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#spider gwen salt
rappaccini · 3 months
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Hello! I came across your arachnophobia fic and I must say its quite the masterpiece and every fan of spider gwen should read it--but I do have a question. I keep seeing people say Gwen is handled better in the movies vs the comics, but you seem to think otherwise. Can you explain why, and what are the differences, cause I honestly felt they're going the same thing
first, thank you! second, you're not gonna believe how long this is. instead of an essay, have a dissertation. hopefully it makes sense:
gwen's age:
in the comics, gwen is bitten by her spider at seventeen, kills peter at eighteen, is nineteen at the start of her story and is currently in her early twenties (miles is still in high school).
in the movies, gwen is bitten at thirteen, she's fifteen in itsv and 16-17 in atsv.
gwen's appearance
spiderverse gwen doesn't wear a headband, has a pierced eyebrow, and dyes her hair pink in a reference to the marvel rising cartoon's gwen. she also has a side-shave. comics gwen wears the classic gwen stacy headband, has no interesting piercings (her dad made her take them out), and doesn't dye her hair.
spiderverse gwen wears ballet slippers, which she trades for chucks. comics gwen wears chuck soles stitched into the bottom of her costume.
gwen's powerset and fighting style.
both spiderverse and comics gwen begin with the basic starter set of spider-powers.
a year and a half after her origin story, comics gwen has lost her powers and now uses a symbiote instead. she's her world's venom. comics gwen at this point has all the basic spider powers back, but thanks to the symbiote she has new ones that are totally unique to her. presumably she can do everything venom can do, but so far we've seen her use it to protect her from suffocation and burn damage in fires, heal from serious injuries, camouflage so well she's nearly invisible or generate any outfit she can imagine, and send out sentient pieces of her suit to spy for her or track people. also, organic webbing. always fun. she also has a unique set of weaknesses: yeah she's got damage protection from fire but it fucks her symbiote up for days, she has to change her diet and control her emotions to make sure her symbiote doesn't go rogue and hijack her. and unlike other symbiotes, hers is resilient against sound damage and doesn't give a shit about the symbiote home planet.
a year and a half after her origin story, spiderverse gwen... still has the starter pack.
except for one new power: a spider-sense that is linked to miles and can sense him across dimensions.
spiderverse gwen is far more competent than comics gwen. she's graceful, precise, a quick thinker and fights with the "skill and discipline of a trained dancer." she's a ballerina who incorporates her pointe shoes into her costume in itsv, and her dance moves into her combat moves (and since her dad has a visions gymnastics sweatshirt, she's probably a gymnast too). comic-gwen is a klutz who uses all her moves from kung fu movies, brute forces her way through situations, and was never a ballerina or gymnast. comics gwen is such a fucking loser at fighting that after she's conscripted into the hand and they try to give her ninja training, they give up because they find her unteachable.
gwen's personality.
in itsv, she's a cardboard cutout with 'strong female character' scribbled on the torso. she's trinity syndrome personified: she's the stoic, confident, hypercompetent female character who for no reason at all just hangs around not contributing to a plot she should be able to fix on her own, so the writers can say 'strong female character! we're not sexist!' while getting to live their fantasy of having their relatable male lead win a cool, confident girl's respect for rapidly becoming even more competent than her. she's the wyldstyle of this movie-- which i mention because the lego movie was made by lord and miller, the brains behind the spiderverse movies.
but hey, they acknowledged that she likes to play the drums in one line, which she shares with her comics self.
in across, she finally has some of the attributes of her comics self: gwen is an impulsive emotional mess who compulsively lies to avoid rejection from her loved ones and distances herself from them when she's in emotional distress. she's extremely guilty about the death of peter parker. she's a smart mouth with a corny sense of humor, geeky interests and a passionate artist with a love of rock music. she's constantly walking on eggshells around other spider-people because of how badly she wants to fit in around them, even when they put her in situations that hurt her.
BUT. she does not have comics-gwen's temper (i don't just mean 'denting a storage container when she's mad' i mean getting genuinely homicidal even before she gets her symbiote), her total indifference to romance, and her lack of interest in getting male validation. comics gwen would never pine for a boy she barely spent one day with for seventeen months and break the rules of her spider-team to sneak away for a date with him. spiderverse gwen's character is driven by her desire for a romance, and all the other aspects of her development are secondary to it.
spiderverse gwen craves a team of heroes to work with. comics gwen mostly works alone and doesn't mind it.
gwen's queerness
[edit: wrote a monster post on this. comics-gwen has been queer the whole time and slowly but surely building towards coming out]
so i'll keep it brief: spiderverse gwen is trans-coded, but definitely written, directed and performed as heterosexual. all her romantic interests are male, she shows no interest in other girls even platonically, is driven by a desire for a romantic relationship that has a happy ending, seems to like kids, and there's even a deleted shot in the gwiles swinging date where they photobomb a wedding in place of the bride and groom.
yes, spiderverse-gwen's speech to her father screams coming-out speech. said speech is lifted directly from the comics, where gwen's original run is basically one long allegory for coming out as queer.
comics-gwen could be read as trans, but is absolutely 100% intended to be queer. she has chemistry with women as well as men, she hangs out with a queer female friend group, she ducks out of romantic relationships like she's playing dodgeball, she's constantly encountering gwen variants who are even more overtly queer-coded, she has zero maternal instincts, and she's repulsed by the idea of a future where she's happily married to a man with biological children.
gwen's backstory
for starters, a note: at the time itsv was made, comics-gwen went by "spider-woman." after itsv came out she got a rename to make her distinct from the dozen other spider-women. she's gone by "ghost-spider" for about five years now. atsv gwen still goes by spider-woman, because they either wrote the script before the name change and couldn't swap out the dialogue in time, or they decided to just stick with it to avoid confusion. no shade, but it is a difference. and it is worth noting that spiderverse-gwen has an alter ego name that isn't unique to her.
we meet gwen two years into being spider-woman in both the movies and comics. spiderverse gwen is still in high school. comics gwen is out of high school and either a college dropout or hasn't applied yet.
spiderverse gwen goes to visions academy, and lives in an apartment in chelsea. comics gwen went to midtown high, and lives in a house in queens.
comics-gwen and her father are irreligious, but her mother had a christian funeral service, so they presumably left the faith when gwen was young. spiderverse gwen is saying grace at the table as a teenager, so at the bare minimum her father's still a christian, if not her too.
spiderverse gwen was already a hypercompetent superhero by the time peter dies. comics gwen was an irresponsible vigilante half the city hated.
spiderverse gwen's lizard fight is sanitized: gwen's best friend peter parker was pushed too far by a bully and gave himself powers to defend himself and be a hero, like spider-woman, who he knows is gwen. he attacked the prom when triggered by a bully, targeted the bully, and was killed by mistake when rubble fell on him.
in the comics, gwen's best friend peter was still a victim of bullying who gave himself lizard powers, but he did it because he was embarrassed that a girl (gwen) was sticking up for him. he's still bullied at the prom right before he lizards out, but he attacks gwen's date, not the bully, because he's angry that gwen wasn't going to the dance with him. and gwen killed peter (who didn't seem to know it was her) intentionally by beating him to death after he stopped fighting her, tried to retreat and begged her to stop. it's not a terrible misunderstanding by a cop who didn't read the situation right-- it's exactly what it looks like: gwen committed manslaughter.
idk man i find it interesting that a spider-hero story all about learning responsibility... refuses to let gwen be responsible for the most important event in her origin story.
like comics gwen, spiderverse gwen is hunted by the police, led by her dad, after peter's death, quits her band due to her stress and grief, and after taking down a supervillain that threatens his life, she's caught by her father and reveals her identity to him to stop him from arresting/shooting her. in spiderverse, gwen takes down an alternate vulture in the guggenheim with miguel and jess-- and she quits her band first. in the comics, the kingpin sends the rhino to a mary janes gig to kill captain stacy because he wants to impress spider-woman and gwen protects her father.
like comics-gwen, spiderverse gwen then encounters a recruiter for an interdimensional team of elite spider-people and joins him. spiderverse gwen meets miguel and jess, and is an accidental recruit to the spider-society after jess begs miguel to take her when her father tries to arrest her. comics gwen's dad lets her escape, and afterwards she meets spider-britain, who does find her worthy and wants her for the team, but it's the spider-army, and their goal is to protect other spider-people from a villain that's hunting them down, not the multiverse as a whole.
and she's still part of the band at this point. she quits after returning from the spider-army, who she's with for a few weeks instead of spiderverse gwen's five months.
that "my mask is my badge" speech is lifted word for word from the comics. in spiderverse, gwen gives it to her father after returning home. in the comics, gwen gives it to her father as soon as she's caught and it's what makes him decide to let her go. when spiderverse gwen joins the society, it's while believing her father wants to hurt her. when comics gwen joins the spider-army, it's while knowing her father is looking out for her.
also, it seems like itsv made gwen's first foray into the multiverse that moment in the timeline given the peter death angst... but decided to double dip and replay the same beat again for atsv. it works, but it is interesting.
in itsv, we meet gwen at the start of her arc right after peter's death. in atsv, spiderverse-gwen's status quo hasn't changed at all after a year and a half. she's still mourning peter parker, still on the run from the cops, still on the outs with her band. for reference, after a year and a half of in-universe time since peter's death in comics-gwen's continuity, she's revealed herself to her friends, family and entire city, rejoined her band, lost her powers, joined her nemesis's criminal organization in exchange for pills that temporarily give her powers back, nearly got pressured into an arranged spidermarriage with miles by interdimensional omniscient observers that are a metacommentary on the writers and fans of the comics, quit the gang, gotten a symbiote, went on a murderous rampage with said symbiote to avenge her comatose father, bonded with said symbiote, made good with her supporting cast, taken down her nemesis and his organization, been arrested, gone on trial for peter's death and gone to prison. the manhunt is over, gwen has forgiven herself and been redeemed for peter's death and her city has accepted her as a true hero.
spiderverse gwen has spent 2 years in comics-gwen's first issue.
gwen's relationship with miles
needs its own section
spiderverse miles is gwen's most important relationship. you know they're the big romance of the story. they're in love, somehow, even though they went on one bus ride together and spent a grand total of probably about twelve hours together across two movies and seventeen months. they're ~linked across dimensions~. they spent a year and a half pining for each other, ignoring everyone in their lives in favor of a hypothetical relationship with each other. they leap into the multiverse to find each other. they're going to defy canon for each other. they're almost certainly going to end up together.
comics gwen and comics miles aren't even friends. yes, they kissed, once, infamously. but gwen immediately regretted it, got him to agree to remain friends, and while miles carried a torch for a few years before moving on, gwen IMMEDIATELY stopped mentioning or thinking of him. she never missed him. she didn't pine for him. she didn't steal away to miles's dimension to see him again, and when she was in his dimension to go to college she made no effort to come see him. she didn't care at all that he wasn't around, she's friendly with him when they hang out during crossover and spiderverse events but she otherwise has no interest in him, and the one time she brings him up in every single spider-gwen issue since the miniseries that shipped them, it was to say "fuck off miles, i can turn invisible too, you're not that special."
(again, spiderverse gwiles have a fifteen month age gap. comics gwiles have a four year age gap with miles in high school and gwen as a college dropout, so them hanging out together casually would be weird as hell. yes, that scene of them kissing on a rooftop in the moonlight is a 20 year old woman making out with a 16 year old boy who had to sit outside like a kid waiting in the car for his mom to leave the grocery store while she went to the club. yes that happened in sitting in a tree. yes it was awful.)
to be honest the only reason gwen keeps getting trio'd off with miles and peter is synergy with the spiderverse movies. they only started doing it after itsv. miles and gwen are not friends, they're like coworkers at the same job who have a common friend in peter the manager, who occasionally end up on the same shift, who made out once at the holiday party and never spoke of it again.
though spiderverse gwiles have the chemistry and sincere emotional connection comics gwiles never did, the ship still has all the fundamental problems.
spiderverse miles is being framed as the guy who's going to break gwen's canon and set her free. in reality, like in the comics, he's the guy who will succeed at taking her independence away. the comics understood this (or at least, gwen's creator did). the movies definitely don't.
gwen's other relationships
her mother: like in the comics, spiderverse-gwen has a single dad and an absent mother, though we don't know if she left or died; and if she died, at what age? was it when she was a baby, like comics gwen? given that gwen has a present signed by her mom in her drumset, it seems like her mom was in her life longer.
her father: like in the comics, spiderverse-gwen's dad is the police chief hunting her alter ego, who discovers her identity and quits over it. unlike in the comics, her father tries to arrest her and takes months to change his mind. comics-gwen's dad instantly starts protecting her from the police. however his quitting the force is only temporary-- he rejoins later.
peter 616: comics gwen and peter-616 are close, with the kind of mentorship spiderverse-peter b and miles have. they have an older brother-younger sister vibe. they're constantly teaming up and working together, and gwen is especially protective of him. spiderverse-peter b and gwen are coworkers at most and peter b is nice to her, but doesn't bother to spend time with her, teach her things, or help her when she's in trouble.
hobie brown 138: spiderverse gwen and hobie are close friends with a romantic vibe that's definitely going to be played down and kept platonic in favor of gwiles. comics gwen and hobie are also close friends who met during an interdimensional teamup, and also have a romantic vibe but the context is different-- in the comics, when the spidergeddon event that the writers definitely used as inspiration for atsv since it features the only appearance of margo kess and the miles-gwen-hobie love triangle, comic gwen and comic hobie are the ones with the stronger romantic connection, and the scene where someone in the love triangle appears to die, a member of the love triangle panics and when they arrive they have a shippy moment with someone? in the comics, gwen gets the death fakeout, and even though miles flips out, hobie is the one who gets the shippy moment with her when she survives.
anya corazon: spiderverse gwen doesn't interact with her at all. comics gwen, during the time she joins a multiversal spider team where pav and hobie are also present, hangs out with anya more than pav. pav's around, but they're more acquaintances who work together than actual friends.
miguel o'hara: spiderverse gwen works for and looks up to him, before losing faith in him and finding the courage to stand up against him. comics gwen barely knows his ass.
peter 65: spiderverse gwen was clearly in love with peter-65, wanted to be his girlfriend so bad she's projecting peter onto miles for a do-over, and his death was a terrible accident. comics gwen was never attracted to hers, was uncomfortable with his crush on her, and is personally responsible for killing him after he pulled a 'quiet kid brings a gun to prom to punish the girl who turned him down by killing her date.' spiderverse peter admires spider-woman, crushes on gwen and his candid photos of her are framed as flattering, and comics-peter had a pepe silvia conspiracy wall shrine dedicated to her that is framed as a toxic obsession. i really, really hate how the spiderverse writers decided that he was just a nice guy who was pushed too far, and gwen would have loved to be with him. the whole point is the opposite.
harry osborn: speaking of comic gwen's date: harry osborn. comic gwen went to the prom with harry. she, harry and peter were a trio of best friends. spiderverse gwen went with peter, and doesn't seem to have a harry at all.
jessica drew: both gwens are mentored by a jess from another dimension. spiderverse gwen is constantly strung along by jess, who doesn't give her any emotional support and ultimately refuses to protect her. comics gwen gets along great with her, and their relationship is far more egalitarian because comics-gwen is an adult and not a minor.
the mary janes: spiderverse gwen doesn't seem to regard the mary janes as her real friends ("i never found the right band to join" = "it's not just my grief that's separating me from them, i sincerely don't relate to them"). comics gwen loves her friends even when she's grieving peter and always, always tries to find her way back to them, even when she can't be honest with them. also, betty brant and glory grant's personalities, styles, and instruments have been swapped around. in the comics, glory's the keyboardist with the super gay vibe who takes gwen's place. also, comics-em jay is white, spiderverse em jay is black; comics em jay grew up with gwen and is her closest friend now that peter is dead (and seems to have feelings for her), spiderverse em jay... who even knows.
her villains: spiderverse gwen's doc ock is ripped right from the raimi movies. in the comics, gwen's doc ock is a goofy villain of the week who's a lackey of another big bad, and whose octopus is a literal giant blue octopus. spiderverse gwen's kraven is ripped right from the comics, and her last canon event was kraven's last hunt. comics gwen's kraven was another goofy villain of the week who instead of hunting animals, controls a giant safari of exotic animals and uses them to hunt people. comics gwen hasn't had a kraven's last hunt canon event and never can because her kraven would never do that. i mention this because movie gwen's rogues gallery is unique to her world and full of fun and interesting original takes on well-known characters. spiderverse gwen's rogues gallery just rips from what's been done somewhere else without bothering to do something new.
related: spiderverse gwen's j jonah jameson is a reporter, like he is literally everywhere else. comic gwen's jjj is the mayor of new york city.
spiderverse gwen in general is a guys' girl. all her friends are guys, all her mentors minus jess are guys, and all her significant relationships that are positive are with men. all her validation comes from men (her father, her love interest, her friends). comics-gwen has some male friends and allies, but generally regards them with a lot more trepidation because they usually end up coming onto her or trying to control her.
in the comics, gwen’s greatest supporters are women. the mary janes. janet van dyne and her captain america. jessica and anya. gwen-617 and the literal council of spider-gwens who exist only to protect each other. gwen's clones. the alternate gwens who are avengers in their respective worlds. she prefers the company of other women (the mary janes most of all) to guys. spiderverse gwen's relationships with women are all negative: she's jealous at margo over a boy's attention, she seems to have not reconnected with peni, she has a strained relationship with jess that falls apart by the end of the film, she quits the mary janes, which does happen in the comics, but given that she ends the movie declaring she "never found the right band to join" she's implying she doesn't intend to be friends with them now that she... sigh, has a band of guys. and two girls who aren't her friends and aren't there for her.
gwen's arc.
grief and guilt: both gwens are grieving the death of their best friend and feel guilty over his death.
-> when comics-gwen gets over her grief and guilt about peter's death, it's by taking responsibility for killing him. she apologizes to his friends and family. she completely changes her fighting style to pull her punches and tries to empathize with her villains so she'll never kill anyone who could've been helped again. she goes to jail willingly and stays there to serve out her sentence despite being given opportunities to leave early. she does it for the people she and peter love, and for her own sake.
-> spiderverse gwen seems to be getting over her grief and guilt over peter's death by latching onto miles and transferring all her feelings about peter onto him. if she can protect miles from bullies (... like the spider-society), keep him safe and alive, and successfully become his girlfriend without someone dying in the process, she's done it. also, the context of her guilt is totally different: spiderverse gwen isn't guilty that she killed peter, she's guilty that she outlived him.
redemption and responsibility. both are seeking redemption for a bad thing they did at the start of the story to someone they care about, that got that person seriously hurt. they get it by accepting responsibility for that action and making amends.
-> comics gwen's entire first run is essentially a redemption arc. she begins the story as a selfish irresponsible vigilante who recklessly gets someone killed and has such a bad reputation that the city's villains think she's one of them. and she spends 30+ issues of comics changing her ways, realizing how corrupt her nyc and its courts and police are and becoming a hero to protect the people from them.
-> spiderverse gwen's crime is lying to miles (about the society, what it does, why he's not in it, her runaway situation, her feelings, his father's upcoming death...) and not sticking up for him when the spider-society turns on him. she's redeeming herself by searching for him through the multiverse, and intending to apologize to him, be honest to him about her feelings (and probably the gwen stacy death canon event) and take him home to protect his family.
girlbossery, acab and radicalization. both gwens mean well but have blind spots about certain structural inequalities due to their privilege that they shed after they cause harm to a loved one. they radicalize throughout the story thanks in part to hobie brown, and both of the stories they're in have a strong acab theme.
->comics gwen begins the story as a girlbossy white feminist. i am dead serious. she was (a variant of gwen stacy 616, who had a white feminism problem nobody remembers) created in the mid-2010s, in the middle of the girlboss feminism heyday, the arrival of the first wave of Strong Female Characters, and right around the time discussions of police brutality started gaining traction in the mainstream. and comics gwen is a commentary on those things. she initally uses her Great Power to be irresponsible, but is held accountable for that irresponsibility: just because gwen's a girl doesn't mean her power is inherently empowering if she's using it only to benefit herself. it is extremely relevant that gwen's called out for fucking around and calling herself a hero while actual structural issues hurting the city's people are going unchallenged by her world's hobie brown-- and she listens, realizes he's right, and shapes the fuck up. see: her redemption arc.
-> her killing of peter parker is framed as an act of police brutality, and the entire first run of her comics is a giant acab thesis. the "my mask is my badge speech" = gwen initially sees herself as a cop. her frank castle/punisher is a murderous cop. gwen's dad is a whistleblower, and his departure from the police force and gwen's radicalization are paralleled on purpose. half the cops are working with the criminals, the other half are reckless or incompetent, and all of them are out to get gwen. even the One Good Detective character is still an antagonist to gwen in the end, and she hands her over to another broken, abusive system- the prison system. it's not subtle. comics gwen's arc is about how a cop becomes a hero.
-> i should point out that the reason gwen's comics after the first run keep failing to connect is that all the writers who've handled her since her creator don't seem to realize this. the girlboss vibe is back and it's awful.
-> spiderverse gwen was 100% given that girlboss vibe in itsv, so it's there. and since peter's death is a misunderstanding, the vigilante aspect of comics-gwen's arc doesn't exist here, nor does the girlboss deconstruction.
-> her father's mishandling of gwen at the scene of peter's death and the guggenheim still works as a critique though. the "my mask is my badge" speech is still here and her dad still quits the force for her. and the spider-society are cops. her naivete about them causes her to lead to miles into a dangerous situation that she does not protect him from, she becomes disillusioned after he is harmed, and hobie gives her a way to go against the society to protect miles and his family.
-> there's another element to spiderverse gwen's arc that's unique to the movies: race. gwen and miles are an interracial couple. gwen's a white girl bringing the black boy she likes away from his community into a society where he is not safe because he is black, and where she fails to stick up for him when he and his family are threatened by said society. and when gwen meets miles's family, they rightfully doubt her intentions and don't accept her until she proves she understands how important they and his community are to him, apologizes for trying to take him away, and commits to bringing him back and helping him protect them. again, gwen radicalizes because of and for miles. (... and for some reason, not hobie, even though she's spent far more time with him and he's far more political)
... are we noticing a theme in why these changes are being made?
gwen's metanarrative
who is gwen stacy?
-> gwen stacy is the girl who only appears in spider-man's story to be his love interest, who's challenging to win the affection of, and unattainable because she's out of his league, she's not from his world and her father figure is out to get the hero, which means when the hero finally gets her, you know he's really special. and she's the girl who dies, totally helpless, so the hero can look even more special for trying to save her, because the trying's what really matters, right? and even though she's in a world where people come back from the dead all the time, she never does. she's cloned a few times, but they're all just copies of her who drop dead quickly. she's resurrected a few times, but that's just to tell spider-man she loves him, she forgives him, she doesn't forgive him, she's disappointed in him. it keeps going.
-> and every time the story's retold, and gwen is in it, it happens again. because nobody telling the story wants it to change. they like it best this way. it's like this for forty years. 1973 to 2014.
who is gwen stacy?
-> gwen stacy was the most beautiful girl in school. she was also a science whiz who was her boyfriend's intellectual equal. she was a fantastic student at the top of her class. she was a party girl and a night owl. she was temperamental and selfish. she was a devoted daughter to her cop father and a great friend who came back to nyc even though she left afraid for her life because her friends and boyfriend were there and that was worth the risk. she was peter's first serious girlfriend. she dated flash and harry too, sometimes while also seeing peter. she was a feminist who objected when peter was sexist to her and treated her poorly. she was totally fine with disrupting campus vietnam war protests when they got in the way of her education and contemplated campaigning for a racist fascist politician if he promised to lock spider-man up too. she hated spider-man. she loved peter parker.
-> nobody talks about most of that. just the first thing, and the last, and the one in the middle about her being the hero's first love. everything else dips in and out, usually to contrast her to mj.
why is the death of gwen stacy such a problem?
-> because for forty years, nobody wanted to do something different. because nobody remembered that she was a person.
-> that's what spider-gwen is for.
spider-gwen's metanarrative is about being a gwen stacy in a spider-man story. it's about being a female character in a story written by, for and about men. it's about being a young woman (specifically white and queer) in a world made by, for and about men
-> gwen stacy dies because she's a girl in a world that doesn't see her as a person, just an extension of a more important man.
-> spider-gwen lives because she's in a world where it's possible for her to be her own person, and she has a story designed to give her the power of the protagonist. she gets to leave the male gaze behind and be in stories that aren't about her boyfriend.
-> in the comics, we first meet her at the age original gwen died. and she passes it. in order to do that, her first villain, who she has to kill to access a story where she gets to be the protagonist, is the boy the story's usually about, peter parker. she kills him and incites the hate of her city by, direct quote: "breaking his heart."
-> gwen's world and her narrative know she wasn't supposed to be the hero, to not be interested in peter romantically, and to outlive him. they punish her for it. she's gwen stacy and this is a spider-man story. it's trying to kill her. her friends and family hate her and hunt her for peter. she's constantly swinging past billboards deifying peter as a sweet boy who never would have tried to murder his friends, with a hotline for spider-woman tips called 1-800-for peter. when she's sent to prison, it's for peter. and after she gets out, her world and it keeps trying to spit her out and send her to 616. where peter parker-616 lives. but she's not being sent there for peter. she's being sent there for miles.
-> when comics gwen and miles go on their one date in ten years of publication history, gwen encounters omniscient watchers that show her a utopian future where she is a loved superhero, and the wife of miles morales. those two things are linked. the watchers, who are stand-ins for the spider-man writers and fandom, have decided that spider-gwen can be tolerated, but only if she belongs to a different spider-man. gwen sees through the manipulation, turns miles down because she wants them to challenge fate and make their own choices, and hasn't relented in close to a decade.
-> her alternate selves form a secret society to protect their narratives from people who want to take their agency away. gwen's creator ends his run on her comics by inserting himself into the narrative as an alternate gwen speaking directly to the reader, whose insert is a salty watcher who's pissed that gwen hasn't left her world to go hook up with miles and pump out his babies yet, telling them gwen deserves a world of her own and a story that's new. and what's not new is being the hero's girlfriend. what's new is being the hero, with stories about her as an individual. -> comics gwen doesn't need miles to teach her that she can imagine something better for herself. she does it on her own. and she's the one who tells miles he should do the same.
-> spiderverse gwen never kills peter with a power he was supposed to have instead of her. she even loves him back. her world still turns on her anyway. the problem was never that she did or didn't kill him. it was that she got a story of her own. then she enters the spiderverse, meets miles, and her story isn't hers ever again.
-> spiderverse gwen gets a pov in atsv. her pov is about she how loves miles, thinks he's so special, has been inspired by him to do things differently and wants to be his girlfriend. she gets a story. the story is about becoming the kind of girl miles needs. she gets a metanarrative. the metanarrative is that maybe, if she gets with a different boy than the usual one, it'll work out. -> even then, spiderverse gwen has to get this idea from miles, and she doesn't believe in it until he inspires her to try.
they are very, very different characters.
for what it's worth, i don't want every adaptation of spider-gwen to be like the original. if you're adapting to a different medium, that brings with it different drawbacks, opportunities and needs and satisfying those to tell the best story possible is more important than being 100% accurate to the story.
and with spiderverse gwen, i like some of the changes. i think they have great potential.
gwen's age: yes, it's relevent in a meta sense that comics spider-gwen is at the age original gwen dies, but kids have trouble relating to characters older than high school age, and kids are who these movies are for. aging gwen down so we first encounter her as a high schooler makes her more relatable to them.
gwen's appearance: i like that gwen isn't wearing the headband and gets an edgier hairstyle. comics characters have to have the same hairstyle all the time because comics artists can only draw so many faces and it helps keep them straight, so gwen had to keep the headband so people would know she's a gwen. it's great that a movie that doesn't have that limitation did something new.
gwen's fighting style: making gwen less klutzy was necessary in itsv because it would've undercut how miles was the clumsy one, as the character newest to his powers. i like that gwen is the one with more experience. and i think making gwen a ballerina is a great idea, now that atsv has gwen ditching the pointe shoes for her chucks.
-> it marks a development in her character: gwen begins as a girl who aligns with more traditional expectations of femininity, and through being spider-woman, finds the confidence to reject them and do her own thing. it works even better since spiderverse gwen is younger than comics gwen, who's much more comfortable not fitting in. it makes sense that a 15 year old girl would be less comfortable with being herself than a 19 year old.
-> from a thematic perspective: ballerinas are disciplined athletes and dedicated artists who are stereotyped as frivolous and delicate, and whose bodies are admired for their sex appeal instead of their strength. they're the pinnacle of ideal femininity: thin, (white), beautiful, young, graceful, silent, demure, sexy, in pain but smiling through it even as it literally wrecks their bodies and minds, interchangeable and easily replaced by the time they hit forty. becoming one is often imposed on you as a young child instead of something you choose, the culture is unbelievably toxic, the actual dancing is painful, and pro ballerinas have to put so much work into their craft that it destroys their bodies before they hit middle age. and many ballets are romances-- the most famous being romantic tragedies where the ballerina dies after a love gone wrong. making gwen stacy, the perfect, delicate, conventionally beautiful, rule-following too-good-to-be-true girlfriend who dies young a ballerina is a brilliant idea.
-> it also makes her more appealing to the girls she's meant to be for: many little girls have dance, specifically ballet, pushed towards them as an interest they're both supposed to like and be good at, and will be laughed at for liking. seeing a ballerina be this powerful and not be mocked for using her dance skills is important-- there's a reason why female fans latched onto it so hard. and gwen letting go of the ballet shoes for something punkier is just as relatable: many girls, as they grow older and start gaining more autonomy, often reject the traditionally feminine things that are imposed upon them. possibly even the same girls who watched itsv as children and atsv as teenagers.
gwen's powers: i don't mind that spiderverse gwen doesn't have a symbiote. i just wish that when she's in group fight scenes, she isn't stuck with just pretty-looking kicks while the other characters get to do more interesting things than her. jess has a motorcycle, miguel has fangs and claws, hobie has his guitar, miles has invisibility and bioelectricity, margo can clone herself and stretch her arms, peni pilots a giant robot, pav uses a unique weapon for his webslinging. and gwen... pirouettes and then bonks her head so she can fall and miles can catch her.
gwen's personality: craving belonging with the spider-society is necessary to the plot. if she weren't so desperate to stay with them, her motivation for lying to miles falls apart. and i like that gwen's dishonesty to other spider-people is an intentional part of the plot; when comics gwen withholds information from other spider-people and acts uncharacteristically peppy around them, it's because the people writing her in crossover events don't know she's out of character, because they haven't read her comics. being around other spider-people is bad for gwen, and the spiderverse movies are the first piece of canon to actually bring that up.
gwen's queerness: i love that we can add a trans-coded gwen to the long list of queercoded spider-gwens. and that a trans-coded girl is the subject of desire for multiple boys, without any creepiness attached to it. it also creates a more subversive reason for gwen's ballet background and need for a boyfriend: she's using those things to access the kind of femininity reserved for cis girls.
gwen's backstory: gwen living in the city distinguishes her from the peter parker derivative setting of queens. making gwen's dad religious adds another wrinkle to their relationship. i love the guggenheim fight and think it's a more visually dynamic scene and a better fit to introduce the spider-society as interdimensional cops. the shift from protecting against an existential threat to spider-people to canon cops is a better fit for atsv's acab theme.
gwen's relationship with miles: i like that miles and gwen are friends and peers. i love that the spiderverse movies made the connection that they are both in the same position: both are marginalized by a story designed by, for and about white men. them being spider-people is an existential threat to it (an afrolatino boy who's the hero instead of the side-villain; a queer girl who's the hero instead of the hero's girlfriend). both are punished for not being able to live up to harmful expectations about what they're allowed to be. they're in perfect positions to understand each other's situation and help one another break free.
gwen's other relationships: i LOVE that gwen got to have more time with her mother. i LOVE gwen and pav's friendship, and that even if it's never going anywhere and no one will admit it, everyone knows about the romantic vibe between gwen and hobie now. the creepy worst case scenario girldad vibe miguel has towards gwen makes my head spin. gwen and jess's fucked up foster mother-daughter vibe is fascinating. and racebending em jay helps distinguish her from mj-616.
gwen's arc: the one thing about spiderverse gwiles that i like is that gwen's projecting peter parker onto miles. her fixation on him makes sense in that context, and gwen having survivor's guilt over not dying in peter's place makes sense, especially after all the time she spent being exposed to the multiverse, and is very compelling. i like that gwen gets to lose her faith in the spider-people and connecting the spider-society to the cops gwen is often in opposition to was brilliant. and having some of her white feminism called out in any capacity is good, especially since that element of her character is missing lately.
gwen's metanarrative: i like that the movies are pointing out that gwen should be able to have a romantic relationship with spider-man that doesn't end badly. like yeah. she should. a girl should not have to be eternally single or shun men forever to be safe and keep her autonomy. heterofatalism is bullshit and if we act like it's not we're accepting men as inherently terrible instead of challenging them to be better than that. and the potential of spider-gwen's character will be fulfilled once she is able to have this relationship and no one even questions that she can live and retain protagonism of her own story.
i like these changes! i think they're a good fit to this version of the character, they enhance the spiderverse story, and they're great additions to spider-gwen's canon. i think if comics-gwen incorporates some of these original elements she could benefit from them.
but. the changes were not made for the reasons i listed. at most, they were happy side effects of the real reason the changes were made.
the changes were made for miles.
it's that simple. even though the spiderverse movies are all about the importance of intersectionality and representation, gwen isn't here to represent the little girls and women in the audience, or show the boys and men in the audience that girls can be the heroes of their own stories too.
she's here to be miles's girlfriend.
gwen's age: was reduced to make her a more appropriate romantic interest for miles. why 15, instead of 16 or 17? so she's only 15 months older than him. no one can object to that age gap.
gwen's appearance: she has an eyebrow piercing because comics miles's first love interest, who has the exact same 'sneaking a look at you in the visions classroom/watching you in the hallway' moments, is katie bishop, who has an eyebrow piercing and a punk vibe to her design. the entire itsv gwen-miles vibe is just miles and katie with gwen replacing katie. -> the side shave happens because of miles. she keeps it as a reminder of him.
gwen's fighting style: gwen has pointe shoes because the itsv animators didn't look closely enough at her design to notice she's wearing chucks instead of ballet flats (and realized it in time for atsv). and also probably because as the token girl hero, they wanted her to be graceful, and a dancer's more appealing to a teenage boy than a grungy drummer.
gwen's powers: were kept basic so gwen can accompany miles on adventures without being a liability but she can never outshine him. she might have more spider-person experience than him, but he catches up so fast it doesn't matter.
-> instead of retreading her origin, couldn't they have reintroduced gwen in atsv when she was dependent on power-up pills? she had a multiversal encounter with miles then, so there's even comic precedent. plus her father being in the hospital and gwen being in the custody of the kingpin would be even more frightening, because spiderverse gwen is a minor-- wanting to flee that situation and being willing to do anything to avoid returning to it makes perfect sense.
-> THAT could've been the thing that made her stand out during group fights: at any moment she could become vulnerable. especially if the spider-society's providing them, and quitting means she'll be entering the climax with only a few power-up pills left.
-> plus, she could get her symbiote in btsv.
instead? her one new power revolves around being constantly aware of her boyfriend's needs even when he isn't on the same plane of reality as her. no woman or girl would want this. every teenage boy would want the girl he likes to have it. so apparantly do the grown men who wrote atsv.
gwen's personality: is all about miles. when she's dishonest, it's for miles's safety. when she's running from her problems, she's running from her feelings for miles. when she plays the drums she thinks of miles. when she's a nerd, she likes, of all things, the exact same action figures miles collects. when she finds the strength to defy authority and strike out on her own, it's to protect miles. her rage was toned down, and her need for romance was cranked up. for miles. and if gwen doesn't need male validation, keeping miles's approval would be a lot less important to her. gwen was a fantasy in itsv, and she's still a fantasy in atsv.
gwen's queerness: the trans-coding is important and not any less powerful than any other kind of queer representation. but it does feel like the creators decided on it as a way to acknowledge spider-gwen's queerness... while also making sure she was still attracted to miles and he didn't have any more competition for her.
-> oh my god the power-ups could have been an allegory for estrogen.
gwen's backstory: gwen goes to visions because miles goes to visions (note how they have more things in common because the writers are removing what makes gwen unique?). gwen doesn't kill peter because if she did, miles wouldn't find her attractive anymore. gwen liked peter back because if she didn't, she wouldn't respond well to miles's crush. gwen's status quo and her development as a character have stagnated for 17 months, while miles has grown into his own as a hero to fix the maturity gap. by stunting her growth.
gwen's relationship with miles: is being framed as a canon-defying epic romance that's never worked out before (not true; it has: see earth-8) but will this time. but it's only going to subvert canon and free gwen from her narrative if they don't get together. if they become a couple, nothing changes. she's still the girlfriend, even if she lives. and she will never be treated as his equal by the writers or the audience anywhere they're together.
-> gwen is all in on helping miles break his canon. but in btsv, will miles help gwen break hers? or will he stop short at 'well, i can break mine. but you can't because yours benefits me.'
gwen's other relationships: gwens' supporting cast was gutted to make her dependent on miles for emotional support. peter b isn't her mentor because he's miles's. jess can only redeem herself to gwen by helping miles. the miles-gwen-hobie love triangle was reconfigured so miles comes out on top. peter 65 is gwen's lost love, so she can find it again with miles. harry's cut from her origin story so miles has less competition. gwen's supporting cast and and villains are mixed up because the creators either never read gwen's comics past the first few issues, or did and didn't care what makes her world unique. gwen's a guys' girl so she can be the cool girlfriend who hangs out with your bros but would never cheat on you with one of them, and who'd never prioritize her girls over her boyfriend. gwen snips at margo because miles is so hot he's got girls fighting over him.
gwen's arc: isn't about becoming a better hero. it's about becoming a better girlfriend.
-> her grief and guilt can be overcome by successfully protecting and ending up with miles. why get over peter when you can replace him with miles? why die for your boyfriend when you can live for him?
-> she can't redeem herself by taking responsibility for the reckless, selfish actions she takes for her own sake. just the ones that harm miles.
-> her radicalization still happens, but on a different scale: she doesn't do it to be a better hero for her city. she does it to become a better ally to miles and his world. (remember the swinging date, when she introduces herself as HIS friendly neighborhood's spider-woman?)
every time gwen is punished by the narrative, it's for doing something that moves her away from miles, like lying to him or not having his back. every time she's rewarded, it's for moving closer to him, like sticking up for him in front of his parents, or deciding to apologize to him.
when gwen resolves her conflict with her father, it's because she went home to get her photo of miles, not to face him. and it's resolved so gwen has her baggage out of the way and nothing's stopping her from pursuing miles.
when gwen decides to resist the spider-society and lead her own spider-team, it's made up mostly of people there for miles, their goal is to support miles, and she'll probably hand leadership of the team to miles when he joins them in btsv. it's not her team, it's his.
gwen's metanarrative: is now just 'hey gwen, if you choose a different boyfriend, and you're super supportive of him, maybe we won't kill you this time!' and she still has to have miles come up with it, and inspire her to believe in it.
because if she wants to be her own person, she can't be miles's person.
it's about miles. she was put in these movies to be his girlfriend, and was written from the ground up to be accepting of that.
fifty years after the death of gwen stacy and ten years after the creation of spider-gwen, she's being put back in the narrative of spider-man's girlfriend. the most change they're willing to make is that this time, the girlfriend will live, and the spider-man will be miles instead of peter. the most agency they're willing to give gwen is the agency to climb back into the girlfriend box herself so miles doesn't have to take responsibility for taking her story away from her.
that's the problem. that's why spiderverse gwen isn't handled better in the movies than the comics. comics gwen is the main character. spiderverse gwen is the main character's girlfriend.
sorry about the length. hopefully that answers your question.
-----
p.s.: even if she squeaks out of btsv single, will it be because gwen realizes she needs to be her own person? or will it be because miles comes to that conclusion for her? or hell, maybe it'll be that he isn't ready to be with her yet.
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iwasbored777 · 2 years
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I hope Miraculous Ladybug fandom doesn't watch Across The Spider-Verse because imagine these people see Miles drawing Gwen in his notebook and Gwen travel through dimensions to reunite with Miles. These two will immediately be labelled as stalkers...
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nellasbookplanet · 2 years
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Progress is happening!
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inkdrinkerworld · 9 months
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a spider!reader who gives off “sweet girl next door” vibes? she tries to bring miguel cookies with he’s working on something and he scares her, coming off more angry than intended, and ends up dropping them on the floor. (collect groan lmao)
contains minor spoilers to across the spider-verse pt 2
you’d been thinking all day after the whole fiasco of recruiting gwen that miguel needed cheering up.
margo warned you not to, said, ‘he’s a grump. let him grump.’
but you hadn’t been able to take that answer. there was something about miguel that didn’t just scream grump. something seemed tired about him.
so, you tried your hand at baking him something. you’d debated for a long time of chocolate chip cookies or oatmeal cookies were more his style.
you decided on chocolate chip.
you spent two days on them, using a recipe which required brown butter, overnight chilling and a lot of dark chocolate.
you got a lot of flour on you as you baked them, watching them rise and then spread out on the floor of the kitchen.
when they were done you packed them up in a cute purple box you snagged from the cafeteria.
your heart leapt to your throat as you turned down the corner to HQ, hoping that you wouldn’t catch miguel at a bad time.
that hope is decimated when you walk in and find him grumbling to his computer.
“um, miguel?” you’re bouncing on the balls of your feet as you stand in the archway.
“what? what do you need?” he huffs and you feel some of your momentum dry up.
“i brought something for you, but if you’re busy-“ it appears that was the wrong thing to say.
“of course i’m busy! i’m always busy trying to keep the stupid multi-verse from collapsing. maybe some other time we can chit chat.”
you’d never actually been on the receiving end of miguel’s upset, and maybe this wasn’t exactly for you but his tone and the way his arms are flailing around his body makes you feel small in a way that hasn’t happened for a long time.
“right,” you whisper, managing not to cry as you jolt and the box of cookies fall. “i’m sorry for bothering you.”
miguel watches as you don’t even bend to pick up the box. he watches you turn like you’re being remote controlled and he catches sight of your hands wiping at your eyes.
“great, you’ve made her cry casanova.” lyla appears suddenly, foot tapping in air as her arms cross over her chest.
“so now i’m the bad guy?” he asks, but it’s rhetorical. he feels like the bad guy. guilt and shame burn his throat and belly like he’s downed two tequila shots with no lime or salt.
lyla flits to the box, “she made you cookies.”
miguel sighs, hands scrubbing at his face as he steps off the platform to pick up the box. in your neat cursive he notices you’ve written, ‘a pick me from having to do all the hard stuff.’
he wants to smash something. of course he’d blow up at possibly the nicest spider-woman variant. of course he’d be the asshole to make you cry too.
“where is she?” he asks lyla as he sets the box on the desk and opens it to find the cookies all broken. they smell delicious - something close to that bakery you liked when you’d visited earth-2067 with him on a scouting mission.
you and miguel always make a great team on missions and he hates to admit it but he’s very fond of you and he knows you're fond of him too.
it’s why his chest is aching and he needs to find you. “lyla, where is she?”
“in her room, blasting music and cleaning. give the girl a moment alone before you barge in there and make it worse.”
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popquizhot-shot · 11 months
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Feel free to ignore this, but I saw you want Miguel requests soooo.
Platonic Miguel x teen spider reader. Preferably gn. And like, he sees his daughter in the reader or smth, idk how to explain it, but I think it would be cute to see it
ONGOSH THANK YOU I absolutely love this<33 I wrote this on my phone but Im honestly so hyped up I love father figure!miguel. I hope you don’t mind but I’m doing this in the form of headcanons.
Miguel O’Hara x teen!spider!Reader
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-okay so your obviously one of the only people Miguel loves tolerates.
-your universe isn’t “home” to you, Miguel is. He’s like the father you never had and at first, the both of you absolutely detested one and other. In fact, Jessica was the one who convinced him to recruit you, way before Gwen or even Peter came into the picture.
-at first, he was stand-offish and a total dickhead to you, but slowly warmed up and began to humour you. He’d smirk at your horrible jokes and pretend to roll his eyes when you teased him.
-in fact, when you first laughed your ass off at one of his remarks, something in him knew that he’d do anything to protect you.
-he already lost one daughter, he wasn’t losing you.
-In all honesty, your relationship is very similar to Joel and Ellie from the Last of Us.
-you have inside jokes that even Lyla doesn’t understand, and she’s an AI.
-It takes all his strength to not snort when you make faces behind someone’s back, he knows you do it to make him laugh.
-he gives you tips on how to take care of yourself.
-a whole bottle of baby powder suddenly appears in your room in spider society. He says he knows nothing.
-lyla shows you the camera footage of him placing it on your bedside table.
-he’s close to tears when you specially make him empanadas. He’d been in a bad mood and when he went to his desk, there was a plate of empanadas with a post it note from you.
- “dont waste them I spent like two hoursmaking them for you”
-he scarfs them down of course.
-like all fathers, he can be strict sometimes, especially because you’re a kid. He doesn’t want you getting hurt. If you’re hurt he helps patch you up himself.
-“you fucking crazy? What were you thinking, trying to catch a car instead of dodging it?”
-your arguments are shushed by him shoving a spoon of soup into your mouth.
-“don’t waste it.” He says, “I spent some time making it while you were asleep.”
-he can’t pinpoint an exact moment from when he started seeing you as his daughter, but it’s probably from the time he got super protective around hobie.
-ain’t no kid coming near his daughter.
-almost snarls when hobie jokingly flirts with you.
-he subtly pushes hobie away when the guy walks behind you.
-you’re the only person other than lyla who can snark him and get away with it without an insult being jabbed at you.
-he’s hugged you a total of two times.
-the first was when you almost died, the second was when he almost died and you freaked out.
-you’d already lost your family, you could not lose him too.
“Miguel, get up.” You tearfully say to his sleeping form, “I can’t do this without you.”
-when he’d stirred, the first thing he saw was your shocked face and then you tackled him.
-he loves you. Like, a whole lot.
-he smiles at you when you walk around in his office, rambling about random stuff. He’s glad that you’re comfortable enough around him to stop masking your personality.
-his jokes are LAME. Like dad jokes are his jam and they’re just so bad.
-“why do sharks live in salt water? because pepper water makes them sneeze.” “Miguel PLEASE-”
-did I mention he’d probably die for you? Like fuck the universe(s) he’s not losing his baby daughter again.
-OOO IMAGINE THE BOTH OF YOU AS DRACULA AND MAVIS
-it’s weird but it’s funny.
-Gwen loses her shit when she sees you sitting next to him with your head on his shoulder.
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human-space-heater · 10 months
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incorrect quote generator (Spiderman: across the spider verse pt2 feat. spider noir, spider ham, and peni parker)
Miles : Fight me! Hobie , standing behind them and holding a knife: *mouths* Do not.
Gwen: Are you a masochist or a sadist? Pavitr , deadpan: I’m a Taurus.
Hobie : I have issues. Miguel : Finally, you admit it! The first step to redemption is accept- Hobie : With you.
Miles : *speaking Spanish* Gwen : I know, I know. Hobie: You speak Spanish? Gwen : No. I just know the phrase, 'this is all your fault' in every language Miles  speaks.
Gwen : Can I get a waffle? Jess and Miguel : *fighting and yelling at each other* Gwen : Can I p l e a s e get a waffle?
Pavir : *eating a cinnamon roll* Gwen: Cannibalism. Pavir : *confused chewing noises*
Spider noir : *holding a salt packet* It’s just a little sodium chloride. Peni : Actually Spider noir , it’s salt. Spider noir : That’s what I said, sodium chloride. Peni : Uh Spider noir , that would be salt. Peni : *takes salt packer from Spider noir * This is iodized table salt, which in addition to sodium chloride contains anti-caking agents and potassium iodate, which is added to prevent iodine deficiency. So not only are you being overly pretentious by insisting on using scientific terminology for everyday items, you are factually wrong. Your arrogance is your downfall, you annoying little shit.
Spider noir : If you water water, it grows. Peni Parker: ...What. Spider Ham : They've got a point.
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kombuuuu · 11 months
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gwen romantic hcs or scenario please? 🥺🤲
Spidery Romance.
Gwen Stacy x Fem!Reader
another bunch of headcanons (and snippets, ur favs) with my favourite girl 🤍
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GWENNBBBBB MMMWMAH HHHNG WEBEWEBWEEEHHHH
Gwen: Blue
You: Pink
Dad Stacy: Black
A cat..: Purple
mom friend this, mom friend that
how about just mommy?
is a HUGEE comfort roll in the realtionship
will do little things for you that you wouldn’t even realise
like keeping random containers because she knows you like them
jars 🫙 🤍‼️
she loves taking care of you, loves being who you go to for things
it makes her feel needed, which we know she struggles with
so she loves a partner who’s more co-dependent, like she is
“Baby?”
“Help.”
“Honey, what am I supposed to do with that?”
“Open it, please“ :(
“Oh, you sweet thing… What are you going to do with an empty pickle jar.”
“You’ve eaten all the pickles?”
“I’m… going to grow an ecosystem.”
ABSOLUTELY steals shit for you
she’s not rich, seeing as she doesn’t exacccctly live in her own universe
hey, star crossed lovers are multiversel..
so she steals
just nicks things from the mall she thinks you’ll like
little trinkets or anything small and shiny she can find
also cat figures
small, cute cats. she loves anything about them and will go out of her way to take em for you
(you think she just wants to deny the fact she loves the cats. or stealing)
your OWN little klepto cat
(you both love that game)
“Hey, Sweets.”
“Oh-! You’re home!”
“And I brought a cat.”
*gasp* “What breed !!”
“No clue, but look it’s tail moves.”
Will take you out to movie dates any time she can.
never really knew how to treat a lady so she takes notes from stupid eighties shows
will throw rocks at your window
or climb up the tree next to your house and break in even though she could just go thru the front door.
buys (steals) chocolates in heart shapes and roses to decorate your bed
it’s not even valentines she just wants too
don’t forget the candles and scented bath salts with a whole ass spa set up in your bathroom
“Baby? Wh—“
“[Name]! I missed you.”
“I missed you too, babe.”
“What are the flowers for?”
“Our anniversary’s not ‘til September.”
“Beautiful, we don’ need a reason. Just wanna appreciate you.”
smile and giggle like a little bitch? of course you will
Will eventually tell you about her spider woman endeavours
she’s guilty of hiding it from you
when you trust her so much
slipping out of your shared bed at night to go patrol feels
dirty.
She finally caved to her subconscious and spills it
you don’t freak out on her but she can tell you’re stressed
she tries to comfort you even when you have to opportunity to ruin her life
you could end it between the two of u right then and she’d forgive you
but not herself
“I’m spider-woman.”
“What?”
“The hero, [Name]. Well, vigilante I guess—“
“What the hell.”
“Baby, please. I know I should’ve told you sooner—“
“Do you know how much danger you’re in? Are you crazy? What happens if you get hurt and I’m not here? Fighting crime like that. Fighting villains.”
“I know, sweet girl, I know.”
she comforts you through it while you basically have an existential crisis in her name
you’re more scared she’s going to get hurt
or worse
than you are betrayed,
you can get why she kept this a secret
it takes you a couple week to hone down the worrying
gwen is hella patient with you 🫶
“I don’t like this. You’re putting yourself in harms way, and it’s careless,”
Guilty stare
“,But i’m not gonna stop you.”
“Thank you, [Name].”
“Please don’t die on me.”
“I won’t, baby.”
and when your finally calm you can kind of see the appeal in it
she convinces you to let her swing you around the city
and despite you both knowing you’re probably gonna pass the fuck out
you agree cause it’s cute
“Gwen.”
“Yeah baby?”
“I think—, maybe you don’t understand what I mean by ‘I don’t like heights’.”
“Wh— Oh.”
“What d’yu mean ‘Oh.’?!! You only just realised??”
“I come up here so often, it’s like a second thought!”
“It’s the fucking Empire state!”
“Ehh…”
She’ll take you nice places around brooklyn
mostly high up
to let you see the view
and to finally see you in it
she draws you any chance she gets
especially when she takes you to those places
shes been to em so often that she’s got muscle memory for the line to every building, but now she gets to trace the contour of your face around it too
will web you to the building if you ask
just so you won’t fall
“You know there’s not a single universe where I wouldn’t catch you, right.”
“There’s a first for everything,”
She snorts “Sugar—“
“I love you, Gwen. And trust you with my life. I do not, however trust wind.”
“Understandable, love you too.”
When you meet her dad he’s a little skeptical at first
only because you’re so nervous and he’s taught to be suspicious as a cop
but eventually he likes you, and you him
your both like old pals and it confuses gwen
he takes on a very fatherly position in your life
one you missed out on
gwen is ecstatic
the two people she loves the most in the world like each other
the stars aligned for her
she tells you about her struggles with him and is glad it doesn’t affect either of your relationships
“Do you treat my daughter well?”
“Dad, please.”
“Gwen, it’s okay. I’d like to think I am, sir.”
“Cause if you hurt my little girl, everything you do to her will feel a lot worse for you.”
“Dad!”
“I would never hurt your daughter Mr.Stacy, I love her. It’d be stupid of me to let her go.”
He smiled and clapped your back
*groan* “Why.”
she likes to keep you comfy
kinda has a thing for the housewife vibe
so she’s willing to do a lot for you
she’ll notice how empty it is in your house when she’s not there
it’s quiet and lonely
so totally for you (and not also her)
she’ll get you a cat
a small black american bobtail
she had found him while on patrol
saw a box left littered at the park and decided to pick it up
closer she got, more ‘mews’ she heard.
when she saw a short, stumpy looking kitten in the box
her heart melted
so obviously she took it
“For [Name].”
‘mew :3’
“Co-parenting practice.”
‘mmrp’
“God damn it.”
loves the cat with her whole heart
and so do you
you name it Peter
he’s adopted but he doesn’t need to know that
when he does something bad you threaten (emptily) to put him in back out in the street
“Go get a box, Peter. I’m gonna make your momma put you back where she found you.”
“He can’t understand you, baby.”
“Yes he can, look at how he’s looking at me!”
“See his face!? He’s so mocking me!”
:3
“Sure, baby.”
EEE 🤭🤭🤭
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tainted-liquor · 7 months
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Can't Forget You....˚ * ꒰ঌ♱໒꒱ * ˚.ft. 1610Miles
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ଘ(੭ˊᵕˋ)੭...
ingredients: Salt, tears, and no sugar
tws: Death, mention of blood
a/n: the 'what if' version of this story <;33
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What happened?
Miles was always known to be a happy go lucky boy. But after the death of his girlfriend, there was nothing but a downward spiral. It was clear to everyone around him that he was deeply wounded and needed some time to heal, but what happens when he's left alone with the pieces and memories of everyone he's lost? When he's left with nothing but his reflection in the cracked mirror of Hobie's bathroom and a pretty pink headband of yours? I mean, nobody would notice if he was gone anyway, right? The universe would cruelly replace him with a carbon copy of some other chosen kid to swoop in and fight in place of him.
He was replaceable.
Hobie was the one who found Miles, floating face down in love-flushed water.
"Miles. Miles? Oi, mate c'mon y'gotta come out the bathroo-...MILES!? FUCK, FUCK!! C'MON MAN GET UP!"
There was no sound. He could still dimly see the panic of his close friend Hobie's face before the tiny black tunnel lost its only source of light. Unfortunately for Hobie, that would be the last time he saw those twinkling doe eyes peer up at him with nothing but love.
"HOLD ON, C'MON WE-...sniffle...WE GOTTA GET YOU SOMEWHERE, FUCK" Hobie yelled, scooping up the smaller boy from the rosé colored bathtub. He was limp and ice cold in his hold, and each step he took seemed to shake more and more life away from who he viewed as his little brother. The little conscious in his head knew that he was already gone, but that didn't stop him from hurling himself through the origami-cut portal and bolting through the halls of SpiderSociety in search of a medic. Someone, anyone that could help him. He didn't know if it was the fear in his lungs or the realization that Miles was too far into the ice to be pulled out, but he found himself losing control of his legs as soon as Miles was in a hospital bed, stretched out in an eerily inhumane stance.
And it didn't take long for the available nurses to pronounce Miles Gonzalo Morales dead upon arrival. His skin was freezing to the touch, his face vacant of any soul, and his usual tense and alert posture was now indefinitely relaxed and settled. Miles Morales of Earth 1610, Son, Boyfriend, Friend, and little brother to many, was deceased.
The news spread like wildfire, and Pavitr was the first one to speed into the medical wing.
His hair was a mess, he was still in pajamas, and he couldn't bring himself to stop crying. He was bitten by the grief bug almost immediately when he saw his best friend lying there in a red splotchy white tee. If it wasn't for Hobie's firm and almost painful grip on his shoulder, he would have deluded himself into thinking he was still sleeping. And deep down he prayed that he was, and this was some sort of fucked up coma-dream he got himself knocked into during battle. He didn't care how icy his body was, nothing stopped him from intertwining his hand with Miles as he attempted to communicate with his corpse.
"Hey, man! I-..sob..-hope you and Y/N are...happy up there! We-...we REALLY NEEDED YOU HERE, THOUGH" he shouted, earning himself a half-stern half-apologetic glare from a couple passing spiders. He wasn't ready to let go of the long nights he'd spend binging American movies with Hobie and Miles. Nothing in the world could have prepared him for the vacant and distant expression on his face. So he too, joined Hobie on the floor in a pool of depression.
The last to find out was Gwen
Now, it wasn't because she wasn't in the vicinity when everything happened, not at all. Nobody wanted to tell her because they knew how crushed she'd be. She broke down almost immediately, losing her footing in the process. No amount of healing could fix or mend the amount of trauma she'd been through in the past year or so. Her first Spider-friend killed himself alongside his beloved girlfriend, she was kicked out of her home, and she wound up betraying Miles over some dumb theory. If she hadn't reminded herself that you and Miles were watching over her, she would've ended things then and there. She trudged forward daily with the weight of the world on her shoulders, dedicating every single move she made to her two favorite people above.
They fell into a routine of bringing you and Miles fresh flowers, red hibiscus for him and pink azaleas for you. They never went back to 1610, dreading the day that they'd see an unfamiliar suited boy swing across the Brooklyn horizon.
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Taglist:
@ashsostrange @chessbox @janaeby @faeriesoiree333 @Fivestardior @an1bara @bachirasegoist @milesnanana77 @niaurluv @sp1derw1re @ban-al3x @moonpiies @we-loveebony
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ghostflowerhotpotch · 10 months
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Why Hobie's chucks?
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I had seen a lot of people question how she can fit in those shoes, and some to say that their relationship is actually deeper because of this, however my mind has been going in other directions.
For example, why those?
Let me start with one thing: We have no idea how many things Gwen owns, and what is actually hers.
Considering the fact that at the end of the movie she went to get the polaroid she had with Miles, I think is safe to say that she didn't go back to the apartment to retrieve any of her belongings, meaning the things she had that were hers previously was probably only the things she carried with her, that is her suit, and her ballerina shoes.
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I bring this show because we can see that she is using her ballerina shows in the first movie, and aside of the Vision's academy uniform, the only other thing we saw her use in the first movie is her spider suit, which she was transported with.
This makes sense because being at the academy she could probably find a uniform on the school store or similar, shoes perhaps was a bit more complicated.
(She also appears to use them while she was presenting herself, seeing on a flashback. This could be that either she was fresh out of a spider-woman mission and didn't have another shoes; or the animators didn't see the point in designing shoes for a scene that wasn't going to show them for more than 2 seconds.)
However while looking back at the beginning of the movie, Gwen is using chucks, same or similar colour too.
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(Animation wise, they are probably the same shoes.)
Okay, this confirms us that she likes chucks, and is part of her style; so she probably took the shoes because she likes that type, right?
Yes, except that here is the thing: Why?
When she battles, she uses the pointe ballet shoes, in fact even if you see her using chuck's earlier in the movie, she is switches to her ballet shoes for the fight with Vulture. Even if we see her using the chucks later in the movie while she is in her spider-suit, that was after she got called out for not doing her duty, so she probably didn't have them handy.
However, even if we know that she went to Earth-1610 to catch the Spot (meaning she should be gearing for battle,) it was only the excuse she used so she could go to this universe without getting in trouble. After all, she opened the portal DIRECTLY to Miles.
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Okay, after this point is going to be more speculation/theory than analysis, so feel free to take it with a grain of salt.
Hear me out.
Now, we have NO idea how the Spider Society operates in terms of money, food, etc. We don't have an idea if Gwen is getting paid (how that would even work? It would be money from Earth-928?) we can assume she stays there to sleep at least, even if she still crashes Hobie's universe.
But in terms of her wardrobe or how to get a new one, we have no clue; it could also be that even if she gets paid, she doesn't like to use the clothes that are in Miguel's universe; I wouldn't be shocked that there aren't any.
And we establish that she likes those converse, right? Part of her style, probably something she likes to use to you know, daily live, seen friends, looking good for someone.
Also, what else Hobie said before he asked if those were his chucks?
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So, she left a sweater, her toothbrush, and took Hobie's shoes.
Considering she left her toothbrush, it probably means she was there fairly recently; however she also left a sweater and we know she had a cardigan with her when she went to visit Miles.
I think everyone can see where I am going with this, but to put the cherry on top-
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Hobie knew that was Miles.
Now, could he had known just because Gwen probably told him about Miles, however he also should know that 1) No way in hell he should be able to travel to another dimensions since he doesn't have a watch, 2) He just saw him, he cannot even go with the description because the suit is different that the one Gwen saw him last time, even if is a small change.
Not to mention that hey, she opened the portal directly to Miles, right? Woudln't that be something they would had notice if she went directly from HQ to him? She probably needed to put some special coordinates because she didn't even know Miles was in his home when she came to see him, just that he was there.
So with all those pieces, what's my theory?
Gwen went to Hobie's universe to get ready, to get some stuff from him (since their styles are probably closer that whatever the heck they have in 2099) and maybe to also to avoid been seen by the organization. And in a rush, she mentioned to Hobie that she would see Miles, and probably not much else since she left so much crap there and the guy didn't even realize she took his shoes.
Again, a lot of this is speculation, but the idea of this girl going to get those shoes to look nice when she met Miles again, JUST to have him be jealous about it-
I had been taking breaks to laugh while writing this post; I love these idiots I swear.
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vvaspoppie · 10 months
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Spider-Man Incorrect Quotes I gathered from watching Brooklyn 99:
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Y/N: And why would I?
Green Goblin: Because I'm mentally unstable, high on bath salts and pointing a gun at you
-
Peter: Don't worry, the Doctor said all the bleeding is internal, which is where the blood is supposed to be.
-
Y/N: I can't believe you live nearby, and you won't let anyone crash at your place.
Harry: You people already know too much about me.
Y/N: I know exactly three facts about you, and one of them is that you won't let any of us crash at your place.
-
Otto, in a lab that isn't his: No wonder you guys are such a mess! Look at this place. Half-eaten food, pictures of your families...
Y/N: Hey! What's wrong with pictures?
Otto: If you love someone, you'll remember what they look like.
-
Max Dillon: Looking back, I have no regrets
Y/N: You should
Peter: You should have a lot of regrets
Max: Yup
-
Y/N: There you go writing things down again. Like a nerd.
Gwen: I’m sorry, “writing things down” is nerdy? What do you do?
Y/N: I just forget stuff like a cool person.
-
Y/N: So we have good news, and we have bad news.
Harry: My Dad always said, "Bad news first because the good news is probably a lie." Fun fact: he made me cry a lot.
-
Y/N: Look, I know you think my judgment is clouded because I like Peter a little bit.
Otto: You just doodled your wedding invitations.
Y/N: No, that is our joint tombstone.
Otto: My mistake.
-
Y/N: Sometimes, boys... Just need to be boys.
Peter: You do realize Doctor Conners did thousands of dollars worth of property damage, right?
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84583991919 · 8 months
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ATSV Incorrect Quotes Pt.3: The spider-kids (or spider-band, depending on what you prefer)
Part 4 will be the adults, just as an fyi
Hobie: What’s something you guys are better than Miles at?  Pavitr: Mario Kart.  Margo: Yeah, video games.  Gwen: Emotional vulnerability
Pavitr: Miles, I know you snuck out to see Gwen last night.  Miles: If you tell Margo or Hobie, I swear I’ll murder you, and they’ll never find the body.  Pavitr: Five bucks?  Miles: Fine.
Miles: You really put aside everything and came all this way for me? How did you even get here so fast?  Margo: Several traffic violations.  Pavitr: Three counts of resisting arrest.  Gwen: Roughly thirteen cans of energy drinks.  Hobie: Also, that’s not our car.
Margo: Where's Pavitr, Miles, and Hobie?  Gwen: They're playing hide and seek.  Margo: Where?  Gwen: I don't think you get how this game works.
Margo: I swear to god I'm the only one here with a braincell.  Hobie, Gwen, Pavitr, and Miles: ALL HAIL the keeper of the sacred braincell!
Pavitr: If you took a shot for every time you made a bad decision, how drunk would you be?  Margo: Maybe a bit tipsy?  Miles: Drunk.  Gwen: Wasted.  Hobie: Dead.
Margo, about Gwen and Miles: My god, would you two just get a room already?  Miles: Excuse me, Margo?  Margo: You both just keep agreeing about horrifying things and relishing everybody else's misery. So seriously, when's the wedding?  Gwen: ...  Hobie: I ship it!  Pavitr: CAN YOU NOT?
Miles: I truly hate it here <3  Margo: Now replace “it” with “women”. Not so funny now, is it?  Pavitr: Now replace “it” with “women”. Not so funny now, is women?  Hobie: Now replace “funny” with “women”. Not so women now, is funny?  Gwen: I’m having a fucking stroke.  Pavitr: Now replace “stroke” with “baby”. Congratulations!
Miles: Hey, can we stay in your dorm tonight?  Pavitr: Why?  Miles: Hobie fiddled with an ouija board and cursed ours.  Gwen: Margo doesn't know how to banish spirits, so they just throw salt at them and yell "DOES THIS LOOK LIKE A HOTEL TO YOU?!"
Pavitr: You're a lying piece of shit!  Hobie: Oh yeah? You're the idiot that thinks you can get away with everything you do, WELCOME TO THE REAL WORLD!  Miles: I'm leaving and I'm taking Gwen with me!  Margo, gathering cards: Aaaaand that's enough Monopoly for today.
Margo: So don't panic but one of us is possessed by an owl....  Miles: ....  Gwen: .....  Hobie: ......  Pavitr: ..Who?  Margo: That's the thing we don't-  *Everyone stares at Pavitr*
Margo: Ah, yes. Here we have a beautiful couple...  Gwen: I really care about your feelings!  Miles: I really care about YOUR feelings!  Margo, turning their head: ...and then there's the disaster couple...  Hobie: YOU NEED TO PAY MORE ATTENTION TO ME INSTEAD OF BEING AT THE HOSPITAL!  Pavitr: I WOULDN'T HAVE TO SPEND SO MUCH TIME AT THE HOSPITAL IF YOU STOPPED INSISTING ON FIGHTING EVERYONE WHO COMES WITHIN A FIVE FOOT RADIUS OF YOU!
Hobie: Why isn’t the statue smirking at me?  Margo: It isn’t smirking at anyone, they’re all just imagining it.  Miles: Three of us saw it, Margo. How do you explain that?  Margo: *points at Gwen* Sleep deprivation. *points at Miles* Paranoia. *points at Pavitr* Delusional personality disorder.
Hobie: Alright Gwen, Pavitr. Let's go over this one more time.  Hobie: If something breaks?  Gwen: We try to fix it before Margo gets home.  Hobie: If it doesn't work?  Pavitr: We blame Miles.  Miles: Seriously guys, what the hell?!
*The gang's thoughts on stabbing*  Pavitr: Would never stab anyone.  Gwen: Would stab someone in retaliation.  Miles: Yells "I won't hesitate, bitch!" first.  Margo: Would stab without warning.  Hobie: Would stab as a warning.
Margo: Pavitr is a strings kid. We must sacrifice them to the band gods.  Hobie: Yes.  Miles: You're right. It'd be a good initiation for me.  Pavitr: Wait, guys, what about the truce we signed-  Hobie: What truce?  Margo: *sigh* The truce that we must destroy all the choir kids and leave the strings alone.  Gwen: Wait, I'm a choir kid!  Everyone else: *prepares for sacrifice* 
Gwen: There's no meeting today because Miles is at the police station.  Pavitr: They're in jail?!  Hobie: We have to get them out!  Margo: Jailbreak! I'm in!  Hobie: I'll dress up and distract the guard!  Margo: Ooh, I'll bake some food to help distract ALL the guards!  Pavitr: I guess I could bring my frying pan in case we need a shield to keep us from being shot-  Gwen: No! Miles wasn't arrested! They're undercover, taking the system down from the inside. They don't need our help!
Margo: Time for plan G.  Gwen: Don’t you mean plan B?  Margo: No, we tried plan B a long time ago. I had to skip over plan C due to technical difficulties.  Miles: What about plan D?  Margo: Plan D was that desperate disguise attempt half an hour ago.  Pavitr: What about plan E?  Margo: I’m hoping not to use it. Hobie dies in plan E.  Hobie: I like plan E
*Everyone is giving advice to Margo*  Gwen: It's okay to ask for help.  Miles: You're not a burden.  Hobie: Murder is okay.  Pavitr: Your feelings matter.
Gwen: Plants have feelings too?! What is this? Now I can't have food!  Pavitr: You can eat a rock.  Miles: Air.  Margo: The fabric of time and space.  Hobie: Chugging a bottle of bleach can solve all your problems.  Gwen: You guys are not helpful.
Gwen: Good morning.  Miles: Good morning.  Margo: Good morning.  Pavitr: You all sound like robots, try spicing it up a bit.  Hobie: MORNING MOTHERFUCKERS!
Miles: What do you guys do when you're stressed?  Margo: Try and calm myself down!  Gwen: Sleep.  Hobie: Get myself into even more stress, so that the first reason for my stress gets cancelled out.  Pavitr: I don't.
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rappaccini · 3 months
Note
How would you say gwen and miles bring out the worst in each other?
alright like. i'm talking about them in general, but idk if you mean spiderverse gwiles or comics gwiles. i'll do both.
spiderverse gwiles: read this.
one addition: gwen sees miles as a replacement for her peter parker.
gwen: that's why she develops feelings for him. that's why she's protective of him. she hates herself for not being able to save and date her peter, so she's forcing herself to repeat the past with miles. and if she gets together with him, that just means she'll keep punishing herself forever when she should be moving on completely.
miles: let me get this straight: the trilogy of movies all about how miles should get to be his own person with his own story instead of being forced to imitate peter parker... are gonna end with him ending up with a girl who only wants him because he reminds her of peter parker? okay. i see. so he isn't going to be his own person in the end.
now. for comics gwiles. and really, gwiles in general:
first, to clarify: out-of-universe vs in-universe.
out-of-universe (as in, the real life shit motivating the writers pulling the characters' strings), this relationship exists because bendis has a Type of romance he prefers and he wanted to shove all of peter's leftovers onto miles instead of giving him something new. it was picked up for itsv because at the time miles didn't have many love interests to choose from and the white guys writing his story probably preferred gwen because she's who'd they want for themselves. it'll be revived and pushed because marvel editorial wants to cash in on spiderverse synergy.
in-universe (as in, the plot- and character- developments that have to be created to make this shit make sense within the world of the story), you'd have to justify it with stuff like...
on gwen's end,
gwen leaving her world forever turns her into a selfish coward. how can you honestly brand gwen as a brave superhero if she abandons her loved ones and her community, packs up and runs someplace easier when the going gets tough? how can she be a good spider-person if she abandons her responsibility to protect earth-65 to go make out with a boy?
gwen losing her girl's girl cred. miles is already in a relationship with tiana toomes. if gwen starts pursuing him while he has a girlfriend... i mean. what kind of pick me bullshit is that. and beyond that, if gwen starts centering her boyfriend instead of her relationships with other women... yuck.
the age gap problem. no matter how you spin it, there's just something uniquely pathetic about a 20something simping over a high schooler, and that's what the writers will do to her. she'll either get together with him even though he's underage, or she'll sit on the sidelines, waiting for him to be legal. regardless, gwen's going to act weirdly immature for her age to ~fix the gap~-- which will just make it creepier. at worst, it's gross. at best, it's humiliating, especially since...
gwen's closeting herself. the last and only time gwen considered a relationship with miles, it reeked of 'queer girl tries closeting herself to be accepted.' in the eight years since, gwen's creatives have tripled down on her queercoding and her lack of attraction to miles. gwen resuming that relationship with him will only reek of her backsliding into comphet. even more humiliating.
gwen is giving up on being her own person, and is settling into the patriachy. so much of gwen's story is defined by her fight to keep her agency and define herself apart from the men who want to control her. if gwen gets with miles, she'll always be secondary to him. so her entering a relationship with him means she gave up. the (hetero)patriarchy beat her into submission. the cycle continues. the cynicism is exhausting.
a relationship between miles and gwen turns gwen's story from an inspirational one about a queer female hero who fights to keep her agency from a world that wants her dead for refusing to be what it wants her to be into a tragedy about a girl who gives up on being independent and settles for centering her life around being the passive girlfriend of an important guy she's pretending to be attracted to instead. it's embarrassing, insulting and deeply sad to watch her be reduced to that.
.... it's worse for miles. and i don't mean 'miles has it worse.' i mean 'miles becomes a worse person.'
to be clear: gwiles isn't a relationship between equals. oou, miles is the more popular character among his writers and the fanbase, and his brand benefits from getting gwen as a trophy girlfriend. gwen's does not. all gwiles does is take gwen's world, supporting cast, personality and story away from her, and saddle her with a role that doesn't make her happy and violates the entire point of her character. miles will be a shittier person, and yeah his stories will keep needing gwen to pop up in them so he can show his trophy to the audience, but he'll still have his own stories, he'll still have his supporting cast, he'll still be the second-biggest spider-man. gwen gets to be his girlfriend, and then his wife, and then his babymaker, and you know each time the role evolves she'll shrink because men can't write wives or mothers worth shit, and they'll start favoring the gwiles offspring as soon as they can. gwen will always have it worse.
so in-universe, miles is more powerful than gwen. she might be older than him, but she can't stand up to him in any meaningful way. she can't beat him in a fight. she can't outsmart him. all their spider-friends will always take his side. the multiverse itself likes him better and is canonically trying to take her away from earth-65 to pressure her into a relationship with him. she will always, always be second to him for as long as the relationship lasts and it'll only get worse the longer they're together.
and in order to make the relationship last, miles would have to be written into the kind of guy who at best, has such a superficial interest in his girlfriend that he doesn't notice that the playing field is so uneven, or at worst, does know and is taking advantage of that power dynamic--- and regardless, he doesn't care that it's affecting her negatively because it benefits him.
you know. That Kind Of Guy.
what does that mean?
miles chasing after gwen signals that he's regressing in his sense of individuality. after years of progress in becoming his own character with his own unique supporting cast (including love interest) miles... is going back to chasing peter parker's leftovers? okay. i see.
miles is starting to reprioritize courting a white audience. miles and gwen are in assimilation narratives. miles has only recently begun doubling down on seeking black mentors and allies (specifically black women), and is finally starting to focus on his community instead of pleasing the entire city. if miles gets with gwen, all that progress goes down the drain and he's right back to seeking approval from white people instead of his own community.
miles's romantic priorities are getting shallow again. miles puts gwen on a pedestal. he's mostly into her because he thinks she's hot and that being with her makes him seem impressive. there is no deeper connection. in recent years he's grown out of this kind of behavior thanks to his relationship with tiana toomes. so if miles moves from tiana to gwen (especially if he leaves tiana for gwen)... look, you can't spin it any other way: if miles leaves a multi-year relationship with a black girl who's his equal and calls him on his shit for an infatuation with a white girl he barely knows, only wants as a trophy, and who can't stand up to him, he's regressing into a shallow, immature guy who sees women as objects. like, oh, okay, so you do want that. gross.
miles not helping gwen get her world back turns him into an opportunistic asshole. logically, if miles morales, who lost his own home world, found out that gwen couldn't go back to hers-- and unlike him, none of the people she loves are with her here and she is completely alone-- he should respond with "that's fucked up, i'll help you get home." but in order for them to stay together, he would have to respond with "that's fucked up... wanna make out about it?" --- so, he'd become the kind of guy who'd use a girl's vulnerability and isolation to reel her into a relationship with him. gross!
the homophobia problem. given gwen's overwhelming queercoding and how gwiles is subtextually linked to the concept of gwen closeting herself for acceptance, if they stay together, miles would become That Kind Of Guy who pressures his queer girlfriend into staying in the closet and playing out a heterosexual relationship arrangement she's fundamentally uncomfortable with so he can be with her. gross.
not to mention earth-8. gwen doesn't want kids. miles does. on earth-8, they have children. and earth-8 gwen is supposedly a future version of gwen-65. do the math: something had to happen to get gwen to agree to stay pregnant, and it probably wasn't good. given that miles is the one who wants the family, has more power in the relationship, and is a shittier person because of said relationship, it was probably miles who wore her down until she agreed. yep. That Kind Of Guy.
miles morales, whose character is meant to open the door for different marginalized characters getting their own narratives that represent and center them and their experiences... would become complicit in the destruction of gwen's. if not an outright participant. and he'd be turning into this hypocrite for the great, noble reason of "i want to force the girl i like to stay with me."
how can you honestly brand miles as a hero if he does this shit to a girl he claims to care about?
a relationship between miles and gwen turns miles's story from an inspirational one about an afrolatino boy who finds his confidence and comes into his own by embracing his community into... another tragedy. but because he keeps his agency, he plays a different role in it: the more he's with her, the worse he feels about himself and the more he turns to her for validation she can't give him, which leads him to do shittier and shittier things to her to keep her around. the cycle continues. he's not the victim. he's the bad guy.
not to be overdramatic, but... look, if gwen's story is about struggling to keep her autonomy in the face of heteropatriarchy-- which is being taken from her for miles's gain-- and miles is written into the kind of person who perpetuates those systems to keep her with him (which is the only way they'd stay together), then that means miles is the villain of gwen's story.
at this point, given that she's about to lose her world (and we all know spiderverse synergy aka gwiles is why) and especially if gwiles gets any further... miles is the antagonist. he's the force in the way of gwen achieving the goal of her story. she has to sneak around him, escape him, defeat him, or persuade him to get out of the way (= to refuse to be with her and help her get her world back) if she's going to get a happy ending. and we know the story's rigged for her to lose.
(and that all their friends are going to be written to cheer this awful relationship on. peter parker is going to pressure another gwen stacy into a demeaning tragic narrative so he truly learned nothing. all the spider-women are going to become the kind of women who do nothing as one of their own is treated badly by a guy in their friend group. spider-punk is going to be written into That Kind Of Leftist Guy who talks a big game about equality and revolution but does nothing to help the women in his life when they're being mistreated by his bros. it ruins everybody.)
there's even a fucked-up symmetry to it: gwen's story starts with peter-65 and ends with miles, and in the end the only fundamental difference between them is that this time, the Nice Guy the audience is predisposed to root for succeeds at swallowing gwen whole, and we're expected to cheer when he does it because the story is on his side.
i mean. it's a compelling tragedy. in another circumstance i'd eat that shit up.
but their stories aren't supposed to be tragedies. gwen and miles are supposed to break out of the systems rigged against them instead of giving in and reinforcing them. they're supposed to be heroes and their stories are meant to inspire little kids. if they get together it all falls apart, yet it'll be framed like something good, romantic and happy. they both deserve a lot better than this.
so i'd rather we just... not.
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pbnmj · 10 months
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Genuinely curious, what’s up with Noir’s age? And what does it have to do with his 08/09 run? ((You may ignore if you wish :D))
i no longer have to do an extremely long explaination about comics noir because it has already been done here, by foolsocracy!!!!!!! really great breakdown of his very vague age, which is never said outright in the 08-09 run, only implied!! my own personal take on this is that he's 17-turning-18 in the first one, just about graduated high school but not able to afford college (see the panel below LOL)
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this also got a little longer than i thought it would, so under the cut for the rest of it! the tl:dr is "itsv!noir is not the same as comics!noir, and people saying that he's 19 isn't strictly true. to me, he's around 30!"
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eyes without a face (the 09 run!!) only takes place 8 months after, in september 1933, which makes peter 18-turning-19. this is more of a headcanon though!! (see the noir birthday poll, which made me a noir-is-a-december-baby truther)
(peter being a libra is mentioned once in the first issue of amazing spider-man (2015), mostly as a punchline, and a specific date of october 10th was given in another issue that i have lost. other media, like with the mcu, has his birthday on august 10th. but to me noir is a sagittarius and you cannot pry that from me)
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the 2020 run of noir begins establishing the year as 1939, making peter around his mid-20s, and 25 if you believe me on the 'peter was 17 in noir 2008' LOL.... i won't lie though i haven't read this one properly i very quickly skimmed so pinch of salt regarding my takes on the 2020 run
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noir being in his teens during the first original runs is why "itsv!noir is 17-19" goes around so often! i've seen that on tumblr, twitter AND on tiktok and i don't mind what people hc, but it has become a pet peeve when people say it like its canon even though it's never been mentioned by the writers or the art book. itsv!noir is similar to his comic counterpart, but his differences in his origin story make me interpret him as a different noir (like how peter b.'s dimension is 616B, making him... 90214B?)
again, we are straying from itsv canon/etc here because i'm deranged, but i personally hc noir as being 32! some of my friends think he's in his mid-20s, others think he's older, but really the only reason is that 32 is the midpoint between the other two peter parkers: ripeter was 26 and peter b is 38. he's also voiced by nic cage, which makes me think older in the first place!
i just like the idea that he's more experienced that ripeter, but hasn't gone through as much as peter b. he spends most of the movie being broody ("moral ambiguity of your actions!", "matches burn down to my fingertips", etc etc), or snarkier than you'd expect ("it's that easy" "who are you again?" "you gonna fight or are you just bumping gums" etc etc). he also very sweetly tells everyone that he loves them before he leaves !!! i feel like it can in fact be in character for a peter parker in his late 20-early 30s, distanced from his tragedies in his own world by time (he doesn't forget them, that's different !) being able to look out for the spiders around him.
okay now we are VERY deep into hc territory, but it makes him able to balance out the rest of the itsv spider-gang as an older-brother figure who's able to guide peni, miles and gwen but also be able to act as a voice of reason for peter b. and ham if the sitauation calls for it. that being said noir is still peter parker and is therefore capable of spider-esque tomfoolery, which can lead to him misjudging the need for a snarky one liner ("this is a pretty hard core origin story"). my characterisation of him is also very inspired by heyitsspiderman, the itsv fic that changed me for the better, and noir isn't even in it that much LOL
veering back into itsv!noir's age and your actual question though: he's always read older in the movies, and not at all 17-19. noir is always going to be around 30 (32 if i have to give a number) to me!! if anything, he did go through the same kind of 'canon events' as comics noir did, but is an older and more experienced version of him, with tweaks to the backstory (like a radioactive spider instead of a spider-god, and webshooters instead of organic webbing). there are reasons ofc to see him being younger (egg creams are non-alcoholic, and that if it's 1933, his comicsverse self would be 18-19 too) . however you must consider that sony didn't expand on this and therefore it's up to fan interpretation and also that
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I love your fic “When the cat's away...”! ♥️💙 Now I really wanna know how they got together after Spider man into the spider verse
Masterlist
Requests open - here
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Here's the fic which you should probs read first When the cat's away...
Soooooooo.
In the comics Spiderman and the black cat have a very flirty relationship and always end up hanging out when they're both on duty, the difference being Cat is more of a vigilante and anti-hero. They also have an on/off relationship with Cat being the main instigator.
After him and MJ got divorced, he started using his Spiderman persona more because he felt his real self was too pathetic. So he starts going off on more jobs and stakeouts. He actually finds himself looking for Cat and following her to find out more about her (ik this sounds creepy but hey ho). And he finds himself falling for her.
*skip the portal opening up and him finding Miles*
When he's talking to Miles he finds himself asking about Cat...
"So in this universe, do you have a black cat?"
"There's one that lives on the roof I think--"
"no no. The Black Cat. The vigilante."
"No? Is that someone I should look out for? Am I gonna get my own?"
"Yeah, just when you meet them...have fun." (I'm using 'them' because Peter B. wouldn't know what gender Black Cat will show up as in Miles' universe.)
*Aunt May's house*
When Aunt May sees Peter B. she immediately goes to the door and brings out a letter addressed to this universe's Peter that he didn't get a chance to open before he died. The envelope has 3 distinct claw marks slightly scratched into it. He smirks knowing it was you, well this universe's you.
He opens the letter and reads...
"Hi Peter. I'm sorry it's been a while but I thought MJ wouldn't appreciate you always hanging out with me, so I took myself out of the equation. I'm truly happy you found someone and that you like your life with her. But because I don't plan on seeing you again I have to tell you. I love you. I'm in love with you. That's all. Have a great life. And remember, you promised to name your child my suggestion:............Y/n Y/l/n (meow) xoxo"
His eyes well up when reading. How did he never know? You'd always been flirty and you'd both kissed a little (more like a lot), but this was love. Maybe it was something about seeing your name for the first time or seeing you speak sincerely without the need for flirtatious teasing. But something changed inside of him.
*talking to the other spider-people*
"so do any of you guys know a y/n y/l/n?"
"The Black Cat?" "Black cat?" "The cat?" "cat?"
"Wow. So who are they to you?"
There's a pause whilst the spider-people consider.
"She's my partner in crime. I'd be lost without her on my side." Noir goes first.
"He's my best friend. I love that guy!" Porker chimes in.
"I never got to tell them how I felt." Peni solemnly whispers.
They all look to Gwen waiting for her. She takes a moment. Then she looks up at Peter B.
"She's the love of my life." Gwen begins to smile. "And I didn't realise that until I was here. And she wasn't."
*coming out of the Portal*
Peter B. is dumped unceremoniously back into his New York. Despite the free-fall and his sore limbs and ass (juicy) from when he fell, he feels good. And he smiles, genuinely for the first time in years.
He jumps back up and swings throughout New York city, trying to spot the familiar icy locks and black catsuit (God he's thought about her in that catsuit a lot).
He meets her on a rooftop, high above the city.
"Hey spidey! You've not been around a lot? Did you go grovelling back to MJ on your knees like a kicked puppy?"
"No, actually. Believe it or not I was in another universe. And do you know what I found out about those other universes."
"What? I'm all earssss." you hiss into his mask covered ear.
"That you love me." You panic and try to swing away. But he grabs you first and holds you in his arms.
He takes off his mask revealing his scruffy beard and salt and peppered locks.
"My name is Peter. But can you still call me spidey cause it makes me sound super-cool, like a super-cool biker." You giggle even though tears are streaming down your face. You'd dreamed of this and actually the face under the mask was more beautiful than you ever imagined.
He leans into your face. "Peter, what are you doing?"
"A leap of faith."
You join together in a passionate kiss. When you eventually pull away you hug him tight and bury your face in his chest whilst tears are still streaming down your face. He whispers in your ear "Honey, I'm home."
*after the birth of their first child*
"She's so beautiful."
"I don't think I've ever seen anything as perfect as her. I never want to let her go."
"Honey, you do have to let me hold her sometime." you hold out your waiting arms.
"No. Did not agree to that."
"Anyways what should we name her?"
"How about Mayday?"
"I love it! Where did that come from?"
"Just from this thing I once read." He winks at his baby Mayday. Knowing one day he'll tell her all about the letter, the multiverse, Miles, and how he realised her mum was the one.
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meatdagger · 11 months
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a theory: miles' dad does not have to die to save earth-1610
the reason why miles' dad has to die (according to miguel o'hara) so it won't cause a disruption in the canon event. it was shown that every spider has gone or will go through it (captains being killed, losing people they love, etc).
including gwen's dad who was a captain, before he decided to quit when gwen was being sent back home. when her dad said that he quit, she realized that he doesn't have to die to save her universe.
miguel said that miles wasn't the real spiderman, since the spider that had bit him was from earth-42. miles was from earth-1610. he also said that miles being a spiderman led the death of earth-1610's current spiderman.
i think that miles' dad doesn't have to die since miles is not earth-1610's spiderman. earth-1610's spiderman was killed by kingpin, and miles was never meant to be a spiderman in the first place.
the consecution of wrecking the canon is having an universe gone, poof, like what had happened to miguel's earth. to not let that happen to earth-1610, miles would have to let his father (who would become a captain) die. "... saving too many captains..."
but since miles wasn't meant to become a spiderman on earth-1610, i don't think it's something he would have to go through. the original earth-1610's spiderman must've gone through that, since he was meant to be a spiderman.
whatever origin story he may have had, had come from his own universe. unlike miles who was bitten by a radioactive spider from earth-42.
so i think, miles is basically a cross-dimensional spiderman. since he wasn't meant to be a spiderman on earth-1610, he doesn't have to sacrifice anyone to save his universe. because the original earth-1610's spiderman might have done it before he died.
and the vision he had with spots (before alchemax's building collapsed in mumbathan because spots himself) is probably a vision of the future (take this with a grain of salt tho). gayatri's dad was supposed to die (according to miles' vision, and the canon) but miles saved him, and earth-50101 was threatened to collapse. this proves that a canon event could be stopped.
and somehow the scene where a lot of spideys came to earth-50101 to, supposedly, fix the canon; imo, it feels like it was cleaning up spots' mess instead of fixing the canon.
and when miles asked in the spidey hq, how can they be so sure that someone has to die to save the universe; i think their answer was along the lines of "because the algorithm said so".
the problem is that the algorithm could probably only predict something that had happened over and over again. like if you put an ice cube outside and it's summer. you'd know that it's going to melt.
but miles wasn't something that had happened before. his case is new. a cross-dimensional spiderman. and applying an algorithm that only fit into non cross-dimensional spideys, would definitely not work.
he might have his own canon paths to go, and no one knew what it is.
and i think we have another problem: there was no spidey on earth-42, because it had bitten miles. and whoever this probable spidey might be, they were meant to be one but it's not probable now.
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fiepige · 8 months
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Heya thank you so much for your ask!
I'm guessing you're referring to the deleted scene where Gwen and Miguel talk about how Hobie quit/took time off:
Since it's a deleted scene it should be taken with a grain of salt but since nothing they say here actually contradicts anything that happens in the movie (and I find it fitting for Hobie's character to abandon the spider-society while still looking out for Gwen) then I personally headcanon that something similar at least happened prior to his introduction in the movie.
When you say he was inactive I guess you mean in the spider-society (English isn't my first language so please let me know if I misunderstand/misinterpret anything you said! I'm not trying to put words in your mouth I'm just trying to show how I understand what you're writing but please correct me if I'm wrong <3).But yeah, it would make sense that he was still somewhat part of the spider-society since he's still wearing their watch when he makes his entrance:
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(Also did you know that Hobie is the ONLY spider-person that wears his watch upside down??? I didn't before I was getting screenshots for this post lol, here is a screenshot that better shows it compared to Gwen:)
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(ALso he's NOT wearing any watch in his introduction scene:)
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(Just a fun fact I wanted to share)
About the portals:You make a good point here! We never see the portal Hobie appears from when he enters:
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"If anything, he's running in from some place else. And we never see if the portal he comes from is HQ issued, or one of his."This is really interesting, cause at one point I thought he'd just use the HQ portal, but if that's the case then why:
1. don't we see him enter?
2. Is he running like he came from somewhere else? Like you said the watches are pretty precise and put people close to where they need to be.
This made me think that maybe he used one of his own watches (since I think he'd already made some at this point). BUT if that's the case then again:
We should still see him enter right?
If he appeared nearby we should see the effect his watches have on their nearby surroundings like we see when Gwen uses hers:
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Maybe he just didn't want the HQ to figure out that he'd made his own watches yet, or maybe LYLA would be able to track him if he used the HQ watch so he used his own one instead and either:
Used it to end up far away from the others as he knew they'd all be able to see the effect his watches have on their surroundings and since Miguel apparently has everyone under constant surveillance he'd be able to figure out that Hobie was planning something behind the scenes. When he got there he then put on his HQ watch (which he hadn't been wearing since LYLA haven't been able to track him, according to the deleted scene at least) to cover up the fact that he made his own.
He used his own watch but it's not as precise and that would also explain why he had to run to get to the others. (Though it seems pretty precise when Gwen is using hers later)
Maybe he was already in Pav's dimension. This might explain why Pav asks if Miles knows about Hobie? But then again why does Pav greet him like he didn't know he was there (and also why didn't Hobie join Pav and the others sooner if that was the case)? In a way it would make sense for Hobie to hide in Pav's dimension if he's hiding from the spider-society and LYLA as hinted at in the deleted scene (which might not be canon though!), so maybe he hid there without Pav even knowing? And then he maybe saw/sensed what was going on with the gang fighting The Spot?
Cause yeah how did Hobie know they needed his help at Alchemax?
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As you said, Gwen seems happy/surprised to see Hobie.The deleted scene tells us that Hobie gave her a way to contact him, so maybe she did and she's just happy to see him and maybe suprised he arrived so soon after she reached out? (Though idk when she would have done that, but since we don't know what means Hobie gave her to contact him we also don't know what to look for, for all we know it could've been a small device that just sends some kind of signal to him?)I don't think HQ contacted him either. BUT, we actually see Jess and Gwen talk briefly for like 2 seconds when they're trying to break the barrier at Alchemax:
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So I guess another explanation could be that Jess could tell that Gwen was lying here and thus asked Hobie to go help her out as she knew he was looking out for Gwen?
But if Hobie was hiding from HQ then how did they contact him? But that's also only if you consider the deleted scene as canon. (though I don't think Jess contacting Hobie is the case but I'm just writing every theory I can come up with in case anyone wants to maybe look deeper into it).
For the moment I personally headcanon that Hobie either got a message from Gwen somehow or, like I theorised earlier, he was already nearby and his spider-sense alerted him to what was going on.
But I'd LOVE to hear what you or anyone else thinks <3
Once again thank you so much for your ask, I hope I answered it properly. Please let me know if there's something I missed or got wrong! And feel free to message me about Hobie (or atsv in general) I love asks like these as they make for a lot of fun speculation!
Also thank you so much if you read all of my ramblings!
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@the-cat-and-the-birdie
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