Tumgik
#that he has a lot of complexes and emotions about and that's the reason why Varya saying that it's okay to feel this way is damn important
sovamurka · 1 year
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Doomsday // Конец Света (2022)
Varvara 'Varya' Bazhenova & Azazello 'Azik' Mitrohin
- Why didn't you tell me about all of this?
- Because you fell for a demon. For the beautiful and magnificent one!
- Are you dumb? I fell for someone who talked to me when nobody else gave a shit and who looked at me differently!
- And you don't care for who I am?
- And you left me because of this?
- I didn't. I just... panicked. I felt awful, scared, anxious and...
- It's completely normal. You're human now, remember?
#I don't understand how but it seems like creators INTENTIONALLY made them a queer couple with Azik being coded as enby/trans and also ace#they also directly specified that Varya is an intersectional feminist and I was so glad to hear that#and I suspect that one of the reasons they specified it was for her relationship with Azik to work#exactly because of queer implications#AND I'M NOT EVEN KIDDING. this shit was actually depicted there!#there. in a russian tv-series about about Satan coming to Moscow to create the Apocalypse.#this shit is crazy! but so fucking nice!#and it's kinda funny how queer implications don't go away even after Azik is turned human#although it was made under very unfortunate circumstances but him losing his demon status is treated like gender assignment surgery#that he has a lot of complexes and emotions about and that's the reason why Varya saying that it's okay to feel this way is damn important#listen. I know all of this because here we constantly use supernatural elements to talk about stuff we're not allowed to talk about.#and this series is FUCKING FULL of things we're not allowed to talk about.#Azik and Varya and their relationship are just a VERY small part of what this series actually has to offer.#(also: once again we make a couple that looks straight from the outside but is actually queer on the inside assdfgh)#off topic: I'm kinda sad that they cut their first kiss scene. it was meant to show how sincere and vulnerable they're around each other#😭😭😭 why can't we have nice things?!?!?!#anyway... Vladimir Kanuhin and Ekaterina Novokreshenova did an excellent job with their characters! ♥️💙#doomsday (2022)#конец света (2022)
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hxmocrastic · 4 months
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𝐘𝐚𝐧𝐝𝐞𝐫𝐞 𝐋𝐮𝐤𝐞 𝐂𝐚𝐬𝐭𝐞𝐥𝐥𝐚𝐧 | HCS
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Pairing ; {📺+📖} Luke Castellan x GN!Reader
Warnings ; Yandere, Stalking, Gaslighting, Fear of Abandonment, Imminent Kidnapping, Manipulation, Inferiority Complex, Emotional Abuse. ALL CHARACTERS AGED UP 18+
A/N ; Sorry I didn't respond directly to you anon, I accidentally posted this before it was finished and couldn't edit it 💀 But Enjoy!!
Luke is a Gaslighting, Guilt tripping, Boyfailure personified.
At first he takes up his signature friendly act and introduces himself to you first. He even offers to show you around camp !
To him, you're just so adorable. He loves how docile & compliant you are, how your sweet little chin nod's at his every word. You're just so fucking addicting, As soon as he saw you he knew he had to have you.
In order to get you alone & helpless, He'll start spreading false rumors of your parentage, Just to swoop in and shoo those pesky campers away. See? He's such a good boyfriend ! Why won't you look at him?
He'll even get you into some weaving classes, After all a sword is way too dangerous for someone like you. Don't worry about it! He knows what's best for you !
Luke will gladly take his time in wooing you. Slowly implanting little seeds in that cute little head of yours, Whispering things underneath his breath, Increasing physical contact, Even sending you gifts.
The last encounter he had with his father was a scar that will never heal, and a reminder that the gods see him and his siblings as nothing but cattle awaiting the slaughter.
Underestimated, Undermined, Luke always feels he has to go the extra mile prove himself. He thinks that in the eyes of his father he's worthless but in yours he has a purpose, He's a hero.
He'll do anything to keep up that facade, As he only wishes for you to see him in a glorified light. Isn't that what demigods fight for?? Glory,? It only makes sense that you'd love him too !
But truth is, Although he may sustain his benevolent friendly facade, He sees other's as emerging rivals. Whether it be in 'love' or Competition, He views them as competition.
All his life he'd felt powerless & helpless to the evils that robbed him of his childhood. Like his life wasn't his own, How he was always at the mercy of others whether it be the fates, monsters, or the gods themselves. He's never felt real control.
But at camp he feels like he has some control, some authority of his own. And not just of his own life but of other's too. He's finally at the other end of the stick.
Luke loves the power he has over the camp, how the girls & boys of Aphrodite cabin silently fawn at the slightest glance of his figure.
How his stare alone can send clarisse and her cabin trudging to the steps of their cabin like wet dogs. The power excites him.
But your arrival was different. He would've thought it'd be enough to constantly receive the admiration from camp but he desires more from you.
Luke doesn't just want you to favor him, He wants you to obey him. To hang on his every word. He wants you to worship him, To give him the adoration he would never receive from his bastard father.
This is where it gets dangerous. Once the Luke you knew to be a sweet and protective head counselor, He starts becoming a lot more domineering and unreasonably aggressive. And whenever you asks about, He slips back into his loving demeanor and reassures you softly that everything's alright, You're just seeing things that's all!
But you could've sworn you saw him scowling at your friends. Maybe you were just going crazy, it'd be the only reasonable explanation right? Who'd believe you if you said you heard Luke castellan speaking with another voice, right?
For your own safety, You stay quiet. You abide him and start slipping on a facade of your own. Just play along and you will be fine...
He's your hero, your knight in golden armor, Depend on him and solely on him why would you need anybody else?? Love him and only him, and just maybe your cabin mates will be safe. (Not)
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lemotmo · 7 days
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I don't often do this, because I try to avoid discourse in fandom and sometimes you just don't vibe with a character. It happens.
But I keep seeing these horrible and, quite frankly, very wrong and disrespectful takes on Eddie Diaz' character. And I can't just sit here and ignore them anymore.
I cannot and will never understand why people don't like Eddie.
I've read some posts and comments earlier about people disliking Eddie and... really? Eddie is boring? He doesn't get interesting storylines? He's just a prop for Buck and his storylines?
Are we watching the same show here?
Eddie is, by far, one of the most interesting characters on 911. The man has had one trauma after the other piled up on him, but still he keeps going. Why? Because of the one thing that matters more to him than life itself: Christopher.
As a single mother myself, I can relate. The struggle to want to give your child everything, to do everything for them, even if it comes at the cost of your own mental and emotional well-being? It is very real. I cannot tell you how many times I end up crying to myself at night, blaming myself because I wasn't able to stop the outside world from hurting my son. And you have to do it all by yourself as well. There is no one there to share the burden with, to share the heartache with. It's tough and it's real.
Eddie's storylines are intricate and nuanced and based in reality. They aren't necessarily the biggest and loudest storylines, but they still matter to people who can relate to him. People like me.
Now, 911 is guilty of showing a lot of important Eddie moments from someone else's point of view. That is true. Especially Buck's POV. The shooting comes to mind, even a part of his breakdown and more recently Eddie's friendship with Tommy. He made a bro-friend and seemed so happy and carefree, but since we saw it from Buck's POV, we can't fully trust this image.
So, I think that is why some people see him as just a prop in Buck's story. But it's much more complex than that. Buck stepped inside Eddie's world without complaint. He helped him out from day one by introducing Eddie to Carla. For the first time, Eddie is no longer alone in life. There is someone there who understands him and his love for Chris. He can safely rest and trust that Buck will be there to step in if necessary. He actually went ahead and put it in his will. Eddie loves the way that Buck loves his son. And the show is still using that bond to date. We saw Buck and Eddie in conversation about Chris, Buck talking to Chris, Buck being jealous of Chris thinking Tommy was cool...
I don't know what the future will bring for Eddie, but I desperately want and need him to be happy. And yes, I do think the narrative will eventually lead him to Buck. His happiness has always been intricatelly linked to Christopher. The way they keep weaving in Christopher in Buck's storyline? The way Eddie keeps being inserted in Buck's bisexuality storyline? These are some of the many reasons that give me absolute certainty that Buddie is in the works.
In conclusion? Just stop hating on Eddie Diaz folks. It's not a good look on you.
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fumifooms · 1 year
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Analysis of Laios’ succubus and theories on what it means - deep dive on Laios’ desires in human connections
Laios’ succubus is a very odd incident. I have some particular interpretations of why it was Marcille, and why things went down the way they did.
We know that a succubus shows what one desires, stated in canon as “an alluring form”; yes often in a romantic or sexual sense, as seen with Chilchuck’s succubus being entirely set on looks and seduction, meanwhile Marcille’s does have a focus on chivalrous noble demeanor as well, showing romantic behavior and personality. BUT with Izutsumi we also see that the liaison doesn’t have to be romantic or sexual at all, either, in Izutsumi’s case it’s a familial bond she craves. So perhaps we can say that the succubus exploits a desire based on connection, in whichever form that takes. Marcille wants an emotional connection foremost(which is also reflected in how it’s a character she knows very well and not a stranger. Perhaps romantic.), Chilchuck wants pleasure(a simple pleasure not unlike alcohol, perhaps such a connection is free of the more risky or unpleasant parts of a relationship, he doesn’t have to worry or to think and can just let himself go. Sexual.), Izutsumi wants a mother figure that can offer her warmth and comfort with who she doesn’t have to be tough (Familial), and I believe Laios’ is platonic and centered on his desire to have people with who he belongs and can be himself with…
But Laios’ case is more complex, it has layers. The thing is, even if Laios wanted to have someone able to turn him into a monster—which it didn’t even have to be, could straight up have just been a monster with such powers—, it didn’t have to be someone he knew. You could say the succubus wanted to disarm Laios’ suspicions with someone he knew and that was nearby, but the succubus seem very direct in every other case, simply appearing with someone’s greatest appearance even though both Marcille and Chilchuck were fully on guard and the succubi knew it. "Believability" isn’t an important factor. No, his succubus being someone he knew was important. It being Marcille was important.
There’s a TLDR at the end of this if you want to cut it short. For everyone else, strap in everyone, if you don’t know me hi I’m Fumi and I made this 3k words long analysis and theorizing bc I am autistic much like the character in question and I think this is both fascinating and has a lot to say. In this I offer both platonic and romantic reasonings and I do go rather in depth in Laios’ psychology and relationships to dissect what ever could this damn cryptic event MEAN. Spoilers for the succubus chapters obviously and also the last few arcs of the series so… Spoilers for the series as a whole!
So attraction wise it’s kinda unsure where Laios stands. He does sort of logically list off aesthetically pleasing traits of the orc’s wives, but besides that… Not really, or he never voices it anyways. He and Marcille never share like “omg you’re pretty” moments or anything. Senshi gets more compliments than either of them through the series lmfao. Maybe Laios is asexual, maybe he simply doesn’t show outwardly his attraction much or even maybe isn’t self-aware about it, regardless… Laios HAS implied preference for Marcille’s looks in the past. With the orcs, he said that “tallmen like long ears”. Laios’ shapeshifter of Marcille has her hair down just like her succubus, which by Kui is explained to be because she had it down when she revived Falin and it really marked him, though it could also be interesting to see it as his mental image of her as her most authentic self, I’ve seen it theorized that it’s a preference too but I think that’s disproven. But of course the most damning evidence itself… The succubus scene. It could have been anyone else in the party, certainly Senshi shares Laios’ interest in monsters much more already. We shouldn’t discredit the way Laios was blushing madly once she revealed she was a monster, that made her more attractive to Laios for sure, but he still wouldn’t have reacted that way if it was just anyone. The contexts are very different, but we can compare it to how Laios reacted when Lycion turned into a wolf man in front of him for instance. Laios certainly doesn’t act that way with Izutsumi- and it’s confirmed like a page later that he does see Izutsumi as a monster already. AND!! Laios starts blushing madly BEFORE she says that she can turn him into a monster- and we can safely assume that the blush isn’t out of simple fluster but out of desire/infatuation since he clearly wants her to bite him in the next page and his blush does not relent at all.
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There’s something we could say about Laios’ liking of Marcille being born out of companionship rather than aesthetic attraction, on familiarity and intimacy. As members of the same party they’ve spent a lot of time together and we’ve seen that Laios trusts in her and relies on her for her skillset and avice. If Laios’ interest in her developped more naturally and gradually, valuing the familiar bond they have, I don’t see why he’d be acting all blushy and lovesick every time they interact or whatever, which is the explanation I have for Marcille genuinely being Laios’ most alluring form but him not freezing at the sight of it. That could also be a reason why he physically rejects succubus!Marcille instinctively, because something about her feels off or different (which is sorta the most direct interpretation of the scene, since Laios’ first thought is that it can’t be Marcille and must be a monster).
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 [Edited in: Oh my god. The picture above is the last page of the dullahan chapter, chapter 57, a chapter that centers around Laios and Marcille’s relationship through flashbacks as Laios is on the brink of death and sees his life flashing before his eyes (he remembers how they first met, etc, which is also interesting to note that on the brink of death he reminisces about her the most). The last page of that chapter, more or less the thesis of the chapter in which we see Laios opens up about the real reason he and Falin go dungeon diving to her after them having a rough meeting but she turns out to also have an interest in dungeons, has Laios go "she starts out frowning but she ends up smiling! Wether its’s about eating monsters or about me :)”. That chapter is the one right before th succubus chapters. Laios’ most alluring form wasn’t “just” Marcille, it’s a SMILING Marcille. Which is why the succubus had such a weird and off demeanor right away (which gets knocked off once it doesn’t work and becomes a more Marcille-like Marcille)! It was only focused on smiling because it was the angle it was working from.
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Oh my god it makes sense. It’s a direct narrative link, it’s as explicitly put with its story structure without Kui just stating it, besides, you know, the many times Laios says how precious her smile is to him. He’s like “I love her smile” and right next chapter the succubus is like “yes this is what he likes seeing most”. But… This also does mean that the focus might be less romantic, like Marcille’s significance doesn’t diminish, but then the alluring form might be less about her and more about the smile itself. About having a friend who looks at him like that, about someone who smiles after eating monster dishes or surpassing obstacles together… Or it can actually be so much more romantic. Like, maybe the smiling Marcille doesn’t work is because well, it’s not like Marcille, she wouldn’t just be smiling like that and behave like that (esp since his musing is about how her smiles are sort of “earned”, that she doesn’t smile right away but it’s sort of like a rewarding sight when she does). So then the most alluring form of Marcille doesn’t work because she doesn’t convincingly BEHAVE like her. His most alluring form isn’t a Marcille-lookalike, it’s her as a whole. More on the succubus shifting/switching in its approach later.]
Anyways.
Where was I. Ah yes, “It could have been anyone else in the party, certainly Senshi shares Laios’ interest in monsters much more already.” But then that’s the point isn’t it. I think Laios’ succubus being Marcille is because his wish isn’t so much focused on her, or on becoming a monster, but on not being alone. On being understood. On having others finally share his interest. On not only becoming a monster, but having someone to share that with. A trusted friend, a companion, or a lover, it matters little in my interpretation, the bedrock of it stays the same. And this is why it’d be someone he already knew instead of someone new, because it’d defeat the point, and it was maybe Marcille because she’s the most vocal about finding monsters disgusting: it’d have finally been a shift in her that she now liked monsters. And again this brings back to when he talks about her smile, when he says that she starts out unhappy with eating monsters, but ends up smiling by the end of it. Her smile itself represents that though first impression or reflexive dislike, someone can turn around and end up liking it anyways, it’s hope for his interests to be liked and perhaps for him to be lovable as well, that it’s possible to be accepted.
But I do think it would be a mistake to say that there’s absolutely no romantic interest, that it’s plainly platonic or another kind of interest misplaced and idealized in her. What we saw with the other succubus is that they 100% act in ways that the person desires, sure Izutsumi’s start attacking after a while, but that was after pushing them over the edge, and succubus Marcille wasn’t being agressive nor did she have a reason to be (even when she could have with Laios’ choking, she didn’t turn to violence, so she was 100% still in seduction mode). Ultimately the goal of the succubus is to make physical contact to be able to suck their essence, but the way they go about achieving that is tailored to the individual’s desire, Marcille’s kissed her hand and Izutsumi’s offered a hug.  The succubus can identify and embody complex desires, often subconscious ones, shown with Izutsumi’s. They go straight to it without complex subterfuge either. Chilchuck’s succubi were very direct because that’s what he wanted, Marcille’s was courtly because that’s what she wanted, Izutsumi’s offered motherly comfort and affection because that’s what she wanted, and Laios’ is Marcille attempting to kiss him. Let that sink in.
Laios why are you choking the supposed key to your heart?
Ok so the theory that Laios’ desire is to have a deeper companionship from an existing companion is pretty tame and surface level I’d say, but strap in… The way Laios reacted violently to Marcille trying to kiss him is VERY interesting. The first thing he thinks about is that she isn’t Marcille so she must be a succubus, then confusion at to why it’s her. He’s even afraid of what the others would think, feeling… Shame? With how he imagines Marcille would be horrified that he likes her that way. Fear of rejection?
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But no no, what interests me is the shift that the succubus makes. It seemed very confident at first, went straight in, but when overpowered shifted the direction it was going in- shifted from a desire for Marcille to a desire for a monster Marcille and whatever deeper desire that hides. But??? Succubi did not make mistakes as to what someone wanted thus far, possibly that has never ever happened before by human records. Could the succubus truly have miscalculated what Laios desires? It’d be hard to imagine that the succubus would misunderstand what type of companionship someone wished for or what approach to take, since it’s done complex cases before too, Izutsumi being very much in denial before it & at first. In Izutsumi’s case, even with her complex feelings over it and her two souls desiring different things, the succubus did not miss its mark, and ultimately it was having a second soul for who the succubus wasn’t alluring that allowed her not to be frozen to the spot. But with Laios the succubus fully switches strategy.
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The thing is that succubi don’t usually need to switch strategies, because the form and approach they take always work and always leave the victim frozen. Izutsumi bypassed this because of her two souls, but was still frozen and struggling to reject the succubus at first. And yet? Laios did. A succubus’ victim is supposed to be instantly frozen, and yet Laios acts on instinct and defensively agressive as soon as his reaction time allows. And well, it’s hard to really come to a logical conclusion as to why, since we have no idea of what rules can override a succubus’ temptation besides multiple souls… C’mon regular Marcille can’t be the winged lion/kenksuke’s desire bc of the loose hair being Laios’ mind-Marcille we’ve gone over this /hj Although, since it’s confirmed that the winged lion was watching with the dream Laios gets induced right after, maybe he’s what allowed Laios to be moving? It’s possible that it’d have frozen him otherwise, even if Laios with his full rationale wouldn’t have accepted the kiss faced with supernatural allure he might have gotten paralysis from being overwhelmed, similarly to how if Chilchuck had his full rationale he wouldn’t allow a woman like his succubus to kiss him (he’s always stayed faithful to his wife even after 4 years of separation, give the guy his earned credit). Getting somewhat offtopic, but something to say about how if that’s the case once again the theme of ‘irrational desire you crave vs what you truly want/need’ that is present throughout the manga would be reflected.
My best guess however on why Laios reacted so quickly and forcefully is: trauma. The more recent arcs with Laios suggest that Laios has deep-seated trauma over humans. He dislikes humans as a whole, that was like, pretty much stated, though perhaps exaggerated. As a kid he fantasized about monsters wiping out human towns. We know Laios has been ostracized for most of his life by others, in his village and in the military, and beyond social rejection it’s shown he got beaten in group too and it was implied that it happened regularly. But damn, disliking humans to the point of wanting to be a monster and murderous genocidal reclusive envies and all of that stuff? That is massive trauma, massive identity & belonging issues and hint at massive trust issues.
So then, the negative reaction could be because of Laios’ deep trauma with humans. Because of trauma getting activated, not due to a miscalculation on the succubus’ part but due to a contradicting dislike of the desire that makes the form inherently and straight out of the gate un-alluring, Laios’ repression being so strong that he’s able to affect his own desires in that way, or an instinctive defense response to the trigger (a human).   Even though Laios hides it well, once again recent arcs (and some other moments) make it clear that Laios still has some innate dislike of humans, which in canon is a term that all races like elves fit in. He has a bias against them, perhaps even an innate distrust of them. Who knows how aware he is of it, or how much control and will he has over it. What if Laios reacting agressively to it was his defense mode tied to this kicking in, a survival and security instinct, stopping any possibility of Laios wanting a romantic relationship with a human? Any chance of that human getting close and being hurt by it, either rejected or stabbed in the back? It’d then make sense if Laios is unaware and doesn’t understand his attraction to Marcille then, if it’s a sort of self-made blockage, denial. And that’d make full sense with how, when Marcille is suddenly a monster, then all of Laios’ reluctance is gone and he’s fully enthralled, all that it took was taking away that one blockage for Laios to be utterly charmed. It takes away the trigger element, humans, and replaces it for something safer. A desire for connections, but connections with people that are ‘safe’, people who also don’t fit in with society, who are part of his interest in monsters, who would accept and understand him. I think that Laios does desire human connections, specifically, but can’t allow himself to pursue them either from conscious or unconscious trauma, so though he does desire it he can’t accept that he does/can’t accept the relationship even if it’s handed to him on a silver platter.
Conclusion
The succubus’ shift could then be either that it switched from one wish, a wish for Marcille, to another, a wish for companionship in monster-liking, or that it stayed on the same fundamental wish, but had to improvise with the new information (that Laios is human-averse)(not bc it didn’t exist previously but bc it wasn’t manifested) to take out of the equation the thing that was holding Laios back (from giving in).
But well, the fact that the rest of the party is included does lean towards the former, but in any case that doesn’t erase all I’ve spoken about, all about how Marcille is 100% the focus of this whole thing. It could still be a bit of both. But it is interesting that he worries about the party’s reaction to seeing his succubus being Marcille, and when she shifts into monster Marcille he *still* worries about the others: “b-but what about the others?” He’s a mess, with his most alluring form seducing him, and he still has a shred of resistance in him to question how the others would react, and it’s only when she says that they’re already monsters too that he truly gives in. Is he really so afraid of ostracization? Of losing the people he cares about due to judgement? Then the mention of the others in the party can simply be something the succubus added on top to unlock another “blockage”, the same way she added Marcille being a monster on top of the basic premise of Marcille; Take out the immediate dismissal of humans first, and then the fear of loss and judgement from other friends so Laios can finally stop worrying and give in. That worry/framing I’d say makes the latter more credible, because it’s not the premise of the alluring form but an extra.
In the end, like the recent arcs kind of spell out, the thing central to Laios’ character is less so a love for monsters and moreso a dislike for humans, and this is what this puts on full display.
Laios’ most alluring form is Marcille, a human that doesn’t understand his interests and thus him, and regardless of everything else that Marcille is, that is so traumatic to him that all of his being immediately rejects it.
Thanks for coming to my ted talk! I’ve spent so much time thinking about this and wording and rewording this same train of thought, also it’s the end of my college semester and I’m going crazy
Tldr: My personal fav theory for Laios’ succubus is that Laios really values Marcille’s smile a ton like it’s often mentioned, and that’s what his most alluring form centers on. I’ve got a ton of different interpretation on the why it’d go for a kiss? Since it tailors its approach to the person’s desires, but obviously something goes wrong with Laios’, which is really interesting because even with Izutsumi who resists because she has 2 souls so one part of her can always remain unaffected, the succubus hit bullseye on her most alluring forms. But regardless of that, I think his desire for Marcille (either her or what she represents, wether as a platonic ideal or something else) isn’t wrong/untrue perse, but that Laios has such a complex with humans and intimacy and connecting with others that his defense mode kicks in and that’s when the succubus has to shift into a different, safer desire: one that doesn’t involve humans but that still shows connections and acceptance and belonging. Also Laios realizes that it isn’t Marcille when she goes in for the kiss, which if his allure for her is based on familiarity since they’re friends and all could make sense that it’d break him away from it, or since it’s a liking based on familiarity he doesn’t freeze, or maybe it’s because the winged lion has its eye on him. I think that’s so much more likely with how Kui makes even her jokes be character moments or at least consistent, and also with the tension of the scene, than just the scene being a gag about how Marcille doesn’t mean much to Laios actually.
I think there’s a lot to be said about why Marcille is special to Laios, why her smile means something to him, etc, and I don’t think saying Marcille is special to him is exaggeration or reaching at all. Laios, Marcille and Falin are the golden trio, she’s the deuteragonist, she’s the only other character in the main party whose goal in going back for Falin is Falin and who has a bond with her and Laios outside of being coworkers, in post-canon they live together, happily, in the anime’s ending they’re emphased on by dining out all three together... I could go on.   Marcille has the benefit of being very trusted by Laios, not only with the time they’ve spent together but how she was Falin’s friends first, the person he himself feels so protective of and has been so consistently ostracized throughout her life. Marcille represents a positive odd one out that’s like, the good example of "humanity can be good and safe and warm actually".  Which is a big reason why imo Marcille is like, the secondary protag and with Falin they form the golden trio. She’s central to the story in many ways including making Laios see that humanity is worth saving and sticking with, but that’s a topic for another analysis. One such reason is how his first meeting with her went: it started really badly but ended with her coming around and unexpectedly sharing their interest in dungeons, which made him and Falin open up about the real reason they go dungeon diving, perhaps for the first time. There is just so much that goes into it but Laios seems generally very expectant of rejection: in the climax chapters after he transformed back as a human and was hiding out in the woods, pre-canon in an extra where we see him battling himself on if he should suggest eating monsters or not. But another one, the one I truly want to bring up in this post, is how genuine Marcille is! And funnily enough, how dramatic she is, and how her elf ears change position depending on her emotions. Like, let me compare her affectionately to a dog for a second, but dogs move their ears and use whole body language to communicate, and I think that part of Marcille, really strong emoting, with her ears and body language on top of her often dramatic facial expressions, reassure him. Like ok, maybe he can’t tell when Shuro and Kabru would lie to him, but Marcille? She wears her heart on her sleeve and her feelings on her whole self. And that takes away some of the stress and trauma he has with humans, explains why her smiles would “put him at ease”, doesn’t it?
I don’t remember wether I’ve mentioned this somewhere or just in my reblog linked at the end of the post, but while at first I thought the succubus going for a kiss on the lips heavily implied a romantic desire in Laios,  now I have a couple different theories on why the succubus would have gone for that approach. I think the most likely is that, if the principal allure of his succubus is her smile, the succubus is like "as long as he sees her face right up until i can suck up his blood and he passes out I’ll be gucci", so it’s not about the kiss but about him seeing her face all the while until the very last moment, so he stays charmed.
Btw chapter 34 explores Laios’ relationship with touch too imo, and we see that he is uncomfortable with touch to some degree, very unsure and hesitant and tense. I feel like it’s something more shown in a bigger picture sense with his whole struggles with humans and extras, than just in any one page so go reread the beginning of that chapter if you want I’d say, but putting a page below as example anyways. I think it’s notable that it’s a character moment shared with Marcille too, she acts sort of like a bridge to humanity with social propriety and being extroverted in many cases. In the chapter Chil and Marcille point out how awkward he is with touch, but he learns to be casual/comfy enough about touch to do healing magic with her (something that was also enforced through him having to practice magic on Marcille turned to stone, he got a lot of touch exposure and magic practice done in those days. Dammit Laios, MArcille and touch is worthy of a whole analysis of its own). She’s just like, his human comfort zone, even if they aren’t that close at least at first, besides Falin he has literally like no friends and I think that itself shows how he doesn’t fit in well socially and that it’s a significant struggle for him. But yes what I was saying here is I believe there’s setup for him recoiling from touch like he did with the succubus (due to an instinctive aversion to touch made especially intense due to the succubus’ oddness and forwardness).
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I have even more theories and rambling on details on the succubus here in a reblog, but unless I want to put in some pictures of Laios repressing himself around others and such I don’t think I’ll be touching this post again in a while
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suresne · 1 year
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i’m hesitant to jump into the Kim Discourse but i disagree with statements that boil down his worldview/morality to “kim is a good cop first and foremost, no matter what”
there are so many examples of him doing shit in the game that directly compromises the reputation and aims of the RCM, and not just in a corrupt cop type of way (though there is some of that, obviously)
if kim only cared about being a good cop, why does he go along with harry’s unhinged side missions and whims at pretty much every chance he gets, putting aside the murder investigation? we know that he has “authority off the charts” and could make harry toe the line, but he almost never does. he has a stern affect, but it’s often just for show.
if kim only tolerates/likes harry because he is a detective of the RCM, why does kim clearly get joy from their adventures that have nothing to do with, and even sometimes interfere with, their police work? just because kim says that line to harry about how “an officer of the RCM shouldn’t be on the street” doesn’t mean he necessarily believes, even in the beginning of the game, that harry is only really valuable as a detective of the RCM. he may project that as a value he has adopted, but that doesn’t mean it’s truly how he feels.
kim uses his position in the RCM as a way to distance himself from things that are messy, like politics and emotions. it’s easier for him to say to harry “no RCM detective should be on the street” than “i care about you for some reason i can’t explain and don’t want to see you sleep in the dumpster.” because he’s a pathetic little man who can’t talk about his feelings
i’m not saying that kim isn’t misguided or that his admiration for the RCM isn’t misplaced. because he is, and it is. but making his seemingly unwavering devotion to the RCM the salient aspect of his character at the expense of other things just doesn’t make a lot of sense to me.
also arguing that kim could never grow or be radicalized is doing him a disservice, imo. knowing harry for a week makes kim confront the rigidity of his thinking about reality itself. is it really so strange that he could have the potential to reflect and reevaluate his worldview? the game didn’t make its characters so complex and human for them to remain rigid and unchanging.
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spenglernot · 7 months
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STORIES TELLING: NED LOWE AND THE DEATH OF POOR REPRESENTATION IN OUR FLAG MEANS DEATH
In history, Ned Lowe was one of the most sadistic and violent pirates in the early 18th century, so he’s an obvious choice for a villain for season 2, episode 6 – Calypso’s Birthday.  What is interesting is what the OFMD writers chose to do with him.
Lowe announces himself to the crew of the Revenge with great fanfare (cannon ball attack) and gets right to the point.
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Ed is thoroughly unimpressed.
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Cut to Ed and Stede tied up while Ned attempts to set the mood so he can monologue about why he wants to kill Ed.
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Ed knows what’s coming. He is going to suffer but he still can’t be arsed to meet Ned with anything but vaguely bored dismissiveness (and Stede is happy to play along).
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Up on the deck, Ned prepares the crew for his big, dramatic moment of symphonic torture.
Note that the Revenge crew is tied down, braced by vices and generally unable to protect themselves from imminent torture and possible death, but their spirits are up. They don’t seem terribly fussed.
Then Stede uses his people positive management style to happily orchestrate a worker uprising in Ned’s crew.
Ned’s crew responds instantly; severing their allegiance to Lowe and telling him off.
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The crew sails away and talks profit sharing while Ned dully threatens to hunt them down.
Ned is now a prisoner of the Revenge crew and seems entirely disinterested in his own survival.
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And Ned sinks to the depths, without struggling at all.
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There is a lot going on in this episode: pay and labor equity direct action, gay love engagement bliss, kink humor, Stede being a hero and saving his crew by playing to his strengths, then having to decide whether to kill in cold blood and feel the consequences of that choice. Ed having one more reason to be done with piracy (while being so impressed with and fond of Stede), and then watching his man make a fraught choice and having to deal with the fallout from that. (And, damn, I haven’t even mentioned the passionate sex bit.) Anyway, back to the point.
Now for the the meta part
The Ned Lowe sequences are perfectly in keeping with OFMD’s signature blend of madcap violence, humor, and big emotional gut punches. But something about Ned Lowe just strikes me as off for this show.
Ned is seriously threatening the crews’ lives, so why don’t they take him seriously?
Why does Ned have such a boring, throwaway backstory?
Why is Ned so nonchalant about his own death; like it’s a foregone conclusion?
Why does Ned have a silver violin and silver spurs on his slip-on dress shoes?
Why is Ned sartorially monochromatic?
And then I realized who Ned reminds me of.
This guy,
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Earnst Stavro Blofeld in the James Bond film Diamonds are Forever (1971)
And this guy,
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Scar in Disney's The Lion King (1994).
And this guy,
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Xerxes, 300 (2006).
And it sure seems like Ned Lowe isn’t just an episodic villain. He is an archetype of the one-dimensional, stereotypical queer-coded villain that has been endemic in film and television throughout history. The OFMD writers have a lot to say about what to do with this kind of character:
Don’t respect him.
Feel free to openly mock him.
Don’t let him take your joy, even though he will hurt you.
He won’t disappear on his own. You have to throw something at him (take action) to make him go away.
Once he’s in the water, he’s content to drown. He’s not into what he’s doing any more than you are.
Oh and, just to be clear,
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The LGBTQIA+ community has a very long history of turning shit media into better stories. So, hey, big media, prepare to have your crap characters wrecked (improved).
Now, back to our transformative pirate show with rich, complex queer characters and a multi-layered plot that surprises me every week and makes me feel big feelings - most of all, joy.
Final thought: I do wonder if Ned Lowe is monochromatically silver as a tribute to/poke at, Hollywood and the silver screen.
This meta was written before OFMD season 2 has fully aired. No idea what’s going to happen in the finale (and I’ve generally fled social media to avoid spoilers). I’ll be back, looking at everyone’s fascinating posts after episode 8 airs.
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pollyanna-nana · 5 months
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“I can’t help anyone…”
An analysis of Kieran and how it relates to his most controversial scene.
Warning for Indigo Disk DLC spoilers ahead
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Greetings! I’ve made it no secret that, despite what some people think of him, I am very fond of Kieran Pokémon’s little emo ass. As a result, when perusing the tags I’ve been bombarded with a lot of very… questionable takes regarding his personality and character, which I simply do not agree with. In particular, I’ve seen a lot of interpretations of a specific scene that I don’t think get at the heart of the story and have some fundamental misunderstandings of the subtextual clues we’re given about how Kieran and Carmine were raised, and I wanted to take the opportunity to present my own interpretations and how I have come to understand this young boy’s complex journey to self acceptance.
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This scene, right here, has been the source of many specific complaints I’ve seen regarding Kieran’s character. I’ve seen people saying that his actions here make him a bully, that he’s shaming a fellow student for having troubles at home, and generally is an unpleasant, entitled person. And while I think there’s definitely some truth to those points (and they make him all the more interesting…) I don’t think a lot of these people are thinking about what this scene is really trying to tell us.
Yes, it’s showing the player that Kieran has changed since we last saw him. That his shy, kind demeanor has been supplanted by a stark cruelty that was hinted at in the end of Teal Mask, and that we have reason to fear and fear for him. However. I would argue that it also serves to tell us more about what Kieran himself has dealt with as a student at Blueberry academy. Specifically...
Kieran’s struggle with identity and self worth.
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From the earliest segments of Teal Mask, we get strong indications that Kieran has quite the inferiority complex. Worse still, said feelings are reinforced by the people around him, knowingly or not. Here, when Carmine tells us that Kieran's "nearly as strong as she is", we know she simply means to compliment us in her own Carmine-ish way. However, purposefully or not, it reinforces Kieran's idea as someone who is always, at best, almost good enough. Almost as strong as his sister. Never as or more.
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He tells the player that he'll hang back, not wanting to get in our way. With no prior prompting, either. How many times has he been made to feel that he was a burden? I adore Carmine, but one of her most pressing flaws is her struggle to make Kieran feel loved and wanted. Which, is actually pretty normal between siblings as she herself is a child. But still, given how much Kieran clearly loves and respects her, her words hold a lot of weight. And it's only Carmine who we get to see treat Kieran this way. While it's possible it's coming almost entirely from her, I'll discuss later why I think it may be more complicated than that. For now, though, it's clear that Kieran himself thinks very lowly of his abilities and would rather stay out of people's way, lest they berate him for perceived inadequacies.
He's had problematic behavior modeled for him by Carmine.
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Here, too, we see how Carmine's treatment of him reinforced some very negative ideas of interpersonal conflict and resolution. All throughout Teal Mask, Carmine is telling him to shut up and be quiet, and does what she thinks is best for him without consideration for how it may make him feel. No physical violence, but emotional abuse is abuse all the same. While we know that she was ultimately trying to do what was best for him, and had very good reasons for keeping secrets, its undeniable that the words she used only further reinforced the idea that the strong will push around the weak, and that they have no need for anyone who falls behind in some way.
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This scene in particular is fascinating, as we get to see first hand the kind of dynamic that pushed his feelings of inadequacy towards the breaking point. Here, after the player and Carmine run into Ogerpon for the first time, he thinks her weird behavior is because they were making fun of him. It's already sad that he would jump to that conclusion, but then Carmine smiles through his entire dialogue and says nothing. No reassurance, no denial, nothing. Kieran walked away from this conversation thinking that his sister and his new friend were talking about how much they dislike him. Speaking from personal experience, constantly feeling like people are talking about you behind your back at a young age can lead to you becoming brutally honest in a maladaptive way, and it can lead to people thinking you're cruel and unkind because you refuse to keep your thoughts to yourself.
Generational trauma, neurodivergence and cycles of abuse.
Here is where we leave screenshot land for a bit and I talk more about things that I suspect to be true, but cannot ultimately prove. However, I ask that you bear with me here and consider what may be going on above the heads of the child protagonists in a children's video game. (After all, if some people can write whole essays comparing Kieran's behavior to some very serious real-world events... I think I am within my right here!)
Kieran and Carmine, to me, match very strongly with the idea that they came from a bad home life. I don't necessarily mean their grandparents, as they seem nice enough (though flawed), but instead that their parents, whoever they were, contributed substantially to their strained relationship and problematic behavior. This post may seem very Carmine-negative, but I actually do not blame her for what she's done, not really. I do think that she has the agency and experience to take responsibility for how she's treated her brother, but I also think that it is something that was modeled for her by her parents, caretakers and teachers. I think it's very important to keep in mind in all conversations about these two that negative behaviors like these rarely manifest out of the ether. When I see child characters acting this way, I think less "wow, what horrible people!" and more "who in your life is modeling this kind of behavior for you?"
Full disclosure: I am an older sister myself, and my younger sister is very close to me in age in the same way that I see Carmine and Kieran as being. I see a lot of myself in her, which is why I deeply understand her frame of mind in everything here. Being expected to be the emotionally mature one in a sibling dynamic is difficult when you're so close in age, and it can lead to a lot of frustration as you feel like you're made to grow up too fast while your younger sibling is shielded from responsibility. It also doesn't help if the adults in your life model a lot of negative behavior, especially power dynamics, and if you have any sort of neurodivergency.
Speaking of... I wholeheartedly agree with the interpretations of the siblings having some combination of autism, ADHD, BPD or several other potential conditions. I won't go into depth, but without question there's something going on with them that's both untreated and misunderstood by those around them. Which, makes a lot of sense considering where they come from. Kitakami is a small nation, mostly agriculture based, and Carmine in particular is very resistant to the idea of it becoming a tourist destination for wealthier countries. They may not have the resources and infrastructure, along with cultural awareness, to properly diagnose and treat certain mental health conditions. Kieran doesn't even have a phone!
Something I don't see mentioned often is how Kieran and Carmine being at Blueberry is more than likely a very isolating experience for both. Being at a prestigious school in Poke-America, when coming from rural Poke-Japan, must've been a very difficult transition. Given that it doesn't seem like ANY of the adults in their lives are interested in their mental and physical well-being, I can only imagine that exacerbated their already existing issues. Not to mention that the culture of BB seems to be overly concerned with strength in battles, it's no wonder that both children's worst traits were made to fester over time.
Entitlement and disenfranchisement
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Okay, enough of that. Back to screenshots. Here I want to talk about how some people interpret Kieran as being bratty and entitled, and while I don't necessarily disagree, I think with the context of everything previously laid out in this post that it's a lot deeper than simple entitlement. We know, from his own words, that all he wants is acceptance, independence, and meaningful human connections. To him, that comes in the form of strong pokemon (acceptance at the academy), going anywhere he wants (feeling empowered and self-confident), and being able to make friends with "anyone". Any friends at all, really.
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While his "I worked so hard, and for what?! I STILL lost in the end!" can feel petulant and whiny, it also cuts deep for anyone who has grown up without. I think it's very important to note that Kieran is at precisely the age when systemic inequalities really start to weigh on someone, and before the brain and life experiences are developed enough to handle it in a healthy way. While some cope better than others, for many around this age the weight of knowing that there are people out there who simply have more than you ever will not by any sort of effort or triumph, but rather than the dumb luck of birth into a wealthy, privileged setting... well, it can be crushing.
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It's something most grow out of, but for a kid like Kieran, who was so obsessed with the story of a genuine injustice (Ogerpon vs. the 'loyal' three), is it any wonder that he would react this way? The player is a particularly extreme example, of course, as protagonist powers are some real bullshit. Coming to terms with the fact that the system has failed him, but he can still achieve great things and become a person he can be proud of, is something that will probably only come with time and wisdom as it does for most of us. In the interim, though, petty teenage tantrums are to be more or less expected.
Feeling powerless.
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In case you think I'm extrapolating far too much, I think it's important to note that, after the severe shock that was Terapagos breaking out of its own ball, Kieran reinforces all of these ideas himself. Here, when Carmine is begging him to help you, he refuses not because of hatred of you but rather his own self-doubt and loathing. Which, ultimately, has always been the core of everything Kieran has done up to this point in Indigo Disk's plot. He believed so strongly that if only he could become stronger, then he could prove to everyone, and more importantly himself, that he was worthy of taking up space and achieving his own dreams. But it's here, when everything truly comes crashing down around him, that the facade slips and shows Kieran as he truly is- a little boy who feels helpless in his current circumstances.
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I've seen people say that when he cries after becoming determined to help you defeat Terapagos, it's out of jealousy or anger. However, I couldn't disagree more. The light returning to his eyes shows, in my view, that Kieran feels hope for the first time since he had his dreams crushed back in Teal Mask. That, even though he feels powerless, even though he's hurt people and hurt himself, he's still wanted. That he can do something meaningful, even if it's just cleaning up the mess he helped to make. (Briar don't think I've forgotten about you. You're the most culpable in this situation given you're the only adult- but I digress.)
In conclusion.
He bapy.
No but really, what does all of this even mean? I think going back and reading the conversation at the start of the post, especially if you were initially put off by it, with the context outlined here changes a lot about how one can interpret Kieran's behavior. Note that I am not trying to justify anything he said or did, but rather point out that this fictional child has some serious, unresolved issues that deserve time and thought turned towards them, especially in the way that they reflect real-world individuals and systems. Ultimately, if you want my opinion I think Kieran would be a pretty nasty person to know in real life if I was in school still, but you know what? So was I at his age. And so were most people, if I'm being honest. But that doesn't tarnish a person forever. All of life isn't high school, even though Kieran- or you, reading this right now- may feel like it is. He has a lot of growing up to do, but that's life. And in the meantime, he sure is one hell of an interesting character to follow.
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mysterycitrus · 3 months
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I know a lot of ppl ask u abt jason or dick but im wondering now, what do u think about bruce? I find him a very interesting character whose characterization is incredibly feeble, both bc of his 80 years of history and the tendency writers have to project their own male fantasies on him. So i'd definitely love to hear ur own thoughts about him. I personally enjoy depicting him as someone morally grey, although my sympatization for him changes day to day. Wether you think he is a good or a bad person, i believe u need to make him dedicated to gotham and the bat as a symbol, and that comes with all its advantages and drawbacks
bruce wayne is sooooo interesting (derogatory) because like u said, he carries the baggage of every masochismo author that decided batman was too woke and should hurt his kids and that supporting gotham’s infrastructure is for pussies. there’s also the flipside of that, where he’s the perfect father who’s waaaay too emotionally regulated for my taste. both of these interpretations are bad imo, and both functionally miss the point.
i think part of this (in fandom) is an obsession with moral angst — u can either be a good person doing good things, or a bad person doing bad things. think about how some characters are crucified while others are babied. someone always has to be absolutely right, and the other has to be absolutely wrong.
in reality, there are a lot of people who are fundamentally kind and fundamentally want to do good that are really terrible to the people in their lives. bruce wayne being someone who relies on having so much control that it implodes his connections to the people around him is an important part of his character. his profound love for his children, for gotham and her people, for humanity in general and his belief in peoples ability to change, doesn’t circumvent the fact that he’s often an emotionally abusive man who hurts others to achieve his own ends. he contains multitudes.
writing him as a functionally irredeemable, violently abusive person is the anti-thesis to the symbol that he himself created. no, i personally don’t believe he actively beats his kids (even though it’s supported in the text). no, i don’t think he’s an irredeemable sadist (as much as frank miller wants u to believe otherwise). to have people like dick grayson and diana and clark and dinah love and believe in u means that there has to be something there worth caring about, otherwise the whole universe is gonna fall apart.
that’s what makes his relationship to cass so interesting — he sees his neuroticism, his dedication to the cause above all else, and does not find it admirable. he finds it confronting and upsetting. and to be clear, cass (like dick) is very much the moral ideal of what batman should be, but still bruce finds it hard to deal with!!
his abject failures — his treatment of the robins, his crippling guilt about jason, his fears of becoming a killer, the impossible load he gives himself to carry — means that when he’s shown as someone who genuinely cares, it makes him more complex. like yeah, bruce isn’t actually a cold hearted person. he really really gives a shit. too many shits, to be totally honest. he’s a morally grey person that wants to do good, but is so terrified of losing control that he keeps others away and hurts them in the process. there’s a reason why his emotional crutch was a traumatised eight year old fr. nothing is more important than the mission, including bruce wayne himself
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xxbottlecapx · 6 months
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Outsider POV Steddie fic that came to me in a fever dream
Gareth notices the exact second Eddie realizes he is in love with Steve Harrington. 
Honestly, Gareth would have been very off putted by the idea of Steve being in their group, especially after whatever shit went down during the earthquake and manhunt that gave Eddie his scars, if not for the fact that every single time Gareth went to visit Eddie in the hospital, Steve was standing vigil at his door. 
Any hesitancy about Steve being a good person quickly plummeted after he watched Steve get in not one, not two, not three, but four fistfights with civilians dead set on breaking into a comatose Eddie’s room to “finish him off” even though, Gareth would come to find, Steve had some pretty severe stomach wounds as well.  
And now Gareth’s friend group included Nancy Wheeler, Robin Buckley, Jonathan Byers, Steve Harrington, and of course the new gaggle of hellfire teenager recruits. Eddie, Jeff, Grant, and Gareth have always been rather solitary due to their status as outcasts, and now they had two absolutely terrifying jocks on their team. It was a bit surreal, and their friend group’s number was in the double digits. 
Of course, a lot has changed. 
Eddie had to use arm crutches now. Gareth wasn’t sure if they were permanent or if he would be able to walk without them with enough physical therapy. He had a large scar on his cheek too, and he was always absolutely terrified, even on the good days. It was just something in his eyes, always panicked, like he would get attacked at any time. If Gareth had been in his shoes, he would be the same way, so Gareth doesn’t judge him for it. 
That’s another reason why Gareth paid so close attention to Eddie’s… feelings… regarding former jock King Steve. Eddie was always more comfortable around Steve, like Steve’s presence soothed something in him that no one else could. 
Eddie never said he liked men. Even with the outcasts, that wasn’t necessarily a safe thing to talk about. Gareth knew something about secrets that could get you killed, though, as an intersex person himself. So he knew. Had figured it out rather quickly, back in seventh grade, and had subsequently laughed his ass off in private when he realized Eddie, for all his preaching about conformity, had a thing for jocks. 
Steve was different, though, than most of the jocks Eddie had feelings for. Eddie didn’t antagonize Steve, at least not in a way Steve didn’t not-so secretly like. Steve didn’t harass Eddie either, didn’t spew hatred at him the way other jocks tended to. Gareth had honestly thought that Eddie liking jocks who treated him like dirt was going to give him a complex or something.  Maybe it had. But Steve didn’t give into that stereotype. Steve treated Eddie softly, more so than anyone else ever had, and Gareth was pretty sure that even the clueless folk in the party were aware of that softness. Eddie needed it, especially now, when he always looked two seconds away from jumping in front of a moving vehicle just for some peace and quiet. 
When Gareth first met Eddie, he nicknamed him Twitchy, because Eddie was always nervous, shaky, he flinched at everything. When his hair grew out, he got better, and eventually the name faded. The urge was back now, but Gareth only ever gave into it in private. Their own little joke. 
It’s how he bonded with Robin, actually, who he found had nicknamed Steve Tiny, despite them being the same size. Tiny and Twitchy. Dynamic duo. 
For all Gareth’s talk about Eddie being in love with Steve, he was aware of the fact that Eddie didn’t know yet. 
Especially after the earthquake, Eddie wasn’t in touch with his emotions. He never had been, Gareth doesn’t think, but it was definitely worse now. There were things Gareth didn’t know, but he had watched Steve calm Eddie down from night terrors and random daytime flashbacks enough that he wouldn’t ask unless Eddie wanted to talk about it, and Gareth was pretty sure there was something stopping him. 
It was good for everyone to get out of Hawkins, especially with all the relief efforts. It could get exhausting to be around that much destruction, even if life was back to some form of semi-normalcy. That’s why when Robin had heard about a carnival a few towns over, all the proceeds meant to help with Hawkins’ hospital, they all decided they could take a day to go, kids included since most of their schoolwork as of current came from a packet that they turned in at the end of the week. 
It was a fun day, all in all. Sure, they were a bit limited on what they could do considering Eddie’s forearm crutches and Max’s wheelchair (Gareth didn’t know there would ever come a day where he would understand the people that hate gopher holes), but being out in the open air seemed to calm everyone’s constantly frazzled nerves, at least that’s what Gareth thought. 
It was unanimously decided that they wouldn’t stay after dark. Gareth knew he had it easy compared to some of the others in the group, but even he had nightmares about when Jason’s goons held him down and tried to break his hand. He did sprain two of Gareth’s fingers, but luckily they healed quickly. Gareth’s watched multiple of their new group members have meltdowns over flickering lights, which are much easier to notice at night. The dark wasn’t safe for any of them, some people still convinced Eddie was a murderer despite the official story of Henry Creel. Gareth says official because despite not knowing what actually happened, he remembers all of Eddie’s rants about not trusting the government, he’s seen the scars and the nightmares, and he knows it’s all dog water.
The sun was just starting to inch its way past the horizon, purple and orange splayed across the sky like ribbons, as they came upon their last activity. 
Face painting. 
Robin and Max had spent more than half the day trying to convince Steve to get matching flowers with them. Eventually, despite Gareth’s discomfort of the idea, he said he’d do it too, which led to the entire group (except Mike) agreeing to it. 
Steve was by far the most nervous of the bunch about the paint. Gareth liked Steve, with both his masculine and feminine traits. Gareth had always been too scared to be feminine, afraid that someone would figure him out. Gareth looked up to Steve in that way. He didn’t think Steve was aware of his more ‘feminine’ traits, and he’s sure if he pointed it out, it would make Steve stop, so he never did. It’s like Steve gravitated towards those things despite thinking he shouldn’t. Gareth respected the contrast of a guy who could pummel a man twice his height that also liked wearing lipgloss. 
Steve went last to get his face painted, the rest of the group roughhousing to the side. Jeff had Mike in a headlock, for whatever reason, and Max and Erica were urging them on, whisper-yelling fight fight fight as to not startle Steve. 
Robin was comforting Steve as the woman at the booth readied her supplies. She was going to mimic what she had done on Robin, a cute yet simple pink and yellow floral design on her cheekbones and crawling up the side of her eye. 
It became apparent pretty quickly that Steve’s nerves were on high alert. Maybe it was the kids, or just the remembrance of night’s oncoming torrent. Steve kept flinching away from the wet brush, though the wonderful lady manning the booth didn’t seem upset. She kept talking gently, her locs held together in a large bun, some paint on her face and quite a lot of paint in her hair. Gareth didn’t know how she had the patience. 
Gareth couldn’t hear what was being said, but Robin kept talking, her hand in Steve’s. She got him into a heated conversation, confusing the fuck out of Gareth, before he realized she was trying to distract him. As Robin ranted, Steve arguing occasionally, the woman running the stand began to slowly paint the side of Steve’s face. 
The woman finally finished, moving her colorful hands in a flourish, and Steve thanked her, albeit with a slightly red face when he figured out what was happening. 
Robin says something else as Steve gets out of the tiny purple chair set out for him and Steve throws his head back in laughter, the bright drawing on the side of his smiling face visible to Gareth. Gareth looks to his side to say something to Eddie, probably a mindless joke of some sort, and 
Oh, 
There it was. 
Eddie was looking at Steve like he had been punched in the gut, as though all the air had been ripped from him. Like Steve was the most beautiful thing in the world and just looking at him hurt. His hands were clutching his crutches so tightly his fists were turning white. Eddie’s mouth just barely hung open, as though he had forgotten to close it or just wasn’t aware enough of his body to do so, his wide eyes dilated in a way that would have made Gareth think he was on something if not for the fact that Eddie hasn’t even touched pot since he got out of the hospital. 
There was so much devotion in that look that it would have startled Gareth if he didn’t already know. 
Thank God no one else was watching, because Gareth knew everyone would figure it out in seconds if they saw the look on Eddie’s face right now. There was no denying it. 
Steve laughs again at something Robin said, and Eddie audibly gulps. 
Well, he’s finally figured it out, then, Gareth thinks. 
“Close your mouth.” Gareth whispers, bumping Eddie’s side as Robin and Steve wave to the artist and start walking towards them. It snaps Eddie out of the Steve-imposed trance, and he visibly shakes himself off, as though Steve’s impression on him had to be dealt away with by force. It would have been cute to see Eddie blushing so if it wasn’t also terrifying, Eddie’s eyes widening in horror now as he, upon just realizing he was probably in love with Steve, is also realizing that Gareth saw it. 
“It’s okay. I know. You’re okay.” Gareth whispered again, just so Eddie could hear. He put his hand on Eddie’s shoulder, partially to stop him from trying to get away and partially because he knew touch comforted him.
 They would have to have a conversation about it later so that Eddie wasn’t scared Gareth would tell anyone. By not moving away from him, Gareth hoped he was able to make his message clear that Gareth was not judging. He had no reason to judge, especially considering his budding crush on Will Byers. 
Gareth sighed, trying to give Eddie an encouraging look that, luckily, did seem to calm him down a little, a shaky grimace making its way back to him.
Now all Gareth needed to do was find out how to tell Eddie that he was pretty sure Steve liked him back. 
Yes this is based off of that one Anne With an E scene. 
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fictionalslvr · 9 months
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Part one. Part three.
SYNOPSIS:"Ghost" is your new neighbor in your apartment complex, everyone is afraid of him, but not you. You're the only one to be kind with him.
PAIRING: (Based of comic but that's not 100% canon) Simon Riley neighbor x F¡Reader
WORD COUNT:3.212k
WARNINGS: Fluffy, angst, mentions of blood, war, s.a (not directly) etc.
NOTES:There we go, back to the crying season. I literally cried while writing this one, so i really hope you guys like as much as i did. Remembering, this is the part two of this mini serie. And i HIGHLY recommend to listen to 'happier than ever' by Billie Eilish while reading this.
PREVIOUS PART
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It’s been almost a month. Almost a month since Simon appeared at your door, he drinked some coffee with you, had a long talk that showed little things about him. And after he left your door to work, it’s been days since you don’t hear footsteps on the apartment above yours. You can’t help but worry, he said his work was hard, tiring and had big choices. You pace around your house, feeling a weird knot on your stomach, a strange sensation of anxiety consuming you, not seeing his eyes, hot hearing his chuckles, not smelling his unique scent…all of this makes you feel strange, he’s just a neighbor…right? So why are you feeling this way? He’s used to doing this, staying out, working and coming back, he’s fine that’s right. Then why couldn't your heart understand this?
The only thing keeping you calm is your little cat, her fluffy fur on your legs as she brushes herself against you, looking for some caress. You sit down on the couch and sigh, trying to think better and your cat jumps on your lap, purring while your fingers brush her fur gently. It’s almost like she can sense you’re not well at the moment, and tries her best to distract you.
—”You’re a smart kitten, no?” A sad smile flows out, and you can only breathe deep for a moment. You don't know why you’re feeling like this, he’s only your neighbor who’s a bit mysterious, you shouldn’t be worried about him. And yet, your last talk with him made you think all those days about him. He seems like someone who suffered a lot, even if he didn’t tell you what exactly. You can see it, his baggy eyes carrying a sad sparkle on it, like he saw so many things you can’t even imagine. Somehow, you appreciate his bravery, without even telling, you supposed that he suffered, only from his eyes.
He’s always using a balaclava, so there must be a reason for this. Maybe he’s insecure about his face, maybe he just wants to protect his identity for someone, or he just doesn't want people to read his emotions. If the last one is the answer, he’s terribly wrong, because only from his eyes, you could sense how this man carries a lot of weight on his shoulders.
Since when he moved in, you’re caught about his whole figure, everything about him was a mystery, like he can’t really trust anyone. You look around for a while, looking at the pictures on your home, you remember how Simon was staring at them non stop the last time you saw him, his eyes were painful to see, his eyes narrow to the frames as his eyebrows furrowed as your voice called his attention back. Something about family pictures made him perplexed.
It’s weird to say, but damn, you missed him. His raspy voice, his tall figure towering over yours, his short words, his eyes never leaving your face as you talk, he’s a great listener, you could say. Even without knowing much about him, you wanted to see him again, hear his voice, feel his scent, make eye contact, feel this weird human connection you two created quickly. You groan and roll your head back to the couch, staring at the ceiling while your mind don’t stop not even for a second, your mind filled with Simon and everything you noticed about him, like how calloused his hands are, how he seems to be a terrible sleeper, how he looks to hold himself back while he talks, scared he will expose more about his life, how he has a habit of shakes his legs every time, how his eyes don’t stop still, they’re always looking around, as if he’s making sure he’s safe. Every little detail that you could think of, you paid attention to him, like you never did before, you never was this detailed about someone, neither that interested about someone. He has something special, something that curls you up in his hands.
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As for Simon? Being on a long mission wasn't that easy. Staying hours awake, the reason why he’s a terrible sleeper, sleeping in uncomfortable tents, thinking only about his objectives all day. It was awful, but, the only thing that reminded him he’s still human, is his friends, his teammates, the only ones he can say some dad jokes sometimes, the only ones who remind him he’s only doing his job, and nothing else, and somehow, that made him feel better. Knowing he’s not alone in this, that he’s not the only one making his hands dirty with blood, the only ones who made him feel less guilty for the blood dripping on his mask. Besides that, sometimes he caught himself thinking of his neighbor, the only one who had the courage to talk to him, that looked him in the eyes, that listened to his short talk, his voice and saw his miserable life. And yet, you don’t even know the whole story, if he did tell you…would you still smile at him? Would you still look him in the eyes? Would you still not be afraid of him? Would you still think he deserves to be loved? Because, he, himself, doesn't think he does. After all he did, all he passed through and lost, he didn't have a chance to be happy and live an ordinary life, he always had to remind how useless he was at protecting his family once, how he was a cowardly kid, how he suffered in dirty hands, how he felt used. Nothing more than a war machine, a big, strong and scary man that everyone frightens, that’s what he is, in his mind. As for you, such a gentle, kind and delicate woman…why would you listen to someone like him? He thinks he doesn’t deserve your kindness.
For now, there he is, stepping back to his apartment, his heavy boots making some noise as he's not even looking at the way he’s doing. It’s always like this when he’s back from a long mission, he felt like he was on automatic. His mask, a bit dirty like his gear, and he had some wounds too. He made his way on the halls, going to the elevator, it’s late, like 4AM.
And a soft voice calls for him before the elevator comes, the creaky wooden door behind him making noise.
—”Simon…?” —It’s your voice, he’s already used to that sweet melody. He doesn’t turn to face you, not wanting to scare you with his actual state.
—”Hello.” —Without noticing, you left a sigh of relief.
—”You’re back. I was worried.” —Your words make him disbelief, he turns to face you, and you can see a mask on his usual balaclava, his eyes widened as his pupils shake.
—”You shouldn’t.”
—”If I could control that. But I couldn't, and I'm happy you’re back." —His eyes fall to your figure, rubbing your eyes as you’re still sleepy, your pajamas from that day, and your voice sounds like honey.
—”What happened to you, Simon?”
—”I was working.”
—’Not this, these wounds…” — Realization crawls up to his mind, you shouldn’t be able to see him like this.
—”Shit.” — He mumbles under his breath and looks away. Your figure walks closer to him, it’s dark to see properly.
—”Please, come in. Let me take care of this for you.”
—”No need, I'm fine, thanks.” —How could he say no to your cute little eyes, looking up and down on his body, looking for every wound. Your fingers go to his arms, gently touching and pulling him inside your apartment. Without a word, he just follows, he could easily get rid of your hands on him, and he didn’t.
You close the door and make him sit on your couch, picking up a med kit in your kitchen, sitting beside him.
—”You’re not going to ask why I'm like this?”
—”Only if you want to say why.” — Your eyes meet him, looking for his approval before you lift up the sleeves of his gear, finding a very bad wound on it, how he wasn’t feeling the pain? He just nods, and you lift his sleeves gently. He loved how caring you are, always searching his approval for everything, even simple things like this. He loves how gentle you were towards a man like him.
—”Then…can we not?”
—”Of course, Simon.”
He always enjoyed how his name would sound in your tongue, in your voice. It made his heart skip a beat everytime. With caution, you clean up his wound, and he doesn't hisses, doesn't frown or groan, he just watches in silence, looking into your eyes all the time. Nothing matters now, not the pain, not the blood, no. Only you, and your kindness.
—”What were you doing awake?”
—”I wasn’t. I heard your footsteps.”
—”How did you know it was mine?”
—”I guessed. You’re the only one who would walk around at this time.” —His dark brown eyes were staring at your face, you looked so concentrated now, even while sleepy like this, you managed to do this. To take care of him.
—”Why are you doing this?”
—”Because I care about you, Simon.”
Those words, it’s been years since he heard it, seem unreal. Why would you care about him? What did he do to deserve such kindness? Is God finally hearing his prays he did when he was young? No, you’re only his neighbor, this is normal…right?
—”Why?”
—"Do i need a reason?" —He only looks away, his head nodding at your words. You were right, you don’t need reasons to do what you’re doing. Though, he really wanted you to have one. He needed you to have a reason to help a man like him.
A comfortable silence creeps in between both, it’s a silence that yells inside, so many questions on both sides, but no one wants to ask it. Simon looks on your window, the curtain flowing and showing the moon bright in the sky, giving him a feeling he never felt before…love, in its truest form, just pure love. Being taken care of like this, he doesn’t even know why he accepted this, normally he would ignore it and go to bed, sleeping only two hours or less. But you, have your gentle fingers wrapping his wound now, gently patching it with a gauze, you had some talent for this, he wondered…have you ever taken care of someone else? Because you seem to be used to this.
—”Well done.” —You mumbles under your breath, your eyelids blink slowly, you’re so sleepy…it’s adorable.
—”Thanks.” —Oh really? Is everything he can mumble after this help? He can’t express anything more than this. Honestly, he didn’t need to, his eyes locked with yours, your body painted with the moonlight and the dark blue sky, and you can see how he feels grateful for you. You smile gently.
—”No need to, I was just worried when I saw you like this.”
Simon sighs, taking off the skull mask on his covered face, leaving only his balaclava as you’re used to.
—”It’s normal for me to get back like this.”
—”With wounds?”
—”Not only on my body.”
—”You know you can’t live like this forever, right?”
—”I always did.”
—”And this will hurt you eventually, Simon. You can’t hide emotions and think everything is okay. They will overflow.”
—”You don’t know me well for this.” —Simon gets up from your couch, his voice getting rougher, and looks at your door. You felt a twist in your guts, he’s worried you might figure him out, because you’re already doing.
—”If you’re being kind only to know my past, forget it. I’m not a storyteller.”
—”Who told you I wanted this? I’m pretty sure it was yourself.” —Now it’s your time to get up and meet his eyes, his eyes can’t lie to you.
—”You’re tricking yourself with this, Simon.”
He hated this, how pretty you look while your skin sparkled with the moonlight, how your eyes made him nowhere to run, how you would read him like a book, even if you two don’t know for a long time.
—”You don’t know me enough to say that.”
—”Being cold won’t keep me away, if that's what you’re trying to do.”
The only thing Simon does is curse under the black silk on his face. He didn’t like to look so predictable, so vulnerable like this. But at the same time, he just wants to be taken care of by you, and only you, no one else. He stays silent for what seems like an eternity, there's nothing else to say. What would he do now? Being cold wasn't going to keep you away, and he knows he will only hurt you, and lose someone like you would be dumb. All of his thoughts were making him dizzy, it was too much, he didn’t feel like this in years, and now it just makes him confused, he doesn't know how to deal with this anymore.
—”Look, Simon, it’s okay. You don’t have to agree with what I say. I just want you to know that even if I don't know you too well, you’re already someone I care about.” —You whispered to him, this tone was enough to bring him back to reality. His heart skips a beat at your words, he didn’t deserve you. At least he doesn’t think so.
—”Do you even realize what you’re saying? I’m a stranger at your house. Aren’t you scared?”
—”Not of you.” —A cute smile spreads on your face, and poor Simon, he feels his legs weaker, his heart melt at the same second.
—”You’re crazy. I can’t understand you.”
He’s being genuine on this, he can’t understand how optimistic you are, how cute, pretty, kind you are. And damn, that hairs of yours, the smell makes him insane, he always tries his best to stay away.
—”And I can't understand you as well, we’re even now.” —Simon can’t help but chuckle in disbelief with your words. Oh God, why couldn’t he have a normal life…by your side if that’s possible?
—”Look, [name], I appreciate the help. I should go now, I already messed up your sleep too much.”
—”Wait…can’t you stay just until i sleep? I can’t go back to sleep alone now.”
—”Uhm…sure.” —He looks away, and you giggle. Quickly, you make your way to the couch again and make yourself comfortable there, laying your body and closing your eyes. He watched every movement, not really wanting to look like a perv or something, he wouldn’t ever want to make you embarrassed.
—”Goodnight, Simon.”
—”Night.” —Simon clears his throat, looking while you find a good position to sleep, you look so peaceful. Maybe having him around makes you feel this way. His eyes are glued to your face, so delicate and calm while you breath slowly, it was an adorable sight, he thought to himself. His thick accent was the last thing you heard before falling asleep, quicker than he thought you would. Simon looks around and sees a blanket on another couch, he takes it and gently puts it above your body, making you nuzzle into it as the cold breeze was a problem your sleeping figure didn’t know it needed help. “How stupid” he thinks to himself, he’s a war criminal, why the hell does he have a soft stop for a person he doesn’t even know the age? His strong arms could rip you apart, since you’re so fragile like this. Correcting himself, he could, but he couldn’t even think of doing it, you’re so delicate, he just wants to protect you, not the contrary. He sighs, and notices he’s been looking at your sleeping figure for a long while now. He walks to your door and holds the handle, but something curls on his legs before he can walk outside, it’s your kitten. That lazy female cat who decided to greet the man on his second visit here, her white and orange fur on his gear.
—”Bloody hell.” — Simon caught himself watching his tone for you, not wanting to wake you up. The little kitten meows while twirling around Simon’s legs, he sighs and rolls his eyes up, one hand holds his mask, the other rubs the cat’s chin with his gloves on, so rough, and yet, bent down to caress your cat.
—”Now…let me leave, lil’one.” — His strong accent keeps there, while he…whispers with your cat. He gets up and opens your wood creaky door with caution, giving a head nod to your cat and closing the door when he steps away.
It’s so hard to leave, to leave that warm, cozy, happy place. To meet his dark and cold home, he can only sigh with the thought. Why is it so hard to leave? Why is his heart throbbing? That’s stupid, he’s not a teenager anymore, he’s a grown ass man that can deal with his feelings, he thinks so. He’s only trying to fool himself into that idea, because he knows when he steps his foot inside his apartment, he will crave for the sound of your voice, your warmth and your damn smile, and mostly, your words. So well chosen like you know exactly what to say to make him fall. You’re clever enough for his rudeness. He knows you will be just below, living your life peacefully and he will get back to his miserable life, alone, with his bad thoughts. If only he was open to his own feelings, he would see how fucked up he is now. Already missing you and wanting to stay by your side. His delusional mind wanders to a life together, you would say him goodbye when he’s out for missions, calls him, send letters, and he would keep a photo of you on his pocket, only so when he’s not motivated, he looked at it and remembers why he’s there, to make you safe. He would come back to your arms and stay beside each other, you would see his face behind that balaclava and smile, knowing the real Simon, while he leaves Ghost on the job.
That’s when he comes back to earth, being on his balcony, his balaclava lifted up a little bit as he smokes, taking a puff of his cigarette and sending it back into the sky with a blow. The breeze makes him shiver even with his gear still on, and the thoughts consume himself.
—"I'm fucked up."— Simon realizes when his thoughts wanders too much. He tosses the cigarette on the floor, stepping on it as his raspy voice talks to himself. Going to bed at 6AM, and not even being able to sleep, because his heart decided to throb about someone he doesn’t even know well, his brain decides to play with his sanity once more. He can’t take this feeling growing inside of him, it’s weird. Simon stares at the ceiling, laying at bed, his hands caressing his chest as he feels pain inside, right on his heart. Not even his patched wound would hurt like this.
What is this feeling...is he...falling in love? You leave him in tatters. And even while he's thinking you're perfect, you still have your problems as well, he's not the only one broken, and he will discover this soon.
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Yo! Good morning/evening, hope you are fine^^💝. I wanted to ask you a question but I was afraid that it may bother you or something (you know..that feeling when you are scared that you might disturb someone or being an unwelcome person) but yeah I will ask you since i was serious about your answer for some time now so I hope I'm not annoying you or something *feel free to answer only if you wish^^. You seem to know the characters pretty well, you are quite capable and great at reading and understanding them, one of the things I'm serious about is what do you think would make someone qualified enough to be with malleus? Do they have to be of the same species?certain Reputation, stature or traits?(sorry can't help it since I can't rest until I know everything about what interests me and figure it all out😅). Thanks for giving me some of your precious time I really like your blog, you're amazing💜
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No worries, you’re not bothering me at all ^^ I love to talk about my hyperfixations www
Now, I know a lot of fans (particularly on the EN side) like to ship Malleus with their OC and especially with Yuu so I want to first make it clear that my response is NOT meant to invalidate those Malleus shippers. Whatever I say here is based on my own interpretation of canon lore (and let’s be real here, TWST won’t ever confirm if anyone is romantically interested in Yuu because it might not work with how some players view their own relationship with that character). In fanon, anyone can be with anyone, but in canon there are very specific in-universe rules and expectations laid out for Malleus so these are what I will be referring to.
I also want to emphasize that the final traits I discuss in this post do NOT reflect Malleus’s personal tastes or views. He has little say in what kind of an individual his spouse would be, so his own preferences are not speculated about or taken into account here. The traits I will be bringing up are based on what I believe the lore implies are the desirable traits for those marrying into the Draconia royal family.
We got it? Good 👍 Read more below the cut!!
Firstly, I’m completely disregarding the ideas of “Malleus can love whoever he wants to love”, “Malleus can scare people into accepting who he loves”, and/or “Malleus can change the law so he can marry who he loves” (a la Sultan from Aladdin or through some other Disney magic or logic). Here’s why:
In general, those solutions for “high stakes issues” are too simple, and that has never been how Twisted Wonderland tackles complicated problems. Just look at every single OB boy’s backstory. They’re so complex that they aren’t totally resolved by the end of their books; these problems persist and are long term things each of them are working on addressing. This is also true of the politics TWST introduces to us; Leona for example explains how there is social pushback and resistance to the idea of infrastructure reform because the culture of the Sunset Savanna stresses harmony with nature. This has made it difficult for them to adopt new technologies because real politicians in their world have to seriously weigh their cultural values with their health and societal progress. The only time there are really easy solutions are in events or vignettes where the emotional stakes are not super high, but who Malleus marries is, in fact, super important since this will entirely change the life of a main character and his country.
With that first bullet point in mind… No, Malleus cannot love whoever he wants to love. Certainly, he may feel affection for another but he can never truly be with them. He is royalty and the only heir to the throne of Briar Valley. It follows that he is expected to marry for political reasons/to better his nation. This is a non-negotiable obligation for him.
Rather than saying, “Malleus cannot scare people into accepting who he loves”, I think it’s more accurate to say Malleus knows he probably shouldn’t. I mean, yes, he may be upset about his S/O not being accepted by his people but I feel that is discrediting a lot of the loyalty he has for his own country. As a kid he may have thrown tantrums when he was upset and potentially harmed staff, but as a 178 year old he has a much better understanding of decorum and maintaining it in spite of his own grudges. For example, even though he personally dislikes Leona he still commands Sebek to apologize to him because, at the end of the day, this could harm Briar Valley’s relationship with the Sunset Savanna. That’s not to say that Malleus can’t be petty (he definitely is)—but implying he would be petty toward basically his entire country just because they would disapprove of the one he loves?? (We know this would likely be true because Sebek’s parents faced similar backlash when they got together.) I feel like his own sense of awareness and responsibility for his country, crown, and people would override that. As an example, Malleus states that he has never been in a car before because the senate would be against it and often kept Malleus in the castle. Someone of his power could easily ignore them and sneak out and do whatever he wanted, yet the dialogue implies Malleus didn’t. He obeyed his political advisors even when he was younger and arguably much more immature. Malleus might not like certain decisions made about his life but it sounds like he ultimately complies with them.
Continuing from the previous point, let’s say for the sake of argument that Malleus does scare everyone into line. What about his public image and the mental health of his S/O? Maybe Malleus can frighten people to not talk out of turn to his face, but he cannot control what people whisper about him behind closed doors or to treat his S/O well or like they actually like them. Not only would they be alienated (away from their own home and forced to adapt to a new one) but they’d be treated oddly by others too. What kind of reputation is that for Malleus? To be a tyrant king who throws a hissy fit anytime someone talks about his partner in a way he doesn’t approve of? With a spouse who is not at their best mentally because of the constant ostracization? (This is similar to what Leona experienced in his childhood.) I don’t think Malleus would want to subject anyone to that kind of life, especially not one he loves. And again, this attitude would be the vast majority of his people. It’s not like it can be avoided or resolved in an easy manner, especially when the people of Briar Valley have proven to be against change.
Lastly, Malleus would not change the law so he can be with whoever he wants to. To begin with, I doubt this is a unilateral position the senate would approve of. But okay, let’s accept that Malleus is royalty so his power overrides the advisors’ power. So he effectively just changed a law for a very selfish and personal reason rather than changing something to actually benefit his people. That doesn’t feel in-character for him, not when Malleus seems to understand that it is the duty of those in higher status to help those below them rather than themselves (see: Riddle’s Suitor Suit vignettes. Malleus has acted selfish before, yes (who remembers Endless Halloween Night? His Dorm Uniform vignettes? I do.)—but never at the cost of changing the status quo of his country. (Book 7 is not included here because he’s in a very distressed emotional state then; this “new law” scenario posits that Malleus is in a normal state of mind.) This is a major change—change which Briar Valley, its people, and most importantly, Malleus, are not ready for. You think there wouldn’t be social pushback against this? From a society that has become complacent with its own way of life and is still isolated from the rest of the world? That Malleus, someone who struggles greatly with accepting life changes himself, could enact such a big change so easily? (On a more technical level, you don’t just pass a law and it instantly becomes tangible or real, there is a process of approval and then implementation.)
Additionally, it’s made clear in Ghost Marriage that “[Malleus] cannot enter into an engagement lightly”, which is why Sebek goes in his place. Eliza, the Ghost Bride, is royalty (er, albeit dead) but it seems that royal status is not enough to qualify as his partner. Maybe this is because she’s dead and doesn’t have anything of value for Briar Valley (no land, no people, no political power), but it could also mean that the partner has to be given the thumbs up by other parties.
All that being said, here are some of the conditions I think would have to be met for Malleus’s future spouse:
Has to be someone of equal or at least high status. This means they also have to be a royal or at least of nobility. This appears to be true of Malleus’s dad, who is referred to as a duke.
Because of how self-contained Briar Valley is + nocturnal fae having beef with diurnal fae, I imagine his partner would have to also be a nocturnal fae. This would also solve the MASSIVE lifespan difference between fae and non-fae because at least fae would be far closer to each other even if their lifespans fluctuate but subspecies.
Someone suited to rule by his side. Being married into any royal family is no joke—it comes with the expectation that you will contribute somehow, and the partner should be fully equipped to enter the world of politics with him.
Piggybacking off the last point, I think mental fortitude is also a prerequisite. This is because being a politician (navigating the social climate both within your country and outside of it, keeping your people and colleagues happy, maintaining public approval, managing laws, dealing with potential attempts on your life, etc.) can be very stressful and can hurt those who are faint of heart or not prepared for the responsibility. Leaders have to make tough calls at the drop of a hat, and they have to be ready for it.
Has a lot to offer in terms of benefits to Briar Valley as a country. This could be in terms of resources, connections, and/or political savvy. This appears to be true of Malleus’s dad, who acted as a diplomat for Briar Valley.
Vetting and formal approval from the senate. lmao good luck with that
Has to be able and willing to have a child. They at least need an heir to the throne to succeed Malleus. (However, knowing how exclusionary and conservative as heck the senators are, I doubt they would accept anything but a biological child 💀)
Preferably someone with powerful magic or is skilled at magic already so as to lessen the chance of “tainting” the bloodline with a weak mage or a non-mage.
I believe that Briar Valley would prefer someone with old fashioned values like them, not someone pushing for massive reform. They have a culture that is resistant to change and a history of fighting for resources with outsiders, so if Malleus’s new spouse tries to introduce a bunch of technology or open its borders to other countries (even if they have good intentions), the people + the senate may oppose them. His father is implied to be open-minded, but he at least understood that such change isn’t reasonable without time and effort dedicated to the endeavor.
All that being said 💦 I think that this topic is actually less about what Malleus as an individual wants and what his country, his people, and, yes, even his asshole senators, want. This is basically an arranged marriage situation so that their country can maintain power and relevance. It’s about the collective and what Malleus must do for their perceived security and prosperity.
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itscherrylipsforme · 4 months
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The missing piece: Oliver Quick x fem!reader
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Part 2 here
Summary: A few months after Saltburn becomes completely his, Oliver still feels like something is missing. Without being able to put a finger on it he decides to pay a visit to Oxford, where all started, trying to find the answer between his old memories. Fate believes that a pretty and sweet student he meets in a bookstore is the piece of the puzzle he needs right now. After all everyone wants to be showered with love, don’t they?
Warnings: Post Saltburn fic, a little bit dark (it’s Oliver, what you expected?), age gap (he is around 15-17 years older), slightly innocent kin? (nothing sexual)
Words: Around 1700
Author's rambles: Okay, I feel in love with him the movie and I am kind of embarrassed about it (It’s not my fault hat the actor has pretty eyes and a gorgeous accent, fine?) For your own good, don’t aspire to have a boyfriend as toxic as him in real life. Also this is my fic on Tumblr, please be nice
Masterlist Characters I write for
Likes and reblogs are appreciated ღ
I do not authorize any of my works to be copied, translated or plagiarized ✗
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There is a psychological phenomenon that claims that after achieving something we have been longing for some time instead of the sense of satisfaction we were expecting we feel incomplete, hopeless and already looking forward to our next success. After having the Saltburn's keys just for himself, Oliver experienced that piercing emotion for the first time in his life. If he was painfully unaware of it or simply decided to ignore it remains as an open question until today. The only thing that was certain for him at that time is that he needed some action, a new goal, maybe some entertainment, and specially he needed answers. That’s why he decided to go back to the place it all started nearly sixteen years ago
Oxford hadn’t changed a lot since he graduated, as he had the chance to notice it. Different names, different faces, different decades… But still the same social scheme it was back them. Groups of rich daddy’s and mommy’s children swarming around the campus, pubs where you had to drink to be accepted, and poor little nobodies who had to adapt or die in the process
He rented a large flat not so far away from the university, and in the café just below it he rediscovered a hobby he had always had, but which have been almost forgotten on those last months on the mansion. Looking at the students, being able to read through their facades while accompanied by a cup of coffee, became his new pastime. But people always talk and after some weeks spending the afternoon in the café terrace just lost in his thoughts he realized the odd glances the staff shot towards him, so he decided to hide his true interest behind a less complex and unique one. The next day he went to the closest bookstore to buy any novel that would help him with his purpose, after all, people just ask fewer questions when you are reading on your own. That was when he found you sitting on a couch, legs crossed with a book between your small and soft hands
Pretty, beautiful, gorgeous even. Young, probably still studying at Oxford. On the shy aspect, lovely and smart as he guessed correctly. Sweet smile. Bright eyes. Oh, and some soft curves he was able to peep while he seemed to be looking at the shelves by your side. Wait, was that a blush, what he saw on your cheeks? Another scholarship student as he was back then. The fact that your clothes weren’t from big and expensive brands and that you spent your afternoons in the bookshop without really buying anything was the clue he needed to be sure about it. God, you were adorable, perfect, just what he needed right now and he decided to start working on it
Time had shown him that patience and a good plan could take you far away, this is the reason why, although he was eager to come to you and straight-forward mesmerize you with his tricks, he waited. He spent the next five weeks going to the library more or less daily hoping to see you, and luckily (since he was used to building his own luck) your schedules always matched. He always sat on an armchair to read next to yours, close but not enough to be suspicious. Just after he had made sure you have not so subtly looked at him a few times, he decided to make the move
“The Secret History” a deep silky voice said from behind your seat. His face slightly near to your face which made the words linger in the air for some honey-like seconds “You have a good taste”
“Thanks… Thank you” you manged to say in sweet and shy whisper
“First time you read it?” he asked and a shake of your head was the response he got
“No, I have already read it a couple of times in pdf. But I have never owned the physical book”
“We can have that keep happening, can’t we?” he grinned, and you couldn’t remember if he was the first man who had smiled and looked at you in that way “May I have a look at it?” his large and firm hands came to hold the cover as he stood up and went straight to the cashier “Follow me, darling” the nickname rolled in his tongue, sweet as candy, and before you thought about it, you did as he said. You were obedient, good thing, he thought to himself. He pulled the money out of his wallet in merely seconds, paid for it and hand it back to you
“Thanks, but I can’t accept it” you said slightly embarrassed
“Of course, you can! It truly is an amazing novel, you deserve it” he smirked. His words have had just the reaction he had expected from you, cheeks covered with a tiny hint of pink “I have always found myself relating to Henry Winter, I just need my Camila now”
You were taken back, was that an attempt to flirt? Because if it was, he had your attention. While you tried to make any sense out of your thought, he spoke again
“I am usually on a café nearby, if you are interested you could come sometime” Another smirk, and at that moment you knew that this man was going to be the death to you. Things like this only happened to the main characters in romance movies
“I don’t even know your name”
“ You can call me Oliver, darling”
“I am y/n”
“Beautiful, beautiful y/n, it was a pleasure to meet you. Hope we see each other again”
And you did. Between coffees, books, conversations and more, he had you wrapped around his finger by the time your classes ended. Oliver was sweet, devoted, intelligent… all you could ever ask for in a man. He was straight out of your dreams, and damn he felt you were straight out of his. Innocent, easy to make blush, could keep with his ramblings and most important, you were eager to love, and he was eager to be loved
Yesterday it had been your graduation, when you left the ceremony in that beautiful dress he had insisted on buying you and wrapped your arms around him, he felt like his plan has almost completely succeeded. Almost, you wanted a fairy tale romance, and he was going to give you one. Keeping things slowly and delicate. But when he woke up and felt you laying on his chest sleeping peacefully, he couldn’t help but want to make you his. That had been the only night you had spent in his apartment in your months together. He had sworn to himself that he wouldn't rush, so he didn't. At least he was glad you were coming with him to Saltburn for a few weeks in the summer and you could bet he wouldn’t let you leave the mansion again if he could. After all, you were all that he wanted. His missing piece
Part 2 here
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robynrocksforbrains · 9 months
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Mike Wheeler is important and there's nothing wrong with analyzing him
Since y'all wanna be insufferable bitches about it I'm gonna explain to you why he's important, why Will loves him, why his struggles should be acknowledged, and why his character depth is pivotal to byler endgame being a satisfying conclusion for both Mike AND Will. Deal with it!
We are not seeing smoke where there isn't a flame. We are seeing smoke where there is a literal fucking forest fire.
Starting off with something a lot of people aren't ready for but I've seen more people talking about: Mike is the main character of s1 at the very least. He is the character that brings us into the world of stranger things. He is the character that the writers chose for this. Mike is the main character of s1 and it was an instant hit. The writers love Mike. Contrary to popular belief, giving a character an arc where they are struggling and their behavior changes from what is normal for the character we know and love does NOT mean the writers hate that character. It means they deliberately chose to give that character complexity and depth. Your inability to like characters that do anything wrong ever is not the fault of the writers. Your decision to act as if a character is not important is not reflective of the actual narrative because it in fact is in direct opposition to the narrative. So just to be clear, if you genuinely believe that Mike isn't important, or that the writers hate him, or don't care about him, or that his story "takes away" from any other character's - ESPECIALLY WILL'S - you are simply wrong.
In s1 and s2 Mike is established as an extremely caring person. He's loving, loyal, brave, intelligent, and trying his best. He is also established to be hot headed, someone who speaks without thinking quite often, someone who is capable of hurting his friends despite that being the last thing he wants to do. He is all of these things and more. He is a human. He is a kid. So in s3, when suddenly he is entirely different, it is completely logical to assume that there is a reason for that. He did not just wake up one day and decide he wanted to be an asshole, push Will away, make his friends feel abandoned, and echo the same sentiments their bullies held. Something is happening with him. He has so much going on in his head and it is painfully obvious. He's holding something in, he's hiding from everyone and from himself. We see glimpses of what he's trying to hide after Will calls him out on his behavior. Will gets through to him. Mike is usually unresponsive to tough love, except for when it's coming from Will. After their fight, it is obvious that he's trying to be better. But he still doesn't wanna face certain things, and he doesn't know how to navigate that. Because he's 13 years old.
There is a reason for all of that internal conflict. There is a reason it comes pouring out of him at certain times. He's crumbling. He is quite literally falling apart because he's holding on to too much. It's not a stretch to assume that, it just takes basic media literacy. Why would the writers have Mike act this way if he was just supposed to be a one dimensional character? Why would Finn be directed to portray Mike the way he does if there was nothing more going on? There are times where Mike looks like he's in physical pain because of his internal conflict. There is a reason for that. And acknowledging that DOES NOT mean people are taking away from Will. That's the most idiotic thing I have ever heard. Do y'all seriously not understand that more than one character can have emotionally complex storylines? Genuinely asking, is this a new concept for you?
Will's love for Mike
Will is head over heels in love with Mike. That is very much established. So when you're dismissing the emotional depth of Mike's individual arc because you think acknowledging it "takes away from Will" you are actually diminishing the significance of a huge aspect of Will's emotional arc. By taking away the significance of Mike, you take away from the significance of Will.
Let's do a quick recap of the very significant role Mike has played in Will's entire life:
Mike is Will's first friend.
They have grown up together and it can be assumed that they've reached important milestones together.
Mike has always been a safe person for Will. He's been a constant in Will's very chaotic and unfair life. Until the summer of '85, Mike had always been something good in Will's life. (That's not to say he is no longer something good, but it can be assumed that the summer of '85 is the first time Mike has been a causal factor in Will's unhappiness)
When Will went missing, Mike did not hesitate to search for him. It wasn't even a question of if. The moment he knew Will was missing he knew exactly what he'd be doing that night. He spearheaded the search amongst the party. He was the leader.
When Will came back, Mike was the only person that didn't treat him like he was gonna break. He cared for him, and he was there for him, but he didn't treat him differently; Will tells us as much. Which means we can infer that the way Mike was with Will in s2 - how gentle and loving he was - was nothing new. He had just always been like that.
When Will was possessed, Mike stayed by his side. Even when it was scary, even when it could've gotten him killed, he stayed. Because once again, for him, it wasn't even a question. That's just where he knew he needed to be. He was in the shed when they were trying to get through to Will. He was set apart from Lucas and Dustin, but he also wasn't equated to family. And his retelling of the story of the day they first met was the final push Will needed to find a way to communicate.
After a year of things being "weird" between them, Mike tells Will that he didn't deserve to be treated the way he had been. Mike tells him that he wants them to be okay again, and for the rest of the season he puts in the work.
Things get rough in s3, and at the beginning of s4, and despite all of that, Will confesses his love (albeit veiled). In a moment where Mike is feeling awful about himself, he tells him that he loves him and needs him, and he tells him why. And to him it doesn't matter that he's breaking his own heart to do it, because it's Mike. Mike, who makes him feel like he's not a mistake at all, and that he's better for being different. For Will, there was no other option. The person he loves was hurting and he knew how to help, and so he did.
Mike is the first person Will tells about Vecna still being alive. Because they're back to being a team. He knows he can trust Mike, and Mike seems to be very determined to prove him right.
SO.
These are all real and canon aspects of Mike's presence in Will's life. Will falling in love with Mike isn't something that just happened for no reason. Will fell in love with Mike because of who Mike is. When you acknowledge that, and when you acknowledge the reasons they've set out for why Will loves him - the reasons Will literally told us - you can better understand Will. But when you dismiss all of these things about Mike, you are dismissing a large portion of Will's emotional and romantic arc. You aren't being a Will Warrior. You are erasing so much of him and his feelings and his lived experience. That is not the hill you wanna die on.
Will loves a person. Not a feeling. Yes, he says that Mike makes him feel like he's not a mistake and that he's better for being different. But that's not why he loves him. He feels that way because he loves him.
Mike is a fully fleshed out character with his own feelings and struggles and fears and traumas and motivations. He's not a plot device. He's not just an accessory to Will's arc. He's not a character that was written only to be Will's love interest. He's Will's love interest because he's Mike.
If Mike didn't matter, and if Mike didn't play a significant role in byler, then they would be able to write in a love interest for Will in s5 and have it be somewhat satisfying. But they can't do that. Will's love for Mike has so much depth because Mike has so much depth. It is genuinely crazy that this has to be stated and that I have to back up this claim because it is simply a canon fact.
So yes, the rain fight affects Mike's character development and his involvement in it is important. Yes, the van scene literally could not exist without Mike and therefore his involvement in it is incredibly important. Yes, every single byler moment has an impact on Mike, and Mike has an impact on it because they are BYLER moments. Yes, Mike will have a lot of significant moments - with Will AND on his own - in s5 because his arc deserves and needs as much attention as Will's in order to execute byler endgame in a satisfying way.
No, none of these facts negate Will's importance or take away from his story. If anything, they add to it because Mike and Will's arcs are corresponding and intertwined.
Mike's struggles
To name a few
Dysfunctional family
Has been bullied his entire life
Extreme self worth issues
Inferiority complex
Hero complex
Lack of self preservation
Suicidal ideation (has been on display since SEASON ONE)
Internalized homophobia
To get this out of the way: Mike's internalized homophobia is allowed to be discussed. Discussion of it is not the dismissal of Will's internalized homophobia. Surprise surprise, two queer kids in the 80s have internalized homophobia! Who'd'a thunk it?! Their internalized homophobia presents in different ways but it is there for both of them. I personally relate to the way Mike's is portrayed way more than I relate to Will's. So why is it that we can't discuss it without being accused of erasing Will's experience? Or without people saying that we're "copy and pasting" Will's story? Because quite frankly, that feels dismissive of my - and likely many others' - real and lived experience. So please for the love of all things that are good just stop with this talking point because it will never hold up.
Moving on
I'm not gonna do a full breakdown of all of Mike's issues. Because contrary to popular belief, there are a lot. And that would be exhausting and I'd get carried away and it's not the point of this post. The point of this post is to defend the acknowledgement and mere existence of them.
If you're a byler that for some reason thinks Mike only exists to be Will's love interest and his trophy as compensation for his trauma, let me ask you this: Have you considered how awful it would be to have a queer character's individuality and emotional depth completely ignored for the sake of focusing on the queer character that "really matters"?
If Mike's own issues, with his queer identity and otherwise, aren't thoroughly explored... What's the point of all this? If Mike really is insignificant in this storyline and his individuality has no effect on it.. where's the emotional payoff? If his perspective doesn't matter... Why have the writers gone to such great lengths to ensure we don't have that piece of the puzzle yet?
Analyzing Mike and understanding Mike is very important to understanding byler. Once again, I think it's crazy that this needs to be said.
I also think it's important to note that characters can have similar struggles. There's no rule against that. Just like real life. Characters having similar struggles is not a bad thing, and acknowledging that their struggles are similar is not dismissive of either character. We're talking about STRANGER THINGS. Jonathan and Nancy's thing is "we've got shared trauma". They have literal matching scars. Shared experiences are some of the main building blocks for this show's romances. Byler has a TON of shared experience, basically their entire lives. We already know that. So wouldn't it be so beautiful for them to learn that they've been struggling with the same thing this whole time? That the entire time they felt alone in what they were going through when really they had each other and they never even knew it? Wouldn't it be so beautiful for Mike's acceptance of Will and Will's love for him was also a step toward accepting himself? Wouldn't it be beautiful for Will to learn that his love makes Mike feel like he's not a mistake? None of that would be in the realm of possibility if Mike didn't have emotional depth and if his individuality wasn't important.
And that leads me to my concluding point...
A satisfying execution of byler endgame hinges on Mike's individual emotional arc being handled well
God I hope this isn't controversial to say. I sincerely hope most people haven't forgotten that.
Here's a hypothetical:
Imagine season five has been released. You're watching it, and you notice that Mike has been relegated to just a supporting character for Will. We don't get any of his perspective. We don't get any explanation for his s3 and early s4 behavior. His breakup with El doesn't have any real tangible effect on him, it's really just used for El's character development. We never see him pining for Will like we saw Will pining for him. And then suddenly Mike is learning about the painting and then suddenly he's confessing his love and then suddenly byler is canon and official.
Now wouldn't that just be awful? Wouldn't that be unfair to the audience, to Mike, and to Will? For us to never learn just how much Mike had to go through to even be able to say it out loud? For Mike to never get the chance to prove to himself through word and action that he is the heart? For Will to never get an explanation for why things did get so "weird" between them? It would leave us with one big, nagging question: What was the point of everything Mike has said and done throughout the entire show if his conclusion is that lackluster?
Disregarding Mike for a moment (I know that's incredibly ironic given what the entire point of this is but just bear with me) - how would that be a satisfying conclusion for Will? I mean, Will's s4 arc was basically dedicated to showcasing his struggle with his sexuality and with his love for Mike. We were shown just how deep that love is. We were shown how patient, unselfish, unwavering, and beautiful that love is. So how would it be satisfying for Mike's love for him to not be shown with just as much depth? How would it be satisfying for Mike to just be a one dimensional character whose s5 arc is essentially "break up with girlfriend, wait to find out best friend is in love with him, say he loves him back, then they live happily ever after"? I think Will deserves for his love to be returned with the same intensity at which he gives it. And I think it should be clear to the audience and to Will himself.
Back to Mike!
Mike has been through so much shit. I don't think anyone that is denying that actually believes he hasn't been through shit. Because you'd actually have to watch the show on mute and with your eyes closed to think this kid hasn't had just the worst time. It's so ignorant to act as if this stuff hasn't affected him. There's stuff we've seen but there's stuff we also haven't seen. There are issues he has that date back to his childhood pre-canon. Just like Will, Mike has been a queer kid growing up in 80s smalltown conservative america. Acknowledging the pain he 100% carries because of that is so important. His perspective has been withheld from us, not because it's unimportant, but because it's the final puzzle piece. If we had Mike's perspective in s4, byler wouldn't be a "will they won't they" (even though we all know they will). If we got his perspective in s4, byler would be a "100% certain without a doubt they will". But the thing about his perspective is that it's so much more than just loving Will. It's fear. It's pain. It's insecurity. It's doubt. It's the belief that his happiness just doesn't matter all that much. All of that has to be explored. All of that has to be laid out in the open for us in order for byler endgame to feel earned. Mike's emotional payoff will lead to byler's emotional payoff.
Mike has known he loves Will. In s5 we will see him make a deliberate and active effort to overcome the things keeping him from doing something about it. And then he will do something about it.
And so when it finally happens. When both Mike and Will finally know that their feelings are requited, and when their arcs end with us knowing that they will face whatever life has in store for them together, that will feel earned. That will feel like the logical conclusion for both of them. Not just for Mike. Not just for Will. For both.
And Mike is just as important to that conclusion as Will is.
And one last thing...
Some people are going to talk about Mike more. Some people are going to talk about Will more. Because newsflash, people have preferences. Some people just relate to Mike more, or they find his emotional arc extremely compelling, or they just like him. It isn't an attack on Will or any other character. No one is saying Mike is more important than any other character (I'm sure there are people that say that but they are a vocal minority and they are simply wrong). We are just saying that he is important. If you wanna engage in media analysis, please understand that "main character" or "central character" does not mean "only important character" and "only character that should be analyzed". If you wanna talk about Will and only Will, that's fine. But you don't get to act like people that talk about other characters are doing a disservice to your fave, because that's not how any of this works.
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xerith-42 · 27 days
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I think the reason a lot of people are wrong about Franziska Von Karma is because they take Phoenix's judgments of her as gospel. Even if it's made apparently clear that Phoenix doesn't know shit about her in JFA, and is basing all of his judgements of her from a purely antagonistic perspective. The whole fucking point of the final case is proving that Phoenix is Wrong, that he can't always assume his clients are purely innocent, that sometimes he'll have to defend guilty people.
And it proves that he was wrong about Franziska when he talks to Edgeworth. Phoenix talks a big game about Franziska only wanting her perfect win record for purely selfish reasons. Which is wrong. Franziska has consistently helped Phoenix because her goal is not victory, it's Justice by any means necessary. In Turnabout Big Top she ends up being the reason that Acro gets found out. It takes a few leaps in logic to get there, but her sudden search of his room is the reason that Acro confesses. When she questions why she did it, it's because Franziska believed something similar to Phoenix about herself.
In her mind Justice = Perfect Win Record, because that's what she was taught. Because Franziska loves her father and emulates him in court, but does it with her own flair and style. But all Phoenix can see her as is another overly aggressive prosecutor who wants innocent people to go to prison. It is in the third game that he finally starts to understand her a little more and they establish their wonderful dynamic, but I don't think some people take her role in that game as seriously as they should.
Both Phoenix and Edgeworth make sweeping statements about Franziska as if they know her, but they don't. Edgeworth may be her brother, but he hasn't been around for a while and literally died to her. She's a different person from when they last met, and I doubt that Phoenix has seriously considered how the outcome of DL-6 coming to light really effected her. And because of this, the audience doesn't either.
The audience is only ever really encouraged to think about this through the lens of Franziska's grief over her brother and how strangely she's handling it. While you absolutely can and should think about how utterly destroyed Franziska was to learn that the father she loved was secretly a monster, the games don't encourage you to do that because Phoenix doesn't think Franziska is a good person. Not until the end of JFA, and her emotional journey isn't a focal point in Trials and Tribulations.
It is in the epilogue of JFA, but that's a scene for Franziska and Edgeworth, one that the audience does see, but I think some people take for granted. They still view Franziska through the most antagonistic lens because well... Well because people say they want more complex female characters but then can't handle a physically assertive 18 year old wearing shoes too big for her.
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moltengoldveins · 2 months
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so we can all agree that the newest 2WEI song (take the crown) is the trailer song for an Antarctic Empires Emerald Duo pg14 movie where Techno is a gladiator who earned his freedom and has vowed to destroy the government that enslaved him and Philza is an old demigod banished to a solitary plane of existence for five decades after attempting to run a coup against the ruling class.
They meet on a battlefield, Techno having joined up as brute muscle and Phil having used some minor illusions to pass as a quirky avian and join the bombardment team. Combining some similar plot beats as Oceans 11 and Atlantis: The Lost Empire, they gather a specialized team of insurrectionists, anarchists, battle mages, and warriors to take down the imperium from the inside, eventually planning on restoring the nation to the democracy it was in Phil’s earliest memories. But will they manage it, or will their bloody pasts and violent present seat Technoblade on the throne as the Antarctic Emperor, with Philza as his right hand, the Angel of Death? (Spoiler, the second option. It’s the most controversial film finale decision of the decade.)
The movie is filmed in a style somewhere between Dune 1, the Prince of Egypt, and Topgun. (denis villeneuve is too busy and too expensive, but it’s clear they’re taking inspiration. Bold colors and lighting and a lot of shots of the sky, wildlife, architecture, or of characters’ hands.) It’s scored by an up and coming indie musician, working under the consultation of Ludwig Gorannson in his spare time as a pet project, though his association with the film doesn’t really come out until it Smashes the expected theatre income in the first two days of release and critics start Raving about it. Techno’s actor is nominated for an Oscar for one of the most compelling intricate portrayals of ptsd and platonic devotion in modern cinema, but doesn’t actually get the Oscar.
Tumblr is flooded with gif sets of Techno in the Obligatory No Armor After Gladiator Fight Scene and the Late Night Vibing With Phil In A Loose Poet Shirt scene (firelit, lots of closeups of his eyes, the film is obviously attempting to express his complex emotional state and his deep relationship with Phil, and is failing miserably at doing Anything but making him hot. The internet is ✨gay✨ about it, because when is the internet not?) Also most of the simps are calling Phil a dilf.
Fit MC is the fan-favorite side character, his four scenes and nine lines of dialogue are clipped and edited and giffed and memed into the dirt. (His armor and prosthetic, the makeup and costuming department say, were the hardest thing to do in the entire film, which is why he isn’t in too many shots.) Though, a close second is Niki, who is played by a woman built like a brick house who doesn’t wear sleeves, so…. Yeah. We all know what the response is there. The effects, including Phil’s wings, are almost entirely practical and the only real places it gets iffy is Steve, the giant war polar bear that’s pretty clearly clipping through a few snowbanks here and there. Nobody can agree on which characters are morally reprehensible.
Within a few years, very few people outside a dedicated fan base have seen it and a few assume it’s made up like Goncharov. It’s also, for some ungodly reason, been labeled a Christmas film. (most of the plot happens in the ice and snow, hence ‘Antarctic Empire.’) I guess nothing says ‘Christmas spirit’ quite like ‘unmitigated violence, platonic yearning, and overthrowing oppressors.’
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maxphilippa · 2 months
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i'm genuinely just saying that the ii fandom should try to not put their ships on basic dynamics because when you watch the media itself you realize that they're wayyyy more complex than that, and that the content that gets made off it feels one dimensional and like people don't really get why their dynamic/friendship works at all, or simplify their attributes completely disregarding the other relationships the characters in said ship have.
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nickloon works because of suitcase mattering so much to both of them. now this is something that most of the fandom doesn't get because they don't get nickel's character at all and often portray him as an gay asshole, but i've made a lot of analysis on his behaviour, so you can check my posts on him if you're interesed to learn why suitcase is so important to him too. however they're so much more than just "a weird gay thing", they're an story of growth and realizing that you were wrong, how much love they have and how you can learn and change for the better, as someone who went through that same thing and now i have a best friend thanks to that, seeing how people only put them on one dynamic disregarding completely the reason as to WHY they're like that is pretty boring. they work because had so many issues at hand and needed communication in order to work through it. their care towards one person (suitcase) is what made them be so angry at eachother and what ultimately made them become friends as well, but the way they genuinely ended up wanting to be friends and caring so deeply for eachother is what speaks the most. sure, nickel cared about baseball and all, but balloon was ultimately the reason as to why he lets go of the rough attitude, and decides that he does want to fix what he has done, that he wants to become a better person and friend.
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lightbrush works as an POST canon ship, not as one that happens on s2, nor should people ignore the fact that paintbrush was often angered/stressed by lightbulb's behaviour for most of the show. it works because ultimately they're both struggling to come to terms with themselves, and lightbulb gets to finally understand why she was messing up so much and genuinely showed care for paintbrush, who was ultimately struggling with themselves, you know, coming out and all that. what people don't get by making their relationship just an "silly random fella x hot headed person" is that they're both so much more than that. lightbulb has depression and her terrible copying mechanisms are what made her suck so much as a team captain, and paintbrush wanted stability and for someone to actually listen to them for once. lightbulb gets to learn that life is much more complicated and that she has to be there for people if she wants genuine connections with others, and she helped paintbrush on such a complicated moment, showing that they can work on an actual friendship post show, and that they do care about eachotther after all.
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fantube is so much more complicated and emotional from what the fandom usually portrays. downgrading them to just an "girlboss x malewife" feels like they're not getting their characters at all and also like it's missing the point of their arcs being entwined by still making them act like their s2 pre-ep 14 selfs. both fan and test tube had severe issues with social interaction and grasping on what's real and what not, emotional communication often being their biggest struggle, and constantly got on arguments with others thanks to the fact that they couldn't "fit in". test tube shows to generally struggle understanding people and their feelings, meanwhile fan is more so aware of those, he still struggles with understanding that the game is very real and that he can't keep running away from the fact that change IS very real. they both made eachother grow because fan made test tube aware of feelings, and test tube made fan aware of growing and learning. they're both pretty equal on their own terms and they had bad copying mechanisms through s2 as a whole, except for their elimination of course, where they make amends and start over. they trust eachother and are pretty much partners, whether romantic or not, they are a team. a duo. they're just trying their best after all, and still struggle a lot with feelings at times. but that's why they work it through talking: the thing that they couldn't do at all before.
i really like/enjoy these ships on their own and i kinda hope that the fandom starts to actually get the characters and understand them properly, i would've also talked about silvercandle, but that is a whole can of worms and after iii 18, i have an overall more negative/neutral stance on the fandom perception of them.
this is just a recollection of thoughts, too.
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