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vintage-bentley · 2 years

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Okay, fangirling begins.

Now you told me you aren't found of apocalypse but the game I'm about to recommend is more of a "humanity dies and nature reclaims everything" kinda thing so I think this isn't as spooky lmao!

Basically this game is already known (a little) in radbrl circles because of how men hate it because of 1) strong female lead 2) realistic female characters 3) main character having a little fluff on her cheeks lmao

I'm talking about Horizon Zero Dawn series! I wish I could come off anon just to show how good female characters is this game both in writing and models (seriously, google Perta Horizon Zero Dawn. And she's taken seriously and is a well-written character, how rare is that?!)

Basically Horizon is your standard "MC has to learn the Truth and save the world from ending a second time" adventure with a twist, and everything I'll save further will honestly be a spoiler, but the adventure includes

1) Extremely interesting world-building with different tribes of humans inhabiting post-ap america, including matriarchal tribe, patriarchal tribes, those who don't have a strict hierarchy and inspired by different cultures throughout the world

2) Exploration of religions, how they come to be, how they influence society and can he used to discriminate people

3) GORGEOUS graphic, even the first came which came out in 2017 still holds it's own (even though it does look kinda plasticity)

4) An immense amount of idiotic males you can clown on. Some of them also die terribly!

5) A side-quest in which MC works together with a warrior-woman to kick a sexist man from his high-ranked position

6) A lot of mother-daugher relationship exploration... In a way. MC has a father as well but he isn't mentioned as much in the second game lmao

7) The ability to ride a MINI MECHA TIRANOSAUR (in a second game specifically). And a mecha pterodactyl.

8) Muscular women

9) Muscular women. It's here twice. MC has abs. I'm in love.

10) MC's mother is either bi or lesbian and was in a relationship with a woman, which brings us to

11) ⭐gay charaters⭐

12) main character. She honestly deserves the world. She's incredibly well-written as it only gets better in a second game. Also she does this https://youtu.be/2AIqG_Izr8Q

13) have I said it has an open world? It's an open world.

I'll be honest I can't say much about gameplay because I'm broke and I just watched a walkthrough on YouTube like a series thought lol.

So yeah, if you're interesting maybe look into it. I really wish more gc/radfem people knew of this game so I have someone to talk to, the amount of effort and soul put into this is enormous.

- 🦙

I really like the humanity dies and nature takes over thing, because that’s the kind of post-apocalypse I like. And it’s something I’m fascinated by in general. I love seeing pictures of buildings overrun with plants and such, it’s just so cool to me!

I saw the pictures of that character!! I can’t remember her name but I think it started with an A. I also remember being incredibly unsettled by how realistic she looked because what the fuck that looks like a real person but it’s just a computer generated image. It’s both really cool and really creepy. (Just found the name while searching up Petra, it’s Aloy. And Petra looks awesome, reading her story I can see why men don’t like the game lmao)

All of those points sound really cool!! I especially like the idea of delving into religion and mother/daughter relationships, those two things aren’t really explored a lot imo. At least not well. Also muscular women my beloved

I don’t play games except for the sims so I don’t know if I’ll ever get around to trying this one out… although I’ve been tempted to try seeing what the gaming hype was about and giving it a try, so maybe this game is a way to jump in! I guess I could also watch gameplay on YouTube if I don’t want to play it myself. That’s how I got into sims, I saw a gameplay of it when I was younger and got it as soon as I got a computer that could handle it. I’m all for breaking stereotypes about women but unfortunately the “bad at video games” stereotype is one I fit lmao. I end up just getting frustrated 😅 even with sims tbh, I just cheat my way through it. Sexism: 1, Me: 0

#this and that cat game are intriguing me and making me kinda want to attempt being a gamer #asks #llama anon

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rachelsteapot · 3 years

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Rescued: Tommy Shelby x Female!Reader Pt. 2

Here’s part 2 for all you lovely people :) Read part one Here

Just to let you all know, I am aiming to post twice a week, Mondays and Thursdays, but I am currently on Easter break so when I return to 6th Form, that may change. I aim to post at least once a week during term time, but that is to be comfirmed.

Thank you so so much for all the love and support that you have shown me for Rescued. I really wasn’t expecting this much love. You’re all wonderful!

Warnings: None

Tags: @bat-luna-cat , @nothingleftthaticando

That evening, Tommy Shelby returned to Battersea cats and dogs home.

He pushed the front door open and entered the foyer, where he had stood mere hours before. No one was there so he sat in one of the slightly battered looking seats and let himself relax. Today had been long, but by his standards, not overly eventful. He wanted to see his new dog, but also this girl that had caught his eye.

Y/N, on the other hand, was shitting herself.

The Thomas Shelby was here to collect a dog, one of her dogs, and she hadn’t made any considerations. If she’d have known, she would have had all the dogs lined up and ready.

But she hadn’t.

And all that was left to do was pray.

Finally, she hauled herself from her self pity and appeared behind the desk to see the famous Mr Thomas Shelby light a cigarette. His stunning blue eyes met Y/N’s and her heart thudded in her throat.

“Please follow me, Bruce is waiting for you,” Y/N gulped, watching Tommy’s coat sweep as he stood.

Tommy watched as this girl, this woman, gracefully walked across the foyer, opening a different door to earlier. Upon entering, he found her crouched next to Bruce, stroking him gently and whispering. Finally she stood, taking a second to wipe tears from her eyes before she turned to him.

"I hope you love Bruce just as much as I do. He's been at Battersea for a couple of years now and, honestly, he's the best dog ever. I swear, he's got to be part human, he always knows how to comfort you," Almost as if to prove it, Bruce pushed his head into Y/N's hand and whimpered gently.

Tommy felt his heart melt a little more for this woman. It was clear that this dog meant a lot to her. And for a moment, his heart ruled his head.

"You could always come with us."

Y/N shot Tommy a confused look. This was not the Tommy she had heard about, and she was not about to become part of some cruel game.

"What do you mean, come with you? You're adopting a dog, not asking to marry me. At least ask me out to dinner first," Y/N blurted before she could stop herself.

Tommy's eyebrow raised, but so did the corners of his lips. Then, followed a short chuckle.

"The Ritz, 8 PM tonight. Buy yourself a dress, I left an envelope in the donations box."

"But the Ritz doesn't take dogs-"

"They will if it's mine, come on Bruce," and with that, Tommy turned and strode out of the kennel. Y/N hurried after him with the bag of dog food, and found the Shelby brother stood next to a very expensive looking Bentley. Bruce followed obligingly and began sniffing at the wheels of Tommy's car while the two humans loaded his things.

Once the car was loaded, Tommy hoisted Bruce into the passenger seat and shut the door, before settling himself in the drivers side. He turned, leaning out of the window and met Y/N's gaze once again.

"The Ritz, 8 PM, don't be late," and with that, Mr Shelby and his new companion trundled away down the street. Y/N stood there, dazed, desperately trying to process what had happened. Then, she remembered the envelope. Y/N dashed inside and opened up the donations box, removing a pale envelope with her name printed neatly on it, and opening it. Inside was a wad of cash, easily amounting to near £100, although she didn’t care to count it before she stuffed it into her pocket.

The next thing that Y/N’s whizzing brain realised, was that she would need to finish work early today, meaning that she would need to confront her mean, and rather sleazy manager, Mr. Smith. Mr. Smith was a middle aged man who tried to cover his rapidly receding hairline with a badly matched toupee. He seemed to have no inhibitions, and where his hands didn’t wander, his eyes definitely did.

Gulping down bile, Y/N approached his office and knocked on the door. She heard a croak from within and opened the door, stepping into the shroud of cigarette smoke.

“Mr. Smith, it’s Y/N. I’m just letting you know that Bruce has been paid for and collected, and the money is in the strong box under the main desk.” When she heard a grunt of approval, Y/N continued. “Also, Sir, I hope it’s not too much trouble, but I was wondering if Margerie and Alan could close up tonight without me? I have been having a few women’s issues and I feel I would be of more use tomorrow if I could have a few hours off tonight.”

Upon the mention of women’s issues, Mr. Smith began to cough and splutter, nodding and waving his hand through the shroud of smoke.

“Yes, leave, just know it will be deducted from your pay for this week!”

Y/N didn’t need to be told twice. She thanked Mr. Smith, and dashed from his office, wishing a brief goodbye to her co-workers as she went.

Then, she was running towards the shopping district, once again praying to whatever god may be listening, but this time, in the hope that the shops were still open.

Finally, it was 8 PM. Tommy had arrived at the Ritz not long before eight, and had settled himself and Bruce into a private room. He had ignored the protests of the concierge in regards to Bruce’s presence, and was adamant that it would stay this way. Now, all that was left to do, was wait.

When Y/N finally arrived, she was escorted into the room by a smartly dressed waiter. Tommy had stood from his seat to politely welcome his quest, but when he saw her, his world flipped.

Y/N was wearing a well fitted silver full length evening gown. It had small straps that fed into a plunging back, which Tommy had glimpsed as Y/N had turned to thank her escort. Gone was the ragged, almost street urchin looking girl, and instead in her place stood a young woman who could easily have been mistaken for the daughter of a lord. Y/N held herself differently too. Her posture was relaxed yet elegant, and her hands rested in her lap, holding a small silver bag.

"Mr. Shelby? Is everything okay?" Y/N's query roused Tommy from his unsaintly thoughts as he cleared his throat and met his guest's eyes.

"Yes, please, please sit." He directed, pulling out the chair opposite his for Y/N to sit on. She gracefully sat in the chair, stroking Bruce gently who had laid his head on her lap.

"So, Mr. Shelby,"

"Tommy, call me Tommy."

Y/N gulped, "Tommy, why did you ask me here?"

"Because, Y/N, you intrigue me. I don’t often get to talk to people like you.” Tommy’s voice was calm and measured, a drastic contrast to the storm that was raging in his head. He picked up his glass and took a sip, watching the woman opposite him intently.

“Shall we order some food? I expect you’re hungry.”

The rest of the evening passed slowly, time running like honey. Y/N slowly allowed herself to relax, enjoying the company of a man for the first time in what felt like forever. And he was attractive too.

Towards 10 PM, Tommy moved from the seat opposite Y/N to the seat beside her, their conversation flowing like the alcohol from their glasses.

“Y/N,” Tommy started after a prolonged period of comfortable silence. “How would you feel about coming back to Birmingham with me?”

Y/N was shocked. She had known this man less than twenty four hours and he was already suggesting she uproot her life and move halfway across the country to a completely different city.

“I don’t know if I can, Mr. Shelby- Tommy. The dogs are all here, and so is my job, and my friends. I can’t just leave,” Y/N felt Tommy deflate slightly, only microscopically, but it was enough.

Silence shattered the room. It wasn’t warm and comfortable, but cold, aggressive, heart breaking.

“I’m sorry, Mr. Shelby. Thank you for a lovely meal, I hope I may get to see you again. Please take good care of Bruce.”

Y/N stood and turned, only to feel her hand catch on something warm and firm.

Tommy felt his heart break as Y/N rejected his offer. This woman was like nothing he had ever encountered. She was intelligent, quick witted, able to drink just as much as he was, and stunningly beautiful. He was not going to let her get away that easily.

So, Tommy reached out and grabbed her hand as she attempted to leave. He spun her around and pulled the young woman flush against him.

“I can’t let you go just like that. Y/N, you intrigue me. You more than intrigue me. Please, come back to Birmingham for a day. We can see how it goes. I’ll get you a job at my company, you can meet my family, and then you can decide if you want in or out of my life. Please, Y/N. Please.”

Y/N felt Tommy’s hot breath on her neck, warming her heart. She could feel his body through his shirt, she felt the way that they fit. No one had ever felt so right. So she swallowed her pride and ignored the voice of reason.

She was going back to Birmingham with Tommy, and that was final.

#tommy shelby #peaky blinders #tommy shelby x reader #arthur shelby #john shelby #shelby company limited #dogs #cillian murphy

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kdramafeminist · 4 years

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Performative Badassery & Women in Kdramas

When I said I wrote an essay, I meant essay. This is a long one! Grab a snack and venture below the read more. I’ll see you at the end!

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You know the feeling. The drama begins. Our female main lead walks onto screen. She’s a successful businesswoman, a hotshot detective, clever lawyer, smartass retail worker, etc, etc. She stares down a random man to prove she’s the powerful one here. Or kicks some ass. Or rattles off a bunch of demands to her workers. Or talks fast to show off her intelligence.

Then she meets the male lead. There’re fireworks. Slowly we find our female lead has a softer side. Good to know. 3-dimensional and complex characters are important. It’s nice to see women on-screen who are both capable and emotional. Kick ass and feminine.

But slowly... something starts to go wrong. She seems to be crying more than showing literally any other kind of emotion. And is it just me or is she getting saved and manhandled and flustered quite a lot for a woman who we were told was so well put together? Sure, the circumstances are extreme. But they’re extreme for the male lead too and he seems to be managing just fine for some reason. Also, if both of them are ordinary people with no on-screen fighting experience, how come he’s so great at throwing fists out of nowhere and she’s busy keeping hidden or needing rescuing? Exactly how many times can one person just faint like that without anyone checking to see if she has a medical condition?

By the drama’s end our lead has gone through trials and tribulations. She’s fallen in love too, I’m happy for her. But... now that the story’s ending and she’s getting in one last chance to show us she’s a “badass”, why am I left feeling hollow? She’s showing us how tough she is but... we ALL spent this whole drama watching her have absolutely no agency or such a little amount that she might as well have been trying to put out a fire with a water-pistol. It’s almost like her previous badassery (in whatever form it may have been - I don’t mean badass only in terms of being able to throw a good punch) was just a façade. A way to hook in female viewers like me who want to see something more than a wilting wallflower or one-trick Cinderella. But the tiniest knock and the cardboard house collapses.

And no matter how many times we get throwaway lines about her being “the smartest/toughest/scariest/most capable one here” it doesn’t ring true compared to the actual character we’re watching.

Rom-coms, melos and sagueks especially (but many more genres besides), have a real problem when it comes to performative badassery in their female characters. The writers give us a female lead they claim is hyper competent, but the reality is totally different. Any plot that features romance, almost always features this. Honestly the way the start of the relationship in dramas actively MURDERS the female character’s agency could be its own essay so I won’t go deep, just know the two are 100% linked.

The “Faux Action Girl” Problem

A Faux Action Girl happens when a writer wants the popularity that comes with having a cool action girl character, or they want the praise that comes with writing a lead that breaks gender norms, or they want to be lauded for writing a FL whose more capable & progressive than the female kdrama lead we’d imagine, but they don’t end up actually giving us her. Instead we get the fake or faux version. The reasons are usually a combination of:

Relying on outdated tropes. Wrist grabs, damsels in distress, a girl fainting so she misses some vital plot related moment to increase runtime etc...

Sexist worldviews. As a by-product of being Korean which is still a heavily sexist country because of the holdover of Confucianism mixed in with the Christianity westerners brought over that leads many writers to (often without even realising) inserting moments that inadvertently reduce their female leads because they think that’s what correct or natural for the female character based on their opinion of women in general. Even if it doesn’t actually fit the type of character they’ve set out to create.

Executive meddling. Producers who think their demographic wouldn’t be able to handle a real badass but also know their female viewers want more complexity and agency in their FLs these days and so give us the paper-version instead of the 3D model.

This character’s more “badass” traits are nearly always just an Informed Ability (the writers tell us via other characters what she can do but never actually show us on-screen these same things) or we only ever see her utilise them once/twice at the beginning and maybe if we’re lucky once at the end, but never again.

It really hurts.

The “Badass Decay/Chickification” Problem

Sometimes she really is a legitimate action girl though. She’ll be a cop whose good at her job or an ordinary citizen whose well-versed in taekwondo. She has actual moments on-screen to prove herself.

Well. She has moments in episodes 1 and 2. Then she almost always goes through Badass Decay/Chickification. Which means that writers (& producers) believe that if we don’t see her having a softer side, she’ll become unrealistic or unlikeable.

They fix her. So she becomes more vulnerable. As the only girl on the team (usually), she becomes the one who ends up injured more often or needs rescuing most. Her life begins to revolve entirely around her romance and nothing else. (Meanwhile the male leads gets to have the romance and keep his side-quest - have you noticed that? If the FL is really lucky she gets to keep one side-quest too, maybe a dream job or solving some family mystery. Never more though.. only men get to be complicated here). Once she was competent... now it feels like she legitimately had a personality transplant.

Is this even the same person we began with?

The “Worf Effect” Problem

Worf Effect is when the danger/power level of a villain is shown to the audience by making him successfully attack/hurt/ruin the plans of someone that the audience knows is skilled. This isn’t a bad thing alone and writers use it all the time. We need to acknowledge the villain as a proper threat and this is a useful way to do it!

But in kdramas it’s something used almost always against the lead female character. The one we’ve seen is intelligent, or strong-willed or quick-witted.

And because it’s always her, this character begins to look weak. If this writing trope is abused, her reputation as the "biggest, toughest" etc. begins to look like it never existed and we’re back to her having an informed ability.

That this is something that happens to the female characters not only more often but almost exclusively is a sign of sexism. Plain and simple.

Competent, Real Badass Female Characters Aren’t Scary

If you’re going to sell me a capable woman, give me her.

Not someone who has one very unique, specialised skill but otherwise can do nothing else except for that one time when her one skill is useful.

Or has built up her own empire, implying a certain level of smarts, business ability or networking skills, but then once she’s removed from it she becomes so utterly useless it begs the question how she built that empire in the first place.

Or has a rep as the detective whose taken down the toughest guys off-screen, but whatever skills she used to do that seem to disappear the moment anything really challenging happens on-screen.

I’m not saying she needs to win all the time. Of course she doesn’t, how boring is that? All I’m asking is that when she loses, it’s in keeping with the character I’m supposedly watching. A woman that can kick ass can still be outwitted. A clever woman can be physically beaten. A street-smart girl can be foiled by rules and regulations. A leader-type can be beat by someone whose more unconventional.

It’s not difficult to write someone like this. I know the writers can do it because every male lead is written this way. I’ve never once, whilst watching a badass male lead lose, get beaten and cry, thought “oh no, his badassery was fake all along!”

Because when he loses it makes sense. It’s in character. There’s a solid plot reason behind why it happens.

Meanwhile my ladies who are meant to be able to kick ass and take names somehow just got kidnapped out of nowhere?

Make it make sense!

Consistent Characterisation is Good Writing

I get wanting moments where one is injured and the other fusses over them. I love those moments! All I ask is more imagination taken to get us to that point. Make it in-character. If my taekwondo black belt is kidnapped, I want to see her really fight. I want the kidnapping to be shown as genuinely tough on the people trying to nab her. Imagine how much more satisfying it would be to see her fight off all these bad guys, yet still end up losing? How much more heart-breaking?

We’d be so much more invested in the mind games or politics the villain is playing if the female lead we’ve been told is good at that stuff is playing the game just as hard. When she loses it’ll hurt more.

Writers need to stop being afraid that her remaining capable in some way diminishes the masculinity, attractiveness, prowess or “hero” status of the male lead. Trust me. It doesn’t. Ever.

It’s not a case of either/or. We don’t think less of the male lead because his partner is as capable as him in whatever way that may be. Instead, we think more of them both. Once a romance begins, the heightened worry both characters have for each other should only make both of them stronger in whatever area they’re skill lies in. Not just make the man a sudden defence wall and the woman a worrying mess.

I’m sure everyone who reads this can immediately think of at least one drama with a FL who is a Performative Badass. I know I had about ten in mind as I wrote this.

There are exceptions. Cases where the badass gets to stay a badass. Usually these cases happen in genres without romance because like I said above, those problems are linked. But I can think of a few romcoms/sageuks/melos where it happens too.

But those are the minority.

Women in kdramas. Give them agency. Make their characterisation genuine, not just a bit-part for the sake of a cool trailer. Not just one moment someone can edit into a “badass multifemale” video edit - only for us to watch the drama from the clip and discover we’ve been sold a lie.

How satisfied would we be?

Writers! Give us a story we enjoyed because of the excellent characterisation. A new female character we can add to our lists of faves. Women who proved themselves as consistently badass as their first scenes claimed. Women in kdramas who, no matter what problem they faced, don’t become echoes or paper-thin versions of who we were promised.

Actual, complex, layered, enjoyable, KICK-ASS AND BADASS female leads.

Wouldn’t that be a miracle.

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PS. This is an open notice that it’s OKAY to reblog with added commentary/thoughts/rambles of your own. I would *love* to see it if you have anything to add.

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(Disclaimer: This essay was written with a specific female character type in mind. I am not saying every FL needs to be a badass or hyper competent. Soft, shy, physically weak female characters exist and can be just as realistic and complex. There’s a few I can think of who I adore. Instead my essay is very specifically about characters who are *meant* to be badass from the start but then... don’t end up being. So, yeah, before anyone claims I’m some angry feminist who needs every FL to be some tough martial artist or something. Absolutely not! Diversity is amazing and interesting. All I ask is that when I am told I’ll be getting a badass in a drama I get her. Not have my heart broken by the fake wilting flower I find in her place. Ok. End disclaimer. ^^)

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Also I’m tagging a bunch of you because you reblogged my post saying you wanted this so here! TY for making it to the end ^^

@kdramaxoxo @islandsofchaos @storytellergirl @vernalagnia-blog @lostindramas @salaamdreamer @planb-is-in-effect

#kdrama #kdrama discourse #kdrama feminist #women in kdrama #badass women #strong female lead #though to be clear I am an angry feminist lmfao #how does a woman living in this world not be tbh

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doufuhua · 3 years

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i’m gonna rant a long in-depth opinion about childe’s gameplay, sorry, feel free to ignore, or if you are thinking about pulling for him soon maybe my thoughts can provide insight.

i’m not a metaslave, honestly following meta is dumb in genshin impact, especially when the game is pve, you should enjoy the game the way you want to enjoy it. but, BUT...that being said, with childe banner coming, i have to say he does feel underwhelming to play sometimes. regardless of how much you like his character, the criticisms about his gameplay that people are bringing up have some truth in it. i agree that his kit and constellations need a revamp.

his constellations don’t provide dmg boost but a different playstyle which renders his range stance kind of useless because the constellations favors his melee stance more, hell even his kit favors melee. so in my conclusion, doesn’t it look like the fact that he wields a bow is counterintuitive? he should’ve just wield a spear in the first place if he’s gonna utilize it the most regardless of lore giving a reason why he uses a bow. and there’s the cooldown on his skill, now to me it’s manageable, i don’t have an issue with it, i think it’s a nice challenge to have a time limit, but not everyone thinks my way. actually based on observation, i see that when someone has an initial interest in childe’s gameplay, when they find out that his skill has a time limit, they give up, they just don’t want to bother, which is just a mentality thing unfortunately.

his constellations are i think a great example of how scummy mihoyo can be, they really gave him lackluster constellations at the top, c1 really only shaves off 4 seconds of cooldown and c2 is just...energy recharge....it’s not until c4-c6 does he get something interesting and it’s not more dmg, it’s a different playstyle. it’s obviously a money scheme to entice players to invest in pulling in gacha, it’s nearly predatory. in other words, if you’ve seen his playstyle and you really like it, he requires expensive investment. hu tao at c0 is basically childe’s c4 constellation, it’s pretty unfair. because of hu tao’s kit at c0, childe users feel cheated because his c4 should’ve been his c0.

now, speaking of c4, that is also a separate problem itself, especially if you’re a person who utilizes elemental reactions constantly. everyone knows that vaporize and melt are the strongest reactions in the game, and childe’s c4 has proven to be problematic when it comes to vaporize comps. childe’s c4 ability applies hydro to enemies every few seconds, and on the surface that sounds great, but players with c4 have realized that the comp is difficult to set up because he applies hydro too fast for pyro to take into effect, normally you have to apply pyro and then hydro, not the other way around. you basically sacrifice one playstyle for another, ultimately you have to choose which comp you like more, which is either you play vaporize comp or you pick something like permanent freeze. i don’t even want to get into the fact that, to get rid of the cooldown on his skill requires c6, which to reach that point, you’ll have to whale for it.

i hate to say it but i do feel like childe got powercreeped especially with characters like xiao, ganyu, and hu tao being released right after him, specializing in weapons he uses. ganyu is arguably the better bow user of the two, with her charged attack doing aoe dmg and having huge crit dmg modifiers. xiao’s gimmick is his plunge attacks which hilariously reminds me of the fact that childe’s melee stance has no plunging attack whatsoever. and hu tao...i’ve already said my piece above.

look i don’t hate childe, i actually like his character, maybe not at first, but after his story quest and learning about what he went through at age 14, he seemed like an okay guy. i’ve had him at c1 since version 1.1, he was one of the small amount of dps characters i had at the time who happened to use hydro. i didn’t have diluc, a highly sought for dps unit, at that time, i didn’t have xingqiu, a great support, until last month, i even have mona from losing the 50/50 on some character’s banner, i haven’t even built her yet. childe carried me through all the way up to this point, and yet i still think he can be improved. i’m criticizing mihoyo, which is the point of this post really.

don’t let me keep you from pulling his banner, he is a viable unit. his greatest asset is his aoe dmg, he’s great against large groups of enemies. he also hits as fast as polearm users, giving no chance for the enemy to counterattack. he can reach large numbers of crit dmg when you commit the effort for his artifacts. he works great with cryo and electro users, like beidou and fischl. i bring up his drawbacks because at the end of the day, mihoyo is a company and money is always foremost, they aren’t always on the playerbases’ side. honestly speaking, the decision to give zhongli a buff is an outlier, something that mihoyo didn’t anticipate doing. it wasn’t the efforts of western fans’ criticism that they gave him the buff, because america’s playerbase is small, it was the chinese players that complained the loudest, and god forbid a chinese company pisses of their own native players.

do i think mihoyo will give childe a buff? no. childe isn’t very popular, gameplay wise, on the chinese players side. so they most likely are not listening to any outcry by childe mains for example, mihoyo will keep releasing new characters, and these new characters will most likely powercreep some others. we barely made a big of a crack in the main story, we’re in the prologue stage of a sorts in a 6 or 7 act story, and so that definitely means new characters will just keep on coming. i just want you guys to keep in mind that you should always keep a distance, gambling can become an addiction, and never be bootlicker for a corporation who ultimately doesn’t care about you. like, i have a suspicion that the reason childe has a banner, why rosaria is on his banner, this time around on an event that’s all about mondstadt is, first, yes lorewise he is involved with the main story somewhat, he was accidentally in the abyss (the chasm?) when he was younger, that he was taught to fight by some woman there, and an upcoming main story quest with dainsleif reveals we will be fighting the abyss order at some point. but the second point, the “it’s just business” point, is that they know childe is a character phasing out in players’ interest, they put rosaria on his banner, to entice us to pull for her and by extension, childe, to make sales on his banner. this is basic business strategy. be aware of games like genshin impact, that are free to play on the surface, but have underhanded motives.

#艾美 #long post #gi #childe

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tumblezwei · 4 years

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Why Kyoko Mogami is the GOAT

And why y’all are SLEEPING ON HER

Spoilers for Skip Beat, but honestly idk how much of the story I’m gonna get into for this since I’m flying by the seat of my pants. Still, read at your own risk.

Also this is LONG lmao

Kyoko Mogami is a 16 year old middle school drop-out that works two jobs day and night in order to pay rent for the Tokyo apartment that she lives in all by herself 6 days out of the week. Going into the first chapter, there are three things immediately clear about her.

1. She’s cheerful, kind, and also kind of batshit insane. From the first moment we meet her, her personality is throwing itself at our faces and refusing to calm down. (apologies for the bad quality images, I work with what I have)

2. She loves Sho Fuwa, her childhood friend and rising rock-star that asked Kyoko to come with him to Tokyo after middle school graduation to support his career

3. Nothing matters to her as long as Sho is happy. Sure, she laments that her love for girly dresses, cosmetics, and fairy tale princesses will never amount to anything since all of her money is going toward paying the rent on her and Sho’s apartment, but that’s fine. As long as her precious Sho is happy, so is she.

And, as you’d expect, things go to shit pretty quickly afterwards. During one her off days from her night job, Kyoko decides to visit Sho at his recording studio with dinner. After sneaking in past the hoards of squealing teenage girls waiting outside to catch a glimpse of him, she overhears him talking to his manager.

“I’m the heir to a prominent Japanese inn, do you think I’ve ever cooked or cleaned all by myself?” She hears.

“That’s awful,” the manager replies, “you make it sound as if you brought her just to be your maid.”

“She’s basically been my maid since I was a kid, or else I wouldn’t have brought her along with me. It’s not like I forced her, I asked her a question and gave her the choice. It’s only natural that she’d work her butt off to support me.”

And he just keeps going. Once he’s made enough to live independently, he’ll send her back. How dare his parents try to set him up with a plain-looking girl like her. She doesn’t even wear make-up!

As images of flash in Kyoko’s mind of standing in front of make-up stores with no money to buy anything, she takes Sho’s words just as well as one might expect. By unleashing the box of tucked away emotions she’s held in her chest and swearing to take revenge on Sho for using her and throwing her away like this.

. I failed to mention this at the start, but the beginning of the chapter introduces us to the most important piece of symbolism in Kyoko’s character development: Pandora’s box.

For Kyoko’s entire life, she’s held this box inside herself. In myth, once this box was opened, all of the evil of the world is unleashed, never to be put back inside. So for Kyoko, the metaphor is quite apt. Hearing Sho’s words unlocks the box and unleashes a kind of anger that not even Kyoko knew she was capable of, a kind of determination and vengeance that has her dyeing her hair and staking outside of a talent manager’s house for days on end to whittle down his willpower and give her a chance to audition at Sho’s rival talent agency, LME. Every time she hears his name, or sees his picture, she’s filled with myopic sense of rage that no one can calm her down from.

Her sole mission in life is to get revenge on Sho Fuwa, a sentiment that finds her at odds with LME’s top actor, Ren Tsuruga, who sees her one-sided quest for vengeance as an insult to people who truly love acting. But as if Kyoko cares, she needs to get revenge!

I’m gonna drop the pseudo-narration for a bit because I actually need to skip over a fair bit of plot to get to what I think makes Kyoko incredibly compelling, outside of being the funniest female character in existence. We’re going to jump forward in time to Kyoko’s first acting gig. Well, not so much an gig as much as it is a competition. She’s been tasked to play the role of a dignified inn keeper that’s serving tea to the main male character. After having broken her ankle and been challenged by the real lead actress, this is her first shot to prove she has the talent to make it in the acting industry. So in order to immerse herself in the role, she utilizes her experience of being trained by Sho’s mother to take care of the inn that his family owned. It’s here that we finally understand that Kyoko giving up her life back home for Sho wasn’t just a spur of the moment decision brought about by infatuation. It was something she’d been doing for her entire life. Everything she knows how to do, every skill she’s obtained, has been because of Sho. And this is the moment that she realizes that fact too. (the first image is from after the scene is done, wherein Kyoko cannot snap herself out of her character due to the lessons she was taught as a child, despite her sitting position making her broken ankle unbearably painful).

Even her righteous fury at being left in the dust is focused solely on Sho fucking Fuwa. Is there anything that she has than can be attributed to her own success? Does she have any skills that can’t be traced back to trying to make Sho happy? Who is Kyoko Mogami? Is she worth anything without Sho?

And I want to make this clear right now, because I know the term “shoujo” makes people hesitate. THIS is what Skip Beat is about. Kyoko’s journey to find out who she is, and with every new role she takes on and with every experience she gains, she becomes just a little closer to finding out who she is and what she wants for herself.

We watch as her love for acting slowly eclipses her thirst for revenge. A few arcs after this moment, she is contacted about a job to act in a music PV with none other than Sho himself. In the beginning, she accepts the job in order to prove to Sho that she’s climbing the ladder and catching up to him, but her performance suffers whenever she thinks about her revenge. And what saves her isn’t even putting aside her revenge, but prioritizing her own feelings above it. She wants to act! She wants to put on a good performance! So she needs to put aside those feelings of anger and draw from her past experiences to create a character that leaves Sho in the dust.

I’m gonna bet y’all are wondering about the romance, though. Because this is a shoujo, and of course it has romance. But hey, guess what? That romance is equally compelling and is an integral part to Kyoko’s character too. In the first....5 or so arcs, Ren Tsuruga ‘s relationship with Kyoko crawls it’s way out of the it’s rocky beginnings, and he slowly becomes a mentor figure to Kyoko. He’s her superior in acting, and she looks to him often for support and guidance when she’s struggling to perform a role or having difficulty with her fellow actors. To Kyoko, Ren is the goal, his level of acting is what she aspires to be, so she can stand on equal footing with him. Before there’s even a whiff of romance between them, there develops a solid bond of trust and support. And once the romance starts. Hoo boy.

To fully understand why it’s taken 12 years irl for a confession scene to finally take place, we need to bring back the metaphor of Pandora’s box. Because not everything escaped Pandora’s box when it was opened. Pandora was able to shut the box just in time for one thing to stay locked inside: hope. In the myth, this is a good thing, while negative and vile emotions run free, hope still exists within people to become better. But for Kyoko, the box isn’t a safe place, it’s a repressed place. She spent her entire life locking away the negative emotions she felt, placing a smile on her face and hoping for Sho’s happiness. And when those emotions are set lose, she locks the box back up, sealing something else inside. Her hope, her confidence in anything having to do with love.

It’s not just that Kyoko isn’t in love anymore, she feels as if she can’t be in love anymore, that she’s entirely incapable of it. The idea of falling in love with someone else terrifies her. What if she goes back to the way she was before? An empty shell that exists for other people and not herself. The box has been sealed tightly again, and by God this time she’s not going to let anything open it. And like, I don’t want to spoil much in this, as contradictory as that sounds. Because the scene where she realizes she loves Ren? One of the best fucking scenes in any romance manga ever.

And. God. I haven’t even touched on her mom. Kyoko’s desire for love, that became so warped under Sho and so desolate after his betrayal, can all stem back to Saena Mogami. A woman who, no matter what Kyoko did, rejected any affection that her child tried to give, and gave none in return. “Even a mother can hate her own child.” We get bits and pieces of what Kyoko’s mother was like, and the environment that a very young Kyoko was raised in before her mother left her in the care of Sho’s parents. And eventually we realize that Kyoko isn’t afraid of her love being rejected twice, but a third time.

Like, y’all, I’m not good at these kind of essays. I keep wanting to go off on tangents, nothing is ever focused, I spend to much time just reading the manga instead of writing this fucking post. But please believe me when I tell you that Kyoko Mogamis character development is like none other. She’s truly at the top of her genre and it’s an actual crime that she’s so underrated.

I HAVEN’T EVEN TALKED ABOUT KANAE, THE WEISS TO HER RUBY, THE TSUNDERE TO HER GENKI

Before Kyoko gets even a single arc with Ren, she gets two with Kanae. The first with Kanae as a central figure, and the second where Kanae is her support. She’s the one that gives Kyoko the eureka moment she needs to pull of her performance with Sho. They are one of the most developed and deep friendships in shoujo that I’ve ever seen AND Y’ALL NEED TO STOP SLEEPING ON IT. LOOK AT THESE TWO

And don’t take this poorly assembled post at face value, I’ve left out a lot of shit. Starting with how fucking funny this manga is. Kyoko’s special talent for her LME audition is peeling vegetables, there’s a running gag where Ren asks for her advice while she’s in a giant chicken costume, unaware that it’s her, the president of LME is an eccentric millionaire that likes to dress up in different themed costumes every day and loves throwing extravagant parties, Kyoko’s hobby is making voodoo dolls and talks to a miniature Ren doll whenever she needs encouragement or advice.

And it’s all packaged alongside some of the most compelling character development I’ve ever seen (for both Kyoko and Ren), and some absolutely heartbreaking drama. You will never know true pain until “I don’t have a daughter.”

Read this, ya’ll. You won’t regret it.

#I'm not going back over this because I KNOW it's not coherent but FUCK IT #skip beat #rambling #long post

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bambagelfics · 5 years

Text

I Know How Your Story Ends CH. 1

Prologue part 2 / Ch. 2

Warnings: Slow chapter, sorry. Will pick up soon. Also swearing

~~~

The sun had already passed beneath the hills when you arrived, and it only made the sight that much more surreal. Of course you’d feel that way, this was one of the places you dreamed of whenever you would close your eyes. You’d always imagined coming to this very world, taking part in the stories that took place inside the books you loved to read. And here you are.

You stopped for a second on the edge of hobbiton, taking in the sight of the homely place lit only by the lights through the windows of the homes. From up on the hill it looked so big yet so small at the same time. It was only when Samwise, your horse, huffed in what seemed to be his own anticipation were you snapped out of your day dreams.

You gave him a soft kick as if to give him permission to get moving and off you went. You briefly worried about getting lost, maybe people gave Thorin too much crap when it really was kinda hard to navigate the place, but you tried not to worry too much about that part. You were about to meet the company after all. At least that’s what you suspected.

Hoping that following the main path was enough, you scanned the houses for one that looked familiar. It was hard in the darkness, and you honestly doubted you would’ve found it if it wasn’t for the soft blue light from a ruin that was carved on the dark green door. You rode up and tied Samwise to the gate, patting his nose in comfort and swearing you’d be back soon enough before passing through the gate yourself.

As your feet stomped against the path you wondered if this was worth it, you wondered if the wizard really could help you get home, and wondered why he even wanted you here in the first place. Weren’t dwarves stubborn creatures? Would they even let you join them? Knowing Gandalf he most likely hadn’t told them beforehand of your presence. And would you even help? Could you? You always thought about this world, how you said you would be a beast with the sword and take down anyone who dared challenge you. But in reality you had never actually held a sword before, besides the foam ones for Halloween of course. So why were you even here?

You almost turned back, you didn’t want to hinder the quest and the question that you might change the storyline and make something go horribly wrong had crossed your mind many times since leaving Bree that morning. However, the fact was that you were in a foreign world, and the wizard was the only way home, or at least the only one who could help you find a way.

With some hesitation still, you mustered up some courage and knocked.

The voices that you hadn’t even realized were passing through the walls ceased immediately and anxiety set in your gut. Even more than before.

The door swung open before you knew it and you had to look down to see who had opened.

“Um, hello, are you with the rest of them?”

The timid voice and curly hair told you immediately that this was Bilbo. It was strange, he looked like he did in the movies but also didn’t at the same time and you couldn’t quite understand it.

Before you could reply you heard another familiar voice, familiar as in someone you had talked to before and not heard on screen.

“Ah! Y/n! So glad you made it!” Gandalf greeted as he approached, ducking his head to avoid hitting the chandelier.

“Yeah, haha,” you laughed awkwardly, “hi,”

“Come in!” Gandalf ushered, and you did as told as Bilbo stepped out of the way to let you enter.

You memory flipped back to how bad you felt for the Hobbit, with all the uninvited intrusion into his home and he never had received as much as a thank you for his hospitality to the dwarves. In that realization you decided to do better up front.

“Thanks so much, and sorry for barging in on you,” you addressed him, scratching the back of your neck sheepishly.

“Oh no, it’s not a problem,” Bilbo was surprised at your politeness in contrast to all the others who were already there, “I suppose one more couldn’t hurt,”

You smiled at him, “Thank you again, Mr...?” You did of course know his name, but pretended not to. You really weren’t sure what kind of uproar would follow if you already knew his name.

“Bilbo, Bilbo Baggins,” he smiled back.

“Nice to meet you,”

“Who is this?”

With the sudden, more rugged and considerably deeper voice you attention quickly shifted to the audience that you had failed to notice before.

You froze, uncomfortable under their stares and you could already feel the judgement not-so hidden behind their eyes.

“She is here to help. Shall we go back to the table?” That was Gandalf, addressing the dwarf that spoke up, cutting off what kind of questions would come, “I shall explain then,”

The dwarves grumbled, retreating back towards the room.

“Am I late?” You asked as Bilbo closed the door finally, seeing as you stepped out of the way.

“Only a little,” Gandalf smiled, and you knew that it was probably more than that, but hopefully not much. Of course you knew what happened in this part, but you had decided in your panic outside that perhaps letting the dwarves know that you did wasn’t the best idea.

You were snapped out of your doubt when Gandalf turned and gestures for you and Bilbo to follow, and you did. You stopped briefly and considered taking off you shoes for Bilbo’s sake, but figured that you shouldn’t and it was okay. You did discretely wipe some of the mud off on the mat though.

You didn’t really enter the dining area. You saw how crowded it was, every dwarf was crammed in there, all seats taken. The fact that the table was clear told you that you missed the fun part, which you were slightly upset over. But you didn’t have time to morn over it with all the side glances and whispers.

Even so, Gandalf wouldn’t address the, well, “you” situation until later, and instead started laying out the map.

“Over ranges and rivers, beyond woodlands and wastelands,” it seems you had knocked just as Bilbo had gone to get the light Gandalf requested, “lies a single solidarity peek,”

“The lonely mountain...” Bilbo read out loud as he leaned over Gandalf’s shoulder to see. You chained your neck slightly in the doorway to get a glance, but didn’t dare get closer.

“Aye, Oin has read the portents, and the portents say,” Gloin paused for effect, “it is time,”

“Ravens have been seen flying back to the mountain as it was foretold,” Oin continued, “When the birds of yore return to the mountain the reign of the beast will end,”

“Uh, what beast?”

You wondered how Bilbo didn’t get the idea by the picture of the dragon drawn over the mountain alone, but decided not to judge based on that.

“That would be a reference to Smaug the terrible,” the dwarf who’s voice you recognized as Bofur spoke up, “chiefest and greatest calamity of our time,”

He went on to describe the rest but you tuned out, much like Bilbo who replied with a “Yes, I know what a dragon is thank you,”

The next thing that happened was a mostly naive Ori declaring he’d shove a metal toothpick up the dragon’s ass, and then an uproar, but you figured most of that wasn’t important. They did ask how many dragons Gandalf had killed though, and that was slightly amusing to see him try to avoid the question by smoking his pipe.

“Enough!” A booming voice calmed everyone’s ramblings, “if we have read the signs do you not think others have read them too?”

Ah yes, that was Thorin. The Thorin. You couldn’t help but look at him with slight awe, he was your favourite character after all. But you quickly got rid of that.

The tallest dwarf rambled on a bit, condemning the others for not thinking about the may-be enemies that would also be setting off soon. Also adding a short speech about getting there first.

“But you forget, the gate is sealed,” Balin spoke, looking low spirited, “there is no way into the mountain,”

“That,” Gandalf replies, “My dear Balin, is not entirely true,”

And there it was. The key into Erebor. Gandalf displayed it to the room, hand gesture making it seem like it was coming out of nowhere.

You made a mental note to make him teach you later.

“How come you by this?”

“It was given to me by Thrain for safekeeping, it is yours now,”

The dwarves spoke about the door briefly, ending it with another pessimistic note.

“Dwarf doors are invisible while closed,”

“The answer lies somewhere in this map, and I do not have the skill to find it. But there are others in middle earth who can,” Gandalf had given you a slight side glance when speaking this, one you didn’t notice.

You were too busy smirking to yourself. You knew how to get in. Of course you couldn’t tell them right off the bat, but the fact that you knew something in that moment that Gandalf didn’t made you slightly cocky.

Although he saw it, the wizard payed it no mind. At least not for now.

“The task I have in mind will require a great amount of stealth, and no small amount of courage. But if we are careful and clever, I believe it can be done,” Gandalf looked to Bilbo who was on his right, “That’s why we need a burglar,”

Bilbo hummed, “and a good one too,” he added, “An expert, I’d imagine,”

“And are you?”

“Am I what?”

“He said he’s an expert!” Oin, the old dwarf with hearing issues exclaimed.

Having been out of the spotlight for awhile, you were starting to enjoy watching how they interacted. It was especially funny to see Bilbo scramble as he tried to get out of the hole someone else had dug for him and in his attempts to get out only loosened the dirt more.

“He’s hardly burglar material,” one had said, and you could see the slight look of offence on Bilbo’s face before he replied with a “see?” to help him get out.

“And what about her then?”

You amused look vanished when you realized you were being addressed, all eyes on you now.

“You brought us a worthless burglar and a woman,” one of the harsher dwarves spoke to Gandalf, the anxiety that rose in your chest then blocked you from identifying them, “whys she here? We hardly have any use for free loaders,”

Why these fucking-

Yes, as far as you knew you had no idea how to use a sword and probably wouldn’t be much help. But what pissed you off was the fact that because you were a girl, they assumed right off the bat you were useless.

Before you could open your mouth to reply Gandalf responded.

“If I say Bilbo is a burglar, than a burglar he is!” Gandalf was standing now, he looked angry, “And miss Y/n is far stronger than you all think. You enlisted me to find the 14th member of this company, and I have chosen master Baggins. And I have brought you a bonus. They offer much more than any of you know, including themselves,”

Both you and Bilbo gave Gandalf a questioning look, but before you could ask Thorin spoke up.

“Very well, we will do it your way,” he didn’t sound pleased, but order Balin to pass the contract anyway.

It was only meant for Bilbo, because they were only expecting a burglar, but you preferred not having to sign a contract anyway.

Despite this, Balin said he’d write up a simple one for you to sign by tomorrow morning. You decided not to argue.

“...Funeral arrangements?” Bilbo spoke up. He’d been reading it all off out loud but you only decided to hear that part.

He read some more, until he hit it.

“Incineration?”

“Aye, he’ll melt the flesh right off your bones,” Bofur replied, not helping the situation.

You swore that was the point of his character in this story.

And he continued to do so, not help that is, as by the end of his telling the poor hobbit the horrible ways he could die on this quest said halfling promptly fainted.

“Fun,” you spoke sarcastically as he collapsed, earning more looks.

You better get used to that

Bilbo was moved to a chair and you all waited for him to wake up. During that time and the time following in which he kept saying he had to “sit quietly for a moment” you got to mingling.

You could tell that not many, if any of the dwarves trusted you. And all were suspicious. You did manage some semi decent conversations though.

Bilbo ended up rejecting the contract, you, again, were fully aware that was going to happen. It didn’t bother you though. He would be back.

The night went on, a song by the campfire was sung and you relished in that tune before the soon to be company of Thorin Oakensheild decided to hit the hay. Blankets were passed around, and you ended up sleeping on the floor somewhere.

“We leave at dawn tomorrow,” Fili, one of the dwarves you had been able to talk to tonight informed you, “Make sure you’re ready to go,”

“Sure thing,”

And with that you slept uncomfortably on the floor of Bilbo’s home, just like all the others. You better get used to those sorts of sleeping conditions

#the hobbit #the hobbit x reader #the hobbit imagines #the hobbit reader insert #x reader #hobbit x reader

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shamansantics · 5 years

Text

Some People Be Shitting on My Girl Ariel

And I am here to tell you why saying shit like "Ariel left her family for d*ck whereas Moana did it to save her village" is not on.

Ariel from the very start of the movie is shown to have a profound fascination with the human world. Her passion for anthropology is such that she befriended the only bird who'd come near her and avidly listens to him to collect every tidbit of information about humans that she can get.

In the famed song "Part of that World" she sings about how she longs to "ask them my questions and get some answers", which goes to show that she often feels ignored and tossed aside when she expressed curiosity. Her interests don't matter. Her concerns are invalid. (There's a lot of proof of this in the prequel where we see her dad completely ignore her when she tries to make a point about music and how Atlantea should have it.)

She also sings about wanting to be somewhere where "they don't reprimand their daughters", showing once again that she feels scorned and diminished. Powerless.

She doesn't sing about wanting to go to balls and meet dudes to thirst on. She sings about wanting to explore a new world, discover a new culture and - hopefully - better her own fate by going to a place she, although knowing little about it - feels and hopes is more progressive than her world in certain key areas, namely the respect given to young women.

Lo and behold, she sees a mortal man and is infatuated. Saves him. Sings to him. Bonds with him in the throes of danger. This is the first time she is close to the object of her passion - a real live human - and he is fascinating and male and pretty damn fine.

We don't know how much contact Ariel has with merman, but her best friend is a literal fish, her chaperone is a crab and like... do we see Ariel interact with any mermen? Or her sisters? Never. This isn't conclusive evidence but considering how tight a leash Triton tries to keep her on, I honestly wouldn't be shocked if she just plain wasn't allowed to talk to guys - tailed or legged - that were even remotely sexually compatible with her ever. So yeah.

She's out and about unsupervised, saves a hot dude, spends the night high on adrenaline and feeling like a powerful heroine while in the closest proximity she's ever been to a man who isn't her dad EVER... and the night before she'd seen him singing and dancing and being generally good humoured and not a jerk? She is going to fall hard and fast.

That's not a character flaw, okay. I repeat. FALLING IN LOVE ISN'T A CHARACTER FLAW.

It doesn't make her silly or weak or stupid to fall head over heels for a guy who represents everything she finds inspiring in a very short time. It makes her *sixteen*, her canon age, if I'm not mistaken. Hormones are high, mood is lit, guy is attractive. She's going to be attracted. She is going to love him. Love what he represents. Novelty. Freedom. Joy. Adventure.

Most of all, she's going love what he inspires in her: courage, strength, daring. And yeah, beauty and sexiness too.

He makes her feel more powerful than she's EVER felt before and they haven't even spoken yet! Unsurprisingly, she is going to confuse attraction and a feeling of empowerement with "true love", especially if she's never been told she was powerful before.

Ariel has been told she's pretty and sings well and all she's good for is sitting tight in her shell and combing her hair and performing for concerts.

As someone whose father has told them - and I quote - "the only thing I know that you can do well is sing" (ouch...), it smarts okay. It *hurts* to want more and be reduced to your voice. Unsurprising that Ariel didn't see trading it as a big deal.

By the time she goes to see Ursula, she has *saved a man's life* in the middle of a raging storm while the sea was on *fire*. Her chaperone has betrayed her leading to her father disrespecting her one time too many and then *destroyed* her most valuable possessions to "teach her a lesson". She is in love and angry and empowered. And he expects her to what? Go home and fucking *sing*?

Honestly, if Ursula hadn't asked for her voice, she'd probably have offered it up anyways in exchange for one (1) Atlean salt-and-vinegar chip.

So... keep in mind that this is the mindset of the girl who "gave up her world and family for d*ck".

Her dad's a jerk. Her sisters don't share her interest or understand her. Her best friend is a *fish* and just not able to keep up or truly connect with her the way she wishes he could. She is *lonely*. She is young. She is a girl.

And do you know what girls are taught? They're taught that the only thing that will make them feel more powerful than being in love... is being someone's mom. Ariel is too young to care about motherhood. But she is the perfect age to buy the "true love is the most powerful feeling you will ever experience" bullshit hook, line and sinker.

So if she feels empowered around a man? A good looking man at that? Must mean she's madly in love with him.

And see... this narrative... it isn't just Ariel who has it. She has spent *years* passionate about humanity and its culture only to be dismissed, mocked or forbidden to explore her interests at every turn. Her troves, build over years of exploration, is annihilated in *seconds*. Her father has NO respect whatsoever for her desire to learn about humans.

Ariel's true passion: anthropology of humanity is completely invalidated. No one sees it as something of value in this girl, much less something that might empower her enough to seek out the sea witch and give up her tail and voice to pursue. Least of all her.

And yet, it is. I am willing to bet that if she'd gone home after talking to Flotsam and Jetsam, the idea of seeking out the sea witch would have stayed there and within a decade, she'd have gone anyways.

The thing is... the interest of women and girls aren't taken seriously. They're "childish" and "immature" and "unimportant". The most important thing a woman can do is be in a relationship with a man and then a mother, or so we're told. That's why even accomplished career women are seen as having something fundamentally missing if they're single.

My point is... Ariel didn't abandon her family and home to chase after a guy she hadn't even talked to yet.

She abandoned her family and home to chase after a dream she'd had for years. The guy was a side quest that temporarily obsessed her because hormones and also threat of doom via seawitch... but folks. The sheer *delight* on that girl's face during her carriage ride through town is not the face of a woman whose biggest concern in life is getting married. You know... when her life isn't under threat if she doesn't.

What you should be pissed off about isn't that a sixteen year old dared fall in love with a guy who made her feel powerful, even though she didn't know him. And it's not that said sixteen year old was willing to trade the things OTHER PEOPLE told her were her most valuable assets (family that doesn't value her as a person, home she wants to leave, singing ability that has been used to demean her to a useless pretty thing)...

What you should be pissed off about... is that Triton thought it was okay to destroy the trove his daughter worked years towards. Would have NEVER allowed her to trade her legs and voice to go be human just for the sake of learning and enjoying human culture...

But was *blessing* her decision to do just that when framed under the lense "I'm in love with this dude I've know for less than a week and I'm gonna marry him, unfortunately tail's gotta go to make that happen and I'm never coming home ever."

He would have dragged her back kicking and screaming if she'd asked to leave so she could go pursue her passion. No amount of "proving herself worthy" would have made that an okay thing for her to do. But because it's "true love"... sure. Fine. She can go. He's fulfilled his fatherly duties anyways and made sure she's done the most important thing a daughter can do: marry a rich dude.

The moral of this story is...

A. Stop shitting on women for falling in love. It doesn't make them less worthy or their decisions less legitimate.

B. Stop shitting on women for confusing feeling empowered with falling in love when they're told about how amazing and magical the latter is and don't even know the former is exits, a lot of the time.

C. Start shitting on people for giving more legitimacy to the concept of "true love" as a motivator for making huge life changes than they do to shit like "because this thing interests me and I like it a lot and it makes me feel good when I do it". Start shitting on people for making a woman seeking a sense of fulfillment not worth a happy ending unless there's a romance too.

D. Moana was super selfish for wanting to leave her home to go explore even though she had a good family and her island was happy. And that's *okay*. Women are allowed to want things for themselves. They don't exist to please others and pacify their societies. Good on her for saving her village though.

E. Ariel was super selfish for wanting to leave her home to go explore even though her family was arguably much less awesome than Moana's. And that's *okay*. Good on her for meeting a dude she liked, falling for him and making the relationship last and be, as far as Ariel II shows us, a pretty decent one. WOMEN ARE ALLOWED TO WANT ROMANCE and it doesn't make them frivolous, even if they want it more than the "important" shit they're told they should be interested in instead. (Not that Ariel's main interest was romance, btw)

F. Women are allowed to be happy dammit. Be it via romance or career or hobby or academics or all of the above or *none* or other.

Just let women be happy without putting one down in favour of the other and shitting on them.

Ariel is a *great* movie and Ariel is a badass character and she is smart and extremely competent and *brave* and strong and good and anyone who says otherwise is a superficial coward whose forgotten what it feels like to be 16 and disrespected. In this essay I will...

#this is too long #rant about Disney #the Little Mermaid #ariel rocks #let women be happy #moana rocks too

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bluerosesburnblue · 5 years

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Bless that post. I love the aro/ace headcanon, but I also love all mc/charlie shippers. Basically, I'm very very Pro-Ship and like... I've seen the people who headcanon aro/ace charlie get really hostile and weirdly aggressive over it. I'm pretty sure one person even deactivated their account because they dared to call out the harrasment and were in turn harrassed themselves. Fandom is supposed to be fun and shipping should never be about activism like some ppl are trying to do and it boggles me

Thank you. Given the extremes people go to on this site, it’s nice to see someone else who agrees with me about keeping these things measured and respectful

Honestly, my breaking point the other night was that I happened to see an anon on one of the really popular blogs in the fandom. All they said was that they were a fan of the ace headcanon, but they saw a lot of the negativity in the tag in regards to the Charlie/MC ship and were worried that if they started posting their stuff regarding it that they’d get backlash or get seen as insensitive. The whole thing looked like someone who was very anxious asking someone they respected if they thought it would be appropriate. They probably trusted that blog to be mature and give them some reassurance

The response they got was basically (I’m paraphrasing here) “The ace ‘headcanon’ is undeniably canon, you can still post your thing but just know that it’s not canon and nobody has to like the fact that you posted it. I don’t know what hate you’re seeing, but I haven’t seen it and I don’t think it exists.” Which is, like… denying that anon’s experience and brushing off their fears is just a shitty thing to do to someone who was obviously nervous and looking for reassurance. And also completely wrong. Just because you can read that interpretation into a canon line doesn’t mean that your interpretation is completely canonical. Dating and romantic or sexual attraction are not the same thing. And it’s bad enough that that response is getting a good amount of notes

But what really pissed me off was a response I saw from someone else on that post. This person immediately accused that anon of intentionally overreacting and fishing for sympathy, crossing the line by asking someone they respected about their opinion of the discourse, and trying to deny asexual people representation. And they had the nerve to go on about how “people you thought were nice are turning out to be shitty people.” And then told that anon to grow up

That is absolutely disgusting behavior. Even if Charlie was canonically aro/ace, it would be going too far. Nobody knows anything about that anon, because they’re a goddamned anon. For all anybody knows, that anon could’ve been a kid or young teen who legitimately wanted to be respectful to the ace/aro community and thought it best to ask someone they respected what their opinion was. This is exactly what I was afraid was going to start up. That the second somebody showed that they didn’t agree with the popular interpretation or, god forbid, admitted that they don’t know enough and wanted another opinion, that they’d get slammed and harassed, with accusations made about their character. A character that we can’t even truly know because this is the internet and it’s easy to read whatever you want into these things. You’re not “educating” anyone, you’re just making them not want to learn

And then that original blog had the gall to tell that anon that they didn’t see any reason why they’d be afraid of harassment. When that aggressive, uncalled for response was a response on their post

The best part? Not only did that anon directly cite a post that had bothered them in a later ask, but they admitted that they were ace and questioning aro and just didn’t see why that line made the interpretation canon

And the person who slammed them? Not aro/ace.

As far as I can tell, that anon never got an apology. The sidequest isn’t even out yet and the fandom has already devolved into people making assumptions and yelling over actual ace people over their own representation and refusing to see a problem with it. In fact, they think they’re in the right because quite a few popular blogs agree with them. That anon could’ve been a kid. Are we really going to scream at people who might be kids over a headcanon?

Not a single, goddamned person made any effort to say that that person was out of line. Not a single person saw a problem with that response. I’d say it was just that one person in the wrong, but I’ve seen equally harsh and aggressive responses by other people out there, too. This isn’t a situation of one person being an asshole (if it was I might’ve just called them out, specifically), they just happened to be the one to tip me over the edge

That’s what’s pissing me off about this situation. If someone is legitimately so scared to post something completely harmless that goes against the popular interpretation, then there is a problem. There is a problem, that shouldn’t be ignored just because you might disagree with that anon’s opinion. People don’t get that scared for no reason. It’s awful and immature to ignore the problem. To pretend it doesn’t exist, or to support the response they got and double down just to make yourself look right

People are really getting this awful over a side character in a mobile game. Just back up and really look at that. A side character. In a mobile game.

Some people need to grow up, and it sure ain’t that anon. And I hope that if that anon ever sees this, they know that they’ve got my support and I’m so sorry that some people think asserting that their headcanon is canon is more important than an actual, living person

As for the “it’s canon do we really have to spell it out for you?” argument, uhhh… YEAH. Not them, specifically, but the source material does. Otherwise it’s not CANON. Canon is reserved for things irrefutably stated in the text not “all possible (or your favorite) ways you could interpret lines in the text.” When it’s widely accepted, that’s fanon. Canon: Charlie states that he doesn’t have time for dating because he’s busy studying dragons. Fanon: Charlie is ace/aro. We also need to destroy this false equivalency that dating and romantic attraction are the same thing. It doesn’t help anybody on either side

And no joke, I read a novel one time and the main character was so obviously ace to me. The whole thing was written from his point of view, and he was always questioning why people found romance to be so important. He wasn’t into any of the girls that flirted with him, he kissed his male best friend and said he didn’t feel any sparks, he avoided romance of all kinds even while questioning his sexuality. Well, come the end of the book, he realizes that he was gay and in denial and VERY in love with his best friend. It was adorable when they got together

But at the same time, there was way more evidence to suggest that that character was ace than there is for Charlie, and yet canonically he was gay despite that. Sexuality is something very complex and personal and the discovery of it no less so, so yes, absolutely, I think it needs to be stated in some way to be canon. Things can’t just be implied to be considered canon. Your assumptions may very easily be wrong, or not what the author intended. And even things that the author intended can be considered non-canon. Death of the Author is a real thing, after all. If it’s not stated in the text, it’s not canonical

If Charlie had said “I’m not interested in romance and don’t know if I ever will be” or something similar, then yes I’d say they had a basis for their argument. But that’s not what he said. Charlie says… basically what I would have if someone had flirted with me in high school. My suspicion is that something in JC’s contract meant that they weren’t allowed to make Bill, Tonks, or Charlie romance options, so they just reworded JK’s old interview when writing his dialogue to be more relevant to the quest material

And people using that interview as “proof” is especially funny to me since she only said that after denying the possibility that he could be gay because Dumbledore already was. You’re all really expecting this woman whose reaction to being asked if a character being homosexual was a possible interpretation was “Uh, no, we already have one of those,” to go around and confirm him to belong to an even less represented group? And do it tastefully? And then have half of these people who take that as canon also state that they don’t generally consider things that JK reveals outside of the source to matter?

Christ, people, learn the difference between canon, fanon, and Word of God. And then stop ignoring or harassing people for rightly calling out that you’re misusing the terms

#harry potter series #harry potter hogwarts mystery #hogwarts mystery #hphm #charlie weasley #ace charlie discourse #long post #harry potter hogwarts mystery spoilers #hogwarts mystery spoilers #hphm spoilers #i want some people to look long and hard at this and realize just how shitty they're being #i hope i don't have to write another essay about this situation i really do #but i can't just let how poorly that anon was treated go #not naming names because i won't be responsible for spreading more hate around #even to people i think deserve it #but this kind of stuff seriously needs to stop #my blog is a safe space for pretty much everybody #race sex age whatever i don't judge people for any of it #we're all just strangers on the internet #i just judge people for their actions and if you act like an asshole that's how you'll get treated #so have some respect for people you really don't know anything about #and remember that fandom should be FUN #if it stops being fun then someone has crossed the line #anon asks #liz's shenanigans

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wackygoofball · 6 years

Note

you once talked about the parallels between sigurd and jaime I have to point out hat sigurd is a dragonslayer who killed fafnir ( who was a dwarf who became a dragon after killing his own father fafnirAsked his father for gold. tyrion Asked his father for his inheritance (Casterly Rock). fafnir Murdered his father upon refusal. Tyrion Murdered his father in light of multiple grievances. tyrion will end up helping dany with her dragons and/or riding one so what if jaime kills tyrion

Hi megashadowdragon and thanks for the question.

I realized I didn’t meta in quite a while, but ohwell, real life calling and all.

First of all, I am impressed that you still rememberor found a way to dig up that comment I made… years ago. Anyway, I had to revisit my own post to check, butreally, the main intention of that post was to point out the many similarities thatcan be drawn between Jaime and Brienne and Sigurd and Brynhild, less so aboutmaking predictions about how those similarities may foretell the outcome of thestory. I hope that this came across and that I didn’t make it seem like I wasfirmly believing in Jaime and Brienne fulfilling the Sigurd/Brynhild saga frombeginning to end.

After all, GRRM uses tropes and themes rather thancopying word-for-word the narrative upshots of the story he takes from. Like,JB builds on the Beauty and the Beast trope in order to subvert it, but thatdoesn’t mean it’s going exactly congruent to the original tale in terms oftrajectory (I can’t seem to recall zombie!Cat to have been amongst the ensembleof Beauty and the Beast, LOL). So Itry to be cautious when it comes to making predictions based on mythologyparallels I can spot in a narrative. After all, GRRM mixed in a lot of mythology, Norse mythology *atlarge* being the first idea that comes to my mind, wherein Jaime fits multiplecharacters. Like, you can easily parallel Jaime with Norse gods like Tyr, amongothers. Or Christian mythology with the Jacob parallels. So… I am very carefulon that territory, which is why I dare not predict future outcomes based onother story’s equivalents. It’s far too tempting to just go down the rabbithole because every story parallel you choose will give you a potentiallydifferent outcome based on the trajectory of the story itself. I am much moresold on the BatB trope and trajectory because a) GRRM has affirmed that hebased JB on that trope, and b) tropes are not the same as following a storyfrom beginning to end along the exact same lines.

However, as you rightly point out, there are greatparallels to be drawn between Tyrion and Fafnir, both taking part in patricideand developing a certain greed (hence the dwarf turning into a serpent as they aresymbols for greed) for gold, which again plays well into the Lannister gold andred theme. And I am thankful that you brought it to my attention because – alsodue to my clear JB focus – did not even think about how Tyrion very well fitsinto the Volsunga Saga in that regard, and it may well be that GRRM drewinspiration from Fafnir when creating Tyrion’s character.

Yet, strictly following that analogy (for the sakeof the argument here), Regin is the brother of Fafnir who orders for hiskilling and enlists someone else to do it (Sigurd). Now of course, we caneither substitute Regin for someone to fill into that role and order Jaime todo it or we cut out the middleman for the sake of maintaining that parallel.

But anyway, perhaps we ought to see it not so strictin terms of how the characters are related and more in terms of what they doinstead. Again, the trajectory for Tyrion maps neatly on Fafnir, as you assert,even more so in the books wherein he has embarked on a much darker route thanin the show (I won’t dig too deeply into the matter as my knowledge remainslimited on book!Tyrion, not having read those chapters in their entirety justyet).

Though that in itself should be telling, I think, withregards to Tyrion’s outcome in the overall series. I think the general themewill be that most characters will move into a gray area in terms of morality(safe for the clear villains that we have… like, Euron won’t become a graycharacter, Cersei won’t either, I daresay). Characters like Jaime are movingtowards the lighter spots whereas supposed heroes have become/are becomingmorally corrupted or at the very least tested in their morality and balancingit with the need to maybe do acts of dishonor for the sake of the people atlarge. The show did away with the dark tidbits of book!Tyrion’s journey why? We will only know once the finalseason airs, of course, but as others have put forward before me (and far moreeloquently than I do here), it may well be that show!Tyrion will move into moremoral grayness towards the end, whereas book!Tyrion may well get a redemptivemoment of some kind to move him back towards gray.

I tend to think that the show wants to link Tyrion’shaving to make tough choices between his family (Jaime) and the woman of nametitles to the grayness of his character. This has already been party exploredin season 7 wherein Tyrion was kind of hoping for Jaime not to be offed byHighgarden and looking completely devastated when he had to see what the womanwith many titles could do with a flying nuke and a bunch of Dothraki in an openfield. It was surely not without purpose that a) she questioned his loyalties beforeand after that and that b) Tyrion looked so clearly devastated and was made tobear witness of the apparent horror that the woman he chose as the one he meansto support can cause to see the overall goal of her ascending to the IronThrone being achieved. They also could have chosen to have Tyrion stay atDragonstone to await the news, but the fact that he bore witness to both thehavoc a dragon can cause on a battlefield plus the barbecuing of the Tarlys wassurely not without purpose. Which was now a long way of saying that I wouldn’tfind it farfetched if his loyalties were to become ultimately tested in season8, and further, that he will ultimately have to choose between his brother andthe mother of nukes.

While characters are supposedly uniting for thegreater purpose of fighting against the White Walkers now, I am by no meansconvinced that this is smooth transition from war to the Star.garyenRestoration Period towards the end of the series, which is to say that it maywell be that we are headed for conflict among the factions and that maincharacters who offered their support last season may still find their loyaltiesquestioned in their wish to seek power and may or may not ditch the groupeffort at least for a certain amount of time. Now, I don’t want to dig intothat whole matter because that is something people have sent plenty about and Ihonestly can’t be bothered too much about either the fandom-favorite theoriesregarding the restoration period or the hype of the characters mostlyassociated with said theories. I don’t discount their overall importance to thenarrative, I am just saying that I personally have zero shits to give besidethe plot purpose they fulfill for the overall narrative, but I have no personalinvestment in the lady with many names beyond her arc contributing to theoverall series.

But I derailed now again, sorry, I suppose I justwanted to position myself so that I don’t then get questions about a character Iam not invested in and don’t want to be bothered to bash on because, really, Ijust don’t care. The point I was heading for but kind of got away from is thatI am not entirely sure whether Tyrion *will* remain Team Lady of Many Names bythe end of the series. The fact that Tyrion’s and Jaime’s conflict has not beenwholly resolved just yet (while they wereon friendlier terms again, Tyrion did only so much as dodge the big questionsstill standing between the two – namely the consequences of his killing Tywinthat had direct impact on people Tyrion did not intend to harm with that, e.g.Jaime, Tommen, etc., for his own purposes of getting revenge on his father andI think the narrative set it up in such a way that when they met again for thefirst time in the vaults of the Red Keep that it was meant to show that Tyrionwas giving Jaime the same old argument as always instead of owning up to it)has me sold on the idea that something else is still coming with regards to thequestion of where his loyalties will eventually lie.

Now, to come back to the Volsunga Saga and theparallels to GoT/ASoIaF: I would also suggest another thought experiment justto explore the many ways of looking at it: Trade in Fafnir for the woman ofmany names (undeniable, the dragon connection is strong with her… and while sheis certainly no dwarf… she is not exceptionally tall, LOL, but now I digressfor sure). She had Khal Drogo kill Viserys with gold (hence, arguably, substituting Hreidmar, the father of Reginand Fafnir, for it), hence also having the gold aspect on her side and the ideaof greed being potentially subsumed in her ongoing quest for power even aftershe achieved to establish herself as Boss in Essos. Now fast-forward to (forthe show here) season 7 and Spoils of Warand have Sigurd (Jaime) go up against Fafnir (the woman of many names) afterreceiving orders from Regin who wants to see Fafnir gone (Cersei). Yet again,gold also plays a large role, and while Jaime is not successful in killing her,he was definitely going for it right there.

So, you see, I think that you can spin this manydifferent ways (which is the wonderful thing about literary analysis that Ilove so very much) and arrive at similar results. It neatly fits with GRRM’smode of paralleling and mirror characters. So the woman of many names does wellfit Fafnir the same way you can find reasons to see Tyrion being paralleledwith the serpent/dragon.

Now, to go back to the suggestion that Jaime may killTyrion… within the narrative, I just fail to see how he would pose such a*threat* that would make it necessary for Jaime to kill him. Tyrion… is only asdangerous as is the power he is granted. If Tyrion were to go completely rogue,hotwire a dragon and ride it into battle against his brother et al., then thatwould require some… serious turnaround and it would still make the dragon the more immediate threat to get outof the way.

Now, he could use wildfire to trigger Jaime into goingagainst Tyrion and make an attempt on his life, but I have my doubts regardingthe matter. I think wildfire will be vital to the plot in defeating the WhiteWalkers, and that it won’t be only limited to being at Cersei’s disposal,because let’s be real, it kind of loses effect and is in itself a gun she issitting on, waiting to be fired. And while Jaime will certainly be triggered byit, I think it makes much more sense for him to either then help evacuate thecity or help set up the trap for the White Walkers to walk into, seeing thenecessity. Now, if we spin this into the woman of many names going rogue andwanting to torch the capitol to thus blow shit up in red and green, then Jaimewould still have more incentive to be mad at her than at Tyrion.

If we spin it in such a way that Tyrion commits utterbetrayal towards Jaime a second time and Jaime found himself in a position ofauthority in the post-war times, then this would come close to Jaime having tosentence Tyrion to death, which I don’t really see happening, to be honest. Atleast I can’t come up with scenarios that would map with what we have been setup for in terms of character development over the past few seasons. While Jaimesaid that he would kill him, he evidently did not whenever he had a chance forit (if he was serious, he could have offed Tyrion in that vault with even justone hand and a tourney sword). Because just as evidently, Jaime loves hisbrother still, which made Tyrion’s betrayal burn ever the harder for Jaime, butthe more organic conclusion to such a conflict is that they talk it out or that Tyrion makes good onhis promise of when Jaime freed him from the prison where he said that he owedJaime his life, which makes him indebted to Jaime.

So I can actually see self-sacrifice to a certainextent far more prominently being one possible upshot of Tyrion’s arc than himgoing rogue on a dragon to require Jaime to slay his own brother instead ofhaving Jaime go through the motions of committing an additional act ofkinslaying. Generally speaking, I just don’t see Jaime offing any more of hisfamily members (and yes, that includes Cersei, the whole valonqar thing beingJaime and then going into suicide for *reasons* is nothing I am getting behind,but yet again, I digress and, yet again, I think people have written enoughabout that by now, so I would much rather focus on literally anything else). Because it would be sovery repetitive for Jaime and the Lannister clan at large. Cersei killed Lanceland Kevan and the in-laws Margaery, Loras, Mace… and kind of gave rise toTommen’s fall by making him watch that shit show *ahem*… Tyrion killed Tywin. Jaime(at least for the show… for *reasons*) killed a cousin and in-law Olenna uponCersei’s order. Like, honest to the Seven above, I don’t see the Lannistersdoing any more internal family murder. I think another family can well take aturn now.

So… to somehow tie those loose threads of thought togetherthat I have been spewing out now, anon… I think the parallel of Fafnir andTyrion most definitely fits, and I think there is a lot to be said about thesymbolism and even potential trajectory of the overall story, especially if youlook at book!Tyrion and his dark journey which neatly maps on Fafnir’s fallingfor the gold/greed. However, such analysis only ever takes us so and so farbecause, as I hope to have highlighted, we can recreate similar parallels byexchanging the players and it still matches. Because that just correlates withGRRM’s way of writing, which heavily builds on involving themes andpre-existing tropes, mythology, and narratives. That doesn’t mean we can takeone narrative and go to the end to determine future outcomes for GRRM’scharacters, though. It may well be that it will turn out eventually to be truefor one case, but at this point of time, it is simply too hard to guess whichone he may pick or subvert or abandon.

Though more on a sidenote, I will say that I would notfind it entirely unlikely if Tyrion ended up riding a dragon, as you pointed toin your ask. In fact, I would find that muchbetter than Jesus I mean King in the North riding one because Tyrion has builtup a significant relationship with those scaly nukes and I would much rathersee the dragons being okay with being ridden by a guy they learned to trustthan one that has the right Targ smell to him. But then again, I think dragonsare dicks, so maybe that is why they are more sold on the King in the North orthey just really want their mom to bang her nephew… so, who knows?

Now, speaking more in terms of *just* the show/books,I don’t think Jaime will kill Tyrion because I just don’t see where they would getthe conflict if the show has already hinted at it that there is more things toconnect them than keep them apart. If the woman of many names is supposed to bethe reason why, then Jaime should direct his anger towards *her* rather thanTyrion, and I do think that Jaime canmake that kind of rational decision, even with all those feelings involved. Thenarrative would have to make some true 180° to go back to where we basicallywere in season 5 to have Jaime be again all “I will murder him first chance Isee him.” And all atrocities I can come up that may trigger Jaime would almostalways relate to the woman of many names instead of his brother.

So, in sum: Tyrion and Fafnir parallels are awesome and I am grateful that you brought it to my attention because I missed the connection before. Ithink Jaime and Tyrion will pull themselves back together. I hope that Tyriongets to ride a dragon to prove that you don’t have to smell of Targ in order toearn yourself a ride on a nuke. And I most certainly hope that Jaime’s andBrienne’s narrative will end on an entirely different note than that of Sigurdand Brynhild because I remain sold on the idea that they are, against whatseems to be commonly believed by many people, headed towards a happier endingthan most will have in mind. Naturally, I may be totally proven wrong on thematter, but for now I reserve for myself the luxury of being in the hiatus ofsweet, sweet oblivion, wherein I can imagine all kinds of scenarios where Jaimeand Brienne live happily ever after, to finally get started on the Braime Bunch™,and that if Tyrion is meant to live till the end of the series, will spend his daysin good companionship with his brother.

*flies away*

#anon #ask #game of thrones #jaime lannister #tyrion lannister #jaime x brienne #meta #got meta #essay #kind of #it's long enough to be one lol #thanks for the question

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hahaha1d0that · 3 years

Text

Let me start by saying that I apologize for the coming post. I know a lot of people love the Star Wars sequel trilogy and characters, but I’m angry about this right now.

Disclaimer: This argument is based solely on the movies, NOT Resistance/comics/books/etc.!!

As a Star Wars fan, I am very disappointed in the sequel trilogy. There are many problems with it.

The fact that J.J. Abrams admitted that the trilogy would have been better if they had a plan

The three movies are not very cohesive in telling one story/there seems to be no one superior goal in mind to accomplish by the end of the trilogy

The characters development is nearly nonexistent and honestly pathetic

The characters had so much wasted potential

The amount of fan service was astounding and it still doesn’t make up for the other atrocities of this trilogy

The story wasn’t very compelling

Making money was the primary objective

There are many good things in the trilogy and things that I liked but overall it is my least favorite part of Star Wars. It makes me angry simply because its so repetitive and confusing.

Was Snoke a Sith Lord? If he was, why wasn’t it made clear to the audience in the movies he is supposed to be a major villain in? If he wasn’t, then bringing Palpatine back breaks the Sith Rule of Two. How did he rise to power? Who is he? Where was he throughout the franchise?

These are questions about one character, that anyone might have after just watching the movies.

Who formed the First Order and when? How did it become as powerful as the Empire? How was the New Republic reduced to almost nothing over a couple decades?

The storytelling is so incomplete. There are so many gaps and plot holes.

The antagonist across the trilogy is whiny, not very intimidating, has a poorly developed origin story, and questionable motives that are so vague that it is difficult to inderstand his reasoning and beliefs. In the end, he is redeemed only to die after some slight consideration and persuasion from the main protagonist. So he rethinks his entire life and trauma because a woman told him he could do better? That’s not how real disturbed people think…

The main villain of the third movie wasn’t even present (or even known to be alive) for the first two movies in the trilogy. The movie starts and all of the sudden “somehow…palpatine returned.” That’s it?? That’s the explanation? How did he survive? How did he get to Exegol? How did all of those star destroyers get on Exegol? The Empire was gone, his army was dismantled, few lotalists remained. Was he cloned? Because honestly, I’ve seen the movie several times and I’m still confused. It doesn’t make any sense.

Not only is Palpatine alive, but the main protagonist is his granddaughter. So much for ‘you don’t have to be somebody to be important, as long as you work hard, you can achieve anything.’ Now Rey has force abilities that she never had before (or that didn’t even exist in the franchise before this)?

Rey’s character is so tragic because she had so much potential and it was wasted. She was abandoned as a child and is forced to scavenge around dangerous wreckage to make a living supporting herself on one of the worst planets in the galaxy. Does she hold that against her parents? No, she hopes that her parents will come back for her. She gets anxious when she’s been gone for a while because she’s afraid they’ll finally come when she’s away. She never let herself become bitter or hateful. She was hopeful, innocent, and passionate. However, her character develops to make it her personal mission to take on the First Order and Kylo Ren if it’s the last thing she does and she’s plagued by stubbornness and self awareness of her power and strength as a Jedi.

This annoys me deeply. Her character never really progressed from this from TLJ to ROS either. It’s almost like its a different person from TFA Rey, despite TLJ immediately following TFA in the timeline.

I’d also like to point out that Poe’s character was also shit on by the writers, especially in ROS. For the first two and a half movies his entire character can be summed up as: I’m a hotshot flyboy; I want to fight no matter the consequences; I fly X-wings; I have an adorable droid that I am highly protective over. That’s it. And then, in ROS, suddenly its revealed that he was a former criminal and drug smuggler?? Poe? Poe Dameron?? What?

How about Finn’s character only being in the background to yell “REYYYY” whenever she puts herself in harms way (which is often). The amazing lightsaber duel against Kylo Ren? In which Finn held his own for a decently long time considering he had little to no training with a weapon of that kind against someone proficient in the ways of the dark side (which typically made force users more ruthless in their attacks)? Doesn’t matter. The hints of his force-sensitivity? What hints? Finn, a Jedi?? Hahaha, no.

Dont even get me started on Rose. Great backstory, sister sacrificed herself for the cause during a desperate hour and saved the day, but in doing so left her grieving sister behind. Beautiful. Rose was such a big part of TLJ’s plot and then she’s just kinda there for ROS...it’s sad. Not to mention the romance between Rose and Finn that was never developed??

You know what, all of the protagonists were done dirty, as well as their actors. It’s clear what Disney’s goal was: making money, and lots of it. How do we convince people to buy movie tickets/merchandise/toys/etc.?? Well, let’s cast some minority actors/actresses to make people think they’re going to be represented only for the white man‘s character to be the most developed by the end of the trilogy. Daisy Ridley (a woman), John Boyega (a Black man), Oscar Issac (a Latino man), and Kelly Marie Tran (an Asian woman) were cast as protagonists. And who got the most attention/praise/development? Adam Driver (a White man). Dont get me wrong, Adam Driver is a great actor and he did an amazing job with what he was given, but really?

Even the returning characters were poorly handled. Luke’s character development is controversial so I’ll stay away, but Han?? So they decided after ROTJ that Han was the type to leave his wife and son to travel with his best friend?? Uh ok

The sequel trilogy’s plot, if you can even say that, is so repetitive to the original trilogy it’s embarrassing. A force-sensitive main protagonist, whose parents abandoned them and left them to live on a desert planet to avoid the truth about their family heritage, met an old guy that was significant earlier in his life, went on a quest with him which effectively roped them into fighting the fascist dictatorship controlling the galaxy that they previously didn’t give a shit about, teamed up with an ex-imperial deserter along the way, was trained by a different old guy that was also significant earlier in his life but decided to exile himself and live in seclusion because some of his padawans were murdered by the Skywalker villain, learned the truth about their family and the darkness within their blood, became a great unofficial Jedi knight anyways, destroyed weapons capable of obliterating entire planets, and eventually defeated Palpatine by teaming up with the main Skywalker antagonist that sacrificed themselves to save the main protagonist’s life. Sound familiar?

It’s truly sad. If you look into George Lucas’ plan for the sequel trilogy before he sold Star Wars to Disney, you’ll find that it’s much better different from what we got and it is actually pretty similar to what The Mandalorian is trying to portray. (Maul was brought back from the dead to be the sequel trilogy’s big bad guy but we never got it)

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starfolk7 · 7 years

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(I think this will take a while for you, but i got curious xd) Ornstein and Rowena

Oh my god. You’re right, this is gonna take me a while. It’s gonna be a long one. Apologies for the lack of a read more line. *cracks knuckles*

Which deadly sin are they?

After a lot of deliberation, the one that fits Ornstein the most in my mind is Pride. While he was a successful Captain of the Knights of Gwyn and thus probably highly aware of the needs of the surrounding people, he tends to think himself superior, especially when he first meets Rowena. Here is this bumbling little Undead human, dragging this sword on the ground, and she thinks she can walk into that cathedral and win against those that served their Lord under much more dire circumstances? The thought is, to him, laughable. Still, he has a fair bit to learn from her, and not about anything he expects.

Which of the seven virtues are they?

Diligence, no question about it. Does he have to be somewhere in ten minutes but with no clearly feasible way to pull it off? He’’s going to make that appointment, so help him. Did Gwynevere tell him to look after this Undead girl and make sure she lives to see the Kiln? Yes. Does he like the idea? Far from it. Will he do it anyway? As much as he likes to think he could walk away, he wouldn’t dare stray from his duty, no matter what it is. Unless something dire caused him to do so, that is.

If confronted with the need to choose: goodness or kindness? Do they believe in a distinction between the two? (Think the Witch vs the Baker from Into the Woods.)

Kindness is a way to measure the goodness of a person. There are other factors that go into this, of course, but that is a main avenue of determining the quality of someone’s character, provided the circumstances aren’t wildly out of the ordinary.

What do they have the least tolerance for?

When you’ve been a Captain for so long and you’ve probably overseen many other knights in addition, your tolerance for incompetence gets rather low. Hence why he has such a hard time not correcting Rowena on every little thing she does. However, he’s starting to figure out that she responds rather well to gentle prods in the right direction as opposed to harsher forms of criticism. At least then she doesn’t start showering him with insults and the occasional obscenity.

I also like to think that his tolerance for loneliness is actually kind of low. He probably spent so long amidst the other Knights of Gwyn, and then suddenly, that company is just gone. In addition, no one really knows how well he got along with Smough. Enough to fight off the Undead that wandered into the cathedral, yes, but beyond that? Who knows? What I’m saying is, he needs more socialization and refuses to acknowledge it. You can only spend so long lost in your thoughts before the lack of company begins to change you.

Which flaws are they aware of? Do they consciously work on them?

He’s. So. Stubborn. This is only magnified by the equally stubborn Undead he’s traveling with. He’s getting a little better about conceding to some things, but there’s still that major part of him that just sits there and says “my method is better” or something along those lines. Half of the problem is acknowledging it, though. Heaven forbid someone tries to call him out on it.

What view/belief are they most wrong about?

I think he’s got this skewed perspective of humans. It would stand to reason, since he was basically among gods and he himself was granted a special soul. In comparison, humans are just...wow, they’re annoying and in the way. How a good chunk of them have survived this long is beyond him. The Undead Curse doesn’t help things, and he’s only further baffled by Rowena’s actions. But there’s still plenty of room for him to grow. Perhaps his view of humans will change.

Their opinions on loyalty?

Loyalty is so important to Ornstein. If you’re sworn to a person or a task, you keep to them/it unless something catastrophic occurs to the bond. He has a few issues determining what exactly those catastrophic terms are, but it’s something he keeps in the back of his mind. Regardless, it’s a good chunk of why he didn’t stop Rowena from punching Patches into the ground. Sure, he stopped her from outright killing him, but Patches broke a bond of trust. Honestly, Ornstein would have been shocked if Rowena didn’t lash out.

So you know their lawful/chaotic good/evil alignment. Do you want that to be a rule they function by for the entire work, or will they be challenged enough to shift into a different square?

As it stands right now, Ornstein falls under the Lawful Good square overall, in my opinion. However, it’s entirely possible (and very probable) that he will at least fluctuate between Lawful and Neutral Good, if not shift entirely. Gotta leave room for powerful knights to grow in different ways, y’know?

Unless all of your characters have devoted a lot of time to puzzling out their philosophy, no one’s perfectly consistent. How are they hypocritical? Where do they contradict themself? Will they be challenged on it?

Ornstein has a pretty solid policy on loyalty, duty, all of that. However, he likes to make it rather apparent, at least to Rowena, that he’s not enjoying this particular duty. I’m fairly certain he aspires to show some level of compassion, as well, but it falls rather short when it comes to the Undead. There’s a particular exchange that’s pointed this out already:

“Running errands for the damned, are we?”

She shot a glare at Ornstein, who was just as still at the bonfire as when she left. “They are not damned. Not if I can help them.”

“While you actions are admittedly admirable for someone of your ineptitude,” he started, “you cannot help every being you come across. You have your own quest to embark upon.”

“That doesn’t mean I have to let others suffer along the way.”

The level of suffering that the surrounding Undead are saddled with aren’t immediately apparent to Ornstein, and because of the previous Undead that have attempted to kill him, and the bonus of Rowena, he’s not as inclined to devote his energy to caring. You could say that the time he spends with Rowena challenges this point quite a bit.

How does their personality present conflicts and challenges in their setting/story?

The fact that his goals and Rowena’s goals initially conflict presents a good amount of conflict. Neither of them want anything to do with each other, and he sees her as wildly inferior to himself. It makes working together that much harder. Their vitriol is starting to wane, but given that they’re both stubborn and have different views of the world, they’re still going to have plenty of conflict down the line. Certain circumstances will also force his hand on things that will create personal conflicts. Many, many personal conflicts. He’s going to have more issues than a tabloid stand, and he already has enough.

Alrighty, onto Rowena!

Which deadly sin are they?

Wrath. Wrath all the way. As kind and forgiving as she can be, Rowena can unleash a terrifying sort of fury. If Ornstein hadn’t stopped her, she might have flat out murdered Patches brutally. She’s sought out revenge at least one other time, not counting the times in her life before she was afflicted by the Darksign. She can be a vengeful and petty young woman when she wants to be. There’s usually some sort of reason behind it, but either the reason is childish or she takes her actions too far. It’s only gotten worse on this journey, since nearly everything and everyone is out to kill her. There’s a lot of pent up frustration that she hasn’t fully expressed, and she probably won’t admit to much more of it until later.

Which of the seven virtues are they?

Kindness. Rowena is full of compassion and empathy towards her fellow Undead, and she goes out of her way to help them, even though she has plenty on her own plate to worry about. She’ll even do small things to make others happy, like bringing them simple gifts or holding a nice conversation with them. She’s slowly learning to apply this kindness to Ornstein, but it’s a work in progress.

Side note: Kindness is apparently also considered to be one of the Knightly Virtues. Make of this what you will.

If confronted with the need to choose: goodness or kindness? Do they believe in a distinction between the two? (Think the Witch vs the Baker from Into the Woods.)

Rowena believes that people’s actions speak more for the kind of person they are than the promises they make. Someone can tell her all they like that they’re going to be a good person, but she’s more inclined to believe them if they’ve been kind to her or someone else before. Bad actions are redeemable to a point. Then again, her tolerance for said actions has gotten considerably lower since starting her adventures...

What do they have the least tolerance for?

Cruelty. She has basically zero tolerance for people that hurt others just for the fun of it or for their personal gain. She has memories of hunting others down for doing this in her time before the Undead Curse. Seems like this has carried over to her current journey.

Rowena also can’t stand to be told what to do for very long. She’s very much accustomed to figuring things out for herself, so following strict rules and facing constant scrutiny is a huge source of stress.

Which flaws are they aware of? Do they consciously work on them?

Rowena is painfully aware of the fact that she’s stubborn and loses track of her surroundings if she’s caught up in a whirlwind of emotion. But again, she’s spiteful to the nth degree, and she will build a fortress out of spite if she feels the situation calls for it. She’s slowly working her way out of that habit, though. No one’s going to succeed if she keeps it up, and Ornstein is pretty handy to have around.

What view/belief are they most wrong about?

She tends to glorify the people like herself and side-eye the beings who had all of the power. In a way, it’s reasonable, considering her position and what she’s had to deal with. However, it also clouds her judgment and hinders her progress. So, she’s kind of right, but not completely right. Her protocol needs a bit of tweaking. Not everything is quite as black or white as she likes to think it is sometimes.

Their opinions on loyalty?

Very important. It’s a subject she and Ornstein agree on. She’s been tempted to run off and ruin his duty, not to mention all of the times she’s threatened to poison him, but she doesn’t. She learns how important it is to him, so it’s one of the first signs of consideration for him when she settles into her journey with Ornstein and doesn’t run off into the void of Lordran. Besides, he’d probably find her pretty quickly. She’d get stuck in a tree or on a cliff and he would just shake his head before helping her down.

So you know their lawful/chaotic good/evil alignment. Do you want that to be a rule they function by for the entire work, or will they be challenged enough to shift into a different square?

Currently, Rowena is sitting pretty in the Chaotic Good square. Rules can and will be broken. Well, the rules that are left in this dying land, anyway. As long as it helps someone, including herself, and works towards solving the problem at hand, she’ll probably do it. However, there’s probably a few things that would occasionally dip her into the Chaotic Neutral square. For the most part, though, she’s Chaotic Good.

She preaches kindness, but has trouble going through with her own philosophy when it comes to people she’s none too keen on being around for long periods of time. Even though her anger towards Ornstein is starting to soften, she hasn’t exactly treated him well. It’s going to take a lot to rectify that attitude.

How does their personality present conflicts and challenges in their setting/story?

Her entire being creates conflict. Rowena escaped her home and wandered the world until she was snatched up and thrown in the Northern Asylum to rot for eternity. When she finally did escape, she faced a multitude of horrors. She was forced into the role of the Chosen Undead simply because no one else had really made it that far. She had nowhere else to go and not many people to trust, so she threw her faith into Frampt and rushed headlong into Anor Londo, hoping that her life would become marginally easier. Instead, she begged for Ornstein’s mercy, was saddled with said knight as a travel companion, and has to learn how to reconcile her own personality with his, lest they end up murdering each other at their earliest convenience. They’re stubborn, and she’s downright exhausted from everything she’s had to deal with, but her options are limited, and the thought of going Hollow terrifies her. She wants to end the curse, and this is the only way she knows how. It’s worth trying. Still, the thought of failure cuts at her drive. Basically, she’s a tiny bundle of fear and confusion and she’s not having a good time. Nevertheless, as frustrated and clueless as she is, she presses forward. Sitting around isn’t an option she can afford.

Welp, that’s the second Dark Souls related essay I’ve written in...three days? I don’t mind, though. It’s really fun to think about these things and write them down! Plus, I love these two a lot.

#christina's ramblings #christina's OCs #dark souls #this took a really long time to write out #but it was worth it #character analysis is my life #dauded

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vjdarkworld · 7 years

Text

NieR: Automata Review (SPOILER FREE! NO SPOILERS HERE!)

Score: Must-Play, anyone who loves videogames should play this as soon as possible.

// Read my Reviewing system for Context of Score

Nier Automata is Yoko Taro’s first game to ever get both critical and commercial success which he has earned it rightfully. For why I believe Automata is a masterpiece is because of the ending. As everything in the game builds up to one gameplay moment. And that gameplay moment is an emotional climax all because of a well crafted journey. Yes the game’s story is told through cutscenes, dialogue, music, etc, but when the climax of the story is GAMEPLAY it just reminds me why we play videogames in the first place.

The Good:

Gameplay

Nier References

Art Direction

The Bad:

Unoptimized port for PC

Little support for PC version

The Best:

Music

Messages/themes

The Ending

Meaningful Sidequests

The Good:

Gameplay:

This is a PlatinumGames game, so of course the gameplay is good. When it originally announced that Yoko Taro would be helming a Nier sequel with PlatinumGames it was an instant "hype" moment because the original Nier had quite simple gameplay. Pitting PlatinumGames expertise with fluid combo oriented hack n slashes with Yoko Taro's crazy storytelling and it was a match made in GAMERRRRRR Heaven. But how did they deliver?

Well they did deliver, in the context of this game. This is an RPG, so the game is story based. Thus, PlatinumGames decided to make this the most simple out of their hack n slash titles. Basically you can spam dodge and attack buttons and mostly cruise through the main story IF you really want to. But the combo system does actually have a little depth to it, and you can pull of some fun wacky stuff once you know some tricks.

Even a recurring simple minigame that will happen a lot throughout a playthrough was fine by me. Some people were bother by it, but it's an easy enough mini game that does have a major story payoff in the end so it's all worth it.

And to cap it off, the way that abilities and special attacks are unlocked is pretty unique. Effectively you’re doing ability item management, which has some limitations but it's a fun way to make it thematic with robots.

Which I think is why the gameplay is so good regardless of its weak points is because it was all made within the theme of androids. I'm not going to mention every cute detail but I will finish off talking about gameplay with one controversial design choice: no autosaves. Instead you manually have to save at save stations. Maybe it's because I have played all the From Software Soul's games but it didn't annoy me. Really the save points are frequent in Automata that it doesn't effect it that much. And just like in Souls games, the save points have a thematic purpose of "saving your data" to the in-universe network. Basically the manual save is there as a meta-element. And again there's many other examples of this but this is Yoko Taro's strong suits, metaphorical gameplay.

Nier References:

Nier Automata is part of a strange series that spans two different games. In fact, here's the series order:

Drakengard 3 -> Drakengard 1 -> Nier Gestalt / Nier Replicant -> Nier Automata.

Yeah, that's pretty wild. So it's understandable that you may be worried about going into Nier Automata without a clue of what's going on due to ~Lore~ reasons. "Do I really need to watch a Let's Play on Youtube of some niche game, or worse LPs of all the niche games??" Worry not, as you absolutely don't need to... well right away atleast.

To break it down, no you don't need to play the Drakengard as all the references to it are just cute references.

Yes there are characters and side quests that are deeply connected to OG Nier, but they have no bearing on the main story being told. They are supplementary knowledge that helps both boost the main story and help provide additional emotional moments IF you have played Nier. But again, understanding what happens with the main characters is all self-contained within this game.

Now do I recommend playing OG Nier? Yes, in fact I believe that is another Must-Play game, but I specifically recommend PLAYING it. Watching a let's play on youtube will not do it justice.

To summarize, if you play Nier Automata without playing OG Nier you will be perfectly fine. You will be confused at first, but that is intentional and all will be revealed by end of the story. But, once you beat this game, you will probably get the urge to play the first game and THAT'S when you play it. Don't spoil the first Nier's experience, ya can wait it out.

Art Direction:

From the characters, to enemies, and locations the vibe is clearly of apocalypse, but there is almost a level of cuteness to it all strangely enough.

Our android protagonists, and the group they’re in called Yorha, are decked out in futuristic style gothic lolita fashion. The enemies almost look like the smartphone brand Android's mascot. With a round head, an oval body, dainty arms/legs, and tiny eyes they look quite innocent.

While there's the obvious ruined city, abandoned factory, and barren desert locations for a "post-apocalypse distant future" setting there's actually some surprise appearances. To not give too much away, two standout areas would be a 2001 A Space Odyssey rotating spacestation and a cheery amusement park.

All in all, the art direction is pretty nice. But, I need to address the elephant in the room. The 2B "controversy", specifically her butt.

Alright some context needs to be given to understand this stupidity, so bear with me. This timeline will explain it all, for the Western World specifically:

NieR Gestalt releases to little fanfare. It doesn't have much critical or commercial success, but it does get a cult following.

NieR Automata gets announced at E3 to little fanfare. The diehard fans are hyped beyond belief, but everyone else doesn't care. Though everyone is amused by Yoko Taro's antics with the emil mask.

A puzzle platformer on Steam gets greenlight and released by the name of Haydee. The title is the name of the games TITular protagonist, a robot that for some reason has huge breasts and butt. It gains a major following, spawning lots of pornography being made of this character.

NieR Automata's free demo releases on PSN. Because of the people going off of (and getting off on) the previous robot girl, people all of a sudden are extremely horny towards 2B (even though they didn't care about her for 2 years up until this point) A lot of pornography is created of 2B, most notable is a screenshot edit that starts the "controversy". An upskirt screenshot of 2B climbing a ladder is edited so that she has an asshole visible. People thought it was a real screenshot and went even more ballistic. Even after confirmed fake, people stayed horny for her.

NieR Automata releases. This time, because everyone regardless if they were horny or not, has seen the protagonist 2B all over the internet. Since everyone is hyped over 2B (and not because of the cult-classic series), NieR Automata has both critical and commercial success.

Alright, now that you are caught up, I can confirm that.... yes, 2B is cute. Yes, she has a butt. But, there's barely any fanservice of her in the game. If you’re not going up a ladder, you basically have to glitch the camera to be able to see under her skirt, and even then she pushes your camera controls away. If you detonate as her you will see her in the leotard but uhh Wonder Woman shows more skin than 2B so I honestly have no idea why some people are so pissed off at her. Some people even refuse to play the game cus of her which is really silly.....

I'm going to leave off on that for now. I will come back to that later, but let's finally get to The Bad.

The Bad:

Unoptimized PC Port:

You’re going to need a graphics card leading on the high end side if you want to see the pretty graphics.

Also, FAR mod is required if you want optimization. You’re going to need to look that up before playing.

Now I do put this in the bad category, and many people want to boycott PlatinumGames and Nier Automata for this unoptimized port, but that's going too FAR (get it). I'm going to give the context as to why this happened:

While I didn't play the PS4 version, I have heard reports of poor framerates at certain points. This leads to the revelation... this game was really only made optimized for PS4 Pro. Which I think it still lags there but not too much.

Anyways, so Square Enix decides that since Nier Automata is part of a niche franchise they might as well put it on Steam to get a quick extra bucks. So they have a quick port job happen by who knows what and boom it's on Steam.

So basically, the major problem here is Square Enix. It almost seems like they don't respect the game. No amount of "boycotting" by random people on Steam of a masterpiece game will make the company retract their thought process. SE has their FFXIV money printer, there is no incentive for them to fix a niche game. It's sad but true. And in fact, not buying the game proves their point that only FFXIV will make them money.

Now I don't condone a bad port job, this is why it's in the bad but.... the game is still perfectly playable even if you put all the grafix as low as possible, which is what I did. The only times the game crashed was when I tried to max out the graphics and resolution beyond what my PC could handle and made my GPU be at 100% usage for too long.

Little Patch Support:

This goes off of the other point. There's only been a couple of stealth patches for the DLC release, but nothing addressing the optimization. Again, it's sad that Square Enix isn't treating the game with the respect it has earned.

The Best

Music:

As the old saying goes, film is 70% audio and 30% visual. Of course that is an exaggeration, but it's trying to get across how important a soundtrack can be to making a movie iconic.

Now why am I talking about all that? Well. OG Nier had such a beautiful OST that it could be the sole reason why it got such a cult following.

Automata is no different, the music here is simply breathtaking. But listening to the OST alone doesn't do it justice, as the music is contextualized within the game perfectly. Every area has such a distinct song that I can FEEL that area when I hear the song out of the game. And without saying spoilers, the credits song makes me FEEL the ending all over again. Hell, even when I heard a song from the first Nier in this game I almost cried for real.

The music just compliments the moments within the game so well, that the music MAKES the game. And that playing the game makes the music more emotional. If you love music in games, or music in general, you gotta play Nier Automata.

Message/Themes:

As you probably know already, Yoko Taro is an odd fellow. You can lump him with other japanese videogame auteur directors ala Kojima and Kamiya. But what makes Yoko Taro different from Kojima's wacky metaphors is his consistency.

Right from Drakengard 1 Yoko-san established his auteur theme: Violence in Videogames. He explains that for a videogame protagonist to slaughter thousands of people, he has to be a crazy psychopath. The enemies in that game beg and plead to not kill. But, after 9/11 his view changed. So, in the first Nier he went with a different concept. That someone can discriminately kill without remorse if they believe their cause is Righteous. I can't say how this is achieved as spoiler, but you get the picture. Automata continues the violence theme off of the Nier idea.

There's other themes, but that's the main one.

The Ending:

The True ending is quite possibly why I think the game is a masterpiece. The entire game is building up to this climax.

Every sidequest, all the confusion is finally explained (albiet maybe too quickly). But that's just one of many twists. In which the final sequence has so many false finishes that I truly believed where the ending that the final moment caught me off guard. This last finale is what justifies getting through the entire game, regardless if you don't like hack n slash games. The trick done too is so simple that it being the emotional climax in my opinion proves it’s a masterpiece.

Meaningful Sidequests:

When going through the game, understanding what is going on is confusing. Hell even the prologue is confusing. This is intentional, because information is being kept from you. While The Truth is only revealed at the end, nearly all side-quests foreshadow the ending.

The side-quests are special in that each one has some type of twist to it. They all seem like some ordinary RPG fetch quest, but there's always a twist. Sometimes it's happy, sometimes it's sad, but they can catch you off guard.

But as I was saying, the twists of these side-quests don't stop there, as once you beat the game and know The Truth you will have a epiphany if you think back to side quests you have done. They give hints to the Truth, sometimes the events in the side-quests mirror what was revealed. It's quite awesome how well this was put together.

This is all most likely cus Yoko Taro creates stories backwards, starting with the ending and going to the start. And also why the ending is so good.

I've seen some people say they think the "twist" of the game is "practicable"... but considering the entire game is hinting at it, hiding in plain sight, I would say no... foreshadowing isn't practicability, it's good storytelling plain and simple.

2B:

I already talked about the controversy with 2B being cute and having a butt, but(t) to wind down I want to address something as my final point. The thing is I don't know if Yoko Taro is a puppet master genius, or how intentional was this but.... people's obsessive hype over 2B has a payoff as a moment within the game.

To give a little context, the lady from the previous Nier, Kaine was extremely scantily clad with purpose. It being to challenge body norms, and people fell hook line in sinker. People said she was way too sexy and only eye candy, and even barring the amazing character arc she has, there is a part of her body that's really only hinted at within the game. I won't spoil it, so Let me go back to 2B.

Now 2B is cute, and everyone loves how 2B looks or wanting to be knee-jerk contrarian cus of the annoying horny people. Here's the thing, this is addressed in the game. This obsessive of 2B is reflected back at the player in one moment. I have no idea if Yoko Taro knew there would be this fervor over the games protagonist but mannnnn,

I think we all got played, hook line and sinker. Ya got us good Yoko Taro.

Details of Playthrough

I played on PC, bought on Steam. FAR mod used as well. I had a pretty low/midrange spec going in, so i had to play everything on low at 900p, also using FAR mod to turn off lighting effects. Still, I had framerate drops at certain areas. Game crashed if I played on higher settings, but keeping it on low stopped that.

My Specs (at the time of playthrough):

CPU: i5-2400

GPU: Radeon R9 270 Sapphire

RAM: 16GB

#nier #nier automata #automata #no spoilers

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thesffcorner · 6 years

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Dishonored Retrospective Part 11: Death of the Outsider Changes

My friends we have finally reached the end; Death of the Outsider. At the time of writing this, this is the final part of the Empire’s story; even if Arcane ever decides to revisit this world, the story that started with a man being marked by a demigod so he could save his daughter is over, and for the conclusion we are going up against that very demigod.

I will come clean with my bias immediately and say that I absolutely love this game. It’s my favorite in the whole series, both in terms of gameplay and story. So without further ado, let’s get started.

Story and Overview:

Death of the Outsider came out in 2017. It was originally planned to be an expansion of Dishonored 2, like KoD and BW were, but it ended up becoming a stand-alone adventure instead. In keeping with tradition, the protagonist has once again changed, and this time we play as Billie Lurk, right after the events of the second game.

It’s a new day in Dunwall; Emily has taken back the throne, the new Duke is ruling Serkonos and after 15 years and everything that happened in the previous game, Billie decides it’s finally time to find Daud. Inspired by nightmares in which she sees the Void and loses her arm and eye, she sets sail for Karnaca and docks at an abandoned carriage line near the Albarca Baths.

Karnaca has changed since last you saw it. Not only does it have a new Duke, but depending on what you did with Paolo in the last game, the Howlers are no longer the big bads around. They have been replaced by a new, much darker gang called the Eyeless, and these guys are heavy into the occult. The gang consists of a lot of different factions you’ve already fought before; Howlers, Witches and random thugs, which is fitting since the fall of both Paolo and Breanna have left a power vacuum on the streets of the city. This is also a handy way for the developers to reuse enemy models, while still keeping the story consistent.

One thing that hasn’t changed is the friendliness of both the Grand Guard and the regular City Watch. There are wanted posters everywhere for Meagan Foster, meaning that Emily was much less forgiving than she made it out to be in the last game. You will still want to avoid any official law enforcement, so it’s business as usual.

Enemies:

DotO continiues in the tradition of KoD and BW in that we have a few modified and few new enemies. First we have the City Watch, Grand Guard and Overseers, and for our gang quota we have the Eyeless. The first three are the same factions you have always fought, and as I mentioned the Eyeless are a joint group of some of the enemies you fought in Dishonored 2.

In addition we have some more Clockwork soldiers, though these guys are a nerfed version. They can’t see from the back anymore, and are much smaller, though they compensate for it with the world’s creepiest smile! I don’t know if I’d want to put my money in a bank that has psycho-robot guards that smile.

For the new enemies we have the Blind Sisters of the Oracular Order, the Cultists and the Envisioned. The Sisters are the female counterpart of the Overseers who rarely leave the Abbey, but have done so now because of the whole the world is cracking and the Void is seeping through. You were introduced to them in the Royal Conservatory level of the previous game, but this is the first time you actually get to meet them. They are as, if not more dangerous than their Overseer brethren, and if I have one complaint about them it’s probably that they have no interesting abilities or powers. They are just female Overseers with swords.

The cultists are similar to the Eyeless, if the Eyeless were as, if not more fanatical than the Overseers. They are an odd mix of scholars and murderers, and their designs are quite cool in that their faces are starting to turn to stone. They also become invulnerable if they are alerted, though I’m not sure if this is a glitch or an actual ability.

Their Envisioned cousins on the other hand, are possibly the toughest enemy to kill in these games. They are made of stone, and practically indestructible. They are the highest form of whatever the cult is trying to achieve; immortal, eternal and unperturbed by mortal affairs. The original cultists who killed the Outsider have now become Envisioned.

Weapons, Powers, and Gameplay:

For the weapons, Billie has even more variety than Emily. Like Daud, she uses a launcher instead of a crossbow and also like him she uses electric bolts instead of sleep darts. There are grenades, spring razors, sticky grenades, rewire tools, and stun mines and my new favorite weapon, the hook mine which can be lethal or non-lethal depending on how you use it. It’s pretty great option with some hilarious results.

The biggest and best change are by far, Billie’s powers.

Like with Emily, the developers decide that Billie too should spend the first level powerless, but they learned their lesion and made the level much more appropriate in difficulty for an under-powered character. It doesn’t feel like you should be able to use your powers but can’t for some reason.

Once Billie does get her powers, (in a pretty gruesome way thanks to the Outsider), her arm and eye get replaced with pieces of the void. She now has the ability to zoom into things (Corvo style) and reshape her arm into a sword. She also gets 3 powers which can’t be upgraded by runes and deplete mana when used. They are: a version of Blink called Displace; a version of Dark Vision called Foresight; and an entirely new power called Semblance which allows Billie to steal the face of anyone around her and wear it for a limited amount of time.

Not only are these powers super fun to use, but they can also be used in conjunction with each-other to traverse the levels in very creative ways. For example Displace is a very interesting twist on Blink; it allows you to place a marker and then displace to it. You can’t place a marker behind an obstacle and if you place a marker where someone else is standing, they will explode.

Foresight is a bit like Eagle Vision from Assassin’s Creed; it allows you to mark objects and enemies, but it also lets you travel in spirit form through grates, holes and even fly. What’s more, it can be used in conjunction with Displace, where you can place a marker in spirit form and therefore circumvent locked doors and obstacles.

This isn’t to say that Corvo or Daud or even Emily didn’t have interesting powers, but unfortunately a lot of them were geared towards a more high chaos style of play. The game never really encourages you to explore these powers in a real way, with very, very few exceptions in the first game like having to use Bend Time to get out of the duel with Lord Shaw. With Daud and Emily especially, upgrading powers like Far Reach and Summon Assassin is pointless if you are paying low chaos, because they only make your powers MORE lethal instead of helping you explore the world in more fun way.

Here, not only can you not upgrade the powers (thereby rendering them useless) but also none of them are inherently lethal. You can use Displace like that if you want to, but that’s not its primary use. Moreover, the game has entire challenges designed around these powers and using them, so it actively encourages you to use them and get comfortable with them. It honestly made me want to replay the other games by exploring the powers even more than I had before because it’s so fun.

Mana is no longer a resource you have to collect or buy, but this time around bonecharms are more important, since Billie can’t upgrade her powers. I will admit that I never paid too much attention to bonecharms in any of the other games, other than for collection purposes; this is the first game in which I considered crafting and had to really think about which charms were better suited for what level.

Another change is the absence of Outsider Shrines. Since the connection to the Void has been severed for a lot of witches and occultists (and Billie doesn’t need runes), there are no shrines in the game. Instead the Outsider speaks to Billie through rifts in the Void, which thanks to her new magic eye she can now see. These take the same form as the rifts we saw in Crack in the Slab and can be anything from photographs to wanted posters. They also cause some funny contradictions which we’ll get to in the level breakdown.

Billie also has a heart relic, similar to the one the Outsider gifts Corvo in the first game, except hers it’s a gift from Deidre (implying that Deidre was some type of a witch?). It allows Billie to listen to and understand rats which is a neat power. They will often warn you about impending danger, secret passages and generally cryptic warnings.

Favours, Black Markets and side-quests are also back. Favors can no longer be purchased outright, but this time they are rewards for Contracts, which Billie can take on and complete. There are tons of these, ranging from the lethal to the non, with some rather hilarious ones like killing a mime or robbing a bank teller. They can be found on notice boards in the Black Markets and are a fun addition to the content that also ties Billie more to what Daud was doing in the DLC with the favors.

Speaking of Daud, he’s one of 3 returning characters, other than Billie and the Outsider. We also have a ton new faces, which we’ll go over in the level breakdown but I’ll just list them here: Jeannette Lee, Dolores Michaels, Eolina Rey, Euterio Cienfuegos, Shan Yun, Ivan Jackoby, Sister Rosewyn and Brother Cardoza.

One thing that I do like to mention now, is how much these games took leaps of progress in terms of diversity. If you remember the original game, it had like 5 female characters in total, no female enemies, and no poc. Fast forward to this game, and our lead is a bisexual, disabled black woman, the main villains are an overweight Asian opera singer, a bespectacled councilman and a black female bank-owner, and the enemies are roughly equally divided between male and female and consist of all different races, ages (and even body types). It’s truly commendable how much these games improved on that front.

Level Breakdown:

DotO has 5 levels, and like always they are divided in 3 categories: city, combination, and single location levels. The Dreadful Whale makes a return as well, but it’s a more limited space than what it was in the previous game.

And with that, it’s time to go over the levels. Join me next time, when we discuss levels 1 - 3 and some of the more interesting story beats.

part 10 < > part 12

#dishonored retrospective #dishonored doto #moni talks

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