You say Bellamy Blake, I call him human personification of Zuko of the fire nation
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DO NOT FUCKING TOUCH MY WHEELCHAIR.
IF IT IS IN THE WAY ASK ME TO MOVE IT.
NO I DO NOT CARE THAT I WASN'T SITTING IN IT.
IF YOU WOULD NOT PHYSICALLY PICK ME UP AND MOVE ME IF I WAS IN YOUR WAY THEN DO NOT DO IT TO MY WHEELCHAIR.
WHY IS IT ALWAYS HOSPITAL STAFF WHO HAVE NO FUCKING RESPECT HOLY SHIT.
I WOULD HAVE SAID "Please don't touch my wheelchair I will move it out of the way myself" BUT SHE DID IT SO SUDDENLY I DIDN'T HAVE TIME.
SHE ALMOST TOOK MY WHEELCHAIR OUT OF MY REACH IN A WAITING ROOM.
YOU ARE TAKING MY LEGS.
I HAD TO PHYSICALLY GRAB IT BACK FROM HER BEFORE SHE MOVED IT OUT OF MY REACH.
SHE DIDN'T EVEN APOLOGIZE.
SHE WAS JUST WALKING BY SO I WOULD HAVE HAD TO ASK STRANGERS TO GET IT FOR ME.
THATS HUMILIATING.
LET ME REPEAT.
THATS HUMILIATING.
FUCK OFF.
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Toshiro doesn't hate Laios what the fuck are y'all on about
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THE BORGIA SIBLINGS + descriptions by their portrayers
"I will not have this family at war with itself."
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don’t get me wrong I think the general interpretation of Leo being like “I put up a cocky front but deep down I don’t actually think I’m that great and that’s why I have something to prove” is good. It’s cool, plenty of drama/angst potential and probably what the creators were going for, I’m here for it.
But there is a distinct appeal to me of the slightly-to-the-left interpretation of Leo being like “it’s not a front, I know I’m that good/smart/skilled, but I also know I’m seen by others as just the goofball face man and that’s why I have something to prove.”
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British museum stop pretending things you stole are yours challenge
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^^ screenshot. blends in on mobile/dark mode ^^
that wasn't why she was mad though, well it was and wasn't. it wasn't that she had sex necessarily, but more the weight and nuance of it all, of Rhaenyra being the princess, who Alicent had been trying her best to serve the best interest of and protect in terms of betrothals and Viserys, having sex in a very public place. she was clearly upset and holding back tears when she confronts Rhaenyra that first time, but she isn't especially angry. she's angry when Rhaenyra lied to her face on her dead mother's name, going so far as to act upset and offended Alicent could ever insinuate anything about her, played the victim, had sex with two separate people in one night and said she was still a maiden (from Alicent's perspective she couldn't have known Rhaenyra only tried to have sex with Daemon and was unsuccessful, she could only believe that she had sex with both Daemon and Criston), and then used her power to have her father (the only person Alicent had) banished from kings landing, all the while she had put her ass on the line for her in front of Viserys, who never believed Rhaenyra to begin with. it wasn't simply the fact that Rhaenyra had sex, she's mad because Rhaenyra used her, hurt her, did harm to her name and the work both she and Viserys had put towards giving her a choice no royal girl, especially a princess, could ever imagine, and she spit in their faces.
there's also the fact that Cole admitted IMMEDIATELY what had transpired, asked not for forgiveness but for death, and admitted that it was dubcon. it's a very different situation. she also sympathized with the fact he felt great remorse for both the act of sleeping with the princess but also his breakdown that lead to the murder of Joffery. all we see is her stopping him and then a near decade has passed and they are close friends, we know nothing of how this friendship evolved, when she fully forgave him for his acts, what it took for him to earn her trust and forgiveness.
not saying either of them are saintly and perfectly correct in that situation, but you boil it down to the point that the situation is unrecognizable. you ignored all of the nuance on both sides. Alicent was never mad about the sex, upset yes, mad no, she was mad at how Rhaenyra could hurt her so horribly (amongst many other things. I don't think she, someone who shared her grief with Rhaenyra over their dead mother's, could ever get over how Rhaenyra lied on her name. me personally? I'd be sick to my stomach every time I looked at her for the rest of my days). Cole was coerced into sex, which he was honest and seeked death for repentance, had a breakdown and murdered someone (I won't defend this, you can't, he did murder an innocent person, that is a fact) but felt so guilty he tried to kill himself and seemingly spent the last 10ish years making up for it (where as I can name multiple people Rhaenyra outright in level head and mind maimed/murdered/otherwise allowed or dismissed the deaths/injury of, for her own goals and didn't give a second thought to so.... girly walks atop barely cooled corpse's time and time again).
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how do you think in poems? i really enjoy the tags under your posts i've always wanted to write down my own thoughts that way bc in my head they feel so thorough and magical but whenever i put it in words i feel it just gets so much flatter and i no longer see a point and give up
oh oh oh, but lovely, can't you see that you've already started? it's a perspective that you hone, over time, something that is specific to you and you alone – that's the piece of it that makes it so special! you've already begun, and it only goes forward, up, sideways from here, wherever you wish to go!
think of it like a skill, for a moment, or a kind of muscle, if you'd prefer. you have to work at it, with it, over time and differing experiences, in order to progress.
(a quick important note: not progression as in the kind of quality-check of a grading scale, but progression as in evolution. shifting change. think of the leaves and their colors across the months of autumn, or temperatures rising with the sun and cooling with the evening dark. change isn't intrinsically a qualifying thing, it can just be, sometimes. this is difficult to remember, especially in the midst of frustration, but it is worth it. you are always doing better than you think you are – harshest critic, and all that.)
which is not to say that it's a simple thing to do! compare this to the vibe of me picking up crochet recently, with my shaking hands and too-quickly dwindling adhd focus – my first attempts at making a lil headphone sprout have not been going as well as i once hoped. my stitches are either too big and sloppy bc i'm not holding the yarn tightly enough to get clean ones, or i feel frustrated due to it not looking like how i'd like it to look in my mind when i started it, or even as i begin my umpteenth attempt.
but!! i know that it won't ever look the way i want it do if i set it down and never keep trying. it'll take awhile, like everything does, even the seasons take their time, the moon and its phases; but what i do know, is that, eventually, it'll resemble something i want it to. vaguely, maybe, but it is something. it doesn't have to look exactly like the guide i'm following, or the examples i'm inspired by, because it's mine – something made by my own hands, my own time and experience with every mistake and thrilling joy along the way to learn by.
take it from me: i want to be good at things i want to be good at so badly. and that excitement makes me want to be at the skill level i need to be at in order to do so right then and there, no learning curves or building blocks allowed. which is never how it happens, unfortunately, but –
i think, gently, that we tend to overlook what a pleasure it is to learn. to see the slow progression of things, to begin and change and continue and get better. and even if it's different as we go along, in a way it's our own little kind of magic, maybe, to create and never be done if we don't want to be.
which is all to say: it's already yours. why does it have to be anything else, anything more? why can't it just be good as it is now, where it might never be again? what is there to lose by enjoying the moment of where you are?
like everything, it will grow and shift and evolve with time, maybe into something you'd hoped for, or maybe into something you don't even have the words to describe right now at all. but that's the fun of it: how even now, even then, there, across time and distance and skill, there is a common thread of things; it will always come from your heart, your experience, where you are right then and there and now.
and if you think of that like magic, well, it becomes a little like magic, doesn't it?
also, something to consider: sometimes things you feel or think can't be put into words at that moment, or even at all! something else you could try (that i certainly do) is making something else with whatever it makes you feel - whether that's another form of art, or any other kind of media. if it makes you want to go outside and take a walk or get cozy and read or play a video game? that counts too! that's still an experience, you're still feeling.
i think that counts a little more than anything else, you know?
and as a little ending fun side-note, can i share something cool? i've never thought of it that way before, as thinking in poems. in my mind it's always been a kind of perspective of personal wonder, but you're right – it's poetry, in it's own way. you gave me that – so thank you, from the heart of me. i hope your journey finds you with every bright joy.
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sorry but saying that the accessibility needs of mentally disabled people are just preferences or about "comfort" is blatantly incorrect. if i can't enter a building because the bright lights and loud noises would send me into a meltdown, then i can't enter the building, and that's not less important than me not being able to enter a building because it's not wheelchair accessible. if you genuinely think that mentally disabled people aren't really struggling, and that it's okay to mock their very real concerns, then that just shows that you've been refusing to listen to their experiences. do better or shut the fuck up.
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hi i don't play splatoon. who are you sending to hell and why.
shiver i need her dead. 7 splatfests and her teams won 4 of them
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if dorian didn't show up, do you think louis would have shot minnie?
I do. I know some people think either he wouldn't have or he would've missed so that's why the writers had him shoot Dorian instead, but mmmmmm no, I don't personally think so. I like to think that if he had taken the shot, his shaky hands would've caused him to shoot her fatally.
Mostly because I'm already so normal about the fact that of the Ericson crew, Marlon and Louis are the only ones with a body count. Well, that we know of, but shown to us in the game, at least. Plus, we know it's Louis' first kill.
Like yeah, Clementine and AJ become part of the crew and they have bigger body counts, and if we're counting indirect kills caused by actions, then Tenn has a count... and I guess everyone has blood on their hands for blowing up the boat... but I'm talking about killed directly with a weapon like....... I lied, I'm not normal about that at all, Louis and Marlon are the ones who have killed someone in Louis' route. I'm also not normal about the fact that Louis kills Dorian and then even as he's clearly in shock, he tries to go with Clementine to get AJ, and then later on when they talk about it, he says it feels like bile but not quite and he's glad he has it in him to do it.... listen, listen, listen... I'm obsessed with that.
Anyway, so if Louis shot Minerva, I think he would've accidentally killed her and can you imagine? He's already enough of a mess after killing the woman who pinned him down and tried to cut his finger off [or succeeded] but he knew Minerva, they were friends before the twins were taken. Even Violet couldn't kill her even though that would've been the smarter thing to do, and we know thanks to meta knowledge that killing her would've saved lives, but Violet couldn't, and I don't think Louis would intentionally either.
Speaking of Violet, if Louis killed Minerva, I hate to think about what that would've done to Vi. I think she might've actually left at that point, like what was planned before it got changed to her being burned. I don't think she would've attacked Louis over it, though, like yeah she attacked Clementine in the cell but Louis? I don't know, but I don't think so just because it's Louis and he'd be a mess about it anyway.
Though if he did kill her, it would be a neat parallel to draw... y'know, because Louis forgave AJ for killing Marlon even though he was pissed and heartbroken, and Violet was annoyed with him the entire time... but could she ever forgive Louis for killing Minerva? Y'know? We already have a similar parallel with AJ shooting Tenn, but still.
If Clementine killed Minerva in that moment, though, then I could see Violet attacking her since in her eyes, Clem proved her right.
So yeah, I get why they added the Dorian kill to his route. It adds another compelling element to Louis as a character, but we also need Minerva alive for episode 4; Louis can't kill her, he can't miss, and he's not going to stay with her because we need Violet to stay on the boat and him to be on shore for all routes.
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The trope that will always, always gut me like a fucking fish is "Oh, you want a villain? I'LL SHOW YOU A VILLAIN" and it dates all the way back to seventh grade, when little me first pulled Nimona off of the graphic novel shelf because she thought the dragon girl on the cover looked cool
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Azula has so much, so much shame in herself and yet even while that shame was at its peak( after Ozai abandoned her), she never lost her fire. And that, everyone, is due to the fact that her shame never reached a level where it peaked higher or surpassed her Willpower, the actual source fueling her bending as opposed to alleged claims of Anger. And this is not to say that Azula is so arrogant and overestimates herself, rather it's the fact that she's so perceptive and reflective and critical in anything that she reached a point where she KNOWS how great of a bender she is. She's so self-assured in her bending and skills that it's one of the main reasons why she fell into her self conflict. She's hard-working, talented and always striving to better herself yet she has been abandoned. That's why we hear her declaring a new goal to reach during her breakdown, to be the greatest leader her nation has ever seen. All in hopes it would please Ozai and by extension, prove she's worthy again, still loved and still matters.
Edit:
Since I've already talked about her fire chakra I should probably mention why she didn't lose her fire post show, when she (understandably) is perceived to have lost everything.
The answer is honestly shown in her last moment in the show. When she shouted and cried and rained fire from her mouth. That was her sadness, grief and most importantly her anger. The same anger that she never used to fuel her bending, had laying dormant inside of her. It took the forefront now because what really matters now? She worked hard and did everything she possibly could and she been abandoned anyway. She deserves and needs to be angry, and she is. Her rightful anger is once again, like her Will, is bigger, much more and so powerful than her Shame. Mind you, showing any emotion is weakness as Ozai's parenting had her internalize inside of her and yet, that wasn't enough to stop the reaction coming from her very, very hurt self and soul.
The moment Azula's inner fire will be put off is the moment she's dead because if she doesn't have her willpower to burn, she will have her anger for the fact she's lost it.
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I think the most depressing thing that’s happened in my life over the past couple of months is watching an otherwise intelligent friend descend into paranoia and conspiracy. maybe ex friend now, because I don’t feel all that inclined to talk to him these days, but it’s still sad to be a bystander to this who can’t help even if you try to intervene.
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Okay but the way swords in danmei often represent/are associated with manhood and masculinity and the way hensheng is a soft sword and a sneaky weapob could very well represent JGY's position as "lesser" for his origins as a prostitute's son.
Like the way JGY is treated, in lack of better wording, as a woman, throughout the whole novel, (see: the way he's held up to higher standarts than everyone else, the way his standing will plummet with a single whiff of sex relating to him, the way he has to protect himself and take preemptive measures against everyone and everything and most of the time he's right)
I feel it kind of ties onto the way hensheng works, as an assassin's weapon, as something that doesn't require strenght per se, as something hidden easily, etc, and the fact that it's a soft sword— soft as women and JGY are expected to be, soft as they have to be to survive, but deathly nonethelesss
Idk. I'm just very into swords and very into the subtle themes of emasculation around JGY's character
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