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#so posting this is literally. what
gaypleasantview · 10 months
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Student of the year, a great friend, the perfect son. Dirk has made every effort to do well in all areas of his life. Question is, is it enough to make him resist temptation once he finds out something no one was supposed to ever know? And will he be able to stay out of trouble with an unwanted companion by his side?
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just-spacetrash · 4 months
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the 'what if you played it a little risky' post literally Changed my life but i cant fujkign find it in my blog because its. a tiktok screenshot
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redsray · 3 months
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the funniest part of any Robin meeting the JL is that every Robin is so distinctly different from the previous one in terms of personality and vibes that the league literally gets backlash. and like, I don't blame them. not to mention that they are non-meta children that dress as a traffic light and fight crime alongside batman in gotham on a nightly basis. i'd also be a bit concerned. Batman, literally The Night of Gotham personified in the League's eyes, coming into a JL meeting: This is Robin, my crime-fighting partner. 11-year-old Dick Grayson, dressed in the brightest primary colours possible, vaguely hidden murder behind those eyes, never stops moving even for a moment: Hi! Superman: That's a child. That's-- Bats that is a child. You let a child--? Batman, deadpan: You try to stop him. Would you rather he try and murder a grown man with a wire?
Batman: This is Robin. 12-year-old Jason Todd, with the biggest grin on his face, about 3 books in his hand, stars in his eyes and a distinct street-kid drawl: Hey!!! Green Lantern: That's ... that's a different child. What?? Jason: I stole his tires :) Batman: Tried to. Jason, stage whispering to the League: basically did. Green Lantern: that is a different kid, right?? I'm not seeing shit??
Batman: This is Robin. 14-year-old Tim Drake, bo staff clutched in his hand, a wary and tired expression on his face, more on the quiet side, the literal walking definition of don't judge a book by it's cover: hello Flash: Where do you even find these-- Tim: I found myself.
Batman: This is Robin. 17-year-old Stephanie Brown, literally blonde, with a shit-eating grin, eyes full of nothing but mischief and the most explosive personality you've ever seen: hiya!! Superman: I give up. Stephanie: I know, I have that amazing effect on people.
Batman: This is Robin. 13-year-old Damian Wayne, a literal wet cat that will hiss at you, has a sword, the most judgemental stare you'll get from a teenager, ready to jump anyone there: Green Lantern: WHY DOES HE HAVE A SWORD?! Batman: ... he came with the sword.
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sardonicdoll · 3 months
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wanted to do my photo project this semester on the notion of mobility aids being extensions of our bodies, the yarn was done by a friend
edit: the shibari comments are one thing but if you put these non-sexual photos of me in my wheelchair on your porn blog i'm blocking you 👍🏻
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nattousan · 1 year
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i love people's willingness to get hype over dumb shit.
I was driving home today and pull up to a light. As i'm slowing down i 👁️👁️ lock 👁️👁️ eyes with the dude in the car next to me. I spring into action, this is the moment I've been waiting for.
Now, something you must know about me is I drive around with several small plastic 🦀crabs 🦀 on my dashboard, One: for the whimsy of it all and two: on the off chance i encounter another driver who i think could benefit from witnessing them.
This young gentleman was one such someone.
As i pull up, as previously stated, our eyes lock and I hold up one☝️ finger☝️
Perplexed by my unprompted gesticulation, the young man rolls down his window, "what the devil could this perfect stranger be about to tell me?" he might have been thinking.
I present a singular dashboard crab, green and brown, homely but not without its charm.
I study his reaction, grinning encouragingly. He's nodding, obviously intrigued by my plasticine crustacean.
I wag my finger and shake my head, removing the crab from view. Confusion again, but he leans forward, invested. I have him now.
I grab my second dashboard crab, a rotund white and brown crab, easily the most beautiful of my crabs as it sports large discernible claws of an attractive size and silhouette.
✌️ TWO ✌️ i tell him.
He's cheering now, and rightly so, as these are delightful little beasts that anyone would be happy to encounter. But now comes the clincher, time to seal the deal.
My finger wags once more. He's awestruck, I have him completely enraptured. If a car had come and smeared us both into the pavement we would not have noticed, so wrapped up in my display were we.
I bring out my showstopper: a bright pink spider crab with delicately long legs the likes of which had never before nor since been seen in mid afternoon traffic.
As emphatically as i can express, I display all three of my dashboard crabs to this man, three fingers pressed triumphantly to the glass.
the guy is losing it in his car, mouth wide in what i assume to be a primal shout of crab derived excitement. His arms are pumping so vigorously its shaking his stationary vehicle.
We sit there, sharing in a moment of mutual jubilation, and then the light changes, and we move forward in line. He drives off, honking his horn in rapturous exultation,
and we part ways, exactly the same perhaps but changed nonetheless.
🦀
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nedlittle · 1 year
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it drives me bonkers the way people don't know how to read classic books in context anymore. i just read a review of the picture of dorian gray that said "it pains me that the homosexual subtext is just that, a subtext, rather than a fully explored part of the narrative." and now i fully want to put my head through a table. first of all, we are so lucky in the 21st century to have an entire category of books that are able to loudly and lovingly declare their queerness that we've become blind to the idea that queerness can exist in a different language than our contemporary mode of communication. second it IS a fully explored part of the narrative! dorian gray IS a textually queer story, even removed from the context of its writing. it's the story of toxic queer relationships and attraction and dangerous scandals and the intertwining of late 19th century "uranianism" and misogyny. second of all, i'm sorry that oscar wilde didn't include 15k words of graphic gay sex with ao3-style tags in his 1890 novel that was literally used to convict him of indecent behaviour. get well soon, i guess...
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alaraxia · 11 months
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needless to say the vibes were in shambles
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opikiquu · 1 month
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iknow my comics are ugly please just hear me out
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giantkillerjack · 1 year
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Today my therapist introduced me to a concept surrounding disability that she called "hLep".
Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"
And my therapist pointed out that this is not "help", it's "hLep".
Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.
At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.
So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!
Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!
Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!
Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.
#hlep#original#mental health#my sympathies and empathies to anyone who has to rely on this kind of hlep to get what they need.#the people in my life who most need to see this post are my family but even if they did I sincerely doubt they would internalize it#i've tried to break thru to them so many times it makes my head hurt. so i am focusing on boundaries and on finding other forms of support#and this thing i learned today helps me validate those boundaries. the example with the milk was from my therapist.#the example with the towing company was a real thing that happened with my parents a few months ago while I was age 28. 28!#a full adult age! it is so infantilizing as a disabled adult to seek assistance and support from ableist parents.#they were real mad i was mad tho. and the spoons i spent trying to explain it were only the latest in a long line of#huge family-related spoon expenditures. distance and the ability to enforce boundaries helps. haven't talked to sisters for literally the#longest period of my whole life. people really believe that if they love you and try to help you they can do no wrong.#and those people are NOT great allies to the chronically sick folks in their lives.#you can adore someone and still fuck up and hurt them so bad. will your pride refuse to accept what you've done and lash out instead?#or will you have courage and be kind? will you learn and grow? all of us have prejudices and practices we are not yet aware of.#no one is pure. but will you be kind? will you be a good friend? will you grow? i hope i grow. i hope i always make the choice to grow.#i hope with every year i age i get better and better at making people feel the opposite of how my family's ableism has made me feel#i will see them seen and hear them heard and smile at their smiles. make them feel smart and held and strong.#just like i do now but even better! i am always learning better ways to be kind so i don't see why i would stop
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thevioletcaptain · 1 year
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i genuinely don't care how good a piece of ai generated art or writing looks on the surface. i don't care if it emulates brush strokes and metaphor in a way indistinguishable from those created by a person.
it is not the product of thoughtful creation. it offers no insights into the creator's life or viewpoint. it has no connection to a moment in time or a place or an attitude. it has no perspective. it has no value.
it's empty, it's hollow, and it exists only to generate clicks (and by extension, ad revenue.)
it's just another revolting symptom of the disease that is late stage capitalism, and it fucking sucks.
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stevebabey · 5 months
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have sum steddie! maybe modern!au, no upside down!au & a meet cute <3
Steve sits in the booth, his foot tapping away mindlessly under the table, with half a mind to abandon the table entirely.
In fact, the only reason he hadn’t yet was because of the $20 he was hanging out for at the end. And the bragging rights, of course.
Robin had set him up on this blind date, plied him with all the promises in the world that he would enjoy it — said she’d spent a decent amount of time hunting for the right first gay date for Steve.
She also conceded that if he, for whatever reason, didn’t enjoy it, she would cough up 20 whole bucks for his wasted time. But he had to actually see the date through for the prize to be claimed.
And the bragging rights were so that Robin — with her uppity, healthy, and happy relationship that Steve was only a little bit envious of — could ease onto the breaks when it came to Steve’s love life.
So it was looking a little bleak at the moment, so what? Every stallion or… lion or whatever had their moments, right? Moments where their mane is a little uncouth and food is low and…. Where was he going with this?
The point was, that Robin got into one relationship and suddenly decided she was fit to become a high and mighty matchmaker. Never mind that Steve had reminded her numerous times that he had dated a lot more than she had.
So, for 20 bucks and the right to stick his tongue out at his best friend when she tried to meddle, Steve could stick one night out.
Besides, she was right about one thing. They weren’t in Hawkins anymore — and San Francisco had a hell of a larger dating pool than his hometown.
Still, that didn’t make people anymore for prompt for dates though, apparently. Steve’s foot taps incessantly under the table, his knee bouncing up and down in his nerves. He runs a hand through his hair and checks his watch again.
7 o’clock, Harvey’s Diner, a cute little Italian place that Steve had begun to frequent since they moved to the city, and a date with a dude called Daniel whom Steve had no idea what he looked like.
This was his Friday night plans.
His watch reads 7:12pm and Steve sighs, his fingers beginning to fiddle with the strap of his watch just for something to do. Great. He had gotten all dressed up for this? To be stood up? How was this any better than his usual Friday night plans that Robin claimed were so pathe—
“Hi.”
Someone sits down in the booth across from Steve, landing with a thump loud enough to give him a fright.
Steve’s head whips up from its focus on fiddling with his watch and— woah. Steve blinks once, twice, and feels his jaw unhinge a little, his lips parting an inch as he gazes at the stranger across from him.
Holy shit, this dude was hot.
He’s got curls for days, dark chocolate ringlets all messy and unkept spilling over his shoulders— long and probably perfect for burying your hands into. Steve flushes a little at the unexpected thought.
He has beautiful brown eyes, widened with a smudge of eyeliner and framed with long lashes. Steve thinks he can spy a smattering of freckles across his forehead. His nose is long and his lips are plush and pink and holy shit, this dude was pretty.
“Oh— hi.” Steve manages to remember his manners. Only after he fully checked this dude out, of course.
God, couldn’t Robin have given him a better warning than just ‘he’s probably your type’? Couldn’t she have warned him that this dude was ‘do-a-double-take-on-the-street type hot?’ What the fuck Robin?
The man across from him grins, wicked and alluring all at once, and shucks off his heavy leather jacket. His eyes do a once-over on Steve, taking his time to check him out— which is great because Steve is stuck on all the glorious tattoos that have just been revealed. So much skin shown in his roughly chopped muscle-tee, swirling ink all down his arms. This dude is hot.
Silently, Steve curses Robin and the 20 dollars that is totally slipping away from him. Why did she have to be right all the time?
“Been waiting long?” The man, Daniel, asks as he makes himself comfortable across the table. He pushes his hair back with both hands, using one hand to gather it into a ponytail, holding it up to air out his neck and Steve now realises he is slightly puffed.
He must’ve run part of the way here, to avoid being later than he was. Steve can’t help but be slightly endeared by that fact.
The man grins again, “Promise I was trying to be on time but, you know how the subway is.”
Steve huffs out a laugh, any annoyance at being kept waiting melting away at his date’s sincerity.
“Not too long,” Steve admits, smiling to ease Daniel’s apparent concern. Across the table, Daniel slumps a little and releases his hair, his curls pooling back around his shoulders. Steve watches, entranced.
“Well, that’s good,” Daniel smiles, eyes bright like he really means it, and his hand darts out to steal the drinks menu from the edge of the table. He looks back over to Steve, a furrow in his brows. “You didn’t order anything?”
“I thought I should wait,” Steve says with a shrug. No point paying for food if your date never shows up.
Daniel looks up from the menu through his lashes and smiles, placing his elbow on the table and dropping his chin in the palm of his hand. “Aw, you’re sweet.”
Steve is a little embarrassed by how easily the compliment makes him blush, feeling his cheeks glow lightly. Across the table, Daniel seems to revel in it, drinking in the way Steve’s face filled with colour with a cheeky smile. His eyes flick back down to the menu.
“You know,” Daniel begins, keeping his eyes on the menu, scanning it with a hum. “Chrissy said you were good looking but I think she seriously undersold you.”
He takes his eyes off the menu to trail up Steve’s body, his gaze heavy. Steve feels a delighted zing go up his spine, feels the way he preens at Daniel’s attraction. Steve opens his mouth to respond, more than ready to return the flirt when—
“Can I get you two started with anything?”
The waitress interrupts. She’s poised with her notepad, standing at the edge of the booth. Daniel perks up and nods.
“Can I get a chocolate milkshake please?” He asks with a polite smile. Steve laughs lightly at his selection and Daniel’s gaze cuts from the waitress to Steve.
“What? Not a milkshake man?”
Steve tries to contain his grin, all too endeared by the man before him. He shakes his head and raises his hand in defense. “Nothing against milkshakes just… for dinner?”
Daniel gasps theatrically and his head snaps back to the waitress. “This man has never had the delight of a Harvey’s milkshake with his dinner. Please bring us two chocolate milkshakes!”
Steve watches as the waitress dutifully writes down the order and turns on her heel, heading for the kitchen. He turns back to his date and gapes, taken aback by the forwardness.
“Did you just order for me?”
“Did you just diss milkshakes?”
Steve scoffs, but even then he can’t stop his lips from curling up into a smile. He can’t believe it but he’s genuinely glad he waited this date out. It's not at all like he was expecting. Even Robin's short description of this dude pales in comparison to the real thing. Steve nudges his foot forward into Daniel’s shin lightly.
“I did not diss milkshakes,” Steve argues, his smile widening at how Daniel’s eyes dart to the table before back up at Steve with a grin.
“Uh huh,” Daniel nods, his voice sarcastic and 100% unbelieving of Steve’s insistence. “Just wait, okay? You’ll be changing your tune soon enough. Harvey’s milkshakes are class. I’ve had a thousand of my best ideas in here, sipping on a chocolate milkshake.”
Steve grins and leans back in his seat, crossing his arms over his chest. Under the table, he feels Daniel’s boot nudge against his leg gently— and he laughs to himself. This has gotta be the most teenage way of flirting and he’s fucking loving it.
“You know,” Steve begins hesitantly, letting his forearms lean up against the table. “You’re not quite what I expected, Daniel.”
Across the table, Daniel scrunches up his face, his expression one of pure befuddlement. He puts his hands flat on the table and leans forward.
“Wait, you think my name is Daniel?”
Steve splutters for a moment because even though the answer is duh, yes, it’s become increasingly apparent that the man across from him is not who he was expecting. But if he’s not Daniel, who is he?
Suddenly, the door chimes and someone else is entering the diner. It’s a man dressed like Steve — on the preppy side with hair that must’ve taken at least an hour. He scans the booth and spots Steve’s booth, wandering over, his eyes fixed on the man across from Steve.
“Hey, are you Eddie?” He asks confidently, ignoring Steve’s presence on the other side of the booth.
The man — Eddie — freezes as he glances up at the newcomer and then back down to Steve ahead of him. Steve deflates a little inside as he realises abruptly what’s happened— a mix-up of wrong dates that was completely warranted because this dude dresses exactly like Steve. Steve doesn't stare too long to see if he's any hotter.
Instead, he tries to give Eddie the all-clear with his eyes. He smiles polite as he can and gives a little nod to let him know it was alright to abandon him for the date he was supposed to go on. Not to get stuck with Steve.
Eddie clears his throat and smiles, not cheeky like he had with Steve, but stiff and polite. “Ah sorry man, I think you’ve got the wrong guy. My name's Daniel.”
Huh? Steve takes his eyes off the table to steal a glimpse at Eddie (is his name even Eddie?) and something inside him burns hotly when the man glances across at Steve and winks.
The man standing by the booth wavers for a moment, glancing between them in the booth as Steve schools his expression to neutral. After a moment of silence, there's a half-assed apology as the man retreats, heading back out the door he had just come through. The door chimes again on his way out.
Steve straightens up and peers over his shoulder, watching the door slowly swing shut. He turns back to the man across the booth and squints at him. The waitress returns briefly, dropping two large chocolate shakes onto the table, topped with a mountain of cream. She murmurs something about coming back to take their order in a moment.
"Wait, so who are you?" Steve asks, gently sliding his shake closer to him. "Daniel or Eddie?"
His date —well, his new date— has already begun taking a big long sip from his own milkshake, so enamored with it that when he pulls away there's a dot of cream on the end of his nose. He swallows with a satisfied ah and grins across the table at Steve, not noticing the dairy on his face.
"I'm whoever gets me talking with you a little bit longer."
Steve grins, an endeared roll of his eye at the blatant flirting but he can't deny how it makes his chest warm. He grabs one of the napkins and reaches forward, adoring how Eddie goes cross-eyed as he watches Steve smudge away the cream on his nose. He laughs sheepishly, giving his nose a little wipe with his own hand.
"I'm Eddie." He says, finally introducing himself. He doesn't offer his hand, just gives Steve a little nudge under the table and a grin over his milkshake. "And I think you just saved me from a terrible date."
Steve laughs, giving a little shake of his head. He finally goes in for a sip of his own milkshake— and it's just as heavenly as Eddie had promised, glorious chocolate dancing over his taste buds.
Steve groans quietly, eyes bright when he glances at the other man over his glass, entirely amused by how wide-eyed Eddie has become. He releases the straw and sits back, more invested in this date than he has been in... years. Stallion's got its mojo back. Or lion. Whatever.
"I'm Steve," He responds, giving a little nudge back under the table and a grin of his own. "And I think you saved me from being stood up."
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cuppajj · 2 months
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i had a vision
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emo-batboy · 7 months
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A Wild Battinson (Social Media AU)
Part 43 (Masterlist)
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(Part 44)
Me, to myself: I just think the series was better when I posted several times a week because the pacing felt more natural, and it translates better when people binge it.
Also Me, holding two jobs and a bat: If you try to post once a day again, I will disconnect your head from your shoulders—
@bruciemilf guess who’s back
Anyways, folks! :D So I'm thinking of a new upload schedule where I spend a bit preparing the next ten or so parts then post it all in two weeks? I think that would be fun (and much better for my creative process.)
I’ll be posting the next part very soon :) But it's going to be drastically different from what I've done before. Let’s see if anyone can guess why.
Yada yada don’t die LOVE Y’ALL
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beets · 2 months
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baby, bi bi bi
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chaos-in-one · 5 months
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Friendly (or unfriendly if you're against this) reminder that this blog is supportive of ALL disorders. This blog does not think ANY disorder inherently makes someone a bad person, and is against any disorder being demonized. This blog wholeheartedly believes that a bad person having a disorder, yes, even if things that are also symptoms of their disorder are part of what caused harm, does not make the disorder a "bad" or "evil" disorder or excuse ableism and demonization directed towards the disorder.
Yes this includes personality disorders
Including npd and aspd
Yes this includes all psychotic disorders & disorders that cause psychotic symptoms
Yes this includes paraphilic disorders. All of them.
Yes this includes disorders that cause, or are even characterized by, attention seeking
Yes this includes disorders that directly have lying as a common symptom
Yes this includes dissociative disorders
Yes this includes any disorder with "gross" symptoms
Yes this includes physical disorders too
Yes this includes disorders that can cause loss of control of any kind- control of speech, control of body movement, etc.
Yes tis includes disorders that make someone "look scary"
This goes for literally any fucking disorder. There are not exceptions.
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mychapel-004 · 7 months
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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
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