#that got so long I'm sorry

[cakebatteronabrickwall]

I’m a sucker for good parallels, but consider this:

Each unhappy family is unhappy in its own way.

The reason I can never fully buy into aligning Logan-Ewan-Rosa with Kendall-Shiv-Roman is that it is not meant to be a clean alignment in the first place. The poison drips through, but it finds new and fun ways to take hold. For example, Uncle Noah physically abused the children, Logan only did that to Roman as far as we know. Logan is more emotionally abusive, he reinvented the cycle so to speak.

Lookig at the siblings is even more unclear. Kendall spends the first season as Logan’s advesary, doesn’t that make him Ewan? Until season 4 he has never so clearly wanted to be Logan as much as defeat him. Now he is most like his father, yes, but it is complicated. Kendall himself acknowledges “hoping” not “knowing” he can be like Dad.

Shiv is often positioned as Ewan-esque, because of her opposing status to Kendall. Some might also say it is her political believes, but we have seen those be flexible over and over, never more clearly than now. Ewan is a hypocrite, sure, but also more selfaware than Shiv will ever be (love you, girl!). Also, Shiv reminded Logan of Rose the most and in her maneuvering could be read as imitating her father as well. What does that mean then?

Oh, and Roman. Roman = Rose is such a cheap comparison imo. We now know that Rose died very very young, we’ll never know who she could have been as a person so the parallel is kinda broken that way, because we know Roman very well. We know he knows best how Logan would react and what he wanted to hear but never could keep up the act long enough. At times he has been more Kendall’s antagonist than Shiv. He very well could end up leaving the firm. So isn’t he most like Ewan then?

You already know the answer is No. Because the new Roys will find a way to be uniquely unhappy their own way. On a superficial level it makes sense to draw those parallels but ultimately they fall apart. Also, we always forget Connor, don’t we.

#don't worry i also forgot connor lol #that got so long i'm sorry #but the main point is nobody is rose #nobody is logan #nobody is ewan #the parts are already taken that story has already played out and even cycles get to be fresh and new #succession #succession season 4 #kendall roy #shiv roy #roman roy #logan roy

[gildedmuse]

Yeah, the only way I can see Zoro becoming a Captain is if Luffy specifically orders Zoro to become one.

One of my very earliest story ideas set in the world of One Piece - for serious, I was but a wee infant fan barely able to toddle to her phone and then be immediately insulted by the lack of Zoro/Mihawk - actually delt in this "trope". [I was also set pre-Skypiea, so at this point I had still mostly seen the filler arches and let me say.... Skyiea did very little to change my opinion on that matter.]

In basic terms, the idea involved the Strawhats forced to sail through this series of closely linked islands, each with their own little societies of very gossipy but very different - at least in the native's opinions - cultures/morals/cuisine/whatever (alternative they could have just been rural populations of very dedicated bounty hunters; we're talking backwater enough that they would have been shocked to hear that whippersnapper Shanks made captain much less Yonko).

You would think such a place would be paradise for pirates on the run, but the truth is, these Islanders may rarely get flooded with new bounty posters of Wanted Men (and Women, and Fish-people and Mers and Minks and listen these people don't discriminate against a criminal with a price on their head) but that hardly stopped them making and spreading their own their through little archipelago whenever a clear threat was so spotted.

Look, it wasn't Luffy's fault he may have accidentally on purpose destroyed this town's entire floating fishery and aqua garden - the only one they had available in their rather unreasonable mountainous winter island habitat - but on top of the wanted poster someone finds stuffed in his back pocket, it spells death.

Luckily, they do have Robin around at this time, and she knows just enough about these islands, peoples and customs to have just the solution.

Make Chopper-San captain! After all, who would expect such a brilliant, caring doctor to be a horrible, criminal pirate captain!

Arg, Robin-san you idiot! You can't make him happy just by saying he'd be such a good doctor captain!

Surprisingly, it's not Nami who takes issue; she may not trust Robin like "the boys" (because she "has boobs and funny powers" *sigh*) because she Also recognizes that Robin is, like her, a smart surviver, and that she is willing to support (well at least until it becomes dangerous and let advantageous). So Nami's vote goes to Robin's plan: have Chopper act as captain until they're safely out of these crazy waters. Of course, as the plan came from the intelligent Robin-swan and has the approval of the beautiful Nami-chan, Sanji wouldn't say a bad word against it, but you can tell in the way he eyes the horizon he's preparing himself for the inevitable trouble.

Then of course, there's the matter of convincing Luffy who,

"Hmm? You mean like playing pirates! Oh, I call captain!"

"Luffy, you can't be captain, the whole point is that Chopper has to be captain so they don't come after us like that again!"

"Hmm? Okay, well then I want to be......Oh! I know-"

And just like that he runs off to get whatever supplies he needs to "play pirate", leaving a cheerful crew (and one very happy reindeer, currently beaming as Robin fits him with his own little captain hat and Usopp takes out an old bit of sail, asking what he wants his Jolly Roger to look like.)

The only one completely unamused is, of course, Zoro is against it on principle (even though he thinks Chopper looks sweet as a baby angel in his captain's hat, I mean just look at their doc!) Oye, where's she get off, telling the crew who their captain is!? What is that women even on about? Zoro and the Merry only have one captain and they can't just go changing that on her whims! If they get to the next island and people are still pissed, just let him and Luffy fight them off! That's what THEY do on the crew!

But it's too late, Luffy likes the sound of this game, so from now until after the next island they're officially the Cotton Candy Pirates!

But of course at each island something goes wrong and in a panic they switch to another captain.

Each rotating Captain gets the whole expierence:

☠️ Naming and "recruiting" a crew, though that last one is more just assigning everyone a roles (Luffy insists it's absolutely necessary for any pirate captain, even only a temporary pretend one; though sometimes it's a necessary swap when the townspeople ask why their doctor looks so much like that doctor pirate captain they just heard of from the last island.)

☠️ Their own Captain's hat, of course, and sometimes the full Captainly ensemble to match (don't ask from where, from the same jumbled pile of clothes they pull all their other outfits, okay?)

☠️ A new flag adorned with their own Jolly Roger (courtesy of Usopp)

☠️ A banner on the side of the Merry (again, Usopp, with some help from Chopper and Robin) with their new crew name, just to make it clear they aren't the Strawhats.

☠️ Something inevitably go horribly wrong, forcing another quick disguise change for themselves and Merry before the next Island.

In case you're wondering.... (You weren't, but you're gonna suffer through it.)

Chopper takes his role very serious, which means he has lot of fun since he basically gets to play pirates with his best friends! Usopp makes him a flag, Robin finds him an awesome costume, Sanji calls him "Doctor Captain-san" - Usopp said his name should have been scarier but Chopper didn't want any of the kids to get scared of doctors even though they only had to stay on this Island for six hours for the log pose to reset - and gets him a sweet whenever he asks (except when Nami, who claims she is playing the ship's OTHER doctor, says that he will give himself a tummy ache). Luffy beats around on a bunch of pots and pans which the others hate but he says he has to because he's the musician and that all pirate crews have a musician (Chopper wonders why they don't have a musician, but he doesn't think to ask at the time). Since Usopp offers to be the new navigator Chopper asks Robin to be his first mate, and then asks Zoro please if he wouldn't mind being the crew's army fighter protector, since he's the strongest person Chopper knows. He doesn't play with them very much but he does smile just a little when Chopper asks so Chopper thinks he's a pretty good captain!

That is until he talks to some poor weak looking lions that are all beat up and come sniffing around the ship for scraps. He tries to give them some medicine, but the town folk don't like that at all. They have to leave really quick, but as Captain, Chopper decides they're taking the lions with them to the next Island, where hopefully they'll be safer!

Usopp goes next because, well, he's the one who convinces the next island that of course they aren't those cowardly, evil Cotton Candy Pirates! Haven't they heard of the great Usopp Pirates before, led by the famous captain Sniper Warrior Of The Giants Kyoyūshi Usopp! In fact, these are lions they recently saved from some totally different terrible pirates the, Errr, Strawhats, who you probably haven't heard and certainly don't need to worry about, not after Usopp took care of them! They had been abusing these poor, sick lions and forcing them to go to towns and scare people or they would be beaten and starved.

Fortunately, Usopp happens to have world famous linguist on his crew, Chop-Chop. After he ate the Tenuki no mi, he can even talk with animals, and so Usopp gives the people his solemn word as the strongest, most trustworthy captain in all the seas these lions won't hurt anyone in the town. Indeed, they've promised to work alongside you fine citizens while hunting and even guarding you from pirates, just so long as you promise to share some of what they hunt and don't beat them or chase off their young! Their doctor, uh, Mizzie Sunday, has plenty of experience as a veterinarian as well. She'll be happy, with Chop-Chop's assistance, to help get both lions and people set up and comfortable with this prosperous new alliance!

Yes, it's true, Usopp's crew is quite amazing! You should meet, um, Cat! She may look pretty and sweet but actually she's one of the most fearsome swordsmen of all times! Huh? Oh, well, she often makes him hold her swords, so she can decide which one is best depending on the battle. That's how amazing she is! And she trusts Zo-Ro-Zo because as their cook he is excellent with knife care! Oh, this is his first mate and trust advisor Yonji - eh? Haha, right now he forgot you hate telling people your first name! (Why would Sanji hate the name Yonji so much? What did Usopp say?) They simply call him, The, uh, Heart Breaker, for the wherever he goes women fall over themselves, helpless at their charm!

And finally of course, this is our bard, the man in charge of chronicling my many amazing and legendary deeds! We call him Monkey but he has many names, they say no one has yet to know them all!

So if you could just do us a favor and -

Usopp spent most of the next four days talking. Of course they ended up in trouble by the end!

I could go through each and every one one of these crews but let's just say when it gets to Zoro it goes something like this.

Zoro: So... I'm the captain, now?

Sanji: *trying not to look nervous after what he had Zoro do*

Chopper & Usopp: *jump to attention*

Robin: Yes, Captain-san, we await your orders. *Smile*

Luffy: *lies on his favorite spot, watching Zoro curiously*

Zoro: *Nods, seriously* Good.

Zoro: Oye! Luffy, get your ass own here!

Zoro: I'm making Luffy captain. *Throws Luffy the ridiculous cape Usopp had given him* And since I'm captain no one can do a damn thing about it. *Stocks off to go get in a much needed nap until Luffy inevitably causes a fight to break out*

The End

#that got so long I'm sorry #I had a list of all the names and everyone's position in each crew #then realized that was not the ask #one piece #roronoa zoro #Roronoa Not A Pirate Hunter Zoro #its a flawless disguise #god ussop #the strawhats #Strawhat Antics #nico robin #tony tony chopper #cat burglar nami #vinsmoke sanji #monkey d luffy #everyone is a captain #stupid adventures #weird fics I never wrote #ask and you shall receive #amusing musings #one piece fanfiction #loyal first mates

[vaguely-concerned]

can't believe garak went from 'hope you have fun following my little breadcrumb trail of maybe-truths doctor it builds character ;)' at the beginning of the show to '*sigh* fuck it here's the whole loaf. the entire fucked up bakery of my soul. if you somehow still wanna have sex with me after this you know where I am, yours in infinite longing etc.' in a stitch in time. has anyone ever been so pathetically horrifically enduringly down bad as garak is for julian (laudatory)

#that's some real lodestar simp stuff you've got going on garak and I'm so happy for you/sorry . I guess that's the thing about love #garashir #elim garak #star trek #star trek ds9 #ds9 #I take the same approach to 'a stitch in time' that I do to deacon's final story in fallout 4 -- I'm agnostic on if ALL details are true #but overall it's certainly *emotionally* truer than even the truth could be sort of situation. genuinely emotionally intimate finally. #which I think is the more important part #and part of that is being weapons grade longing material fjdskjafsa. off the pining scale.

[flowercrowngods]

who did this to you. part 2

🤍🌷 read part 1 here pre-s4, steve whump, protective (but scared) eddie

This is not happening. None of this is happening, he’s… He’s dreaming. He’s high. High as a kite somewhere where reality doesn’t matter, where it can’t fucking reach him and he’s— He’s not panicking behind the wheel with Steve Fucking Harrington bleeding against the passenger side window. 

It’s not happening. 

Because if it were happening, Eddie would simply throw up. He’d leave his van on the side of the road and run the fuck away. Away from Harrington and his trouble, away from his rattling breath that’s so loud and unsteady, Eddie doesn’t even dare to turn on any sort of music, even though he’s itching for it, his hands clenching and unclenching around the wheel until his knuckles go white. 

“Shit, shit, shit,” he mumbles under his breath, barely aware of his surroundings at all, his eyes flitting from Harrington to the red stain against the window, back to the road and then down to the white-knuckled grip and the speckles of dried blood that is decidedly not his. 

Lost in his panic and disbelief, Eddie almost runs a red light. 

It’s harsh, the way he hits the brakes, and the sound Harrington makes is pathetic enough that Eddie feels like maybe this might actually be happening. 

“Sorry,” he breathes, his voice no better than Steve’s — and he’s not the one with a concussion, a broken rib, and that… fucking fear. Of something. Or someone. 

Who’s hurting you, Steve? 

Jus’ everyone, sometimes. God you don’t… You don’t even know.

He doesn’t even know. He doesn’t wanna know. All he wants is for Harrington to stop fucking bleeding, to keep his eyes wide open and— 

“Ed,” the boy says, wheezes, and it sounds like he wanted to say his full name, but had to swallow first. Blood, Eddie thinks. Don’t let it be blood. “Think I’m… ‘M gonna throw up.” 

“Please don’t throw up,” Eddie says before he can stop himself, hating how small his voice sounds, how urgent — like that’s the thing to be urgent about. God, he’s such an ass, but he… If Harrington throws up, Eddie will lose it. He knows he will. 

He chances a glance over at Steve, who has somehow managed to get his right arm tangled with the handle at the door, keeping himself upright and safe from Eddie’s rather frantic driving style. His head is drooping, moving this way and that against the red-stained glass, and he blinks unseeingly as blood begins to trickle down from his nose and temple again. 

He’s making himself small, and Eddie wants to pull him upright and tell him to stay like that, tell him to stop looking so terrible, so horrible, so… 

So much like Eddie’s fucking problem. 

He hates it. Hates everything about that vision. Boys like Harrington shouldn’t look like this, shouldn’t hold themselves like this, shouldn’t… Shouldn’t have no one but Eddie to take them somewhere safe. 

It’s just not tight. 

“Don’ wanna throw up,” Steve says at last, the pause too long for Eddie’s liking, and he sounds so solemn about it, yet so helpless, and Eddie kinda wants to scream. Wants Harrington to scream. Anything to stay awake and maybe not ruin his car. Anything to not fucking die in it. 

“Tell me something,” he says then, because he knows he has to keep Harrington awake and speaking. Just for another ten, fifteen minutes, he tells himself. “Anything, yeah? Tell me anything. Gotta keep you awake there, you hear me? Sounds great, right, staying awake?” 

He’s rambling and he knows it, desperation shining through his words and the god-awful way his voice breaks a little. This is not about him, he knows it isn’t, but still he wants to punch himself, wants to pinch himself and stay fucking calm. 

But who could stay calm in a situation like this? The silence is filled with the horrible wheezing and rattling of Harrington’s breath barely audible over the engine, and Eddie has to look over several times to make sure he’s still there, still with him, still alive. His panic spikes each time. 

He’s just about to reach over and shake him a little, snap in front of his face to get him back, when—

“I don’t know what.” 

It’s quiet, that voice, breathy and tiny and almost invisible, and Eddie wants to scream again. 

Tell me why you’re so scared. Tell me why your old buddy did this to you. Hagan would never touch you, so why did he now? Tell me what happened to Hargrove. Tell me why you sound so fucking small. 

“Tell me about your…” He fumbles for a moment, taking a sharp left and pretending not to hear the choked-off whimper. Focusing on good things. On normal things. “Your favourite person.” 

Eddie cringes at himself the moment the words leave his mouth. Your favourite person? Really, Munson? He scrambles to find something better, something cooler, or maybe something easier like asking his favourite fucking colour, but the overthinking really doesn’t mix well with the already panicked state of his mind. And Eddie just blanks. 

Beside him, though, Harrington sits up a little straighter, smearing more blood against his window in the process that Eddie pretends not to feel nauseous about. 

God, he never did like blood. 

“You wan’ me to tell you ‘bout Rob?” 

“Sure, yeah,” Eddie says, a little too loud, a little too shrill, actually running a red light this time because he doesn’t want to brake again and hurt the boy some more. There’s no one around anyway. This is Hawkins. Fucking dead-end of a town. It doesn’t need red lights, or boys who look like Harrington. “Rob. Tell me ‘bout him, what’s he like? Favourite colour, all that shit.” 

“Her.” 

Eddie blinks, looking over to find Harrington looking at him — or trying to, his eyes still drooping and empty. But it’s a good sign. People don’t die when they look at you, right? 

“What?” 

“Her,” Harrington says again. “An’ blue. Deep ‘n’ dark blue. She’ll say something corny when, when you ask her, jus’ to fuck with you. Sunset gold or rose, jus’ to mess with… But is blue.”

Eddie doesn’t really listen, doesn’t really process what Steve is saying, already thinking of the next question just to keep him talking. But then he continues on his own. 

“Mornin’ blue dep— de… makes her sad, though. So only dark blue. Says it’s why we’re friends. You’re so blue, Stevie. Got half’a my clothes, still, she does. All the blues.” 

That's... really fucking endearing, actually. 

And he says it with a half-smile, too, bloody and pathetic as it is. Like it’s a secret that only the two of them are in on, only Steve and Robin. It’s kind of sweet. 

Not for the first time today does Eddie find himself wondering, Who the hell are you, Steve Harrington?

He exhales through his nose, ignoring the way he’s started to shake with all that panic that’s been sitting inside him for a little too long now with no way to let it out. 

“Not much longer,” he mumbles under his breath again, or maybe he just thinks very hard. Maybe he doesn’t know where he is at all. It’s like he blanks every few seconds, too busy thinking and trying not to.

Before he can tell Harrington to talk some more about that girlfriend of his, there’s a pained, confused little whine that forcefully tears Eddie’s eyes from the street for a moment only to meet hazel eyes widened in confusion. 

“Wh— Where… Where’re we going?” 

Oh no. 

“Why’m I in y—“ 

“You’re safe,” Eddie interrupts him, speaking slowly because suddenly his tongue is too big for his mouth, and not entirely sure if he’s reassuring Harrington or himself. “You’re hurt, okay? It’s bad, but it wasn’t me. I’m taking you to… to someone. My uncle Wayne, he’s— He knows about that kinda stuff. You were telling me about Rob. Remember her, Blue? How about you tell me some more, hm?” 

Eddie’s voice is unsteady with worry and fear and panic, and he’s doing a piss-poor job at hiding it. The thing is, he’s going to cry. He’s actually, absolutely, no-doubt-about-it going to scream and cry and punch a fucking hole into something when this day is over, when his van is no longer bloody, and when Steve Harrington won’t have reason to look at him any longer. 

Oh, how he wants to skip forward. Past the nausea, past the fear, past everything that’s happening right now. Maybe past the insomnia that will come with a day like this, too. 

Past all of it. 

Or better yet, travel back in time and never get to that fucking boat house. 

But he can’t. So he breathes. 

At first, through the ringing in his ears and the racing of his own heart so loud and so forceful he’s shaking with it, he worries that Steve’s gone silent again, that he’s gonna ask again, ask what happened, ask where he is, ask all the questions that make Eddie feel like he’s been doused in ice water because they’re questions that only get asked in stupid movies where terrible things happen to people. 

But then he hears him mumbling something. Numbers. 

“What’cha mumbling there, Blue?” 

“‘S her number,” Steve says, his voice slurring again, worse than before, and Eddie hits the gas a little harder. “‘S jus’ her number. Robbie’s number.” 

And he mumbles again. Over and over and over, until Eddie couldn’t forget it if he wanted to, ingrained into the frayed edges of his mind now. 

He lets him ramble, lets him repeat the number until the words slur together and he can’t separate a four from a nine anymore. Each time Harrington hesitates, each time he stumbles over the words or forgets a digit, Eddie wants to punch the wheel. 

He doesn’t. He only grips it tighter and counts down the turns he takes, the streets he passes, the fucking trees that are familiar, before, finally, the trailer park comes into view. 

The sob Eddie lets out when, with shaking, trembling hands he pulls up to his home to find his uncle having a smoke outside is deafening to his ears after the quiet weakness of Harrington’s voice. 

It startles him, makes him stop his rambles and sit up straighter when Eddie finally kills the engine. For a moment, without the steady, rolling hum, the car is filled with the small, tiny whines Steve makes on each exhale. Like it hurts to even breathe. 

“Wha’s wrong?” He asks, but Eddie can’t really hear him. Can’t turn to him, can’t— “Eddie?” 

He’s out of the car before he can take hold of another thought, stumbling out of his open door on legs that feel numb and heavy. The urge to cry is back again, the burning in his eyes only getting worse when Wayne takes in the dried blood on his clothes and hands with careful, calculated worry.

“Ed?” 

“I didn’t know what— where—- I’m… Wayne, I’m sorry.” 

“Slow down, kid,” Wayne says, raising his hands as if to calm a spooked deer. Like Eddie is the one who needs his help. And he is. He really, really is, and he shouldn’t be, because this isn’t about him, but—

Wayne grabs him by the shoulders to keep him still, and only now does Eddie realise he’s shaking again, restlessly moving his weight from one leg to the other. His uncle steadies him, gently pressing down on his shoulders to ground him, and Eddie nearly sobs again. 

“Ed. Are you in trouble?” 

“No,” Eddie scrambles to say, becoming aware of what this looks like, hiding his hands behind his back on instinct, like that’ll make Harrington’s blood disappear. “‘S not my blood, I didn’t do anything, I swear! I swear. It’s, uh. I just found him. In the boathouse, I found him, and he was… God, he looked so bad, okay, but he didn’t want the hospital, and he was, like, so scared of something, and we don’t even talk, we don’t even look at each other, but I just… I didn’t know what to do, and you know something about concussions and people who were beat to shit and, again, I’m—“ 

“Eddie,” Wayne says, his voice so calm but so assertive that Eddie shuts up immediately, gladly handing over to controls to his uncle now. “Who’s the kid?” 

He nods towards Eddie’s van, where Harrington looks to be halfway unbuckled, but his eyes are closed and his face smushed against the door again, like he just gave up.  

“Shit,” Eddie says, adrenaline and panic slowly falling from him with Wayne’s hand on his shoulder. He sags into his uncle and rubs at his face. “It’s Steve. Uh, Steve Harrington, I mean.” 

“Okay,” Wayne says, and he’s so calm. So calm. Eddie feels like he’s about to fall apart, and Wayne is the only one keeping him together, with that’d steady, warm hand on his shoulder. “And you promise me he didn’t give you trouble? Or anyone else who’ll come finish what they started?” 

Eddie shakes his head profusely, getting a little dizzy with it. “I promise I’m not in trouble. He said Hagan did this to him, was alone when I found him. No trouble, Wayne, I swear, I’m not like that, you know I’m not.”

“Okay,” Wayne says again, and Eddie wants to weep. “I know you’re not like that, but some people are, y’know? You did good, son. You did good. Now help me get him out of that car.” 

It takes his uncle tugging him towards the van for Eddie to kick back into motion, nearly falling over his feet turning back around. It’s only Wayne’s “Easy” murmured under his breath that keeps the ground from opening up and swallowing him whole. 

He climbs in on the driver’s side while Wayne rounds the car and gets to Harrington’s side. 

“Hey there, Blue,” Eddie says, his voice shaking and the nickname slipping again — but it’s easier to call him that than his real name, it’s easier to pretend it’s literally anyone else in here with him, bleeding against his door. 

It’s easier to pretend it’s not Harrington’s breath rattling the way it does, easier to pretend those pained groans so high in their cadence they can only count as whines don’t come from Hawkins High’s Golden Boy who graduated a few months ago and was supposed to be done with bullshit like this. 

“Come on, up you get,” he tells him, not daring to raise his voice too much. 

He looks so frail. Like he’s already broken. Or like he’s trying not to. Like he’s holding on. 

Eddie pretends not to think that the hand he places on Steve’s cheek to gently pry him from the window is not the only thing keeping that boy together right now. 

Harrington groans, whines, wheezes, but opens his eyes to meet Eddie’s. Jesus, we’re they this blown before? Or this swollen?

“Hey,” Eddie says, just to say something. Just so he won’t have to hold the boy’s face in silence, just so he won’t have to focus on all the blood. Just so he won’t have to hear more questions that people aren’t supposed to ask. 

Steve opens his mouth, his breath coming out a little sharper, like he wants to say Hi rather than Where am I? or When will it stop hurting? Like he wants to say How can I help you help me? 

Somehow, Eddie manages a smile. 

Wayne chooses that moment to open the door — just unclicking it, not pulling yet; giving Eddie enough time to support Harrington, make sure he doesn’t fall.

“Careful,” he whispers, though whether it’s for Wayne, for Steve, or for himself, he can’t quite tell. Maybe it’s a plea to the rest of the world, and to anyone else who will listen. 

Steve is still staring at him. That’s probably not a good sign. He leans back a little, turning Steve’s head to make him follow him. Slowly, of course. Gently. Eddie can’t remember ever having touched something like it was going to break if only he looked at it wrong, but somehow he’s hyper-aware of it now. 

Because Harrington is staring at him. Entirely too still, like he has no strength, no coordination to do anything but stare. And yet Eddie is the one who, now that the adrenaline has fallen from him, now that he can let someone else take over, now that Harrington doesn’t need him anymore, finds himself unable to look away. 

Because Steve is just a boy. And so is Eddie, who can feel Steve’s breath against his wrist. And maybe, out of the two of them, Eddie is the fragile one. The one about to break. 

“Blue, you with me?”

Steve nods. Doesn’t speak again. Doesn’t move. Eddie swallows, briefly looking back down at Wayne to see if he’s ready. His uncle nods, ready to catch Harrington should he go down, and Eddie turns back to the boy who’s smeared with his own blood.

“I’m gonna take off your seatbelt now, yeah?” he tells him, not entirely recognising his voice anymore. “That man out there, that is Wayne. My uncle. He’s safe. He’ll take care of you, okay?” 

“Safe,” Steve breathes, and that shouldn’t be the one thing he focuses on. It shouldn’t sound so unsure. So insecure. So hopeful, so relieved, so— Fucking earnest. 

Swallowing all these thoughts, all this desperation and all those questions, Eddie reaches over Steve, one hand still supporting his head and feeling the overheated skin of Harrington’s cheek against his palm, the hint of stubble and the crust of dried blood. As if in slow motion, not daring to make a wrong move and hurt him more than he already does, Eddie frees him the rest of the way, letting the seatbelt slide into its hold behind his shoulder. 

“Careful,” he says again, just to say anything, but he is careful, and his hold on Steve is steady. 

“‘M careful. Not gonna break, Eddie.” 

“I know.” But maybe I will. 

“Good. ‘Cause… Don’ wanna break.” 

Eddie smiles, despite everything. “You’re not gonna break, Blue. Wayne’ll catch you.” 

Harrington loses his focus then, his eyes glazing over, but the small smile on his lips widens. “Blue. ‘S nice.” 

Yeah, Eddie thinks. He kinda is. 

Somehow, miraculously, they get Harrington out of the van and into the trailer. He throws up halfway to the doorstep, and Eddie curses under his breath while Wayne talks quietly, asking him yes and no questions that Eddie can’t really hear through the ringing in his ears — a strange mix of fear and relief, a panic not quite over, but soothed by his uncle’s familiar voice; even if it’s not directed at him.

“Don’t worry about it, kid, the next rain’ll take care of that. Stop apologising.” 

It throws him then, rather suddenly and violently, watching Wayne supporting Harrington, watching the blood smeared boy with the swelling, angry red bruises in his face. Somehow it’s different, seeing him in his home. 

This was always a safe space. Always void of everything terrible. 

And now there’s a broken boy on his doorstep who’s not Eddie. 

He remembers the fear, the panic, the plea for no hospital, Eddie. Can’t go there.

Why not? You need a doctor—

Monsters. Only monsters there.

It paralyses him and he stays where he is, holding the door with an arm that’s heavy like lead, standing on legs that begin to go numb again. He watches, but not really, as Wayne sits Harrington down on the living room couch, between magazines and brochures and some of Eddie’s calculus notes from last night that he was searching for a sketch of a monster he was so certain he’d drawn in the margins a few weeks back. 

Now there’s blood on his calculus notes. And Eddie is helplessly keeping the door open as though he’s going to run away any second now. Letting in more trouble to join Harrington on his couch. 

He should… He should close the door. Help. Run. Disappear. 

“Ed,” Wayne calls, snapping him out of his stupor. “The first aid kit, please. A bottle of water. A clean, wet cloth. A blanket, too.” 

Wayne talks him through it, takes it one step at a time, has Eddie bring him one after the other like he knows how much he’s keeping his nephew together by keeping him on the brink of usefulness.

Soon, Wayne has everything he needs, taking care of Harrington and his wounds, keeping him awake and talking so much better than Eddie did, even making him smile here and there, hiding his wince when the motion pulls on his split lip or the huffed breath sends a jolt of pain through his rib that Eddie is absolutely certain must be broken with the way he holds himself — with the way he lets Wayne hold him up. 

Wayne is doing his thing and Eddie is hiding, gripping the kitchen counter like a vice, staring both unseeingly and hyper-vigilantly as exhaustion washes over him, dragging him under and draining him of more than adrenaline. He slumps against the cupboard behind him, rubbing at his face like that’ll make it all go away. 

It’s not right. It’s not. This is Eddie’s home, it’s supposed to be safe, it’s not… 

He breaks away, ripping his hands from the counter and all but stumbling outside, heaving a deep breath and giving in to the urge to cry. Tears spring to his eyes and he wipes them away angrily, because it’s dumb, it’s so stupid, it’s absolutely fucking insane that he should be so worked up when Harrington talked about dying earlier. 

These things don’t happen. They don’t! 

“Stop fucking crying,” Eddie grumbles, sniffling and wiping away more tears as he closes his eyes against the afternoon sun. “Get a grip, Munson, Jesus Christ, there’s no reason to cry you big fuckin’ baby.” 

Nobody’s there to contradict him. Nobody’s there to make it worse. So he lets his eyes sting for a while, lets his lips wobble, his jaw clenched shut, the balls of his hands pressing into his eyes, breathing deliberately. 

In. Hold. Out. Hold. 

He doesn’t even scream. Doesn’t punch the still bloody side of his van, doesn’t run into the woods and disappear into the void. 

He simply breathes. Tries not to think about boys dying in mall fires, and even less so about boys beaten and abandoned in boat houses.

Doesn’t think about fucking Hawkins in Bumfuck-Indiana and the cursed way it has, driving its people mad. 

Doesn’t think about, They said my brain is hurt, Eddie. Doesn’t think about the Monsters Harrington mentioned. Doesn’t think about Blue, doesn’t think about I’m tired, Eddie. Don’t wanna hurt anymore. 

Doesn’t think about blue, blue, blue. 

He’s shaking when he comes back inside. He’s shaking when Harrington meets his eyes, looking a little clearer now, the blood washed away and everything bandaged a lot better than Eddie managed. He’a bundled in Eddie’s blanket. It’s wrong. It’s so, so wrong. 

Eddie can’t move, and neither does Steve. 

“Steve,” Wayne says, waiting until those eyes tear themselves away from Eddie and back to him, though Eddie sees them fill with such trepidation, he almost asks what’s wrong. “I won’t hear a no on this, and I won’t let you go home. I’m taking you to the hospital. Especially if you tell me your head was hurt like this before, more times than one.” 

“Three,” Blue breathes, a little dazed still. Not magically healed, not even from Wayne. Another thing that doesn’t feel right. 

“Three times,” Wayne says, nodding, like he’s encouraging Steve to continue. 

“But I don’t want a hospital.” Again with that tiny fucking voice. Like the Monsters are hiding under hospital beds. 

“I know, son,” Wayne sighs, tugging the blanket a little tighter around Steve, and Eddie’s eyes begin to sting again when he notices the tone Wayne uses. When he realises. When he remembers. 

”I want my mom.“ 

”I know, son. But she’s not coming. Your mama is gone, Ed, and this is your home now. Think we can make that work, hm? You and I?” 

Eddie had never felt so lost as he did then, clutching his blanket to his chest, burying his face in the wet fabric even as this man — his uncle — tugs it tighter around him. Like he is fine with Eddie wanting to hide as long as he doesn’t run away. 

He had shrugged, then, even though we wanted to shake his head, tell him no, tell him he wanted his mama. 

”I’m scared, uncle Wayne.” 

And Wayne had smiled a little, and nodded. “Then we do it scared, Eddie.”

Actually, Eddie feels like he never stopped doing it scared. 

And now there is Steve, who Eddie never believed knew what being scared felt like. It’s dumb, of course, because even Harrington is just a boy, but he was always untouchable to Eddie. They never talked. They never existed in the same space together, not in a good way and not in a bad way. Their worlds just never aligned, never collided, never coexisted. 

And now… 

“I’ll tell you what’s going to happen, okay? There’s a doctor, Doctor Clarke. Like— Yeah, like your science teacher, remember him? ‘S got a brother who’s just as much of a genius, and just as kind. He’ll take a look at you, yeah? Make sure your brain isn’t too hurt, clean your wounds, give you something for the pain. He won’t, uh. He won’t hurt you, kid. Whatever’s got you so scared, Dr Clarke will be nice to you. Especially when I’m there with ya, I’m an old pal of his. And I will be. Won’t let you outta my sight until you’re well enough to run away from me, you hear me, kid?” 

Eddie’s hands are hurting, his fingertips raw from where he’s been biting his nails while Wayne talks Blue through what’s going to happen — and he wonders, with the way Steve’s eyes are glued to Wayne, if he ever had anyone talking him through shit like this. 

“Okay,” Harrington breathes at last, still sounding way too small. “But. I’m…” 

“Scared anyway?” Wayne offers. Steve nods. You’re so blue, Stevie. “Then we do it scared anyway.”

And they do. Wayne goes to get the car so Steve won’t have to walk too far, leaving Eddie alone with him for a brief moment. 

He watches, from his place in the kitchen, how Steve’s face falls into a look of utter exhaustion and tiredness; the adrenaline washing from him just the same. Eddie wants to reach out. Wants to say something, break the spell of tension and silence and I know we don’t talk, but I’m glad you’re doing a little better. I’m glad you’ll go see a doctor. I’m glad you haven’t died, I guess. Do you really think you will? Are you really so scared of that? 

But Eddie keeps biting his nails, and Steve keeps his eyes closed, blanket around his shoulders. And they don’t talk. 

“Thank you.” 

Eddie perks up, not entirely sure he didn’t imagine the words — but Harrington moved slightly, his eyes still closed but his face now turned towards Eddie. 

“For, uh. This.” 

“I didn’t do shit, Blue,” Eddie says. “That was all Wayne. All I did was freak out, I promise.” 

Harrington shakes his head, though, slowly. “Mh-mm.” 

Eddie’s mouth snaps shut, because there is no room for discussion here. They don’t talk. And he doesn’t want the bubble to burst with insecurity and sourness. 

“Thank you,” he says again, and he sounds final about it. It makes Eddie wonder what he’s like, really like, when he doesn’t consist of pain and nausea and disorientation. 

He has a feeling that, despite everything, despite Monsters under hospital beds and torture in boathouses and mall fires that kill teenagers, Blue Harrington might be someone good to talk to. Compassionate as shit, even when all he wants to do is pass out. 

“You’re welcome,” Eddie rasps, pretending that his eyes don’t sting.

He wraps his arms around his chest like he’s hugging himself, or like he’s holding himself back. From reaching out, from asking, from telling, from talking. 

Unwittingly, even with his eyes closed, Steve mirrors him, and Eddie wonders if he, too, it holding himself back, or just curling in on himself some more even though it must hurt, feeling so small. 

Maybe that’s what fear of death does to a nineteen year-old. It’s so fucked up. Eddie wants to scream again. 

Outside, he hears a car door fall shut just before Wayne reappears in the door, giving Eddie some kind of meaningful look that he wouldn’t mind deciphering on any other day, but today he fears he needs words. 

“I don’t know how long this’ll take. Will you be okay, Ed?” 

“Will I be— Yes! I’m not the one with the concussion, man, of course I’ll be—“ 

It’s a bluff, comes too fast, and Wayne sees right through it before Eddie even realises it, and he steps closer. A warm hand on his shoulder. His eyes stinging again. 

“You did good, kid. Everything will be fine. But it might take a while. It’s fine if you need to go somewhere, just… Don’t drive. Call Jeff if you need someone, just. Don’t do anything stupid. And don’t get behind the wheel. Deal?” 

Eddie swallows hard, hit by another desperate, aching wave of I wanna go back in time and skip this day. A wave of tired exhaustion and wondering, aimlessly, just who the fuck Steve Harrington really is. 

“Deal,” he says, and Wayne pulls him into a hug. 

Eddie follows them outside then, trailing behind them like a lost little puppy, helping Harrington into Wayne’s car. His movements are still slugged and a little disoriented, so Eddie decides to lean in again and fasten his seatbelt. 

“Careful,” he mumbles, allowing the boy a moment’s warning, a moment to adjust before the weight settles on his chest. 

Dejá-vù hits him and makes him pause, with Harrington staring at him again. 

“I’m careful,” he says, the corners of his mouth tugging into a little smile.

More lucid than earlier, and Eddie thinks it that which takes his breath away for a moment. 

“Not gonna break, Eddie.” 

“I know,” he says, still not moving back, instead reaching up to tighten the blanket around his shoulders even though the seatbelt is already there to hold it in place. “You’re not gonna break, Blue.” 

The smile on those lips is genuine now, gentle enough to not be ruined by the blood crusting them. 

“Thanks. Again.” And then, when Eddie finally pulls away to close the door and tell Wayne to drive safely, “I really do like that name.”

It soothes the urge to scream.

Eddie closes the door as gently as he can — which isn’t much, because the car is old and not exactly smooth. 

“I’ll see you later,” he tells Wayne. Promises. To stay out of trouble, to stick around, to not run away for a while again, to stay out of his car. 

Wayne nods, a faint smile on his lips. 

“Later, Ed.” 

And then they’re gone, and Eddie is untethered again. Wonders, for a few seconds every now and then if it really happened, if this is real. 

But it did. And it is. 

And after sitting on the steps for a while, having a smoke and staring at where Wayne’s car disappeared ten, twenty, forty minutes ago, Eddie heads inside. 

He has a phone call to make.

🤍🌷 tagging: @theshippirate22 @mentallyundone @ledleaf @imfinereallyy @itsall-taken @simply-shin @romanticdestruction @temptingfatetakingnames @stevesbipanic @steddie-island @estrellami-1 @jackiemonroe5512 @emofratboy @writing-kiki @steviesummer @devondespresso @swimmingbirdrunningrock @dodger-chan @tellatoast @inkjette @weirdandabsurd42 (a thousand percent sure i missed some but oh well such is the 3am disease)

addendum 22 jan 24: onwards to part 3

#steddie #steddie fic #steddie fanfic #steve x eddie #steve harrington #eddie munson #steve harrington whump #this is so long i am SORRY #i hope tagging y'all was okay (and equally i'm hoping i missed nobody but also it is 3am) #who did this to you #most of y'all will know most of the beginning already maybe i should have split it up but i wanted y'all to have Something New too #and then the Something New got out of hand and oh well :( #dio words

[ruporas]

feast (ID in alt)

#vashwood #vash the stampede #nicholas d wolfwood #trigun #trigun maximum #tw blood #im posting this so late because october escaped me Suddenly.. hello.... #i wanted to make it a photoset with this other vampire vw wip but i don't think i'm finishing it any time soon and the mood of it is #completely different anyway. also i don't think i ever shared anything about my vampire au on here !!! it's all old art by now so im shy lo #but maybe i'll do a photodump of it. long story short vash is a vampire since birth and ww is a human vampire hunter that turns during thei #travels together due to EoM experiments + getting vash to drink from him at some point. #humans turn once they get bitten but bc ww has been experimented on #& got bitten by a bunch of human turned vampires thruout his hunts he thought it wouldn't be a problem for vash to drink from him but alas. #theyre both ok though theyre traveling together definitely not hating themselves for what theyve become and feeling guilty for what theyve #done to each other. theyre completely normal about it. the biting part is really appealing to me in vampire aus so i draw it a lot but #in reality vash only drank from ww once and ww mightve done it twice under the realization he might actually die otherwise #since he wont drink from humans after being turned.... he's combatting the 5 stages of grief at all times #if this is all nonsense im sorry DMGKSDF I'M NOT good at explaining and this au came from nowhere in the depths of my mind its a mess #ruporas art

[wispscribbles]

why are you and your drawings so cool 😭🙏

afdsasdfasg thank you !! irl ppl would laugh at me being called cool lol - Have a ghoap as thanks <33

#ask #chloe-is-slightly-epic #ghostsoap #doodle #i'm trying to get better at letting myself be a bit more open online #a bit more uncool if you will #im an anxious perfectionist so a lot of art and posts end up in drafts forever #like this sketch i drew..... 4 months ago #hope you all wont mind if I start posting a bit more #unfinished work like sketches or fic snippets #Im constantly making stuff and writing but I just dont post #womp womp anxiety #so yeah decidedly uncool but im happy you like my art :') #btw if youve ever sent an ask or asked a question that i've never answered... yeah its probably in my drafts because i got stuck on somethi #and then forgor #and now its been so long that it feels weird to reply #sorry!! I super appreciate everyone who take the time to write

[desertcrater]

wilson is diabolical in s3 ep2, especially because a few episodes prior its established that he eats neediness. if someone becomes independent from him, he can't stand it. typically this means he divorces them; but since house isn't his husband, this time it means he instigates house's psychosomatic depression.

both cuddy and cameron are on Team Tell House He Didn't Fuck Up, because they know house is on a quiet downward spiral. they know his leg pain's severity is tied to his self-worth/mental state.

but wilson? Mr I-Pathologically-Need-To-Be-Needed Wilson? he frames his Don't Tell House position as "teaching House humility" when really his motive is to get house back on vicodin and reliant on him. he even tosses a full vicodin pill bottle at house, claiming that it's so house doesn't skip rehab due to the pain. but if that were the case, why not give house something non-addictive? something OTC or non-restricted?

and i think there is an additional aspect in s3 ep1, too. house says he doesn't remember wilson "being this bitchy", and wilson replies that "the vicodin dulled it. in the sober light of day, i'm a buzzkill."

which could just be a dry humor remark, sure, but i think it highlights that their dynamic's going to change now that house is sober. and if their dynamic changes, it could threaten their weird codependent ecosystem that they live in. one where they both tolerate/exacerbate each other's worst qualities (house's misery and wilson's bitchiness). who will love me like he loves me? who will love him like i love him?

this is exemplified in that same episode. wilson shoots house down multiple times when house says he's a changed man, by replying: "no, house, you aren't."

wilson does this manipulative thing where on one hand, he's encouraging house to get better; yet on the other hand, he undermines any true progress. there is something so deeply wrong with wilson. he's so fearful of losing the codependency in his relationship with house, that he'll do anything to keep their fragile Boy Best Friend Status Quo. and that includes outright lying to house & actively sabotaging his rehab.

that also includes manipulating cuddy and cameron into keeping quiet. ironically, he's only able to do so because of his Boy Best Friend relationship to house. after all, who knows house better than wilson? who would know how to make house feel better more than wilson? who would know how to make house feel worse more than wilson? nobody loves house like wilson

#this got sooooo long but my god wilson is A Liar Sometimes (most times) #house md #hilson #james wilson #gregory house #also i'm writing this 30 mins into s3 ep2 so if the ending of the episode changes anything alsxndjdnd sorry

[theminecraftbee]

actually while i’m on an analysis and also bigb train i want to talk a little about the bigb/cleo relationship because. it’s VERY EASY to just read it as “bigb betrayed cleo that one time three seasons ago and cleo has never forgiven him for this” but there’s way more to it than that and it’s so fascinating i want to shake them around like maracas.

like, okay, the initial betrayal is as much a failure to communicate as it is an actual betrayal. cleo says that if bigb had just TOLD HER she would have let him, and I believe this (loyalty is an extremely consistent cleo trait). however JUST EARLIER THAT SESSION she’d also been talking about how she wouldn’t trust someone with the boogeyman curse and can’t believe someone would betray their allies. bigb heard that, decided he couldn’t tell cleo (because she’d hate him for it), and panicked himself right into a corner where he ended up doing the thing that was WAY WORSE for that relationship. also left out is that part of why cleo got that mad wasn’t even bigb’s fault; she was ALSO mad because lizzie and ren sided with him over her, and she felt betrayed by everyone at once. which she then pinned on bigb. meanwhile, while bigb apologized, he never let go of the idea that he'd had no other choice, and never really addressed the unstated hurt of 'cleo also felt like her friends had been turned against her', so it never rang as sincere to cleo. so like, more going on there than just a betrayal!

but like, let’s talk about their relationship after that, shall we?

on cleo’s end, she’s a character who tends to hold on to relationships across seasons, for better and for worse. the widow’s alliance basically never ending; martyn and cleo and their inability to be normal about each other; cleo and etho’s quiet understanding; and, as one of these important tentpoles, bigb and cleo being unable to trust each other. she carried that hurt with her into the few interactions they had in double life, and that in turn helped to color everything else. see, cleo doesn't just hold on to relationships; she holds grudges, and bigb is the ultimate target of that. unlike some of her potential grudges, she's never had a scenario where she and bigb were on the same side in order to temper the grudge. she's also never gotten the boogey curse herself, making it even harder for her to temper it and understand.

so, even after things like limited life where she's started to be less Immediately Angry the moment she feels betrayed (thank you scar for being kind of a moron and getting cleo that lesson), she still holds on to the last life version of bigb in her head. also, because of that, it makes it easy for her to just... continue perpetuating that. she shuns bigb and assumes he has some reason she needs revenge again. that, in turn, pushes bigb to doing another thing she needs revenge for, so she tries to get it, so they keep spiraling downwards in a cycle of mistrust, because cleo has also made herself untrustworthy to bigb.

meanwhile, on bigb's end... he tried to apologize and she wouldn't take it! she sees all of this as an irrational grudge on cleo's part, and there's been very little to discount that. but also because bigb has a tendency to go off and do his own thing and hold himself apart from people, he has made very little effort to meaningfully fix this. in fact, because he assumes cleo will continue to hold a grudge, he continues to treat her a bit like an enemy, continuing to provoke her at multiple opportunities.

he can't make that relationship WORSE, after all, so there's no reason NOT TO continue to mess with her. she'll never trust him, so there aren't real consequences if he keeps burning her, because the only consequence is that she'll just continue to never trust him, right? it's a simple relationship! and in some ways it's comforting, even; cleo is someone he can never mess up with, because that bridge is already burnt.

and ironically? this makes their relationship surprisingly stable. they will KEEP ON sticking knives in each other, of course. even when they don't have a good reason for it, cleo will assume bigb must have done something and bigb will assume cleo will hate him anyway. but in turn, i think they VERY MUCH know where they stand with each other. and tragically, that means neither of them have an incentive to try to fix this. they're both very, very entrenched in how they see each other now, and either of them will see any attempted olive branches as another place for everything to go wrong. they're cleo and bigb, who don't trust each other because bigb killed her one time, forever. that's who they are. that's how they see each other. and it's not just because that happened; it's because they keep reinforcing it, over and over and over again, in a way that makes communicating that they could stop nearly impossible.

that and i think cc!bigb and cc!cleo out of character really enjoy continuing to have their cubitos have a stupid irrational grudge on each other because they think it's funny but that's unrelated to the character analysis,

#secret life smp #(not really any spoilers here actually so not tagging that) #zombiecleo #bigbst4tz2 #trafficblr #this got. VERY LONG. sorry about that #i'm just a cleo main so when i started thinking about bigb i also started thinking about cleo #and started thinking about. at the begining of this episode here they were in this place again. #enemies by continuously reinforcing that they're enemies.

[narnour-momo-007]

"Uh oh, you found the toothpaste.."

#sam and max #sam and max freelance police #my art #narnour's art #I'm so glad Big and Small got the recognition they deserved :')) #they used to be a huuuugggee comfort to 5 y.o me🤲🤲🤲 #sorry if this was done before. I haven't been on the tag for a.. pretty long time.

[overtake]

“a sexual awakening so intense it registered on the richter scale” is the single best and most accurate description I have ever heard.

pov: you're 16 years old and doing the final test for your super license ahead of joining f1 as the youngest ever driver. you expect the doubt and hate, and you know you can prove on track why you deserve to be there once you actually get in a car, but until then, you just have to be the subject of everyone's headlines and criticism for a factor you can't control.

then this guy comes along.

race winner who got himself to a top team and is beating his world champion teammate, a cool older handsome charismatic guy with a giant smile and big brown eyes, beloved and kind while still being fiercely talented, competitive, and hungry? the guy who you met in 2011 and who gave you the time of day before you were old enough to sniff at the f1 grid. he's not even going to be your actual teammate (yet), but he still takes the time to tell you he's looking forward to seeing you on the grid when so much of what you've heard is nonstop criticism.

he tells you good luck for your super license with a big grin meant just for you

and this is how it makes you feel.

this is live footage of daniel ricciardo becoming a permanent fixture in max's spank bank. it's one of those foundational crushes you have at a young age that sticks with you for life and unconsciously affects "your type" forever and never truly goes away.

also, i just think everyone should hear the way max very softly says "he's a really nice guy, yeah" with so much affection packed into every word.

how are you not to psychosexually imprint on him? one look at that video and max was ready to risk it all. he's been metaphorically tucking his hair, kicking his feet, and giggling since day one. he found a guy who he could race hard, who would challenge him on track, but who would still make the miserable pr days better for them, who was always laughing at max's jokes every time he did his little glance over to ensure it landed. max is so fiercely loyal to his people, and daniel has clearly earned that trust.

tldr: max verstappen is number one dirlie and if he were on f1blr, he would be writing long posts with onboards, data, and that ☝️🤓 attitude of his explaining in detail why everyone is wrong about daniel, and i hope it haunts all the max fans who get their rocks off to calling daniel a washed asshole loser that max's porn folder is daniel late braking compilations.

#ask #this got long. sorry. i also took a 5 minute crying break over old videos of daniel. #my exams start in a week and this is what i'm doing #anyway #OBVIOUSLY i don't think you have to like daniel ricciardo in order to love max. #but it's perplexing to me that people can look at someone who makes max so visibly happy #and dedicate their entire life to obsessively hate-posting about him. #move on! ignore him! #i couldn't tell you anything about a driver i hate's race besides the basic race coverage #because i don't dig into every facet of it to feed an pathological hatred. #i definitely couldn't tell you things about their personal life/anything what they've been up to/recent quotes/etc #because i just see them and scroll. wish others had that ability. #maxiel

[frogchiro]

Imagining Tighnari coming home after going out to further explore the forest and is red in the face, panting and needy and instantly latching to your body, rutting his hips against yours whilst whimpering into your ear that he just can’t wait any longer, his cock has been throbbing for ages now whilst he was travelling home :(( you’re confused as to what brought it on, but by peering into his bag you see an array of brightly coloured mushrooms, ones that Tighnari himself to avoid at all costs as they’re basically viagra, and by the smell of his clothes you can only guess correctly that he had touched them at some point, and now it’s your job to let him fuck the living daylights out of you, else he’ll be on his knees crying and begging to let him stuff his cock into your warm pussy and to let him cum before he looses his mind :(

whiny horny tighnari who begs for a crumb of pussy :(( yeah :((

f!reader, smut galore, feral tighnari, knotting, breeding, cervix fucking, a/b/o-esque

all you can really do now is to carefully put the bag with the mushrooms down in a safe place, lock the door to your hut and strip yourself as quickly as you can because you know that any second your feral horny boyfie can and will jump you like a wild animal in heat.

and he did, oh archons he did. the second he sees that you're naked before him, he physically feels the resistance break and jumps onto you, frantically trying to climb on top of you and attempt to mount you. when he finally has you on your hands and knees tighnari lets out a pathetic long whine seeing you so open before him, presenting your dripping wet pussy to him for the taking, so without any further thoughts he rams his red cock into you, the fat tip nudging against your cervix and leaking like a faucet.

and the thing is, even if you wanted to do something, you really couldn't! the way tighnari bites your shoulder, his tiny sharp teeth making indents in your flesh marking you and the way his strong arms wrap around your belly holding you firmly in place like a vice make you feel like a helpless little bitch in heat, only there to get bred good by your mate.

and in a way you really are, your thoughts getting mushy and smoky as you feel tighnari let out a whining growl as he lifts his left leg over your thigh, the tell tale tug of his forming knot on the enterance of your pussy before you both let out a matching exhausted keen as with one final strong thrust your mate rams inside you, the pointed tip of his dick firmly lodged against the enterance to your most precious place and his pulsing knot keeping all his thick cum locked inside you.

and of course this isn't the end! the mushrooms apparently had a much stronger effect than both of you assumed, effectively sending your fennec foxboy into premature heat, so the only thing on his mind now is to be locked inside you and breed you full <33

#kin speaks #asks #interactions #ugh finally got to write this <33 #i loved it darling :(( #also i'm so sorry you had to wait so long for this :(( #genshin impact #genshin impact x reader #genshin impact smut #tighnari x reader #tighnari smut #tighnari

[iwritenarrativesandstuff]

The Agency's Older Brother: or, Ranpo's Character Development

I want to talk about Ranpo and the development he goes through in the series, because for as much as Ranpo is an important member of the Agency, his story is focused on in small chunks that may not always, at first read, seem to be overly significant. In fact, Ranpo’s arc is very consistent and I’m fascinated to know where it’s building to, because he’s done a lot of growing in the series. A lot of the themes of his story are to do with responsibility and faith in others.

The Ranpo we meet at the beginning of the story is not the Ranpo we see now. The biggest change is that he’s a lot more personally involved with the struggles of the Agency members, taking it on himself to be proactive and protective, while previously he had to be pushed and bribed into helping much of the time. When did this change?

Well...

[ID: Two screenshots from a scene in Poe's introductory episode of the Bungou Stray Dogs anime. In the first screenshot, Yosano lies on the carpeted ground, an axe embedded in her chest, blood pooling around her. Ranpo is crouched beside her, supporting her shoulders with one hand and clasping her hand with the other. The second screenshot is a close up of Ranpo's distressed face. End ID.]

The thing is, it's almost easy to overlook the effect this scene had on Ranpo, because Poe’s introductory chapter/episode is such a brief one. Moreover, afterwards, Poe becomes an ally and is a bit of a silly character, so it’s easy to forget sometimes that he was a legitimate threat here - and Yosano nearly died for it. This scene was incredibly significant to Ranpo for a few notable reasons.

It’s the first time someone in the Agency was in serious trouble/died without a backup plan.

It is, unfortunately, kind of on him. (Let me be real clear here: I am not blaming Ranpo. But he probably was blaming himself and that's something to keep in mind.)

To recap: Poe pulls Ranpo into his novel out of revenge, also trapping Yosano, who went with him. Ranpo realizes that they are in a world with no abilities, and importantly, he doesn't have the glasses Fukuzawa gave him.

We know those glasses mean a lot to him. When Ranpo was at his lowest, when he was convinced the world hated him, Fukuzawa gave him those glasses and told him he had a special ability. That he had a gift that no one else did that allowed him to see the truth that no one else could. Untold Origins makes it very clear that if Fukuzawa hadn't reached out to Ranpo when he did, Ranpo may have forever been outcasted. He was a kid kept in a bubble then suddenly and rudely shoved into a world he was unprepared to cope with, where he continued to get rejected and thrown out over and over - and all this on top of the grief he felt from his parents' passing. Ranpo was bitter and terrified of people, and thought everyone was pretending to be oblivious just to hurt him. Fukuzawa saved him the only way he could, in the only way Ranpo would hear him. It's not an exaggeration to say Fukuzawa saved Ranpo's life. And, while cute, it's also telling how quickly those glasses became an intrinsic part of his identity. Only maybe twenty minutes after he first received them, he was already making little doodles of himself wearing them.

Suddenly, the glasses are gone, and Ranpo goes into a funk because he "can't activate his ability without them". Obviously, we know that isn't true, and so does Yosano. Ranpo probably, deep down, knows this too, but to admit that would be to admit the president lied to him, and to uproot the very thing that gave him the means to perceive the world in a brighter light. The reason Fukuzawa had to lie in the first place was because the truth would be to tell Ranpo that his parents lied to him, something he angrily denies could ever be the case. And now, Fukuzawa is very plainly stated to be Ranpo's adoptive father. Ranpo's parents do not lie to him. He does not want to see it - and so he doesn't. This is a recurring thing with Ranpo. For as much as he sees the truth clearly, he also chooses not to see it at times when it would be uncomfortable/go against the intuition of someone he deeply trusts and respects.

And I think it's very easy to just leave it there, and say, "Oh, Ranpo realized at the end of this chapter/episode that he didn't need the glasses, that he doesn't have an ability, and that's a key turning point" but I don't feel that's the full picture or even the focus here, especially since Ranpo still hasn't reached the point where he can properly admit it aloud, even to Yosano.

The thing is, those glasses aren't just of use to Ranpo - they have sentimental value. A heck of a lot of it, for a character who is not very sentimental. The real turning point here is that Ranpo put on Yosano's glasses in order to save her.

[ID: A screenshot of a panel from the Bungou Stray Dogs manga. Ranpo puts on a pair of glasses. His hair is blown out of his face and he wears an intense expression. End ID.]

Shortly before this, we are informed by Yosano that not only was the Agency specifically formed for Ranpo to make use of his talents, but also that it was Ranpo who invited her to join - which we later learn was a pivotal moment for her to start over after she was completely broken by her experiences in the war. And now, he is watching her bleed out because she had to take over. Because he couldn't solve it. And that, to Ranpo, is unacceptable.

But again, there's more to it. Ranpo is fundamentally a self-centered character - this is not a judgement; I actually love that about him. He's the center of the Agency, the (ostensibly) good guys of the series; a narcissistic guy with little in the way of sensitivity who wants to use his skills to help others. Not for some higher ideal, or because it's "right" necessarily, but because he's good at it, and because he's supposed to protect all the "babies" who can't solve things for themselves. I love it because it highlights a major theme of BSD, which is good as something you do rather than something you are, and also because it explains something about Ranpo himself.

See, if everyone in the world is a "baby" who needs Ranpo's assistance, then the people in the Agency are a little different. They're people hand-picked by Fukuzawa to support him, both through praise and through backup. Remember that Ranpo trusts Fukuzawa's judgement more than anything - this means that he expects the Agency members can handle themselves. So, in chapter 10, when Ranpo doesn't really care that Atsushi has been taken, citing that it's a "personal problem" and he should handle it, I really think this was some odd form of "Atsushi will be fine" and "why should I worry or do anything when I know he'll be fine". And in the past, this has been true - the Agency members always pull through. None of them, up until that point, have been in a situation that they couldn't eventually fix. Ranpo has a bubble of safety in the Agency, that basically amounts to a "villain of the week" type beat from his perspective, where troubles gets fixed up pretty quickly. All in a day's work.

But then Yosano dies in Poe's book, someone he actually had some level of responsibility for when he invited her to join his safe little circle in a world that had no place for people like them. And it's a direct result of Ranpo's refusal/inability to act.

In order to fix this, Ranpo uses Yosano's glasses. The lens he's seeing through has changed. The people in the Agency were initially "his" in that they were meant to support Ranpo, the special one "chosen" by Fukuzawa's glasses, the reason for the Agency's existence in the first place. But now the people in the Agency are "his" in that they are his to protect. He's their big brother they all look up to in a way, and as the big brother, he's got to take responsibility for their safety.

Why did this not stand out in the moment? Well, we learn something about Ranpo from Untold Origins: he's very good at pretending he's doing okay and things aren't bothering him as much as they are. He's able to hold it together up until it all comes spilling out of him during the play. Also, I do think Ranpo cares about people a good deal more than he'd have you believe. A common fanon thing about Ranpo (from what I've seen) is that he tends to forget people, which, I can see how one would come to that conclusion, but I actually think it's completely wrong. I don't think Ranpo's forgotten a single person he's accused. I don't think he's forgotten a single person he's helped.

He lied about not remembering Poe, in fact, he remembered him pretty fondly as a real challenge. He remembers the information on a person from the Special Division he was asked to look into and gave the info to Mushitarou to allow him an in. He recognizes an officer he'd helped, and it's implied he recognizes every single officer who had been present while he was working on cases in the past. Does this mean he cares about all of them? ...eh. Probably not. But it does mean that Ranpo keeps a lot of his cards close to his chest. He's disarming with his intentional childishness. And so it can be difficult for the characters and readers both to notice that events like Yosano's almost-death... actually bothered him a lot more than he let on.

Because it was his fault. Because she was his responsibility. Because he's supposed to be invincible.

And unfortunately, the story from here on out does not get any kinder to Ranpo as his safe bubble that is the Agency is repeatedly targeted in ways that are increasingly hard to repair.

Fukuzawa falls ill and nearly dies in Cannibalism arc.

A girl gets blown up and Kunikida ends up in jail because Fyodor managed to manipulate Ranpo's intel.

Mushitarou is believed to have been shot and killed trying to warn Ranpo about the Decay of Angels plan.

Taneda bleeds out from a stab wound and falls into a coma. Ranpo can do nothing but listen and cannot get him help.

The amount of times Ranpo has seen people nearly die in front of him... bro it's almost as bad as Kunikida.

Much like Kunikida having extreme faith in his lofty ideals which make him fall just that much harder when he fails to uphold them, Ranpo has practically zero self-doubt and complete and utter confidence in his abilities... so when problems arise, Ranpo is very harsh on himself. He takes the blame because he's supposed to be better than that. Because he is the one with the powerful "ability" that should never fail.

In this sense, Ranpo's position in the Agency reminds me a lot of a certain person in the Port Mafia, someone who also has a powerful skill he puts towards protecting his own, someone who also received life changing words from the boss which earned him his loyalty, and someone who would do anything to defend the only place in the world he feels secure.

I think there's definitely a reason Cannibalism arc had Ranpo and Chuuya face off, I'm just saying. Both of them ostracized and thrown out as young teens by people who should've been looking out for them. Both the instigators of that arc, proactive and desperate to protect the person they are most loyal to who changed their perspectives. They've even got the same power stance, look. :P

[ID: Two panels from the Bungou Stray Dogs manga. The first is a panel of Ranpo with the silhouette of Fyodor behind him. He is standing with his hands in his pockets, facing front with his head tilted back and to the left a little, a fierce expression on his face and his cloak billowing outwards. The second is a panel of Chuuya standing in a similar manner, arms crossed, facing front with a fierce expression as his coat billows out around him. End ID.]

Of course, there's more interesting comparisons and contrasts to be drawn between them, but I'm focusing on Ranpo in this analysis, so I think I've made my point. Chuuya is the Port Mafia's best martial artist. Ranpo is the Agency's strongest man. And that places a burden of responsibility on them that they both believe they must uphold. They're both ready and willing to do whatever it takes.

The thing is though, is that Ranpo doesn't actually have an ability. When up against someone like Chuuya, he is at a distinct disadvantage, and he knows it. "Regular people can't defeat ability users". But he's still going to come up with a way to do it anyways, and why?

[ID: A screencap from the Bungou Stray Dogs anime. The members of the Agency all stand around Ranpo, who is seated at his desk with a smile, one hand holding his cap, the other held up in a casual gesture. The image is filtered in a soft light. End ID.]

Because his friends think he's invincible.

If Ranpo wants to maintain his safe place in a world of fear, then he has to step up to defend it, and he has to get creative about it. And that's exactly what he does. Ranpo becomes steadily more active throughout the story, which is a huge change from the start, where he had to be practically bribed to help at all. I see a lot of people point out his channeling of Fyodor's tactics to secure Kunikida's release, which is definitely a dark turn for his character, but it's not the only change.

Ranpo is now choosing to place his faith in others, the first obvious instance of this being his use of Poe's novels - which was how he defeated Chuuya. Ranpo knows that he is not going to succeed against people who drastically overpower him all alone, even if he does still take things on as personal burdens. He's also far more obvious about his protectiveness, going on the rescue himself to save the Agency members, driving a car (whereas before he needed someone to take transit with him - another indication of his increased proactivity since he's now literally driving instead of being driven), and bodily shoving Atsushi out of harm's way.

It all culminates in one of my favourite Ranpo scenes where he speaks at the conference to the police, who've worked with him before, where he asks if they will think for themselves - and tells everyone gathered there that anyone can be a detective if they think for themselves and look with their own eyes (!!!). He manages to get half the police force on his side, just through his words and his logic alone! Minoura assumes he somehow knew it would all work out, because, well, it's Ranpo. Ranpo knows everything.

But...

[ID: An image from the Bungou Stray Dogs manga. Ranpo sits in the passenger seat of a car with an honest, helpless smile. End ID.]

He reveals he didn't know if his ploy would work at all. He had to trust that it would with no solid proof. He had to trust these people would use their heads and look beyond the obvious. He respects these people enough that he thinks at least some of them will make the right call.

Fourteen year old Ranpo, bitter and estranged from other people, would never. For him to have come such a long way is testament to the security that the Agency provided him with. In a way, Fukuzawa forming the Agency allowed Ranpo to "complete" his childhood in relative safety, so that when the world became hostile once again and his family destabilized, Ranpo had matured enough to meet it and defend himself and those he has a responsibility towards head on. The Agency is his family, and Ranpo cares for them enough that he puts his faith, not just in them, but in the people they put their faith in too.

[ID: A panel from the Bungou Stray Dogs manga. Ranpo is kneeling in front of Fukuchi, who is sitting backwards on his chair to face him. End ID.]

...aaaaand then Fukuchi went and ruined it. Thanks, Fukuchi.

Ranpo again chooses to put his trust in someone without proof because Fukuzawa trusts him, only for that to have gotten thrown back into his face in the worst way possible. And it's in this regard, the trust aspect, that I think we'll see Ranpo develop as the story goes on.

Will he continue to show this tentative faith in people? Or will he begin to hyper-analyze, unwilling to trust again without proof?

If this arc gets resolved decently well, I think Ranpo will have no issue brushing this off as a one-time thing. However, if what I fear might happen does and Fukuzawa doesn't make it out of this arc... Ranpo will be destabilized.

I don't know that Ranpo would go "bad" per se. He likes the other Agency members. He cares about them - that's genuine. But if Fukuzawa dies, then Ranpo may begin to take darker actions in order to keep them safe, almost overprotective and harshly logical, with little room for blind trust or risks in the name of justice or honour. It may put him at odds with Kunikida, in that Ranpo may start to develop a strong "do what's necessary" mentality, even if that may be immoral. He may regress a little into his old trust issues.

However, I really don't think Ranpo will go too far down the path of darkness, even if the worst should happen. He's a lot tougher than he seems, and he has a good support system in the Agency. I guess it remains to be seen where Ranpo's story takes him next.

Until then...

[ID: A screencap from the Bungo Stray Dogs anime. Ranpo sits in his chair in a cuter art style, having taken a bite from the pastry he has in his left hand. End ID.]

I love one good boy. :)

#ranpo's such a good character man. there's so much i couldn't cover here but he's so so good. #but anyways. ahahahahaaaa i finished it! yesssss #sorry for the. VERY. long delay on this #i'm back baby #bsd #bsd ranpo #bsd meta #call me ace detective the way i am ace. and also a detective. #storyrambles #hope i got everything. whee.

[breadmecoshy]

Oumota comic, Part 2

Headcanon - Kaito has nicotine withdrawal during the events of Danganronpa V3 (among other things, what happens to him there). Just a cute little comic

Part 1: https://www.tumblr.com/breadmecoshy/736606178824650752/oumota-comic-part-1?source=share

Plot Twist - After finishing the main game (which we all want to believe was a simulation), Tsumugi became so attached to the guys at V3 that she talked Danganronpa's company into launching a spin-off in romcom format in which she would try to bring together the couples most popular with viewers

joke (or maybe not)

#Kokichi deserves to be sincerely thanked for once #He was completely unprepared for this wasn't he #Kokichi's face finally got at least some colors of life #I'm just gonna ignore the fact that it took me so long to finish it #It's also probably a little disappointing considering how long you had to wait for such a simple denouement #I'm sorry if I've created inflated expectations haha #Anyway I'm glad I finished it I love this little piece #danganronpa #danganronpa v3 #drv3 #danganronpa kokichi #danganronpa kaito #drv3 kokichi #drv3 kaito #kokichi ouma #kokichi oma #kaito momota #oumota #danganronpa oumota

[wardencommanderrodimiss]

Ah yes, Jonathan escaping a vampire lair and having a violent brain fever for six weeks but on his first able correspondence still making sure to apologize to his boss and that his boss knows he wasn’t slacking on work. I too am in my 20s, stuck beneath the heel of capitalism, and have anxiety.

#i know his relationship with mr hawkins is more than just employer/employee BUT NEVERTHELESS #he's not saying 'hey don't worry i'm alive' he's saying 'sorry i took so long also i got the work done that i was assigned' #dracula daily

[nyerusnova]

Glad to see that Tim being a giant Dick Grayson fanboy is finally being highlighted again, and sparking more discussion especially on their early relationship! (Please gimme more!!! I love them so much, augh!)

Probably as a result of that surge, there seems to be reciprocal chatter on the topic of how young Tim actually felt towards Jason, too. It's honestly pretty interesting, because it's more nuanced than it appears at first glance.

Which means it's very fun to dissect! ✨

There's a degree of subjectivity to keep in mind, because readers are going to have different interpretations of the same scenes, or will pull from entirely different scenes than one another to form their individual view on this topic. That's just how it is in comic book fandom, for many things! Regardless, in this case... if the scale ranges from the extreme of "Jason was Tim's Robin" to the other extreme of "Tim actually hated Jason [as Robin] or thought he was a loser that got himself killed" — the actual truth is closer to the middle, as is often the case.

At least, in my opinion.

Mainly I want to focus on those relatively early days with this post, to highlight Tim's initial(-ish) feelings towards his heroes, and touch on the point at which they really begin to change. This turned into a very long post, though. Brevity is beyond my skill, so grab snacks and water lol. Transcripts for each image will be posted at the very end under the cut.

So, the two storylines I want to cover are "Rite of Passage," which is rolls into "Identity Crisis." (NOT to be confused with the major crossover event "Identity Crisis™" which came years later, and is where Jack Drake dies.... But it sure is an interesting coincidence that Tim deals with the loss of each parent in two similarly named stories!) These take place before Tim is even Robin, and I'll be considering them as one arc for this post.

Detective Comics vol. 1 #618 (July, 1990) -- Pages 1 & 2

"When Gotham needed him, he was there. When the Batman needed him, he was there. He was a hero."

"One day, I'll be as good as Jason. One day I'll wear the suit."

To start off, we have this opening from "Rite of Passage." Tim is still in training here, mainly helping Bruce with minor stuff from the cave. His parents are off traveling, alive and well as of these next few pages. He's still bright-eyed and full of wonder. An extraordinarily weird but ultimately innocent kid.

So his view on Jason is positive and fairly simple: a hero, and someone to look up to as Robin. Clearly, Tim here doesn't think Jason was deficient in his role, either as a protector of Gotham or as Batman's trusted partner.

Moreover, Tim already held Dick in very high regard because he was amazingly skilled before he became Robin. To Tim, that's not something he'll ever be able to achieve. Meanwhile, Jason wasn't like that. He was a regular kid without crazy acrobatic training since practically birth. Yet he still went on to be a hero—which is obviously motivational for Tim who finds himself in similar shoes.

It's true that Tim only ever knew or thought of Jason as Robin, and idolized him in that regard. But that's kind of all that mattered to him at that point, because he was this kid who was utterly star-struck by his heroes. Even if he's technically aware of their shortcomings as people, it's overshadowed by the hero-worship.

It was kind of the same with Bruce as Batman at first. (Which was still enough for Tim to risk life and limb to help his beloved hero, before Bruce even knew his name.) Dick was the only one Tim had any sort of "personal" relationship with beforehand, so there is an extra level of attachment—and hence why it was the nidus for his obsession with Batman. Yet even then, it wasn't like he actually knew anything about Dick as a person until later. Until then, Tim's ideas of him were all he had, too. With Jason, Tim just didn't get to know him at any point before his return (oof), apart from what he heard over the years secondhand (also oof).

Ultimately, it's the loss of innocence—along with the ricocheting bullet that is the unresolved guilt of those around him—that begins to change Tim's perception. Not just of Jason, but of things in general.

Batman vol. 1 #455 (Oct., 1990) -- Page 13

"I know why they do it now. Why they put on the suits, and the masks, and go out into the night. They're angry, they're full of rage. They want to hit back."

Losing his mother was a major shift for Tim, obviously. This is right after the previous storyline, and Tim's had the worst week or two of his life (so far). His monologue here is a reference to what happened to both Dick and Jason. The unbearable pain of loss, the rage masking the grief underneath. And importantly, that he feels both of them were justified in their anger. (And Bruce too, indirectly.)

The major theme of the aptly named "Identity Crisis" is to mirror aspects of Dick and Jason and Tim's lives—to show how they converged onto the same tragic road. It's something that Tim notices early in the story, and was frightened by. Now, horrifically, it's become a part of him as well. His parents are gone, and he was entirely helpless to do anything about it. Dick was the same way, Jason was the same way. The cycle is repeated.

In particular, the part about him wanting to go to Haiti for revenge—for his mother—sort of struck me as being an intentional parallel to Jason and Ethiopia. It's a bit of a stretch, especially in isolation, so others may see it differently (e.g. the angry ramblings of a grieving child that does sound like something anyone might say). But it always stuck out to me because of how much Tim is compared directly to Jason in this arc. More on that below.

It's not something I can really give an accurate feel of because it's a lot of subtle things that begin to add up, so I'd encourage folks to read this arc themselves to see what I mean. (Or maybe you'll still disagree which is fine too lol.) Again, many things are in reference to both Dick and Jason in relation to Tim, but it's weighted more on Jason's side.

Batman vol. 1 #455 (Oct., 1990) -- Page 18

"You think my anger will boil over, the way Jason's did. I can assure you, it won't!"

Tim's grief has begun to pull away the veil of idealism that enshrouded his heroes in his mind. It doesn't apply only to Jason, but to the rest of them. Plus add the fact that Tim's keenly aware that he's being managed, even if the adults around him are careful to not outright say certain things. He still knows.

Bruce, Dick, and Alfred are all worried about Tim potentially turning into "another Jason." They (and mainly Bruce) caution Tim to not ignore his emotions, but they're still concerned that he may be overly eager to prove himself in order to cope, and could get hurt or killed as a result. While they aren't wrong for their caution—especially at how unsettlingly similar all the circumstances are—they aren't very subtle about the elephant in the room.

Imagine how that would affect Tim's perception of his predecessor, especially when he's in the midst of a traumatic event he hasn't had time to fully process. The negative association is pretty much inevitable.

Tim's known from day one that he's walking in Jason's shadow, and now it's become inescapable. Tim went from seeing Jason as a goal to reach, to feeling that unless he surpasses him, he wasn't going to be taken seriously by anyone. However, as of this arc, Tim doesn't even fully come to that point yet.

Batman vol. 1 #456 (Nov., 1990) -- Pages 14 & 15

"Drop-outs don't make it. And dead heroes are no use to anyone!"

It's really easy to take away "Tim totally thought Jason got himself killed" as the main thing here, but I think that's missing the forest for the trees.

First some context: Bruce has gone out on a mission to get Scarecrow, and expressly forbade Tim from doing any shenanigans. Meanwhile, Tim is grappling with wanting to prove himself and trying to help Bruce from the cave, all while trying to deal with his emotions. At some point, he falls asleep and ends up having like... exhaustion-grief hallucinations of Dick!Robin and Jason!Robin who confusingly caution yet encourage him. The main theme of this part is facing your fears.

Depending on how you want to interpret the intent of Jason's dialogue here, you could go several ways with it. Ranging from "writer's feelings towards Jason" to "a peek into Tim's mind as his fears manifest as visions of his heroes" or some mixture thereof.

Though Tim argues with Bruce that Batman needs a Robin, we're shown that Tim is understandably scared of joining Batman's "war." He's still not willing to let Bruce go it alone, though, and that's something he feels more strongly than his fear.

Meanwhile, hallucination!Jason's warnings are a lamentation of what happened to him in a way, but it actually exactly describes Tim's current situation even more so. Unlike Jason, Tim is under-trained, under-experienced, doesn't even have a suit of his own yet. But like Jason, he can't sit by and do nothing while someone he cares about is in danger. Tim knows that if he goes out there, he will probably get himself killed, and it will be his own fault. So he's about to disobey Batman's orders, and fly right into danger. If that got Jason killed, then Tim—who is in a way worse position experience-wise—has every chance of ending up the same.

Like... it's about Jason, but it's also about Tim. It's Tim's worst fears made manifest, via the representation of why he is even here in the first place (Jason's death).

That's my theory anyway, but perhaps this is an overly charitable reading of this scene on my end. (Not that I think that makes me wrong lol.) However given that Grant wrote both parts of this arc, and the beginning of which is especially favorable towards Jason, it certainly is something to ponder. I have a lot of thoughts on it I can't expand on here tbh but perhaps that'll be another post.

Anyway, returning to the point of the similarities vs differences between Tim and Jason: since this is the arc that solidified Tim as the next Robin in comic continuity, it makes sense that the writers really pushed the comparisons between the two of them, specifically. (Even though Dick was pretty similar, as going against Batman's orders is the Robin thing to do, it's not his shoes Tim is directly filling.) So making Tim's "debut" story arc mirror Jason's "swansong" is an obvious narrative choice.

To drive home the parallels, I wanted to include this panel from just a few pages prior to the "daydream":

Batman vol. 1 #456 (Nov., 1990) -- Page 9

"The suit is magic."

That so distressingly close to Jason's famous "being Robin gives me magic" line (Batman #385, page 6). Given all the previous context, it's hard for me to just dismiss it as pure coincidence. Even if it is, the point still stands. Tim is shown having the some of the same heartbreakingly naive views as Jason once did, right in front of Jason's memorial, just as he's about to go and run off into the night against orders.

I think that speaks for itself. There's a lot to take away from it, if you so choose. Especially given the context of that specific Jason arc.

Alright, back to the main course:

So in the end, Tim actually goes out in civvies and a ski mask because if he fails, then at least he wouldn't bring shame to Robin's legacy™. When he gets fear gassed saving Batman, it's once again both Dick and Jason that he hallucinates encouraging him to push past his fear. (Shout out to the fact that he's literally more afraid of tarnishing the legacy of Batman & Robin than he is of dying.... I'm sure this will not be a recurring thing for him in the future.)

Tim's ideology is shown to be similar to Jason's, and the actions Tim ultimately takes are similar to Jason's... but the outcome is different. And it really isn't just "Tim succeeded where Jason failed." At least, that's not what I took away from this. Rather, Tim had no reason to succeed any more than he had to fail, just that he did. Luck combined with caution because he knew what happened to his predecessor, and the fact that Batman was there to finish the job all made the difference.

You could say (and I know some will) that it's just classic Jason character assassination and the writers trying to implore readers that this new kid is different we promise pls don't hate us look how much better he is! But in this case, that feels like it undermines the whole point of this story. It doesn't fit with what the characters actually say.

Thus, we return to the question of how Tim felt towards his predecessor. And the answer is different from where we started, because Tim is different. Not that different though. Because even though at this point Tim—like all the adults around him—has probably attributed Jason "going off on his own" being what led to his death, Tim still thought of him as a hero to look up to. It's about Robin, first and foremost, yes. But Tim is fully aware of the people who made that suit mean what it does, because it's all intertwined.

Batman vol. 1 #457 (Dec., 1990) -- Page 20

"I mean--Dick made it into a symbol the whole world knows. Jason gave his life for it."

Even further, Tim thinks of it in terms of Jason having given his life for what he believed in, for the legacy that now falls to Tim. There's a sense of gravitas there. He's afraid of failing both the Robins who came before him.

Ultimately do I think Tim adored and loved Jason on the same level as Dick or something? No. It's not comparable. (Dick was like part of some of Tim's earliest memories and everything! They have a really unique bond ok.) Yet Tim was also far from thinking poorly of Jason so early on. Frankly, it seems that Tim thought of Jason as a noble hero and a cautionary tale. Yes he took risks and sometimes went too far, generally stuff that Tim doesn't want to repeat and all that. At the same time, Tim still saw him as someone whose legacy and memory was worth honoring.

It's complicated, which is why I like it so much—because it feels real. Having conflicting feelings towards someone is... so human. Especially someone you never got to know, yet who plays such an integral role in your life via the shadow of their death. How can you feel anything but complicated towards them?

It has to be said that, yes, Tim's views—even before Jason's return—change over the years. He becomes more jaded as a person and is surrounded by people who are even more jaded than him... and who often mention Jason as the "failed Robin." It's something that's hung over Tim's head all the damn time. The curse of the Robin mantle.

So it shouldn't come as a surprise that Tim's idea of him becomes more akin to "sounds like a skill issue" as the years go by. All bets are off after Jason's return, and the Titans Tower Incident™. At that point it's firmly "I am better than you, loser" lmao.

And... that's all without getting too into things like authorial intent and general "moods" of different DC writers towards Jason at a given point. Or retcons that played a role in his characterization and how other characters talk about him, depending on what "era" you're reading. That's way beyond the scope of this post though!

TLDR; even though young Tim Drake was obsessed with Dick Grayson as Robin, he still looked up to Jason Todd as well. He didn't think of Jason as a cringefail loser until later. :)

(image dialogue transcripts under cut ↓)

Dialogue Transcript for Image 1 (Detective Comics vol. 1 #618 -- Page 1):

Narration box (Tim): When Gotham needed him, he was there. When the Batman needed him, he was there. He was a hero.

Dialogue Transcript for Image 2 (Detective Comics vol. 1 #618 -- Page 2):

(Scene continued from previous page)

Narration box: But he was nothing special, really. Just a boy, who was taught--trained--brought to his full potential by someone who knew how. Just a boy... like me. I know I can do it. I know I can. One day I'll be as good as Jason. One day I'll wear the suit. One day I'll be a hero.

Dialogue Transcript for Image 3 (Batman vol. 1 #455 -- Page 13):

Tim: I hate him! I hate him! I know why they do it now. Why they put on the suits, and the masks, and go out into the night. They're angry. Full of rage. They want to hit back. They want to fill the hole that's burning inside them.

Bruce: There's more to it than that, son. Much more.

Tim: I know. It's just--I feel--like going to Haiti myself and strangling that creep with my bare hands!

Bruce: The Obeah Man will spend the rest of his life in a prison hospital. He's history. Forget him! But don't fight against your anger. It's natural. Accept it. Live with it. One day it'll be your friend.

Dialogue Transcript for Image 4 (Batman vol. 1 #455 -- Panels from page 18):

Tim: Because you think my mother's death has upset me too much. Well, it did. But I've taken your words to heart. I can cope. You think my anger will boil over, the way Jason's did. I can assure you, it won't. But that doesn't make any difference, does it? Why can't you have a little faith in me?

Dialogue Transcript for Image 5 (Batman vol. 1 #456 -- Page 14):

Narration box (Tim): Blast it! My head's starting to swim. I'm about ready to give up. I almost wish I'd never heard of Batman and Robin!

Vision Dick: Heroes never give up, Tim.

Vision Jason: You know that.

Tim: Dick--! Jason Todd!

Vision Dick: You're training to fight in a war, Tim. It'll last all your life. No matter what, you have to go on fighting.

Vision Jason: Drop-outs don't make it. And dead heroes are no use to anyone! I thought I knew better than Batman. I thought I could run before I could walk. I killed myself, Tim. Because I couldn't wait. Because I couldn't think it through.

Dialogue Transcript for Image 6 (Batman vol. 1 #456 -- Page 15):

(Scene continued from previous page)

Vision Dick: Think, Tim. Concentrate!

Vision Jason: You can do it.

Both: You can do it!

Tim, waking up: What--? Robin...?

Narration box (Tim): I must have been daydreaming. They're right, though. There's a solution to everything. I can find it! So here I go again... Whim. Caprice. Doing something without forethought.

Dialogue Transcript for Image 7 (Batman vol. 1 #456 -- Panel from page 9):

Narration box (Tim): The suit is magic. It gives you power. It hides your weakness. It makes you give it everything you've got. It makes you a hero. If only I could!

Dialogue Transcript for Image 8 (Batman vol. 1 #457 -- Page 20):

Bruce: Are you afraid of it?

Tim: No. It isn't fear. It's more... the suit carries so much history. I mean--Dick made it into a symbol the whole world knows. Jason gave his life for it. Failing them--what they fought so hard to build--that's what worries me!

Bruce: I appreciate that, Tim. That costume weighs a whole lot more than any symbol should... and I'd be failing you if I expected you to bear that weight. So... let me know what you think.

Narration box: A mask has a double edged, he said. It hides your own anxiety as it strikes fear into your enemy.

#tim drake #jason todd #dcu #dc comcis #batfamily #meta #I'm so sorry this post got out of hand fr #it was meant to be a quick drabble with some comic panels and instead i just...... kept going #this post is specifically for my one (1) bestie who cares and the like 2 ppl who might be as insane as me about Timmy #idk why I'm like this im just obsessed with Tim's relationship with early Batfam & co lately??? #late 80 and early 90s comics my beloveds...... #anyway if this gets more than 5 notes i'll be shocked and scared lol #nyerus.txt #text post #long post

[piratekane]

(rated m for mature)

Ava’s room is the last sacred space in their apartment. A room that belongs to Ava, and Ava only. The living room is shared space, of course. Their breakfast bar holds both of their tea mugs: Ava’s in the shape of a bulldog holding a bone, her own a dark gray and white plaid pattern. The bathroom has a small stand with both of their toothbrushes and two face cloths on small hooks, one on each side of the sink. The face of the kitchen refrigerator is littered with pictures and ticket stubs and small post-it-note drawings they’ve both accumulated over the last few months.

We exist, Beatrice, Ava likes to tell her. If we died and someone came to pack us up, they would know we both existed here.

It’s a morbid thought, but it rotates in her mind for days afterwards. They exist. They exist together, in this shared space. There’s two of everything - a testament to a life shared between two people who found comfort in each other. Who found a home. Their shoes are by the front door, their bills are on the counter, their sweaters tangle into knots on the couch where they dare cross the line Beatrice has drawn between them.

Ava’s room is a line. She doesn’t cross it. She lets their shared existence fill every corner of the apartment except for Ava’s bedroom. She’s never crossed the threshold. Even on the day Ava moved in, she dutifully passed her boxes from the living room, marveling at the idea that one person who existed in a single dorm room for a handful of months could accumulate so many things.

She’s not sure that Ava even noticed. If she did, she didn’t say anything about it. Because she’s kind and takes Beatrice’s actions into consideration with the sort of care no one else in her life has ever shown.

But that’s par for the course. Ava is unlike anyone else in her life.

It’s why Beatrice is so careful. She’s gotten used to having this unusual, perfect thing in her life. She’s gripping it tightly with two hands, firm enough to keep it in one place but soft enough that it doesn’t break. It took her years to learn that grip and only a month with Ava to master it in a whole new way.

She should know by now, after seven months, that being careful around Ava is never careful enough.

“Blue or green?” she hears Ava call from inside her room.

Beatrice sighs, resting her pencil tip against the page she’s taking notes on. “Ava.”

Ava’s head pops around the doorframe. She’s smiling in a way a younger Beatrice would have called dashing or roguish. It’s charming. Infuriatingly so. Ava knows it—has never forgotten it since the time Camila said it out loud one night when Ava convinced them to try roller skating at some wooden rink nearby. That smile is a weapon, a carefully drawn bow whose range Beatrice can never escape from.

“Blue or green?” she repeats.

“I’m afraid I need a bit of context, Ava.”

Beatrice resists the urge to rub tiredly at the space between her eyes. Finals week is upon them. She’s prepared - has been preparing all semester - but then her Early Christian Women’s professor gave her some last minute feedback to restructure her entire research paper. It’s left her molded to the stool at the breakfast bar for the last three days, the entire top of it covered in color-coded index cards and texts she’s expressly forbid Ava from going anywhere near.

Ava pinky promised that she would listen. Beatrice would have accepted a confident “okay,” but Ava had taken it a step further, tightening her grip on Beatrice’s pinky and pulling her whole hand up to her mouth as Ava kissed her own fist, eyes on Beatrice the whole time.

“There. Now it’s really a promise.”

Beatrice thinks maybe she didn’t have enough friends growing up. Or that she didn’t have enough friends like Ava growing up. Because she’d never heard of this particular kind of promise. Shannon had made a face when Beatrice asked her about it. No, I’m not making fun of you, Shannon assured her. I just mean… Bea. Come on.

Beatrice does not come on, but the next time Ava makes her promise she won’t throw all her sources out the window and develop a list of new ones, she quickly presses her lips to the outside of her own hand, eyes darting to Ava’s face. Just as a test. Just to see if she’s doing this right.

She must have. Ava beamed for hours.

“Blue paint or green paint?” Ava expands.

“For what?”

Ava extends her arm past the doorway into Beatrice’s view. A small bucket of paint, hardly larger than a box of baking soda, dangles from her fingers.

She holds back the long-suffering sigh building in her chest. “Ava.”

“I’m painting my room.”

“You’re-” Beatrice turns, notecard on Thecla abandoned. “You’re painting your room?”

Ava frowns at her like she’s the one who just announced that she’s completing a home makeover project. “I told you this.”

“You didn’t.”

“I did.” Ava’s arm drops to her side, and she leans a little further around the doorway.

Beatrice shakes her head. “You most certainly did not. Because I would have remembered that.”

“You can’t remember everything I say.”

I do. The thought nearly makes its way to Beatrice’s tongue, but she bites it back. She certainly can’t admit that, though she thinks Ava would, if she was in her position. Ava has always been more free in her words, in her certainty.

“I would have remembered this,” she repeats.

Ava shakes her head. “I definitely told you I was doing this. I asked if you wanted to go pick out-”

Her forehead wrinkles into a frown that Beatrice immediately wants to smooth away. She can feel Ava’s skin under her fingertips, warm and soft. She blinks.

“Huh. Maybe I mentioned it to Mary, now that I think about it.” Her face brightens without Beatrice’s help. “I guess I’m telling you now.”

“You can’t- You can’t paint your room.”

Ava nods like she understands. “I can’t paint it alone, no. I’ll need help. Oh! A paint party!”

“No, I mean-” Beatrice takes a deep breath. “We would lose our security deposit if you paint the walls. It’s in our rental agreement.”

That doesn’t seem to bother Ava. “We can just paint it back when we move out. Or if we never do, then no one will ever know.”

If we never do. The words are like a lightning bolt in her chest. If we never do implies that Ava has thought about living with her indefinitely. That Ava has considered the possibility of a future where they're still in each other’s lives, where they’re still living in this same apartment doing the same things together. Movie nights and take out and reading while Ava watches something on TV, and talking about the few hours they spent apart and deciding where to take weekend trips and what new household decoration Ava is going to talk her into.

Their life in shared spaces, for everyone who visits to see.

Forever roommates.

The thought is too overwhelming for her to breathe properly.

“So, will you help me pick a color?” Ava continues on as if Beatrice isn’t slowly burning from the inside out. “I’m thinking green. Blue seems more like your color. Hey! We can paint your room next.”

Beatrice shakes her head. “Ava, no.”

Ava either doesn’t hear her, or pays her no mind. “I got this cool mint color. It looks like mint chocolate chip ice cream!”

“Mint,” she repeats, voice strangled.

Ava beams. “It looks like our toothpaste.”

Dread washes over her, as cold as ice cream out of the freezer against her tongue. Their toothpaste is a frightfully minty green color that always catches Beatrice off guard no matter how many times a day she’s brushed her teeth, even after the ;five months since Ava started buying it. It’s a sickly green, almost. Certainly not something that should be on a wall, let alone four of them. Ava’s room would glow, practically radioactive.

“No,” she insists. “Not that color.”

“Come see it. Then you’ll understand.”

She moves without meaning to, without giving much thought to it. Ava calls like a siren, and she swims out to meet her. She gets as far as the couch before the water comes up to her chin and she stops again.

“I don’t think you should paint your room.”

Ava waves away her concern. “It’ll be fine. The whole room is just so… white. We need a little color in our lives, Bea. A little bit of… spice.”

“A little bit of spice.”

“You know. Excitement.” Ava is firmly in the doorway now, paint can hanging at her side. “We can’t live with white walls forever.”

Why not? she wants to ask. She grew up with white walls. Pristine ones. Washed down every week by their housekeeper. Sanitized. She pauses. Ava might have a point.

But their landlord would not approve of it. And Beatrice intends to stick by the rules. She opens her mouth to say so, but Ava cuts her off.

“Come here. Just have a look.” She pads forward on bare feet and curls her fingers around Beatrice’s wrist, tugging her forward gently enough that Beatrice could step back, break their connection if she needed to.

She doesn’t. Not yet.

But she gets closer and closer to Ava’s doorway, to the raised threshold that separates her from this last sacred space. Ava is stepping back over it, eyes on Beatrice, and then her toes are bumping against it and she stops. Their arms stretch between them for a moment before Ava catches up and steps forward so they hang loosely again.

Ava waits for her. Always waiting for her. It’s not fair, she thinks. It’s not fair that she’s always waiting for me.

“So, I have something to admit,” Ava says slowly, pulling her out of her head. She’s smiling sheepishly, her head ducked a little as she searches Beatrice’s face. “I might have already painted a few swatches on the wall.”

“Ava.”

“Just a few,” she rushes on. “Small ones. Like, the size of a book. A small one! I’m sorry, I just wanted to see what they looked like.” She strokes her thumb over Beatrice’s wrist. “The mint kind of looks horrible,” she admits.

Beatrice fights that never-ending sigh again. “Of course it does.”

“But the other green looks good! It’s kind of turquoise-y, actually.” Ava’s forehead wrinkles into a frown that lingers for just a second. “Greener than a normal turquoise, though. Almost like the sea. Like - okay, just look.”

Ava’s hand falls away, and she takes a step back into her room. She’s looking at the wall, eyes moving quickly over what Beatrice assumes is the paint swatches she’s done there.

She eases her weight onto the ball of her foot. The floorboard creaks under it. Ava is still looking at the wall, still studying her choices. Beatrice feels a ripple of fear race through her. It’s just a room. Their apartment is made up of rooms. But it’s Ava’s room. Opening this door, crossing this line - she’s not sure she can come back from that.

Ava meets her eyes again and tips her head in that effortlessly endearing way, a soft smile on her face that immediately ebbs the fear away. Ava crooks a finger in her direction, beckoning her forward. It’s like a piece of string loops its way around Beatrice’s wrist and it pulls.

“You’re going to like the turquoise,” Ava says just quietly enough for Beatrice to hear. Another siren’s call.

She’s a strong swimmer. She can survive this. Her toes brush the raised threshold, and then they’re curled over the other side of it as her shoulders breach the doorway. The air shifts. She feels a little lightheaded. The lights seem dimmed, lowered. She holds her breath and waits for God to strike her down, and when nothing happens, she silently exhales a thin stream of air.

She doesn’t go further than that. Her body doesn’t seem to want to move past the invisible line that goes from the ceiling down directly to the floor. Her eyes immediately go to the wall Ava was looking at.

She was correct. The mint looks horrible.

“I know,” Ava says, reading her mind. “It looked a lot better at the store. Maybe it’s the light?”

It takes Beatrice a minute to reply, almost as if the words were a trade for tipping forward into Ava’s room. “I don’t think different lighting is going to help this.”

Ava studies it for another moment before she nods decisively. “You’re right. But what about this green-turquoise?” She moves and touches her finger to the wall. It comes back with a sticky greenish color. She frowns at it. “Huh. Thought it’d dry.”

“I like it,” Beatrice allows. “But Ava-”

“I promise we’ll paint it back. I just…” Ava stops, running a hand through her hair. She leaves behind a smudge of turquoise on her forehead, disappearing into her hair. “It’ll be easy to paint back. Please, Bea?” She clasps her hand in front of her, holding them to her chest. “Pleeeease?”

They both realize she’s going to give in at the same moment. Beatrice didn’t think she had any tells, has always prided herself on being someone fully in control of their actions, emotions, and facial expressions. Lessons learned from her parents that she actually appreciated. Expressive got you in trouble, gave too much away. She spent years tightening up to prevent anyone from knowing too much.

Ava does not carry the same burden. And Ava, it appears, has learned to recognize when Beatrice is on the cusp of expressing too much, of giving in. Maybe she’s giving it away in the quick pull of the corner of her mouth. Maybe there’s something in her eyes, a flicker of acceptance. Maybe she clenches her hand into a fist, a small flex of her muscles. Maybe she shifts her weight. Maybe she blinks too many times.

Whatever it is, Ava sees it in her. And she grins, the light in the room becoming impossibly brighter.

“I want nothing to do with this,” is what she decides to say.

Ava claps her hands together. “You won’t regret this.”

“I’m sure I will.”

It doesn’t dim Ava’s smile. “When I’m done, you’ll see how much it brings this place to life. And then we talk about your room. And the living room! Oh, and wouldn’t the kitchen look so great if we painted it some kind of blue? I saw a swatch at the store that looked exactly like the water in the Blue Grotto. I want to go there one day. I always thought it would look-”

Beatrice steps back. Something that was fizzling inside of her fades, though she didn’t know it was there until she felt its absence. Ava is still going on – the bathroom would look good in pink. With black and white tiles on the floor – but Beatrice feels a sense of calm come over her, and she takes her first deep breath since she crossed the threshold.

Ava stops. “I’m getting ahead of myself,” she says sheepishly.

“It’s okay.” And it is. Beatrice doesn’t mind getting swept up in Ava’s elaborate plans. “But I’m going to go back to my homework.”

Ava flashes her a thumbs up. Her finger is still stained turquoise. “Okay. But you’re not studying for too long. We can’t have a repeat of this weekend.”

Beatrice feels her face flush. “I swore I went to bed.”

“You did. Standing in front of the refrigerator. I thought you were going to fall over.”

“I’m very disciplined.”

Ava grins. “Well, put a cap on studying tonight. When I’m done with the first coat, we’re going to get something to eat.”

She pretends to be annoyed by this, just because she likes the way Ava narrows her eyes playfully and shakes a finger at her. She’s not disappointed when Ava does exactly that before turning back to the stool she stole from the kitchen where she’s stacked two small paint cans, one open and one closed, and a paint roller.

Crossing the room back towards her homework is easier than going the distance from it to Ava’s room. She feels lighter with each step. She sits back down, her intention to focus on this paper she’s supposed to submit in two days (but feels nowhere near completion). Work, then break. As long as she works for the next hour, at least, then she can offer to buy Ava Indian food and ask her to watch a documentary about a filmmaker befriending an octopus. Cedrick, in her Study of Film elective, had suggested it to her. She doesn’t think it’ll be hard; Ava has said more than once that she thinks octopi are cute.

But as thoughts of Ava and octopi float in her head, some of the words Ava just mentioned start to register in Beatrice’ brain. Ava never mentioned the Blue Grotto before. They’re inching closer to the end of the school year and she doesn’t know Ava’s plans yet. Does she want to go backpacking across Europe? Alone? Will Beatrice have to haunt the corners of the apartment waiting for her to come back? Will Ava be different when she comes back? Will she forget about Beatrice?

Will she find a new forever-roommate in another city and leave Beatrice on her own?

Her homework is suddenly the furthest thing from her mind. She can’t focus on Eve or Thecla or their impact on the religious narrative. She can only think about the possibility of spending the summer alone - Mary and Shannon are going on a graduation trip across Spain, and Camila secured a summer internship with a tech startup company, and even Lilith found a program that allows her to travel for the few months before the start of the fall semester.

Beatrice’s big plan is to work at the campus library, splitting her time between shelving books, starting her graduation capstone project, and Ava. The practical side of her knows she should try to make that time an even three-way split, but the more she thinks about the coming months, the more adventures she keeps coming up with in her head. Things she wants to do and try with Ava, because she knows it’s on Ava’s list. They could visit the Prado Museum. Take a long weekend and travel to some seaside town where Ava could practice swimming in the waves. They could find new restaurants and new hiking trails. She’d even let Ava convince her to try roller skating. Again.

Beatrice hasn’t told her yet, but she has the whole summer mapped out. And Ava is embedded into every bullet point of that. It just hadn’t occurred to her that Ava might have her own plans. Ones that didn’t include Beatrice.

“Ow!”

Beatrice’s head snaps up. The sudden noise is followed by a heavy thud, thud and a rattle as something hits the floor. She’s up and moving before she has time to second guess herself, crossing the apartment in long strides until she’s reaching Ava’s room.

She crosses the threshold in a breath, suddenly plunged into the smell of paint and the sight of the bright lights Ava has rigged up in the center of the room. It nearly blinds her and she quickly looks at the ground.

Ava is lying on the thick, plush navy rug at the bottom of the bed, body curled in on itself as she clutches her foot. A small unopened can of paint is rolling slowly away from her towards the corner of the room. Ava groans loudly and turns her face into the rug as her whole body expands with a breath.

Beatrice drops to her knees, ignoring the dull ache that rockets up her thighs into her hips. She grabs Ava’s shoulders, turning her onto her back as her eyes scan Ava’s face for any blood or bruises. Her hands follow the same path, tucking Ava’s hair behind her ear and trailing her thumbs across the flat of Ava’s cheeks.

“What happened? Are you hurt?”

Ava’s eyes flutter closed, and Beatrice immediately becomes concerned about a concussion. Her fingers slide to the base of Ava’s head, and she applies a little pressure to tip it back. Ava’s still blinking up at her but as the light reflects against the honeyed color of her irises her pupils shrink. Beatrice heaves a relieved sigh. No concussion.

“Bea,” Ava groans again. She turns her face into Beatrice’s palm. “I think I broke it.”

Beatrice’s hands fall from Ava’s face and skim down her shoulders to her elbows, cupping them gently. “Let me see,” she says softly.

Ava shakes her head. “Just leave me behind.”

A rush of fondness ripples through her. She presses her fingertips into Ava’s bare arms, the sleeves of her This may be cheesy but I feel grate t-shirt brushing against the backs of Beatrice’s knuckles. “Ava,” she urges.

“No, it’s too horrible.” Ava’s grip tightens on her foot and she immediately winces.

Beatrice slides her hands down to Ava’s slowly. She curls her fingers into the spaces between Ava’s and her foot, pushing them back until she has enough room to free Ava’s foot from its self-imposed prison. There’s a bruise already forming at the base of her toes on the top of her foot, blooming across the first three toes. She ghosts her thumb across it and Ava flinches slightly.

Beatrice’s lips purse into a frown. “I’m sorry.”

“S’okay.” Ava rolls completely onto her back, staring up at Beatrice. She’s still blinking rapidly and Beatrice is worried about a delayed concussion now.

“I think you’ve bruised it.” She presses down, gentler this time. Ava draws in a breath but doesn’t flinch away. “I don’t think anything is broken.”

Her hand drifts higher, curling around Ava’s ankle bone. It’s delicate under her fingers, the point rounded. Her other hand, still resting on Ava’s foot, goes to her other shin. There’s nothing but an expanse of smooth and warm skin under her palm.

“Good,” Ava says faintly. Her eyes go to Beatrice’s hand, lingering.

Beatrice’s eyes follow. Oh. She quickly pulls her hands away, cheeks suddenly hot.

“I didn’t mean to-”

“You don’t have to-”

They both pause, staring at each other. The air feels electric, goosebumps running up Beatrice’s arms. Her chest feels tight with unspoken words. She looks away first.

Ava’s hand on her own pulls her eyes back around. She looks at Beatrice for a long moment before she smiles a little. There’s something on her face that Beatrice can’t read, but it settles the rising tide of fear in her chest and she feels it ebb away into nothingness.

It’s not unusual, the sense of calm that comes with a simple look from Ava. It’s a peace that feels second nature now. It’s odd how seven months with Ava has untied almost all the knots her life created. Seven months isn’t very long - a blip on the radar, really. She’s had the same study group for longer than that. But these seven months have felt so monumental that it seems to have lasted years.

But Ava is monumental, so really, it does make sense.

Still. Her hands got ahead of her head. She touched before she thought, and now she’s kneeling on Ava’s floor with her hands hovering between their bodies, and Ava’s eyes are even more honey-colored than usual. The lights reflecting off the white walls makes her feel like she’s under a spotlight on a stage where everyone can see her, here in Ava’s room.

In Ava’s room, across the threshold. Completely across it.

A line she hasn’t crossed, a step she hasn’t taken. The room rushes in on her suddenly. She’s hyper aware of the faint chemical smell of paint, the too-bright lights, the rough fibers of the rug against her bare ankles, the way Ava’s laundry seems to be crawling out of the basket in the corner.

“I’m-”

“Don’t apologize.”

“I didn’t mean-”

“Bea.”

“I’ll just-”

“Beatrice.”

Beatrice blinks. Ava’s hand has turned over in hers, her palm up. “Yes?”

“Help me up?”

Beatrice blinks again. “Oh. Yes.” She shifts back onto her heels and grabs Ava’s wrist, fingers spread to distribute her grasp so she doesn’t pull Ava’s wrist off her arm, and gently leads her forward. She wobbles as she rises, leaning into Beatrice for support, and Beatrice quickly winds an arm around her waist to steady her as she stands. They’re so close that Beatrice can feel the way Ava is breathing, the push of her ribs against Beatrice’s hand. She helps her to the bed carefully, cautious of the paint around them, and sits her down gently.

There’s more turquoise paint along her forehead, and dried paint on her fingers, and Beatrice wants to find a clean washcloth, wet it, and gently wash it away. She does the next best thing.

She picks up a rag next to the small container of water Ava must be using to clean the brushes and dips the corner into it, wetting it. She hands it to Ava and waits as she rubs furiously at her finger, washing the paint away.

“What happened?”

Ava sighs, eyes narrowing as she looks at the unopened paint can on the ground. It’s rolled across her room away from them. Luckily, the open can remains in place on the stool, the paintbrush hanging precariously on the edge of it.

“I went to reach for the paintbrush and knocked it off. Freaking thing landed on my foot. Obviously.”

Beatrice’s free hand goes to Ava’s foot. Her thumb sweeps across the bruise. Ava’s fingers flex against the back of Beatrice’s forearms. “You are lucky it didn’t break anything.”

Ava shudders. “Manuel, one of the guys on my floor when I lived in the dorms, he broke his foot the first month in. He had to wear a big walking boot for weeks. It was so ugly.”

“It would hardly go with your outfits,” Beatrice agrees.

“How would I even get my jeans on?” Ava frowns thoughtfully. “I’d have to walk around in my underwear all day.”

Beatrice nearly chokes on a cough, but she swallows it back down, uncomfortable in her throat. “I think… I think you could remove it to put your clothes on,” she says, her voice too light to be her own.

Ava’s face flushes unusually. “Oh, right. Of course.” She starts to smile wickedly. “Don’t want me walking around in my underwear, of course.”

Beatrice doesn’t quite hide her blush like she hid her cough. Because she has envisioned Ava walking around in her underwear before, just with one of Beatrice’s big sweaters dusting her thighs and coming down over her hands. She quickly blinks, turning the image to black in her mind. It was a passing thought, just once. She never had it again. It was unfair to Ava to even begin to form that picture in her mind. It flashes in her head like a bang now and she tightens her grip on Ava’s wrist, suddenly aware she’s still holding on.

She goes for a strangled joke. “It would prevent Lilith from coming over.”

It was the wrong thing to say. Ava latches onto it. Her eyes light up. “Consider it done.”

Beatrice immediately concerns herself with something else. Ava’s foot.

“Let me get you some ice,” she says. Her voice doesn’t waver this time. Shannon, if she knew about this, would be proud. She’d praise Beatrice’s restraint, call it admirable.

Shannon would also probably tell her that she should do something that would completely change the trajectory of her friendship with Ava. So maybe the Shannon in her mind should be a little quieter.

“I don’t think I need ice.”

Beatrice looks down at the bruise, darker now, and then gives Ava a pointed look. It has the desired effect. Ava’s cheeks pinken and she smiles sheepishly. Beatrice nods, assured in her success, and carefully extracts her hands from Ava’s foot, standing.

“I’ll be right back,” she promises. “Don’t forget the paint on your forehead”

Ava carefully taps her foot, higher than the bruise. “Not going anywhere.”

Beatrice could argue that Ava could go somewhere. It’s not broken. It’s uncomfortable, of course. She once flexed her foot at the wrong moment and kicked a pine board toes-first. The bruise remained for weeks and the slight limp from accommodating the pain had lasted a little longer than that.

But Ava wipes her forehead carelessly and falls back onto her bed, hands hanging over each side of the bed in a T-shape as her legs dangle off the end. Her shirt rides up her flat stomach revealing a sliver of skin Beatrice wants to run her fingernail over. Ava’s eyes are closed, head tipped back just enough for her chin to lift up, exposing the long unbroken line of her neck.

Beatrice looks away before another thought rushes unbidden into her mind. Her cheeks burn.

“I’ll be right back,” she repeats, unnecessarily. Ava hums on the bed.

She doesn’t linger, striding out of the room and across the apartment. She opens the freezer, welcoming the blast of cold air against her face. She takes a moment, almost forgetting why she’s standing there. But Ava calls her name from the bedroom, and Beatrice remembers quickly. The ice maker hasn’t worked in a few weeks - she makes a mental note to have Mary look at it before she calls her landlord - but Ava only found that as an excuse to buy increasingly ridiculous ice cube trays.

It takes her a minute to decide between ice cube shapes. Ava went a little crazy online, buying shark fin-shaped ones, brain-shaped ones, ones shaped like ice monsters and another set shaped like centipedes. Beatrice decides on ones shaped like rubber ducks, twisting the silicone tray so they pop out. She wraps them in a cloth quickly so her hands don’t get too cold.

Crossing the room feels like a walk she’s made a hundred times before. She knows in her mind that it’s only been twice but now that she’s opened the flood gate, her feet move her without thought. Past the books and notes she’s abandoned, the armchair, the couch. She pauses just before Ava’s bedroom, toes against the threshold.

She crosses it as easily as she exhales.

Ava is still laying on her back, an approximation of a cross as she rests with her eyes closed. Beatrice watches her chest rise and fall as she breathes in and out evenly. There’s a beauty in simplicity, she’s always thought so. Ava only strengthens that.

“Ice,” she says quietly, unsure of why she doesn’t want to say anything at all. She doesn’t want to break this moment, startle Ava and ruin the weightlessness of it.

Ava cracks one eye open, a half-smile on her face. “You’re back.”

Beatrice holds out the ice. Ava crooks a finger at her, beckoning her closer. She hesitates. Ava pushes up, resting on her elbows now.

“I think we’ve established that I don’t bite.” That smile turns wicked again. “Unless you ask nicely.”

Her fingers clench around the ice, and she feels the cold bite at her skin. But she stays still, not giving anything else away.

Ava sits up, foot dangling over the end of the bed. She rests her palms flat against the comforter before she pushes up and stands. She puts her weight down on her foot and her leg buckles almost instantly.

Beatrice doesn’t think, arms looping tightly around Ava’s waist and pulling up her. Her fingers slide into the dips of Ava’s back, the ice trapped between one of her palms and Ava’s skin. Her feet tangle with Ava’s. Their hips are nearly pressed together, almost no space between them. Ava exhales in a noisy rush, lips twisted in a grimace. Beatrice feels the hot air against her collarbone.

“Are you okay?”

Ava tilts her head back slightly. “Would you believe me if I said yes?”

Beatrice’s mouth flickers in a smile. “No.”

“Then we’ll just assume the answer.” Ava’s hands are wrapped tightly around her elbows and her fingers flex against the back of Beatrice’s arms. “Wow. Do you work out?”

“You know that I do.” She keeps her voice light.

Ava’s fingers dance further up her arms, under the hem of her sleeve. She squeezes again, gently. “Yeah, well knowing you do, seeing you do it, and feeling its effects are three very different things.”

Her fingers are maddening, burning hot against Beatrice’s skin. Ava rubs her thumb in a small circle over her bicep.

“Really, Bea. You could probably crush an egg with these things.”

She frowns. “Why would I want to crush an egg?”

“Well, it’d be a way to spice up breakfast.” She presses gently, dimpling the skin. “And a killer party trick.”

Beatrice fights a shiver despite the way her skin feels like it’s burning. “I don’t go to parties.”

But that’s a lie. She does when Ava invites her. She thinks of the party they went to, the spinning disco lights and the way Ava’s body pressed against hers in the hot swell of sweaty, drunken students. She thinks of Ava slumped over on their couch later, saying she’d wait for Beatrice.

That voice that sounds just like Shannon’s whispers that it means exactly what Beatrice hopes it means. She’s never been good at telling Shannon to stop, but this is easy enough to sweep under the mental rug so it remains unknown and unseen.

Truth unknown and unseen is still truth, Shannon has said before. I read that on Pintrest.

Beatrice shakes the memory from her mind and focuses on the facts in front of her: Ava. Ava, close enough to breathe in. Close enough that Beatrice could eliminate the mere inches between them and-

“I bet you’d go to more parties if you had a party trick,” Ava interrupts.

“I doubt it.” But Ava is grinning and Beatrice can’t help but smile back. “But I’m sure you could convince Mary to give it a try.”

“I mean, Mary has decent biceps, but I don’t think she could crack an egg.”

Beatrice shakes her head. “Why an egg? Why not, I don’t know. A walnut.”

“A walnut. These are good goals.” Ava squeezes Beatrice’s bicep once more to emphasize her words. “Let’s start with an egg and work our way to something more advanced.”

The flex of Ava’s fingers against her skin pulls her from her next thought. It’s not that she didn’t notice the lack of space between them, it’s just that it’s rushing in on her now. It’s dizzying, the way Ava is standing so close. Beatrice tries to breathe in, but her chest pushes out until it nearly brushes Ava’s and she’s sucking all the air back into her lungs just as quickly.

Ava notices, eyes dropping down past Beatrice’s chin and neck before they dart up again, crinkling at the corners. She takes a step back, dropping to the bed again, the ice in her hand. She pulls one leg up under her, chin resting on her knee as she puts the ice against her bruising foot.

Beatrice blinks, oddly cool air rushing in where Ava’s body had been despite the humid air of their apartment as the spring pushes towards the hot summer. “You’ll need to ice that for a bit.”

Ava nods, adjusting the ice for a moment before she looks up and says, “So, first time?”

Beatrice frowns. “Administering first aid?”

“First time being in here. Properly, I mean.” Ava looks around, throwing one arm wide. “What do you think?”

Beatrice takes stock of her situation. It’s technically her third time being in here, but Ava is right. She’s in here properly now. Not just over the threshold or charging through barriers because Ava’s been injured. She crossed the line intentionally this time. And she remains, the walls of Ava’s room coming at her from each side without boxing her in.

Ava’s laundry flows from the hamper. Her bed isn’t quite made, but isn’t quite a mess. There are books stacked on the desk in a way that tells Beatrice Ava hasn’t opened them in some time. Hobbes sits next to them. A series of pictures is on the wall opposite her desk, ones of her and Ava and the rest of their friends. Beatrice’s eyes catalog each inch, committing it to memory in a place where she knows she’s going to see it for a very long time.

“You’re missing the best part,” Ava says. Her voice is quiet, like she’s afraid to startle Beatrice. She waits until Beatrice looks before she points upward.

Beatrice’s eyes follow the imaginary thread from Ava’s fingertip to the ceiling. She nearly gasps.

White-green stars dot the ceiling, filling all the space. Spider web-thin lines connect some of them, forming constellations she recognizes from the pictures Ava has shown her and the ones Ava has pointed out on rare nights when she can convince Beatrice to go out to the quad and lay on the grass to watch the night pass by. Some of them she doesn’t and she focuses on those ones, studying their shapes and trying to decide what they look like.

“Apus.” Ava’s finger moves, tracing the lines she’s drawn between the glow-in-the-dark stars. “We call it the Bird of Paradise. Derived from the Greek word apous, which means ‘footless’. There’s a story that birds of paradise were once believed to have been footless.”

“I don’t believe I know what a bird of paradise looks like,” she admits.

“My mom loved them. She’d never seen one in person, but she liked looking at pictures of them. They have these large plumes. They look so soft.” Ava sighs wistfully. “There was a nun, in the orphanage when I was first there, that called me a bird of paradise.” She pauses, eyes darting to Beatrice. “Because I was footless, you know? She reminded me of my mom. She didn’t stay long, but she was nice.”

Beatrice’s heart clenches as it always does when Ava talks about her past. But this is a softer ache, a longing to thank this woman who showed Ava a sliver of mercy.

“And that’s Grus, the crane,” Ava continues. “Originally, it was part of another constellation, Piscis Austrinus. But a Dutch astronomer defined it as its own separate constellation. Its brightest star is Al Na’ir. It’s Arabic for ‘bright one’ which feels a little on the nose.”

Beatrice studies its shape, noting the bigger star that Ava must have defined as Al Na’ir. “Why do you like this one?”

Ava thinks for a moment. “Did you know that cranes have the ability to fly over the Himalayas? They can. They can go as high as 8,000 meters. Imagine being that high up, feeling the wind in your hair.” She blinks, looking off towards the wall littered with paint swatches. “I spent so long tied to one place that the idea of being able to fly over a mountain, to graze the tip of it with a set of wings, sounded like a fairytale.”

Beatrice slides her hand over Ava’s, fingertips resting in the dips between her knuckles. “I think we could hike the Himalayas one day, if you wanted to.”

Ava looks down at their hands and blinks before her eyes meet Beatrice’s. “You think so?”

“I think you could do anything you want to do.”

Ava doesn’t blink this time, doesn’t even look away. “If I can do anything I want to do, I want to…” She pauses, tongue darting out to wet her bottom lip.

Beatrice waits, but the rest of Ava’s sentence doesn’t come. She clears her throat. “What do you-”

“Did you see that one?” Ava asks, interrupting her and pointing up at the ceiling.

Beatrice blinks, startled at the intensity of Ava’s voice. She searches Ava’s face but it’s unreadable, a mix of something Beatrice can’t quite put a name to. So she looks up helplessly, searching for what Ava is pointing at.

“That’s Drago.”

“The dragon,” Beatrice translates. “What’s his story?”

Ava shrugs. “He’s just fucking cool.”

A sharp laugh slips out from between her lips and Ava grins widely back at her.

“So, you like it, then.” Ava looks around her room and nods to herself. “It’s a pretty great room, isn’t it?”

“It’s very… Ava,” Beatrice allows. She’s smiling though, hoping that her words don’t sting.

“Isn’t that all I can hope for?” Ava sighs and turns her hand over so her palm presses against Beatrice’s. “But can I ask another question?”

When she breathes out, “anything”, she means it.

Ava hesitates still. “You never come in here,” she says slowly. “Why not?”

Something tightens in her chest. Words rise in her throat and she swallows them back down, a reflex more than anything else. Ava must notice something pass over her face or feel the way that Beatrice’s hand jumps in hers, because strong and warm fingers stroke up her wrist as they lock around the bone, keeping her anchored to the moment.

“You don’t have to answer that,” Ava rushes on. “I’m just… curious, I guess.” She smiles crookedly. “Does it smell in here?”

Yes. Like something deep and woodsy and so uniquely Ava.

Ava’s nose wrinkles. “Does it? Because if it does, I-”

“It doesn’t.” Beatrice’s voice is too loud. “It doesn’t,” she says, softer now.

Ava’s frown doesn’t smooth out. “Then… why?”

It’s not you, it’s me, her mind supplies. She doesn’t say that. She thinks about how to put it into words, how to unpack all the things she tidied away and put in a cedar chest, locking it tight. Nothing comes from it, just an empty explanation that won’t make sense if she says it out loud.

But Ava is her best friend. And if it doesn’t make sense, if the words don’t come out right, she’ll wait patiently for Beatrice to try again. She’ll sit here, one leg tucked up as ice melts through a washcloth and she’ll wait for Beatrice to find the right words.

I’d wait for you forever, Ava had said, lips loose with party punch. And Beatrice believed her.

Ava makes her brave. Brave enough not to make an offhand joke and turn the conversation back on the open can of paint and the paintbrush quickly drying out.

Instead, she clears her throat and straightens up, the first thing she does when an image of her parents enters her mind. And Ava doesn’t let go of her wrist, moving with her instead, ebbing and flowing with her seamlessly. Beatrice turns to face Ava, watching Ava mirror her, and she exhales out the tension building in her muscles.

“Bea, if you don’t want to-”

“I do.”

She does. Holding onto these things makes her feel heavy. And almost more than anything - but not more than wanting Ava - she wants to be lighter.

Ava shakes her head. “I’m serious.”

Beatrice grips Ava’s other hand, their arms tangled around each other. “I… I have to.”

“Okay,” Ava says softly. Her smile is the same. “Whatever you want to tell me, I want to hear.”

Ava isn’t always sledgehammer, she realizes. She thinks of her as a hammer, crashing into everything and leaving a wake of needed destruction in her wake. But Ava is also a set of picks, quietly and discreetly slipping into the lock around her. For all the stomping around she does, all the things she knocks over in her haste to get from one moment to the next, she’s also deft, hands built with finesse.

Beatrice tries to find the start. Was it Penelope Marshall? Was it the start of boarding school? Was it her parents finding her journal when she was thirteen? Was it all the time she spent with the diplomat’s daughter? Was it her fifth birthday when she cried because her parents bought her the dress with the pink frills instead of the bicycle she wanted?

“My parents…”

“I hate them.”

She doesn’t chide Ava for saying so. A deep, angry part of her hates her parents too. She smiles humorlessly. “They sent me to boarding school, as you know. When I was thirteen. Right at Christmas time. I remember it because it was my present that year. An ‘opportunity to further my education in an environment that would foster appropriate and lifelong lessons’,” she quotes. She can remember the brochure she’d been given unceremoniously, a smiling girl on the front. Even in print, Beatrice could see the hollow light in her eyes.

“Appropriate,” Ava scoffs. “Like anything they did was appropriate.”

Beatrice feels Ava’s pulse thunder under her fingers. “They said it would give me a framework for my life. Lucille Thomason had graduated from there a year before and she was going to Oxford, on her way to inheriting her mother’s social calendar. My mother always fawned over her at dinners. ‘Lucille is following the plans her mother set out for her. Lucille has accomplished so much at such a young age.’”

“Lucille sounds like a loser.”

“Lucille sounded exactly like the daughter my mother wanted.”

Ava frowns softly. “You know that you’re leagues above whoever Lucille is.”

“I didn’t think so,” she admits. “Lucille was someone to admire. Her achievements were something to strive for. She had something I so desperately wanted when I was younger: my mother’s approval. And so, when they presented the option-” She stops herself. “It wasn’t an option. But when they presented their plan, I reconciled myself with it by reminding myself that Lucille was leading a very successful life.”

“There’s more to life than success,” Ava says gently.

Beatrice smiles a little. “To you. To me. But to my parents, there is nothing more.” She takes a deep breath. “And if they were framing it as me taking an opportunity to lead a successful life, then they would forget about… the things they were discovering about me.”

Ava immediately tenses. The Beatrice she is now knows it for what it is: an attempt to contain her anger. The Beatrice she was months ago would have worried. Was Ava afraid of her? Was Ava disgusted by her? The thoughts had swirled that movie night. What if she did admit to a crush on Patricia Velasquez? Would this new person she wanted so badly to be around, without knowing why, suddenly change her mind once she found out the truth?

But Ava hadn’t. Ava won’t. Beatrice knows it with every fiber of her being. There are very few absolute truths in the world, but this is one of them.

“They read my journal, you know,” she continues. The words are coming out easily, this tiny fissure in her chest cracking open as Ava looks at her with wide and trusting eyes. “A new girl started school at the beginning of the term. Her name was Mina. Her father was in banking, I believe. She had the bluest eyes I had ever seen in my life.”

Ava scoffs lightly. “Blue eyes.”

She skims the pad of her thumb over Ava’s wrist. “One day, our hands brushed. It was something simple, innocent. She was passing me a paper, and we miscalculated the distance. I’m sure it meant nothing to her.”

“It meant something to you,” Ava guesses.

“I was thirteen. Everything meant something.” Beatrice sighs, feeling her chest rise and fall heavily. “And anything that meant something to me went into my journal. I just didn’t know that what went into my journal eventually landed in my parents’ hands.”

“So those bastards went through your private journal and read about some girl who touched your hand,” Ava hisses. “I swear, the minute I meet them, it’s fist to face. They don’t call me The Piraya for nothing, you know.”

“No one calls you that.”

“They might call me that, you don’t know. I have a whole superhero persona you don’t know about.” Ava puffs out her chest a little bit.

“The name Piraya implies you’re more of a villain than a superhero.”

“I’m a villain’s villain. How’s that?”

The trickle of despair of dragging this up again fades as Ava’s smile widens. She knows what Ava is doing. But she doesn’t stop her, grateful for the brevity and the way it makes her feel like she’s grounded in something, not floating listlessly and endlessly in her terrible memories.

“I mean it.” Ava’s voice drops, low and serious. “I’ll be their worst nightmare.”

“I’m afraid that role is already taken,” she says quietly. “Though, I don’t think they intended for it to be their daughter.” She sighs. She used to be her mother’s doll. But once she started moving her own parts, she found herself moving in the opposite direction.

“Bea,” Ava whispers. She tightens her grip on Beatrice’s wrist.

“I remember I wrote that touching her hand was as if the heavens opened up and I finally understood what song the angels were singing. We were in the middle of a poetry unit, and I fancied myself quite good at it.” She lets out a dry chuckle. “When I found them in the kitchen one night holding onto my journal I foolishly thought they had found out I was reading Emily Dickenson instead of studying for my science exam.”

Beatrice remembers coming down the stairs, flushed with the late November cold. Mina had invited her for dinner the next night, and she promised to show Beatrice the new video game she got. Beatrice didn’t care about those kinds of things, but no one else had gotten an invitation to Mina’s. Beatrice felt special.

But her parents’ faces had stopped her in her tracks. She didn’t notice her journal at first. It was made to look discreet, not to stand out. It had blended into her mother’s dark skirt, and it wasn’t until her mother raised it into the air that she saw it for what it was.

They asked her to explain herself. She wasn’t sure what they wanted her to explain, not at first. She stumbled through an apology about delaying her studying; she’d do it immediately and ask her teacher for an extra take home lesson. She scrambled through a rushed explanation about having new friends meant more opportunities for networking. With new friends, she could join a new club. It would do well on her list of extracurriculars.

It wasn’t until her mother spit out the name Mina that she had any idea of what she was supposed to be afraid of.

“What did they say?” Ava asks gently.

“They didn’t have to say much. There were questions about who Mina was. My mother had a particular talent of making something that wasn’t a swear sound like it. And she hissed Mina’s name like it was the dirtiest word she could say.”

Beatrice thinks of Mina now. Where was she? What was she doing? Beatrice never heard from her after she left. No letters, no calls. She came and went in her life so quickly, it was as if Beatrice made her up. The only sign that she had been there was the page missing from her journal, returned to her the night before she left for school.

“They demanded to know what she had done to me. What had I done to her? I was so confused. She had touched my hand. I certainly hadn’t…” Beatrice’s chest hitches at the thought. “It was a fleeting moment, but I learned that fleeting moments were the most damaging ones. That,” she says dryly. “And that locks do nothing to keep a determined person out.”

“Locks are meant to keep people out,” Ava all but hisses. She sighs, working her fingers up Beatrice’s arm to her elbow. They rest in the dip of her arm, right over the thin vein under Beatrice’s skin. “God, Bea. I’m so sorry. They were - are - horrible. No one should have had to go through that. Especially not you.”

Especially not you, Ava says. Like Beatrice is better than anyone else. Like she should exist under different rules.

“Of course you’re afraid,” Ava says quietly, speaking to herself. She raises her voice, talking to Beatrice now. “Of course you’re worried about even - Jesus, Bea. Touching a girl’s hand?” She looks down as if she’s suddenly noticing how she’s knotted herself around Beatrice’s arm. She laughs dryly. “What would they say if they saw us now?”

Ava means what if they saw me comforting you? Not what if they saw how I touch you like nothing else matters?

The answer would be the same: her mother would simply set fire to the room.

The chasm is widening now. She’s cracked the seam on these memories, and her mind is cycling through the events that followed: a new suitcase set, pink with her name on an address tag; a set of starched uniforms that felt like coarse wool against her skin; a final meal in her parents’ formal dining room, the chef-of-the-week uncaring of her dislike for persimmons; a single plane ticket pressed into her hand and a dismissive nod as a car pulled away from the airport, leaving her alone.

She tells Ava this in stilted words, as if narrating someone else’s life. But then it starts to sink in, the anger. And it spreads in her belly, burning into a rage. She feels the moment the numbness transitions to an inferno. She hears herself exhale the word alone and something snaps.

“They had no right,” she says. Even through her anger, the words surprise her.

Ava’s voice sounds hoarse, unused. “They didn’t.”

“I was a child. Their child.” Her hand clenches tightly into a fist, Ava’s hand moving with the flex of her forearm muscle. “A ‘problem’ arose and they just…” She stops. “They strung me along until I was no longer of use to them.”

“You are not a problem.” Ava's voice is low, burning hot in the rapidly closing space between them, in a tone she’s never heard before.

Beatrice almost startles, confused. She had nearly forgotten that Ava was here, so consumed in her story. But now she’s noticing her. 

Her eyes flash. The tops of her cheeks pinken slightly. She’s angry. Beatrice has seen her on more than one occasion get angry on her behalf. The mere thought of her parents seems to send her into a flurry, but the anger in her eyes now is nearly staggering.

“You’re not,” she says again, insistent to the point of almost desperation. “Beatrice, you are not a problem.”

And Beatrice, blinking, already falling, dives deeper into love with her.

-

Ava feels her cheeks go hot with a liquid anger that roils in her blood. She’s been angry before - angry at Bea’s parents, even. But this feels like pure molten rage. All of the pieces are slotting together: a young girl who just wanted to make her parents proud; who saw someone - touched someone so innocently - and felt the world shift; who didn’t understand why a cliff rose up between her and the people who were supposed to love her more than anything; who trusted so completely and had it thrown back in her face as if she was the one who somehow failed.

Ava’s fingers tighten until her fingernails cut deep half-moon shapes into her palm. She pulls the words out from between her teeth like nails scratching the floor.

“You are not a problem.”

Bea blinks. The broiling heat in her stomach softens its edge, replaced by the confusion in Bea’s eyes as she blinks again.

“You’re not,” Ava insists. She tugs Bea’s hand, pulling her closer until they’re pressed together, an almost-sweaty slide of the skin of their knees bumping together. Bea blinks a second time, mouth parting slightly. “Beatrice, you are not a problem.”

She needs Bea to believe her. She’s never needed anything more in her whole life. She could live without air. She could make it minutes without oxygen. But she can’t live with another second of Beatrice believing her parents’ poison.

She coaxes Bea another inch closer. “Do you hear me?”

Bea’s mouth parts further, something on the tip of her tongue. Ava squeezes Bea’s hand a little tighter. “Do you hear me?”

“I hear you,” Bea says faintly.

Ava isn’t satisfied. “You need to believe it. You’re not a problem. You’re-” She softens her grip, thumbs Bea’s wild pulse. “You’re-”

“Don’t say perfect,” Bea whispers, eyes slamming closed. “Please don’t say perfect.”

Ava hesitates. She was going to say perfect. She was going to say frustratingly perfect. But she can pivot. There are a million other things she can call Bea - courageous, intelligent, kind, beautiful. All things she’s told Bea before and all things she’d tell her a million times more.

“Human,” she lands on. Bea’s eyes open slowly. “You’re human, just like every single other person on this big rock orbiting in space. You live like everyone else. You laugh, you cry. You love, just like everyone else. And none of that-  not who you are or who you love, or even the special little rules you have for tea that took me forever to learn - not a single part of you is a problem.”

The space between Bea’s eyes wrinkles in thought. Ava usually holds herself back, usually just wishes to press it flat gently. But the line between them is so thin now that she doesn’t think twice about it, reaching up and resting her thumb between her brows, pushing gently until the skin relaxes.

“Can I tell you a secret?” she asks in a whisper. Bea holds so many of her secrets, one more won’t hurt.

Bea nods slowly.

“When I first met you, I was so… intimidated.” Bea’s eyes widen slightly and Ava nods. “I was. You seemed so… cool. Composed. Not at all affected by someone who crashed into your table with the grace of a… what did you call it?”

“A newborn foal,” Bea says lightly.

Ava grins, her smile widening when some of it reflects in Bea’s face. “A newborn foal. That’s a giraffe, right?” She doesn’t wait to be corrected. “I thought, I need to know who this is and I need to know everything about her right now or I’m going to combust.”

Bea rolls her eyes, the motion of her eyes disrupting Ava’s thumb, still on her forehead. She doesn’t drop her hand, being bold and dragging the blunt ends of her fingernails against the smooth skin just above Bea’s eyebrow.

“You’re very dramatic.”

“Did I pretend to be anything else?” Ava shakes her head when Bea opens her mouth. “Don’t answer that. Just know.” She sobers, breathing in and exhaling the most truthful thing she thinks she’s ever said in her life. “The minute I met you, I knew you were something spectacular. I knew you were going to change my life.”

A weight hangs between them now. Bea looks shy under it, her head ducking slightly. Ava’s fingers slip, nearly burying into Bea’s hair. She drops her hand back into her lap but curls it over Bea’s, not quite wanting to let go yet.

“Can I tell you a secret now?” Bea asks, eyes still on the space between them.

Ava nods without being seen. “Anything.”

“I never really felt like that.”

“Like what?” Ava frowns. “Spectacular?”

“Human.” Bea looks up. “I spent so long feeling like… an other. That feeling like a human just didn’t… I couldn’t make sense of that. It took some time.”

Ava smiles gently. “But you got there.”

“After-” Bea stops herself, pulling her lips in as if she’s trying to keep something from erupting out. Ava watches the thin stream of air work its way through her nose, and catches the slight shine of Bea’s eyes, the way they seem to sparkle as unshed tears fill them.

“Hey,” she says softly. “No. No, don’t cry.” She drops Bea’s hands, cupping Bea’s face. Her thumbs brush along the flats of Bea’s cheeks. “I don’t know what to do when pretty girls cry,” she admits.

Bea laughs, choked and watery. “Neither do I. But it never stops me from telling you that Lilith doesn’t actually hate you no matter how much of her fancy vodka you drink.”

“One time,” Ava mutters, lips pulled back in a smile as she pretends to be annoyed.

It works. Bea’s smile seems a little stronger. “Ava,” she says quietly.

Ava strokes down a line of freckles absentmindedly. “Yeah?”

“Can I tell you another secret?”

“You can tell me you’re responsible for bringing down the Vatican, for all I care.”

Bea doesn’t laugh, worrying her bottom lip between her teeth instead. Ava wants to press down against the smooth skin but she stops herself before her thumb drifts that low. That perfect, soft-looking skin, a breath away. She focuses, pulling herself back into the moment.

Bea’s voice is nearly a whisper when she says, “Someone thought I was spectacular once.”

“Just once?”

Another silence. Ava tightens her jaw. Listen, don’t talk. She can do that. She can be still. It’s something Bea has taught her - just be still. Just wait. It will come to you when you stay in one place. So, she’s been waiting, patient against every urge within her to jump up and down and scream.

Sometimes, these feelings for Bea are so big in her chest that she feels like she’s going to explode into a hundred stars. She pictures herself shattering as the unspoken words build in her until they can’t go anywhere but out. But Bea is something to wait for. Bea is someone Ava doesn’t mind standing still for. She knows it’s there. She knows the feelings aren’t just her and that Bea needs to find her way forward. Ava just needs to be the flashlight in the distance, waiting for Bea to find her.

“At least, I thought she thought I was spectacular,” Bea continues, almost as if she didn’t hear Ava. “She said-  well, she said something close enough to it.”

Ava can feel another piece of the puzzle slotting into place. Another brick that makes up Bea’s nearly-impenetrable walls. For every one Ava manages to crack and loosen, another suddenly rises in its place. But she feels like this time, it falls and nothing slots into place.

She doesn’t stop herself from touching a freckle this time, tapping out a song she heard years ago before her hands drop again. “Was she pretty?”

She’s clumsy on a good day. Boisterous on others. But Bea is doing that thing again, learning how to run without knowing how to walk. And Ava is practicing. She’s trying so hard. She stays so still that Bea could almost imagine her gone.

“People are pretty in different ways,” Bea finally says. It’s a very diplomatic answer, something so very Bea that Ava breaks her stillness to smile. “All the other girls wanted to be her. I remember someone saying that her hair was so shiny, she must brush it a hundred times on each side before bed.”

Ava can’t help herself. “Is that why your hair is always so perfect? Are you secretly combing it until your wrist hurts?”

“A brush through wouldn’t kill you, Ava.”

“Speak for yourself.”

Bea’s growing smile flickers out. “I suppose it didn’t matter if she was conventionally pretty. I…” Ava watches the way she shores herself up against an invisible storm. “I thought she was beautiful.”

“What was her name?” she asks quietly.

“Penelope Marshall.” Bea says it like a prayer.

“Penelope.” Ava suddenly creates an image in her mind. A girl with wide brown eyes, bronze skin, a perfect smile of perfect teeth, a button nose, long and shiny hair.

Bea swallows and Ava feels the click of her jaw under her palms. “She was in my year, her room just down the hall from me. We were partners in Latin.”

“I bet she copied all her answers off your test.”

“Maybe once or twice,” she admits. “She certainly did not always do her homework on time. But Sister Magdalene liked her and simply turned a blind eye every so often.”

Bea’s cheeks are warming. Ava can see it in the way they pinken.

“It’s silly, but… I remember the first time she smiled at me. I had conjugated the verb, sum, to be, in the pluperfect subjunctive. She had been trying for the better part of an hour, but the switch from esse to fui for the tenses was always confusing to her.” Bea smiles slightly. “When I gave her the answer, she smiled at me and it felt like…”

“Like the world kind of tilted off its axis?”

Bea looks surprised. “Yes. Exactly that.”

“I’m familiar with the feeling.”

Because she is. So, so, deeply familiar with the feeling. The first time she saw Bea, that first smile she got as she bumbled her way through cleaning up the few drops of tea that spilled, the world went sideways and it hasn’t completely righted itself since.

“It’s peculiar, that feeling. It sticks with you, doesn’t it?” Bea looks down. “I used to dream about it,” she admits.

“That’s normal, Bea,” she says gently.

Bea looks up again. “Is it? Because it didn’t feel normal. It felt… other. Strange. Like a rock in the pit of my stomach. Penelope would touch my arm over our Latin text, and I could see my parents poring over my journal, looking for any otherness that might exist between us.”

“She made you happy, though.”

“I thought I made her happy as well.”

Ava doesn’t need Bea to tell her the rest. She can imagine how it went: touches as they broke down a dead language, sitting with their shoulders brushing at meals, giggling as they studied in what Ava assumes must have been a massive and cold library. She can imagine the small strands of Bea’s hair slipping from her bun across her cheeks and Penelope pushing them back behind her ear with quick fingers.

Ava lets herself be selfish and do that same thing now. Bea’s face turns slightly into her hand. Not enough that she probably even notices.

“When did she kiss you?”

Bea looks surprised again and Ava’s hand falls away. “How did you-”

“A good guess,” she lies. Because she knows that having Bea there and not kissing her is God’s strongest battle. She has been a good soldier.

She’s not sure how much longer she can be good.

“A few months into the semester.” Bea’s voice goes taut. “She invited me to study for her biology test. On the recommendation of our teacher, she told me. I imagined it was a lie; she had the same grades as I did.” Her cheeks pinken. “We were reviewing the different biological features of various aquatic animals and she…”

“She kissed you over the cod?” Ava says, voice a little strangled.

Bea meets her eyes. “It was my first kiss. Everyone I knew had theirs already, but I thought that if this is what I was waiting for, it was worth it.”

“The best things are worth waiting for.”

“I’d read about whirlwind romances in novels. Girls in the dormitories talked about it. Boyfriends they had back home that they saw on holiday weekends. But it was nothing like kissing behind locked doors. It couldn’t be. No one else could be experiencing what I did. It was so uniquely ours. Do you know what I mean?”

She does. It means closed doors. It means secrets. Bea reads it on her face because she can see something close to shame bloom across Bea’s cheeks.

“It was just for us,” Bea confirms. “A secret not even my parents, kilometers away, would learn of.”

Ava has never been one for secrets. She doesn’t like the way they taste in her mouth. You’re keeping your own, a voice like Mary’s reminds her. But that secret isn’t really a secret, is it? Because Mary knows. And Shannon knows because Mary knows. And her favorite barista, Lucy, knows it. JC knows it. The belayer at the rock climbing place and the guy at the one party she dragged Bea to and Lilith and Camila - they all know.

Bea knows too. Ava feels the truth of that in every crevice of her heart. Bea knows. Bea isn’t going to do anything about it - she feels that truth too. But the list of people Ava is hiding this from is shorter than the list of people who know it.

“You loved her.”

Bea’s smile is sad, far away. “First kiss, first love. I was convinced we would graduate and run away together. She would lie in my bed propped up on one arm talking about Paris and Rome and the places we could travel as soon as we got away from school. I’d felt so futureless when I arrived, but now I could imagine a million possibilities.”

Ava thinks of making a joke. Something about Bea jet-setting across all of Europe with a pretty girl, exactly the kind of lifestyle she deserved. But she knows this story doesn’t have a happy ending.

“She told me she loved me. More than anyone she loved in her life. She said we were young, but it doesn’t matter. You just feel love louder, she would tell me. I…” Bea takes a deep breath. “Mina may have been the first girl to touch my hand, but Penelope…”

Bea goes quiet long enough that Ava nudges her hand gently. “She…”

Bea’s eyes clear a little. “She touched me in other places. In other ways.”

Ava guesses the next part of this story too. “You wanted to tell someone and she wanted you guys to stay a secret.”

Bea laughs, short and sharp. “I wish it had been that simple. I wish I had been enough to stay a secret. Instead… She must have learned my parents’ trick. When someone becomes unseemly, when it becomes ugly and unwelcome, you simply… strike it from the record. Forget it ever existed. Send it away to boarding school and hope for the best. Or-or pick a new Latin partner and create an ocean that feels uncrossable.”

“Bea,” Ava says quietly.

“I could have accepted it was all done. An ending. I’m sure I could have. But instead I was…” She shakes her head. “Have you ever had someone you thought you were in love with look at you and tell you that none of it mattered? That it was girls being girls and that whispered promises in the corners of classrooms were never more than just a game? A joke?”

“Bea.”

But Bea has a haunted look in her eyes, like she’s somewhere else than Ava’s bedroom with its overflowing laundry and rumpled comforter and the paint swatches on the wall. Ava imagines she’s back in a girls dormitory standing in front of a pretty girl who is cutting her down to bits.

“She told me that none of it was real. It was wrong. It was just something to do. She wasn’t like that,” Bea says, voice just as haunted. “She promised that she wouldn’t tell, because she didn’t want people to think there was anything wrong with her.” An empty laugh, sardonic and hollow in a way that Ava’s never heard, escapes Bea’s lips. “Don’t worry, she said, I wouldn’t want people to think there was something wrong with you, either. I suppose in some twisted way, she still cared.”

The thing about Ava is that she’s always capable of more than she thinks she is. They said she’d never walked; now she runs across campus after Mary. They said she’d never be smart enough to go to university; now she’s in the front row of all her classes, her scholarship enough to make sure she doesn’t need to worry about her degree. They said she’d never make friends; now she has six of them who make every single day something more than she ever hoped.

They said she’d never fall in love; now she has Bea.

And when she doesn’t think she can go a little further, push a little harder, she thinks of Sister Frances and the way she told Ava that she’d never be capable of anything.

But she’s capable of this: setting everyone on fire who ever hurt Bea.

Her anger unleashes like a wildfire, and it swells in her chest so brightly that for a moment she can’t breathe. She can’t see straight. She’s imagining Penelope again but all of the softness is gone and she’s a cutting monster knocking Bea to the ground. She tightens her hand into a fist so tightly that sharp pinpricks echo in her palm from her fingernails.

She doesn’t realize she’s nearly growling until Bea’s fingers are working hers apart, smoothing them flat.

“Ava, it’s alright.”

“It’s not.” Her voice sounds stretched thin. “She’s not.”

“She’s gone.”

“But she’s still here.” Ava shakes her head insistently. “She’s still stuck in here.” She presses a single finger over Bea’s heart. “She still has all this space to be cruel. And when I meet her - not if. I’m going to find her - I’m going to make her suffer. I’m going to-”

“You can’t go on a one-woman crusade because someone hurt my feelings.”

Ava stares. “Hurt your- Bea, she didn’t hurt your feelings. She broke them.”

Bea straightens up slightly. “I’m not broken.”

Ava softens instantly, like someone turning out a light. “No. No, you’re not Bea. Of course you aren’t. There’s nothing wrong with you.” She ducks her head, catches Bea’s eyes, and smiles a little. “You’re incredible. You are spectacular. I promise you that.”

Bea exhales. “I’m embarrassed to say someone had such a hold on me.”

“That’s not embarrassing. That’s human.” Ava raises a cautious hand to Bea’s cheek again. “That’s wonderfully, perfectly human.”

“She just…” Bea takes a deep breath. Ava’s hand slips to her jawline. “My whole world ended in a single minute. Everything I did after that felt… fraught. I couldn’t trust her, couldn’t trust anything anymore. I was constantly looking over my shoulder, wondering if she was going to change her mind and tell someone how different, how terrible I was. She made me… nervous.”

She made me… nervous, Ava thinks.

Ava feels the soft skin between her eyes wrinkle as she works the words over in her mind. Of course Penelope made Bea nervous. Of course she made Bea doubt everything - every friendship, every interaction. Of course she held so much power over the way Bea engaged in the world. Of course she-

Oh.

Bea, who doesn’t linger too long when she’s looking at Ava. Bea, whose cheeks go pink when Ava dusts a hand down her bare shoulder. Beatrice, who is always the gentleman, always the one to hold back when they seem to be teetering on this invisible line of why aren’t we.

Of course Bea is going to be scared of what their friendship could become. Because she had this happen. She put her whole heart into something only to be told how wrong it was when it was over, how wrong she was, and that none of it was real.

Ava has been wondering why Bea is so afraid of what they could be. She thought if she proved herself, if she stayed when she could have run, then Bea would understand. She thought Bea would look at her and see someone worthy enough of falling in love with. She thought, some nights when the stars on the ceiling just weren’t enough light, that there was something wrong with her. Something that Bea wasn’t telling her because she was too nice to let Ava down so cruelly.

But it’s not her. It’s not Bea. It’s all the ghosts of Bea’s past stacked up against an ‘Enter’ door that are stopping Bea from pulling it open. It’s all these things outside of Ava’s control that’s holding them back.

It all comes together so neatly in her mind. Bea is not going to make the first move. She never was. She’s been leading Ava to this place, but she can’t make the final step. She’s loading the gun but she can’t pull the trigger. She’s putting this in Ava’s hands and hoping that Ava doesn’t break it in two.

Ava’s clumsy on a good day. Boisterous on others. But she’s also been practicing so hard at being still and maybe that was the wrong thing to do. Maybe Bea needs her to move, to run ahead and give in first.

Ava takes a deep breath, feeling it expand in her chest. It’s loud, roaring in her ears. Bea looks at her curiously. Maybe she doesn’t know that Ava has put it all together. Maybe she’s just as confused as Ava was a second ago. But Bea is smart. No, she’s not just smart, she’s Ava-smart. And she can read Ava like one of the dog-eared books littering their breakfast bar.

“Bea.” Her voice is remarkably steady.

Remarkable, because her whole body feels like it’s moving, vibrating at a frequency unable to be heard by the human ear. She catches Bea’s wrist in her fingers, locking them tightly around the delicate bone.

Bea is still, eyes dropping down to where their skin meets. “Yes?”

“Beatrice.”

Her hand is the thing shaking now as it rises up between them and slowly presses to Bea’s cheek, fingernails curling around her jaw. She feels it move as Bea swallows, hears the slight click of it as the silence magnifies. Bea’s eyes widen and she nearly pulls away, Ava’s hand on her face the only thing stopping her.

“Ava, I…”

Ava imagined their first kiss. She’s dreamed of it almost from the moment she met Bea, already wondering what it would be like before she knew who Bea really was - before she knew how good it was going to be. But she read something somewhere about how knowing someone enhanced the experience of loving them. How something steeped in history made the love richer. And the history she has with Bea may be short, but it is rich. Bea knows all her secrets and now she knows all of Bea’s.

So, fucking kiss her, a voice like Mary’s demands.

And isn’t Mary always telling her she has to listen better?

She only closes her eyes just before their lips touch. She wants to see Bea’s face and is rewarded with the fluttering of delicate eyelashes, the slight parting of Bea’s lips, the quiet hitch of her breath and the way her throat bobs as she tries to hold it back. Her hand slips to the back of Bea’s neck, pulling just until her top lip brushes Bea’s bottom one.

Her eyes slip closed as Bea’s bottom lip slips between hers and they’re kissing. They’re kissing. Bea is warm and soft and still. She stays there, intent in the way her mouth clings to Bea’s. I’m here. I’m kissing you. I’m choosing you. And you’re spectacular.

Bea shudders, her whole body coming alive, and she surges forward as Ava starts to pull away. The air goes out of her lungs and she tips backwards a little and she panics, unwilling to break apart now that Bea is kissing her back. But Bea’s hand goes past her, holding her up as she exhales against Ava’s mouth.

They’re so close together, their knees knocking. Bea’s mouth presses hot against hers, closed mouths clinging to each other. She can’t believe it, can’t believe they’re finally kissing and Bea isn’t running - she’s closer as Ava’s shoulders fall back against the bed, Bea’s hand curled around her shoulder as she settles against Ava’s side. Her free hand has found the hem of Ava’s shirt and her knuckles are brushing against the sensitive skin above Ava’s navel, steady and warm.

It’s Bea who takes the hesitant step forward, her lips parting just enough that Ava’s slide, and then Ava can feel Bea breathing as she kisses a little harder, mouths open against each other. It’s Bea who takes a less hesitant step again, the tip of her tongue ghosting along Ava’s bottom lip.

Ava pulled down the last brick, but Bea was a roaring river behind the dam and she kisses like she’s been uncorked. Her fingernails dig into the soft flesh beneath Ava’s shoulder, her knuckles press into Ava’s stomach, and she kisses with reckless abandon.

“Bea,” Ava whispers between kisses. She’s never been one for religion but maybe she’s been worshipping the wrong gods. Maybe this is who she should have been praying to all along.

Bea hums pleasantly against her mouth. She’s bolder now, kisses a little more frenzied. Ava understands. She tightens her hand at the base of Bea’s neck, pulls her closer. Her other hand slides down the flat of Bea’s stomach and curls around her hip bone, thumb stroking over the soft fabric of her sweatpants.

She thought kissing Bea would be amazing but she was wrong. It’s life-altering. She can see everything shifting to accommodate the way Bea’s lips press, hot and open-mouthed, against her own. She’s going to be completely altered after this, her life now in two separate parts: Before Kissing Bea and After Kissing Bea.

Bea’s hum burns into a low moan as Ava’s fingers dig more insistently into the dip of her hip. Ava is addicted now. She kisses harder, body starting to move as she rolls, a leg going over Bea’s until she’s bracketing Bea’s hips. She slides her mouth along Bea’s jaw to just below her ear, following the way Bea pants at the sensation of her teeth against smooth skin.

She needs to be closer. She needs nothing between them. She sits up, holding her weight as she works her fingers in her shirt and lifts it high and off her shoulders. She tosses it onto the corner, adding to the laundry pile, and sits above Bea in her bra with the flamingos on it, her chest heaving in anticipation.

Bea stares up at her, her face flushed and her lips bruised. Hesitant hands go to Ava’s waist, fingers flexing experimentally as they settle just above the hem of her shorts.

“Hi,” Ava whispers.

Bea nods, the line of her throat bobbing. Ava watches as her eyes track down her body, shoulders down to the sliver of skin just above her shorts. It takes her a minute to look back up and meet Ava’s eyes.

“Is this-?”

“Yes,” Bea interrupts. Her fingers feel purposeful now, like she’s burning her fingerprints into Ava’s skin. “I… I want this.”

A niggling thought works its way into Ava’s mind. Just a breath of hesitation. “You’re sure?”

Bea sits up, hands sliding to the small of her back. She blinks, eyes wide but focused. “Ava, I’ve wanted this for…”

“So long,” Ava finishes.

“So long.” Bea’s eyes flutter and she leans forward, mouth brushing over Ava’s collarbone. She feels her eyelashes against her throat. “Are you sure you want me?”

Me, she says unspoken. Me out of everyone else you could have.

Ava puts two strong fingers under Bea’s chin, lifts her face up until their eyes meet. I’ve never wanted anything more sounds too small. But it’s the only way she can think to say it. And when she does, Bea’s smile brightens the room.

Bea presses her lips to the pulse thudding in Ava’s neck, gentle teeth scraping against the skin. Ava breathes in sharply at the feeling of it, of Bea’s fingers working steadily up her back until they’re hesitantly touching the clasp of Ava’s bra. Ava is brave enough for both of them. She reaches back and loosens it, the fabric falling away from her chest. She tosses that away too.

Ava hisses softly when Bea’s fingers skate up her stomach to cup her breast. Her hand is burning, and Ava pushes into it so she can feel herself on fire. It only grows hotter when Bea kisses her collarbone again, teeth a little more insistent as she makes her way down to her own hand.

Ava pulls at the bottom of Bea’s shirt, freeing it from where she’s sitting on it, and pulls gracelessly until it’s over her head and somewhere by the door. She traces the lines of Bea’s navy bra until she finds the clasp and undoes it, flinging it away.

“I’m not going to make a joke about your boobs,” she whispers into Bea’s temple. Her tongue swirls over sensitive skin at Ava’s chest. “But just know that I really want to.”

Bea lifts her head. “I appreciate your restraint.”

“Saint Ava, they call me,” she babbles. “Patron Saint of-”

Her words are swallowed up in a gasp as Bea presses a hand down purposefully down on her waist. It sends a shiver through her and pulls a little bit of a moan from the hollow of her throat, Bea’s eyes widening slightly in surprise.

Ava tucks some of the loose strands framing Bea’s face back behind her ear, cheeks just a little red. “Before we… Before we do anything else, you need to know that I’m not going to be normal about this. Like, at all.”

Bea walks two fingers up her side, using ribs like steps. She moves them across her chest, brushing against her nipple. Ava shivers again. “I don’t know that I’m much interested in normal,” she admits.

Ava arches into her touch. “I’d hope not, considering how much you’re into me.”

She pauses, breath caught in her lungs as she waits for Bea’s reaction. Bea looks up with wide, imploring eyes. She searches for something on Ava’s face, and Ava hopes beyond hope that she finds it.

Not because she needs Bea’s hand to keep doing what it’s doing. Not because she wants to slip her fingers beneath Bea’s waistband. Not because she wants to hover over Bea and nose down the long stretch of what she’s sure is perfect skin from her chest to her belly button.

Because she wants all those things. But she also wants Bea to know she’s safe. That it’s okay to want her. That Ava is going to be someone she can trust, that Ava won’t treat her like something that’s going to break but will hold her gently regardless.

It feels big, to say that. But Bea is right there, a fingertip away, with her lips bruised and her hair starting to tangle around Ava’s fingers, and she thinks: I’m never going to come back from this. I’ll never be the same. What she feels is undeniable and real, the most real thing she has ever known and she would never, ever want to go back, even if she could.

“I am,” Bea finally says, voice a breathless whisper.

“A lot?” Ava asks, a sliver of neediness in her words.

Bea nods, unblinking. “A lot, yes.”

Ava makes a show of breathing a sigh of relief, a relieved smile on her face. “Well, that’s embarrassing for you.”

“Ava.”

Ava buries her reply in a kiss, fingers curling around Bea’s shoulders as she slowly inches her backward onto the bed until Ava is a shadow hovering above her. She wonders what the hollow of Bea’s throat tastes like, and she smiles into the kiss as she realizes she doesn’t need to ask. She breaks away from Bea’s mouth, kissing over the point of her chin and the underside of her jaw and down to the dip of her throat, teeth nipping at sensitive skin as Bea’s breath hitches. She can feel fingers flex at her waist and then tighten more purposefully.

Sensitive neck, she catalogs. She wants to make a list, grow it until she knows all of the places that cause Bea to make that breathless noise.

Bea’s fingers are insistent at her neck, drawing her back up until they’re kissing, harder than they have before. Bea kisses with lips and teeth, her tongue soothing away the nips, while one hand works its way to Ava’s waistband, curling into the thick denim fabric of her jeans.

She would have been satisfied with some heavy making out. Her skin is already burning where Bea’s bare chest is pressed against hers. She can live with this. But Bea doesn’t seem to be able to live with just this. Ava feels the back of her knuckles against her stomach as Bea pops the button of her jeans and works down the zipper. It’s so loud in the silence.

Ava kisses her way down Bea’s throat again then goes lower, tongue leading the way as she flicks the tip of it over a pebbled nipple. There it is again, that breathless noise. The fingers at her waistband freeze, tighten around the denim, and then release. Ava’s hand goes to Bea’s other breast, and she feels it press into her palm as Bea arches her back slightly.

Ava dares to go lower, kissing over the swell of Bea’s breast and down to her navel. She slides back on Bea’s legs, her fingertips light against Bea’s skin above her hip bones.

“Ava,” Bea breathes. She reaches down, hands reaching for Ava’s chin. Ava kisses the center of Bea’s palm as strong fingers curl around her jaw. “Ava.”

She doesn’t know what Bea’s trying to say, but she doesn’t need to. She can feel the heat radiating off Bea, the anticipation. She hooks two fingers in the waistband of Bea’s study-sweatpants, the ones she wears on all-nighters where she’s going to fall asleep sitting up, and starts to work them down a little as Bea’s hips lift off the bed.

She rests her forehead in the dip of Bea’s hip. She’s never believed in a God, but she does believe there’s a higher power out in the cosmos, and they’ve suddenly found her worthy of this gift: Bea stretched out across the sea of her comforter with her eyes closed and her chin tipped into the air as her chest rises and falls with increasingly harder breathes and her hips arching just slightly until Ava feels her against her forehead.

Because shit, this is holy.

A hand snakes its way into her hair, blunt fingernails scratching against her scalp. She can feel them trembling slightly. Ava wants to feel the whole of Bea tremble. She kisses down as she pulls Bea’s sweats down until they’re past the top of her thighs to her knees.

This feels like a moment they can’t come back from. And looking up at Bea, at the way those dark eyes stare into hers and the hand in her hair tightens slightly, she doesn’t want to come back from it. She wants to never, ever come back from this. She only wants what happens on past this moment.

She works Bea’s underwear down until they’re on the floor with her sweatpants in a tangled heap, and she noses her way lower until it’s nothing but heat and something slick against her tongue. Bea keens, hips lifting high off the bed, and Ava presses down hard against them with flat palms, keeping Bea down in one place.

The hand tightens in her hair, Bea’s knees tighten around her shoulders, trapping her in this crystalline moment. She rolls into it, tongue working more steadily as she feels Bea’s hips start to roll in response. She dips lower and soars higher, an unknown melody working into her mind and guiding her as Bea lets a sigh loosen from her throat.

Her hand climbs until she feels Bea’s breast against her palm, and she works her fingers over sensitive skin. Bea’s hand traps hers in place, palm burning. She can feel Bea’s legs start to tremble, and she licks a little more precisely, a little more purposefully.

She swirls, she drives forward and pulls away. She finds a rhythm until Bea’s whole body starts to tighten into an invisible line, pulled taut by an some unseen string. Ava doesn’t stop, even as Bea’s legs tighten around her. Even as that hand in her hair pulls a little harder. Even as Bea’s breathing swells into a hard pant and she lets out a strangled cry of Ava’s name.

She doesn’t stop until Bea’s body melts into loose muscles, until Bea’s hand goes slack in her hair. Everything is hot against her skin. Her tongue eases away, laving up and over Bea’s hip to her navel and charting a slow course to the center of her chest until she’s back at the hollow of Bea’s throat, teeth nipping as she feels Bea’s chest rise and fall rapidly against her own.

Bea draws another ragged breath, a hand up over her red face.

Ava pulls it away and kisses Bea hard, their mouths sliding together. Bea’s fingers curl around her throat, holding her in place when Ava tries to pull away. A tongue dips behind her teeth. Bea inhales sharply, stealing the air from Ava’s lungs.

Bea, still panting softly, hooks a leg under her and twists, rolling until Ava is on her back, and Bea is hovering over her, eyes dark and flashing.

The air punches its way out of Ava’s throat. If she’s cataloging the things that turn her on, this has just gone to the top of the list, right after the way Bea tastes and the feeling of her mouth sliding against hers.

“Bea.” Her voice is strangled and warped between them.

But Bea doesn’t answer her. She works her fingers purposefully down Ava’s front, sliding beneath her waistband without fanfare, without hesitation. Ava’s legs part with a half-breath, the other part of it stuck in her throat.

Then it’s nothing but an overwhelming sensation and the soft sound of Bea panting in her ear as Ava feels the world start to tighten around her. Bea’s breath is replaced by a white static, and there’s a fullness in her that she knows she’s going to be chasing for a while. Her hips lift and fall, a rhythm she knows without having to think about it. She rides it out, settles into it like she’s known it all her life and then-

And then-

Then she’s soaring, hips off the bed and her whole body shaking as she tries to focus on the rhythm again, the whole dance gone from her mind as it’s replaced by fireworks exploding, one after another. She can feel Bea’s hand on her, in her, and nothing else. She’s disconnected from reality except for where Bea is touching her. Floating weightlessly in an in-between where nothing but this feeling and Bea, hot against her side, exist.

She crashes back down, the world slamming back into her head as her legs clench, Bea’s hand between them. Strong fingers slide away and stroke across her thighs before they go up and curl around her side. Her breath comes hard, her pulse pounding in her head. She squeezes her eyes tightly, afraid to open them and see that the whole world has been turned upside down.

She wouldn’t care if it was, is the problem. She wouldn’t care if she suddenly found herself light years away where there was no oxygen in the solar system. As long as Bea is next to her, she doesn’t care.

She opens her eyes slowly and turns her head, finding Bea looking back at her with liquid pools for eyes.

“Hi,” she breathes, the word sticking in her throat.

Bea smiles softly. “Hi.”

“That was…” She inhales raggedly. “It’s never been like that.”

Because I’ve never been in love, she doesn’t say out loud.

Bea is biting on her bottom lip, eyes searching Ava’s face. “Me either,” she finally says.

Ava hums, content and boneless. “We are so doing that again. Soon,” she promises. “When I can feel my legs, it’s over for you.”

Bea laughs a little. “Okay, Ava.”

Ava lets her eyes close again and when she opens them, Bea is still looking at her. It doesn’t unsettle her. She lets Bea drink her in, and she lets her own eyes follow the lithe line of Bea’s body.

“Boobs,” Ava sighs. She curls one hand around Bea’s breast, no intention in the movement.

Bea wiggles around as if it tickles slightly, but she just settles more tightly against Ava’s side.

“I’m going to be insufferable,” she warns.

“So I can expect more jokes about my boobs.” Bea walks two fingers up her side and across her chest, pressing over where her heart is. “What else?”

Ava inhales shakily. “Anything else you want.”

“Anything?”

“Anything,” she promises. “Whenever you want. I’ll be a court jester for you, babe.”

Bea’s face pinkens at the name, but she holds Ava’s gaze for another moment before she rests her head between Ava’s shoulder and neck. “I do find you marginally funny,” she admits lightly.

Ava grins, the smile lazy. “See? You need to tell more people how funny I am. Mary doesn’t believe it.”

The blush doesn’t fall from Bea’s face. “Please don’t talk about Mary while we’re naked.”

“Why not? She’ll think it’s hilarious.” But Ava stretches her neck and kisses Bea’s temple. “But okay. Just this time.”

“I appreciate it,” Bea murmurs. It’s familiar, the exasperation, but it’s tinted with this whole new feeling. A new depth. “Ava?”

“Hmmm,” Ava hums, sleep pressing against her body.

“I can tell you later.” Fingers brush hair off her damp forehead. “Close your eyes for a little bit.”

“Just a little,” she agrees. “And then I’m making you stir fry.”

Warm lips press against the hollow of her throat, humming an okay against her skin. Bea settles against her side as a warm and welcome weight.

She doesn’t remember falling asleep, but she knows she goes quietly and calmly, and that Bea is still there, still pressed against her side, molded to her like she was never meant to be anywhere else.

-

She wakes up to the smell of paint. Her eyes take a minute to adjust to the light in the corner but she pushes up on her elbow, the comforter over her sliding down to her waist. She blinks as Bea comes into focus.

“You’re painting?”

Bea turns. She’s barefoot, in her underwear again, and one of Ava’s cropped t-shirts that has a white cat in red shadows and I’m not cute I’m purr evil written on it. It hangs a little higher on her and Ava can see the swell of her breasts through it.

She’s the most beautiful woman Ava has ever seen.

And she’s blushing. “I didn’t want to wake you.”

Ava sits up more fully, stretching her arms above her head. She watches, a slightly smirk on her face, as Bea’s eyes drop to her chest. But she doesn’t push. There’s time to tease Bea about staring at her boobs. All the time in the world, really.

“How long was I asleep?” She looks at the wall. Bea has nearly finished the whole thing.

“Not long.” Bea puts the paint can down on the stool, balancing the paintbrush on the edge of it. “But you looked…”

“Like a dead fish?” She’s aware of the way she sleeps, limbs thrown about and head rolling back. Years of being unable to move makes it so she never stops now, even sleeping.

“Peaceful,” Bea finishes. She’s hesitating, torn between wanting to do something and worrying about doing it.

So, Ava takes the lead, leaning in until she’s kissing Bea. She feels Bea sigh into it and knows it was the right move, that it’s what Bea wanted to do. She wants Bea to know she can do this whenever she wants. Bea kisses back almost instantly, sliding into an already-familiar rhythm.

She pulls away, a smile on her face. “Hi.”

Bea is a little breathless when she says hi back.

“I thought we weren’t painting.”

Bea looks back at the wall, most of it covered already. “You were right. About leaving our mark on this place. Someone needs to know we were here.”

“If we ever move out.”

Bea smiles. “If we ever move out.”

Ava pulls her legs up under her and Bea’s hand into her lap. “The only place I plan on moving is into your room. Or you can move in here, since we’re already decorating.”

“Oh?” Bea says. Her voice seems tight, like she’s holding something back.

A wiggle of doubt worms its way into her mind. “I mean, if you want to. No pressure. I’m more than happy to stay here and we can pretend like-”

“I don’t want to pretend,” Bea interrupts. She seems surprised by the firmness in her words and she sucks in her lips for a second before she shakes her head. “I wasn’t sure if you- I know you just kissed me but maybe that was you letting me down and-”

“Bea.” Ava waits until Bea’s mouth snaps closed. “I don’t want to pretend. I’ve been waiting months to kiss you, and unless you tell me otherwise, I plan on kissing you at least a hundred times a day.”

Some of the tension drains from Bea’s shoulders. “A hundred.”

“Give or take another hundred.” Ava grins. “One kiss for every time I’ve thought about kissing you the last seven months. Spread out, of course. Otherwise we’d probably be stuck in this apartment for days, just kissing.” She narrows her eyes playfully. “That might not be the worst thing to happen, though.”

“I’d miss finals,” Bea points out.

“Do you really need to pass them? Aren’t you teaching the classes at this point?”

Bea rolls her eyes, fond and exasperated. “Ava.”

“Bea.” She rolls her eyes back. “Fine. If you won’t lock yourself away to make out with me for days on end, what else are you willing to offer me?”

Bea is quiet for a long moment, her hand twisting in Ava’s as she thinks of something. Ava can see it pressing against her teeth, can practically feel the tension of whatever Bea wants to say radiating off her and lighting up the whole room. Ava waits it out patiently, knowing that whatever Bea has to say will be worth it.

She stays still. She waits. Bea has a way of bringing out all of the things in her that no one else has bothered to look for before. And after another minute, Bea looks up.

“Me.”

Ava’s heart clenches in her chest. “You.”

“I’m willing to offer me. Just… me. If you’re willing to accept.”

Ava turns Bea’s hand over in hers and presses two fingers to the thudding bundle of nerves at the base of her wrist. Bea looks down at where they meet and her eyes stay locked there for a moment while Ava watches her.

“If you think there’s anything just about you, then you don’t know the Beatrice I know,” Ava finally says. “Because I’ve never thought there was anything just about you. You always leave the light on for me. And you never make me do the dishes alone. And you don’t mind mushrooms on your pizza. You keep soda in the apartment and you always vacuum when I’m not home.”

A funny smile graces Bea’s face. “I think that makes me good for you.”

“The best,” she agrees. Her smile softens. “I’ve never thought there’s anything just about you. You’re incredibly kind, trustworthy. You’re humble - maybe too humble,” she jokes. “And considerate. And insanely intelligent. Hilarious. My best friend.” She pauses. “And I’m pretty sure you’re the love of my life.”

Bea inhales sharply.

“I know that’s, like, a lot. And I don’t need you to say it back, because I’m not trying to pressure you. But saying it all has lifted some kind of weight off my chest. Like, I didn’t know I was suffocating under not saying anything but I guess that I was,” she babbles. “But honestly, you don’t need to-”

“Ava,” Bea says patiently. She waits until Ava snaps her mouth shut and mimes zipping it closed. “My parents…”

“I’ll kill them,” Ava says cheerfully, looking guilty when Bea’s eyes cut to her. She closes her mouth again.

“My parents made me believe that love had to be earned. That if I wanted it, I had to work for it.” She takes a breath, astonishingly steady. “But you’ve never done that. You’ve never made me work for it. You’ve just… given it. It’s who you are.”

Ava’s smile wavers a little. “Because you don’t need to deserve love.”

“I didn’t know that before you.” Bea shakes her head. “I’ve had to unlearn a lot of things since meeting you. Like that. Like how to not be afraid. Like how to eat pizza. All these things that were so ingrained in who I was that I didn’t think I’d ever know anything different.” She reaches up and cups Ava’s cheek. “You changed all of that for me.”

She thinks Bea is saying I love you. She thinks Bea is saying You’re the love of my life, too.

And then Bea, spectacular Bea, looks into her eyes and says exactly that. “I love you. I’ve loved you since you spilled tea on my very important notes, and I’ve fallen in love with you every day since.”

Ava feels relief flood through her like a dam breaking. “That’s good. That’s really, really good. Because it would be embarrassing to be sitting here naked telling you how much I love you if you’re not going to say it back.”

Bea shakes her head but she’s smiling. “Ava.”

“Beatrice.” Ava curls a finger under Bea’s chin and beckons her forehead. She kisses her slowly and sweetly before she pulls back. “Kiss one of a hundred today.”

A blush spreads across Bea’s face. “You’re not really going to count, are you?”

“I’m going to keep a tally, that’s how serious I am.” She kisses Bea again. “Number two.”

Bae rolls her eyes and when Ava kisses her a third time, she opens her mouth, tongue brushing Ava’s bottom lip. It leaves her breathless when Bea pulls back.

“If I knew getting you in my room would have ended up like this, I would have tried a lot harder,” she says, eyes still closed.

Bea’s lips press against her cheek, then under her eye. “I wasn’t ready for that,” Bea whispers against her skin.

Ava doesn’t open her eyes. “I know you weren’t.”

Bea’s forehead rests against hers. “I am now.”

“It’s okay if you’re not. I won’t stop loving you.”

Bea’s breath ghosts across her mouth. “I am. I’ve never been ready for anything more in my life.”

“Not even your finals? Because you’re really ready for those, even if you think you aren’t.” She feels Bea start to argue more than she sees it, eyes still closed. “I’ve never met anyone who studies as much as you study. Seriously, you’re a beast when it comes to notecards and colored highlighters and-”

She does stop this time as Bea’s lips press against her. She hums, sinking into it. “Oh,” she says when Bea ebbs away. She finally opens her eyes.

Bea is smiling, beautiful and wide. “More than my finals. If only because I’m still not convinced of Thecla’s real contribution to modern religions.”

“I don’t know who Thecla is, but she’s never been less relevant to my interests right now.” Ava twists a strand of Bea’s hair, resting on her cheek, around her finger. “She could be Jesus’ mother for all I care.”

“She’s not-”

“I know she’s not.” Ava grins. “But I like the way you look when I say something wrong.” She presses her finger to the space between Bea’s eyes. “Like you’re not sure if you want to lecture me or kiss me. For the record, I’m very much in favor of the second option.”

Bea’s lips pull up in a slight smile. “I’ll keep that in mind.”

Ava breathes in deeply, letting the air fill her lungs as she stretches her arms over her head, noting the way Bea’s eyes follow the lift of her chest. She smiles to herself. Maybe Bea is a boob-girl. She’ll have to weaponize that knowledge for later. 

“I think I promised you stir fry.”

Bea opens her mouth to argue.

“And I’m hungry,” Ava says over her. “And can be trusted with a knife. So, I will be making you stir fry, because it’s the one thing I’m good at. And I want to impress you.”

Bea’s smile is fond, and Ava thinks back to the first time she saw it, how it was aimed at Camila and how she wished one day it would be a smile for her. And now here she is, Bea in her shirt and an I love you between them and a smile that is reserved just for her.

“So let me make you stir fry and you can come sit and study some more. In my shirt. Which, by the way, is very sexy.” She winks.

Bea rolls her eyes. “Mine was quite tangled up in the comforter, and this was just the most easily accessible.”

“You have a bedroom about a hundred feet away,” Ava feels the need to point out. Bea’s eyes narrow and Ava grins. “But for the record, I really like seeing you in it.”

Bea blushes a little but stands and opens Ava’s drawer, pulling out a pair of underwear - Ava’s favorite, yellow with pineapples on them - and then a big t-shirt she stole from Mary that has a pug with a pair of aviators on printed across the front. She hands them to Ava.

“No pants?” she asks as she pushes the comforter down and wriggles into her underwear. She pulls the t-shirt on, huffing her hair out of her face.

“No pants,” Bea says simply.

Oh. Okay. She grins and stands up, curling her hands around Bea’s waist and pulling her in. “This is going to be so good. I know it.”

Bea smiles, swaying slightly with her when Ava starts to go back and forth on her feet. “I know it too.” She presses her lips to Ava’s forehead and speaks against it. “Thank you, Ava,” she breathes.

Ava frowns. “For what?”

Bea pulls back and tucks a strand of Ava’s hair back behind her ear. “For waiting for me to be ready.”

“Of course I waited. I love you,” she says easily.

Bea’s smile widens. “I know.”

Ava beams back at her, feeling like everything has slotted into place so neatly. She never wants this moment to break, never wants it to go away. She wants to remain forever in this room with Bea in her arms and the rest of the world somewhere else doing whatever it is they’re doing. All that matters is this moment, these kisses between them, the possibility of what the next moment brings.

She can’t wait.

#THE WAIT IS OVERRRRRRR!!!!!! #sirens going off #warrior nun #forever roommates #guys this took so long i am so sorry but i hope it's worth it #rated m for mature audiences kids #there was so much to this that i didn't even know where to start but eventually we got there #everyone say thank you kay thank you kay #GUYS GUYS there is one more piece to this and it will be compleeeete #elmofire.gif #okay please like this i'm needy and hungover #i got tickets to noah kahan and i feel INVINCIBLE!