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#thay is rambling
happypotato48 · 28 days
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This Is A Gay Asian Rant About BL Comments Made By Some Queer Westerners I See Sometimes.
So you know of those gays (usually white) that made dumb tiktok dancing to list of countries that legalized same sex marriage and list of countries that discriminate against LGBTQIA+ poeple as a way to say something racist. yeah i kinda got the same vibes from some comments regard how asian BL is homophobic just cause they don't live up to queer western standard. look, i'm not saying that some BLs and their creators don't deserve criticism regard how they capitalized/exploited queerness for an easy cash grab.
But people need to understand that Asian countries despite recent progress are still very much culturally conservatives. so when people says that thai bl is homophobic and all the characters looks like bunch of straight guys, which is true for some olders thai BLs i'm not gonna denied that. but after all this time and newer BLs generally being very queer and most of creators being out queer themself and poeple still making these comments, i'm annoyed.
And don't get me start on the actors. you don't know them! why are you making assumption and calling them queerbaiter just cause they acts in bl. like maybe they're straight, maybe they're not but what they're definitely doing is making queer content for you know, queer people here. so when you made halfass comments about their sexuality what do you think that made other queer people who still in the closet feels. and when you add the nationality to that, "these thai bl pair are this and that, this korean actor is so ungrateful for his bl past", etc. when our societies are still very much still in progress regard LGBTQIA+ acceptance. it make us living here feels fucking awful like somehow we're lesser queer than people in the west just cause we don't have citibank at pride or some shit.
And the shittiest in my humbled opinion are comments regard censored chinese bls. people do know like, that the creators making these bls are risking their livelihoods for this. that these shows getting make at all are miracles. yes it sucked that they're censored but they're still very much queer shows making by queer people who want to express thier queerness despite the chinese government being the chinese government. when people dimissing these shows as not belonging in queer media, you're also dimissing their creators and audiences as not belonging in the community.
Look what i want to say is that we're trying our best over here, and maybe our best are not up to your liking. the ways we talk and express our queerness maybe still can be perceived as problematic by western queer standard. but these media are our house and you're the guests. for people aren't shitty we appreciated that you're here engaging and loving our media, this is your home too and you're welcome in it. i can speak for myself that i very much love being here on tumblr and interacting with people from all over the world who love BL. but for people who are being shitty sometimes about asian bl.
YOU'RE THE GUESTS, BEHAVE!
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haunted-xander · 9 months
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Catalyst is objectively the funniest weapon type because amongs the catalyst users we have:
BOMBS
*Throws rocks at you* *throws rocks at you* *throw rocks at you*
Stamp of JUSTICE
What? Catalyst? No, no. Gohei wand
Cast spell: THROW HANDS
Magic keyboard
Snake. (literally)
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syrena-del-mar · 3 months
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Dead Friend Forever Is More Than Just A 90s Slasher Film Imitation
Oh man, I went in thinking I would just get a whole lot of gore and murder, and instead I'm getting a buttload of social class distinction, parental issues, mental health crises, organized crime, and a highly-likely revenge plot line.
The thing about Dead Friend Forever is that it starts unassuming, almost like an copy of all other teen slashers from the 90s. A group of friends, up in a cabin and suspects to a potential murder, become hunted one-by-one. A cliche slasher plot if I ever heard one. Until it’s not. This show is taking up a very big corner of my brain, so I’m going to delve deeper into it.
If you haven't watched episode 6 yet, spoilers up ahead.
Pulling inspiration from 90s slasher re-inventor, Scream
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The first four episodes really set up the expectation that DFF was going to be another slasher, seemingly particularly influenced by Scream (1996). Scream was a turning point for slasher movies, signaling a shift in from the movies of the 80s to that of the 90s. It was the first of many movies to allow for the characters to be self-aware of what genre they're working in, where the characters knew of the slasher-movie tropes and attempted to do everything right to survive. Scream is also the first slasher to truly humanize the killers, and I don't mean by making them empathetic, but rather the killers were human, so they made human mistakes. Prior to Scream, the antagonists in slasher films were usually this supernatural villain that was just murder-hungry. But in Scream, the killers are all just regular people and would often make mistakes on their way to kill the protagonists, like a normal human would. It's why Scream was scary, the killer could be anyone, it wasn't this supernatural being. And even when you're making the right choices to escape, you still end up dead.
In Dead Friend Forever, we're getting so many of the same tropes that Scream had subverted. The group is working understanding exactly what they're facing; Fluke warning to not pull out the stake inside Por, Top wanting to split up in the temple while Phee, Jin and Tan veto against it expressly stating it would be like the horror movies, White not wanting to be left behind in the cabin. They all know what they shouldn't be doing while there is a killer on the loose. Also, it's why there's these funny little moments of the killer in DFF (i.e. having to steal the motorcycle to get back to the cabin). I'm not completely convinced that there isn't any paranormal activity or at least some type hallucinogen-component at play, but the way the killer acts is very human-like. Not to mention the parallel of Barcode (arguably the most popular actor in the show) getting slashed in the first minute of the show, eerily similar to how in the opening scene of Scream, Drew Barrymore (the most well-known of the cast) gets killed immediately.
The Benefits of Series Format versus Movie Format
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The series format is where I think Dead Friend Forever is really shining the most. @wen-kexing-apologist made an awesome post on the directorial direction this show is taking, particularly in how since the first four episodes we have very little context as to why the killings are occurring or even the state of everyone's relationship, we're freely able to form opinions on each character. Similarly, prior to getting to know what happened to Non, I also thought Tee was the better one of the group. But here we are, two episodes later and I find him to be the most detestable of the bunch (which says something, when Por and Top are competing in this category).
We're seeing and experiencing the absolute hell that this friend group had actively made (sans Jin and Fluke that suffer from the bystander effect) Non's life out to be. In a regular slasher movie, especially ones that model themselves after Scream, we find out why the Killer is doing what he's doing to the victims in the last quarter of the movie, but the emotional value is a little skewed. The little amount of time we spend learning about what the victims did to the Killer usually still leaves you feeling at least a smidge of pity for the victims and some joy that the Final Girl made it. Here, the mass consensus is that each and every one of them should die.
And it comes back to the luxury of spending several episodes in a flashback to what lead up to the killings after the game of cat-and-mouse has begun. We're introduced to Non as an outsider, where everyone, but Jin, has already formed a bad opinion of Non. They already have a brutal nickname for him (read @forkaround's awesome analysis on the term 'Greasy'). They already established that he's an outsider in the classroom, but they make an active point of only referring to him as 'Greasy' and Non just accepts it. We see the friend group frame him, causing him to spiral twice to point of suicide, proceed to prey on him into a money laundering scheme, get him caught in a criminal investigation, all while already undergoing mental health treatment. We're given that time to know and see the pain that Non is caused, the manipulation that he is put under, and ultimately the devastation that they've caused.
Dead Friends Forever is more than just another teen slasher, because it has time. And it's using its time wisely, giving us bits and pieces of information in the beginning before delving into something more sinister than the killer on the loose, the original five. Run-of-the-mill bullying has turned into framing, assault and other criminal activity, even murder. And yet, while Non is the one that has disappeared (or died), the other five have been able to make a life for themselves without suffering any of the consequences. It's showing exactly what they have done to deserve everything that is coming to them.
Final Thoughts
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Man, Be on Cloud is truly blowing it out of the water with this show. I'm actually a bit sad that it's only barely starting to get the recognition that it deserves, because in my opinion, it's just that good, BUT I also understand why it's had a sleepy start. It's in an place, a BL in one sense, but not exactly a BL in any other. I've said it before, but no matter what you think of BOC as a management company, the stories that they tell are unique and they have the artists that are competent enough to deliver. Be on Cloud has, allegedly, allowed the writers take the reign on the show, even if this means messing with the couples, so even more chaos is going to occur. This is, frankly, exciting to see and experience the story as they want it to be told.
I said this when I first saw Barcode in KinnPorsche deliver that heartbreaking cry, that boy knows how to cry. He was a newbie and his stole that scene. Now this is his third show under his belt and his acting chops only continue to improve, I truly can't wait to see what more he is able to do here in Dead Friend Forever. I love that Sammon is also enjoying what Barcode has able to bring forth in Non and that all her worries have been eased. I truly think that Barcode is going to have an incredible career ahead of him, whether in music or in acting.
Ta, on the other hand, also deserves his share of accolades. I wasn't sure of how to read to Phee in the first four episodes, but with the information that episode 6 has given us? The picture has cleared significantly and now, having rewatched his scenes, everything makes sense on why he seemed to be conniving. Episode 6 had some of the strongest performances and yet the biggest gasp I made was in the last minute. The singular tear rolling down Phee's cheek after having to perform the two-finger method, to have Non throw up the pills, and holding him in his arms? Quite literally jaw-dropping.
Sammon has a strong repertoire of shows, so I have complete faith that she knows what she's doing for Dead Friend Forever. I hope this becomes as much of a cult favorite, much like Manner of Death and Triage.
Anyways if you need me, I'll probably be stuck thinking about PheeNon for the next week until episode 7 airs.
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I love how velvet worms r like straight out of an alien horror movie,, the way they hunt is just absolutely terrifying but make them small and look adorable.
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THIS THIS THING LOOK AT IT
it literally shoots goop ( up to 1 feet) onto its pray that paralyses it, cuts it open with a sharp thorn like thing, inject a liquid that liquefies its organs AND SLURPS THEM UP
they r also completely blind, don’t have an exoskeleton and move by moving pressure
Goodbye
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tinycowboybro · 4 months
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ok still thinking about episode 6 and i just can’t get over that Mhok was CRYING during this interaction
there were so many other moments when it would have make sense to see Mhok cry; being told to leave the birthday party, realizing he liked Day at the bridge, seeing August kiss Day, but he didn’t because those moments all revolve around his own feelings
no, what made Mhok cry was that August hurt Day. It’s Day’s feelings that make Mhok cry, knowing that August was pitying Day and saying those hurtful things while Day was standing right there. He’s frustrated and hurt and he’s hurt for Day too.
Mhok is just so incredibly empathetic and it kills me that he thinks he’s not soft or tender because he is, he is so full of love that he cries for the boy he loves when the boy’s crush hurts him even though he was willing to step aside for him (initially at least., Mhok is only human and i’m glad he was ready to fight back for Day with the sunflower at the end bc i am an August hater first)
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Intouchables and Last Twilight
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So, when I was first watching the Last Twilight episode, something was bugging me about the choice of having Day in a wheelchair. Because it was a choice. And as I kept watching it, I kept feeling like I was missing something. My memory is terribly slow with these things, so it wasn't until I went back that I got it. Intouchables. So now, for some context. Intouchables is a french film from 2011 that tells the story of a french rich businessman that, after becoming quadriplegic from a paragliding accident, hires a young black man to be his carer. This is based on a true story. (Yes, there is an american version, but I haven't seen it so I can't speak to it.) If you've never watched this movie, go watch it, cause for sure Aof has watched it.
You can probably already see the parallels just from this small synopses. I'm gonna say too much about the movie, I'm just gonna talk about the similarities so far.
So we got our two main characters. Philippe and Driss. Philippe is our basic older rich white guy, with the palatial mansion and a hundred people servicing his every need. Also he's quadriplegic. Driss is the opposite side of all of this. He is poor, he lives off of unemployment benefits, his house is small and cramped, shared with family. So, Driss needs to look for a job to get the benefits, but he doesn't actually want the job. He just needs to show that he's looking for one. All he needs is a signature. Anyway... So he goes for an interview.
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I think you can spot Driss.
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While he's waiting for the interview, we see the other man being interviewed.
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.
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And at some point he's had enough.
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And he simply bursts into the room.
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I mean, one is a palatial living room, and the other is basically an office but you the picture. This next part in the film is slightly different in the show, because Driss is not even phased by the vision of the man in the wheelchair. He's much more interested in Magalie, the secretary, but we couldn't have that in our bl.
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After this, the similarities continue. Because both Driss and Mork don't want the job, but both Philippe and Day are intrigued by this guy that just walked in and that doesn't seem to be interested in the actual job. Also because both Driss and Mork don't really act like what Philippe and Day are used to people acting around them.
[I beg of you. Even if you don't watch the film, just watch the interview bit. Because it's brilliant. Driss is brilliant] So Driss eventually leaves, to return another day for the signed paper. And Mork just leaves. And the next scenes are basically the same, we're shown the circumstances that will eventually lead them both to want the job. There are other parallels between Driss and Mork, and their circumstances and environment, the smoking and the drinking, the fighting... But for now this is it. I'll be re-watching the film this weekend so I might have some other thoughts but I wanted to get this out. I don't know if the show will continue to parallel the film, so I'm not going to say anymore about it. But I'm keeping this is mind for the next episode, because from the previews I have a feeling this is gonna continue. Also, I adore this film and everyone should watch it.
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mooninagust · 9 months
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thinking thoughts
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lady-tortilla-chip · 1 year
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I saw a rant about how the back and forth between Fyodor and Dazai is ridiculous at this point and like. I think that’s the point. The point is that one is not actually superior to the other in regards to intellect so they are ALWAYS going to be stuck in this cycle of ‘well I thought of/planned/predicted that!’.
The difference is in their connections and what those connections are made of. I find it fascinating actually that Fyodor thinks he’s won because he STOLE gravity away from Dazai and claimed Dazai didn’t even know how to use it when he had it! The thing is though, Chuuya doesn’t seem to be under Fyodor’s control anymore and he hasn’t ever chosen the people who try to use him like an object over Dazai. And despite the four years of separation (which was longer than their time together) he always came when Dazai expected him to.
And I’m thinking he expects him to now which would ultimately be what tips the scale in Dazai’s favor. Because where Fyodor sees a tool Dazai sees his partner. I’m also thinking Chuuya isn’t the only key to success here and that was why he chose Sigma too (if the points where he thinks about the ADA not using each other is any sort of foreshadowing).
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theelast-straw · 5 months
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okay but can we all calm down about the a/b/o and talk about whatever the fuck is going on with Babe's house for a second
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bubbipond · 2 months
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Don't laugh at me but why am I just now realizing the significance of timing when Alan asks Charlie when is Jeff coming back to work??? Prior to Jeff working at the garage Alan really didn't have anyone to vent to and like we see when Jeff finds him working at one of Jeff's stations, work is his only outlet. Then after Jeff leaves we see he also uses a punching bag to relieve stress as well. But when Jeff was present we got these two instances:
Jeff letting Alan vent about not having enough money for the whole team. Then Jeff consoled him by reminding him if he was a bad boss no one would have stayed that long.
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Then we see it again after a conversation with Dean in which Jeff helps him figure out a solution to the money problem. He even relents to Jeff that he had not, in fact, found a solution even though he was putting on airs for Dean.
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So, after Jeff left he was back on his own with no one to talk to. And what happened right before talking to Charlie you ask? His argument with Dean left him upset and without his secretly caring mechanic.
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Then Jeff comes back and we see yet another Dean fight (my boy was on the slow roll to psychopath early on) and who does he find solace in???
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I am in complete shambles. I love them so much....Give me another drama, darn it!!!!
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ablazenqueen · 4 months
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The most upsetting part of this scene (and probably the whole ep) are these two looks:
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Because the look on Jeff’s face? It’s hopeful and trusting. He has just the slightest ghost of a smile when he looks at Alan, he looks like he has full confidence that Alan is going to back him up, continue backing him up like he does at the start of this confrontation.
But the look on Alan’s face? It’s doubt. He looks at Jeff and he thinks maybe and he breaks eye contact, looks away just slightly, drops his gaze, because he wants to trust Jeff and he can see the hope in those eyes, but he’s unsure. And even if he chooses to trust Jeff, he’s team leader, how can he not side with his boys? How can he not support the majority, the boys he’s known the longest, the boys who’ve proven their loyalty to him and each other over years, and offer the resolution that most benefits the most amount of people?
How can he not choose the rational resolution, even if it requires squashing that hard-earned trust?
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visualtaehyun · 2 months
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Pronouns, my beloved!
Disclaimer: not a native Thai speaker, still learning 🙏
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นี่คุณจะไม่เลือกผมจริง ๆ ใช่ไหม /nee, khun ja mai leuuak pom jing jing chai mai?/
-> คุณ /khun/ = polite, formal 2nd pers. pronoun -> ผม /pom/ = polite, formal, respectful male 1st pers. pronoun
As Mahasamut is the younger one, he might just keep using ผม /pom/ throughout the entire show, just as Sky did in LITA. What he calls Tongrak is surely gonna change though! คุณ /khun/ feels too distant for P'May characters - even LomNuea in Wedding Plan, who met in a professional context and long kept using คุณ /khun/, ended up switching to the more familiar and informal พี่ /phi/ to refer to Lom.
So my predictions include:
a variation on his name, e.g. Rak, instead of any pronoun (like Prapai calling Sky just Sky, no pronouns), or later down the line maybe just ที่รัก /thee rak/ (= lit. beloved, comparable to darling, honey etc.) as it's sweet and would be a lovely switcheroo from Tongrak ต้องรัก /dtawng rak/ (= have to love)
a more intimate pronoun like เธอ /ter/ (based on YiwaMarine from Wedding Plan foregoing seniority by having younger Rine call her older girlfriend เธอ /ter/ for most of the show)
or simply พี่ /phi/ (as a 2nd pers. pronoun) which- I was just considering how that might not be sweet enough for a P'May top but then the sheer potential of P'Rak พี่รัก /phi rak/ sounding so close to ที่รัก /thee rak/ occurred to me and now I'm gonna need that to happen!!
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ต่อให้ผู้ชายทั้งโลกเหลือแค่นายคนเดียวอะ ฉัน ก็ ไม่ เอา /dtaaw hai phuu chaai thang lohk leuua khaae naai khohn diiao a- chan. gaaw. mai. ao./)
-> นาย /naai/ = informal male 2nd pers. pronoun (it's kind of filed away as the male equivalent to เธอ /ter/ in my head, even though เธอ /ter/ is perfectly usable regardless of gender but might sound too flirty to Tongrak, maybe?) -> ฉัน /chan/ = informal, familiar 1st pers. pronoun, not respectful or polite but also not impolite; used when speaking to someone younger/of lower status or between equals, is used predominantly by women, and in turn by men when talking to women
I love this choice so much! 1) Because both ฉัน /chan/ and นาย /naai/ rarely make an appearance in BL, from male characters, even though they delight me every time I do hear it in a BL (e.g. NuerSyn in Cutie Pie calling each other นาย /naai/ for a good long while), and 2) because ฉัน /chan/ can give both Mafia Boss (as can นาย /naai/) as well as Sassy and no, I shan't elaborate 5555
My prediction is that these too might change. ฉัน /chan/ here feels like- attitude? almost? Like both a level of self-confidence as well as some sass so I'd wager that mellows out into:
พี่ /phi/ (as a 1st pers. pronoun)
or he might just as well keep using ฉัน /chan/ (if paired with เธอ /ter/ for example that's like prime romance trope right there lol)
or, which I think is most likely, he'll just use his own name or variation thereof, e.g. Rak.
I remember seeing Peat tweet something aaaages ago when the announcement for Love Sea first dropped where he called Fort 'Mut' -
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/diiao juuhr gan loei, ai moot/ = See you then, Ai'Mut!
Except this is spelled differently from Mahasamut's name because หมุด /moot/ (= pin/needle) is the phonemic spelling of the last syllable in มหาสมุทร /ma haa sa moot/. So! I think it's entirely possible that Tongrak's gonna call him Mut หมุด or Nong Mut น้องหมุด in the future.
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คุณต้องรักมหาสมุทร /khun dtawng rak mahaa samoot/
= Khun Tongrak Mahasamut = You have to love the ocean. = You have to love me.
The Thai title is ต้องรักมหาสมุทร /dtawng rak mahaa samoot/ = TongrakMahasamut; Gotta Love the Sea; Gotta Love Mahasamut
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syrena-del-mar · 4 months
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Blind Spots of Motherhood: Last Twilight, Episode 10
We're coming off of the emotional rollercoaster of last week's episode and seeing the consequences of Day and Mhok's getaway. And the consequences are big, which not even Night can assuage.
I love scouring the tags as I watch Last Twilight, and I've been seeing many call Day's mom evil or a narcissist. In my opinion, she does not fit the bill (if you're looking for one that is, go watch Twins, now that's a narcissist). There's a tendency of wanting to villainize mothers, and BLs do a great job of giving us mothers that do fill that role, but I sincerely don't think that's the story P'Aof is trying to tell us here. Rather than evil, I think her arc is more about being a flawed mother that does more harm than good through overparenting, her perceiving Day to be more vulnerable than he really is, and sidelining of Night.
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Stages of Adjustment to Vision Loss
Just like the seven stages of grief, similarly there's a theory about the seven phases of adjusting to vision loss. The Stages of Adjustment applies not only to the one suffering the vision loss, but even their friends and family.
Phase 1: Trauma, where personal attitudes and generalization form one's personal view of a person who is blind takes over.
Phase 2: Shock and Denial. Self-explanatory.
Phase 3: Mourning and Withdrawal, it's where the loss of regular activities and routines occur.
Phase 4: Succumbing and Depression occurs when an individual is unable to come to terms with the sudden low vision/blindness and they stop caring for themselves. Feelings of inadequacy becomes prevalent.
Phase 5: Reassessment and Reaffirmation occurs when individuals regain and maintain control of their life. Loved ones play a significant role in assisting them to reach this independence at this stage.
Phase 6: Coping and Mobilization happens when individuals develop coping techniques to live with the vision loss and acknowledge their abilities and accept when the need assistance.
Phase 7: Self-Acceptance and Self-Esteem occurs when the individual realizes that they have value and their loss of vision is just one of the many attributes.
When the Last Twilight first started, we met Day as he was dealing with Phase 3 and 4. With the help of Mhok, we've seen Day grow in his independence, but also come to terms that his vision loss may be forever. He no longer was thinking and hoping for that transplant surgery, he wasn't even counting on it anymore. Instead, with the help of Mhok (and Night), Day was able to reach Phase 6 and was transitioning into Phase 7.
But just as Day was moving on with his, his mother wasn't. She's still struggling with his disability and has gotten stuck in Phase 3 and 4, just as Day had been. She's so blinded by Day's disability, that she's drowning in the fears of what could happen to Day rather than seeing the strides of improvement that he has made.
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Overprotective Parenting fails in Harm Reduction: Day
"Expecting him to be independent at one time and overprotecting him at another will only result in a frustrated youngster. It is important to judge and treat the blind child fairly; not indulging him, yet not setting goals and expectations so high that he is discouraged." -The Blind Child: Becoming an Independent Adult
Day's mother is frustrating, to say the least. She is so incredibly misguided in how she treats both of her sons, it's no surprise that Day locks himself away into the cavern of his bedroom.
She only sees Day for his disability. Acknowledging and accepting that Day is blind is important, and that does signify life adjustments, but that doesn't mean making Day's blindness the only thing about him. She forgets that Day was a full-functioning adult that had his own lifestyle before he lost his sight. She's only come to known Day for his blindness. She's the one that puts his blindness at the forefront.
She wants him to get out of his bedroom, to stop locking people out, but once he has some sense of independence, apart from his family, now she's afraid? Her son, vision loss or no vision loss, is an adult, but instead of giving him such dignity, she regresses and infantilizes him. She pushes him back into that suffocatingly big bedroom. She takes away his phone, his internet, every tool that connects him to the outside world. She takes away what little independence he had started to build up again.
Any good parent would be worried about their child who has undergone a traumatic event, but over-protecting does more harm than good. In her anxieties, she ends up resorting to using unintentionally abusive tactics. Yes, Day would be physically fine, but in her overprotectiveness, she fails to realize that it could lead to dependency inducement, learned helplessness, and bouts of depression. Day's mother fails to realize that taking away any autonomy that Day has only started rebuilding, would only result in Day's emotional state worsening.
Blindness doesn't have to mean debilitating, but locking your son up in his room without any way to interact with the world around him that he is trying to relearn? That's more crippling than any vision loss could ever be.
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Readjusting as the Glass Child: Night
"The most egregious form of rejection that anyone can ever experience is parental rejection" -Is Rejection, Parental Abandonment or Neglect a Trigger for Higher Perceived Guilt in Adolescents
Oh man, the pain I felt for Night this whole episode was next level. The idea of a glass child is not one's delicateness but rather as a sibling of a individual with disabilities, the sibling becomes invisible to the parents, only seen when the parents need them. If it wasn't obvious before, it's clear that this was the role that their mother was forcing Night into.
There's nothing that hurts worse than the sharp words of a mother directed to her child. His mother explicitly blaming Night for Day's disability was a new low-blow. Night had already been beating himself up for the accident, his father (who doesn't even live with them) knew that, but seemingly their mother was oblivious. The only one that Night could rely on was an outsider, a father that they hadn't been in contact with for years. Their mother created that environment by not paying attention to her other son, who was also in that accident.
Nothing fuels sibling rivalry like preferential treatment from parents. Even worse when one has to be the caretaker of the other when they already have a fractured relationship. Instead of easing the tension between the two brothers, their mother is too busy worrying solely for Day without accounting for Night. Caretaker burnout is already incredibly exhausting when you're caring for a loved one, but Night has personal guilt and Day's resentment to deal with as well. Not once does their mother ask him how he's doing, if Night is alright.
Night is the forgotten child, the child that's expected to take care of his brother no matter what, no matter how independent Day has become. She has parentified Night without any consideration of how he was doing or what was going on in his life. This was probably already a running theme as they grew up, assuming from their positioning in the family portrait. In doing so, she unknowingly worsens the strife with the brothers, making Day believe that Night had only been "behaving well" in order to win some preferential treatment from her.
Even on Christmas, their mother only cares for Day, feeding him first and putting food on his spoon, body fully turned against Night. In that scene, visually Night seems like he's intruding and he feels it as well! It's why he excuses himself, saying that he's going to meet up with some friends. Even after being forgiven by Day, his mother doesn't make any effort to include Night other than just having him at the table. It's as if he wasn't part of their nuclear family, just a convenient body that is there to help out as Day adjusts to his new life. If it hadn't been for Day, Night would have left that table that night and would have believed that nobody cared for him. I'm hoping this makes her confront and reassess how she's treated Night, now and in the past.
It's ironic, even though Day is blind and held a lot of contempt for his brother, he was still saw Night and all his struggles. Meanwhile, their mother was seeing right through him, blaming him for what happened to Day. Driving a dagger, that Night had already stabbed himself with, even deeper.
Final Thoughts
I'm not quite ready to jump on the 'Mother Gothel' train for Day and Night's mom. I think she is juggling being a career woman and being a mother at the same time, while failing to adjust to Day's blindness and making mistakes in her parenting as a result.
I also don't think it's out of maliciousness or self-importance, either. When I see their mother, it's as if she's trying to save a sinking boat that is already pierced by numerous holes. There's no going back to their lives before Day's blindness. She needs to adjust her priorities, because disregarding Night and locking up Day is not the answer.
This episode was frustrating, not because I found her to be outright abusive, but because of her worries she ends up hurting her sons even more. No parent is perfect, and they can hurt you while thinking they're acting in your best interest, but they have to be willing to love and let their kids learn on their own.
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happypotato48 · 18 days
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So i got asked by @waitmyturtles about how major channels are regarded in thailand. i can't talk for thai people who still regularly watch TV but anyway here is my thought.
My perspective is a bit limited because i don't watch TV anymore. but i can talk about how i views these Channels from when i was growing up which i think still true for them today (they seem to don't change much). so the major network Channels in thailand are 3, 5, 7, and 9. 3 being by far the most poppular.
I view 3 and 7 as the most basic conventional Channels in Thailand they rarely venture outside of their comfort zone of traditional lakorns. there is now and then shows from 3 and 7 that were pushing boundaries but they're rare. the most distinction between these channels are that 3 shows are usually more modern and 7 tend to be more conservative. the 20.30 - 22.00 pm timeslot for both of these channels where they air their lakorns used to be THE timeslot where most thai families spent their evening. ok side tangent, The Miracle Of Teddy Bear was the only BL that had aired in this timeslot that i knew of, that's why i was intrigued to check it out, well that and cause Inn Sarin was one of the leads. anyhoo i think it's less poppular now cause of streaming services and the internet. i feels like channel 3 fully hopped on the BL Train with its recent 22.45 timeslots on monday-wednesday being BLs. while channel 7 still seem to still be a bit gun shy about BL.
and for 5, it's run the by Royal Thai Army so the programs on this channel also on the conservative side. they used to made historical epic lakorns and that's basically all i remember about this channel. i think it's the least poppular out of the 4.
and lastly Channel 9 or what it's rebranded into Modernine TV. it the oldest but somehow the most modern, hehe pun inteded channel. this channel had the most variety of programs and it was my favorite channel as a kid cause it aired a lot of animes on the weekend. there's also were a lot of sitcoms and reality shows that were very poppular back in the days. one of them being the star, it was basically thai american idol. if i remember correctly this channel also was the first place i saw a gay pairing in a tv show, they were a side couple in some mature drama that i don't remember the name of, i'm pretty sure they either were one of or the first BL couple on Thai TV. this channel was the first one to fully embraced BL it aired Love sick, Make It Righ, My Engineer. their shows seem to mostly aimed at younger demographic. too bad they doesn't seem to produce a lot of shows now a days though, i guess we have GMMTV to blame for that.
there also Thai PBS, but well it's a PBS channel there's not a lot to say aside that it pretty much just like any other countries PBS channels.
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garbagechocolate · 2 months
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Wait you don't like SolarMoon? I thought you do because you're friends with witchysolfan :( thought another big artist would be on our side
?? I'm not friends with them
Also I have stated before that I do not ship SolarMoon. It was just "eh not for me" at first but after multiple videos of Solar stating his role as a family member I just. Mm.. cause like- let me use Undertale as a example. Many people ship sanscest because they're from different universes even though they're the same person. But no one would ship a sans and a Papyrus together EVEN IF they're from different aus. That's what Solarmoon is like to me.
Also Also I don't like that Moon is in the ship. This was also the case for Stargolf in TSAMS. I didn't like how many people were shipping it despite Moon saying that he was AroAce. And frankly, I'm still disappointed that one of the rare AroAce representations was a horrible person + he died. Keeping the aroace rep for new moon would be extremely important to the aspec community and I'd honestly be really upset if it wasn't.
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mooninagust · 5 months
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being into dramas where romance is one of the main points of the story is so fun... *cries in single*
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