The manuscript is about writing all too well ten !!! And the second to last verse is directing the video !! I want to die!! I need my therapist NOW !
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hanavbara store is now open 💫 reblogs are very appreciated ♡
preorder for tote bag, prints, posters, keychains, stickers, and more!
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✧ lots of sailor moon (new tote bag!), totally spies, genshin (new fontaine characters) honkai (new phone charms), kpop, barbie, csm, jjk, movies, tv shows, new taylor music player photoholder charm with exchangeable cards and much more! 💗
✧ shipping worldwide, starts may 2024
✧ FREE holo sticker for orders above 40 (excluding shipping) 🌈
✧ every order comes with a polaroid gift and a random photocard ♡
we are doing giveaway on tiktok (3 winners!!), instagram and twitter!
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You know, it's rather interesting to me that Taylor Swift's parasocial relationship with her fans is honestly more akin to a YouTuber than a writer's. When I scroll through her tag on tumblr/Twitter, it's far more regarding the connection to her personal life/relationship developments than the actual metaphors/fictional story she might be telling. Everything comes back to how her songs reflect back on her relationships with Joe/Matty/Travis/Jake/insert ex-boyfriend here. And what fascinates me about it is that even though she complains about it, she leans into that very perception because it strengthens the parasocial bond.
The marketing for TTPD so clearly being about Joe Alwyn and the songs to Matty Healy. The marketing/video for Red TV so CLEARLY being about Jake Gyllenhaal, with so many of the new lines in All Too Well specifically being digs at him (I'll get older but your lovers stay my age, casting an actor that looks like him for the video, specific lines in I Bet You Think About Me). The fact that songs like Getaway Car and Bejeweled and Gorgeous and London Boy and Lavender Haze being picked apart at time of release and long after for signs of relationships crumbling. The way she uses surprise songs in relation to her relationship development with Joe/Matty/Travis. The damn TTPD "stages of grief" playlists where she deliberately undid/changed the meanings of old songs just to keep her audience speculating on her love life.
It's not sexist to point out that her wielding her love life is a marketing tool and that the strongest connection to her audience isn't the strength of her writing/the composition of her music- it's her deliberate crafting of a connection between her music and her personal life, leaving the audience invested in her music as an extension of Taylor the Person/Girlfriend rather than Taylor the Artist.
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Making friendship posters for all the albums, Starting with my favourite album folklore. (no idea why Tumblr demolished my quality rip). Which album should I do next ?
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dick, giving the family a pep talk: everything you lose is a step you take
the family, nodding in agreement:
jason:
jason: hang on. wait a sec. did you just... quote taylor swift?
dick: ......what? no. no.
jason: no. no, you definitely did. that's taylor swift.
dick: it's not–... i didn't–
barbara: how do you know enough taylor swift to be able to quote her in your speeches?
dick, panicking: *points at jason* well how does he know enough taylor swift to be able to notice that i'm quoting taylor swift?
jason, on his way out: my lawyers will be in contact
tim, quietly: he doesn't even have a lawyer
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Taylor Swift at the GRAMMYs red carpet!
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