Tumgik
#source of dialogue: SAI
civetside · 5 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
TLT game night
3K notes · View notes
joseigamer · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Persona 2: Homophobia Simulator (2011)
Bonus:
Tumblr media Tumblr media Tumblr media Tumblr media
111 notes · View notes
atsukunaritai · 7 months
Text
Tumblr media Tumblr media Tumblr media
ワンルームエンジェル 第1・2話         one room angel - ep. 1&2
79 notes · View notes
sentientsky · 6 months
Text
"I forgive you." It came out like a blood clot—like an artery dripping gore—like an oil spill. Crowley felt his shoulders rise, fall, fall, fall. The air between them hummed, the tension of six thousand years turning every atom electrified and silently screaming. Breath shuddered out of him, human and terrible and hollowing. He had never been more grateful for the swallowing darkness of his glasses, for the way they hid the centuries of pre-emptive grief and wicked terror. The air was suffocating, the once familiar bookshop turned catacomb.
And then, hating himself for it but seeing no other way forward, he spoke the words aloud. "Don't bother". And then he was out in the middle of Soho and the breeze was harsh against his too-warm skin. Stepping out into the sun felt like rising to the surface of some great ocean—the gasping, desperate feeling in his lungs, the sudden crash of noise. A woman across the street called for her wife. A car horn. A dog barking. Laughter, cruel and far-off. He pulled breath into lungs that didn't need it, winced as he felt slivers of cold drive into the soft flesh of his throat.
So that was it; five and a half million years of want and need and burning, aching somedays, cyphered pleas for "our side". All gone in the space between shaking half-breaths and a kiss still seared against his lips.
Fuck it.
He'd ruined it the first time, had forced them both to look directly into the sun, to face the thing they'd been dancing around for the better part of six millennia. He could do better—would do better. At a music café some years ago, a human had been playing the piano—something soft and slow. A jazz number, if the demon remembered correctly. But the remarkable thing wasn’t the song itself, but that they were playing it with their eyes closed. Aziraphale had pointed this fact out to Crowley, excitement lilting in his voice (even then, the sound had thrilled him, sent a stab of warmth through his heart). It was only after the final note reverberated through the room that the artist opened their eyes, blinking in the sudden rush of stage lights. Aziraphale, ever the music connoisseur, approached the musician. The pianist had explained that, for them, reading music never came easy. Rather, they learned by touch, by the way the keys felt on their fingertips. In fact, the only way they could play a song was with their eyes closed. If they watched their hands as they played or thought too hard about their next move, they got confused and tripped over the notes. Muscle memory, they’d said.  It was muscle memory—the galactic familiarity of finding the space between seconds and prying—that guided Crowley now. He hadn’t done it since Not-Armageddon, but it came easily to him just the same. Time, you see, operates kind of like sound, like music; it loops and sways and carries forward in waves. If you know where to look (as the demon did), you can disrupt the flow, send it back towards the shore. 
And this was what Crowley did now. Drawing his hands through the ripples of minutes and seconds and hours and millennia, time stilled around him. It was natural. Easy, like breathing or sleeping. Or loving Aziraphale.  Slowly, the world turned backwards; humans retreating from whence they came, cars driving in reverse, the wind blowing in the opposite direction. If Heaven had taken notice of their "half-a-miracle", Crowley expected them to be able to see this from every edge of the universe. He likely only had one shot at this.
The world aligned itself once more, and time returned to its regular, steady gait—a rubber band snapping back into place. Something hummed in Crowley’s chest. Something bright and burning and the shape of a neutron star.  Hands shaking, he reached for the handle of the bookshop and pushed. The bell above the door rang, clear and and too-loud in the morning air. Aziraphale whirled around, a trembling half-smile on his face. Oh. Oh, somebody, this was going to be harder than he thought. It felt like all the oxygen, all the courage, had been punched clear out of him "Crowley!" A beat, a shuddering breath. "Angel". He pressed his still-trembling hands into his pockets and strode forward. "Oh, Crowley, dear, I've been looking for you. I have excellent news." His stomach did a little flip, something deep within him growing hollow and fearful. "We have to talk," he managed to choke out around the heart still lodged in his throat. "Yes, I quite think we do. I have something to tell you." Aziraphale strode forward, all grins and beauty like a flickering star, all plasma and heat. He could practically feel the agitated warmth roll off of his angel. Crowley shivered. "I just met with the Meta—” "No. Wait," the demon held up a hand, pausing the rushing torrent of Aziraphale’s words. "Just let me say my thing, please." "My dear boy, just—oh, what is that lovely human expression—"
"Hold that thought," Crowley muttered. His eyes burned behind his glasses. Aziraphale looked pleasantly taken aback.
"Yes, how did you know? I—" "No." The angel's eyebrows crinkled in confusion. "No?" "No," he repeated, enunciating each letter with perfect clarity. He was going to do it right this time. He was going to keep him from leaving. He could be good. Right? "I’m gonna speak, and I want you to listen to me without interrupting, m'kay?" Words were building in the basin of his sternum now, pushing up on his airways. He was going to have to say it outright this time; no more waltzing around this frenzied galaxy of emotion. Willing his hands to steadiness, he pulled his glasses from his face, and tucked them into the collar of his shirt. Aziraphale's breath seemed to catch for a moment, meeting the ferocity of the demon's gaze head-on. A deer in headlights. And then, "Crowley, I really—" (Eons hurtled through his mind in a split second, the serrated knife's-edge of want like a being all its own. Aziraphale in the garden. Aziraphale in the tavern, on the cliffside, on the West End stage, in the Bentley, in the bookshop, in the very marrow of Crowley’s bones.) "I love you," he rasped, ichor writhing in his veins.
There, he'd said it., said it fully and completely, without so much as flinching. It was the same love he'd expressed for the past several thousand years in a million little, unspoken ways: an ox rib, a revolution, a church, a burning bookshop and the bottom of a glass and a lost best friend. A yellow Bentley, a lifetime of tethering his life to Aziraphale's, of trailing after him like a moth to flame—like a dog to its owner. "I love you," he pushed on. They were both looking directly into the sun again, Crowley urging them to stare straight into the heat of it all. The words were spilling out of him now, a heaving, thrashing current falling to the bookshop's hardwood floors. "I love you and you can't go to Heaven." Aziraphale froze, pupils blown wide and unblinking, for just a moment. Tension stretched out like a thread between them. And then he pulled in breath like a drowning man (who wasn't really a man at all), and tears were gathering in the corner of his eyes, and oh god, he'd made his angel cry. Fear and guilt and horror slammed into him at a million kilometers an hour and left him halfway between dizzy and nauseous. His fingers tensed at his side, desperate to do something, fix what he'd so obviously broken. Heaven would be on the front step any moment. It was too late, wasn't it? It was always too late. "Crowley—what?" Aziraphale breathed, mouth twisting into a brutal, terrible, heart-wrenching sob. Crowley ached, panic lancing through him like a knife. "I—I really, I can't. You could come with me." He stepped forward, moving to place his hands on the demon's shoulders. Crowley leaned into the touch, almost unconsciously. "Don't go," he croaked, tears beginning to prick his own eyes once again. This time he didn't reach for his glasses, didn't try to hide his fear. If he was going to do this, he was going to do it right. And then Aziraphale could hate him and his desperate, hungry, reverent love in the aftermath. "Don't go where I can't follow. Please".
His angels blue-grey eyes searched his own, and the weight of his gaze was impossibly heavy, pressing down on his chest like a river-smoothed rock. "Crowley, please. I don't understand. The Metatron said—" His palms found the sides of Crowley's throat, thumbs resting gently on the side of his jaw. Crowley sucked in a breath. "Angel," The scent of earl grey—of old books and soft tartan chairs. Aziraphale's hands were shaking. "I know what the Metatron said," he intoned, soft as rainfall. "You can't go. It's not—they won't change. You're better than that." "But you could be an angel. With me," he murmured, soft thumbs running across sharp cheekbones. "Be my second-in-command." "Don't want to be. Want t' be an us," he felt tears—traitorous, burning tears tip over the edge of his lashes and fall against his face. "Crowley, darling, please." A beat. "I love you." The bottom of the world dropped out from under him in that moment. Aziraphale loved him. He loved him and he'd said it aloud and now it was out there in the world and it was as though every nerve on his body was on fire. His angel pushed on, "Truly, I love you. I need you with me. Please, come with me. We can do good, I know it." He could never say no when his angel asked something of him. Especially not when his kind, gentle hands were holding him like something good, something precious. Especially not when Aziraphale had just admitted to needing him, had injected the word with so much warmth he thought his all-too-human heart might beat clear out of his chest. But there was a first (technically, second) time for everything. He drew in a heavy breath, and tilted his head, breaking his angel's hold on him. Aziraphale's hands—now empty, still shook. He made a soft whimpering sound, and Crowley ached to kiss his fingertips, banish the fear. But instead, he looked up towards the ceiling, to a God who was not there—who maybe had never been there at all. He felt the Heavenly Host drawing near, a sense of hollow emptiness, the scent of absence. This was the time of last-ditch efforts, of holding his heart out and hoping Aziraphale might take it as it was, bruised spots and all. "I can't. I won't. I need to be here, on Earth, with you." "Crowley, please. I don't think you understand what I'm offering you," he huffed. A residual shard of anger stabbed at him then, and he turned his gaze sharply back to the angel before him. "Oh, I understand perfectly well, angel. I'm fairly certain I understand better than you do." Aziraphale's mouth drew into a thin line, tears welling fresh in his eyes again. And still, Crowley ached. A beat. Something in the angel shifted, then, turned on its edge—the walls beginning to go up again, and it was just like it had been not fifteen minutes ago. He was watching the same moment play out over and over again; some cyclical, torrential nightmare. "I would like you to come with me, but," Aziraphale paused, voice breaking in the middle. "But I'm leaving, with or without you." And there it was, like it was predestined. Despite the love, despite the want, despite every shared bottle passed between them, every half-accidental touch and glance and whispered word—despite the way he would’ve let Aziraphale run a sword through his chest... It wasn't enough. It was never enough. They were re-enacting their old magic trick, right there in the bookshop, this time with Crowley staring down the barrel, letting Aziraphale pull the trigger. Aim for my mouth, but shoot past my ear. Aziraphale wasn't shooting past his ear. His bloody ribcage felt as though it might splinter apart. Wingbeats in the distance, a grief wide enough to drown the sea. Crowley reached down, pulled his sunglasses from their resting spot against his clavicle. And then the hunger in his eyes was once more hidden, and he was walking towards the door like a man headed to execution. "Crowley—" Aziraphale nearly keened, the wall crumbling for a split second. Without turning, Crowley said the only words he could think of. "I forgive you."
69 notes · View notes
commanderfreddy · 1 month
Text
people are discoursing about the laios and shiro fight bc that was always going to happen but i do hope that wave crests quickly and we can all come to see it as what it is: literally one of the best written fights between two people who are both entirely justified in their actions and acting without any malice or cruelty of all time
#theres a tendency - especially in action and faction based media (which a lot of fantasy is or is in dialogue with) - to depict fights only#as happening between someone who Is Right and someone who Is Wrong#and getting to see a full on beatdown between two dudes who are both acting in an entirely understandible way and who both dont actually#want to hurt the other at all - to the extent where their desire to maintain a positive relationship with each other is the SOURCE of their#conflict in the first place - is just so cathartic to see#like unpopular opinion but sometimes you do just need to Fight someone to work through issues youre having#like irl i would not recommend that extent of Force obviously#but if you're two people in a situation where neither has active power over the other sometimes the healthiest option involves expressing#and receiving genuine anger that is not filtered through a social buffer#like sometimes you just need to yell that someone is pissing you off by how much they invade ur time and space and sometimes you need to#yell that someone is sabotaging your ability to interact with them by not expressing any discomfort with your behaviour ever#AND MOST IMPORTANTLY SOMETIMES YOU NEED TO BE YELLED AT#BECAUSE it sucks. it sucks to experience and until you can both share that space of feeling awful with each other youre not gonna get past#it and you're not gonna understand each other's pain#i think they're both wonderfully well written characters and its a testament to their depth as people that i can so easily understand why#and how both of them are behaving the way they do#im still only like halfway through the manga but it is like my favourite character interaction scene so far#fred says a thing#dunmeshi
40 notes · View notes
sesamestreep · 3 months
Text
30 Day Writing Challenge - Day 9
Write about a heated debate (from this list) ➸ set in the Bakeoff AU AGAIN, because after my last fic, I wanted to write more Milly content and also it’s been a rough few days and I need to be silly and self-indulgent or I shall perish!! Based on an Instagram Reel I sent to @firstelevens the other day and that we’ve been spinning into a kid fic concept ever since. It grew out of control and I don’t know if it technically fits the prompt, but it’s what I got for you nonetheless. Bon appetit I guess???
“Euuuugghhh! Daaaaad!”
“What? What’s the matter?” Foggy asks from his spot in the kitchen. That tone of voice from his daughter is never a good sign, but he’s mostly used to hearing it when he and Matt are being particularly disgusting about how much they love each other. As Matt is still in the shower currently, he knows that can’t be the reason.
“What did you put on this?” Milly asks, holding up a piece of toast accusatorially. If she ends up following in their career footsteps someday, her cross-examinations are going to be brutal.
“Cinnamon and sugar, as requested,” Foggy answers, coming to stand across the counter from her. It’s a long way from the elaborate recipes he used to make with his spare time—which he no longer has—and when he was on Bake-Off, but it’s one of his daughter’s favorite breakfasts despite its simplicity. Well, it normally is. She’s currently staring daggers at him, so it must not be her favorite right now.
Milly shakes her head at him, like he’s a moron or maybe, more accurately, like they’re going to have to send him to a home soon if he keeps this up. “Not cinnamon,” she says, holding the offensive piece of toast out to him.
Before he can take a bite (his original plan, to illustrate that she’s being silly and unnecessarily picky), the smell reaches his nose and it doesn’t take an extremely experienced baker to know that’s not cinnamon. He brings it closer to sniff it again and makes himself cough. To confirm his suspicion, he returns to the cabinet where they store their spices and looks at the jar he used to make Milly’s toast a few minutes ago and, yep, there it is.
“Paprika,” he says. “I made you paprika toast.”
“Paprika and sugar,” Milly says, in that same enjoy your time in the retirement home, old man tone of voice.
“They look similar in the bottle,” Foggy says, rubbing a hand over his face. “Same color, I mean.”
“Do they smell the same?” she asks, innocently.
“Listen, you—”
“And are they spelled the same way?” she asks, thoughtfully. “You know, when you read the bottle before pouring it over my toast? You did read the bottle first, right?”
“Mills, I’m not kidding, if you can spell ‘paprika’ or ‘cinnamon’ for me right now, I will give you twenty dollars out of my wallet,” he says. “Otherwise, I don’t want to hear it!”
“I don’t know—”
“Exactly!”
“I’m eight! What’s your excuse?”
“For one thing, my eight year old daughter won’t stop tricking her babysitter into letting her watch scary movies and then crawling into bed with me in the middle of the night because she can’t sleep,” Foggy says, grabbing the plate from her. “How’s that?”
“Don’t throw it away!” Milly calls.
Foggy pauses. “Baby, you don’t have to eat it. I’ll make you more with actual cinnamon.”
Milly looks at him like he’s grown an extra head. “I know,” she says, slowly. “I just wanted to show Dada what you did.”
“Okay,” Foggy says, rolling his eyes and returning the plate. “Just for that, maybe I won’t make you more toast.”
“Sure, starve me for telling the truth. That’ll go over great with the other trusted adults in my life when I snitch on you.”
“It’ll never hold up in court,” Foggy replies, already putting two more slices of bread into the toaster.
“Besides,” she says, ignoring him and popping a sliced strawberry into her mouth. “I don’t crawl into your bed, I crawl into Dada’s.”
“It’s the same bed,” he explains. “Just because you cuddle with Dada and kick me all night doesn’t make it any less my bed. And what’s up with that, anyway? I have it on good authority that I’m the more cuddly of the two of us. Why don’t you ever snuggle me?”
“You want it too bad,” she says, taking a two-handed drink of her orange juice.
“Devil child,” he mutters. His mother once told him, when he and Matt were first looking into adoption, that your children will act as cosmic comeuppance for all the things you put your poor parents through as a child yourself and he hadn’t believed her. Maybe he just thought that, because Milly didn’t share any DNA with them, that his and Matt’s most exhausting qualities wouldn’t rear their ugly heads in her at all. And, boy, love her as he does, he was wrong on that count.
“Dada would never do this to me,” Milly continues, happily. “And he can’t even see! Makes you think, doesn’t it?”
“About looking into boarding schools?” Foggy asks. “Definitely.”
“Mean!”
“You’re saying you’d miss me?”
“No,” Milly says, crossing her arms. “But I’d miss Dada and my friends and my teachers and Aunt Daisy and—ooh, can I borrow your phone?”
“Why?”
“I want to text Aunt Daisy a picture of the paprika toast.”
“Absolutely not.”
“Come onnnnn,” she whines. “She’ll think it’s funny!”
“That’s exactly why I’m not giving you my phone.”
“You’re no fun,” Milly grumbles, sinking down to rest her chin on the counter dejectedly. Her head immediately pops up again when Matt appears behind her. “Dada! Wait til you see what your husband did!”
Matt stops to press a kiss to the top of her head. “Please don’t say your hair because it feels…uh, chaotic?”
“I haven’t even gone near it this morning,” Foggy says, as he fetches the toast that’s just popped out of the toaster. “That’s all natural.”
“Well, that’s something,” Matt replies, coming into the kitchen. “So, what did you do?”
“He made me cinnamon toast,” Milly interrupts, enthusiastically. “Here, try it!”
As with Foggy, the toast doesn’t even make it to Matt’s mouth before he’s frowning. “That’s…not cinnamon, honey.”
Milly cackles while Foggy glares at her. “I made a small mistake,” Foggy says, over the chorus of his daughter’s laughter.
“What is that? Chili powder?” Matt asks, sniffing delicately.
“Paprika.”
“Oh.”
“And I have been soundly roasted for my error,” Foggy says, mostly in Milly’s direction. “So, I don’t want to hear it from you, okay?”
Matt shrugs. “Okay.”
“Apparently, you would never make such a mistake in your life, because you’re a good dad and I’m some sort of rodeo clown who ended up here by mistake.”
Matt looks at him, very clearly stifling a laugh. “She only thinks that because she’s led a charmed life where I almost never make her breakfast,” he says. “Give it a week, she’ll be begging for you back.”
“You’d just let me eat fruit snacks for breakfast,” Milly says, as Foggy puts her new breakfast down in front of her.
“Yes, and then you wouldn’t have all the nutrients you need to learn new things at school and get smart enough to become the first female president of the United States,” Foggy says. “And then where would we be?”
“There better be a female president before I’m old enough,” Milly says, darkly and with a mouth full of toast.
“Better eat a balanced breakfast just to be safe,” Matt says, pushing off the counter to go find some coffee. “And be nice to your dad.”
“How will that help me become President?”
“People skills,” Matt says.
“Surviving into adulthood,” Foggy says, at the same time.
Milly blows a raspberry at him, but eats the new toast without complaint. Matt’s scouting around for the sugar bowl now and Foggy stops him with a hand on his elbow.
“I already put sugar in it for you,” he says.
Matt smiles. “I don’t care what Milly says. You’re the best rodeo clown a kid could hope for, and a very good husband too.”
“Thanks,” Foggy replies, and allows himself to be pulled in for a kiss. He gets to enjoy that for about ten seconds before Milly makes another disgusted noise behind him. He sighs and pulls back. “What’s wrong with the toast now?”
“Nothing,” Milly exclaims. “It’s you two that are grossing me out!”
“Sorry your dads are in love with each other,” Matt says, with a smile and a faint blush. “You live a tough life.”
“I’m glad you understand,” Milly says, as she shoves an improbably large bite of her toast into her mouth without issue. She’s not even finished chewing when she asks, “Will you walk me to school today, Dada?”
“Why? Are you worried I’ll do that wrong too?” Foggy asks, putting an arm around Matt’s shoulders.
“I’d be happy to, baby,” Matt interjects before Milly can say something smart-alecky back to him. “Go get dressed, okay?”
Mill hops down from her chair happily and practically skips to her room. Matt nudges Foggy’s shoulder with his nose.
“What’s up with you two?” he asks.
“I don’t know. She’s just pushing my buttons.”
“Successfully,” Matt replies.
“Yeah, well,” Foggy shrugs. “I slept half the night with her foot in my face while she cuddled with you. I’m a little cranky, I guess.”
“Feeling left out?” Matt asks, smiling, as he turns to wrap his arms around Foggy’s middle.
“I’m definitely the cuddliest person in this household and I want it acknowledged.”
“I agree,” Matt says, kissing him on the shoulder. “Don’t listen to Milly. She’s a maniac.”
“She takes after you.”
“Not true. I love to cuddle with you.”
“Yeah?”
“Yeah,” Matt says, leaning in to kiss him again.
“We could make that happen, you know,” Foggy says against his lips. “Drop the kid off at school, cancel our appointments for today, play hooky from our responsibilities, stay in bed all day…”
Matt seems to be thinking it over, tempted. “We couldn’t,” he says, not quite convincingly.
“We could. I know our bosses and, trust me, they’d want us to get laid.”
“I’ve said it before but those guys are weird,” Matt jokes. “They’re honestly too involved in our sex lives.”
“Yeah, it’s an HR nightmare,” Foggy replies, kissing him again.
“You two better not still be kissing when I come back,” Milly hollers from the bathroom, where she’s brushing her teeth (or so Foggy guesses from the sound of running water).
“We definitely will be,” Foggy shouts back, as Matt collapses into his shoulder laughing.
“I’m going to go attempt to get our daughter’s hair fit for public appearance,” Matt says, giving Foggy another quick kiss on the lips.
“And I’m going to text Kate that we’ll be in late this morning.”
Matt pauses. “Really?”
“Yeah.” Foggy consults his watch. “Our first appointment is at 11. I can do plenty to you in that amount of time.”
Matt looks a little startled by that, but not in a bad way. “Kate’s going to know what that text means, you know.”
“That just means there will be someone to share in Milly’s pain over us being disgustingly in love after all these years. Unless that’s your way of saying no?”
“Definitely not. Just warning you that we’ll get a lot of grief for it later.”
“I’ll make it worth your while.”
“You always do,” Matt replies, and Foggy’s definitely not being conceited when he says Matt’s tone sounds downright dreamy.
He heads off to help Milly finish getting ready and Foggy tackles the few dishes in the sink while he waits for another pot of coffee to finish brewing. A few minutes later, Milly appears in the kitchen, dressed and with her hair pulled into a neat bun. Neither of them can do anything particularly fancy with her hair, not least because she won’t sit still long enough for all that, but Matt does a good job for someone who’s never had long hair or siblings. A now presentable Milly pulls her backpack and coat off the hook on the wall and stops by Foggy’s side expectantly.
“What do you need, kiddo?” he asks, as he dries his hands on the towel hanging by the stove.
“Hug goodbye,” she says, lifting her arms towards him and he kneels to capture her in a big hug.
When she finally pulls back, she still looks hesitant, like there’s something she needs to ask him. It once again strikes him as crazy how much she reminds him of Matt sometimes.
“What’s the matter?” Foggy asks, tucking a picturesque loose strand of hair behind her ear. “You feel alright? Is all that paprika I fed you bothering your stomach?”
Milly shakes her head, looking away. “I just wanted to—Dada said that his dad would have made him eat that gross toast because they never wasted food when he was little.”
“Did he?” Foggy asks, already making a mental note to kick Matt’s ass when they’re alone together. “Listen, baby, your Grandpa Jack, he…didn’t have a lot of help when your Dada was young. They had to be really careful with their money and Dada was in the hospital for a while…”
“I know,” Milly says, nodding. “I’m just—thank you for making me new toast, instead.”
Foggy feels a lump in his throat that he struggles to swallow past. “Hey, you don’t have to thank me for that, okay? It’s my job to make your life as good as it possibly can be. Even if I have to make you a hundred pieces of toast every morning.”
“That would be expensive.”
“Still,” Foggy says, firmly. “I’m sorry if what Dada said made you upset.”
Milly scrunches up her face like she’s eating the paprika toast all over again. “He said it like it was funny,” she says, mildly horrified.
“God, okay,” Foggy replies, running a hand over his face. Matt would consider that a charming anecdote about his father. Speaking of people who are going to need a hug from him… “Don’t worry about that. Just have a good day at school, okay?”
“Okay,” Milly says, all concern gone as she hops in place excitedly.
Matt appears around the corner then, pulling on his coat. “Ready?”
“Just gotta get my shoes,” Milly shouts as she zooms off in the direction of the door.
“Alright,” Matt says, as he comes into the kitchen. “I’ll be back in a few.”
“Okay,” Foggy says, as he leans in to kiss him goodbye. “Oh, and maybe no more stories about your dad before school, yeah?”
Matt blinks at him. “What? Why?”
“We’ve talked about how sometimes the anecdotes from your childhood that you think are charming and scrappy are actually alarming to the people who love you now,” Foggy says, gently.
“Yeah…” Matt says, uncertainly, before his expression clears. “Oh. Shit.”
“It’s fine,” Foggy replies, rubbing his back. “I already explained that she can ask for as much food as she wants. Just maybe reinforce that with her on your way to school?”
Matt looks pale and queasy even as he nods. “Right. God, I didn’t—I’m sorry—”
“I know. I’m not mad.”
“And you still want to play hooky from work with me, even though I’m the world’s biggest idiot?”
Foggy kisses him on the forehead. “Of course. You’re still a very cute idiot.”
“Yeah, but—”
“Listen, I told Milly it’s my job to make her life as good as possible, and that’s true, but it’s also my job to do that for you. And right now, the best way to make your life better is to take you back to bed and—”
“Ready!” Milly shouts as she skids around the corner. “Are you guys still kissing?! What about my education?”
“She’s right, you know,” Matt says, pulling back and looking a bit better, though still tremulous. “We’re terrible parents.”
“Maybe I should look into boarding schools, after all,” Foggy jokes, crossing his eyes goofily at Milly over Matt’s shoulder.
“I’m never going to be President at this rate,” Milly laments.
“Alright, let’s get you to school,” Matt says, holding out his hand for her.
Foggy leans down to give Milly a kiss on the top of her head. “Don’t let your dad walk into traffic, okay?”
“I won’t,” Milly says, swinging their joined hands between them. “I promise.”
“That’s my girl. Have a good day, baby cakes.”
“You too, daddy cakes.”
“I’ll be back shortly,” Matt says, smiling at the two of them.
“I’ll be here,” Foggy replies, as suggestively as he can manage. It must work because Milly snarls in disgust.
“If you two start kissing again, I’m taking myself to school,” she says, leveraging her full weight against Matt to drag him towards the door. “Or running off to join the circus. You won’t know which until it’s too late.”
“She gets that from you,” Matt says, tiredly.
“I was going to say I think she gets it from you.”
“Maybe she has a point about us being gross.”
“Oh, well, yeah,” Foggy says, with a wink at Milly, who’s glaring at both of them now. “There was never any debate about that.”
17 notes · View notes
infini-tree · 3 months
Text
remembers. it feels weird for the actual words kung fu panda to be in the dialogue, much less to be a thing po refers to himself as (twice!)
15 notes · View notes
nocticulas · 9 months
Text
you've heard of durge/gortash now get ready for durge/raphael
13 notes · View notes
anothermonikan · 1 year
Text
Monika After Story Monika will literally sing a song and be like 'This song is about a soldier who went through 10 wars who had to watch everyone around him die brutally and the emotional turmoil that follows that, and it reminded me of us because I'm trapped in a computer :(((' and I think that's hilarious actually
36 notes · View notes
adelaidedrubman · 1 year
Text
just belatedly remembered i had prommied @socially-awkward-skeleton prospector john doing the calling for mary may scene from absolution in the audiobook. enjoy.
21 notes · View notes
lanternlightss · 20 days
Text
how in the world do you write the traveler
2 notes · View notes
teamhawkeye · 1 year
Text
i really do worry for the state of media literacy these days
you go into any tag and see people with their whole ass chest saying wrong and untrue shit, and they wholeheartedly believe they’re correct despite the canon source they’re pulling from saying otherwise
#this is specifically about Travis and someone saying he can 'get away with all the murders he committed'#in the ending where he Laura and Ryan find and kill Silas and break the curse#that would mean that canonically Travis has committed NO murders. because he only ever crosses that line when Laura shoots him in chapter 7#and you cannot break the curse by doing so because Laura and Travis have to work together in order to go after Silas#'going to do everything in his power not to get caught'- tell me you didn't absorb anything other than surface level detail from the game#without telling me. because i can very much tell you didn't get much of anything out of the experience#that man literally gives Laura the power to kill him before going after Silas. he is ready to atone then and there to her#he is repeatedly saying and showing that he hates the cover ups and lying and misery the curse and helping his family is causing#you can not like a character but for fuck's sake - making shit up to make you feel more self righteous about your hate is pathetic looking#and most of the information about Travis is hard fact - it is peppered throughout the game through his dialogue and notes/clues/evidence#vs. Silas who there is almost NOTHING set in stone about. you only know that he's the source of the curse and Eliza kept him caged#even Travis in the end can say he has doubts about whether he was actually Eliza's 'son' or if she didn't just take him and cage him#anyways...i know i'm biased but Travis is the most multi-faceted character in the game and he's the best <3
17 notes · View notes
clean-prompts · 2 years
Text
Dialogue Prompt
"You did what?"
"Please don't be mad!"
"Oo-oh-ho! It's a little late for that."
63 notes · View notes
3vocatio · 1 year
Text
there are days when i believe that i've come to a profound conclusion about the obey me narrative, old or new, and days where i sit myself down and accept that were it not for the piss poor writing then my profoundness would have no basis because everything in obey me can be delved into so deeply but is rarely handled properly.
at the very least, said piss poor writing is the best medicine for a lack of inspiration. i recreate works that rival that of homer and virgil and i witness the birth of other glorious creations that others offer upon the feasting table—and i thoroughly enjoy it (when i am hungry for it...)
14 notes · View notes
freerainhl · 11 months
Text
Vestige, pointing a panel in Exile's Barrow: What do you think it means?
Narsis Dren: If I interpret the image correctly... it depicts the Narsis Dren of his day! Look at how his admirers worship him!
Vestige: Are you listening to yourself?
Narsis Dren: I always listen to myself! It's one of the great joys of my life!
3 notes · View notes
peachpitss · 2 years
Text
sometimes i think we get so caught in the weeds of theorycrafting and speculation that we lose track of the canon explanations for things that already exist.
an example of this (not to put anyone on blast who subscribes to this idea bc it’s really not hurting me!) is discussion i saw once that took flowey’s comments when a player tries to “true reset” undertale to mean that chara was fighting against the power to save and reload the whole time. meaning— the other humans that fell also had save/reload abilities and chara had objected to the human uses of that magic. i don’t think chara ran away to mt. ebott as a child because of some ideological disagreement with a human magical practice or because the use of that magic endangered their life. canon suggests quite plainly that they were a victim of abuse or some other awful, compelling circumstance. that’s reason enough for a child to have done the things chara did without needing some complicated human magic ideological conflict that’s never even alluded to in-text. if you’ve finished a pacifist route, really you know exactly what flowey is talking about when he says the only threat left is “you” and it’s a power you, the player, along with frisk have been fighting against. because who else do we know who abused the save/reload/reset ability? who else had the power to erase everything everyone's worked so hard for? flowey, of course! he even says it's the power he wanted to use. in the original context of the scene, it's meant to be a twist that he's calling the player out for using the same power he tried to use to erase and reset. after all, we'd just gone through two whole boss fights against him with the sole objective of stopping him from trapping us in a time loop forever or otherwise keeping the narrative from its final, peaceful conclusion. sometimes canon explains itself just fine. folks simply get so caught up in fandom/fanon discussion that they forget the story already covered something. not everything needs a theory. if it's not "broken" it doesn't need to be "fixed." y'know? sometimes the simple explanations are the strongest.
12 notes · View notes