in a way that i think katsuki can be flustered by intimacy, i think shouto is just plain as day curious.
situations like when you're pressed up against each other on a busy train car, leaning into a familiar touch rather than the unknown, i think shouto has no qualms about being so obvious. you glance up at him shyly, heat burning down your chest, and he's just looking at you, open and unashamed.
so close that you can see him catalogue you, explore in ways he maybe never has before; eyes flitting over the width of your nose and the curve of your lips and your each individual lash. just learning, in the most innocent and interested manner, the new bits of you he'll think of when you're not together.
i think in moments like this that could be deemed romantic—two people in their quiet corner, staring so deeply into the other's face, a breath apart—he's easily engaged, but i don't know if he realizes the significance of it. why it means what it means and why it will affect him uniquely, later on. all the lines you're crossing.
that's also why being kissed by him comes as a complete surprise to you, because i don't think he's planning any of it. he just wants to know, is all, and there's plenty to figure out, with you.
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i don't really like when people say dungeon meshi is accidentally good autistic representation, because while i understand not wanting to make conclusions without explicit confirmation from the author, there's always the weird assumption that non-western authors somehow don't know about things like neurodivergency/queerness/etc. (on top of the assumptions that east asian authors are somehow more naive or oblivious to "western" social issues).
given that dungeon meshi started being published in 2014, it's not really a "work belonging to its times"—it's as contemporary as any other media we discuss on this site, which means it should be fair to assume it engages with contemporary topics (and at the very least, you shouldn't say that the representation is accidental with so much confidence)
but anyways, the chapter "perfect communication" in ryoko kui's "terrarium in a drawer" is some of the most straightforward autistic representation I've seen, and from now on I'm going to assume that laios's character writing is absolutely intentional in that regard:
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joels newest hermitcraft episode was great for many reasons but. the contrast between "cis straight white man mining content" and scar telling joel and etho to get a room.
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running a little late, but someone's finally arriving at the @kirbyoctournament !
sent in to the tourney by her well meaning friends, starstruck is a Totally Normal adult waddle dee from king dedede's kingdom of dream land! she's here to try and meet new people, and maaaybe get out of her anxious shell a little bit!
equipped with her customary cheerful attitude, she's also sporting a brand new backpack full of lovingly packed goodies to help her through the event.
if you'd like to get to know her a little better, you can check out her tag on my blog, or these three important comics from previously!
a few notes for any interactions
🌸 despite being a waddle dee, other waddle dees typically don't like being around her, and folks who already know what a waddle dee should be like also tend to get a weird vibe off her.
🌸 she is quite friendly and approachable, but prone to extreme anxiety if she perceives she might have done something wrong or inappropriate. tiny wanya takes criticism the way a handful of hay takes a flame.
🌸 if you have wings and you take her flying she'll never leave your side. she's only palm sized, so if you are big and have wings or can fly, please pick her up and go flying with her please please pleeaase she wants to go go flying and fawn over your wings so so bad
🌸 for the purposes of the tourney, which by merit of its existence is something of an au timeline, consider this event to completely predate her ability to summon these.
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is this too niche.
aka i SWEAR i've seen a total drama life series art thing but when i went to go look for it i couldn't find any SOOOOOOO i made it myself
Bonus:
Alenoah as that one desert duo scene because i was stumped on who i should've drawn for that scene
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[Image description: A digital pencil comic of Loid and Yor Forger. Panel 1: They sit on a couch, Loid slightly hunched forward and Yor slouching into the seat back.
Yor: You know...
Loid: Hm?
Yor: When Yuri moved out, I remember thinking- Eventually we'll run out of 'clients'. It has to end at some point right? "When does the fighting stop?".
Panel 2: Yor from Loid's pov, slightly turned away.
Yor: And here I am.
Panel 3: Loid looking forward with a look of exhaustion.
Yor (off-screen): Still on call.
End ID]
gotta do everything myself. anyway the ramifications of a war that never truly ends, causing people to do terrible things in the name of a peaceful future that may never happen due to powers much bigger than them
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i just got to the part of pride & prejudice in like. chapter 34 when mr. darcy goes to lizzy and says "In vain have I struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you." and um. yeah if I were a girl in the regency era reading this for the first time right as it was published they would've sent me to the seaside to treat my hysteria
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