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#the fact that it's a game shaping the world and how it works...
amerricanartwork · 2 days
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Hi! I just wondered if you've played Hollow Knight based off how much you like Rain World. I'd be interested in any thoughts you had on it. :)
Thanks for the ask! No, I have not yet played Hollow Knight, BUT my interest in the game has been piqued! However I still have to see if the gameplay itself seems up my alley, or get invested enough in the characters that I want to discover more than I've already found out (and I have spoiled quite a lot for myself) before I actually decide to buy the game.
Regardless, from what I do know it does seem like an interesting story, albeit one far more tragic than Rain World's in my opinion. The characters I've seen are also pretty cool, both in design and personality. In fact, it was some ship fanart I found a few weeks ago that got me interested in diving deeper into the game once I realized it was where the featured characters were from, especially since one of the characters I had remembered hearing about before.
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Here's a little sketch of some characters I was thinking about and whom I've been meaning to draw for a bit! Hornet because she's very Shaped™, Quirrel because from what I've seen he's quite wholesome, and Tiso because he was the first character I heard about and I think he's kinda silly!
Also, some more comparing/contrasting thoughts about the game below:
Firstly, I like how the premise of Kollow Knight involves anthropomorphic insects! It's something I never realized until recently despite being aware of HK for at least a few years, but I usually tend to take interest in stories starring non-humanoid creatures, so it's a plus! I also enjoy the more gothic/Victorian-looking magical high fantasy aesthetic, though it's pretty different from Rain World, which I'd consider far more sci-fi and specbio-esque in its aesthetic.
Now to get into themes, so far Hollow Knight seems to share Rain World's theme of lost/dead civilizations, which is also a very interesting premise to me! However, HK seems to have a greater focus on interacting with the people of its dying civilization and as such you get far more definitive knowledge about what happened to cause it to collapse. The player character seems to take on more of a classic epic hero role, because from what I've heard about the lore and endings, they end up directly influencing the fate of Hallownest, even potentially destroying or defeating the force that caused its ruin. The visuals have this very dark, cool tint overall to sell that gloomy, mournful vibe, and the structures, while presumably old, are still mostly smooth, ornate, and not super deteriorated, with these castle or manor-like appearances more similar to real-life buildings or things in other high fantasy works. Then, the orchestral music I've heard alongside all of these elements really creates this impression in me that it's aesthetic and overall concept is more akin to a high fantasy epic tale, albeit a rather tragic one.
Meanwhile, Rain World seem to have the player take more of an anthropologist role, observing and trying to piece together the story of vast remnants of its dead civilization, which seem alien and impossibly complex because so much of the history they're from has been lost to time. One of the core themes is being very small compared to these long abandoned structures, to really sell the idea that this history is so much older and more intricate than you'll ever know. The colors of Rain World are often warmer, which can be associated with old things, and the structures are far more weathered and broken down, with the only living survivors of the people who made them being the iterators, whom we only get to hear directly from two of. Combined with the focus on simulating an ecosystem, the more directly religious ideas within, the themes of natural cycles and an entire civilization evolving, changing, and ultimately disappearing over deep time, and the overall alien, sci-fi industrial designs of the architexture and strange creature designs that look like things out of "Of Rust and Humus" or some other alien speculative biology worldbuilding project make RW fit well in with that genre of fiction in my opinion.
Sorry if I seem like I kinda took a sudden shift there, but I wanted to talk about this contrast in artistic aesthetics and story genres for a moment because the "lasting impression" an art piece creates something I've recently concluded is pretty important overall in works of art, at least for mine!
But anyway, I hope these thoughts were satisfying for now! Thanks again for the ask!
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ckret2 · 1 day
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Ages ago I made a post about what Ford thinks about Bill (in a billford context), and I've had an infodump on what Bill thinks about Ford floating on discord for months, and an ask finally prompted me to post it, so here ya go:
If asked why he likes Ford, Bill himself claims that Ford overthinks everything, but in such fun, interesting ways, and Bill likes the way Ford thinks about things.
But really, Bill overthinks everything too; it's just he overthinks social things. He's always calculating how to persuade, control, manipulate people. He never has a conversation that isn't a chess game, it's exhausting and he won't even admit it's exhausting. When's the last time his top priorities weren't either "how do I convince some sucker to make a portal" or "ugggh I'm so SICK of the PORTAL I'm gonna THROW A PARTY and NOT THINK AT ALL"
Whereas Ford is guy who'd hear someone say something incorrect and bluntly go "no you're wrong" and accidentally offend the hell out of them because he's SO excited to share this fantastic information they don't know. The social world DOES NOT EXIST for him until he's reminded of it.
And so he's free to turn all his brainpower instead to. Like. The environmental impact of barf fairies on fern fertilizer or whatever.
Bill knows Everything™ but he's gotten tired of doing anything with that knowledge. They're all discrete points of information to him. He doesn't have time to muse over things, he's got an inventor to manipulate at 11pm and then a party to get to at midnight. He's never once in his life thought about the impact of barf fairies on the local flora. But he does happen to know the plants in that part of the woods are more acid-resistant and wow is that why???? He's never even thought to think about that before. Thousand year mystery that Bill didn't even notice has been solved.
(On the other hand "Ford doesn't think to think about the intricacies of social interaction" is also part of what makes him so easy to manipulate, he's so much more inclined to just accept at face value a friendly offer of assistance on a big academic project. Sure Bill's helping for the sake of scientific advancement in and of itself, why wouldn't he?)
Bill wants to just, fling random facts at Ford and see if he can think up connections between them. Go nerd boy go nerd boy go
"... So there you have it Ford, that's the problem you'll have to overcome with adapting alien machinery to human fuel sources, now I wanna hear YOUR thoughts on how to overcome that problem." "Well—" talks in an uninterrupted stream that by thirty minutes in has drifted over to the history of kerosene production, which he read an interesting book about between semesters in college— "... I've gotten off topic, haven't I?" "No no, I think you're on to something. This is how brainstorming works, free association of concepts. Keep going."
Ford in the morning: "... oh no I didn't let my muse get a word in edgewise for the rest of the dream, i didn't bore him did I?" Bill: "damn, I never noticed the patent process for hurricane lamps was so contentious. There's little dramas everywhere"
When things are going well, their relationship is,
Ford: "I just wanna hear Bill teach me things about the multiverse forever."
Bill: "I just wanna hear Ford think deeply on any topic that crosses his mind forever."
Both of them when they're in peak harmony: excitedly jabbering at each other at 200 words per minute about the stupidest topic you've ever heard, but you'd need a phd in at least two fields to comprehend it
That's love!!!
Ford, having historically been socially shamed: "... am I being weird?"
Bill: "💕❤️💓yeah❣️💖❤️‍🔥"
Sometimes I think about Bill watching Ford in his sleep and being in awe at this human-shaped genius: you with your beautiful electric mind, packed into this soft flawed uneven body. one would never know it from the outside—but you're in there. This genius with a mind like a galaxy. ... and he's like, growing hair and stuff. wild.
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korattata · 2 months
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meta videogame bullshit my beloved
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gnawing on corrin fire emblem
#ramblings#oh corrin. if only your game was good.#someone who grew up as sheltered as corrin did ending up witnessing the worst humanity has to offer could be so interesting#HELL. CORRIN WITNESSING THE HORRORS AND STILL THINKING THOSE COMMITTING THE HORRORS CAN BE HELPED#ALWAYS BELIEVING PEOPLE ARE GOOD#a person sticking to their ideals so strongly until they truly do make the world a better place is compelling#its just that fates doesnt know what character development is#or character depth. could you imagine corrin losing someone close to them on the battlefield#being dragged away kicking and screaming. unwilling to believe they actually lost someone#having to live with the fact that EVERYONE in that army. is basically sworn to die for them should the need arise#their siblings? nieces/nephews? friends caretakers their fucking spouse ANYONE. would die before them#because theyre the main character. if you play on classic corrin dying is a gameover#theyre at the heart of the army and they barely even know how war works#corrin hardening over time but still sticking to their ideals. no matter what#sorry im writing fates fic to fill the niles-shaped hole in my heart and the dynamic of hopeful idealist/pessimistic realist#is getting to me#something really fun about corrin breaking and making characters like niles attempt to comfort them#their supports are mostly just 'tell me ur sad backstory' 'lol sure' BUT NEVER THE OTHER WAY AROUND PROPERLY#forcing niles into being a character instead of a caricature since 2016. jesus fucking christ hes gonna be on my mind forever#niles struggling with a genuine relationship. because he cant really comprehend unconditional kindness. but trying. bc he loves them#these two are on my mind again i love them (the version of them in my head)
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prokopetz · 1 year
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The thing I like about the Blood Moon mechanic in Breath of the Wild and Tears of the Kingdom is how it affords game-mechanical transparency to the player.
Like, we all know the reason it exists is because, like any complex open-world game, BotW and TotK periodically need to hit the reset button on all non-trivial changes to the world state; in games that don't, your save file has unbounded growth due to the need to keep track of every little thing you've ever done, and eventually the system runs out of memory, save/load performance goes to shit, or both. It's basic software engineering constraints dictating the shape of play.
The thing is, most open world games try to do this subtly, perhaps by setting individual timers for the consequences of different actions to expire, or by linking world-state cleanup to proximity to the player character, but in practice it never works – trying to be sneaky about it paradoxically makes it more obtrusive to the player by rendering it opaque and unpredictable, often prompting the development of superstitious gameplay rituals to work around it.
BotW and TotK take precisely the opposite tack and make it 100% transparent and 100% predictable. Once a week, at exactly the same time of day, there's a spooky cutscene and an evil wizard undoes every change you've made to the world that doesn't have an associated quest log entry. Why everything at once, and always on the same schedule? A wizard did it. Why exactly and only those changes that don't have quest logs attached? See again: a wizard did it.
And this isn't just a gameplay conceit. Everybody knows about the evil wizard! The fact that the evil wizard keeps resetting everybody's efforts to fix the befuckening of the world is a central plot point. There are organisations whose chartered purpose is to go around redoing stuff that's been undone by the wizard.
It makes me wonder what other potential synergies between fantasy worldbuilding and mechanical transparency are going unexploited.
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deadsetobsessions · 2 months
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I just really like the trope of Danny getting summoned, alright?
——
After he shoved Pariah Dark in his coffin shaped locker what what Danny hoped to be for all of eternity, the half unfortunately inherited all of Pariah’s responsibilities.
“What was it again? With great powers comes great responsibilities?” Danny let his head hit the table with an audible thunk. He’s in his “office,” the ghost zone’s approximation of where he might be able to do work seriously. The house- the extension of his haunt- had added the room right next to his bedroom. Danny had to lift all of the paperwork from Pariah’s castle (that’s now also a part of what’s considered Danny’s but he doesn’t think about that) and move it to his main haunt.
He prayed to the universe at large to let him off. Danny hated doing homework- science not withstanding because at least he understood that- let alone an asshole’s centuries worth of work. Danny bemoaned the fact that he was elected the King. He didn’t even defeat Pariah all by himself, so why couldn’t the others do it?!
Like a wave of merciful fate, the beginning tugs of a summoning pulled at his core.
“Thank Ancients!”
Danny scrambled to grab a sticky note, unfortunately glowing green as things tended to in the Ghost Zone, and scribbled down that he’s been summoned and to not look for him until his vacation work was done.
With that note done, Danny decided to bring his A game to the summoning. Allowing his secondary form to wash over him, Danny quickly checked the mirror to make sure he was presentable. A bright glowing ice crown- not the crown of fire, because it was essentially useless without the ring and Danny wasn’t keen on being a king, let alone a near infinitely powerful one- settled across his brow showed his status. A cape, this form’s best feature, made of an expanse of galaxies, nebulae, and frost cling at the end was swept over his shoulders and pinned together with a cloak pin made of clusters of black holes.
A couple of additions to his normal hazmat suit and his trusty thermos at his side, Danny all but dove into the summoning magic with an excited whoop of glee.
As Danny got closer to the magic-made portal, he could hear the whispers of the living presences beyond it.
His summoners! Hopefully it’s not a cult again, even if he thought they were pretty funny trying to summon the king of the dead to kill more people. Not funny “haha,” funny weird.
How should he do this…? Scary? Funny? Oh! Or maybe he should ditch the crown!
Danny grinned, waving his hand to dispel the crown of ice. It was nice, but he was in a dungeon critter mood today.
“Oh, this is going to be gooood.”
Danny cracked his knuckles and put on the most dead-inside-and-outside expression he could manage, modeling it off of the Nasty Burger workers during closing shift. The halfa stepped through the portal.
——
“The ritual is completed! You will all face the might of Pariah Dark, the eternal king of the dead!” The villain of the week cackled as his cult cheered. Wonder Woman, scuffed and injured from the magical bolts these magic users had shot at her earlier, grimaced and raised her sword.
“We will defeat Pariah Dark,” she proclaimed. Her allies rallied at her proclamation and readied themselves for another fight. “This world will not bow to the likes of you!”
“We are all but mere ants before the king of the dead! Pariah Dark will bring forth the reckoning this shitty world deserves!”
“Actually, Pariah Dark’s kind of busy, so you’re gonna have to leave a message.”
Green Arrow’s arrow jerked towards the new voice. Batman paused, hand holding batarangs at the ready. He, out of all of them, knew better than to underestimate a young voice.
A gloved hand shoved through the green portal, using the edges like a door frame to heave itself through. A humanoid shape, with sharp ears all but crawled out of the Lazarus green portal. Batman wondered if this was what Jason saw when he came back to life.
"Lord Pariah Dark is busy?!"
The figure- a boyish not-human- heaved a sigh. "Do you people seriously think that the High King of the Infinite Realms isn't swamped with work?"
"And who are you supposed to be? His secretary?" Hal asked, Ring glowing and at the ready. Wonder Woman tensed and mentally struck Hal away from the list of people to consider for diplomatic missions.
"Me? I'm a glorified paper pusher." The being turned back to the cultists, his cape containing the universe swished behind him. "Did you have a message for Pariah Dark?"
"He was meant to rain down death and destruction!"
"Okay, first of all, I feel like you guys are missing a really important point." The being pointed at the cult leader. “It’s not called the King of the Dead for no reason, you know. Death comes for everyone eventually. Also, I have to do a seriously giant amount of paperwork every time one of you fruitloops gets the bright idea to cause an influx of deaths.”
Danny stomped across the circle, grabbed the collar of the cultist leader’s cloak and yanked him down. He shook him. “Do you people have any idea how annoying it is?! Huh?! Do you know how long the A-354 Form is?! Stop trying to get Pariah to kill people! I’m sick of the paperwork, dammit!”
"How- how did you get out of the circle?!"
The cultists and the heroes squared up, ready to fight the possible common enemy: Danny.
Danny is having the best time of his half life. Screw kingly dignity, Danny’s gotta de-stress somehow! He had a whole bag of complaints!
"You wrote the circle wrong, idiots! Ancients, are you people even literate? What even are those scribbles?" Danny kept shaking the cultist. Wow, what an amazing stress ball!
“Uh- hey, he looks kind of sick…” The Flash said, trying to be a good hero and mediate before escalating. Danny snarled and Flash held up his hands, gulping in fear as Danny’s eyes narrowed at him. “Did I… do something?”
“You,” Danny hissed. “You mother- fruitloop! Stop screwing with the timeline, you giant red-! Do you know how annoying it is to readjust the death count every time one of you little merry red jesters takes a jaunt through time and space?! Do you even know how many complaints I had to field?! Oh, boy you’re all going to regret summoning me today, because I’ve had a long time to think about what I’d do to everyone who made me work overtime!”
Danny bared his teeth, eyes sparkling with mirth as he froze the cultists.
"We're not letting you take over the world," Hawk-Woman said, raising her mace that pulsed with electricity.
Danny snorted to hide his wince. "I'm not interested. Just let me punch him once. Just once." Danny pointed at the Flash.
"Honestly, I can't even blame you," Black Canary muttered, fists raised.
"Wha-! Canary! That's so rude! You traitor!"
"Shouldn't have put skittles in my shoes then. Those hurt, Flash."
"Enough." Everyone shut up at the sound of Batman's command. "What do you mean they wrote the circle wrong."
Danny, who was watching the byplay with interest, shrugged. "They wanted to summon the Ghost King, right? We've had a... change of leaders recently."
"Who is the leader now?"
Danny waggled a finger at Batman. "Nuh-uh. I'm gonna collect my over-time compensation, which is punching the Flash, and then we can negotiate for information."
"Flash."
"I don't want to get punched, Bats!"
"The alternative is that I let the current Ghost King have a go at you."
"Flash."
"Oh my god, just get punched, Barry!" Danny heard Green Lantern Hal Jordan whisper.
"Ugh, fine. No one video this."
Immediately, three phones go up to record the Flash getting decked by a teenage looking ghost. Danny floated closer and wound his fist back, letting loose some of the ghost strength he normally keeps restrained. "This is for my overtime and for Clockwork, you jerk."
The halfa slammed his fist straight into the Flash's face, knocking him clear into the air. Superman catches him but Danny no longer paid attention to the Flash, petty vengeance enacted.
"Honestly, I don't have a problem with you as a person. You're kind of cool. Break the timeline again in the next three months, though, and you're on my shit-list."
"What do you want in exchange for information?"
Danny hummed. "Depending on the level of information, and I reserve the right to not answer any questions. For the name of the current Ghost King..."
He did want that new gaming console. And Jazz could use some help with her rent.
"I want $5,000 and a plate of really good spaghetti."
"I have cash."
Danny nodded at the Dark Knight. "You just carry $5,000 in cash on you? Who does that?"
"I like to be prepared."
"And he's rich," Superman chimed in.
The Flash reappeared with a plate of spaghetti from an Italian place he teleported to. "Here you go. Fresh, and pleasedon'tscrewwithmyafterlife."
Danny shoveled the spaghetti into his mouth, jaw unhinging like a particularly disturbing snake right before he dumped the whole thing- plate and all- down his throat. "Thanks! The food didn't even try to kill me this time! You're good."
"Does your food try to kill you all of the time?!" The Flash- Barry, apparently- asked.
Danny nodded as he took the cash from Batman's gloved hands. "Totally. It sucks."
"Identity." Batman demanded.
"Oh, yeah. The current ghost king is me."
"...What."
"You have been swindled. Bamboozled. Outwitted and outsmarted," Danny snickered, shoving the bundle of cash in his chest. "But seriously, I'm the king. We got rid of Pariah a while ago."
The crown of ice materialized.
"You said you were a glorified paper pusher!" Hawk-Woman chortled.
"I am! I'm pushing so many papers across my desk, it's unending, I swear!"
Batman growled. "You tricked us."
Danny smirked, "You got tricked." Red Robin, in the corner, snorted quietly. "Anyways, if you've got more interesting things around here, I'll considering busying myself with that instead of sentencing you to an afterlife of paperwork."
The adults straightened, grimacing. "Beast Boy is green," Hal offered up.
"Hey!" Beast Boy shouted, offended at the easy way Hal offered him up. He turned to Danny. "But have you ever seen a green chinchilla? Super cute. Watch!"
"Woah!" Danny clapped. Yes, he'll hang out with them before dragging himself back.
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solarmorrigan · 1 year
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See, just because Steve lets Eddie and the kids play D&D at his house now doesn't mean he's really interested in the game, just the same as even though El and Max sometimes tag along, they're really there to hang out, not play. They each bring their own things to do, and one night El brings a ball of yarn and a shiny little metal hook and a vaguely rectangular yarn-thing that she focuses very hard on while the boys shout in the background.
Steve has no idea what she's doing; he'd say she's knitting, except he's almost certain that involves some kind of sticks, not a hook. But since he's not really doing anything himself, he sits down next to her and asks what she's up to.
"Joyce has been teaching me how to crochet. She says it will help with my hand-eye coordination." El holds up her project with a proud smile. "I am starting with a scarf."
It's not the world's most attractive scarf, but it's not like Steve could do better. He's still not entirely sure what crocheting is, to be perfectly honest. "Is that different from knitting?" he asks.
El nods gravely. "It is," she says, and takes to showing him how she loops the yarn over the hook and pulls it through the stitches in her scarf and adds a few more inches to the row she's working on.
When Steve's attention doesn't completely wane during her demonstration, she pulls a second ball of yarn out of her bag and presents it to Steve.
"Oh, I don't–" Steve tries to demur, but El is determined, and Steve has seen entire dimensions pale in the face of her determination.
This is how he finds himself crocheting a little chain of stitches with just his fingers, the same way Joyce had apparently started El off. El beams at him and returns to her own project, occasionally checking on his progress. The chain is a few feet long by the time everyone needs to be driven home, and Steve decides it actually hadn't been a bad way to pass the time. Kind of relaxing.
The next time everyone is over, El sits down with her scarf, and after a short while, Steve sits down next to her. He compliments how much longer the scarf has gotten (and it does seem like the shape has evened out a bit as she's been going along). She smiles and pulls another ball of yarn out of her bag. This time, she has an extra hook and seems intent on showing Steve what to do with it.
Almost involuntarily, Steve's attention flashes to the group clustered around the table, hesitating to take the yarn from El, and she frowns.
"Joyce says these types of skills are important for everyone to have," El says firmly, and, well– Steve's not really going to argue.
He learns how to crochet a chain with the hook. It feels odd in his hands at first—the shape too small, the metal a little too slick, the yarn not wrapping naturally around his fingers the way it does El's—but he gets the hang of it. When El is pleased with his progress, she shows him the stitch she's been using: a simple single crochet. It's tougher than it looks, and Steve understands immediately why El's scarf is so uneven; neither of them have ever done anything like this before.
Still, he doesn't hate it.
In fact, he really kind of enjoys it.
He enjoys it enough that he asks El to show him more the next time she's over. She's still new herself and is really only working with pretty much the same couple of stitches, but she proudly teaches him what she knows, and Steve picks it up as fast as she's able to lay it down.
Steve goes out and buys his own supplies, no longer content with mooching off of El's. He hadn't realized there were so many different kinds of yarn, and resigns himself to awkwardly asking one of the craft store employees what type might be best for beginners.
The employee—a woman about his mother’s age with a much warmer smile and far less judgement in her eyes—explains with great enthusiasm what all those different types of yarn might be used for, and how the size of the hook affects the outcome of the project, and shows him so many different pattern books his head spins. He realizes that she probably upsells him on a lot of shit, but he leaves with a few different sizes of hooks, some new yarn, and more excitement for a hobby than he's felt probably since high school.
El and Robin are the only ones who know about his new hobby, of course. It's not really that he's ashamed to tell the others, he just knows how teenage boys work and he's not keen on giving a bunch of fifteen-year-olds another reason to bully him. Maybe in a few months. In the meantime, he crochets at home while he's listening to the radio or watching TV, and he crochets at work during down times. Robin finds his newfound hobby morbidly fascinating, but vehemently denies any and all offers to teach her.
("I will find a way to damage myself with that hook and I think we both know that," she says. "It's just kind of wild to see you with a grandma hobby."
Steve threatens to tell El she called it that, and Robin shortly finds a new label for it.)
Fall rolls around and the air acquires a chill sometime in mid-October. Steve's been making practice scarves for a little while now (largely because he really only knows how to make rectangles at this point, but he doesn’t have the attention span for a whole blanket just yet), and he even considers wearing his least heinous attempt despite the fact he's never really wanted for good winter clothes. Then he notices Eddie.
Most of their little group has begun dressing appropriately for the weather, but Eddie doesn't do much more than add a pair of fingerless black gloves and maybe a heavier leather jacket to his ensemble. Steve's not even sure it's because he can't afford it – he's pretty sure it's because Eddie is committed to his aesthetic. Nancy had tried to force an extra scarf on him one day after a little cold snap, when they'd woken to frost on the ground (the scarf is blue, patterned with white snowflakes; it's actually Mike’s, but Mike is also refusing to wear it and Steve suspects Nancy doesn’t want to hold it, but also doesn’t want to get in trouble for letting Mike lose it), but Eddie had declined, insisting it doesn't match his vibe.
Steve can respect this. He himself has a certain aesthetic going on. However, he can also see that Eddie is definitely cold, and that just won't do.
He picks through the scarves and other various wooly things he's accumulated so far, but decides none of them would suit Eddie and, besides that, none of them are really warm enough. If he's going to make Eddie a scarf, it ought to be a good one.
So Steve sucks it up and heads into Melvald's one day when he knows Joyce will be on shift, hoping she won't be too busy for a quick chat.
When he catches her, Steve explains that El had shown him the basics of crocheting but that his ambitions have outgrown his skills and maybe if she isn't too busy sometime, Joyce would be willing to show him a little more?
Joyce, because she’s a saint, says she would be delighted, and invites Steve to come over on their next shared day off.
When he gets there, she tries to ask him who he's making the scarf for, and the best he manages is, "...someone."
Joyce bites down on a smile. "Someone?"
"It's a surprise," Steve finally declares.
"For everyone?"
"Yes."
Joyce bravely manages to not laugh at Steve and instead asks him what kind of scarf he thinks Someone would like.
Steve decides that it needs to be thick, but it should also be soft. It should also be textured, because Ed– because Someone really likes fiddling with things. He can't get too ambitious with colors or patterns, but he decides that black and grey stripes will be perfectly suitable.
(He doesn't kid himself into thinking that by the time their brainstorming session is over, Joyce hasn't figured out exactly who he's talking about, but she's kind enough not to say it out loud.)
Steve's always been good with repetition and patterns—it's probably one of the reasons he’d found crocheting so relaxing in the first place—and he picks up the new stitches with ease under Joyce's deft instruction. She sends him home with the practice piece he'd made with some of her scrap yarn, and after a quick stopover at the craft store on his way home (he briefly gets stuck between shades of grey, but eventually decides on the silvery one over the steely one), he's ready to begin.
He expects making the scarf to be tougher, but once he gets into the rhythm of it, he sails right through. It takes him less than a week (albeit devoting a few solid hours to it every day, possibly more on his days off) to end up with what is, if he may say so himself, a pretty fine scarf.
The challenge comes in actually giving it to Eddie.
Christmas would be an excellent excuse for presenting it to him, except that's a little over a month away, and Steve doesn't want Eddie to go cold until then. Instead, he takes to keeping the scarf in his glove compartment just in case the perfect occasion for giving Eddie a scarf arises.
And much to Steve's surprise, one actually does.
It's right after the first real snow, and Steve has insisted on driving to pick Eddie up so they can hang out (Steve has nightmares about Eddie's driving when road conditions are optimal, never mind when the roads may be icy). He can see Eddie shivering under his jacket, blowing warm air into his cupped hands (Steve wonders if he could learn how to crochet gloves at some point, too. Ones with full fingers), so he ever-so-casually gestures to the glove box and tells Eddie, "Hey, if you're cold, I've got an extra scarf in there."
He's possibly not as casual as he hopes he is (or maybe Eddie just sees through him, like he always seems to), because Eddie gives him a look. "You do, huh?"
"Yep."
Steve concentrates very hard on the road in order to avoid Eddie's eyes. It doesn't stop him from hearing the little laugh Eddie lets out before popping open the glove compartment.
"Oh," Eddie says quietly as he pulls the scarf out, likely having been expecting another castoff piece of outerwear. "This is... actually really nice."
For a moment, Steve can't help but glance over to see the way Eddie is fingering the crocheted ridges of the scarf, running a thumb over the bright silver stripes picked out of the black, and he immediately looks back up at the road.
"Yeah. You should– you can, uh. Keep it. If you want," he says, and wonders what happened to the days when he was smooth.
"No, man, this is, like, for real nice. I couldn't take this," Eddie says, though he's still holding the scarf in his lap.
Steve draws a breath in. "I mean, I was kind of hoping you would, since it's for you."
"Seriously?"
They have unfortunately arrived at Steve's house at this point, and there will be no avoiding the conversation now.
"Yeah," Steve says. "I, uh. Made it for you. So you should take it. Don't let my hard work go to waste, yeah?"
"You're shitting me," Eddie unfolds the scarf and holds it up in delighted scrutiny. "You made this?"
(Distantly, Steve appreciates that the emphasis isn't on "you made this?" Like Eddie doesn't immediately doubt he's capable, only that he's holding a handmade item at all.)
"Yeah. No big deal." Steve shrugs.
"You made this for me." Eddie looks at Steve, and it sounds like that had been meant as a question, though it comes out in flat uncertainty.
"Yeah. Just noticed you were cold, but you won't wear anything that doesn't match your aesthetic," Steve tries to tease, wiggling his fingers at Eddie's outfit, but Eddie doesn't say anything in return.
He doesn't say anything for just long enough that Steve gets insecure all over again, reaching hesitantly for the scarf.
"But, I mean, if that's weird, or whatever, you don't have to-"
"Nope. Fuck off, I'm wearing this forever." Eddie loops the scarf quickly around his neck and squeezes the ends in his hands. "Jesus, this is soft."
Steve grins. "I'm not sure it'll last forever, but I can make you another after than one wears out."
"You'd better," Eddie says, and he's grinning too. "So, what, you knit?"
Steve points a very serious finger into Eddie's face. "Crochet. There's a difference," he says sternly.
Then, because he can't help it, he bops the end of Eddie's nose before getting out of the car, leaving Eddie to scramble out behind him, laughing and calling him a dork as he goes.
(The kids, incidentally, don't tease Steve nearly as much as he'd thought they would when they find out.
This is possibly because they're more mature than he gave them credit for, but more likely it’s because El is standing beside him and daring them to say anything unfavorable about their shared hobby.
Mostly they just let it slide, though Dustin demands to know why Eddie got a scarf and he didn't. Then Lucas wants one, too, because Mike and Max have already received various bits of outerwear from El, and he's not about to be left out. And then Robin, of course, will want to know why Steve hasn’t made her anything, once she finds out that he’s making things for the kids.
Steve resigns himself to a busy winter spent under a pile of yarn.
It's not really a hardship.)
[Part 2 | Part 3 | Part 4 | Epilogue | Ao3]
7K notes · View notes
justauthoring · 27 days
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a promise he'll keep.
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requested! -> also “who did this to you” with astarion would go absolutely bonkers. food for thought requested by! -> @the-sunflower-room
a/n -> thank you for your request! i saw your other one as well and definitely plan on writing it hopefully soon! also! i literally have been in love with this man since the game came out but im so nervous about writing for him i never gained the courage... tho, meeting neil yesterday made it feel like its only write i finally commit and write to him!
tw -> mention of blood, bruises and cuts/violence
pairing -> astarion x f!reader/tav
blood poured from the rather large cut across the side of your forehead, staining your skin and seeping into the tiny cuts littered across your cheek and jaw. bruises lined your neck, in the shape of a hands, and astarion was sure that the rest of your body mimicked the damage across your face.
armour torn, shaking and hurt, astarion's heart burns with a rage he's not felt in a long time.
long ago had he forgotten about the bloodlust of fighting. long ago had he healed from the trauma of his past. years had passed since astarion had first met you and years had passed since the both of you, along with the rest of your companions, healed yourselves from the parasites in your mind and effectively, saved the world.
your bodies had never quite healed though. the trauma of what you'd both experienced had never faded and most likely never would. you'd both accepted that as a fact of your lives and used each other as a means of healing from it.
it had been years since astarion has seen you bloodied and hurt like this, and it feels ten times worse then it ever had before. never a fighter, the second you'd no longer been forced to fight for survival, astarion knows you'd given up that part of your life.
you were strong. there was no doubting that. you could hold yourself and you'd proved that well enough given what you'd done for the world and most importantly, your companions. more than anything, you'd proved that with how you saved astarion from his tormentor and the horror of his past.
but you look so vulnerable in that moment; broken and hurt and bruised and his chest tightens, nails digging into the palms of his hands as the rage coarses through him, burning his veins and has him desperate to make whoever hurt you pay.
painfully.
"who..." and his words hesitate, the fire his chest making it hard to find his words. he doesn't want you to think any of his anger is directed at you... "who did this to you?"
you twitch at his words, arms coming around to hold yourself as you shiver, hesitating.
astarion's face falls.
taking a step towards you, he reaches out for you, hands moving to cup your cheeks, gently and wary of your wounds. he worries you'll pull away, given how afraid you are, but you know astarion and recognize his touch and some of the rage fades with concern and love for you as you lean into his touch.
his fingers work to brush the blood from your face, get rid of the dirt and grime that clings to your skin and tries to soothe you.
your eyes flutter shut in response.
"i'm sorry," astarion whispers. "i'm sorry, i don't mean to scare you."
you shake your head, humming in disagreement. "you didn't scare me."
astarion hates the way your voice trembles.
"i don't want you getting hurt for me," you explain. "you don't deserve that."
and astarion shakes his head. "it doesn't matter if it's you." he assures and he frowns when he realizes he might've not made that clear enough. he had a lot to make up for if you think that he wouldn't do anything for you. "i can't let them get away with hurting you like this."
"i'm okay," you try to deny.
astarion just tightens his grip on you, not enough to hurt you, of course, but enough to pull your attention on him. "you're not," he argues, desperate for you to understand how much it pains him to see you hurt like this. "you're bleeding, y/n. and fuck... you're hurt, badly. it breaks my heart to see you like this."
your eyes fall on him at that. wide eyes meeting his own as your lips part, as if shocked by his admission. maybe shocked wasn't the word—he likes to think the expression on your face is one of reassurance at how much his heart burns with love for you.
the tears that you'd been holding back fall then, your bravety and strength fading at astarion's warming and soothing words. they build at the corner of your eyes and astarion is quick to brush them away.
"i'll never let them hurt you again," he promises then, meaning every word of what he says. he says them with confidence, desperation and sincerity, eyes softening with a plea as he holds onto you, afraid you might slip from his very fingers. "them or anyone else."
your hand grabs his, squeezing.
"i know," you whisper, "this isn't your fault."
he just shakes his head; "it's whoever did this to you's fault," he assures, although the twinge of guilt that festers in his belly is undeniable. he should've been there with you, keeping you safe; even if you knew you were capable of keeping yourself safe... having him there would've assured him and would've stopped this from ever happening.
"y/n," he calls again, voice soft, measured and even as he stares into your eyes and doesn't let you pull away. "who did this to you?"
and your lips part, breathing shakily but there's an ease that washes across your expression and then the names of the men who hurt you come pouring from your lips.
astarion memorizies them, keeps them trapped in his mind as he nods. "thank you." and he is thankful. thankful that you trust him to do what he'd promised. thankful that you know he won't fail you.
"i'll make it better, okay?" he whispers, his thumb stroking across your cheek as he pulls you into his arms, a hand falling on the back of your neck to press you into his chest. "i promise."
you hum your response, leaning into his touch before letting him guide towards your home so he can dress and clean your wounds.
and most importanly, shower you in the love you deserve.
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malleleothreesome · 6 months
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Stage Sex - Fellow Honest x Fem Reader (Part One)
🌟 summary: Fellow convinces you to become his latest star, taking your virginity shibari style in front of a live audience. ༶༶༶ 🌟 warnings: afab fem reader. Porn with plot – if the plot is him convincing you to partake in the porn. I didn't write this with the intent of it being dubcon (in my mind, reader is a willing participant, and I never describe her as otherwise), but please err on the side of caution if you're sensitive to that. It's starring Fellow Honest, after all – he comes prepackaged with manipulation skills. He does use a bit of his UM after reader already consents, and I refer to his magic as hypnosis, playing into the fact that you're obedient to him and he can use you as he pleases. There is a MAJOR VOYEURISM theme to this. He calls you names like "good girl", "slut" and "whore". In part 1 he helps bring you to clitoral orgasm for the first time while he jerks himself off. Also a few lines of cunnilingus and some fingering. Shibari bondage starts in part 2, additional warnings will be listed there. Please let me know in the comments if I missed a warning or tag idk I haven't written something of this caliber before. ༶༶༶ 🌟 word count: 7.2k words because I'm DERANGED ༶༶༶ 🌟 song: Carousel - Melanie Martinez "And it's all fun and games... 'til somebody falls in love"
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Fellow Honest’s tail swung back and forth. He had certainly done his research, and all of that hard work would finally pay off. He watched as you entered the theme park, skulking in the shadows behind the rest of the students. You struck him as an outcast—no friends, no family. A beautiful girl from another world, with a figure that would make even the Gods themselves lust after. The only magicless human girl at the all boy’s magic college. Nothing to lose. How perfect.
“Hello, Miss…?” Fellow’s eyebrow raises as he tilts his head, leaning towards you on his cane. His calculated, fox-like eyes drink in every inch of you. Extending his right arm out to you, he welcomes your hand into his.
“Y/N,” you answer, a bit startled at his overt friendliness. Yet, you allow his white satin glove to grasp firmly around your hand. 
“What a lovely name for such a breathtaking woman.” He bows forward to kiss your hand, maintaining fierce eye contact. In one swift motion, he turns toward his amusement park, wipes his mouth clean of your touch, and proudly waves his arm in the air to show off his property. 
“Miss Y/N! Welcome to Playfulland!” he boasts. He turns back toward you, weaseling his way deeper into your personal space. “It is an incredibly rare occasion to welcome someone as beautiful as you into my humble little park.”
You dismiss his praise with a flick of your palm and a shake of your head, desperately hoping not to blush. “Oh, no need to be so modest, dear. A shape like yours could make any man fall in love. I doubt the students at the college are the only ones that appreciate it.” A sly smile is plastered on his face while his eyes continue to look you up and down with intention. Your mind runs wild as you try not to absolutely melt into his praise. “Are you sure you’re not a talking doll? It’s a marvel that a woman so flawless could exist.”
You smile softly and look to the ground, cheeks burning. You tuck a strand of hair awkwardly behind your ear, stalling for composure. How are you supposed to respond to a handsome, magnetic stranger saying all the right things? Not a single soul has spoken so highly of you since you found yourself trapped in this world, forced to attend Night Raven College. Your growing ego leaves you no choice but to soak it all in.
“Tell me, Miss Y/N. Have you ever thought about becoming a performer?” He doesn’t pause to let you answer. “Why waste your valuable early 20’s by studying and attending lectures and surrounding yourself with pathetic boys? Women as blessed as you are don’t need a degree. Surely a wealthy man can care for you far beyond a measly degree. And while you wait for him, why not fill your days with fame, riches, and adoration from performing on my stage?”
You stand in a stunned silence. This guy isn’t holding anything back, is he? Charm and charisma ooze from each syllable, making your heart race. It feels a little wrong, basking in the praise of a stranger like this. But you feel beyond lonely and underappreciated at NRC. You long to feel wanted and cared about. Why not give this attractive, complimentary man a chance?
Before you know it, the fox beastman's arms are wrapped around your torso, pulling you closer to him. "Oh, how rude I am!" he exclaims. "I haven't even given you my name."
"Allow me to properly introduce myself." With a quick spin of his heels, he steps back and bows, taking your hand once again. "The name's Fellow Honest, owner of Playfulland." He lifts his head, keeping his eyes locked on yours. "But please, you're welcome to call me whatever you'd like." He winks.
You could have sworn you felt a physical spark. Suddenly lightheaded, you pull your hand from his grasp, heart pounding in your chest. You can't take your eyes off him. You can't tell if your nervous system is trying to tell you to run towards or away from him. The longer you stare into his fire-orange eyes, the weaker your knees feel. He’s so close you can feel the heat emanating off of his body—is his perfume made of magic? 
Something inside of you urges you to step away and re-evaluate. "Uh... I should probably get back to my friends," you stammer, trying to get your legs to move. "I'm sure they're wondering where I went. Thank you for the, uh, offer, though. I’ll think about it."
Fellow's arm is suddenly around your waist yet again, his fingers pressed firmly against your lower back as he pulls you close. Your eyes widen and your breathing hitches as you make contact with his chest. You feel his lips brush against your ear, and he whispers, "I have to insist, my dear. My employees are quite skilled, but you'd be the best thing that has graced my stage in years. It would be an honor to have someone of your caliber work for me."
His proximity. His hot breath on your ear. His possessive touch digging into the soft skin of your back. You feel a familiar flutter deep in between your thighs—you like this. You want to protest, to push him away, but the electricity between you is hypnotizing. His aroma—sweet wine and fresh roses—only adds to the spell, drowning out all logic and giving way to your body’s desperate pleas to take the lead.
"I have an office inside the theater where we can discuss this further, if you'd like," he purrs, and you can feel his lips curve into a smirk against your skin. "And please, take all the time you need. You're welcome to stay the night. We have luxurious rooms available—a small taste of the lifestyle you’d have if you make the right choice. I'll have someone escort you back to campus if you change your mind."
Your eyes dart around, desperately looking for a familiar face—a way out. Where the Hell did Ace go?! What about Leona or Trey–surely your upperclassmen should have stuck around to make sure the only magically defenseless student isn’t being taken advantage of by any sexy, suspicious strangers. Not to mention the fact that you’re the only girl at school. Chivalry must be extinct in Twisted Wonderland. You feel your heart drop: maybe they never cared about you at all.
Fellow's tail flicks in excitement as he watches your expression. Your eyes are wide and panicked, and he can sense your desperation. He smothers his own smile as your body language slowly indicates defeat. How utterly effortless! He has you right where he wants you. You're his to play with, and no one is there to stop him.
"Come now, dear, it won't hurt to indulge a little," Fellow coos sweetly. Your brain short circuits, blocking all thoughts unrelated to the electrifying feeling of his slender fingers dancing along your waistline. "You're already here! Why not stay and have some fun?" His lips find their way to your neck and you let out a soft gasp as a pulsing warmth radiates from your cunt.
"Fine," you finally whisper.
Fellow chuckles victoriously against your skin, the vibration sending shivers down your spine. "I knew you’d be such a good girl." He spins you around, the sexual tension forcibly dissipating as he rips you from your lascivious thoughts and begins walking you down the cobblestone path. His hand rests on the small of your back, and his cane taps merrily against the concrete as you go. Your mind is still reeling from the shocking exchange, and you can barely match his pace as he escorts you to the grand theater. 
You stifle a blush as you hear park goers whisper amongst themselves, eyes glued on you, mouths falling open. "Who is that? Is she a celebrity?”
“She looks like a supermodel,” a woman chimes in, her tone covetous. 
Fellow would never waste an opportunity for free advertisement. He turns his head toward the group as you both keep walking. “Stick around ‘til after dark and you might just see this beauty show it all off on my grand stage!” He shouts, waving his cane in the air. 
The two of you enter the theater and Fellow wastes no time leading you up the stairs toward a private hallway. His hand never leaves your waist. You pass several doors before reaching a pair of large, heavy wooden doors, which Fellow opens with ease.
You can't help but gawk at the size of his office. A massive, ornate wooden desk sits in the middle of the room, flanked by shelves lined with books and trinkets. There's a fireplace and two plush leather couches, as well as a small bar in the corner of the room.
"Please, make yourself at home," Fellow says as he closes the door behind him. He makes his way over to the bar, grabbing a bottle of wine with two glasses. You perch on one of the leather couches and he joins you, placing the wine and glasses on the table in front of you. As you inspect his office, you can't help but feel drawn to a mannequin adorned with a gorgeous bejeweled brassiere and matching pants—if there’s enough coverage to even call them that. Your faces heat up, and you quickly turn away.
"Beautiful, isn't it? One of my favorites," Fellow says, following your gaze. "Unfortunately, no one has had the pleasure of modeling it just yet." He furrows his brows in disappointment. He pops the cork on the wine bottle and begins to pour. "Maybe tonight will be the night. How lucky for me that I have the perfect model."
Something is starting to feel very exciting about all of this. You’ve never had an opportunity to wear such a costume. After being enrolled in Night Raven College only because Crowley didn't know what else to do with you, being here is starting to feel quite freeing. And the way Fellow looks at you… you’ve never felt more attractive. Adrenaline pumps through your veins, gifting you the courage and desire to be exactly who he believes you to be.
"Would you like to try it on?"
The question catches you off guard. He's now looking smugly at you. Your cheeks flush red, but you hold eye contact.
"Wh-what?"
"The outfit, Darling," Fellow says, nodding his head toward the mannequin. "You can try it on if you'd like." You take a long sip of red wine, savoring the smooth fruitiness. It immediately goes to your head, and you can't help but down the rest of it.
"Come now, Love," Fellow says, his eyes twinkling with mischief. "We both know what you want."
You stare at the outfit and then back at him. Your whole body feels like it's on fire. This is a bad idea, right? Or is it?
"Okay," you say, almost surprising yourself.
Fellow claps his hands together in delight. "Wonderful! Don't worry, I'm a gentleman—I'll look away while you get changed."
You make your way over to the mannequin, wobbling a bit from the alcohol. The bra is a dark purple while the jewels are varying shades of blue, making the whole outfit glitter like the night sky. The "pants" are a matching, dark purple lace thong, with ribbon and jewel embellishments. There is a sparkling, sheer miniskirt attached, more of an accentuation than actual coverage. You reach out to touch the fabric, marveling at how silky it feels. It's so sexy. Imagining yourself wearing it on stage in front of thousands of people, with everyone staring at you, craving you, makes you a bit wet with excitement. Maybe you do want this.
You look at Fellow one more time to ensure he’s not peeping.
Reader, take note that Fellow is, in fact, peeping—through his pocket mirror that he is blocking with his body. He’s far too good at this. 
Feeling secure, you unbutton your uniform blazer, letting it slide off your shoulders and onto the floor. You undo the buttons of your shirt next, slowly exposing your bare chest. 
Fellow bites his lip as he stares into the mirror, watching in awe as you undress. Your body is even more incredible than he could have imagined. 
You slip off your shorts and underwear next, leaving you completely naked except for your bra. Your hands fumble a bit as you unhook the costume, letting it fall to the floor. 
Fellow feels his pants tighten. 
You can feel yourself getting more aroused, the excitement of being naked in a room with a stranger—soon to show off a revealing costume—starts to go to your head. You grab the brassiere off the mannequin, throwing your arms through the loops, eager to see if you look as good in it as you hope you will. 
Fellow takes his sweet time watching in the pocket mirror. He grins, pleased with your inexperience, watching carefully so that he can see every inch of your struggle, savoring in it. “Oh, how easy this is,” he thinks.
After finally finding the right combination of hooks and clasps, you manage to get the brassiere fastened. You gasp softly, feeling the cool jewels press against your nipples through sheer fabric. You can't help but feel like it was made specially for you. The way it pulls your boobs together to create perfect, plump cleavage gives you actual pride. You shimmy the panties on next, loving the way the lacy fabric rubs against your clit as you pull the thong taut against your hips—a tingling reminder that your body is desperate for any sort of friction that may be interpreted as pleasure. You give your ass a little shake as you put on the skirt, reveling in how good the material feels as it brushes against your bare skin. Engrossed in your own experience, you’re completely unaware that you're giving Fellow quite the show. 
He can't help but lick his lips, reaching down to massage his groin through his slacks. 
You spin around and strike a pose for your imaginary crowd, feeling powerful. 
"Are you ready, my love?" Fellow asks, startling you out of your daydream. 
He pockets his mirror and adjusts the front of his pants, trying to disguise his erection as best he can.
"I'm ready."
"Show me what you've got," he says. You both turn around to face each other and he gasps, his eyes widening and mouth falling open.
"My goodness, darling," he whispers. "You're exquisite."
The way he's looking at you makes you feel like the sexiest woman alive. You take a step forward, heart pounding in your chest. Fellow stands up, taking his cane in his hand. He walks over to you and stalks circles around you, gazing up and down as though inspecting merchandise. You yelp as his cold, hard cane smacks your ass.
Finally he stops directly in front of you, meeting your gaze once again. "Oh, Darling, you're an absolute vision." He cups your cheek with his hand, rubbing his thumb across your lips. He wears a sinister smile, and you feel your mouth run dry as you finally realize how sharp his fangs are. You're almost certain he can tell how turned on you are right now.
He pulls away to replenish your wine glass.
"I can't wait to see you dance, my dear. You're going to be a star." He gazes dramatically into the distance, waving his hand like he’s envisioning your name written in dazzling lights. He hands you the full glass and you gulp it down greedily, eager for the liquid courage. You don't even care that this man is a total stranger—it actually makes it hotter.
"Oh, one more thing," Fellow says. He stands up and walks over to the mannequin, opening a drawer next to it and grabbing a matching set of lacy thigh highs. He kneels down in front of you, and you rest your hand on his shoulder as he slips the stockings onto your feet. He repeats the process on your other leg, taking his time to run his hands up and down your thighs.
You bite your lip and look away, feeling embarrassed by how wet you are. He's so close to where you want him to touch you, and you're not sure how much longer you can stand this before giving in and doing something you might later regret.
Fellow stands up, his hands gliding up your legs as he does. He gently grabs your chin and tilts your head up so you're forced to look at him.
"What a naughty little minx," he whispers. "You're practically dripping." He smirks, once again bearing his fangs in the process.
Your eyes widen, cheeks flushing pink.
Fellow laughs. "Oh, there's no use hiding it, love. I can smell it." He takes a deep breath, inhaling the scent of your arousal. "It’s heavenly."
God dammit. You can't help but throw your head back in frustration from being outed so easily. Never underestimate a beastman's sense of smell.
He lets go of your chin and steps away from you. You let out a shaky breath you didn't realize you were holding.
"Don't worry, darling," he says, making his way back to the bar. "I'll make sure you're properly taken care of." He refills his glass and downs it. He doesn't know how long he's going to be able to wait until he's inside you.
You try to get back on track to a more... professional topic. "So, is this the type of outfit I would wear if I were to perform?" You try to sound as innocent as possible.
Fellow laughs a slow, deranged, almost maniacal laugh that makes your skin crawl. "Oh, no, darling. Outfits like these are reserved for the backup dancers. With the plans I have for you, you'll be wearing far less." He sets his wine glass on his desk and opens one of the drawers, pulling out a roll of thin, dark brown rope. Your heart pounds in your chest as he walks toward you, unraveling the rope as he goes.
You stumble backwards instinctively and even in your drunken haze, you start trying to take note of your surroundings and look for the exit. "Is this a joke?" you ask, trying to sound as calm as possible. "You know you don't need to tie me up if you want me to stay, right?" You try your best to reason with him and hope to God you didn’t put yourself in harm’s way.
"Oh, I'm not tying you up to get you to stay, Miss Y/N." He puts on his most pleasant and agreeable facial expression, lips contorting into an innocent cat-like smile, eyes crinkled as he feigns benevolence. "It smells to me like you'd do that all on your own. Am I correct?" He tilts his head toward you and gazes into your soul with piercing, knowing eyes. 
He makes a show of walking over to the door and opening it, waving his hand through the open air of the doorframe. "Make no mistake, I'm certainly not forcing you to stay here. You are welcome to leave right now. I'll even let you keep the outfit, if you’d like." He gives you a knowing smirk and continues to hold the door open.
You gulp, feeling the familiar heat between your thighs grow stronger. Your mind is racing, trying to think of every possible rationalization to feel safe staying—anything to get your pussy the relief it deserves. If he really was a predator—you try to reason with yourself—you'd probably be dead by now. And he was right, you do feel like you could get off, just from being tied up. Your body seems to be the decision-maker here, and it’s telling you to stay.
You shake your head at his offer. "No, I'm good."
"Wonderful," he purrs, his expression darkening. He slams the door shut and turns the lock, letting the thud of the door ricochet through your body. "Now then! The reason I am tying you up is for your performance. Just a few short hours until showtime!" He steps forward, closing the gap between you. He runs his fingertips down your bare arm, stopping to wrap them around your wrist. You shiver at his touch, your body instinctively leaning toward him, yearning for more. Your face flushes red with embarrassment and arousal. You don't understand how he's able to turn you on so easily.
"You see, my dear," Fellow begins, his voice soft and seductive, "I'm not the only one who's been watching you hungrily." You feel his hot breath on your neck as he brings his lips close to your ear. "Believe me, Doll, they're going to love what they see." He takes your hand in his and places it on the bulge in his pants. His cock throbs beneath his clothes and your eyes widen at how big he is.
"I'm not just a magician, but a master of hypnosis as well," he elucidates. 
He's never before been so forthcoming in his whole career, but there's just something about you that makes him want to be upfront. 
Truthfully, he hasn't had to use any hypnosis magic at all to persuade you. No, you wanted this on your own. Despite your innocence and reluctance—you wanted him. His cold heart skips a beat at the thought. He releases your hand and once again cups your cheek. He pushes a thumb past your lips and forces you to suck on it. A deep moan escapes his lips as the sensation of your soft tongue against his thumb runs straight to his aching loins. Removing his thumb from your mouth, he slides it down your chin, tracing your jawline before moving to your neck. You arch your back and press your body against his, feeling the tip of his thumb press along your jugular, sending chills down your spine.
"And I can assure you that by the time I'm done with you, you'll be the perfect little hypnotized whore." You shudder as his tongue traces the side of your neck—it feels so good. He continues to drag his tongue up to your ear, and you moan loudly as he suckles your earlobe. Your knees are giving out, so you wrap your arms around him for support. "That's the beauty of my magic, love. No prior experience necessary. I'll ensure you put on the show of a lifetime. Simply allow yourself to enjoy the ride." You whimper softly, unable to form coherent thoughts or speak intelligibly, too caught up in the way he's pleasuring you.
"But don't worry, Love," he says, his voice low and raspy. "You'll still remember everything when we're done."
Your head is dizzy, trying desperately to process his every word. You can't stop yourself from moaning as his hands continue to explore. As far as the current circumstances go, nothing matters, as long as he’s making you feel this damn good. He takes his time groping and squeezing wherever—and whatever—he can get his greedy hands on, relishing in the opportunity to touch your perfect frame.
Looking into your eyes, he's suddenly overcome with emotion—unusual for him. This isn't something he's ever done with his employees, but there is a twinge in his chest willing him to do it. Perhaps—just this once—he can deviate from the script. Fellow hungrily crashes his lips against yours, kissing you passionately. You melt against him, opening your mouth to grant him entry. You feel yourself losing control as he dominates your mouth, exploring every inch with his tongue. You grip onto his hair, pulling him closer. His fangs lightly graze your bottom lip and it makes you shiver. The way he kisses you is so possessive and needy, and it's driving you wild. You've never been kissed like this before. His hands travel down your body and grip your ass tightly, causing you to yelp. Your hands claw at his blue coat and green vest, desperately trying to remove his clothes so you can feel his bare skin. He growls into your mouth before breaking the kiss.
"Eager little thing, aren't you?" he murmurs against your lips.
You nod in response, gasping when he suddenly pulls away. Seeing how needy you are, he smirks, delighted at how much you want him.
"Oh, Darling. Why don't you save that for the audience?" he teases. "You're going to put on a good show for them, aren't you?"
"Yes, I'll do my best. I promise I'll make you proud," you gasp, feeling even more aroused by his words.
"That's a good girl." Fellow paces the room, circling you like a vulture. You can feel his eyes on you and can't help but squirm under his gaze. He grabs the rope from earlier, stopping right in front of you. His cane appears in his grasp, seemingly out of thin air. "Such a perfect little slut, so eager to please. I bet you'd do anything I asked you to, wouldn't you?" he asks, spinning his cane with the flick of his fingers, utilizing his hypnosis magic for the first time that day. He needs to ensure your loyalty lies with him.
"Yes." You answer without reluctance.
Fellow's cane magically disappears from his hand. "Such a good little whore." He takes a strand of your hair in his fingers and twirls it before gently tucking it behind your ear. "Now, a few more formalities before we get you ready for the stage. Shall we?" You flinch at the sound of him smacking the rope against the floor, like he's trying to command a circus animal.
Your mind is fuzzy, body practically burning with desire—you don't even notice him guiding you to his desk. He bends you over the hard wood, your breasts and stomach pressing against the cool surface. He presses his body against yours, his erection grinding between your ass cheeks, and you can't help but moan. Fellow rips off his gloves, tossing them aside. His right hand snakes around your body and reaches into your panties, his fingers rubbing against your wet clit. He slips a finger inside you—finally.
"My, my…" he whispers. "So wet for me already. You’ll look so beautiful when you're on stage for everyone to see. My precious little toy."
Your breathe heavier as he continues to fuck you with his finger, tantalizingly slow. Just as you open your mouth to beg for more, he slips his finger out of you and slams a contract on the table in front of you.
"I need you to sign this first. Standard contract," he says casually. "This is a business, after all." He drops a pen within your reach. All the while, he continues grinding against you, his clothed cock rubbing against the sheer fabric of your panties, further tantalizing your throbbing clit. "Go ahead, Darling. I can't wait to show you off."
You sign your name on the dotted line, quickly dismissing what seems to be the final roadblock in your path to pleasure. There's nothing else in your psyche than how badly you need him to fuck you. Your pussy aches with desire—you can't wait any longer. "Please. Please, fuck me," you whimper, begging him to give you what you want.
"Oh, Darling," he purrs. "All in due time."
Fellow leans in close to your ear, his breath hot against your skin. "I wonder how many people will come tonight just to see this pretty little body of yours?" he asks. "How many men and women will stare at you, touching themselves as you writhe in pleasure? I bet you can't wait for them to see how much of a needy little whore you are. You were born to be a star." His voice is soft and seductive as he plays on your desperation.
"Now. Let's get you out of these clothes." He expertly unhooks your bra with a single hand. With a swift yank, it falls to the floor, revealing your perfect tits, hard nipples on full display. "Beautiful. So deliciously plump and round, my flawless doll." 
You're still bent over the table as his fingers snake into the elastic waistband of your skimpy skirt and thong. He pulls it taut, ready to tear it right off of you... but he hesitates, remembering its one-of-a-kind value. Squatting slightly, he gently pulls your skirt and panties to the floor, utilizing the opportunity to bask in the aroma and view of your now-exposed pussy. He grabs your thighs where the stockings are and, quite impatient, rolls them down as his fingernails trail lines down the flesh of your legs in the process. He guides your feet out of each leg hole, revealing your full nudity. Seeing your juices glisten makes his eyes light up, mouth curling into a grin. His mouth waters and he inhales deeply, savoring your sweet scent. He can't help but lean for a taste, his tongue gliding against your folds and lapping up your essence. Your knees buckle as his warm, wet tongue explores your deprived cunt. Nothing has ever felt so good. Your entire body trembles and you cry out in pleasure. He keeps his hands firmly planted on your ass, holding you in place as he continues to lap up your pussy. It feels so good, it's almost painful. He pulls away after a moment and you whimper at the loss of contact.
"So, tell me, Love. Are you a virgin?" he asks with a sneaking suspicion. He traces his fingertips down your spine, awaiting your response.
You shudder, the feeling of his fingers on your bare skin is so tantalizing. "Yes," you answer, unable to hold back your excitement.
Fellow's eyes widen, surprised by how easy it was to get you to admit that. He smirks, continuing to caress your back. "Ah, perfect," he hums. "What a privilege it is to deflower you." He reaches for his phone on his desk and utilizes the speech to text feature to say one thing: “We’ve got a virgin.” He clicks the display off and gives you a wink. "The marketing team will start advertising for a very special show tonight. I wonder how many people will come to watch me break in a virgin? I'm sure we'll sell out! An incredibly rare specimen indeed."
His words send a chill down your spine. The thought of thousands of people watching you lose your virginity excites you even further, and you find yourself becoming increasingly aroused. Your whole body is hot—you can't help but squirm as your juices slowly drip down both legs. You shudder, picturing an entire audience getting aroused, their attention rapt on you. Just the thought of how many people will want you... all of those horny people, with their eager bodies and impatient erections at the sight of you losing your innocence. A hot sensation pools deep in your belly and your clit throbs with need. You roll your hips back toward him, wordlessly indicating your desires.
He pockets his phone, delighted that the plan is progressing so flawlessly. "Tell me, my dear, have you ever orgasmed before?" You feel the heat rise in your cheeks, and you shake your head. He grins, leaning in closer, his tail swishing between his legs and up onto your throbbing clit. It tickles so good. "Have you ever touched yourself?" Your body heats up, and a wave of shyness washes over you as you attempt to suppress a groan. He already knows the answer, but he wants to hear you say it. He wants you to surrender yourself completely. "What a beautiful thing, modesty…" he muses. "Tell me, Dear. No need to be so shy." Your face is turning a dark crimson, and he's never found something so appealing in all his years.
"No. Not successfully," you answer softly. You've never been able to get yourself off. Your hands would wander as you'd lie in bed, desperate to find some sort of relief, but it never came. You've never had that pleasure before, and you were starting to think you may never experience it.
"Oh, Darling, you poor thing. I'll have to take care of that for you. I know all the tricks.” Hearing the zipper of his pants, you gasp in anticipation. He takes his cock out of his boxers and you feel the flesh of his hardened tip slide over your wet labia. He takes your hand in his and guides it to your clit, teaching you how to circle your fingers around it in the perfect motion.
"Just like that, Love," he whispers, and you can hear the smile in his voice. "You're doing so well. Doesn't that feel good?" You moan softly as he continues to guide you, his free hand on his cock, sliding up and down its length, using your never-ending juices as lubrication. He bucks his hips slightly as he starts to jerk himself off, letting out a quiet moan, teasing himself and rubbing his cock head against the sopping wet folds of your untouched pussy—knowing he has to save it if he wants a fruitful show. The way your face contorts and your lips part with desperate pleasure, he suddenly has to fight himself not to lose control and break your hymen right then and there.
Knowing that Fellow can’t help but touch himself to you amplifies the pleasure even further. Your fingers continue to dance over your clit and for the first time, it feels amazing. Every nerve in your body is electrified, your breath coming in short pants. Your hand feels like it's floating through space as he moves you like a puppet, directing your motions the way that he wants you. He rubs himself a bit faster as he watches you writhing, becoming more desperate and vocal than before. His own lust becomes insatiable. He’s sculpting you into the perfect masterpiece, just the way he likes it—his own custom sex toy.
"Just imagine all those people in the audience," he murmurs. His hand quickens on his cock and he groans. His hand over yours speeds up to match his pace, and he adds more pressure to show you exactly how to pleasure yourself. "All of those hungry eyes on you, craving every inch of you…" His hips jerk slightly and he moans, losing himself to his own dirty thoughts. Your clit is throbbing so painfully that tears begin to form at the edges of your eyes. He has never seen anyone become so intoxicated with the simple idea of him before, and you don't even realize how loud and desperate your moans and cries have become. His face flushes every time you scream his name, and your beautiful expression fills him with the greatest satisfaction, an image forever imprinted in his brain. The sight of you, so eager to please him—he knows now that he'll never let you go.
You feel yourself approaching explosion—the very first time—and your muscles tense in response. "Oh, fuck, every single one of them will be touching themselves, getting off to the sight of you, desperate to be where I am right now. And here you are, moaning my name as I prepare you, just aching for me to bring you to your first orgasm. You'll look so beautiful when I pop that sweet little cherry of yours." 
He groans and bucks his hips, jerking himself off faster and faster. Your clit throbs, ready to explode. "You want to cum, don't you, darling?" His voice is low and husky, and he pants heavily. "Cum for me, darling, cum for me. I want to hear you scream for me." Your toes curl, knees buckling in ecstasy. He guides your hand even faster over your clit. "That's it, Love, just let go." His voice is the sweet encouragement that pushes you over the edge, almost on command. You feel a strange electricity ripple through your leg muscles, a release that exceeds every single thing you thought you knew about pleasure.
Your first true orgasm rips through your body like a tornado, tearing apart any inhibitions and preconceived notions about reality. Everything around you turns bright white as euphoria sweeps through your body, wave after wave leaving you moaning and shaking uncontrollably in his arms. Your legs feel like jelly, and it becomes impossible to hold yourself up. His fingers leave yours, transferring their tight grip to your hair, forcing you to maintain eye contact with him as he fucks himself furiously to the sight of you. You were like putty in his hand, melting and molding according to his wishes—a perfect, brainwashed, fucked-out little slut.
Fellow lets out a strained grunt as he orgasms, painting your ass with his seed. He can't help but sigh in pleasure as he gazes lovingly at the blank and pliant expression on your face as he drains the rest of himself onto you. He sighs as his last spurts dribble from the tip of his cock, admiring how much he's marked you as his. You're still shaking and whimpering as you come down from your high, your face contorted in pleasure, your eyes glazed over and staring into nothing. You look absolutely fucked out, and he takes a moment to admire your blissful expression before finally releasing you from his grip. He gives you a small push, causing you to fall forward onto your hands. He takes a step back to admire his handiwork—your thighs are soaked with your own cum, and your ass is dripping with his.
"Such a good girl," he praises. "You did such a good job for me. You're going to be the best performer I’ve ever had. It's about time we take you to the stage to get you set up, my dear. You’re better than I could have ever imagined.” You can only gasp, too wrecked from your pleasure to respond in words. Fellow grins with satisfaction, memorizing the sight of his seed glistening all over your back, chuckling to himself as he wipes it off with a tissue. He tosses the tissue into a random corner of his office and then helps you find your footing again.
Gently lifting your chin, his gaze softens, mouth opening to form a gentle smirk. His thumb brushes against your trembling bottom lip, a caring and fond expression overtaking his features. 
Your heart leaps into your throat as you begin to question the warmth in his smile and his affectionate gaze. Is your body's chemical response misreading signals, or are you witnessing evidence that Fellow perhaps has a bit more going on than simply taking sexual interest? A new, deeper desire to understand the mysterious man behind the curtain of your own experience begins to bloom in your mind. You lean into his touch, your eyes fluttering shut as his hand cups your cheek. He leans down and places a gentle kiss on your lips and you return it, savoring the way his soft lips feel against yours. It feels so intimate, like a lover's kiss, and your heart flutters in your chest. You pull away and look into his eyes once more, trying to figure out what he's thinking, but you can't read his expression. His face is completely unreadable, granting you no indication as to whether you're making any progress in decoding him.
He takes off his coat and helps you put it on, wrapping you up to ensure your modesty is protected for your short walk to the stage. He takes your hand and guides you out of his office, your legs still shaking from climax.
You walk together in silence, hand in hand, your head still spinning as you try to process everything that just happened. You can't believe how incredible your first orgasm felt, and you're already craving another.
"What are you thinking about, Darling?"
"I'm thinking about how I’ve never felt that good before," you admit, blushing slightly.
Fellow chuckles. "That's very sweet," he says. "I'm glad you enjoyed it. I'll be sure to give you many more orgasms in the future." His grip on your hand tightens slightly, and you can't help but feel a sense of longing for him.
You continue walking in silence until you arrive at the stage. Fellow stops in front of the stage door and turns to face you.
"Are you ready, Love?" he asks, his voice gentle. He takes both of your hands in his and brings them to his lips, kissing your knuckles softly. His carnelian gaze holds yours, his hot breath dancing across your fingers. “I’ll be with you every step of the way.” Your heart swells and you feel yourself melting.
You nod enthusiastically and squeeze his hands, hoping he doesn't pick up on your nervous, pounding heartbeat. "I'm ready," you affirm, gazing intently into his beautiful, half-lidded eyes, feeling braver and more confident than you have all day.
He flashes a subtle smile. "Wonderful." He gives you one last peck on the cheek before turning to open the stage door. He places his free hand on your lower back and guides you onto the stage, leading you towards the center, where the lighting crew are busy at work. He introduces you and makes a show of presenting you to the crew—holding out your arm like he would for a debutante entering a ball, a prince presenting his chosen partner to a ballroom dance. The crew whistle and holler as you walk onto the stage. All you can do is stand there with the distinct smile of a hypnotized-yet-willing participant in the world's most eccentric 18+ theater. Their ogling is the furthest thing from your mind, as your attention remains firmly rooted on the charismatic manager in your grasp.
"Sorry, Boys. This one is mine. No one can have her but me." He places his hand on the side of your arm and pulls you close to him, draping an arm over your waist possessively.
As you glance up, your breath catches and your heart skips a beat; your adoring, hungry gaze is returned by his, a mirror of your own emotions shining through in his flaming irises. There's something strange about his stare—there always is. His face betrays some of that vulnerability again, an instance where he's truly letting his guard down, a crack in his meticulous and calculated visage. It’s a warm hint of softness that signals what he said to the crew might ring true outside of these walls as well.
Fellow turns back toward the crew as a new scene is placed before them, and within a split second, he resumes his demeanor of a business-oriented gentleman. "One hour ‘til showtime. Make her shine, People! We want the audience drooling the second she gets on stage!" He holds out his hand, his cane reappearing like magic. "Have fun in makeup!" He winks at you, the flick of his head gesturing you away.
Stylists appear behind you, and you reluctantly release your hold on him. He flashes a reassuring smile as you are guided away, a bewitchingly charming smile settling onto his lips. You head backstage, and he turns to get back to business.
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Damn, if you made it all the way down here... wow. Thank you so much for spending this time with me. If you enjoyed this, that means a lot to me because this is pretty much just a self indulgent fic I started writing as soon as Fellow dropped without really knowing too much about him. I haven't begun writing part two, but I have my general ideas of where I want it to go. If you have suggestions for part two, please comment or send me an ask, I'd love to hear your thoughts! ❤️ Erica Malleleothreesome
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askmerriauthor · 1 year
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Homie. Darling. Muchaco. Please help me. You're an animator. You've worked in the video game industry. When you get to That One Memory in TOTK (you know which one I mean and if you don't, you will),
Please help me figure out what the fuck is going on with Ganondorf's face rigging
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Man, I didn't even need to look anything up: I knew EXACTLY what you were talking about as soon as you said it.
Short Answer: Need more polys.
Long Answer: It's simultaneously a case of limited model structure and potentially some degree of intentional design choice specific to Ganondorf's presentation in this particular game.
Discussion below the jump, just for the sake of not stretching out people's dashboards. No worries about spoilers: none of this is story-relevant.
So! To give a very broad strokes bit of coverage on the wide and varied nonsense that is 3D modeling, this is a case of Topology. The basic thrust is that topology is the overall structure and layout of the mesh that makes up the 3D model's various shapes. The lower the polygon count on that mesh, the more angular its structure and the less capacity for deformation it has. The higher the polygon count, the smoother its structure and the greater its capacity for deformation. The trade-off, however, is that low-poly models are easier for a game engine to render. High-poly models are a massive drain on processing power, to say nothing if they're built inefficiently with a bunch of wasted geometry bogging things down.
Here's an example of a low-poly model on the left and a high-poly model on the right.
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So when you want to make a character emote, you're basically grabbing a bunch of those polygons around the face and moving them around to shape the face into the desired expression. If you don't have a lot of polys to play with, it causes folding and tearing issues where the model and its textures do some pretty wonky shit.
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Something both BoTW and ToTK have going for them is that they're actually very low-poly games, which is extremely helpful in making the games run as smoothly as they do given the world size and seamless loading. The lighting and texture work do A TON of heavy lifting to make the game look as good as it does. Really look at these models closely and you can see how angular they are. Look at Zelda's outstretched hand or how sharply light falls across the character's features. In the bottom right, notice how you can see the sharp points that make up Zelda's shoulders? They're not rounded; they're angled just enough to give the general illusion of a curve at a glance. Same goes for her eyes; you can count the angles that make up the shape of her eye but, at a distance and at a glance, they look big, round, and doleful.
Something you can also notice is when characters talk, a lot of them have little to no facial deformation. Mineru, for example, basically has a one-hinge Muppet mouth outside of pre-rendered cutscenes. A lot of characters' eyes are basically painted onto their faces and switch between static texture shapes as opposed to being fully rendered and animated orbs modeled into their heads.
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Ganondorf actually has a fairly complex character model, especially compared to Link or Zelda, but he doesn't have a lot of model deformation. Basically the only parts of his head that move are his eyes/brows and mouth/jaw. If you look closely around his eyes you can see they're rendered basically as triangles. There's only two or three points along their shape the model can deform at. Further, since the rest of his face doesn't really deform when he emotes, it means the only thing that really moves are those small key elements. Which yields moments like this:
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The animators are basically pushing his expression as much as they are actually capable of with this model's limited structure. See the hard fold in the lower eyelid, or the fact that his teeth aren't attached to anything inside his jaw? It does the job though; it overall looks good and, in the moment this scene happens, really adds something to the unsettling nature of what's going down.
I mentioned before that there may be a certain intent as well. Something specific to Ganondorf in this iteration is that, more than ever, he's become an Oni. Ganondorf's character design has slowly been leaning toward more Japanese-specific visual concepts over the past few appearances but he's gone full yokai for ToTK. Not just in his build, but in his clothing and weaponry. Dude is swinging around a kanabo for the first time ever in the franchise.
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In Japanese mythology and Noh theater, a Red Oni basically functions as the embodiment of all the worst parts of mankind. They're greedy, brutal, cruel monsters who revel in causing destruction. If you want to look at their good aspects, it's traits like passion, ambition, and a wild spirit. But, overall, they're the bad guys. Ganondorf is 100% depicted as a Red Oni in ToTK. So when you keep that in mind, add in the implications of what Ganondorf just did in that scene, and consider the traditional appearances of a Red Oni...
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...then that face-breaking grin makes a lot more sense.
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inbarfink · 8 months
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Part of Fionna’s frustrations with Mundanewold were subconscious longings for her old life of magical adventure, but a lot of her problems tied more into deeply-rooted issues of monotony and a feeling like she can't do anything to change her lot in life and like her actions don’t matter.
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And it does seem like Fionna and Friends’ lives have been kinda Stuck in a Rut - especially when you compare the way their lives parallel and diverge from their Mainworld counterparts. Most of the differences are... rather than just different choices diverging into different arcs - it’s the same arc, but the Fionnaworld characters are just stuck behind.
Fionna is still reeling from the breakup with DJ Flame and only met Hunter at the very day our story starts. Marshall Lee has more Unresolved Issues with his mom compared to Marceline and her dad. He and Gumball haven’t even met yet. Not to mention the Mundaneworld-specific problems like Fionna being unable to hold a steady job or Gary eternally spinning his wheels about opening his own bakery. 
Fionna thought she wanted a world of magic, but while the added bits of strangeness and whimsy to Fionnaworld by the end of the show are certainly a cool fun bonus (and Cake is surely thankful to have the ability to freely think and speak her mind and stretch) - what Fionna and friends were really missing was a world where their actions matter, where things change, where they are real. 
And especially important for Fionna and Cake to admit it, because handling the fact their actions have consequences has been a huge part of both of their character arcs. For Cake it was all about getting used to the fact that her newfound human-like sapience means being measured against human-like morality. For Fionna it's about not comparing everything in her life to video games and thinking through her actions at least a little bit.
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Consequences are the thing Fionna and Cake struggled with the most, but it was what they were missing all along.
Now this seems to be, like, an actual metaphysical thing. I mean, the show hasn’t gone super into detail of how Fionnaworld worked but it does seem like Prismo’s stories had an active role in moving the events of the World forwards, possibly using the same event-manipulating-Magic that make sure his Wishes have that Obligatory Ironic Twists?
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And once Ice King turned back to Simon, Prismo lost all ability to observe or create stories for Fionnaworld. And what happens to characters of a story once the writer can’t access their external hard-drive anymore? They just sorta get stuck. Moving their own lives forwards without Prismo’s stories is just a lot harder.
And if there is some sort of force in control behind the scenes of Fionnaworld at the start of the series, it’s only Simon’s subconscious - a fact F&C alludes to numerous times 
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And at the start of the show, how was Simon’s feeling about his own life?
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In addition to Simon’s longing and memories for the pre-War world shaping the exact form of Fionna’s nonmagical world, perhaps his feelings of ennui and depression and helplessness have also subtly ‘infected’ this world?
It is perhaps not a coincidence that Marshall Lee and Gary Prince’s storyline only starts moving forwards after Simon embarks on the adventure and starts climbing out of his mental rock bottom. When things seem to move forwards for him as well.
As such, ‘Canonizing’ Fionnaworld solves more of Fionna’s problems much more than simply making it as magical as Ooo but keeping it as a tiny hidden bubble in someone's dome. It ensures the World’s inhabitants’ free will and agency and ability to enact change on the status quo with no need for Prismo’s stories or being dependent on the still-kinda-shaky mental health of Simon Petrikov. Thus giving them a world where everything matters and things can always change.
But also there's a psychological element for the Fionnaworld protagonists. You know, the reason why Fionna is stuck in her rut is because she’s too impulsive and careless. Gary is too perfectionist. Marshall never had someone who would stand up to him against his mom.
Fionna’s whole arc in the show is about learning to be more thoughtful and careful and considerate through her Multiverse Adventure. While Gary and Marshall Lee find release from the thing holding them back within Fionnaworld, with each other. 
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‘Canonizing’ Fionnaworld is like... half actively altering their world into a ‘real’ one where change is possible, or at least easier - and half about an affirmation that their world was always real because change is about them outgrowing their personal issues (and also, y’know, about protecting their universe from the spiteful Beetle Cop).
And with how Fionna used to feel ‘trapped’ in the City, with nowhere to go and nothing to do - there is another change in Fionnaworld as a result of ‘canonization’ that feels very notable. 
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I’m not entirely sure, but from Scarab's dialogue it seems likely that becoming a ‘real’ authorized universe just kinda manifested a whole planet and universe beyond the borders of the small existing Fionnaworld. Although I guess it's also possible that the process of repairing the existing city they found a way to expand it gradually - maybe it doesn’t matter as much as the fact that either way, Fionna’s horizons have been literally expanded. 
So you know, if she ever gets that thirst for adventure again... she actually has a Whole New World to travel and explore, it might not have (a lot of) magic but... she already heard Simon's stories of his adventures in a similar low-Magic world. It's a totally viable outlet for her.
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What Fionna really needed to find the joy in her life is to be Real - to know that her actions have consequences for ill and for good. Because sometimes an adventure looks like saving a Prince of candy from an evil Ice Witch, or going on a multiverse journey to uncover a cursed Magic Crown… but it can also look like backpacking through Europe or campaigning against your evil landlady.
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b0tster · 5 months
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As a "not contract bound" dev who works on a project that you are (I assume) completely in control of, how do you choose the release date and why'd you choose one before finishing the project? Asked not in a "why'd you do that to yourself" way but in a "I wanna understand what's the logical process behind it, maybe it is smart to do it and I wanna know why".
I thought that it'd be logical to first have a finished thing and then say that it'll be released at "date_name_wgenever", instead of setting a certain date and then crunching yourself to fit it. But maybe it helps you somehow to not overwork yourself on the project thinking that if you have all the time in the world, why not add a thing or two, which results in project taking forever to be marked complete, or maybe you just have a pet birthday at that date and wanna make it symbolical lol, idk.
let me be clear here
i am not crunching on bbkart, or any of my projects for that matter
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now, with that out of the way, time to talk about time frames and productivity. our labor doesnt operate on a linear scale. spending a decade on a game compared to a year will not mean that that game will be 10 times bigger. humans just dont work like that.
something ive picked up over the years is that productivity is like a gas: it will expand to fit the box its put in.
if u give urself infinite time, the gas will just dissipate. but of course if u squeeze it into a release thats too tight, u get an explosion (crunch).
now, im more of a 'find the fun' kinda developer. i make my tools and mechanics based on a loose concept and then decide what the game will be after once i have everything in front of me. in that initial period i do not set a release date, its impossible to predict how a games dev cycle will play out, so i dont bother and just focus on finding whats fun.
once the final game actually starts to take shape, i am capable of making an informed decision on how much labor is needed to finish, and i set an internal date that i do not make public. once im a few months out from that date, i will make an adjustment if neccesary (both bbpsx and kart had their internal date pushed back by a month) and then announce it. that sets it in stone and I have a runway to release.
mark darrah (bioware) talks about something he calls the 'hockey stick', which is the idea that once u get to a certain point, completion urgency kicks in and u get the drive to make the decisions neccesary to finish the game. cut this, reroute focus to that, crunch on this (dont do that last one, ever, but its important to bring up where crunch manifests. some advice: you either cut or you crunch. choose cut).
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darrah talks about how to trigger completion urgency (one example is making a demo, be it publically released or exclusive to an event) and the fact of the matter is that a deadline will do it. of course, if completion urgency kicks in too close to the deadline, you get crunch, but if it kicks in earlier u will get things done in a way that doesnt leave permanent damage on your body and mind.
i know this is a very long winded answer, but i hope i was thorough enough to explain the benefits of setting a deadline and how that doesnt always have to end in crunch, like the question implied.
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yournextflame · 2 years
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Elden Ring Sigils and Color Theory
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Elden Ring magic sigils sorted by color. Long post about their lore, meanings of certain colors and what it can reveal about the story of Elden Ring under the cut.
In this post, I will be going over why it is important to have a good understanding of color and meanings associated with color in the context of lore. In a game, color is used by developers for more than just drawing the world, it’s about creating visual language, a bridge between writers and players. There are countless articles about usage of colors in videogames, but in this post I will try to reverse-engineer the process and find out the meaning behind visual symbolism and combine it with game’s equivalent of heraldic symbols - magic sigils.
In Elden Ring magic sigils have been used to represent origin of sorceries and power sources of incantations, usually they give us hints what kind of deity is worshipped by people or who created the spell. They are an invaluable source of information on history on the Lands Between. I’ve been already playing with idea of color sorting when I did the same thing with remembrances, but sigils revealed even more secrets about story and lore. How about origin of life on the Lands Between? Origin of the outer gods? But let’s not rush.
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The first category, Blue Sorcery as I called it, already shows how color sorting method is supported by the game itself. With a help of descriptions we can place the sigils in the chronological order and track the change in design over the course of story such as replacement of flowing weapon in the sigil of Eternal Cities to Carian sword. Their sigils are incredibly similar to each other, solidifying connection between Nox and Carian royal family; both factions are associated with silver, sorcery, artifical life, moons and stars.
This talisman represents the lost black moon. The moon of Nokstella was the guide of countless stars (Memory Stone)
The young astrologer gazed at the night sky as she walked. She had always chased the stars every step of her journey. Then she met the full moon—and, in time, the astrologer became a queen (Stargaizer Heirloom)
Moons played a central role in Nox and Carian culture, the circle is a base shape for both crests, however, while Raya Lucaria sigil shares similar elements with Eternal Cities and Carian emblems (glintstone sorcerers are the descendants of astrologers, a fact that the Carians remain aware of, - Preceptor's Long Gown), this part was drastically redused in size and moved on top; the central place is taken by the star and framed by a pair of cuckoos. The hue of sigil is also significantly different from cold blue tones of Nox and Carians emblems, the warm greenish tint is close to the color of primeval current spells, which were banished once Rennala became rector of the Academy.
These scholars, who sought to master Carian sorcery, instead learned to see the moon as equal to the stars. This robe, in the hue of the full moon, signifies their heresy (Lazuli Robe)
(Cuckoo Greatshield) Boasting high magic damage negation, this shield is used to hunt down mages. "Our enemy is none other than Caria itself."
So far I’m not going to delve deeper in the roots of the conflict between Carian royal family and Academy of Raya Lucaria, it’s a mere demonstration of a method and how it works. But in next paragraphs I will use it as evidence for a few theories about worldbuilding.
(thanks for clarification about Malenia’s Crest, I rewatched fight on youtube and, yes, it’s a normal Raya Lucaria sigil)
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Golden incantations is the biggest group on the list, in a way I can say that history of the Lands Between is a history of gold. Here we can see a symbolical depiction of the Erdtree, the central piece of the game both in a metaphorical and literal sense; we can track how portrayl of the Erdtree changed during Marika’s age until it was replaced altogether by the abstract emblem of the Golden Order Fundamentalism. I have a lot of to say about this group and currently working on post with a more detailed investigation, so far I will touch only basics: such as origin of life gold.
Gold in Elden Ring is more than than shine metal or a color, it’s prima materia of the Greater Will, a force of unknown origin (it’s never called 神  god or an 外なる神 outer god anywhere in EN or JP script and before jumping to conclusion wait until I’m going to observe confirmed outer gods) which is responsible for the creation of Elden Ring. From the description of Elden Stars, the most ancient incantation in this category, and Elden Remembrance we can figure out keywords associated with the Greater Will:
It is said that long ago, the Greater Will sent a golden star bearing a beast into the Lands Between, which would later become the Elden Ring/It was the vassal beast of the Greater Will and living incarnation of the concept of Order (I’d like to point that it’s “Order”, not “The Golden Order”).
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(I believe we still can see remnants of the golden star in a form of meteorite ore in Divine Towers and Sealed Tunnel near Erdtree) 
In other words, the Greater Will is about gold, Order and everything Elden. However, a common mistake is to tie the Greater Will to the Golden Order, despite the name the latter is not representative of it, even more so... original gold from the golden star wasn’t yellow.
From dialogue with Sellen we can learn that stars are containing amber, but golden stars are kind of special:
Golden amber contains the remnants of ancient life, and houses its vitality (Sellen)
And Hyetta’s speech supports futher that the Greater Will is responsible for creation of life in one way or another:
…すべては、大きなひとつから、分かたれた 分かたれ、産まれ、心を持った
けれどそれは、大いなる意志の過ちだった だから、戻さなくてはならない
All that there was divided from the One Great. Divided, born and given heart. But it was a mistake of the Greater Will (Hyetta)
So, Miyazaki pretty much unitied theories about meteorites being consensually considered to be involved in the origin of life and primordial soup:
Meteorites could have been responsible for delivering the basis of life's genetic code. Analyses of three meteorites suggest that nucleobases, the crucial components of DNA, could have formed in space and then fallen to Earth to provide the raw material for the origin of life itself
For nearly nine decades, science's favorite explanation for the origin of life has been the “primordial soup”. This is the idea that life began from a series of chemical reactions in a warm pond on Earth's surface, triggered by an external energy source such as lightning strike or ultraviolet (UV) ligh
Now if we check descriptions of Crucible Aspects and Crucible Knights items we can find out that original gold had rent tint.
Holds the power of the crucible of life, the primordial form of the Erdtree. Strengthens Aspects of the Crucible incantations (Crucible aspects incantations)
This sword is imbued with an ancient holy essence. Its red tint exemplifies the nature of primordial gold, said to be close in nature to life itself (Ordovis Greatsword, the name itself is a reference to Ordovician Period, part of the Paleozoic era, a rich variety of marine life flourished in the vast seas and the first primitive plants began to appear on land)
Ancient Erdtree/Crucible emblem is slightly reddish too, however, the modern gold is more pure and yellow, the gold of the Golden Order. The sigil changed the color too and lost the root part just like the Elden Ring itself if we compare modern depiction with Farum Azula mural:
The Golden Order was created by confining Destined Death. Thus, this new Order will be one of Death restored
But a gold is a gold, even though it’s different, but as Turtle Pope said heresy is not native to this world and everything can be cojoined:
The worship of the ancient dragons does not conflict with belief in the Erdtree. After all, this seal, and lighting itself, are both imbued with gold
Yes, the Greater Will governs everything what is golden. 
And yet, the young Miquella abandoned fundamentalism, for it could do nothing to treat Malenia's accursed rot. This was the beginning of unalloyed gold
I can already hear the raise of pitchforks from certain kind of Miquella fans, so let’s talk about outer gods and what exactly they are.
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With a surprising exception of emblem from the Scepter of the All-Knowing (Gideon, I have a few questions for you) all sigils in Red Group are assigned to the deities: outer/ancient god of Rot, outer god Formless Mother, Rykard’s immortal serpent and Fell God, who is bit tricky, it’s ambitious if  古い火の悪神 “ancient” is applied to the god or fire. The only confirmed outer gods, who didn’t made it here is an outer god of Deathbirds and Frienzied Flame. Considering theory that removal of the Destined Death from Elden Ring drained color from the god-slaying Black Flame and eclipsed sun of outer god of Deathbirds, I can suggest that original color of their sigils was red too. 
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Long story short: sigil of the outer gods and other unwelcomed deities are represented by red color and they are all related to the death, Formless Mother is about bleed, fell flame is burning, rot is decay, etc.
However, as stated in the description of Ordovis Greatsword, primordial gold of the Crucible had a red tint that was lost when Marika estabilished Golden Order by sealing away red Rune of Death; and this knowledge eventually leads to conclusion that...
Outer gods aren’t aliens. What a surprise.
They are natural powers that were screwed by the removal of Destined Death, when they got outed from the Golden Order. They are red tint of the primordial gold.
Once the concept of Death was banished from the Lands Between the elements and effects linked to it - death, decay, combustion, bleed became outer to the newly estabilished Order. There is a clear thematic difference between celestial Greater Will, who isn’t even presented on the Lands Between, and actual outer gods, who can be sealed or banished, more over there are no outer god of water, sunshine or happiness, they are all linked to the side-effects of death. When death was excluded from the Order, they were affected as well.
The thing is that gold in Elden Ring is a magical substance and changes the tint depends on the currently running Order, which is shown in the endings when Golden Tree (黄金樹 that’s how Erdtree is called in JP) acquires different hue. It’s another overlooked element of visual storytelling.
This Golden Order is something that the Elden Ring may have once represented, but not directly. It’s more about how you apply those rules and how you enforce them on the physical world and what effects they have on it, - Miyazaki in interview to gamesradar
(Golden Order isn’t direct representation of the Greater Will/Elden Ring as it was said by Miyazaki himself, it’s only one temporary set of rules)
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Elden Ring consists of runes and even newly discovered mending runes (concepts) can be added to the system (regression is the pull of meaning; that all things yearn eternally to converge) ot removed and the gold will respond to it by changing the color and reshaping reality according to the Order (causality is the pull between meanings; it is the connections that form the relationships of all things). Elden Ring - Rune of Death = yellow gold and banishment of ancient gods, who were associated with death, Elden Ring+mending rune of a choice=see example aboive.
For futher evidence that gold changes metaphysical properties and in the current state (Golden Order) preserves things from not only from dying, but decomposing too, I want to bring a few descriptions:
Fresh beast blood, glinting with gold. Material used for crafting items. Found by hunting carnivorous beasts.This glimmering blood never rots or decays ( Beast Blood)
Someone's excrement. It has a golden tinge. Material used for crafting items. Gold-tinged excrement is a highly stable substance; it doesn't dry out, nor does it lose its customary warmth or scent. For better or for worse, it remains as it is (Golden Dung; I can’t believe I’m using description of literal sh/t to prove my point)
However, from what we know only Rune of Death was sealed, and while outer gods’ influence was seriously weakened, it still existed. This is why Miquella abandoned Golden Order and was working on development of his own gold, even more pure and untainted, before he got mohgged:
Unalloyed Gold Needle: An intricately crafted needle of unalloyed gold. A ritual implement crafted to ward away the meddling of outer gods, it is thought capable of forestalling the incurable rotting sickness.
Now let me clarify: community’s favorite boogieman “influence of the evil alien outer gods/the Greater Will” isn’t a thing in a sense that there is a group of invaders from the outer space trying to enslave the Lands Between. Even thought  外なる神 is used in Japanese media culture for lovecraftian beings, we should remember that history is fabricated by the Golden Order in Marika’s favor; "outer gods” are alien to the current Order”. Same goes for the influence of the Greater Will, it was never about mind-control or whatever was projected onto it, the influence of the Greater Will is simply how Order and gold are changing course of the nature. 
Last thing I want to add is that influence of the outer gods isn’t always about destructive powers (Order of Rot is about decay and rebirth), but I’ll leave it for a dedicated post.
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In Mixed Group I put sigils with unique or unknown colors.
In my first draft Dragon Communion was placed in the Red Group for the intense hue of sigil, but upon futher research I decided to move it here. The power of Dragon Communion incantations doesn’t stem from any patron god or the assigned star (unless I missed something); they are scaling from arcane, an inner force of the caster. 
Violet is an interesting choice for Gravity sigil because this color, albeit with the less intence hue, is used for sleep status and associated items. 
I like how yellow color of Frenzied Flame is similar to the gold of the Greater Will, carrying the theme of duality, yet the shape of the sigil is distorted and assymetrical. In fact, designs of the ancient sigils usually is far less complex than intricate shapes of newer ones (with a few exceptions). Just to be clear, even though influence of the Flame of Frenzy can be cleared by Miquella’s needle, the game never calls it an outer god. It’s a matter of semantics, but I guess that unlike crew from the Red Group it was never booted from the Order since Chaos and Order can’t naturally coexist, but there are a lot ot of to speculate about, considering drastic changes in Frenzied Flame quest and lore.
Golden star in the centre of Bestial sigil reminds of Cinquedea dagger (Short sword given to high ranking clergymen of Farum Azula. The design celebrates a beast's five fingers, symbolic of the intelligence once granted upon their kind), which shows beast’s arm holding golden slab.
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So, Death spells. I believe that both Black Flame incantations and Death Sorcery of Deathbird outer god were affected by confining of Destined Death.
The black flame could once slay gods. But when Maliketh sealed Destined Death, the true power of the black flame was lost
Storied sword and treasure of Castle Sol that depicts an eclipsed sun drained of color.The eclipsed sun, drained of color, is the protective star of soulless demigods. It aids the mausoleum knights by keeping Destined Death at bay. Mausoleum Knight Armor: The wing-shaped ornaments on its back evoke the Deathbird
And, as I’ve been already pointing in a different post, death of Godwyn brought back forgotten death sorcery that almost ceased from existance during age of immortality, but was rediscovered
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Death in the Lands Between is incredibly complex subject and deserves a series of posts, even though I believe there should be DLC because so far all lore related to it seems to be incomprehensible.
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Unmarkered sorceries don’t have background sigil, but they all share something in common. They originated from the Mountaintops of Giants:
Zamor Ice Storm: Ice sorcery of the Town of Zamor.Strike the ground with the staff to create a freezing tornado. Charging enhances potency. Cloaked in icy tempests, the knights of Zamor have challenged the Fire Giants since ancient times.
Briars of Sin : An aberrant sorcery, discovered along with red glintstone by those exiled to the north for their crimes.The Academy reviles this sorcery, which draws its power from faith
Founding Rain of Stars: The eldest primeval sorcery, said to have been discovered by an ancient astrologer. A sorcery of legendary status.The glimpse of the primeval current that the astrologer saw became real, and the stars' amber rained down on this land. Sword of Night and Flame: Astrologers, who preceded the sorcerers, established themselves in mountaintops that nearly touched the sky, and considered the Fire Giants their neighbors.
Another interesting details to consider is that they are all in some ways are unwelcomed or straight up heretical. It reminds me of relationships between Golden Order and remnanats of the Crucible. Aberrant sorcery is a mark of sin, primeval current was banished and cold sorcery is veiled in occult mystery:
The snowy crone taught the young Ranni to fear the dark moon as she imparted her cold sorcery.
I guess Ranni’s secret mentor is called snowy crone for a reason.
That’s being said, everything I wrote is a subject to change as DLC may reveal more details or I will reconsider some parts under futher research. But overall I think it was an interesting experiment.
読んでくれてありがと
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starsworldd · 1 year
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➴ astro observations pt 4 ➶
reminder to go listen to domino 1 by iamsagsssssss out on all platforms now <3 (i know the artist very well i promise it’s good ⭐️
remember to please take the following with a grain of salt ⭐️
⥺ mars conjunct mc people are very hard workers but are often met with conflicts with people at work also. could be business entrepreneurs
⥺ people who have moon sextile venus are very kind and endearing <3
⥺ scorpio mercuries often hide weird stuff (doesn’t have to be innapropiate but it’s just weird and odd) on their phones and more than other people don’t show people their photos, social media, texts, etc…
⥺ mercury conjunct uranus people are some smart people let me tell you. i find that they’re often pretty witty and good with defending themselves in arguments too!
⥺ sun in 6th house people get burnt out really easily but moon in 6th house people seem to be working 24/7 and seem unbothered by it?? maybe they just hide it better. moon in 6th house people are also really smart. i want to look more into that though, because moon and sun are both luminaries so you’d think they’d both get pretty burnt out being in the 6th house of daily work and service…
⥺ the 8th-9th-10th houses i think explain how one finds their purpose in life and their calling. of course all the houses are involved in this because a chart works as a whole story, but i want to focus specifically on these 3 houses: we start at the 8th house of trauma and transformation. 8th house transits usually signify a new beginning (though it usually doesn’t come without trouble and hardship) and it is in the 9th house that we find what we can do to help ourselves out of hardship. what do we believe in? what do i learn out of this difficult time? what experiences can i engage with that help me be a better me? pluto (ruling the 8th house) is the ruler of the underworld and from there we literally go to the king of the heavens (jupiter, ruler of 9th house) to one’s calling in life, signified by the 10th house. it is through one’s hardships and main battles (8th house) that can show us how we can put our best selves out into the world (10th house). sorry to rant, i just think this is so cool to point out! if you guys want i can make a post for the rising signs on this topic ⭐️
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⥺ pisces venus people are obsessive over their crushes
⥺ venus conjunct saturn natives may not be that interested or rushed into getting into serious partnerships, in fact they seem to not prefer it, usually due to a past experience unfortunately :(
⥺ does anyone else get their period when the moon crosses their ascendant? just me? okay☺️
⥺ aries sun people are so attractive
⥺ people usually say that musicians with the same moon sign as you resonate with you more, but, this is kind of an iffy observation BUT, artists with their moon in your fourth house may also seem to make music you really like as well or you may just like them in general
⥺ cancer risings having an aries midheaven meaning that their life’s ambition is about defining themselves and being themselves unapologetically <3
⥺ people with venus in a detriment sign are often really attractive (aries, scorpio)
⥺ cancer and leo risings have a natural almost child-like glow to them. also really attractive placement in my opinion
⥺ scorpio risings and mars are often perceived as mean and intimidating. same for moons (unless if there’s aspects to venus i’ve noticed)
⥺ mars in gemini 🤝 over-competitive in games (especially games to do with the hands like spit, word hunt, certain sports, etc..)
⥺ moon conjunct jupiter people are so wholesome. they have very good morals and care deeply for the well-being of others. such a lovely placement <3
⥺ bucket-shaped chart is giving “you have all this pizazz and potential but…(insert planet here) is giving you some obstacles”
⥺ moon square neptune could be an indicator of a parent who struggles with alcoholic or drug addiction
⥺ chart ruler square neptune can give poor perception as to how you’re perceived by others or anxieties about it
thank you for reading! hope you’re well ! ⭐️
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project-sekai-facts · 4 months
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How are we feeling about ensekai’s emu3 translation!!! (I’m mad)
(if you remember the 3 whole posts i made when asahi got de-gayed on EN you'll know i am mad too and that this is probably going to get long)
i don't like to be too cynical but it was so obvious that they were going to change that line, i had a feeling since the event first released on JP and after the incident with Asahi where I went through and tracked down multiple other examples of EN removing queer subtext it became clear to me that in no way shape or form was "emu-chan really loves nene-chan" making it to EN without getting changed. what i didn't expect was them changing Nene's line after Luka's comment, which actually makes this whole situation far worse than many of their other instances of toning down queer subtext.
for anyone who isn't aware of what happened, in chapter 5 of the current Emu event, there's a scene where Nene, Rui and the Virtual Singers are talking about what would cheer Emu up. The vsingers all talk about how much Emu loves spending time with Nene, leading to the following exchange
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If you look for them, any fan TL of this scene will be something similar to this:
Luka: ...Fufu. Emu-chan really loves Nene-chan, doesn't she? Nene: Th-that's nothing special...
EN's official translation is this:
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So what's the issue? I'll start with Luka's part. In the original text, she uses the word daisuki, which can mean to "like a lot" or "love". It's a word you will see frequently in the idol/idol-adjacent genre of games, due to its ambiguity in that it can be read as either platonic or romantic when used towards a person, and often will be used in ambiguous situations so that it's harder to confirm the writers' intentions either way. so here, fans of the emu/nene ship could view the fact that emu loves spending her time with nene as more on the romantic side, but people who don't like the ship could view it as platonic and move on.
while they didn't translate daisuki directly, Luka's line still works, and still contains the ambiguity that works as ship tease in the original text. it's a perfectly fine localisation that still conveys the original intent. despite that, there is something to be said about EN's consistent refusal to translate daisuki as love in most instances when it's not used on An/Kohane (but then again, EN has literally teased An/Kohane on their twitter account so is it all that surprising?).
Here's some examples:
Aibou no koto ga daisuki de / he loves his partner -> he cares about his partner very much (The Power of Unity chapter 7 when Kaito is comparing Arata to Akito and Toya)
HARUKA-CHAN, DAISUKI DAYOOOO!!! / HARUKA-CHAN, I LOOOOOVEEE YOU!!! -> You're the best!!! (Dear Me, As I Was Back Then chapter 4 when minori is at an ASRUN concert. this one isn't actually that great of a localisation)
Honachan no koto daisuki dakara. Kore de iinda yo. / I love Honachan, so this is fine. -> I want what's best for her. And this is it. (Leo/need main story chapter 14 after Saki tells Honami she won't bother her anymore)
Minna daisuki de - taisetsuna tomodachi na no / I love them all - they're my dearest friends -> They're all amazing, and very dear to me. (Leo/need main story chapter 17. this isn't good either)
What's particularly amusing about that last one is that there's a second official translation for it that I assume was done by JP staff (since EN never promoted doing the Journey to Bloom subs like they did back when they provided subs for Petit SEKAI) that actually keeps the word daisuki as love.
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Yeah. I love all my friends - and they mean the world to me.
It's a better localisation than the official EN team one.
Questionable localisation choices aside, Luka's line is fine and is actually in line with the original. The issue with this localisation very much lies with Nene's part, because that is an entirely new line.
In the original text, Nene's "that's just normal" or "that's nothing special" or however you choose to TL it, is meant to be her questioning Luka's statement, since all the things that the other vsingers said that Emu liked were pretty normal things like going shopping and playing video games with nene. To Nene, these things are normal activities for them to do together, so she gets embarrassed by the fact that Luka concludes from that information that Emu loves Nene. When I dissect it like that I think you can really tell what the writers were going for here lol.
"That's just us being friends" does still convey the idea that Nene thinks these activities aren't anything out of the ordinary and she isn't sure why the vsingers are picking these out as some of Emu's favorite things to do, but it's very different from the original line. "But those are just normal things we do together" is something I just came up with on the spot, but it's a lot closer to the original text and still conveys the same meaning. The fact they changed the line to "that's just us being friends" is, honestly, not even subtle that they're covering up queer subtext. The original scene was very clearly written in as ship tease, and EN mentioning "friends" for no reason, especially since the word nor anything close to it was not used in the original, is instantly a red flag because it's like the go-to for queerbaiting and censorship. This was intentional. There was no need for them to specify that the relationship is platonic, Luka's part is ambiguous for a reason so that fans can view it how they like.
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Just to top all this off, here's Rin's original line just before that Luka+Nene interaction:
Oh, and! And! She said that playing games with Nene-chan is also super fun!
And here's Rin's line from the official EN translation:
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That's not the same thing, but even more weirdly, the incorrect part (super fun->really loves) is a correct translation for the part changed in Luka's line. So, they can do it, they are willing to say "really loves", just not in the right places. Maybe because Rin's part is less personal than Luka's part? It's strange actually, this isn't the first time they've done this either. Off the top of my head I can think of an example from Shiho's Varied Kindness 2* story where they translated the word "suki" as really loves, despite that being much stronger than the original word used (and the fact that daisuki is used a lot in the Leo/need stories and it's incredibly rare if not entirely unknown for them to translate it correctly).
It's not subtle that they're trying to remove implications of the characters possibly being queer, they did it in curtain call and they did it in walk on and on, and multiple times before then too. And considering some of the content in this year's events and the amount of times they say daisuki alone, it's gonna keep happening. honestly i hate the fact that i keep trying to justify the translations in these posts. these translations are intentional. what happened in the curtain call translation back in october says enough. when a character who uses explicitly romantic language towards another guy passes as a straight character in the translation you know they're doing it on purpose.
oh and once again, it's only the EN server that has this issue. The scene in question was translated almost word-for-word on the TW and KR servers.
read fan translations. they're better than what EN gives us and people put a lot of effort into them.
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mariacallous · 9 months
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For Sander van der Linden, misinformation is personal.
As a child in the Netherlands, the University of Cambridge social psychologist discovered that almost all of his mother’s family had been executed by the Nazis during the Second World War. He became absorbed by the question of how so many people came to support the ideas of someone like Adolf Hitler, and how they might be taught to resist such influence.
While studying psychology at graduate school in the mid-2010s, van der Linden came across the work of American researcher William McGuire. In the 1960s, stories of brainwashed prisoners-of-war during the Korean War had captured the zeitgeist, and McGuire developed a theory of how such indoctrination might be prevented. He wondered whether exposing soldiers to a weaker form of propaganda might have equipped them to fight off a full attack once they’d been captured. In the same way that army drills prepared them for combat, a pre-exposure to an attack on their beliefs could have prepared them against mind control. It would work, McGuire argued, as a cognitive immunizing agent against propaganda—a vaccine against brainwashing.
Traditional vaccines protect us by feeding us a weaker dose of pathogen, enabling our bodies’ immune defenses to take note of its appearance so we’re better equipped to fight the real thing when we encounter it. A psychological vaccine works much the same way: Give the brain a weakened hit of a misinformation-shaped virus, and the next time it encounters it in fully-fledged form, its “mental antibodies” remember it and can launch a defense.
Van der Linden wanted to build on McGuire’s theories and test the idea of psychological inoculation in the real world. His first study looked at how to combat climate change misinformation. At the time, a bogus petition was circulating on Facebook claiming there wasn’t enough scientific evidence to conclude that global warming was human-made, and boasting the signatures of 30,000 American scientists (on closer inspection, fake signatories included Geri Halliwell and the cast of M*A*S*H). Van der Linden and his team took a group of participants and warned them that there were politically motivated actors trying to deceive them—the phony petition in this case. Then they gave them a detailed takedown of the claims of the petition; they pointed out, for example, Geri Halliwell’s appearance on the list. When the participants were later exposed to the petition, van der Linden and his group found that people knew not to believe it.
The approach hinges on the idea that by the time we’ve been exposed to misinformation, it’s too late for debunking and fact-checking to have any meaningful effect, so you have to prepare people in advance—what van der Linden calls “prebunking.” An ounce of prevention is worth a pound of cure.
When he published the findings in 2016, van der Linden hadn’t anticipated that his work would be landing in the era of Donald Trump’s election, fake news, and post-truth; attention on his research from the media and governments exploded. Everyone wanted to know, how do you scale this up?
Van der Linden worked with game developers to create an online choose-your-own-adventure game called Bad News, where players can try their hand at writing and spreading misinformation. Much like a broadly protective vaccine, if you show people the tactics used to spread fake news, it fortifies their inbuilt bullshit detectors.
But social media companies were still hesitant to get on board; correcting misinformation and being the arbiters of truth is not part of their core business model. Then people in China started getting sick with a mysterious flulike illness.
The coronavirus pandemic propelled the threat of misinformation to dizzying new heights. Van der Linden began working with the British government and bodies like the World Health Organization and the United Nations to create a more streamlined version of the game specifically revolving around Covid, which they called GoViral! They created more versions, including one for the 2020 US presidential election, and another to prevent extremist recruitment in the Middle East. Slowly, Silicon Valley came around.
A collaboration with Google has resulted in a campaign on YouTube in which the platform plays clips in the ad section before the video starts, warning viewers about misinformation tropes like scapegoating and false dichotomies and drawing examples from Family Guy and Star Wars. A study with 20,000 participants found that people who viewed the ads were better able to spot manipulation tactics; the feature is now being rolled out to hundreds of millions of people in Europe.
Van der Linden understands that working with social media companies, who have historically been reluctant to censor disinformation, is a double-edged sword. But, at the same time, they’re the de facto guardians of the online flow of information, he says, “and so if we’re going to scale the solution, we need their cooperation.” (A downside is that they often work in unpredictable ways. Elon Musk fired the entire team who was working on pre-bunking at Twitter when he became CEO, for instance.)
This year, van der Linden wrote a book on his research, titled Foolproof: Why We Fall for Misinformation and How to Build Immunity. Ultimately, he hopes this isn’t a tool that stays under the thumb of third-party companies; his dream is for people to inoculate one another. It could go like this: You see a false narrative gaining traction on social media, you then warn your parents or your neighbor about it, and they’ll be pre-bunked when they encounter it. “This should be a tool that’s for the people, by the people,” van der Linden says.
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