“

A scream rips itself from your throat as you feel your sinew and flesh tear, the pliers tearing your finger from off your bone.

“Tha’s enough!” Ghost jerks and flails in his seat, there’s a sip of panic in his voice. “Get th’fuck off of her!”

Why do the birds go on singing?

Rolmuth wriggled the rest of your finger off, your eyes daring to skim down to look at the bone sticking out from your knuckle.

Blood spews out of the gore, coating your entire hand and dripping from the crevices of your skin into your lap, staining your cargos, turning their white color into several distinct shades of red.

Rolmuth sets the finger—your finger down lightly on the standing metal tray besides you.

Why do the stars glow above?

A penetrating ringing fills your ears; one so loud it felt like it’d be the cause of your tears instead of the pain surging through the entire left side of your body.

Don’t they know it’s the end of the world?

You’re in shock, unable to speak. Your jaw is locked, your teeth are clenched so hard it feels as if you might shatter your teeth.

It ended when I lost your love.

Ghost’s voice echoes in the back of your mind, when he calls out your name, you’re pulled out of your trance. You jerk your slumping head up.

You want to call out his name, but it seems like your throat is swallowing every little word that is being screamed inside of your head.

The room is spinning and you can’t feel your arm, you can’t feel the finger move that was just severed from your hand.

“Look at me, look at me, love…” your lieutenant simpers.

Your eyes search the room until they land on Ghost’s, he sounds far away. You feel your eyes widen as cold metal wraps around another finger once again.

Why does my heart go on beating?

Rolmuth’s lips close in near your ear as he tugs lightly at your middle finger.

“You don’ want to lose this finger, do you?” You feel the man’s hot breath run up the side of your face and brush past your ear.

“Who…is…your...captain?”

Why do these eyes of mine cry?

Every nerve in your body seized, your spine stiffening with every urge to kill the man standing beside you.

Ghost coughs up blood; internal bleeding.

“I’ll fu…cking…skin you…” you croak, your words finally becoming coherent.

He laughs. Rolmuth’s single arm raises in a humorous gesture of surrender.

Don’t they know it’s the end of the world?

Your eyes squeeze shut, though shoot open at the rush of heat, the pliers applying clutched pressure to your finger before Rolmuth started ripping off the second finger, wiggling it until it broke off skin and sinew.

It ended when you said “goodbye.”

“Look at me, Thaye.” Ghost’s voice sounds desperate, so you offer him a short glance as your jaw slacks and your body retracts.

Your strained eyes snapping to the bearded man as he places down your middle finger on top of your pointer finger.

A gag surfaces in your throat and your body twitches as you watch your finger fall and roll almost as if it’s the most natural thing.

Ghost yells your name again.

You finally focus on him, your eyes welling up, reddening and puffing against your will.

“Jus’ look at me, angel,” Ghost’s silked voice calms you, although in a manner you can’t hear him as well as you want to.

Every muscle and ligament inside of you feels tense and stuck.

Why does my heart go on beating?

You had three fingers on your left hand—three fingers.

Thumb, pinkie, ring. Thumb, pinkie, ring. Thumb, pinkie, ring.

“Y’ll kill her, she’s losin’ too much blood—she’s goddamn delirious!”

Gamble’s fist barrels into the side of Ghost’s head, you hear a feral groan leave his gullet.

At least I can still put a wedding ring on my left hand. You thought.

Those three fingers trembled and twitched, it was the only movement on the left side of your body besides for your left eye—is he going to take one of my eyes? Your head is swarming with thoughts.

“Ghost…” you slur, still locked onto the blonde’s eyes.

“I know, love,” he says as gently as he physically can. “So proud of’y…”

His speech comes out as a garble, but you’re still able to understand him.

“‘M gon’ get us outta here…alive, a’right?”

Your head slumps at the attempt of a nod.

“Save y’r energy, lovie.”

“Shut the fuck up,” Agarwal grips Ghost’s earlobe, pulling him closer. You’re not able to cognize his words, but you’re aware of the vexation in his countenance.

You flinch once Rolmuth drops the pliers on the metal tray. He removes his latex gloves that were blanketed in your gore and throws them onto your lap.

“Clean them up—she still is of use to me.” His voice grows more distant as he leaves the room.

Gamble injects Ghost with a syringe that was hanging off of his waist, casting him with drowsiness, his eyes struggling to keep open before he’s blacked out.

“What did you do—…what did y’do to him?” Your eyebrows stitch together. “What did you do?!”

They unstrap his arms from the chair, then his ankles.

“Answer me goddamnit...” You seethe, tears warping in your eyes.

“Shut the bitch up,” Gamble nudges Agarwal in the shoulder before he pushes Ghost further out of his restraints, his body still and unconscious allowing the scarred man to bind his wrists with zip ties.

Agarwal simply nods and paces toward you. The stock of his gun smashed into your jaw before you could react.

☆════━━━┈┈┈┈━━━════☆

DAY TWO.

The woman in the doorway was bedraggled; tired eyes and shrunken tear-stained cheeks.

There’s a light illuminating from the pulled-back curtains—a light so bright it could dry the shining tears that spill out scarlet fluid over the eyes of the miserable.

You feel only patient while waiting for the morning sun to rise over the horizon line of the ocean side.

It’s deteriorating yet caliginous frame of murky grey stone and vast sorrow of an arched entrance sat in disposition from harrowing memories filled with bloodshed, grief, and war.

Your face relaxes at the distinctly ravishing but delicate overcasted ray of light shot down from the amidst along the ruins, the melancholy ambiance nearly sent chills down your spine.

Heavenly cries of forgotten mothers begging for forgiveness of their past sins, children's playful and beatific screams, although it was nothing unknown to you.

Screams were usually followed by split rib cages and bullet wounds—tears, blood, those screams and sweat, you went through it all just for it to lie unheard and forgotten.

You searched the odd and seemingly afterlife-like realm with your eyes, you could only wonder where you were, and why you were there.

Why the flowy white dress draped over your body oscillated with the wind in a gorgeous motion.

You're lifting your head out of the water now.

The taste of salt seems so thick, heavy. Like you could drown in it. Like you could get drunk off of it.

The waves crashing onto shore sound so loud atop the eerie silence, their white crests phasing through your body as if your presence was unknown to them.

You loved the ocean because as opposed to the ones who were supposed to; the ocean loved you and was never afraid to come too close, even at your worst.

As you move farther from shore, the water slowly travels up your body, submerging your frame.

You close your eyes as your head is the last thing the water consumes. You feel the water bubbles tickle your skin and elevate themselves up to the surface.

It doesn’t take long for that familiar burn inside your lungs and that familiar feeling of being gagged by the water to swarm your senses.

Your head jerks up and you let out a loud gasp as you fade into consciousness, slipping into colored imagery instead of just monochrome.

Waking up felt like hell; your mouth was dry and most of your limbs felt unresponsive.

Only when you see Ghost curled up on his side, laying on the floor in front of you, are you able to register where you are and what’s going on.

His knees bucked up into his abdomen with his hands zip tied behind his back and his face battered and bruised.

Specks of dried blood ran from his scalp down his face reaching his compression undershirt.

He was asleep.

There was a gentle rise and fall with his chest—you could still hear his labored breaths from where you were.

It felt colder.

Your eyes wander down to your left hand that was wrapped in bandages that were stained red, your two fingers missing and replaced with nubs that were uneven from each other.

If your arm wasn’t broken, you could use it to break the leg of the chair and wield it against the next person to walk through that large metal door that made you wonder if it was life or death upon you.

If your fingers weren’t missing, you could use them to untangle your restraints on your other hand.

You could barely move your wrist—the pain that swells your entire arm makes it nearly impossible.

Ghost stirs on the floor, his body curling into itself further before his legs straighten out.

“Lieutenant,” you mumble. “What did they do to you…?”

His eyes flicker to yours.

“‘M alive, aren’t I?” Ghost says.

His voice is so hoarse and weak—he sounds dehydrated.

“You are.”

Your eyes close a moment to allow yourself to breathe in the air around you.

The single door breaking up the dull room that held them hostage creaks open on rusted hinges allowing Rolmuth to enter.

Two different men from the day prior push in the same record player and the same rolling metal tray that was stained with your blood.

“Rise and shine,” one says, his boot meeting harshly with the lower section of Ghost’s back.

The blonde’s eyes stay intent on the movements of Rolmuth as he lifts up different record sleeves to read their names. He slides one out and places it on the platter.

That familiar sizzle fills the room before the gentle hum of the music begins.

A short gasp leaves your mouth as Rolmuth kicks down your chair by the back stile, your head immediately jerking forward before it slams down onto the cement floor.

He dismisses the two of his men.

Rolmuth’s hand levitates over the tray and he grasps an old tan hand towel, draping it over your face.

You can hear the buckle of Ghost’s pants tink lightly on the floor as he jerks himself. “Fuckin’ bastard!” He yells.

I don’t want to set the world on fire.

It was going to be okay, you told yourself. You trained for this. Truthfully, you were one of the best swimmers on the task force. You can hold your breath—but if that rag manages to cave in, you’ll most likely panic and lose focus.

I…just want to start a flame in your heart.

“Are you ready for talk, now?” Rolmuth arches over you.

In my heart, I have but one desire…

Your voice muffled, you call him something along the lines of an asshole and a prick, which is quickly silenced by the pressure of water that smacks you in the face.

And that one is you, no other will do…

Ghost watches the man pour a jerry can of water over your face. His breath hitching in his throat watching your body twist and turn trying to evade from the water.

I’ve lost all ambition for worldly acclaim

Your body arches up in protest, head jerking side to side as if it would make it any more easier on you.

I just want to be the one you love…

Focus on the music, you tell yourself. You can barely hear your own voice.

And with your admission…that you feel the same,

Rolmuth’s smile is ear to ear as he continues tipping the canister over your cloth-covered face.

I’ll have reached the goal I’m dreaming of, believe me…

You violently thrust your body, panic surging through you as you feel water invade and swallow your lungs.

I don’t want to set the world on fire…

Involuntarily you gasp and choke in more water, you feel your eyes roll to the back of your head.

I…just want to start…a flame in your heart.

Your throat was burning like scolding lava, your heart throbbing inside your chest threatening to rupture. You don’t dare to make noise.

You’re gagging, gasping, sputtering. That you can’t handle. But you don’t let yourself cry. Not like this.

I don’t want to set the world on fire, honey,

The music is starting to garble.

Why is it starting to sound so distorted? You ask yourself.

I…—you too—uch.

“Stop, y’ll fuckin’ kill her! Bloody tosser!” Ghost grits his teeth before spitting out words.

Now that you have the chance to think about it, that song reminds you of someone.

I just want to start…

Your grandfather—you’d sit on that circular crocheted rug and listen to that song as him and your grandmother baked apple fritter.

A great big flame…

He loved that woman more than life itself; when she’d started to get sick with bone cancer, he helped her bathe, he helped her eat, get dressed.

Down in your heart.

Your mother told you about how he had asked her doctor to keep the fact that she only had three weeks left to live just between them.

You see, way down inside me,

She was still happy. So happy. He wanted to spend those last three weeks with her. He retired from his job and took her to all the places she’d talked about visiting.

Darling, I have only one desire.

She passed away, and he spent every day doing all her favorite things. He watered her plants, he baked. He listened to her favorite songs.

And that one desire is you,

He adopted a puppy—a beautiful Australian Shepherd which he named after her. Your mom would say that your grandma’s being was reincarnated into that dog.

And I know nobody else ain’t going to do.

Would that happen to you too? Who would you want to belong to? What kind of dog would you be?

A deafening ringing fills your ears, you finally stop fighting. Breathing.

“She’s not movin—“ Ghost wheezes. “She’s not fuckin’ movin’!”

He was trained for this. He couldn’t break. He couldn’t.

“Enough!” The blonde yells again.

They could crack him, but they can’t break him. They wouldn’t kill her.

Rolmuth finally puts down the canister and removes the rag from off your face, his body bends over to lift your chair back up.

Your body twitching, struggling to release the water clogged in your gullet

“Wake up, bitch,” he snaps and his open palm cracks against your cheek. Your eyes shoot open.

Your mouth opens, your strained and bloodshot eyes widen with horror as you vomit out water, sputtering between your lips as you hack and gag.

The taste of bile is sickening to your empty stomach.

Ghost calls out your name, catching your attention as you stabilize from your state of stupor.

“So proud of’ya, Thaye,” he groans. “Y’r strong, ‘lright? We’ll kill these bastards, all of’em.”

You can hardly spare the man a small nod before your chin is grabbed by Rolmuth’s uncut nails—blood and dirt caked underneath them.

“You tell who you are work for, I consider sparing life.” Rolmuth runs a blade across your cheek, increasing the pressure slightly to slit your skin—a feeling similar to a paper cut. You moan in pain. “Your friend I can not speak for.”

Blood trickles down from the incise, slowly flaring through your cut and pushing from the barriers beneath your top layer of skin.

“F…uck…—“ your silenced by sudden metal on your tongue, scraping gently like a threat.

“I will carve out ur pretty little tongue, cut it in bits, and feed it to you.” Rolmuth coos. “Would you that, yes?”

“Y’sick fuck, get th’fuck away from ‘er!” Ghost attempts to jerk himself up, the bonding on his ankles not allowing him to, his bruised ribs protesting in pain as he lets out a sharp breath.

Your eyes burn into his, your neck flinching as he slowly pushes the blade farther down your throat, his hand prying your mouth open.

He chuckles lowly, small “ah’s” leaving him as he slowly opens your mouth farther to allow the tip of the knife farther down. You salivate, drool racing down your chin and over the creep’s knuckles.

Ghost’s eyes divert from your face to the man’s hands. Disgust laced in his features.

He swallowed thickly, he could feel his skin boiling. He wasn’t angry.

Pissed.

He was incensed.

More than that.

“G..host…” your slightly muffled voice trembles.

His gaze fixes back on yours, watching as your left eye twitches at each of Rolmuth’s motions.

“I know, love…J’s look at me, ‘lright? J’s look at me.”

It presses onto the skin of your tongue, it’s curved edge digging into the fragile skin and tissue causing the metallic taste of iron to taint your sense of taste.

You still bore into your lieutenant’s gaze.

Saliva and blood dribbles down your neck, the sight no doubtedly arousing the male in front of you—his tongue leapt out to slowly trace along his bottom lip.

You might drown in your own saliva at this rate.

Your lieutenant purses his dry and cracked lips, but he doesn’t look away.

He takes the blade out of your mouth, rubbing it against the cloth of his pants to clean it.

Rolmuth raises the knife and pierces your thigh, the feeling of cold metal hitting you first along with the shock, the sound of cloth tearing.

“I want names!” The man hollered, spit landing on your face just below your eyes.

Ghost watches your pupils shrink, his own eyes widening and slowly shifting to your thigh.

An intense tingling sensation swarms your entire leg, then a heat. A heat that felt unbearable.

Ghost searches for your eyes again, his mouth moving, though you can’t hear anything he says.

He broke through skin and sinew, twisting the knife inside of the laceration.

“Talk, bitch!” Rolmuth’s eyes darken.

It takes a few moments for the pain to surface, and when it does, it’s scorching. Your jaw slacks open as your eyebrows pinch together, a shrill whimper escaping you.

“Don’ look, don’t.” Ghost pleads with you. Even he was struggling not to look at your thigh.

It didn’t take eyes to tell there was blood bubbling from the wound and dripping down your pants and trembling leg.

A narrow vertical split across the midsection of the flesh of your thigh. Your eyes didn’t leave Ghost’s.

Was his hair bleached? It seemed like such an unnatural shade of blonde. Brunette underneath. He must bleach it himself.

Rolmuth gave it one more twist, releasing a thin, raw, scream from your throat.

Tears stung the corners of your eyes, but you wouldn’t let them get the satisfaction of that from you. Especially not you.

“They’ll b’ere soon, Thaye.” Your lieutenant says.

“You are weak,” Rolmuth spits. “You will break.”

He rolls his shoulders before gripping your pointer finger and holding a jab saw above it.

Your eyes flicker to Rolmuth’s and Ghost calls your name.

“I want a name!” Rolmuth’s scream makes your head spin.

“Fuck y—“ your voice is replaced with a high pitched cry followed by gasps and whimpers as Rolmuth’s new blade carved through sinew and bone. He lifts up your finger against the blade and with one swift movement, your finger falls onto the floor.

“I’ll fuckin’ kill you, y’bastard!” Ghost’s lips twitching in pain mixed in with a whole lot of anger.

Your body jumps up, an animalistic noise escaping your throat as you swing your head back and wince loudly, the pain in your thigh

“Name! Or I take another!” Rolmuth yells just inches from your face.

You couldn’t handle it—your vision is swarmed by black spots and your head is killing you. Your body is in so much pain you feel so much, but so little all at the same time.

When your eyes roll to the back of your head and lolls, you can faintly hear the man yell ‘shit’ before you’re unable to comprehend what is happening.

Everything fades into a subtle blackness, and the last thing you hear is Ghost yelling your name. Screaming your name.

☆════━━━┈┈┈┈━━━════☆

DAY 4

You wake up to the sound of loud groaning and thumping.

It takes you a few moments to register that you’re awake and you can actually move.

So you do—you upheave your head and take in the light spilling in the room from between the iron barred vent.

It stings your eyes, blotchiness surrounding your peripheral before you’re able to adjust to the light.

Ghost is on the floor taking blunt forces into his lower abdomen—the blonde sputters out a cough as his entire body jerks at the contact.

The man grips the neckline of Ghost’s shirt, lifting his head from off the ground as thick red paste runs down his split and swollen lips.

His legs lift themselves up in an attempt to propel his body up and out of the man’s grasp, but he falls flat as his neck is slammed back onto the cement.

Before Ghost can gasp for air the moment his neck is released, a closed fist slams into his cheekbone, knocking the wind out of him.

“Stop,” you rasp. “Let’im go…”

Ghost is twitching on the floor, blood spilling from his mouth. His entire face is caked in red flakes and black and blue blemishes—the entire left side of his face is fattened with knots.

“No…” you snarl.

The man whirls his head and glares at you, an amused expression of disbelief stamped onto his face.

“No?” He says cockily.

The man paces towards you and cuts off your bindings, bundles your hair in his fist and drags you over towards Ghost, you whine and raise your unbroken arm to try and pry his hands off, but he only tugs harder.

He pulls your hair up until you're positioned on your knees, chin raised up and neck tilted.

You hear a click, it wasn’t a gun.

He unsheathed a pocket knife. It was a fairly decent size. You were tired of seeing knives.

Ghost watches the man’s hand lower to your abdomen, fingers pirouetting across your delicate skin, it sends a shivering fear throughout your entire body like electricity.

“Please…” you meekly whisper, attempting to pull yourself away, your body is so weak from lack of use. Your voice came out as a croak.

His other hand holds a knife that teases the neckline of your shirt.

Ghost thrashes against the floor attempting to wrestle out of his bindings. “I’ll skin you,” Ghost’s voice is hoarse.

“How would you feel If I just…” His fingers trace along the scars on your stomach. “Touch her, ever so lightly…Right in front of you?” The man snickers.

You yelp as his knife cuts a thin line down your blood-stained neckline until your cleavage is exposed.

Tears surface the corners of your eyes.

No, no, no, no…

“Keep y’r eyes on me,” Ghost whispers weakly. “That’s it, love.”

You feel your shirt tear entirely down the middle and fall down your arms, pooling around your wrists.

Your vision blurs and your mouth starts to feel dry, teeth chattering in unison with your trembling lips.

When the knife rests over the center gore of your bra, your breath hitches in your throat and tears bead down your cheeks.

The blade slices through the cloth and immediately your hand rises to cover your nude chest.

Ghost’s eyes stay locked with yours, one half-closed from being beaten beyond his control.

You feel his facial hair scrub raw against your skin, sipping in your fear and vulnerability.

“Team Delta en route for seaside, Corbin, what’s your report?”

His radio.

The man pauses and takes his hand off the midline of your ribcage to grab his radio.

“Delta, this is Pooch on standby—hostages are stable, the woman is awake.”

You release a choked sob, causing the man to release the talk button and bash it against the side of your face, sending you straight onto the floor.

“Thaye…” Ghost croons.

You clutch your chest with your one hand as you feel the right side of your face swell.

“It’ll ‘b over soon,” you tremble, releasing a shaken breath. “They’ll find..us…”

“Shut the fuck up,” his voice is slicked with spite. “Both of you.”

“Pooch, this is Delta, rog that. Don’t kill our intel—0-7, signing off.” It crackles.

You lift your head and turn it slightly, blinking causes the pain on your cheekbone to burn like acid.

“Go to h—“ the radio is bashed into your face again causing your vision to swim and make your head stumble.

The sound of blood trickling and hitting the floor fills your ears, your left palm flattens against the cold floor. Missing fingers wrapped to keep you alive, not because they care.

He punches the radio into your right eye. You keep your head down in submission.

“You wanna act tough? Get treated like you're tough!” He yells.

His hand tugs your head back—you can see your own blood splattered against the communicator before you’re met with the same fate.

Ghost watches as the man beats the right side of your face in with the butt of the radio until it’s practically unrecognizable—caked and blistered. Bruising and swelling so tender on your skin.

He can’t do anything.

He can only watch.

You whimper and cry, hissing through your tears while your jaw clenched, the radio mercilessly landing on the same spot allowing more blood to cascade from the wound.

The last hit is the hardest, sending your numbing cheek staggering back down onto the ground, you wheeze.

If Ghost’s hands weren’t tied behind his back, the man standing above the two of you would be a mangled corpse. He knew that.

Your breaths are shallow and rasped. It feels like hell to breathe—to move your face. Crimson just pools beneath you as Pooch flicks off your gore from his communicator.

He grunts in disgust as specks splatter onto the ‘cleaner’ side of your face. Like water spots on a windowpane or glass shower door.

When you hear the door slam behind you, it makes you flinch.

Your body has broken into tremors now, maybe it’s not tremors—but your spasming.

And your hand is still covering your scar-ridden chest, but you feel like you might pass out again.

Ghost’s own breaths are ragged—you wonder if lunderneath all the blood on your face if you’d look just like him.

“Sleep,” he rasps. “I’ll watch ya.”

You relax as much as you possibly can, your single eye twitching shut in favor of your other one.

All you’ve had these past four days was sleep, yet it didn’t replenish. It didn’t make you feel any less tired or exhausted.

With your bones feeling brittle and sore, it was hard to shift yourself into the mindset of falling asleep, but you tried.

You felt Ghost scoot himself towards you, possibly just to shield your unclad chest and give you a taste of comfort.

Your eyelids feel heavy with pain and fatigue, your body stilling as you allow yourself to sleep.

☆════━━━┈┈┈┈━━━════☆

DAY 5

Your hands are tied above your head, a gag set between your teeth which you gnaw at in an attempt to drag it down to hang around your neck.

Ghost is a few feet away from you—both of you hanging on metal piping with rope around your wrists.

Ghost’s boots were on the floor, he was too tall to hang like you, where you could swing your feet. Did they take your shoes?

You watch the steel poker ignite in the industrial furnace; the end of it glowing all shades of red, yellow, and orange.

It was two different tools Rolmuth was holding, now. They had two different symbols on each one that you were unfamiliar with. He was choosing.

Rolmuth spun the branding irons with his thumbs and pointers, chuckling dryly to himself as he approached Ghost, setting one of them back inside the boiler.

His boots were so loud, they echoed off the walls of the room they were in—It looked like some sort of boiler room, but you weren’t too sure.

You two must’ve been in a warehouse of some sort.

Rolmuth has to look up to look your lieutenant in the eyes.

When they’d woken you up, they threw you a gray tank top, so you weren’t as exposed as you were before.

The Hindi man pulls down Ghost’s gag.

“460 degrees of heat on metal…” he says as he lifts the hem of Ghost’s shirt. “You talk, I spare you more scar.”

“Go fuck y’self, y’manky twat…” the blonde snapped.

An open mouthed yell left Ghost’s throat as the metal is lanced firmly over the middle of his stomach, tugging at his flesh and skin.

Ghost’s eyes squeeze shut as loud whimpers escape from him, ragged winces.

“Stop!” you cry.

God, you’d never heard him in so much pain. You never thought you’d ever hear him scream in agony, in physical pain.

You're forced to watch the smoke trailing up the rod, Ghost’s back arching in tormentation.

“You piece of shit!” You twist and turn your body causing the rope to shred through layers of your skin.

His muscles tense and his knuckles go white from how hard he’s gripping the pipelines holding him up.

Rolmuth removes the metal from Ghost’s skin—it could be described as a flesh eating parasite; the way that his skin sticks to the rod as if it’s desperate for that contact.

A hitched gasp manages to make its way past his lips as he feels a tinge of relief, his body twitching and pained moans and hisses filling your ears.

You jerk your body weight down, kicking your bare feet until you feel the metal start to dent.

Rolmuth sets the iron back onto the furnace over a rack, he’s bending over to adjust the heat, the fire is roaring.

You tug your arms down and you let out a strained whine at the feeling of your wrists starting to bleed.

When the metal gives in above you, it creaks and drops you down.

You slide down the metal and Rolmuth’s body swings up from fidgeting with furnace levers and knobs.

His arms are immediately reaching for his gun while you lift your legs up and kick the heels of your feet into his shoulder blades, hard.

Rolmuth’s head slams back into the brick base of the furnace, he lets out a groan, his form dragging down and slumping against the floor.

Your body lands harshly on the ground, an excruciating response coming from the back of your head.

Black spots cloud your vision as you slowly try to regain your composure. Your vision is blurring, everything sounds far away and echoed.

The gun slides across the floor.

Your jaw clenches as you pick up your heavy head, your eye searching for the gun regardless of the pounding that distracted you.

When you spot the muzzle, you lurch yourself forward and reach, finger grazing the trigger guard before your pulled back by your hair, earning a yelp to leave you.

Your lungs refuse to cooperate in your chest as your scalp is nearly torn from your head.

Rolmuth growls with clenched teeth, pulling you away from the gun and towards him as he kneels himself over you.

This was the first time you were able to get a decent look at his face—if it weren’t for your messed up eye—but you only can see the rage dispersed over his face as his hands gather around your throat.

He slams your neck down, adding onto the pain thrusting through the back of your head.

“Bitch!” Rolmuth snarls.

You suck in your gag, causing panic and adrenaline to rush through your entire body as your binded hands thrash and attempt to push him off of you.

You duck yourself, bend your leg and kick it against his ankle to heave yourself up with all your weight upwards.

He exclaims in his native tongue, some of which you can only recognize as insults and swears.

Ghost calls your name weakly.

Rolmuth’s hands slip from your throat allowing you to breathe and sit yourself on top of him, you tug your body and maneuver yourself until you're behind the man, pulling the knot of your bindings against his throat and crossing them over.

His neck lifts to try and give himself access to air, though you tug and hold his waist steady between your knees.

You yell with your clenched teeth, the fabric between your lips making the muscles in your jaw ache.

Him wheezing beneath you, fingernails clawing at your split and abused hands before he shifts.

“Thaye!” Your lieutenant hollers.

Rolmuth’s hands reach down to his vest to pull another gun, aiming it at your foot and pulling the trigger causing you to let out an agonizing scream, pain racking your entire body.

The bullet shoots clean through, you knew that for sure. It was too close.

Your grip on his neck loosens so you can slap the gun out of his grip.

In three quick motions, Rolmuth’s back atop you with his hands grasping your hair again, dragging you towards the furnace until your face is close enough to feel the heat radiate onto your face.

You feel the thickness of gore engulf your foot and drip down your toes onto the floor.

Your grunting, muffled, and loud breaths make your head pound as the man squeezes your jaw and forces your neck towards the mouth of the forge.

“No…” you snarl with bared lips, kicking your legs regardless of the pain, throwing yourself towards him to keep yourself as far from the flames as you could.

Rolmuth laughs dryly accompanying his guttural breaths, his body stretching yet keeping a firm hold on your mandible as he takes hold of one of the branding rods.

“No!” Your eye widens and your hands reach up to push his face away from you.

“Fuck!” He growls, shaking his face to keep your hands off as he pulls the iron out of the furnace.

He wastes no time pressing it into your side regardless of the thin tank covering your skin, and the cloth does absolutely nothing in regards to the sudden gut wrenching sensation that makes it feel like your entire body was drenched in gasoline and set on fire with a blowtorch.

Your cry is deafening to the ears and the smell of burning charred flesh is quick to fill your nostrils. You feel and you hear your skin bubble up, sizzle, then pop, then stick to the metal and entangle itself around the start of the handle taking the appearance of something similar to chewed bubblegum.

Even trembling and shaking, you manage to find a way to position your hands so you can plant your thumbs into his eyes and use some of the only fingers you have left to press them into his eyes, causing the man to yell.

Still, your screams aren’t matchable as your fingernails gouge into his sockets and claw at his eyelids, shredding through flesh easily as blood began to dribble down his face and over his lips like tears. You still manage to scream louder in anger than the man can in pain.

Your fingers shove deeper into the grooves of his eye sockets, the organs are pushed so far back that blood sprays across your face and he finally releases the rod.

It clangs to the floor, and he starts sobbing in his native tongue, convulsing hands reaching up towards his red-painted face as you pull your gag out.

“Go to hell,” You seethe wobbly as you lift yourself and steer yourself behind him, taking Rolmuth by the nape of his neck and forcing himself inside the mouth, against the grills inside the furnace.

He shrieks and cries, moving erratically as his face is engulfed by the fire. Slowly, yet quickly, his skin is shredded by the blazes and the bottom rows of his teeth are exposed.

It takes him a while to stop making noise before you pull his head out and throw his twitching body onto the ground, then you finally allow yourself to lean against a boiler tank and take pressure off your injured foot.

You propel yourself off the tank by your palms and drag yourself regardless of your ankle to the edge of the furnace, turning yourself around to scrape the rope against the brick.

A gasp releases from your throat at the sudden relief around your wrists, the rope falling to the ground.

“Ghost?” You lift your head.

“‘M here.” He replies.

“I don’t know if I can get up.”

“I know you can,” Ghost urges. “Find…” he sputters up blistering coughs.

“…Fin’a knife, ‘n get me outta these binds, yea?” He huffs. “‘N I’ll do the rest.”

Your eye blinks as you grip the ankle of Rolmuth’s corpse, pulling him toward you to start flipping up his vest and pant pockets.

He didn’t have a knife on him.

Got to be fucking kidding me.

A door is swung open, a singular set of footsteps stepping into the room.

Your eye searches for a weapon—anything that can deal enough damage.

A metal fire poker is hanging off the wall to your right, so you swing your elbows back and lift yourself up by the palms of your hands.

As quick as you can, you hoist yourself up by using the support of a metal deaerator, your arm sliding against it as you limp and throw yourself towards the wall creating a subtle thud.

“What the fuck…?” A man’s voice murmurs.

You silently curse to yourself under your breath as you grab the fire poker off the nails that were being used to hold it up.

Using the heel of your injured foot, you shuffle against some shelving, looking between the gaps for the man inside the room.

He’s holding a Fennec, nothing you haven't dealt with before.

He’s twenty seconds to your left, carefully skimming along the floor with his eyes down the sights of his gun.

You pinch a metal screw off of one of the shelves and toss it into the corner closest to you to lead him your way.

“Fuck,” the younger male jumps slightly. He looked young and lanky, at least from his physique.

When you hear his boots start to rub against the floor, you lift your head slightly to watch him turn towards your direction.

Your fingers and nubs flex on the thin metal, it’s hard to gain a clear grip.

The man comes around the corner of the shelves, the sounds of his tactical gear shuffling alerting you when he gets closer until his helmet is in sight.

You immediately thrust the fire poker into the gap below his collarbone and into his scapula, dampening the fabric of his undershirt in that area as it rips.

Out of panic and shock, his finger grips the trigger and you have to jerk him away before any of his bullets are able to hit you.

“Please!” The boy pleads, gun dropping to hang around his neck as he grips the caps of your shoulders. You only glare at him before plunging the fire poker further into that same spot until it tears and mauls through his back, sticking out on the other end.

He’s gasping out, but it’s almost like no air is exhaling, mouth held agape as his grip on your shoulders releases.

You shout and cry out at every thrust until the hole carved into his skin is able to suck in the hooked tip.

The male’s head falls and you allow his body to slump down and forward, the metal rod holding his stilled body up.

You heave dryly and press a palm on the wall to support yourself, your foot is killing you—literally.

The blown out flesh and puckered skin walls made you want to barf. You could stick a finger through your foot and feel your pulsating muscles just hug around your finger.

You lean down and unclip the knife holster from the gun belt, unsheathing it then hobbling around the shelving towards Ghost who was still hanging from the pipes.

“Okay, okay…” you breathe sharply, struggling to lift yourself up onto the brick platform of the furnace, nearly stumbling off before you catch your footing.

“Keep still,” you say, arching your hand to start cutting at his bondings until he’s dropped onto the floor.

Ghost lets out a loud groan, his arms clutching his ribs. They’d broken one of his ribs, maybe multiple. You both were in bad shape.

It takes him a moment to get himself off the floor as you seat yourself and scoot off of the hearth.

He grabs both of the hand guns that had been dropped onto the floor, holding one out to you.

You unclip the magazine, then snap it back into the chamber at the sight of one missing bullet.

It was the same one that Rolmuth used to shoot your foot.

Ghost’s hand rests on your cheek, gently. “Y’did good, ‘lright?” He spoke with a lilt.

“Can y’walk?”

“A little.” You nod. “Fuckers took my shoes…”

He lets his hand fall to check his magazine, then he nods. “‘Don’t know if I can carry ya with m’ribs.”

“It’s okay, just don’t wait for me.” You reply.

His eyebrows furrow. “Bloody hell, Thaye, I ain’t leavin ya.”

“I know but—“

“No.”

Ghost’s half-lidded eyes glare at you, giving you all the warning to stop.

“Stay behind me.”

He starts walking towards the door, slowly peeking it before leaving with you behind him.

Walking hurt—even while you only applied pressure to the heel on your injured foot, the muscles contracted and the pain was torturous.

One man entered the hallway holding a box from another room, which Ghost took care of by shooting a single bullet between his eyes.

The box had opened and dropped glass equipment, alerting four others who had been lingering in the room he came from.

They yell and communicate in their native tongue, one sticking his head out of the door threshold to aim his rifle.

Ghost fires his pistol and the man swings his head back into the room, still opening fire into the hallway.

“Fuck!” You hiss, dodging the bullets and moving quickly behind a filing cabinet, lowering yourself down.

Ghost’s back presses against a door to your right, pulling himself out of cover to fire at the man.

Two bullets miss and the third causes his head to fling back and smear blood as his body arches and falls down to the floor.

You lift your head and aim your pistol, gasping when your throat is suddenly hooked back from behind you.

When the combatant turns you around and attempts to make a slash at your throat, you manage to extract yourself by gripping his wrist and snapping his elbow out of place, the sounds of bones snapping as he yells.

His knife drops from his hand and you scramble to pick it up from the floor.

You groan as his boot digs into your bandaged hand before you're able to pick it up, then his hand grips your neck to lift you up.

He wraps his arms around you and squeezes you, locking his wrists over each other at your back. You clench your teeth and jerk violently in his grasp.

Ghost is fighting four other men, locking them in the crook of his elbow and smashing their skulls between the doors.

The man holding you in position crushes you in his grasp even with his broken arm. He tries dragging you into another room.

“Let me the fuck go,” you gasp, causing the man to laugh.

“You will regret ever trying to leave your room,” he utters.

You breathe a moment, heart pounding through your chest as you swing your head into the side of his neck and sink your teeth into his skin with all the strength in your jaw.

Crimson liquid seeps into your mouth and down the front of your neck as you yank out the flesh of his throat. You spit out the skin and blood, wiping your mouth and tongue against the skin of your arm as the man’s grasp loosens

His shoulder blades and chest are glistening in red, gore spurting out of the torn spot in his throat as his body stumbles and he’s gargling on his own blood trying to speak.

“Fuck you…” You shutter weakly, eyes slowly skimming down to the knife lodged inside your waist.

Shit.

He must’ve stabbed you before lifting you up, your adrenaline pumping so fiercely you couldn’t feel it until now.

You stumble on your feet slightly, shaking hands lowering to wrap around the handle and pull it out of the slit.

The runnel of red paste turns into a thick stream down as it drenches your tank top.

You lift your head slowly and throw the knife overhead across the hallway, hitting a man who’s pointing a handgun at the back of Ghost’s head.

It’s blade spades into the back of his skull and makes his body wriggle down onto the floor.

“Ghost…!” You gasp and press your open palm over your soaking top and open laceration.

Ghost steps over both legs of a bloodied man before shooting him dead and advancing towards you.

“Shite…” He huffs, gently removing your hand and placing it back after gaining a clear inspection.

His hands grip the hem of his shirt and roughly tear at the fabric creating a long strip, then he moves your hand aside again to tightly secure it around your wound.

You hiss and groan, hand gripping his shoulder as he tugs and pulls at your body while tying the knot of the fabric.

“I’s ‘lright.” Ghost mollifies as he scoops his arm underneath your armpit.

It offers you some support as he guides you both out towards a staircase.

It wasn’t a warehouse—you and Ghost were just in a basement that was turned into a meth lab.

Boxes and boxes full of lab equipment scattered along the floors.

You’d never seen such a big basement, one with torture chambers and stonework rooms.

Hell, in the corner of the room with all the steel liquid tanks and chemical barrels.

A woman is in bright blue hazmat coveralls and a chemical mask standing on top of a metal stool.

Ghost raises his pistol and you lower it slightly with your palm, his eyes glaring at you with his head kept facing forward.

“You can’t miss, we don’t know what corrosives are in these tanks. Is it worth it?” You keep your voice low, personal between the two of you.

He doesn’t reply, instead he looks forward, then squeezes the trigger and picks the woman off by shooting her in the side of her neck.

You swallow thickly as her body spasms on the ground, the stool getting caught in her ankle as crimson fluid rises and bubbles inside of her mouth.

Ghost guides the two of you up the cobble stairs, one hand dragging up the wall and the other across your lieutenant’s wingspan.

Your eyes flash at the sudden two objects being thrown down the stairs, the sudden silence as they roll down step…after step…after step before Ghost is swinging you up into arms and yelling.

He’s breaching himself through the door, into open fire before the staircase you had come up from explodes into the emitting heat compressed air and blasts behind the two of you sending you both flying forward.

Smoke engulfs the room, giving both you and Ghost coverage to get behind cover.

You're pulled by the back of your shirt behind a deep freezer, bullets flying and hitting the metal.

“Fuckin’ pricks got us pinned!” His head lifts over to fire at three of the men who have ballistic shields covering those firing LMGs behind. “‘N I’ve got four left.”

You can’t see through the thick smoke—you can’t breathe while wheezing into the crook of your elbow. “Seven,” you inform him.

“Cover me,” Ghost grabs your arm for a moment, letting go and serving around the freezer.

You follow behind him with a raised pistol, shooting off at any glares you're able to see through the fumes.

Six…Five…

A man steps out from cover behind a wine cabinet, but before he can fire his rifle, you pop him in the eye.

Four…

Ghost quickly crouches down and shimmies the rifle out of the corpse’s grip, grabbing at a magazine and stuffing it into his vest he’d managed to keep.

You groan and push over a bookshelf behind Ghost once you’re both out of the smoke. He takes aim and opens fire at three men, blowing holes in their chests before he rams into the fourth with a loud yell and slams down the stock of his assault rifle into his face until his teeth and nose are finely pressed into the persian rug.

You finish off two more who try to walk through the threshold of the room, turning your head over your shoulder at the sound of approaching footsteps.

Two…

You jerk yourself away before you get slugged by a riot shield, ascending yourself and shoving your firearm past the barriers of his lips from behind. You pull the trigger and his head flings as the bullet rings out and creates a sizable hole in the back of his head.

One…

Before his body hits the tile, you take hold of his riot shield and deflect the hail of gunfire from the individual who came emerging from the threshold corner.

You walk forward until his clip is empty to drive the shield into his vest-covered chest, stunning him so you can push it aside and fire your last shot into the underside of his jaw.

Zero.

Bullets continue spraying throughout the entirety of the house while you make sure you don’t pass out from the amount of blood you’ve lost.

You grab the TAQ-V from off the floor and click a new magazine into it, shoving a spare into your back pocket before pushing into the same room as Ghost.

He’s piling bodies on the floor, wrestling for dominance over a knife.

You fastdraw another handgun you’d grabbed off of one of the bodies and shoot the man in his knee cap to allow Ghost to gain the upper hand and pierce the man’s temple with the weapon.

“Thanks,” he says gruffly.

You nod softly, inhaling sharply as you feel wet blood pool around your uninjured foot.

They took your shoes for no reason, like they had a use for them.

Maybe it allows you to move around more quietly, but it still disturbed you that they took the time to even peel off your socks.

“What intel did y’know that we didn’t?” His chest is against yours, head craning down to keep the conversation between the two of you.

“Lieutenant, we don’t…” You pause a moment, your head spinning.

Hunger, thirst, the cold, the blood loss. There was so much holding you hostage and you weren’t even able to comprehend how you were still standing—limping.

“Well, Seargant?” His voice is low, still holding the same husky British drawl.

“We don’t have the time for this, for now—“ Ghost shoves you aside before you can finish, raising the muzzle of his rifle to open fire on the men entering the room.

“Fuckin’ riot shields!” He pulls you behind a flipped over tattered blue couch that had already gone through its fair share of bullets.

A bullet flies and hits the side of the couch a hair’s breadth from your face.

“Goddammit,” he curses while replacing the magazine in his gun.

The men brandishing shields push further.

When one reaches close enough, you run in front of the shield and grab the sides before he crashes into you.

You turn him until his body is vulnerable to Ghost, your teeth ground into each other.

“Ghost!” You yell to catch his attention, head snapping in your direction to fire a single round into the back of his head.

You throw the body off of yourself and yank the riot shield to cover yourself, ducking your head as you recoil your fist and punch one of the men baring LMGs hard twice in the jaw.

You thrust the shield into the next, throwing it into his abdomen as he topples, finishing him off by shooting him down in the chest.

One turns with his M4 raised, but you turn your gun around and bash the stock into the base of his chest, then again into his cheek, swiping your leg across the floor and knocking him down then picking his head up and slamming it down on a thick shard of glass sticking upwards to finish him off.

Ghost drops the last body, finishing off a magazine into his vest and throwing the weapon aside. You toss him another one, which he catches with ease.

“We’ll force upstairs, look f’r our shit, ‘n leave.” He says as he picks up a frag grenade from off a vest.

“There should be Skimobiles somewhere around here, the ones they were using in the FFO,” you nod.

“A’right,” he groans while rolling his shoulders. “On my mark.”

He trudges past bodies until he’s at the threshold of the staircase, stepping up slowly with the grenade in one hand and his gun in his other.

You follow behind leisurely, eye down the scope of your rifle.

He pulls the clip and tosses it up, arm stretching behind to press his hand against your shoulder blade.

“Oh shit—grenade!” A man yells from upstairs before detonation.

“Go!” Ghost immediately backs up off the wall and skips over two steps into the corridor, prefiring as he loops around a wall.

There’s already bodies and limbs splayed across the room from the combatants who were hit by the frag.

Your back rubs against the wall as you lean to shoot down the hallway, whirring bullets firing past you.

After a few back and forths between staying flat against the wall and leaning to fire off your gun, bodies drop and you’re able to progress down the hall.

Ghost is somewhere on the opposite side of the house, you still hear heavy gunfire.

You pause at the sight of another man at the end of the hallway and you recognize him immediately.

The look in his eyes and the scruffiness of his face made your lips stretch in almost the most feral look.

Corbin, that was his name. Callsign ‘Pooch’.

Anger burns in the depths of your lungs and stomach as you grip the wall for support, lunging yourself forward to lift your feet over each body that was littered across the hallway floors.

Sweat ran down the sides of your face and splotched down around the neck of your shirt with the blood.

You watch his face twist into a wolfish grin as he slings his gun over his shoulder and walks towards you.

“Alright, sweetheart.” He purrs.

White noise fills your ears.

All you can see through the glossy shine of your eyes is the man who humiliated you in front of your superior.

All you can see through the blinding red rage is the man who beat Ghost and cracked his ribs, forcing you to watch him retract and twitch at every fleeting fist.

Even the hail of gunfire is silent in your ears as you drag your injured foot. Everything sounds underwater, everything feels dull.

His fist intersects and meets with your cheekbone causing your head to shift to the left and your body to stumble where you stand.

You grip his wrist and divert his second punch by lifting your arm and thrusting your knee roughly into his thigh to tamper his movements.

He groans, with grim chuckles following after. “I’m going to enjoy every last second of this,” he coos.

Your body shivers in disgust as you slide your fingers down to your waist, priming the knife stuffed beneath the hem of your shirt. “Go fuck yourself…” you hiss.

His eyes flicker down to your hand and his boot immediately connects with the middle of your torso, sending you across the floor with a loud thud.

Pooch steps between your legs and lifts your upper body by the neckline of your shirt, his knuckles slamming down to beat on your already swollen face.

Drool and blood pour from your mouth, a strangled gasp leaving you at every punch before he releases you harshly back down onto the floor.

Your eyes are rolling to the back of your head, the pressure and swelling in your face and head being all too much for you.

A boot is savagely kicked into the lower pit of your abdomen, making you gag on air.

“Get the fuck up.” Pooch spits.

You clutch your stomach and turn, slowly feeling for the knife, then quickly lifting the edge trimming of your tank top and grasping the handle, pulling it out and sweeping your leg around and behind his ankles to knock him off to the side.

He yells out swears as you level yourself over him, his legs kicking out to make your chest rest on the soles of his boots.

Both of your hands grasp the handle of the knife making it easier on your lack of fingers. His hands grip your forearms as you cry out and try forcing the knife down on him.

He kicks his legs up and backwards, upending you over him and sending the knife flying.

You hiss and give yourself no time to recover, flipping on your stomach and army crawling with your forearms to grab the knife.

He topples atop your body, planting a piercing slap across your face before reaching for the knife and propelling it downwards into you.

Before you’re able to block, the knife breaks through the skin in your stomach, your hand managing to grab his wrist before he’s able to gut you open.

You seethe and let out a sharp whine followed by a croaked cry, your other hand circling his wrist in an attempt to push him away.

Quickly, you roll your body off to the side and let go of him, causing the knife to pierce into the wood flooring as you grip a console table to succor yourself up.

Corbin abandons the knife and flings himself upwards, swinging his gun into his arms.

“I’m done playing games.”

You advance on him, grabbing the rifle and pushing it into his chest before he can aim it at you.

One of your hands grip the upper hand guard while the other grips the bolt and holds the muzzle up.

You yank his body over towards the window behind you, turning your body then grabbing the man by the back of his hair and smashing his head through the glass.

It shatters from contact and leaves cuts and shards in his skin, a loud yell clawing its way from his throat.

His finger grips the trigger and bullets roll out into the floor as you pull his head back.

You pull the rifle sling from off his shoulder, tossing it aside and disarming him from the X12 tucked into the back of his pants.

He growls at every tug of his scalp as you shoot him in the back of the leg and force him onto his knees.

A loud wail echoes the hallway from the man below you.

“Shut your fucking mouth,” you snap.

“You don’t get to scream.”

“You don’t get to cry and whine like a little bitch.”

There’s no remorse in your voice, no sense of mercy for the man being held on his knees and whimpering.

You smack the magazine onto the base of his nose, blood dripping it’s way down his nostrils as a struggling noise spills from his lips.

“You…fucking….” he chokes on his own words.

His entire body violently trembles at the tortured scream he releases as you squeeze the trigger again, shooting Pooch in his shoulder then proceeding to stick your thumb into the ravage wound harshly.

“Bitch! Fucking bitch!” He strains and pants like a dehydrated dog trying to jerk away from you.

You replace your finger with your foot, lowering his back against the floor as you press your toe into the bullet hole.

Another scream tears out of him as you blow another hole into the other side—his chest convulses.

Blood seeps from his mouth, you hold the grip of the handgun with both hands and sob out loud as you empty the entire magazine into his head until his face is unrecognizable to the amount of bullet holes.

You keep pulling the trigger, even as the gun starts to click announcing its out of ammunition.

The entire floor below you is covered in gore; flesh, messings of brains, blood, skin.

So much.

Your body snaps around as a hand abruptly drapes over your shoulder, your arm raising the gun ready to bash it into the skull of the next man to try and touch you.

“Thaye, Thaye—y’got him! Thaye, he’s dead!”

Someone calls your name trying to snap you of out haze.

Ghost—your eyes soften with glistening tears as he calmly disarms you after deflecting the hit with his forearm, tossing the handgun aside so he can push you into his chest by the back of your neck.

“‘S over, sweet girl.” Ghost says with intonation. “Can’t hurt ya anymore.”

Your eyes are wide with terror, hands bundling your lieutenant’s shirt as you exhale a shaky mewl.

It’s him who releases you first, handing you your custom rifle and radio.

His balaclava is back on his face, along with the skull mask.

“Y’r vest ‘n boots are in the room I came from,” Ghost jerks his head.

You nod softly and shamble towards the doorway in the direction he’d pointed out.

You pause.

A little boy walks out of the threshold—he’s holding a gun far bigger than his head.

Your eyes widen slightly. “Did these men take you from your family?”

You turn your head over your shoulder to call for Ghost, the sound of a bullet whirring filling your ears.

Ghost wastes no time pulling out his handgun and shooting the little boy in the head before running towards you.

Your right shoulder is screaming at you as time seems to slow down to a crawl. You hear Ghost yell behind you and the gunshot ringing as the little boy falls back and you do too, hitting the ground hard.

The masked man is on his knees in front of you within seconds, lifting your head into his lap.

“Thaye! Thaye, don’t y’fuckin’ die, not now…” He growls, applying pressure down onto your shoulder with both of his gloved hands.

Your lips slant in a tired manner, eyelids feeling heavy. His bloody hand kneads your cheek, smearing gore along your already dirtied skin.

“Fuck! Fuck!” he curses loudly. “Stay awake, love, please…”

God, he was hurting, it hurt to have your head against the burns on his stomach, but he wouldn’t let you die.

“Babygirl,” he says weakly.

All you can see is an uncleanable amount of red seep and cover your shirt.

Your lungs clutch together inside your chest, labored breaths escaping you with a strained noise.

“I know…I know—keep those gorgeous eyes on me, sweetheart.” He inhales a shaky breath, flipping up your blood-crusted hairs from sticking to your forehead.

You whisper an apology, catching his attention as you grip his waist. Ghost’s eyebrows furrow.

“Don’t. Don’t say sorry,” he says. “You did this, you saved our lives, love.”

“‘M just finishin’ the job, ‘lright?” His split and bloody lips find a place on your temple, planting a raw and long kiss to your throbbing skin.

“…’least I got to see your face before—“

Ghost holds you, squeezing your hand as a slight warning. “Don’t talk like that.”

It was a demand.

“That an—“ you spur into a coughing fit, blood spraying onto the man’s vest. “…Order, Lieutenant?”

“Spare y’r energy,” he huffs.

“Simon—“ you slur.

“Stop.” He snarls.

Your ragged breaths start to stray, causing panic to surge through the man above you.

“No,” he growls, squeezing your smaller hand in his a bit tighter than before. “Don’t, Thaye,” he says through clenched teeth.

Your body falls limp in his lap, the grasp loosening on his shirt making his heart pound through his chest, a painful pounding that felt similar to acid reflux.

“No!” Ghost yells, desperately palming at your tangled hair in panic. “Fuckin’ massacre,” he exhales shallowly.

One arm scoops beneath the back of your knees, the other across your shoulder blades with his hand holding your arm.

A loud strained groan claws it’s way from his gullet at the sudden pain inside his ribs as he lifts himself up and off the floor.

His muscles tighten inside his body, a burning sensation in his abdomen as he clutches you close to his chest, feeling your blood seep into his shirt.

☆════━━━┈┈┈┈━━━════☆

The gentle rhythmic beeping and steady flow of air through your nostrils was something that felt unreal and forced.

You slowly flutter your eyes open to light slipping in between the beige curtains. Your eyes are half-lidded and threatening to close against your will as your bandage wrapped hands rests atop the metal railing on either side of you.

It smells of strong floor cleaner and hand sanitizer, a scent that is slightly uneasy on you as you slowly slip back into consciousness.

Your muscles feel tight in your body; pain racking your shoulder and neck as you crane it to take a look around the room.

The walls are spinning and the ceiling above you is spiraling making you sick to your stomach.

On the bedside table to your left—closest to the window—there’s flowers. They’re too withered to try and recognize what kinds, shredding to flakes in your fingers when you caress them between your pinky and thumb.

Your hand drags up to pull nasal tubes out of your nostrils. It’s almost as if you’ve forgotten how to breathe air, throat tightening and lips so still from lack of moisture.

There’s a penetrating migraine in the back of your skull as you carefully swing your legs over the side of the bed, the thin baby pink and spotted hospital gown flowing down your sides leaving you slightly exposed in your thigh region.

Bare and bandaged feet slide along the smooth cold tile, sending chills up your body as you grip the IV stand with your trembling hand, the other holding onto the bed railing for support.

You groan and strain as you struggle to lift yourself up, propelling upwards with your palm and grip on the stand until your knees straighten and your standing up somewhat decently.

Where was Ghost? Is Ghost alive?

So many thoughts coursed through your head along with the punishing feeling of dehydration.

You guide yourself using the wheels on the IV stand towards a counter, your hands gripping the handle of the sink and pulling it upward.

A choked moan manages to break from you as you scoop the water in your hands and swill the rich liquid.

Water dribbles down your chin, which you wipe away before lifting your head to look into the medicine cabinet mirror.

Your hand rests on the wall in front of you as you heave.

They cut your hair shorter, not too short but enough so that it was comfortable. Your entire right side of your face being bandaged, stains of blood being a faint copper color.

Bandages wrapped around your neck and reached down your shoulder you’d been shot in.

Your hair had been taken care of neatly while you were in a coma, that was obvious.

Ghost. Where?

You grip the IV stand and hobble towards the door, turning the knob and gripping the threshold with your other hand as you step out.

A nurse pauses in her tracks, rushing to your side in an instant. “How are you up? Your injuries are critical,” she gasps, palm flattening against the small of your back.

“My lieutenant—…my lieutenant…” you say in an undertone.

“You need bed rest, you’ve only just woken up.” Her voice is gentle yet commanding.

“No,” you bark, shuffling out of her hold. “Please take me to him.”

The woman bites her lip before nodding hesitantly, hand against your back again to guide you towards his room.

It was only a few doors down from you—when the nurse opened the door, allowing you into the room.

You see the back of Ghost’s head facing in your direction, his hair tousled from the bandages wrapping around his head.

“Ghost,” you call.

His head turns from facing the window to facing you, you hear him murmur your name in reply.

“Y’minx,” he breathes. “Hell y’doin’ out ya bed?”

You carefully walk yourself towards him, the nurse holding her hands atop her chest nervously. The sound of the plastic wheels of the stand makes his breath hitch in his throat, the sound of reassurance that you were alive.

“You okay, big man?” Your voice is hoarse from lack of use, but he’s able to that you perfectly.

“D’ya ever worry ‘bout y’self, love?” Ghost asks with a tinge of humor.

Heavy casting was on his right leg, bandages and patches on practically every inch of his body—similar to you.

“Sometimes,” you smile softly and push strands of his hair out of his face, your heart slightly shatters in your chest at the sight of him flinching at your touch.

Ghost scoots himself over slightly, wincing at the sudden movement.

You seat yourself beside him on the large gatch bed and his hand pushes you down to lay beside him.

“Wait, Mr. Riley—“ the nurse takes a small step forward.

“I’ll ‘b fine,” he grunts.

Her eyes blink slightly as she takes a few steps back, her lips separating to speak though no words come out. She simply turns on her ankles and closes the door behind her.

Ghost secures an arm around your waist, pushing your back flush against his bandaged chest.

Your eyes trace his tattoos and the muscles of his arms, every scar and blemish.

“Where’s the force?” You ask quietly.

“Left recently,” he mumbles back tiredly, pressing his nose into your hair. “Y’smell like pomegranate—got y’self a damn spa crew while y’were out?”

You laugh dryly, breaking into a light fit of wheezes.

“Not too hard, Seargant.” Ghost’s finger tucks a loose strand of hair from your bangs behind your ear.

Your wet bandages on your hands rub against his knuckle as you hold onto his hand, he seems to pay no mind.

You turn your body slightly so you can get a better look at his face. “Odd seeing you without your eye black.” You quip.

His closed eyes open to look down at you. “Mm, might as well see m’down in me knickers then, eh?” He chuckles huskily.

“Very funny,” you roll your eyes lightheartedly.

You catch his small glances to your lips, his hand leaving your chest to run his thumb down your bottom lip until that same hand is cupping your cheek lovingly.

His eyes narrow, he’s sleepy, but you still catch yourself propping your body up with your elbow and closing the gap between the two of you.

Instantly, his head cranes and tilts to deepen the kiss, his fingers gently sliding down the side of your face to press his thumb into the underside of your jaw and drag his fingers along the nape of your neck.

Ghost breathes into your mouth, the taste of mint leaf and citrus enveloping your taste buds as his tongue laced over yours.

The kiss was passionate, you feel his eyebrows furrow showing his desperation as you both kissed softly at a gentle pace and motion.

Your eyes flutter open as you feel his warm lips leave yours with a quiet pop, both of you panting lightly with his forehead pressed against yours. Ghost’s eyes are unable to open for a few moments after you disconnect.

When they do open, your eyes bore into his brown orbs, the dark purple hue circling under his eyes showing his deprivation of sleep.

When he feels you buck gently back into his groin, he releases a small grunt, lips meeting yours again for a small chase kiss.

“Not like this,” he says quietly. “I’d take you on this bed right here, right now, but y’ve recently waken up ‘n we’re both still in r’covery.”

You hum in agreement, his hand finding it’s place on your chest once again with the knowledge of your lower abdomen injury.

“‘N to b’honest—‘can barely feel m’damned balls, feels like ‘ve got whiskey dick.” He grumbles, and you bite your lip to suppress a giggle.

“Simon!”

“Don’ you laugh at me, woman.” Ghost lowers his head into the crook of your neck, biting the skin gently

“My deepest condolences, Lieutenant,” you purr, catching his lips in another kiss when you jerk his head upward with your uninjured shoulder. He growls against your mouth in reaction.

There’s a long yet short line of silence as you turn towards his back again, your legs tangling with his as you hold your lips against his knuckles.

“Y’have no clue how strong you are.” He swallows the knot in his throat as he speaks. “God, Thaye, they…they told me there was a chance y’d never wake up.”

“Hey,” you hum. “Stop that, I’m here now.”

His eyes stare blankly at the wall ahead of you, maybe even the same wall you were staring at—if your eyes weren’t closed already.

“I just don’ know what I would’ve done if I made it outta there ‘n y’didn’t make it with me.” He says.

“Y’r the reason I made it out with you in the first place. If y’hadn’t pulled that barmy stunt—“ he pauses, and you feel the rise of his chest and the fall as he exhales deeply.

“Y’survived internal bleeding, trauma to the head ‘n eye, two broken ribs, second and third degree burns, asphyxiation, dismemberment, stab wounds and gunshot wounds..” Ghost squeezes his fist tighter against your chest.

“So did you, Si.” You coo softly.

“Christ…” he mutters.

His fingers interlock with yours best they can, regardless of the most of them being numbs on your knuckles, and it wasn't until your hand rested on his chest and rubbed over the raised scars, that he realized he hadn't been touched so gently in nearly eleven years. It wasn't a new feeling, but it was a feeling that he had craved desperately.

Never had fallen in love before, but he knew you had bad experiences with it—figuring out that your ex-fiancé had cheated on you while on deployment. Someone had to love you, and he was skeptical of it being him, but it was clear you loved him too and now he was scared you’d stop.

But hearing your gentle breathing as you slipped back into sleep hunched into his form led him somewhere he’d never been. You cleared his mind and cleared away his thoughts. For the first time, he doesn’t want to look away from what he has the ability to feel.

#simon ghost x reader #ghostheartfelt #ghostheartfelt writing #simon ghost riley #ghost #simon riley x reader #simon riley x you #simon riley #ghost cod #ghost mw2 #ghost mw2 hurt/comfort #ghost modern warfare #simon ghost x you #simon riley x y/n #simon riley imagine

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soaringwide · 10 days

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Pick a Card: What do you need to hear right now?

Hello and welcome back to a new pick a card reading!

Today is a general and open one, where we're going to look at What you need to hear right now.

As always this is a general reading meant for multiple people so it might not resonates 100%. There are only three piles and a shit ton of you. Takes what resonates and leave out the rest.

Check out my pinned post for more pick a cards or to book a paid reading.

PILE 1

Cards: 10 of Cups, King of Swords, 5 of Swords, the Chariot, the Empress, the Hanged Man, Queen of Cups, 4 of Pentacles, the High Priestess, Sweet Oblivion, Acceptance

Right now, you seem very preoccupied, by the idea of happiness and emotional fulfillment. I see you wanting more from life and not wanting to settle for your current circumstances. You are an idealist who wishes to enjoy life to its fullest, and I think that includes multiple areas of you life because you don't want to neglect any aspect of it.

But at the same time, there is this idea that your idea of ultimate happiness is an ideal, and ideals are not reality. Reality is uncertain and mysterious, we never know what's around the corner, and I think you're trying to get a hold of that by using your logic over your heart to try to understand and break down what it is you want from life. Truth is, when we want something, even when we get it, it never quite look like what we imagined, and that's quite a struggle when we want to control outcomes.

And I think you're fully aware of the fact that there are going to be some losses on your path towards this beautiful goal of yours. Perhaps you even have already experienced some. You might be wondering if that was all worth the effort in the end and feeling quite defeated on the inside. There might be frictions with you values and feeling like you have to sacrifice something dear to you.

However, despite these sour feelings, you feel like you have to stay determined to make it work and get out of the realm of what's known and comfortable. With the Chariot paired with the Empress, representing respectively Cancer and Venus, there is this idea of slow but unstoppable movement toward you ideal. It's really hard for you to let give up, unthinkable even. Both characters are crowned in stars, representing the hope for something better and the faith you have for yourself.

What you don't see, however, is that you are currently trapped in your own perspective and struggling to see things in a new angle. You are tied to the emotional baggage of your past and it's like you're trying to run away from the pain but you can't, you're stuck with it because its part of yourself, of your story. And I think to some extent you fail to see how these past emotions are affecting the way you see the situation. You learned to be very protective of your well-being, up to a fault because, right now, this inflexibility is creating struggle and pain where there is no need for it.

I also see that you're so focused on the prize that you're blinding yourself to everything else, which is part of why you are stuck in some way.

You advice regarding this situation is all about accepting that you cannot control everything, nor that you should. As we pointed out things will not always unfold the exact way you want them to, which is not necessarily a bad thing. You don't need to know everything, to see 10 steps ahead. It's okay to not know what you are doing, no one does. Yes you are doing that because you want to feel safe, but that's not how reality works. You can't trick your mind into thinking you have full control over your life, that's a delusion, and you're missing out on the mysterious adventure that is life.

So you need to let go a bit, surrender your desire for control and float through life with peace in your heart. What will be, will be. Some things cannot be changed with force and willpower alone. Some things are out of your control and all you can do is accept and let things unfold naturally. Right now you need to let loose a little and learn to have more faith in life and to trust that sometimes, the detours are exactly what we need to experience.

Key words: crisis of faith, winning at all costs, go big or go home, sunken cost fallacy, if i don't help myself then who will, crawling out of a hole, disillusionment, swimming against the current vs floating with it

PILE 2

Cards: King of Cups, Empress, 7 of Pentacles, the Hermit, the High Priestess, 3 of Swords, Ace of Wands, 7 of Cups, 8 of Pentacles, the Hanged Man, 3 of Cups, 8 of Swords, Rebirth

What you're being asked to look at today, is your emotional balance and the emotional work you've done on yourself to nurture and repair. It seems you've been working at it for quite some time, steadily and patiently. You've been caring for yourself, healing, like a gardener working in his orchards day after day, waiting for the harvest to finally come.

And you did quite well it seems! A lot has been accomplished already. You've done the work and sought inner knowledge; with bravery you looked at every shadow, every past hurt, every trauma, and you've learnt so much from it. You really consciously took the matter into your own hands and were directly acting on your issues. It still hurts at time though and you might be wondering when it will cease to be painful. Truth is, you keep touching the wound so it's probably not helping. I see you quite stuck in waiting for this harvest, the harvest being the point where you feel finally free from all of this ready to seize life again.

You also went through a time of isolation that made you stronger, but I'm also getting that you're struggling to get out of that isolation mode out of comfort and fear mostly. Sometimes when we go through something hard, it makes us feel alienated from others, like it's hard to relate to the everyday problems of people who were lucky enough not to go through something traumatic. It can make you feel envious, or at the very least, a bit disgusted and void of interest to connect with those people, because they just don't get it, and honestly, some people lack the emotional intelligence necessary to handle people who suffered a lot…hence the isolation.

What you don't see, is that you're ruminating your problems and that it's past the point of being helpful. It's like you're going over it again and again and again, trying to see if you can find yet another answer that would end the search once and for all. You're clearly overthinking your feelings and obsessively trying to find a solution to something that has none. What is done is done. Yes you need to mourn, yes you need to let time and introspection sooth the pain, but at some point, the only thing left to do is to move forward again.

The advice regarding this is that you need to drastically change your ways. Flip the way you live on its head. The cards point at getting out of this isolation mode, because the only thing holding you back is yourself in this case. It's like you're scared of going out into the world. You might not feel ready. You might not feel strong enough. You might not feel adequate for this world. But it's not true, it's just another result of overthinking your past hurt. It's time to step out and connect with other people. Celebrate, have fun, laugh, connect with others sincerely and without fear of not being understood. Yes some people won't get it but you'll also be pleasantly surprised by others, and you won't know until you tried.

It's time to leave the old behind, the old being those past hurt you're so familiar with, and this way of being you became so used to contain yourself in. You've spent enough time in the cocoon, now is time to break free from it and spread your wings. It might not be easy in the beginning, you might need to learn to fly again and it will be scary, but it's so, so worth it.

So ask yourself what living your life fully looks like to you. If you were completely free if nothing was holding you back, what would you want to? What would you want to become? Switch the overthinking from the tiny box you stuck yourself in, to the expansiveness of a mind that wants to reach to every corner of the world. The sky is the limit and it's time you look up.

Key words: breaking the shell, chrysalis, rebirth, being stuck in a maze of your own creation, scared to open up, meaningful connections, sunlight, removing the bandage

PILE 3

Cards: 6 of Pentacles, 6 of Swords, 2 of Cups, 2 of Swords, 2 of Pentacles, 10 of Cups, Page of Swords, 3 of Cups, 5 of Swords, 7 of Swords, 10 of Pentacles, 8 of Pentacles, the Great Goddess, Spirit of the Tree

The theme of your reading today is centered around the way you connect to others, be they people or spiritual forces.

More precisely, in the act of service you do for others, with a strong emphasis on keeping the balance in the exchange and the necessity to preserving the harmony between your thoughts and feelings.

With two 6 cards in this position, this highlights reflecting on the way you find the middle point in the way you give and receive your time and energy, but also what it costs you mentally and emotionally. This is a general reading so it's quite nebulous without context, but to some it could point at a specific relationship, or if you're someone who provides service for others, it could point at that, and it could also be relevant for those who do spiritual work.

In any case, what you're clear on in this situation, is that you've reached a point of no return. It's just no possible to keep doing things as you're doing them right now. You've been contemplating this recently and reached the conclusion that you can't make everyone happy at all costs, despite your desire for things to be perfect for all involved. You are sacrificing yourself in the process, to an extent that is not healthy for you. Exchanges between people are never fully balanced and that's just reality, but in the long run you should find some type of balance and not just giving yourself to keep everyone happy but yourself.

What you don't see in this situation is that you're getting the short hand of the stick when it doesn't have to be the case. If every interaction feels like a battle that you have to fight to sourly win, then was it really a win? Others can be here for you as well, for support and enjoyable shared moments. You should be able to all get something from this. If they never give you that, is it truly worth investing yourself in it?

There is a strong need for protecting your boundaries mentally as well. You don't see how letting others step all over you is detrimental to the way you perceive life. It maintains you in your little box where you need to expand your horizon. I think you somewhat lost that side of you. The side that seeks truth, that is strongly rooted in its individuality and critical mind. The you that seeks mental stimulation and adventurous ideas.

For the advice, you need to be honest with yourself because from what I understand, you do see the situation clearly, but for some reason, you're not acting on it. It's like you're lying to yourself a bit. You keep trying to make things work in this very unbalanced state, harming yourself in this task for the sake of others.

You need to look further and think of your abundance and legacy. What will you be remembered for? For what you did to others? It's very noble of you, but what about your enjoyment of life? What about your personal goals? What about what your heart desires?

Think of trees: we now know that despite being fully rooted in themselves and being whole and independent life forms, they do live in community and are able to communicate with each others across species and help each other. The big tree provides shade to the small plants, and the small plants keep the ground moist and fertile. They all benefit from this and create an ecosystem for all to live in.

You are being called to re-balanced things within you and in your life. To get to the root of this blockage you have regarding exchange and service in order to transform yourself. Perhaps what you're doing is actually detrimental to your ultimate goal, and being a bit more focused on yourself, selfish, even, would be the key for more stability.

Key words: giving and receiving, overworking yourself, beneficial selfishness, harmony between extremes, losing yourself in the work, waking up to what matters to you, long term goal, the wisdom of trees, creation and destruction

#pick a card #PAC reading #pick a pile #pick a card reading #tarot reading #tarot #tarotblr #tarot community #divination #soaringwide #soaringwide tarot reading #pick an image #pick a photo #pick a picture

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girlbossblackbeard · 9 months

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THOUGHTS AND LAYERS

i spent literally an hour analyzing this trailer at 0.5 speed. this post is long af and these thoughts are in no particular order and are poorly organized:

-there's a big storm (which I think was already confirmed), and ed gets swept overboard by a bucket on a rope:

he then crawls up out of the water onto the beach

then goes into the forest, creates a hut, has a journey of healing and self-discovery, meets hornigold (or his ghost??)

and kills him thus killing the part of himself that he hated the most (his violence) as a parallel to stede finally getting rid of nigel's ghost by accepting and believing in himself

-in the stede/ed split screen, the stede shot is from the first ep of s2 right after stede finds the marooned crew at the end of ep 10 in s1 (you can tell bc his hair and clothes are still clean, there's no gay bandana around his neck, and that's his lil dinghy buttons is rowing)

-they go to shore and wind up at the merchants shop where "susan" overhears they're tracking down blackbeard

and she invites stede's crew onto her ship, cue the outfit change in the BTS photos:

-the way stede makes that little swishy turn in the red coat -

makes me think this may be first time he's been in fine clothes since his "death" and i hope we get a moment of him reflecting on how he gave up everything for ed only to have him hate him :( but then obviously realizing that ed is worth it and he'd do it all again in a heartbeat if it meant getting a chance at spending the rest of his life with him

-izzy and stede team up, and izzy is clearly training either himself or stede on the revenge (?)

soooooo many questions: what caused him to leave ed and join stede's crew? is he fighting with ed and is training to take him out or is he just done having his love be unrequited so he leaves and just so happens to stumble into stede? is izzy thinking that if he can't cut out the longing he has for ed he has to kill him instead so the pain will go away? what, pray tell, the fuck is going on in here on this day

-wee john in the mermaid costume (and olu in a bunny or donkey costume?):

a fuckery? or just a weird acid trip? OR IS IT THE TALENT SHOW THEY NEVER GOT TO HAVE??

-ed really does force everyone on his crew to wear war paint

-all the tally marks scratched into the walls - is that the number of days since stede bonnet broke ed's heart?

-ed in the forest in PEARL NECKLACE HELLOW????????

-the tear in ed's eye as he moves the cake toppers closer together which he also painted to make the lady look more like him he literlaly is in love wiht stede so bad wht the FUCJ

-ed's crew is murdering SO MANY PEOPLE at the wedding wtf (pic not included bc scary)

-delusional moment but i hope anne bonny on stede's lap is looking at calico jack off screen

-stede and ed are running towards each other on the black sand beach (thank you @sluterastede for pointing this out to me wtf!!!!!!)

which evolves my theory that ed in the forest goes through his healing journey and realizes he wants to openly love stede again but then the navy attack and stede just so happens to have found ed at the same time and they're fighting to get to each other and taking out everyone in their way (what if that was okracoke lmao)

-the swede and spanish jackie hooking up in the trailer

makes me think the bts shot of ed and jackie is them looking at stede and the swede, and ed being SO in love with stede obvi but jackie is watching the swede do some weirdly hot shit so she's gotta have him (what if they got married and he became her umpteenth husband in a drunken vegas-like shotgun wedding where she wakes up the next day to realize what has happened lmao)

-also this pic is DEF from the reunited/make up era bc ed's half-up hair, no makeup, soft eyes, and buttons' clothing. i am weeping

-stede in pain - is it an injury or a tattoo? or torture as @sluterastede posits?? he looks down at his lower body before screaming so maybe he knows what's about to happen to him??

-ed in the forest wearing the pearl necklace (see above), ed saying "fuck you stede bonnet" wearing the pearl necklace (see below)

does he pick it up at the wedding??? (theory credit to @sluterastede!!!! can u tell we watched the trailer together 400 times) i can't tell if he's wearing it in the one wide shot of him in that scene:

but regardless of when he acquires it, does he take it bc he remembers stede said he wears fine things well???? and he starts to believe he may deserve them??

-side note about a LACK of something: ed isn't wearing the cravat at all in the trailer near as i can tell, and he's not wearing the pearl necklace when throwing knives at the wall (at least from what I can see, which is not much) which leads me to believe that scene is in the earlier part of the season

-lastly, the most important song lyrics from the trailer (the beautiful ones by prince):

and that's my dissertation on the ofmd season 2 teaser trailer thank you

#ofmd #our flag means death #blackbonnet #gentlebeard #edward teach #stede bonnet #ofmd s2 #ofmd season 2 #ofmd s2 spoilers #ofmd spoilers #ofmd s2 predictions #ofmd s2 trailer

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neptunes-sol-angel · 14 days

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Just a little reminder that everyone has a feminine and masculine side, so don't hesitate to read the messages for your masculine side too.

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Pile One 🕺

BEYONCÉ - COZY

Right away, I’m detecting that this pile is trying to work through some bitterness and that’s ok. I get the gist that this collective is aware of this and are either accepting of it or in denial of it because of the assumption that it’s embarrassing or demeaning to feel that way. I always want to remind people that it’s okay to feel negative emotions. Having them is not what defines you but how you choose to express them is how it truly characterizes you. It feels like this brooding energy is like a seesaw or a visual representation of tug of war, because it’s happening in two different directions. This pile could be in limbo with trying to reach the other side of realizing your self-worth. There’s bitterness split into two directions. Acerbic agony over “why not me?” in terms of finding people who accept and match the love that you give to others and “why me?” when it comes to jealousy and vitriol that makes you afraid of your own potential for success and dim your light. What your feminine side is asking of you is to stop watering yourself down because you feel it’s safer that way to be under others. Take note of the vibe that you get from this channeled song because it’s time to get “cozy” with who you are and take some initiative in the lessons that you’ve been through by talking your shit. You sat with your pain long enough to know its beginning but to finally decide how YOU want to create its end. If you’re in a funk where it’s making you feel meek and want to self-sabotage, reach deep inside yourself to know that the answer isn’t to revert back to old patterns and lies that people told you to keep you stuck because they don’t want to see you grow. Get cozy with yourself because you must understand that every step of the way isn’t going to be comfortable all of the time but I feel that a lot of you are at a point where things are getting worse before they get better. It could be something external going on, but I feel that it’s mostly mental. You’re going to come out of this even stronger than before and you’re going to move differently and choose differently but also get an upgrade relating to speech. How you talk to yourself will improve, you’ll speak with more confidence, and your words will match exactly with your feelings when it comes to communicating with others. The main thing that I am seeing here is no longer trying to make accommodations that make you suffer in the end just to protect another person’s ego.

Pile Two 🕺

BEYONCÉ -MOVE

I’m sensing a lot of completion with this pile. If you’re not in this new energy yet, prepare for people making a lot of misconceptions about you. You could be accused of being aloof or have people nitpicking or trying to diagnose you based on little to no evidence. It doesn’t have to be this exact situation but what I first would like to point out is that it’s like, you’re floating down this river, unphased, and just flowing with the currents. Or that you’re water itself, becoming mutable with your form but regardless of what changes are made, you’re still water. If you’ve experienced intense feelings over people ghosting you or just not prioritizing you in the past, I’m seeing that you’ll be at a stage where you understand that what those people did wasn’t at all right and you’re no longer internalizing it with your thoughts and actions, but in other words, you’re not going to be that person anymore that’s waiting for a text. You’re not going to wait for people to act right, wait for other people’s approval, or postpone your life for people who like to play with your time. I’m getting the message that you shouldn’t stop yourself from doing whatever it is that you think about doing because “they will talk about you either way”. This could apply to promoting yourself in some way, maybe for a new job opportunity, or just taking a chance to improve your health. You may have anxiety of thinking that maybe there’s no point in trying to see what you can do for your body because you’ve been stagnant for years because of circumstances that weren’t really in your control, like finances or being dependent on a toxic parent. This could also be something else, but either way it’s like you’re afraid of what you could hear, possibly something negative or even just a “no”, but I’m hearing you can’t make that judgment without trying, because you might actually receive a yes, assistance in getting back on your feet again, or good news about your timing in getting something done before you could miss out on what’s important.

Pile Three 🕺

BEYONCÉ - CUFF IT

A rebirth is needed for this pile. There’s a lot of indulgence that feels mindless and endless because you’re seeking to satiate a need or needs but there are people who are already aware of this but are in need of confirmation for which way is the right direction to go. It’s about experiencing everything for the first time all over again. Not in a dreadful way to make you suffer, but to soothe any worries over not finding happiness if you don’t have that “one thing”. If you’ve been tested recently on remaining brave in your decision to part ways with someone but are having second doubts or the fear that you’re going to miss out, maybe that “need” that you have can be replenished by just being around your family to remind yourself that you aren’t lacking love and support around you. If you’re feeling “sexual”, maybe it isn’t sex that you necessarily need and that it’s just your soul telling you to create. If you’ve been used to seeking answers through spiritual measures but are still left confused, then maybe that’s a sign that it’s time to step back and take a break from the unseen and to come back and relearn how to go through life from just being instead of trying to know everything. Even if it isn’t those specific scenarios previously mentioned, you’re on a journey of wisdom of learning that a lot of the things that you’ve considered as losses haunting your everyday life, were not really losses, because they can be replaced by something else that’s going to lead you into falling more in love with yourself.

#divination #intuitive #psychic #pick a card #tarot #spirituality #tarotblr #pac #pick a pile #tarot readers of tumblr #the tarot community #tarot community #beyonce

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maddragon15 · 26 days

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Finalized design for my version of Etho for hermitcraft s10!

Warning long infodump ahead about the decisions made and general lore

So I've had this idea that redstone is like uranium. Powerful, can be used for energy + various machinery and scientific discoveries, used to increase the value of the everyday lives (uranium girls ref) but with the major cause of life deletion/life altering affects. I believe that it would cause more mutations within redstoners over the course of time they are exposed to it and the varying degree that they're covered in it. But redstone is a fairly new resource that has been discovered in the world of minecraft/hermitcraft. So the research behind it isn't as strong nor as known as it should be. Therefore every effect that happens to the pioneers of redstone is completely new and unheard of. Which might be the reason why some builders like Grian, Scar, Ren, Gem, etc are hesitant to fully learn redstone mechanics due to the unknown nature of it but still aren't fully opposed because of the benefits it has.

In my world of hermitcraft for season 10 it's built off of the fact that there's quite a few people leaning into that cybery, technological, sci-fi theme. Like the Punks, then Ren's Gigaverse and of course the nature of Doc in general. So the main story is that this world of hc2410 is that it's a world that was much similar to earth. It went through the usual set of technological feats bit by bit, culture by culture.

For a long time their main power source which fueled everything was glowstone, a semi renewable material exported from the Nether and harvested from blazes and the blaze rods. Blaze rods were grinded down then compressed into glass like bilets which were then heated, strained, and forged into various forms that were needed. For a while it was small 2x2 inch cubes mainly used in lamps and later 6x6 foot cubes for lighthouses. But as the age of the iron wore on, technology looked much like the era of the vacuum tubes.

Thus began the swap of simplified forms of glowstone into the complexities of tubes and the requirement of more materials and longer time to create these specialized parts. Though that didn't stop what pioneers were part of that era, these guys being Etho, Tango, Doc, and Mumbo. Now these guys were very basic hybrids, Etho an arctic fox, Tango a nether born blaze, Doc whom was a rare specices of creeper, and Mumbo who was actually just a human. It took long and multiple days worth of work to even produce what would be a 4 part machine in modern redstone technology with glowstone. Though these guys were at this point young and determined to optimize their creations.

Glowstone in itself was a relatively safe material to work with unless of course consumed, if consumed it would wear down the lining of the stomach, cause holes in the intestines, and heat the user to an unbearable degree akin to the infamous iron bull method of torture except it was your insides and only your insides being subjected to it. To the person that found this out would never be credited and largely forgotten in most history records. Mainly because he died such a painful death and most didn't want to remember it. So when Etho was working on the mines with his crew and discovered redstone there was a guess and perhaps a hope that it would be as safe as glowstone. Therefore safety percautions that were used with materials like obsidian and diamond were thrown out the window. Instead it was instantly collected into glass cylinders and brought back to the workshop to be played around with.

Thus the reason why for most parts of hc2410 many will be seen with previous and malfunctioning innovations or straight up tech from the glowstone era. One of these people is Mumbo who still uses comms from the glowstone era as a way to keep his small hometown economy running because any way to help Big Ron was a win in his book. Pearl is also another example user of older innovations or at least less redstone heavy variations. Rather going into the world of solar, and botany side of technology dubbed leafstone. Other variations of older innovations would also have to be old port towns who used wind and small hydroplants to keep their town running and connected with the rest of the world such as Gem's & Grian's hometown.

With Etho being the main guy who really played around with it and pretty much like at it like ate it like it was sugar was thee very first to experience the mutational effect of redstone. At first his left eye would begin to flicker with rapid involuntary movement, then followed a set of what would be dubbed "chromatic abberation" (etho would be the only one to experience this and no one can confirm what he saw was accurate due to the mental state he was in), and the onset of vision loss. But this wasn't the first and last effect, he would begin to develop a second tail and unusual pelt coloring akin to the color of the newfound material. Much like the later steps of his changes the second tail development was not a pain free one. As the months continued his mental state worsened, this was due to the psychoactive effects of redstone and already altered vision. He would begin to see things that weren't there in a translucent red glow often accompanied by intense localized migraines behind the left eye. It would get so intense and unbearable that in the middle of developing the infamous etho hopper clock he began to claw at his left eye but the fingernails weren't enough and instead used a screwdriver to try to get it out. However Doc and Tango would find Etho moments before a prosthetic eye would take the permanent place of a redstone scarred eye.

Although Etho did wear a mask during the initial stages of redstone development and technology it wouldn't be enough against the sheer intake the 4 went through. Therefore under the careful guise of Xisumavoid, who'd later become the main caretaker/medic and manager, and Doc they would make several changes to how redstone was regulated. Making a mandate that all personnel, consumer, mechanic, and who ever else would have to wear a respirator and gloves during the usage of redstone. You'd think this would be easy to get the crew to swap into using respirators at the very least but it was met with much hesitation and backlash due to the blukiness that came with them. It was already tough to pack around the canisters of redstone, glowstone tubes, and iron baseplates and now they also had to squeeze into tight spaces with a clunky mess? But again Doc and Xisuma found ways to make sure that each member found a way to have their own variation of resperation based upon needs. It wasn't too hard to make one for Etho because he already had a mask but his stubbornness rivaled Doc, and took a near fatal pass out due to lack of blood production, aka just more extreme anemia, and bloody nose to convince Etho to finally add that respirator onto his mask.

Despite however the apparent dangers of redstone it sent the world of hc2410 into a new world of technology seemingly overnight, from clunky 60s-70s style tan and heavy clunk switches into an age more similar to thin touch panels and streamlined designs of now but with the flair of the iconic synthwave/cyberpunk style deemed by the 80s-90s. Yet it was met with strife due to how time consuming redstone was even with several engineers helping out on one project and most innovations were only available to the richest before being thrown out for the latest and greatest.

Also you may recall, if you've made it to this point, that I mentioned that the 4 were basic hybrids. Well much like Etho the effects on the rest weren't simple nor painless, and varied quite differently from each other. But those will be covered once their designs are finished.

I thank you if you've made it this far and I'll see you on the next hermitaday posts! :3

Edit: I also want to include that one of the main design inspos is actually Snakeyes from Gi Joe because that man is absolute gender to me. So why not combine my two favorite guys into one character.

Edit #2: Added more text breaks bc I no longer have 5 am involuntary eye movement. Which is odd because you'd think I'd need more text breaks but it's the opposite.

#hermitcraft #hermitcraft fanart #ethoslab #etho fanart #par art #par hc

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natasha-in-space · 19 days

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I think not nearly enough people comprehend just how messed up Rika's and V's relationships truly was, actually. It is so easy to get hyperfocused on the big climax of their toxic obsession: the cult, the physical violence, and the secrets. But, like... You ever actually sit down and think about the sheer fact that V looked at Rika: a hurt, traumatized girl, terrified of being her true self, desperate for love she didn't even have a clear idea of in her own mind, safe for some very vague feeling she deemed to be 'love', and... He saw beauty in it. He was never malicious about it, nor did he even realize it fully, not until MC came into his life and pushed him into reevaluating his own worth as well as his views on what love truly is. But, at the time, he saw all that hidden pain and trauma in her, and he saw beauty in it. He was intrigued by it. It fascinated him. He desired to transform it into something even more stunning with his own two hands, analogous to an artist fixing his next big masterpiece. And she was his masterpiece. One he would paint and bend and mold into something he knew he wanted to achieve. It wasn't even a want, it was a craving. Not really knowing that he was just so racked with guilt and self-hatred after his mother's death, that he was merely trying to prove himself to no one but his own troubled and scared mind. To prove to himself that he could be an artist, and that he really could love like the sun. That he could save someone this time around, instead of losing them. Because, truth is, he could never be an artist, not in the way his soul truly longed for.

Rika was both his muse and his creation at the same time.

That's why he never encouraged her to get the help she desperately needed if she didn't want to do it herself. That's why he never got involved in any extreme ways until it became far too difficult for him to handle. That's why he told her time and time again that she was beautiful and perfect just the way she is, even when she herself would doubt and be deeply disturbed by his eager willingness to sink into the deepest of lows for her.

In a way, neither of them truly knew each other. It's a fact that they cared for each other at one point in time. But they didn't see each other as equal individuals to grow and change alongside. For Rika, V was her sun she adored and loathed all the same. He was not a person, he was just an anchor that kept her steady and a cruel reminder of all she could never be. For V, Rika was his canvas to pour his locked away feelings onto. She was not a person, she was a living proof of his ability to create and love in a way he desperately craved.

And in the end, that destroyed and scarred both of them. Not only them, but also many completely innocent individuals who were caught in the crossfire.

What a big, complicated, and horrible mess these two are.

#mystic messenger #mysmes #mysme #mm #jihyun kim #kim jihyun #mystic messenger v #rika kim #kim rika #mystic messenger rika #I SWEAR I AM WORKING ON MY REQUESTS I AM!!!!!#i wrote it half asleep because my brain is just buzzing with them and i had to pour my thoughts somewhere #hope it's coherent 💀#they are so toxic your honor #alright now i'm off to bed #snork mimimimimi

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hinakazino · 1 year

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Tobi’s Sister? || Akatsuki w/ child!reader

Summary: You’re tobi’s sister, that’s it. You may also be the one the Akatsuki love most.

Warnings: Fluff, tiny bit of angst.

Inspired by this piece: uchihas w/ sister!reader.

You were the last Uchiha ever born, as in you were born a little over a year before the Uchiha Clan Massacre. Obito had known about your presence as it was no secret when a new member was arriving.

Although it was traditional to keep quiet about it until around the 2nd semester out of worry for stressing out the mother. He still found out anyway, and he wasn't sure how to feel about it.

Your arrival was a heartwarming moment. Your mother was very happy for you filled up her heart. Her heart which was dull, was now filled with hope, from the previous loss of her son, him.

It was unfortunate then, that not long after having you that she had gone. That the whole clan had gone, except for you and Sasuke. Obito had debated on your worth but ultimately he chose to keep you and Madara didn't seem to be against it.

Madara himself hearing that he had a little sister had simply said that "we should at least leave out some hope for our clan". So, on the night of the Uchiha massacre you were taken to a secret location, death faked.

From that point on, Obito had raised you on his own and he soon found that you were his love. You were so sweet and adorable, he didn't want anything happening to you. When you came he swore no feelings towards you, yet now you are his weakness.

It wasn't like Obito hid his face from you either, but he knew that he had to keep his plan foolproof so he never told you his real name, sticking to Tobi/big brother. He'd save that revelation for when you were much older.

By the age of 3, you were a healthy toddler who was energetic and intelligent. You picked up things quicker than others, such as walking and talking. Although you weren't a professional you could communicate what you wanted. It was at this age that Obito introduced you to the Akatsuki. Most of the members were surprised by this. Not really by the point that Tobi had this child with him who he had a brotherly relationship with, but more so the point that Pain actually allowed you into the organization.

By the age of 4 you had gotten used to your environment, you were an energetic child. Tobi was personally worried about how the Akatsuki would treat you but nothing bad came out of it. You were given all you needed and treated with the utmost respect.

It was honestly laughable, how the akatsuki. The most powerful criminal organization, dawned in their signature black, red cloud cloaks had this small child. In her small puffy dress running around.

The truth was that not all of the akatsuki knew you personally, they knew you exist but not all have met you. It was decided that you'd be with the main group.

Pain was at a loss of words, truly, when you were introduced into the equation. He knew right away that you were definitely an uchiha and that you had quite a strong bond with Tobi (for him, "Madara").

But it seemed that out of all things Tobi sincerely meant everything he said about you. He had even cited how Pain and Konan wanted to create a place where children could be happy, "a place I hope she'll be," he said while cradling your sleeping form.

So, Pain ultimately did let you in but not without stating his own terms. Handling a child was not at all easy and if you were to stay with them. You should at least be trained to an extent where you were useful.

After all, the organization doesn’t want any people who’d slow them down. At least, that was the original reason, deep down Pain did feel the need to protect you.

Ultimately a plan was devised, they’d take care of you, teach you, and train you. The more difficult things could be dealt with later on. So, a teaching plan was developed for you when you became apart of the Akatsuki.

Kakuzu had known of your arrival long before any of the other members. As previously Pain had consulted him on this as part of the budget would be put towards taking care of you. This, greatly annoyed Kakuzu.

Kakuzu didn't understand why Pain even cared about you to this extent. He saw this as wasted money, baby formula and diapers weren't cheap. But thankfully, he didn't have to worry about that because by the time you were established as a member you didn't need that anymore.

He eventually didn't mind you at all as you weren't that big of an annoyance. You weren't that interested in him at first. Eventually though due to Pains plan Kakuzu would have to teach you mathematics.

A class, which, to your dismay and Kakuzu's you disliked. Nonetheless he was at least grateful you absorbed knowledge and was quite shocked whenever you'd join into his money-speaking conversations with Hidan.

Hidan was one of the most shocked members, "oh I wonder how strong she is!" he had said. Then when your small form peaked out from behind Tobi, Konan had to reminded him that you were just a child.

Hidan got along with you easily though, and it was no secret the rest of the members enjoyed the "tea parties" you'd host with him and Deidara. Hidan greatly enjoyed your innocence to the world.

Especially your reaction to new things. He remembers laughing so hard when he had you try french fries for the first time, or when you'd seen a shooting star for the first time. He made sure of course, to tell you to make a wish. He really enjoyed your company.

Despite this, Hidan wasn't given an educational role but more so a babysitter rule. It wasn't ideal but he was like a guard for you, since he enjoyed your company he was tasked with keeping an eye on you most of the time.

Deidara reacted exactly like Hidan had, he didn't expect you to be a kid though honestly! When he first saw you he honestly thought you were quite cute. You were so chubby and soft, he loved whenever he'd come back from a long mission. You'd run and hug him!

It was even better when Hidan and him would compete for who you'd hug first. However most of the time you wouldn't choose or just run to Konan instead.

Deidara, unlike Hidan, although being assigned to watch over you partly also was your art teacher. Deidara was not allowed to use explosions at all with you, this was strictly forbidden by Pain and more so by Tobi. Not like he would though after seeing how easily you could get injured. You had merely fell but it'd left you with two bleeding knees that healed fast thankfully since you were still young, but had scared you for awhile. It hurt Deidara to witness that, who would enjoy that anyway?

He mainly just has you make sculptures with him, and it isn't like he hates doing other things besides sculptures. So besides his tendency to destroy things in "the name of art" he really doesn't do that with you also because you had cried once. That was when he realized you were more of a collection person.

Sasori hadn’t given any reaction at all when you’d arrived. He saw it like this, as long as you didn’t disturb him he wouldn’t you. However, it seems like Pain had other plans.

As you technically had to be taught besides being taken care of. It turns out that Sasori had been chosen to be your science teacher. He wasn’t particularly fond of this idea as a child such as you seemed quite dumb, no?

Well he was wrong about you being dumb because you were quite intelligent for your age, but not obedient. Sasori was a man who’d get the job done though so he found a way around your constant moving. It didn't take a genius to figure out kids were active.

He was actually starting to enjoy teaching you then, as you were always excited when he said he had something new for you. You absorbed knowledge from him and always praised him. This stroked his ego a lot.

He was especially impressed at your reaction to his puppets. You’d let out the loudest squeal he’d ever heard and hadn’t even realized it was a puppet. You reminded him of when he was young, and it made him get closer to you.

Itachi had just accepted your presence, although your age shocked him a bit. He was technically considered young himself when he had joined the Akatsuki, and besides he'd seen much worse.

At first, he didn't know how to interact with you but introductions were said and done with Pain's assignment for him. Itachi was to be your actual babysitter, he got you ready for meals, helped dress you, and more.

Pain knew out of everyone here Itachi was kind with kids and knew how to be responsible. Which is why Itachi is your Nanny, always reminding you of naps, rest, and shower time.

It was a bit debated whether it would be Konan or Itachi but Konan was normally rather busy and Itachi had swore to Tobi no harm would come to you. He wasn't one to break promises either. Itachi tried to not become attached to you emotionally but clearly failed. He didn't want to lose another person, or worst comes to worst, be the one to take out that said person. He wasn't an idiot, he knew you were an Uchiha from the moment he laid eyes on you. It was the most shocking of all in your first meeting. He couldn't help feeling grateful in the end however, to know that at least one person was spared from the massacre. This was soon combined with a feeling of guilt though as he knew you were entangled in much more now, he vowed he'd protect you if he could, just like Sasuke.

Eventually, you had come to love Itachi just like a brother, he gave you a sense of familiarity and was super gentle. The same could be said for Itachi, who now saw Sasuke in you.

Kisame was quite amused when you'd joined the Akatsuki. Wouldn't it be rather fun for people to hear of this? Well, either way he thought you'd be scared of him on your first meeting.

Turns out you weren't in the least, you were really curious about him too. When you'd first met your hands had touched his face all over, but what made you love him the most was how high he could lift you.

This was when Kisame first learned just how much kids loved to be tossed around (gently) and he always made sure to lower his strength around you. He actually was quite entertained with you, not as bored as he’d thought.

He was assigned to be your swim teacher, expected really. He began teaching you right away and quickly caught onto your fear of the deep water. Not to fear though because Tobi was there watching your first couple lessons and Kisame controlled the waters to prevent any harm.

He did his best to make the waters seem calm and fun. Whenever he could he’d take you to the beach or a lake. Sometimes Itachi would even tag along with you two as he watched Kisame swim out with you.

Kisame felt proud knowing you were learning quickly. He had bragged about it once to Hidan and Deidara too. They had called him soft towards you but it wasn’t necessarily a lie.

Konan lastly, was your Language/Biology teacher, she came around more often after you came into the equation. You were so adorable in her eyes and she loved whenever you’d run into her arms.

Konan loved your squishy chubby cheeks, most of all your cute voice when you called her name. She was assigned as your biology teacher for obvious reasons. Although this is a more later role she would help you through puberty and such.

She was also your language teacher, helping you learn the characters and to read. Enjoying the fun moment she’d have with you on her lap reading along. You were a kind presence in her world, a reminder of what she hopes to work towards.

Konan is happy to take care of you and you view her much like an older sister. She teaches you so much, and is a very encouraging person. Helping you gain new experiences and also protecting you as much as she can.

#naruto #anime #Itachi x reader #Akatsuki #Akatsuki x reader #Pain x reader #Konan x reader #Kisame x reader #Kakuzu x reader #Deidara x reader #Hidan x reader #Tobi/Obito x reader #Naruto x reader #Child!Reader

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doumadono · 1 year

Text

Inked by desire - Akaza x Reader

Warnings: smut w/o plot, modern au, tattoo artist!akaza, dirty talk, vaginal sex Synopsis: despite his professional demeanor, Akaza finds himself unable to resist the temptation and ends up taking you to the back room of his tattoo shop where he passionately claims you as his own

MASTERLIST

As you scroll through the numerous tattoo shops online, you come across one with glowing reviews and a stunning portfolio of intricate designs. The name of the tattoo artist is Akaza, and you're immediately drawn to the intricate and beautiful artwork he has created. You decide to book an appointment with him, hoping that he can create something unique and special for you.

Days later, you find yourself standing outside the tattoo shop, feeling a mix of excitement and nerves. The sign outside reads "Rampage Ink," and the interior is just as impressive as the website promised. The walls are adorned with examples of Akaza's work, ranging from delicate floral designs to bold, geometric patterns.

As you approach the front desk, a rather tall and imposing man emerges from the back room. He introduces himself as Akaza, his voice deep and smooth.

You feel a shiver run down your spine as he appraises you with a piercing gaze.

Akaza, the artist, is a towering figure, bulky and muscular, with broad shoulders and thick arms that are covered in intricate tattoos that seem to tell a story. His hair is short and black, with the ends dyed a vibrant pink. He wears a tight-fitting black plain t-shirt that hugs his chest and biceps, showing off his impressive physique. His black jeans have a stylish distressed look, with a hole on one knee that adds to his a little edgy appearance. Despite his imposing size, Akaza moves with a surprising grace, his every movement fluid and precise. He carries himself with a confident swagger, a man who knows his own worth and isn't afraid to show it. His piercing gaze seems to penetrate to the very core of a person, and when he speaks, his voice carries a low, rumbling power that commands attention. "Ah, you must be my next appointment," he says, a sly smile playing at the corners of his lips. As he approaches you, he can see that you're already nervous. He can't help but notice how exposed you are, with your boobs almost falling out of your tight shirt with a plunging neckline and your legs barely covered by a miniskirt. He can see that you're confident, but he can also see the small details that betray your nervousness. Akaza is used to clients who are nervous or even scared of getting a tattoo, but he can sense that you're particularly on edge. The moment Akaza laid his eyes on you, he felt a surge of possessiveness and desire that he couldn't quite explain. He knew that he wanted you, and that he would have you. "Come with me, and we'll get started on your tattoo."

You follow him to the back room, taking in the dim lighting and the low hum of music in the background.

Akaza gestures to the tattooing bed and asks you to take a seat, his eyes never leaving your face. "Tell me, what kind of design were you thinking of?" he asks, his fingers already starting to trace the lines of your skin.

You can feel the heat of his touch and the way it sends shivers down your spine. You take a deep breath, gathering your thoughts. "It's actually my first tattoo, and I was thinking of something floral. But I want it in a place that not everyone can see."

As you describe your vision for the tattoo, Akaza nods along, his face taking on a look of intense concentration. He begins to sketch out the design on a sheet of paper, his movements fluid and precise. "I think the best possible location for this tattoo would be your abdomen," he says, pointing to the area just above your pubic mound. "It's a spot that's easy to hide if you need to, and it's not as sensitive as some other areas, so it shouldn't be too painful," he informs you. As you lay back on the tattooing bed, Akaza orders, "Alright, now lift your shirt and tug your skirt down a little. I need to make sure I can see the pace properly." As he prepares his tattoo gun and positions himself, you stop him abruptly. "Wait, sir," you say, your voice laced with anxiety. "I don't think I can do this…"

Akaza doesn't immediately respond, instead taking a moment to study your face. He sees the fear in your eyes, the way your body tenses up. Akaza sets down the tattoo gun and gestures for you to sit up. "Hey," he whispers, his voice gentle. "It's okay. We can stop if you will want. But if you're up for it, I have an idea that might help." He watches as you bite your lip, waiting patiently for him to share his idea with you, and he can feel his desire grow. He can see that your nipples are hardened, even through the fabric of the shirt you're wearing. It's hot in the studio, but he knows that there is only one reason for that. "I can help you ease some stress," he says with a grin, his eyes lingering on your body. As his fingers deliberately graze your knee, it's evident that the touch is anything but accidental.

You blush at his words, but you can feel your own desire growing. You can see the hunger in his eyes, and it sends shivers down your spine. "I can see the way you're looking at me. It's kind of intense, sir." From the moment your eyes first beheld the figure of Akaza, you knew with utter certainty that he would be the bane of your existence. He exuded an aura of dangerous sensuality that was utterly irresistible, drawing you inexorably toward him with a magnetic force that left you powerless to resist. His piercing gaze seemed to strip away all pretense and lay bare the very essence of your being, leaving you feeling exposed and vulnerable in a way that was both exhilarating and terrifying. You can feel your heart pounding in your chest as he leans in closer to you. You can smell his strong cologne, and it's driving you wild. You can feel the heat building between you, and you know that you want him just as much as he wants you.

"I just want you to relax before we start," he utters, his lips brushing against your ear.

You moan softly, unable to resist him any longer. Twirling a strand of hair around your finger with a mischievous glint in your eye, you inquire, "So, Akaza, how do you plan on helping me cope with all this stress?"

Akaza takes your hand.

You hop off the bed and follow him.

The man leads you to the door of another room in the tattoo shop. As he pushes it open, the smell of antiseptic and ink fills your nostrils. The room is bright and spacious, with a large tattooing bed in the center and shelves filled with ink bottles and tattoo equipment lining the walls.

So there you are, kneeling in front of a man whom you hardly know, engulfing his entire length inside your mouth, flicking and circling your tongue around it, utterly intoxicated by the sensation, looking up at him. Akaza's well-endowed member causes discomfort in your mouth, as his size is quite overwhelming. You have one hand resting between your thighs, legs slightly spread. Your fingers are teasing your already slick clit, having pushed your panties aside.

He is fully aware of his impressive size, taking pleasure in the sight of you struggling to handle it. His confidence only grows as he slips his hands into your hair, tugging at it occasionally, while emitting satisfied grunts. Suddenly, he firmly grasps your hair and begins thrusting vigorously, his sole aim being to release his load deep in your throat. The grip of your throat around his manhood is heavenly, so tight that it causes him to let out a throaty moan.

Tears stream down your face as he holds your head in place, your eyes rolling back as he empties himself deep down your throat. Mascara smudges down your cheeks, evidence of your surrender to his desires.

Akaza smirks wryly while looking down at you, his voice filled with a sense of satisfaction as he says, "Swallowed it all like a good slut, huh? You fucking cockslut." His eyes are fixed on you, watching your reaction as his calloused hand caresses your cheek.

Akaza takes hold of your elbow and pulls you up to your feet with a firm grip. Without a chance to catch your breath, he slams you against the mirror and fucks you relentlessly. The glass fogs from his heavy breathing while you moan uncontrollably, gripping his shirt and sobbing in pure ecstasy.

This is the thickest and best cock you've ever had, and it's driving you wild.

He lifts one of your legs, wrapping it around his hip, thrusting harder and faster, filling the room with wet, nasty sounds from your abused pussy. "You're so fucking tight, cunt. You came to me almost uncovered," he muses, his voice low and teasing. "Either you wanted to flaunt yourself or you were seeking to get fucked," Akaza remarks bluntly, his thrusts become sloppier with time.

Your body trembles as you climax and cream on his cock, taking all of his cum inside of you.

As it all comes to an end, he grabs your face with his hand and gives you the sloppiest kiss you've ever experienced. A string of saliva connects your lips when he pulls away. "You really took it all like a good, little whore," Akaza says, smirking at you.

After the intense intercourse with Akaza, you feel a sense of relaxation and contentment wash over you.

Akaza notices this and leads you back to the tattooing bed with a confident stride, ready to continue his artistry. The atmosphere in the room has changed; it is now charged with a quiet intensity and focus. As he prepares his tools, Akaza explains the steps in the tattooing process, his voice low and soothing, as if no passionate events had occurred between the two of you.

As he begins to work on your tattoo, you can feel his hands on your skin. They're strong and skilled. Akaza gives you a warm smile, sensing that you're feeling more at ease now.

You can feel the gentle pressure of the needle on your skin, a sensation that is simultaneously painful and pleasurable. The pain is bearable, and you find yourself relaxing into the rhythm of Akaza's movements. The man's using his expert touch to create the design you've chosen. As he works, he keeps up a steady stream of conversation, asking about your interests and sharing stories from his own life, ever so casually.

It's a distraction that helps take your mind off the pain, and you find yourself relaxing more and more as time goes on. After what had just happened, the slight stings caused by the tattoo gun's needles feels insignificant to you.

It is an easy job for Akaza to finish the tattoo since your mind is still reeling from the pleasure he had given you. Akaza finishes the intricate design with ease, his skilled hands moving fluidly with the tattoo gun.

You feel a slight stings as the needle punctures your skin, but your mind is elsewhere. You can still feel his firm grasp on you, his cock buried deep inside you as you both moaned in ecstasy.

When he's finished, he steps back to admire his work, but he's not just admiring the tattoo - Akaza is admiring you. "You look even more beautiful with the tattoo," he praises, his voice low and seductive. He offers you a discount on the tattoo, still grinning from the intense pleasure you both shared.

You eagerly ask if you can come back in maybe two weeks for another tattoo, and he nods his head, knowing that he has you under his spell. As you leave the shop, you can still feel the aftershocks of pleasure pulsing through your body. You know that you will be back for more, unable to resist the allure of the tattoo artist named Akaza and his skilled hands.

#tattoo artist au #akaza #akaza smut #akaza x you #akaza x reader #akaza x y/n #akaza x reader smut #kny smut #modern!akaza #dom!akaza #tattoo artist akaza #demon slayer #my writing #kny akaza #upper moon three

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