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#that isn't who she necessarily is internally
rileyglas · 1 day
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The List ~Pt. 7.5 - Clarity~
Alastor (Hazbin Hotel) x Reader
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Summary: Written from Alastor's POV, this chapter gives insight of what the Radio Demon is up to during Part 7. Feeling like you (Alastor) are going mad, you makes a visit to your dearest friend leading to a shocking confession to Husker.
Themes: The usual angst, mystery, sassiness, cursing, fluff, actual plot, Rosie is the sweetest, slow burn, poor Husker, and of course 18+
A/N: This part isn't necessarily needed to follow the story however it was fun to do something a little different. I tried writing in Alastor's voice and give a (small) glimpse into his side.
3.6k Words
Part One Part Two Part Three Part Four Part Five Part Six Part Seven Part Seven.A (You're on it!)
**sentences in italics are internal thoughts of the reader/Alastor
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This is maddening. You buried yourself in pointless work. Anything to refrain from having to leave your tower and see the others around the hotel, especially her. The foreign ache in your chest only throbbed more at the thought of seeing the hurt in her eyes. Reckless fool! How could I allow her to make me feel such emotions? Almost a hundred years of creating my image and some sinner has the ability to destroy me like this - no - of course not…she was never just some sinner…
Slumping over the scattered paperwork across the desk, you bury your head in your claws. Time was non-existent. Has it been hours? Weeks? Months? No, couldn’t have been that long since you watched her entire being shatter right in front of you. The pain was too much for it to have been that long. This was supposed to just be a partnership, a power grab…How did I end up like this? The radio tower has been your home since she left. You were far too prideful to go back to your room, too afraid of what would happen the moment you caught a whiff of her perfume that surely lingered in every grain of wood and every fiber of your sheets. 
A few soft taps at the door pull you from your tormented mind. Quickly standing from the desk, you straighten your shirt and throw on the same suit jacket you’ve worn for who knows how long. I must keep up appearances, no one can suspect anything otherwise. 
With a shake of your head, you plaster on the usual smile and open the door to see Charlie and Vaggie. “Hey Al! Just wanted to let you know we are about to head up to Heaven for a few hours. Mind keeping an eye on the hotel while we are gone?” Charlie beamed with an excitement that quite contrasted her partner's uncomfortable scowl. 
“Of course my dear! Your hotelier has everything covered.” you chime with a half-hearted bow. Vaggie steps forward, obviously annoyed, “Don’t set anything on fire, don’t destroy any more walls, and please for the hundredth time - keep Nifty out of our room. Last time she tried to throw out all my clothes!”  You hum in acknowledgement and follow a concerningly bouncy Charlie down to the lobby where, like clockwork, a portal to Heaven opens. “Common Vaggie! Bye everyone!” Charlie hops through the portal, dragging a less than amused Vaggie behind her. 
“Sheesh Smiles, you look like -” Angel starts to say before promptly shutting up and going back to his phone after seeing the glare you shoot towards him. Twirling your cane, you walk over to the bar where Husk tentatively pulls out a glass as if silently asking if you wanted a drink. You wave him off, “No need Husker. I have much to do today and need to be of a clear head.” Yeah right, like I’ve managed a clear head at all lately. “Though I am curious, where is our charming little friend? I heard she had fallen ill.”
Husk shrugs but Angel is quick to chime in, “Oh Charlie sent her to get some things from town and take them to Lucifer. She’ll probably be back soon…as long as Lucifer doesn’t take up too much of her time - if you know what I mean.” Angel mutters the last part seductively with a wink. A fiery rage burns through your veins. How dare he insinuate something so repulsive!? The urge to shred the sinner limb from limb boils over and your eyes flash to him, “It’d be wise to keep such vile comments to yourself spider.” you hiss through gritted teeth. A relaxed smile returns as you regain composure and walk away. Without her around, you figure you’ll have some time to freely move about the hotel, busying yourself with the usual to-dos.
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You finish the last of your tasks and begin to head back to the tower when Vaggie and Charlie come flying back through a portal, landing harshly on their backs. Tears flood Charlie’s face. She pulls out her phone to make a call, “Dad, you were right. It was horrible!” she says before hanging up. Within seconds another portal opens within the lobby, this time Lucifer coming through. Of course he has to make a grand appearance. 
Your attention snaps back to Charlie in time to see her shove Vaggie away and bolt up the stairs. Now would be a good time to make quite an impression on the girl. You attempt to follow the princess but Lucifer drives his elbow into your side, forcing you into the railing. Every muscle in your face twists in annoyance at the pretentious little “King”. The urge to go after him is quickly snuffed by the feeling of eyes burning into your back. 
A glance over your shoulder makes your heart drop into your stomach. There she is, staring into you. Her eyes didn’t have their bright sparkle and she looked utterly exhausted even with all the makeup. Did she always put on so much? No, she hated caking it on. I really did a number on her didn’t I? Her usually bright smile is replaced with a grim look of…Anger? Concern? Pain? You don’t have enough time to read her before Lucifer makes his way back down the stairs. 
“She seems to need some time alone.” he announces as he makes his way back over to the shell of a woman standing before you. You watch as he pulls her flush with his body, greedy hands snaking up her sides. He mumbles something before placing his foul lips against her skin and disappearing into red ribbons. 
Her face mirrors your feelings of disgust at his touch. Did he force himself on her? I swear if he hurt - You catch yourself stepping towards her. Every ounce of your being longed to wrap her into your arms. Your heart begged to pour yourself into her, to remove every trace of Lucifer from her body. Her gaze meets yours again. You freeze. The pain behind the eyes that stared back at you made your knees nearly buckle. What is wrong with me… With a nod you slink into your shadow. I believe it’s time to visit someone who can help.
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It was always a pleasure to be in Rosie’s presence. You can’t quite remember how you met but you knew she was easily your oldest, truest friend here in Hell. Usually you didn’t dally much about romance, her self-proclaimed specialty, but right now you could use any insight she could give. 
“Alastor! How I’ve missed seeing that dazzling smile of yours!” Rosie pulls you into her ever smothering hug,  “Come along, I was just getting some tea. Tell me, what do I owe the pleasure of such company?”
You remain quiet as you sit at the table to pour two cups of tea, smile faltering just enough to tell her something was very wrong. “Oh darlin’, what’s going on? I can’t recall a time you’ve looked so distressed.” It was strange hearing yourself try to explain these last few months. You’ve always made it a point to be very well spoken, years of broadcasting have ingrained it into your mind. But today you fumbled your words telling Rosie how you wound up in this position - with these…feelings.
“Oh my stars. I never thought this day would come.” She sits back in her chair in astonishment. Your ears perk up at her short response, “What do you mean dear?” Rosie leans back towards you, gently placing a hand atop yours, “Alastor darling, you’re in love!” 
An uneasy feeling washes over you. Your hand quickly retracts at the mention of that word. Love? What a ridiculous notion. It’s fruitless…unnecessary…weak…
Her face softens at your doubtful silence, “All of those moments, the desires, even the pain…it’s obvious you’ve fallen head over heels for that gal. She must be quite a charmer to get you this worked up!” she laughs giddily but you’re far from amused at this assumption. 
“Rosie dear, I’m not some hopeless romantic. I don't have the time nor the need for such frivolous things.” She frowns at your bitter denial. You can see she’s reeling, trying to find her next words. She stands up and begins pacing the room, still unable to conjure the right response. Your frustration grows as you try to reason with her, “Look, I just need to figure out how to be rid of this. I can’t eat, I can’t sleep, I can barely think without her somehow worming her way into my mind.”
Her dark eyes snap to you, “You admit you want more than just a mutual partnership?”
“Well yes -”
She steps closer to you, “And you crave her presence, her touch, her voice?”
“Always but - “
“Do you desire a future with her and only her?”
Irritated, you try to answer once again, “At one point yes howev-”
“Alastor, do not deny yourself love just because you don’t fully understand it! It is not a weakness - no sir - it’s quite the contrary.” 
“Enough!” The table jolts beneath your now balled up fists, “What does it matter!? She loathes me! I set fire to her and burned any trust or feelings she could possibly have for me! I ran her off - straight into that imbecile's arms!” you snarl with a heavy static filling the air. 
A gentle hand rests on your shoulder. You look up at Rosie like a remorseful child, “She’d never believe me even if I told her…” you say softly. She squeezes your shoulder before returning to her chair and taking a sip from her cup. “Words are cheap, but actions, they speak for the truth. Don’t allow your pride to get in the way of what you could have.” Her tone turns sharp and concise, “Now, I know you and I know you’re not one to hold onto what ‘could have been’ or fret over past mistakes. But I’m telling you from experience, if you don’t at least try with this girl, you will regret it.” The words drive into you like a hot knife.
A heavy silence falls between you two while a battle rages in your mind. She’s never steered me wrong before, but how can she be so sure? She hasn’t even met this girl and she can already make these incredibly bold assumptions. You finish your tea and stand from the table. Walking over to Rosie’s chair, you bend down to peck her cheek with a quiet, “Thank you.” before stepping into your shadow to return to the hotel. 
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In the past you’d have a drink or two to celebrate a victory or to get Mimzy off your case about ‘the good old days’, but tonight you wanted to be numb. “Another.” you demand, slamming the glass against the hotel bar. 
Husk cautiously pours more into your cup, “Uh boss, you doin’ alright?” Before he can finish his question your glass is empty and pounds the bar again, “Another!” you repeat. Husk couldn’t figure out if he should be amused or scared about your sudden change in demeanor. He pours you more, not daring to say no to the demon who owned his soul so tightly. 
You weren’t keeping count of how many drinks you managed to take into your body. Truthfully you didn’t care. The liquor was supposed to make the thoughts stop and numb everything but you found it only amplified with each glass. “Husker…Did - did you see him?” your speech might have been perfect but your mind was definitely beginning to blur. 
“See who?” Husk asked nervously looking around, wondering what strange delusions you might be seeing. 
You hiccup and laugh at his oblivious reaction, “That King…putting his hands all over her. He’s trying to take what is rightfully mine. He has no business touching her in such ways!” you growl as another hiccup leaves your chest. 
“Oh - uh yeah I saw that. She didn’t seem too happy about it either -”
“You’re damn right she wasn’t!” you shout louder than intended.
“Right…” Husk trails off, unsure of how to handle you in this new state of drunken anger, “Look, you don’t have to tell me but you’re definitely drinkin’ to forget something.” he says, trying to tread lightly. 
You signal for another drink while shaking your head in response to his question, “My dear Husker I - I think I’ve developed…feelings - “ The sudden sound of a bottle shattering makes you jump out of your chair. Looking over the bar you see Husker frantically cleaning up the bottle he dropped out of pure shock. 
He looks up at you, eyes wide with bewilderment, “Fuck sorry, I just thought I heard - feelings? What kind of feelings are we talkin?”
You slam another drink back, “Seeing him with her did something to me. It…hurt…It felt like a knife plunged into my chest.” If you were paying closer attention, you’d hear his snarky retort, “If only it was a real knife….” but you’re too preoccupied inside your own mind. Husk finishes cleaning the floor and leans against the bar, grabbing a new bottle and pouring you another without asking.
Why am I even talking with him? I didn’t think liquor could affect me so much down here. Ignoring instinct, you happily down another without wasting any time. The burn washes over your body and a peculiar sense of clarity suddenly hits, “I love that girl.” you say plainly, without a shimmer of doubt. 
Another bottle shatters against the floor along with the glasses Husk was starting to carry to the sink. “Fucking get it together Husker! Do you need gloves or something?! You’re wasting perfectly good rye!!! They would have had your head back in my day for such careless actions!” you shout at the now completely stunned bartender. He stares at you, eyes wider than saucers. Annoyed with the sudden lack of conversation from the demon - It is quite rude of him to just keep staring, I mean really - you slink away into your tower to be left with your thoughts. While you climb the stairs, you don’t bother looking back to see Husk’s mortified face as he mumbles frantically to himself, “What…in the actual fuck…just happened…I need a drink, wait no, I need ten drinks...and where the hell is Angel when you need him!?”
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Your buzz begins to fade as you pace your tower, somehow causing everything to hit you tenfold. Rosie was right, I can’t deny this any longer. What am I going to do…hell what can I do? Why is this so hard to -
Three loud knocks reverberate through the tower. You still, not daring to give the person on the other side any clues as to if you were there or not. Please just go away, I don’t have the patience or clear mind for anyone right now. Your shadow tugs violently at your pant leg, signally the urgency of answering the door. You warily turn the knob and focus your eyes on the dimly lit woman in front of you. All the air leaves your lungs.
F-fuck…
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Tag List (Let me know if you would like to be added!)
@rl800 @fairyv-ice @looking1016 @martinys-world @sirens-and-moonflowers @alastorssimp @alastorsgirl48 @mysterisumone @phamtasic @ohnah2022 @eris-norwega @kaylopolis @littlebluefishtail @little-slyvixen @laudrawin @qu1cks1lversb1tch
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harrowharkwife · 2 days
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for the character meme: dulcie or cam or pal or a character of ur choosing!!! hehe
!!!!! ty lem!! im gonna do my girl dulcie...
favorite thing about them: honestly just the way she's written- it never fails to make me emotional that she *is* explicitly written as being brave and strong, but tamsyn neatly sidesteps the "inspiration porn" ableist stereotype of writing a character as being brave/strong *because* they are sick. dulcie isn't brave or strong because of her illness. her strength and bravery are explicitly positioned, IMO, as being in response to surviving *ableism* and other people's condescension towards her and mistreatment of her, rather than surviving her illness itself, if that makes sense. her health is just a fact of her life, it's not moralized. which i really, really appreciate. it's a small shift, but it's very meaningful to me.
ALSO deeply special to me: her intentional and careful commitment to boundaries re: The Palamedes Of It All. a refreshing change of pace, as far as these books go vgjtjxdjt
least favorite thing about them: i mean. houser. :/
favorite line: three way tie between "truly, wonderful news for my haters," "i am sick of roses and horny for revenge," and "oops, there i go again, never doing what i'm told"
brOTP: gideon!!!!! i think it's a crying shame they've never met. i think they'd get along tremendously. the whole cytherea gideon thing was Horrid and Awful in so many ways, but it always Extra stings (in an adding-insult-to-injury sort of way) when i think about what it would have been like if gideon had REALLY met dulcinea, and not cyth. dulcie would've been a great friend for her, i think. they'd have been so good at making each other laugh
OTP: honestly these days it's cam? @ palamedes ily but get outta here gayboy it's yuri time now. plus i just love chewing on the concept of cam + comphet, and cam + subconscious internalized misogyny, and cam + gender, and cam + her relationships and interactions with other women. i think there's lots to explore there. camdulcie has a certain "when i was eight i didn't realize i had a crush on the new girl in my grade so i just wrote her a note that said 'get out of my school'" energy about it, To Me
nOTP: idk if i really have one for her, specifically? idk. ianthe or something, fuck it.
random headcanon: stoner. on all levels except physical she is taking fuckall huge bong rips. on the physical level though her lungs suck so i think she'd be a tincture girlie. she's got chronic pain she deserves it. am i projecting? you tell me
unpopular opinion: idk if this is an unpopular opinion exactly, but i always see people referring to thee rejected proposal as being something born primarily out of love/out of romantic intent? and i don't know if that's necessarily how i see it. it was CERTAINLY, and obviously, a factor. but at least from my interpretation of pal's monologue to cytherea at the end there, i get the sense that he had already accepted her boundaries in that regard, because he says he "understood that he was a child." and we also get camilla saying that his motivations in proposing were primarily a means-to-an-end way of getting her off the seventh and letting her die with dignity. iirc her exact words were like "so she could spend what time she had left with people who cared about her." like, don't get me wrong, i think pal is lying to himself if he says that being in love with dulcie wasn't PART of the motivation there. but i find it a lot more interesting in a worldbuilding and social commentary way to interpret the circumstances there as him offering, essentially, to be a hospice doctor at age 19, and marriage being the 'easiest' way to get her off the seventh/planet medical malpractice. there's an imperial misogyny ownership-through-marriage throughline there that's nauseating, as well as the implications re: disability and agency and autonomy, and i think that's all very interesting to explore. i think this view is supported in part by the paldulcie interaction in TUG, where she alludes to the idea that she was cognizant about the impact that bearing witness to death and loss up-close and personal like that changes a person, and that she didn't want to do that to pal and cam, especially given their age. i think it informa dulcie's character and grants her additional narrative agency to look at things from that angle, of her "no" being in reference to *both* the age gap AND her intentional choice to continue suffering on the seventh, rather than put two kids through being hospice caregivers and/or widowers at nineteen– no matter how many times and how sincerely they kept offering, no matter that she would've absolutely had a more peaceful and comfortable end-of-life HAD she accepted his proposal and gone to the sixth to die. i think it says a lot about her as a person, that choice. there's a quiet and meaningful responsibility to her as a person that i find fascinating. and her character is just sooooo firmly rooted in and informed by disability politics, on every level, and i feel like people don't engage with that aspect of her characterization enough!
song i associate with them: ooooh SO many, i have a whole playlist. but i think the biggest ones are
-the drama by kesha ("friday night, get too high, keep checking my pulse, am i dead yet?" / "in the next life i wanna come back, as a housecat as a housecat! i'd sleep and play in the sun, i'd be a fuckin' cute son of a gun!")
-avant gardener by courtney barnett (the whole song really, but especially the lines "the paramedic thinks i'm clever cause i play guitar, i think she's clever cause she stops people dyin'," and "i take a hit off an asthma puffer, i do it wrong, i was never good at smokin' bongs." i just think she'd love this song.)
-honorable mentions include stoned at the nail salon by lorde, life according to raechel by madison cunningham, rose-colored boy by paramore (@ palamedes, lmfao), picture me better by weyes blood, extraordinary machine by fiona apple, rubberband girl by kate bush, last words of a shooting star by mitski.
favorite picture of them: oh man well it obviously has to be my icon... art made for me by the lovely @franzias-cave !!!! based on the concept of "the woman is dying, please do her the decency of allowing her to look the part in fanart." my girl... she's a malign fairy, she's a hot-eyed wraith <3
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ty lem this was so fun! i love my gworl :')
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dawningfairytale · 2 years
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so ocean says every story has a lesson, calling on more conservative moral values ("teen sex *thrust* kills"). how would she feel when the moral of king henry iv part i is "honour is bullshit, you can only be a good leader if you reject traditional notions of chivalry"? bc the way that's branded doesn't go with how she appears (like that is what she somewhat obscured externally believes in but overall internally disagree with). but hey, that's not me, that's shakespeare!
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arolesbianism · 10 days
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Shakes the bars of my cage I need to draw soooo bad I need to draw I need to draw let me draw I have to draw I need to draw I must draw (<- has been too sick to be on electronics much and doesn't like doing traditional art)
#rat rambles#Im starting to feel better tho Im betting within a day or two Ill have made a full recovery#but I just have so many things I wanna draw all the sudden and its killing me#its because I've been thinking abt ocs again and that gives me a lot more options lol#in particular I've been thinking abt marci and toon more again recently#its just the two of them flirting in their mutual workplace environment with toon being dead serious and marci doing it ironically#the main thing is that marci was rly under the impression that toon like. hated her and was taunting her since they're friends with loonie#who long story short is marci's ex childhood best friend who she fell out with after the death of loonie's mom#the two are not on good terms in the slightest and marci knows very well that loonie would want her dead if she had been more honest#so as toon starts to like get more casual and like genuine with marci as the two spend more time together marci warms up somewhat but still#doesn't rly see toon as a friendly figure until they take her out to a museum and marci kind of snaps a bit and asks toon to stop beating#around the bush and is caught off guard when toon seems genuinely kind of hurt and meekly explains that they were just trying to help her#because she had seemed rly stressed and sad all the time and they thought that their lil dates had been helping her relax a bit#that confrontation left marci initially feeling confused but after the initial shock she was mostly left with a sense of dread and guilt#partially because she had just snapped at someone who she had grown to care abt for no reason and partially because she now felt that she#was hiding stuff from toon that would cause them to change their mind on her immediately if they knew#aka that she and loonie are divorced and that she thinks its mom sucked absolute ass (which she did)#oh and also that she used to have a crush on the guy that killed its mom who was also his mom which is also the reason she hates said mom#said mom treated him (aka midas) like shit and tried to get him killed several times#so when all hell broke loose marci at the end ended up mourning midas much more than his mom who everyone else was mourning#including loonie since it actually had a very positive relationship with its mom and a very distant relationship from its siblings#now marci never admitted all of this to anyone but she did act on those feelings to eventually lash out at loonie causing a huge fight#basically she yelled at it for being pushy and clingy and forcing her into a job she didnt want and expecting her to solve all its problems#the two dont necessarily hate eachother but they definitely heavily resent eachother#they still often long for eachothers companionship but not nearly enough for either to wanna make ammends#so toon quite liking both of them causes some internal conflict for the both of them#loonie is fully aware that toon has a big ol crush on marci but doesnt stop them from being friends with her even if it makes it sad#and marci rly wishes that toon wasnt friends with loonie but feels guilty for feeling that way#its a complicated situation and one that rly isn't helped by the fact that one of the three has the dead god queen mom#loonie could get away with a Lot and everyone knows it
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bookdragonideas · 29 days
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Here's the thing. I'm a girl, and as a girl, I really like it when girls are portrayed in fiction. Especially fantasy.
But so much fiction/fantasy mixes up 'girls' with 'unstoppable forces of female badass' and there's not necessarily anything wrong with having a character who is an 'unstoppable forces of female badass'. But it gets old real quick. And it is not the same as portraying normal girls, or having good female characters.
And that's one of the many reasons I love Avatar the Last Airbender.
Because all the girl characters have flaws and weaknesses and sometimes act like idiots or jerks. They get emotional and make mistakes. They lose fights or arguments or are just wrong sometimes. Some of them are amazing warriors, and some aren't. Some are powerful or special and some are normal, with nothing special about them.
And I Love that.
I was around the same age as Katara when I first watched Atla. And I instantly connected with her as a character. I loved her optimistic attitude and her fighting spirit. And I could relate with her anger, and with her maternal instinct. I admired her fighting skills of course, but I loved how the show portrayed her compassion and kindness, the way she could both beat up a bunch of bullies AND enjoy a relaxing day at the spa. She was a baddass warrior that should never be crossed. But she was also a normal teenage girl who had a lot of the same internal struggles and problems that I did.
(I never connected to Toph on the same level, but I did relate to her on a few things. She's an adorable trash gremlin who would commit any crime for fun and I love that. But she struggles with being both independent and letting people help her, and I still struggle with that sometimes. I've learned that sometimes, you can help others by letting them help you.)
Yue is, in my opinion, a perfect example of a type of hero that seems to be disappearing. She is not a warrior. She is not a fighter. She's not even a bender.
Yue is a perfect princess, a perfect daughter. She is extremely feminine in a rather older sense.
And she was the only one who could save the world. She gave up everything for her people. She saved everything, everyone, the entire world. Without ever becoming a fighter.
Yue is a perfect example of a girl who was never more than a girl, and how that's okay. Not every girl has to be rough and tumble and fight for her rights in order to change everything. Sometimes it's okay to just be a quiet obedient girly girl. Sometimes that's all it takes to be a hero.
And I love that. Yue is strong in her own way. She is unique and interesting. She appears in only a few episodes and yet manages to be one of my favorite characters.
Song is another great example of this. Song is a healer in a small town. We don't see much of her but we see her compassion and empathy. She is gentle and generous. A healer not a fighter.
She watches Zuko steal her ostrich horse and does nothing.
Is that because she's kind and generous and knows he needs it more? Or is it because she's a healer girl who knows she can't actually stop those two from taking the horse? Maybe neither, maybe both. I have always thought that the scene where Zuko steals the horse and only the audience knows she saw it is one of the most thought-provoking in the series.
Suki is a badass warrior woman who is an awesome fighter and good leader. She is one of the best non bender fighter we see in the entire show. She was one of the smartest, most efficient, and powerful characters we ever saw.
She kissed a boy she had just met because she thought he was cute.
Now don't get me wrong I love SokkaxSuki. Its one of the best couples in the show.
But Suki totally did the old 'love at first sight' thing. And that is awesome. Because when she kisses him she delivers one of the best lines, not only from her, but, I think, in the entire show.
"I AM a warrior, but I'm a girl too."
Being a warrior doesn't mean that she isn't also a teenage girl. She might be a fighter, but she still gets crushes and likes to flirt with cute boys. And hey, she picked a good one. Not every boy is going to come break you out of prison.
Anyways, let's have more realistic girls in fiction. And please enjoy the next 24 hours.
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yesimwriting · 5 months
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Heyy ya!! Hwo you doing? I wanted to ask maybe you can write Coriolanus x reader when he gets to district after just finishing training for pacekeepers, or maybe where his tribute just arrived to the capitol and the reader maybe says the “what does my mentor do besides bring me roses?” Line? ❤️
A/n the turn around for this was so fast for me 😭 i got excited
hi!! i love these prompts and am so glad for the excuse to write something for him 😭,, also i didn't blatantly make the reader the district 12 tribute bc i didn't want to necessarily cute lucy gray out all together, but it's clear that she's from a poorer district and that being assigned to mentor her is an insult to the Snow name,, also reader pulls a katniss and volunteers for a younger family member bc the irony of that scratches an inch in my brain
Summary: After the very public slight of being assigned to mentor a female tribute from a lower district, all Snow can think about is the uphill battle that winning the Plinth prize will now be. Until, he realizes, that he's been given the first ever district volunteer who seems to have a quality that makes people care about her.
Warnings: my first time writing for a specific character, Coriolanus's internal thoughts are a little softer than they should be at some points but i love the accidental and deeply impractical crush trope so
---
Of Angels
The desperation masquerading as fierceness behind her eyes is undeniable. Coriolanus feels the way your panic, your shock as the weight of your own words dawn on you in his chest. He swallows, forcing down the feeling.
Take me--take me instead! The phrase is repeated again and again, shaky and pleading.
Something about the display, about the 12-year-old girl that desperately tries to cling to you as peace keepers push you forward, makes it hard to watch. Even worse, it makes it impossible to look away.
The first ever district volunteer. A suicide mission or a--a desperate call for attention? A decision made out of hysteria that you're already starting to regret?
He can't decide as the footage of you being ushered onto stage is played. Surely, Dr. Gaul and other Capitol officials won't find this acceptable. The concept of volunteering has always been reserved for the careers, the districts that produce well fed children that train for this. It's a way to allow them to pick their best, their strongest. It is not a way for someone to lay down their life for someone else.
"Are you saying you volunteer?"
You blink, eyes wild and bright as you openly survey the crowd. Coriolanus briefly thinks that you might attempt to take what he doubts is an actual out. You seem to be considering something before finally nodding once. The motion so stiff it makes you look smaller, like the girl whose name was originally called.
"Yes," you mumble. The softness of it is a personal accost. Your choice was made in panic, but that isn't who you are. You're not much of a performer or a fighter or even bold...you're not much of a chance at the Plinth Prize. "I-I volunteer."
----
In the end, he had come because of Tigris. She had insisted that there was a way to see his tribute as more than just another face from the districts, as more human than animal.
She loves that little girl enough to die in her place. If I was her, I'd want someone to tell me that my choice meant something. I'd want someone to show that they care about me.
The words had felt dismissible at first, but the more he thought about them, the more it made sense. Panem had seen the entire thing, had seen the way that his tribute continued to comfort the younger girl even after sentencing herself to death. There's a story worthy of a show in that.
If he can convince you to go on camera, to speak of the girl, of the choice...maybe he'd have a chance at his future. And if the public support manages to help you in some way or another, that'd only be an additional benefit. You love that girl enough to die for her, maybe that means you love her enough to fight tooth and nail to live for her as well.
The train that stops at each district pulls to a stop. The doors open, releasing the sound of tributes that are learning the consequences of attempting to cause issues for the peacekeepers.
A boy he vaguely recognizes steps out, and then a younger girl. Are you one of the tributes already risking their lives in an attempt to aggravate peacekeepers? Or maybe you're cowering at the back of the train, clinging onto the safety of a familiar space.
You prove to be neither. You emerge from the train, perfectly in tact and stable.
Coriolanus parts his lips, yet no words manage to come out. You're different in person, the white you're dressed in is objectively dirtier than it was when you were reaped and yet somehow, here in the dim, gray station it feels brighter. A stray beam of sunlight breaking through a cluster of clouds. A promise that the storm will end soon and that the angels have yet to abandon the earth.
Your dress is a simple thing, loose enough to be a hand-me-down or maybe even borrowed, the lace of the skirt falling farther down your knees than it should. That paired with the ribbon scraps tied to each side of your head make you look younger and cruelly innocent.
"Hello." The blandness of his own beginning forces a burning sort of regret to take over his chest. You attentively turn, expression kind and expecting. It only makes the embarrassment he doesn't fully understand scorch him from the inside out with more violence. He's once again struck with the desire to look away and finding himself incapable of doing so. "My name is Coriolanus Snow, and I'm your mentor."
You nod, features hardening. You've pieced it all together--his appearance, what he's saying, and where you are. He's revealed himself as part of the Capitol and now you can no longer watch him with kind, accepting eyes. The look you're giving him is almost enough to make him wish he could have presented this differently.
Coriolanus extends an arm, the carefully chosen pure white rose an olive branch. You blink, eyebrows drawing together before you slowly reach out and take the flower by its stem. Your fingertips brush against his own, the warmth of your skin is so shocking he has to remind himself not to flinch.
"A mentor?" You repeat the word like your only reason for doing so is to try out the foreign word on your tongue. "Does everyone get one or am I just lucky?" You look down at the rose you're now holding. "Or has the rumor that I'm a rebellion trick spread to the Capitol?"
The last question genuinely surprises him. It shouldn't, there had been some talk about why anyone from a poor district would ever choose to go into the games. The way you and the girl you saved reacted to each other could have been staged...but Coriolanus didn't think it was enough to warrant genuine rumors. Anyone that had looked at your eyes and seen the fear in them would have known that it was sacrifice. Is sacrifice. That girl means the world to you.
"No," he starts slowly, "No, everyone gets one and no one here has any preconceptions about you."
You raise your eyebrows, making it clear that you don't believe him. No preconceptions had been a strong way to phrase things, but the urge to assure you had taken over with no warning. You then look away, glancing around to take in your surroundings.
"Then why isn't there..." You trail off, your gaze landing firmly on him. "You're not supposed to be here."
He blinks. For the first time, it feels like you're truly looking at him. His own susceptibility to your wide eyes turns his stomach. You're the one that should feel like something up for display under his stare. "No, I'm not."
The admission forces the edge of your lips to pull upwards. "Alright," you hum, "So what does my mentor do for me besides bring me roses?"
"I do my best to take care of you."
For a second, all you do is stare. He's surprised you. The realization brings him more relief than it should. "The girl who you volunteered for..."
You tilt your head downwards, hiding your expression as your fingers carefully toy with the exterior of the soft petals. "My cousin," the explanation is low, cautious, "But we uh--we're more like sisters."
An in that he doesn't even have to work for. "I understand that." You look up, not bothering to hide your confusion. Maybe you weren't expecting something so human to come out. Maybe human works for you. "During the war, we took care of each other...and then after our parents passed, we were left in the care of our grandmother."
The silence that follows is tight, straining against the sympathies you're not willing to extend to someone like him. Your lips part, and Coriolanus is disgusted by the part of him that's curious about what's going to come next.
You're pushed back with no warning. His attention snaps towards the peacekeeper who is shoving against your shoulder with more force than necessary.
"Excuse--" No reaction, no response as another peacekeeper grabs your arm. "Excuse me, I'm her--" You're being dragged away in order to be packed into another vehicle of transportation with the rest of them.
Coriolanus stays near, doing his best to never lose sight of you in the chaos. A tribute breaks free from the hold of the peacekeepers and launches his body forward. An ill thought out escape attempt. The distraction is all Coriolanus needs. This is his chance to go after you, to cement a connection that will guarantee cooperation.
It's not the distraction that gets him to move or even thoughts of the Plinth prize, it's the final flash of angel white fabric as its forced back into darkness. He rushes forward before he can overthink, entering the vehicle just as the doors shut.
----
i think i might make a part 2!!
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specialagentartemis · 3 months
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If I were in charge of rebooting Danny Phantom, the core theme it would keep coming back to would be idea that everybody has their own internal life and thoughts and feelings and opinions and desires, and they won't necessarily match the simplified image of them that you have in your head, and you have to accept them as complicated messy un-ideal people because the ideal image of them you have isn't real.
All the pieces are there. Vlad as the villain has given himself over to this fantasy world, imagining Maddie as the perfect wife and Danny as the ideal son and Jack as the corrupting influence, without ever bothering to know them as people. He's the ultimate villainous failure state of this.
But also, at the same time, Maddie and Jack have this image of who their son is, and he's actually hiding a lot from them about who he Really is. Everyone has their idea of who Danny Fenton is, and it's what makes them unable to see Phantom as Danny. But also, age 14 can be when you start to realize that your parents aren't all-knowing godlike figures who can solve all your problems and always know what to do, nor are they put on Earth to frustrate you specifically, they're just... also people. Also human beings, who can be wrong, who have their biases. And that can be a hard lesson to learn.
(Tie Jazz's interest in psychology in here: she's interested in learning how people think and why. She's the bridge. She's the way forward.)
And it all comes back to this idea, that everyone has a full and complex internal life, and you have to give them grace and space for that and meet them as they are and accept them where they're at, because you can't make them be who you think they are.
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katakaluptastrophy · 3 months
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I want to continue pushing my 'Magnus Quinn wasn't actually a terrible swordfighter' agenda.
Obviously, he wasn't on the same level as professional duelists Babs or Pro, or soldiers Marta or Jean. He was a guy who did some kind of fencing in high school and then picked it up again in his 30s, presumably with some degree of seriousness.
When Gideon joins the other cavaliers in the training room, Magnus and Jean are sparring. He jokes about how badly Jean is beating him, but he must have some degree of competence for aspiring soldier Jean to find him worth training with. Babs then mocks him for getting beaten by a teenager and Magnus jokes, describes himself as "absolutely no good", and praises Jean's abilities...before giving Babs such a death glare he gets obviously embarrassed.
It's worth bearing in mind that there's some degree of tension between the Third and the Fifth. Babs will have know Magnus since he was small and has almost certainly seen him fight before. But the Fifth, their relationship, and the relative freedom that Magnus has to not be a perfect fighter (because his necromancer values him as a human being) is clearly something that rankles the Third. In TUG, when Ianthe talks about Babs, she explicitly references Abigail and Magnus. And what's interesting is that she makes a comparison not just between Abigail's husband-with-a-sword and her perfect tool to be moulded and used, but also to Corona's aspirations to swordcraft:
IANTHE (Playing a card) She’s not here, so let me be fully honest, Sextus: my sister is not a swordswoman. She loves to wear big boots and wave a sword around, and she looks wonderful doing it, but her actual competence … well, put it this way: she’d lose to Magnus Quinn.
PALAMEDES Magnus Quinn was a cavalier primary.
IANTHE No, I mean Magnus Quinn now.
There's...a lot...to unpack here: the comparison of Corona to the husband-cavalier is intriguing in and of itself on a psychosexual level, as is the contradiction between Ianthe and Corona's own versions of Corona's competence. But Palamedes' response is also interesting, suggesting that Magnus was up to an acceptable standard for a cavalier, which Ianthe's joking response seems to back up.
So Babs' rudeness towards Magnus and Jean may have a lot to do with the internal dynamics of his own necromancer-cavalier relationship and not necessarily be an accurate reflection of Magnus' abilities.
Likewise, Judith's comment in the Cohort Intelligence Files that the Fifth is 'undoubtedly chagrined" to have "schoolboy fighter" Magnus representing them had to be read against the fact that we know from the Sermon on Necromancers and Cavaliers by Second House stooge M. Bias that the Cohort has a very low opinion of unranked "social cavaliers". And Judith Deuteros may have her own reasons for being disdainful of a cavalier who is so...cavalier...about his intimate relationship with his adept.
Magnus' own self-deprecating comment on his ability is:
"I didn’t get to be cavalier primary due to being the best with a rapier. I’m cavalier primary only because my adept is also my wife. I suppose you could say that I—ha, ha—cavalier primarried!”
But again, there's a difference between becoming cavalier primary because you're the best sword fighter and getting up to a vaguely competent level once you've become cavalier primary (guys in their 30s with high powered jobs tend to be scarily into their hobbies...) He is definitely the worst cavalier there (or would be, if Pro were actually alive), but on a general standard he probably isn't as terrible as people like to joke.
Another important bit of context here is that all of his comments about his own ability occur in the context of Corona trying to get him to fight Gideon. The shy, silent 18 year old from the cult planet whose practice of cavaliership is generally acknowledged to mostly consist of carrying buckets of bones.
She gets paired with Magnus because they assume she's not going to be much of a fighter and Magnus - neither a professional duelist nor a soldier - would therefore be the fairest opponent. Magnus is clearly uncomfortable. And Gideon is certainly Intimidating. But when you consider that most of his previous interactions with her have been trying to coax her out of her shell and clearly feeling rather sorry for her, his comments take on a bit of a different tone.
Does Magnus worry Corona has dragged along this poor kid out of interest or curiosity, and that she's going to be humiliated and never want to interact with them again? As Corona says “Come—Gideon the Ninth, right?—why don’t you try Sir Magnus instead? Don’t believe him when he says he’s rubbish. The Fifth House is meant to turn out very fine cavaliers," Magnus is politely dissembling, telling exactly the sort of jokes that would appeal to a teenager.
As everyone else mocks or is intrigued by Gideon's knuckle-knives, Magnus is trying to look her in the eye through her sunglasses, bewildered that she doesn't know to take off her robes or glasses to fight and then...suddenly realising that she is dead serious and perhaps he has dramatically underestimated her.
After his defeat, we hear him saying to Jean "I'm not quite that out of form, am I?". Gideon's abilities were totally unexpected: she severely tests a top duelist like Babs, and Magnus is surprised to be beaten in three moves. That suggests he's been holding his own rather more comprehensively in previous sparring.
And while he certainly wasn't up to Gideon's standard, he may have managed to draw his sword before Cytherea took him out...
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svsss-fanon-exposed · 5 months
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Exposing SVSSS Fanon: 5/∞
MING FAN AS HEAD DISCIPLE OF QING JING PEAK
Rating: FANON - CONFLICTING
Most fanworks I've come across call Ming Fan the Head Disciple of Qing Jing Peak-- because of the prevalence of this idea, I even held to it in my own writing for a while. However, in canon, Ming Fan is NOT and never was Head Disciple.
This is another case of a fairly honest misconception, though.
In an earlier translation of SVSSS done by BCnovels, Ming Fan is referred to as Head Disciple:
"Descending the mountain this time is for the sake of gaining experience. This teacher will not be able to help you. Ming Fan, as the head disciple, you will need to vigilantly prepare so the demon won’t harm your fellow disciples." (BCnovels Ch. 6)
Shen Qingqiu said affably, “They were harvested from my head disciple Ming Fan’s family’s tea fields. As for whether they’re high-quality or not, won’t Shang-shidi know if he comes to take a meal at Qing Jing Peak?” (BCnovels Ch. 93)
(Many thanks to @shen-qing-qiu for providing these quotes!)
Even in terms of translation, the mistake is fairly honest as well. The exact position Ming Fan holds is 大弟子 (Da-dizi), and he is called 大师兄 (Da-shixiong) by Ning Yingying.
In some cultivation novels, 大弟子 is also the head disciple (I believe MDZS may be this way, but I do not have a copy of the original on hand to check right now), but what it literally means is "most senior/oldest disciple." It isn't necessarily the oldest of the group, but the one who was first to become a disciple of their master/a sect/etc. and has thus been training for the longest time, and has the most experience.
Ming Fan continues to be referred to as Da-shixiong even after Luo Binghe became head disciple:
Ning Yingying tugged on the battered and bruised Ming Fan. “Da-shixiong, did you hear?” she murmured. “A-Luo and Zhangmen-shixiong are saying that person is…Shizun?” (7S Ch. 13)
Which makes perfect sense-- even if the ranking has changed a bit, he is still the most senior disciple of Qing Jing Peak-- that won't ever change.
However, this is not the same as being head disciple.
In SVSSS, this is a separate category, where instead of being determined by seniority, the head disciple (首席弟子 Shouxi-dizi or 首徒 Shoutu) is a disciple specifically chosen for the role by the peak lord. Huan Hua Palace also has this role, and though less is known about internal sect politics there, it seems to follow the same sort of rule, with favored disciples being given this title.
Ming Fan is never referred to with this title. He is senior disciple, NOT head disciple.
The two quotes from the BCnovels translation above have since been corrected in the official TL:
“This trip down from the mountain is for the sake of your training. Unless as a last resort, this master will not assist you. Ming Fan, as the most senior disciple, you must design careful strategies, lest you let that demon harm your fellow disciples.” (7S Ch. 2)
“They were harvested from the tea fields of my senior disciple Ming Fan’s family,” Shen Qingqiu said affably. “As for whether they’re high-quality, won’t Shang-shidi know if he comes for tea at Qing Jing Peak?” (7S Ch.26)
It appears that when there is no head disciple, the senior disciple fills that role and performs the same duties:
All affairs on Qing Jing Peak, whether large or small, were handed to and looked after by Shen Qingqiu’s trusted subordinate, Ming Fan. (7S Ch. 1)
However, if a head disciple is chosen, many of these duties and authority will shift to the selected disciple:
These past couple of years, Shen Qingqiu had handed all manner of miscellaneous tasks big and small to Luo Binghe to deal with. After all, for now Luo Binghe was so sweet, obedient, and useful, his work thorough and meticulous. (7S Ch. 4)
At this point, though it has not directly been stated, Luo Binghe is the head disciple of Qing Jing Peak (there will be another post on this topic later).
One last note, I have also seen Liu Mingyan being referred to as head disciple in fanworks. This is a similar situation as Ming Fan's, though she is not even referred to as senior disciple. It isn't a big enough issue with enough canonical references to be worth its own post, so I would just like to add onto this post that Liu Mingyan is NOT head disciple either.
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joleenjackalope · 27 days
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So I have some Lenore thoughts, I like the idea of her a lot. But I don't think she's worth her price. So here are just some of my thoughts, as well as my doodling out some of those thoughts. I don't think she necessarily needs all these things, it's more that I let my internal rants about how she could be better guide me out of my art block these past couple days.
Part of why people pay more for collector dolls is because they have some type of attachment to them. Either being a Monster High character they already love, from an IP they love, or even the Off White had some brand recognition. (just not from me) And I felt like Lenore COULD have been the lady in white/weeping woman ghost story that just about every town has.
That being said- What is with the glitter tears?? If she had a unique sculpt that actually had a downturn on the brows and a sad face, and actually LOOKED like a weeping garden ghost, that alone would have made her more appealing!
Then why unpainted accessories? Why one big unpainted accessory her main focus? I like the vines (I didn't go very detailed here) but either paint them or make them smaller. (What I did) But if you want me to believe that the doll is WORTH $75 then you need to show that some actual care and effort went into her manufacturing and paint her damn accessories.
I just wanted an excuse to draw the spider. I don't like the human face but I only like a few of any of the MH pets anyway. so...
Put her damn hair up. Just like with the accessories, show me she is WORTH her price.
All of the above combined, the collector dolls stray further away from the High school aspect of MH and although Victorian/period fashion isn't necessarily my thing, I know a ton of collectors would have loved her looking like a ghost who's been haunting for a long time. And since she's not a character that's being portrayed in the high school - a collector doll would have been great! There's lots of adult/non-student characters.
Mini notes- I didn't draw patterns for her clothing, but the pattern on her dress as is would have still looked lovely on a bigger, fancier gown. I didn't do full body and I have no notes on shoes. They're not my specialty. And I would have appreciated her not having a full white sclera.
Also, line art for this piece is available here, tag me if you color it! I'd love to see. ♥♥♥
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crazy-pages · 5 months
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Blue Eyed Samurai and Queer Gender
There's a reason so many trans people keep reading trans identity into Mizu.
Because even if she's cis, her gender is still queer.
Lemme back up for a second. Queer identity is deeply intertwined with experiencing sex and gender in ways which are fundamentally non-normative and non-conformative for the societies we live in. It is about being "other" to what society's default is. There are reasons that queer liberation movements have historically often allied with kink communities, with polyamorous circles, and with feminist movements. There's overlap there, in being outside a tightly constrained norm and demanding equality and recognition. And this also means that what queer is, is defined in part by the society it stands in opposition to.
Because for contrast there have been societies, historically, which have been fully accepting of trans people or even had specific social norms and customs around nonbinary gender. The colonizing Spaniards found and recorded interactions (typically violent, sadly) with trans people in what's now Mexico who lived, married, and were recognized in their societies without regard for their genitals. There are entire fields of study around various historical recognition of nonbinary identities. None of these people existed in opposition to the societies they lived in. Heck if we look at sexuality, the ancient Greeks would certainly not have seen men having sex with men as queer (though they would have judged and demeaned the bottom), but some of them certainly pathologized women who had sex with women. In such a society bisexual men would not be queer, while bisexual women would be.
Queer is contextual. Someone who lives in a fully accepting society as a trans person, who never has contact with a culture where that acceptance isn't the norm? I'm not sure I would call them queer. At the very least, there's a definition of queer as the embrace of one's sexual and/or gender non-normativity which such a person might very well not opt into. That person might not feel queer. We might not share that emotional experience.
And where this comes back to Blue Eyed Samurai is that it's possible to be cis and to be marked unavoidably and unalterably queer by one's society. A cis woman living in the US today who feels absolutely cis but cannot, for whatever reason, stand wearing dresses and must wear pants? Might experience some gender non-conforming experiences, but not necessarily be queer. That same woman in 1890s US? Her gender expression would be outright illegal as a form of crossdressing. She would be seen with the same lens as a trans man and their experiences of gender would both be queer, despite one being cis and one being trans. If such a woman, despite being cis and straight and allosexual and alloromantic and all the rest, told me she felt queer? It would not surprise me in the least.
So if you define queer as any kind of experience or internal feeling, as a state of othered existence rather than a specific set of prescriptive definitional boxes that fit our specific societal norms and practices? Mizu is queer. Mizu might or might not be queer if you transplanted her into the 2020s US where I live. But to define her by how she would fit in our society's boxes is fundamentally missing the point of both the queer experience and the story of Blue Eyed Samurai. (And she might not be cis here, he might be a trans man, or they might be nonbinary. It's hard to say ... and this is why queer history scholars step carefully around modern definitions, by the by.)
What we can say is that who Mizu is, in the context of Edo period Japan, is queer. Whether Mizu is genderfluid, or a trans man, or a cis woman who hates having to be undercover, or a cis woman who thrives being undercover, or a cis woman performing drag, or a trans man who thinks of himself as a woman in drag because he lacks context for being transgender? It's all queer gender. There is no framing in which Mizu wouldn't relate to the experience of queer gender.
Mizu doesn't get to experience gender in a normative way. That's both because of who she is at her core, and something that's defined by society without her consent. She is queer, innately born so and structurally made so at the same time, and that's not a contradiction.
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jewishvitya · 5 months
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I just wanted to thank you so much for all of your insight and generosity with your perspective as an anti-zionist israeli, something you absolutely don't owe us but I feel immense amounts of respect and admiration for. from an American jew, it's been so valuable to know there are people like you out there, it's made everything feel much less hopeless despite all the hopelessness. I've felt very alone recently, surrounded by all the Jewish people in my life who are pro-israel and don't seem to grasp the gravity of the situation and my pro-palestine gentile friends, and I've felt very alone in my grief as I've only really started to unpack and dismantle my own biases very recently. reading your posts and your perspective on everything has just made me feel very seen as a jew in this situation, especially as I try to reconcile my feelings about everything going on with my own feelings about my faith and my identity.
you've probably seen that I've gone through a lot of your posts and that I've followed you. i just want you to know that I'm not necessarily following you just for that, I know you're just a fandom blog, it's just that after looking through your posts I feel like you're just a really nice person and seeing yoi on my dash from you would be endearing coming from you even though im not into it myself.
just. thank you again for sharing your story and continuing to share. you have no idea how much it's helped me.
I'm in tears. I've been crying way more than usual over the past couple of months, but it's nice for a change to have those tears to come from being touched instead of grief. I apologize if I'm going to ramble.
You say I didn't owe you all this, but I do feel responsible. I'm watching so much destruction and seeing how comfortable people around me are with the loss of life. This is why I've been talking about what we do and not as much about the impact of October 7 on me or people I know. I did a bit of that in the beginning, but pretending it was the start of everything to keep going back to that one day, after two months of horror, as if I can't count past 7... I didn't choose to be born where I am, I didn't choose to grow up in the most extremist community this place has to offer. But since I'm here, since I'm comfortable at the expense of Palestinians and violence is being done in my name and I have the tools to highlight issues within my society, I think it's a moral obligation.
I know how I talk about things here, and that's genuinely because I don't want to minimize the severity of the racism and the nationalism in Israel. And someone perceived my words as showing hatred for Israelis. But... I love my people. I don't expect those who see or experience our violence to feel the same or even understand me, but I do. It's my neighbors and my childhood friends and my family. It's children I see playing outside and getting excited when they see I have a cat, and the random people who stop me in the street and give me directions if they think I look lost.
Even growing up in the West Bank settlements, the people were very good to me. I needed years to internalize the fact that this kindness doesn't get extended to you if you're not part of the in-group. It broke my heart. It still does. Seeing people who I know are capable of kindness and compassion, hardening themselves against the pain of other human beings. Closing their eyes and telling themselves it isn't real. It's all an act.
I told a friend I feel like I'm betraying my mom, who was deeply bigoted, but also a wonderful mother. She taught me a lot of the principles that are guiding me now - I just took down the walls she put around who deserves to be considered. She'd be horrified with seeing the things I'm saying if she was still alive. But she taught me to care about people, I just decided it means all people.
Everyone should be prioritizing Palestinian liberation, and at the same time, I care about this too. I care about the morality of my people. I need us to be better than this. I want to dismantle the nationalism that teaches us hate and violence so we can start to heal and come to terms with what we did (and still do) here. I want us to fix what we can and hold ourselves accountable. I want us to reimagine safety in a way that doesn't cause harm, and build good relationships with the rest of humanity. Every marginalized community is experiencing bigotry in interactions with every other community, that's just how these things work. But I believe healing the world, and healing my society, is possible.
And it's hard, because so much of what we learn is rooted in truth. Antisemitism is real. Millennia of persecution are real. The trauma we carry is real. If the idea of an ethnostate makes us feel safe, and the idea of losing it makes us scared, how do we differentiate between fear as a natural reaction to antisemitic violence and fear that was taught to us for the sake of nationalism? Especially those of us living in Israel, immersed in the propaganda. It doesn't matter in practice, our feelings of safety or fear don't justify an ethnostate, especially not one built on top of another nation, but it matters for the conversations I have with people.
And I said that the violence I'm seeing feels like an attack on my identity. Seeing a giant hannukiyah in Gaza, when Hannukah tells the story of occupied people fighting off their oppressors. Seeing images that echo so much of the horrors that were done to us. The Magen David being used with hate and spite. It's all so painful. And I love this land, it's the only home I've known, so seeing us destroying nature and soaking it with blood and calling that connection?
Judaism does guide me here. The concept of tikkun olam. The idea of לא עליך המלאכה לגמור ולא אתה בין חורין לבטל ממנה - doing what I can, even if what I'm able to do isn't some decisive blow that entirely turns the tide. The idea that every human being is a whole entire world, to me it means that every single person alive is worth fighting for. So no matter how much death I see, there's still worlds more to save.
And Jewitches had this post that felt just healing to read. Nationalism hijacked our culture, and it will always leave a mark for centuries into the future. But I'm not letting go, and I'm not letting that create a rift between me and thousands of years full of history I can be proud of.
I feel your grief. And I'm grateful for the anti-zionist Jews I met by talking about this, because honestly, I need you people in my life. The pain and the anger are both easier to hold together.
So, thank you for following. I might follow back, just to see you around on my feed. And thank you for sending this. Feel free to message me anytime for any reason (I promise it won't result in a lecture every time).
Also, your url gave me pjo nostalgia
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tackytigerfic · 2 months
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Tagged by @wolfpants and @oknowkiss , read their truly excellent lists here and here!
Rules: List the first line of your last 10 (posted) fics and see if there's a pattern!
Mornings After - 2.5k, Dron
This is trickier as this was a collab and @sweet-s0rr0w wrote the start, so my first line isn't the opener. Still I'll post it here, I think it was this one.
“She was alright about it,” Ron continued, matter-of-fact, hooking a finger into the elastic waistband of Draco’s underwear, “all things considered.”
Wield Me - Drarry, 10k
“You’re not an easy man to track down,” Harry said from the doorway, where he was leaning like he was meant to be there.
Fledgling - 2.7k, pre-Drarry
Harry hadn’t thought the sling thing through before he left the house, and now his whole back is aching and he keeps whacking people with the unwieldy changing bag that won’t stop slipping off his shoulder.
I Fall on Grass - 3.1k, Drarry
Harry has a garden.
Let Be, Let Be - 10k, Dronarry
The international portkey to Svishtov deposited them right beside the Danube, under the squatting legs of a cargo crane.
Howl - 9k, Drarry
Draco woke up on a Friday morning in a field hospital in Grasmere, without a single memory of how he had got there.
Take the Moon - 15k, Drarry
“I’ll do it, of course I’ll fucking do it,” Draco was saying, which didn’t make any sense, because he was supposed to be at work; maybe Harry was hallucinating him.
The Edge of Something - 1.4k, Drarry
“Well, the good news is that I’m not dead,” Malfoy said, the voice so very much his that it brought Harry out of bed and to his knees.
Far Side - 1k, Drarry
Harry has a photo on his desk; he says it’s his favourite.
Snow on Snow - 1.1k, Drarry
On the first night in the safe house, Harry was woken every hour by church bells.
Conclusion: hmmm I'm not in love with some of these tbh. I have been trying different things in the last year as my main focus is on a long WIP. So no real stylistic coherence. I'm reasonably happy with most of these fics (though not all, i say, eyeing one or two resentfully) but not sure that any of that necessarily translates into the first lines.
Tagging anyone who wants a go! And @boxboxlewis @elskanellis @fluxweeed @maesterchill @mintawasalreadytaken @myrtlefics @skeptiquewrites @sleepstxtic @stationintern @sweet-s0rr0w @teledild0nix if you fancy it?
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the-badger-mole · 8 months
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Headcanon Alley
I saw someone mention a while ago that Zuko wouldn't be awkward around girls because he dated Mai and wasn't super awkward with her. I don't necessarily disagree, but I also don't totally agree. I think Zuko would be fine in a relationship. I think with the right woman, he would be charming and romantic in a relationship. If he's got a crush and he isn't sure it's reciprocated, he would be so weird and uncomfortable. I picture him as coming off as more stoic than babbling...until the girl he likes comes up and actually speaks to him. Then the rambling would start. With Mai...well, first of all, if you didn't read the comics (which most of us didn't and those of us that did never went back to it), then you don't know how that whole thing got started. Mai pursued him (on Azula's orders). I would argue he was still pretty awkward, but he didn't have to go through the whole "does she like me" tussle in his head. Of course he was feeling confident (for a little while at least) about himself as a romantic partner.
In my head, when Zuko falls for Katara, he doesn't know how she feels about him, so he has no idea how to proceed, or if he should proceed. Pretty much everything he learned about romance would've come from his uncle (and maybe whatever romance novels were onboard his ship). Let's be really honest here, Iroh's approach to romance would be a bit weird to teenagers, who above all else don't want to embarrass themselves in front of their peers, and Zuko with his clumsy delivery of his uncle-isms would make it weirder. The boy can't get out of his own head. I think we all know and accept this as a fandom. That was his biggest hurdle in his firebending, it would be his biggest hurdle romantically.
In conclusion, do I think Zuko is utterly devoid of game? No, but his game is strongest when he knows his partner is into him, too. Before that, he's a tangled mess of awkward, even if it's just internal.
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eponastory · 2 months
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Ah, Sarcastic Chorus...
Let's break down the 'I'm going to fix you' argument for Katara.
First off, no one can 'fix' anyone. Going into a relationship thinking you're going to change somebody and make them different is going to make that relationship bad. It's not necessarily toxic, but bad. Why? Because it's not your job to 'fix' the other person. The only one who can do that is the other person. You can only 'fix' yourself.
A lot of relationships fail because of these expectations.
I'm going to talk about fanfiction here for a moment since I've been writing a Zutara story. Since Zutara isn't Canon (but we really wish it was) and all, I only have what does happen in Canon and what happens in fanfiction tropes I see a lot.
In the show we get these wonderful little moments where Zuko and Katara are fighting each other (book one), and it sets a nice theme of opposites attract. The motifs are there with all the color symbolism... it's nice. That does immediately set our brains to 'oh they are so going to get together'. There are a lot of nuances to that, and it's lovely.
I'm not going to lie, Katara is in that group dynamic of 'The Heart' role, and yes, it does put a little pressure on her character to care for everyone. It's my least favorite role for a character and it's a bitch to write when you want that character to be independent.
Anyway, back to Katara. She's the mother figure, the caring and nurturing one that has to help everyone else sort out their problems while she has to internalize her own. It sucks. It really does. So when we get to TSR in Book 3 and she is practically berated by everyone for not acting like herself... she gets pissed, rightfully so because she had to help everyone else with their bullshit until Zuko finally joined. This is where Zuko becomes a foil for her.
Just to be clear, a foil is basically a character that encourages change to happen within a dynamic. It can be a group or a pairing. Usually, that character had opposite goals or a different personality. Zuko started out as the antagonist, but when he joined the Gaang, he's now a foil for the entire group.
Back to what I was saying... what was I saying? Oh yes!
So Katara is rightfully pissed because she needs to deal with her trauma when everyone is suddenly 'this isn't who you are'. No, this is exactly who she is. She is very much like her element. Water is fluid, it can be calm and it can be a torrent... which is exactly the way she is written. It's always been her, she just put everyone else's problems above her own. Now that she has to deal with her problems, it's chaotic for everyone else.
And yes, she does have survivors guilt.
That is her main problem, so now she has to deal with it. And Zuko gives her that chance.
This is getting pretty long, so I'll try to wrap everything up here.
Zuko doesn't need to be 'fixed' he's already done that himself by himself. Joining the Gaang was essentially a fresh start for him (I use that term lightly) which is why he is so awkward when he goes to talk to them at the Western Air Temple (or is it Eastern? I don't remember ahhhh. Fibro brain!) And it's so cute and I just want to hug him. I digress, but it's great.
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He's got a shitty past, but he is trying to change himself even further by accepting responsibility for what he did to them individually. In Katara's case, he has to work hard for her. It's lovely, and the payoff is great. I know for sure that is what I see in their relationship. He cares so much about her that he works hard to win her trust again. Why? Because she showed him compassion in CoD, and that struck a chord in him. Her strength is her compassion when he was taught by his sociopathic narcissist father that emotions like that are a weakness.
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That my dear Kat*angers is why we love this ship.
It's a beautiful dynamic between them that I would have loved to see Bryke explore, but they just gave us the most vanilla bland version of a romance they could find by pulling a D&B (Game of Thrones writers) and subverting expectations. It sucks.
TLDR version.
Katara doesn't have to fix Zuko.
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Lots of commentary on Penelope and Colin lately. I thought I'd throw my two cents in (I'm old and have lived the Fandom life before Tumblr existed).
My thoughts? Book wasn't great, but out of the ones I read, their book was the best for me (don't get me started on Benedict's book, oof). I like how the show has made Colin and Penelope true friends, definitely more than what happened in the book.
In the book, I think the world of Penelope. And the fun-loving Colin too, although I was a bit... disturbed at jealous, angry Colin. In the show, I think they gave much of Colin's charms to Benedict but I still like Colin's kind of moral compass. He's young and impulsive and generally a good person. He's a great son to Violet, a great brother and a good friend to Pen. He is also a little clueless about his true emotions. He says things without meaning offense, not necessarily thoughtless or unkind, just lacking insight. So what we interpret is this great guy who unknowingly leads Pen on. I don't think he means to, she's his very close friend. But unfortunately, he does sort of push the boundaries of propriety with her. Holds her hand, takes her into private rooms and closes the door, tells her how special she is. I can only imagine how confused Penelope would be. Everything points to his growing affection. Until she hears him state otherwise. And regardless if he didn't mean for her to hear, it was kind of a cruel, especially the laughter. Ouch!
Now onto Penelope. She's allowed to be upset. She read the signals and unfortunately, she read them wrong. Everything she's ever known about courtship is from her perception of society. She watched Marina take Colin into a private room with the intent to seduce (and to this day, she would be clueless as to what happened in that room). So when Colin grabs her hand and takes her into a private room, well, she's thinking that Colin is into her! Then he dances with her, tells her she's special and he'll always look after her. I mean, she was riding Cloud Nine. So for her to hear him laugh about courting her, well, that's gotta be a tough pill to swallow. So let her have some anger and be upset. She's allowed emotions. Honestly, I'm sure even if she's angry at Colin (and Eloise), she's having just as hard time looking internally and discovering that part of her problems stem from her own issues and fallacy of reading too much into things. I mean, she's done some very questionable things. Things that were not pretty. She has hurt people with her lies. But she also isn't the villain that some people make her out to be. The show clearly shows her expressing remorse for doing awful things. She sobs after delivering the LW about Marina and is seen crying as she writes about Eloise. I'm not sure the show will have her apologize but I don't think they'll show as this selfish manipulator that a lot of people tend to see her as. She's supposed to make errors. She's young and for the first time in her short life has got people talking about something that she created. So she's probably making questionable choices with her skewed sense of importance.
All I want for season 3 is to see them fall in love. Not with an idealized sense of love (Penelope) but truly accepting each other's everything. I love a good Friends to Lovers trope, and I think Luke and Nicola are gonna be incredible. I'm excited (and I'd be more excited if they released a date, a picture, a hint, anything about season 3).
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