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#so much happens!!
profoundgayness · 8 months
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I love you, the first 28 minutes and 38 seconds of Good Omens season one, episode three
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okmcintyre · 1 year
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nekropsii · 2 years
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explosions, guns, and some kind of liquid (perhaps drowning or poison) ... sovstuck's going to be wild
Oh, honey, you have no idea. The level of pure insane fucking bullshit we have planned is astronomical. I’m really, really hoping it’ll be a good time for you guys!!
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concerningwolves · 2 years
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it's been three days but I can't stop thinking about the Culhwch and Olwen/the quest for olwen. truly the folktale of all time.
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seveneyesoup · 2 months
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ninjasmudge · 7 months
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last night i had a dream that i was playing minecraft and i noticed i had 77 blocks of cobblestone in one slot instead of it being capped at 64 and it was so jarring to me that it literally booted me out of the dream. like sure you can fly now and your childhood home is a pharmacy but 77 pieces of cobblestone? unthinkable. wake the fuck up.
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tearlessrain · 1 month
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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
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SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
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casgirl · 9 months
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people cosplaying on public transit are the backbone of our society and i am SO serious. there is no greater omen of good fortune than seeing hatsune miku on the bus.
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reasonsforhope · 1 month
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Sometimes you just have one of those moments where the progress we've made as a culture get thrown into stark relief. You look at something and go "Holy shit, that would never have happened when I was a kid."
Today, I had one of those moments when I realized that the teenage boys I'm working with are just. genuinely, openly enthusiastic about going to Build-a-Bear for their outing.
These are sixteen and seventeen year old boys! They just had a whole conversation about what to name their "cute", mostly new squishmallows! They're genuinely excited that they're going to Build-a-Bear this weekend and asking other kids to pick up specific accessories for them!!
Holy shit, that never would've happened when I was 16. None of the boys would have dared to be visibly interested - and neither would most of the girls! There would have been a million gay jokes and "Haha, you're a girl" jokes and "What are you, a baby?" jokes. Teenagers weren't even supposed to care about anything back then!
Less than 15 years later, and I'm watching three 17 year old boys treat all that as not even worthy of comment.
So let's call that a reason for hope. Even when the kids aren't alright, in some ways apparently they are alright. Go Gen Z, honestly. It's so lovely to watch you guys just openly doing and saying stuff that, when I was a teen, would've been a social death sentence.
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crocsfroggo · 10 months
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can we talk about how AWESOME it is when the light hits nimona's eyes?
It's the same effect you get when you take a flash photo of an animal!!! it is an incredible detail to demonstrate that she is not human !!! I loved it
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its-your-mind · 4 months
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EXCELLENT WORK EVERYONE KEEPING THE MISSPELLED TAG TRENDING DYSLEXIC PERCY WOULD BE PROUD
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iamanartichoke · 9 months
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I don't know who needs to hear this, but as a creator -
I am fine with "the audience" -
downloading my fics
printing my fics
copy/pasting or screenshotting my fics
sharing your saved copy of my fics with anyone else who might want them in the unlikely but never impossible case that my fics are no longer available on ao3
making a book of my fic(s) and running your fingers across the pages while lovingly whispering my precioussss
doing these things with anything I create for fandom, such as meta, headcanons, au nonsense like 'texts from the brodinsons,' etc
I am not fine with "the audience"
doing any of the above with the purpose/intent of plagiarizing my work or passing it off as their own in any capacity
feeding my work into ai for any reason whatsoever
Save the fandom things. Preserve the fandom things. Respect the fandom things.
Enjoy the fandom things.
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beeabart · 1 year
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the sillies
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watchingwisteria · 5 months
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listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded psychopath happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.
#seeing some discourse and im not saying lucy grey didnt know#im saying she never dropped the kind of hints that she knew like she did in the movie#or if she did snow isnt worried about them until he very suddenly is consumed by them#snow is not concerned about whether or not she believed him. of course she did! hes snow!#but then shes gone…. for a while……#and its the sudden immediate drastic unravelling that comes across so clearly in the book#that i knew wouldn’t translate to screen yet still cant help but miss#the hunger games#coriolanus snow#tbosas#lucy gray baird#not a crime or anything just a note that i cannot stop thinking about#the ballad of songbirds and snakes#this is all from memory of reading it quite a while ago. so maybe 3 pages is an exaggeration#but i remember it happening VERY quickly and without much external cause#like we as the reader have no indication as to whether shes nearby or not.#snow has no idea either. he just SUSPECTS. and his suspicion breeds the hatred that has been bubbling inside him all this time#he hates how she undoes him. he hates that he WOULD run away with her if shed let him keep his secrets#and he HATES more than anything that she makes him WANT to tell his secrets#he wants to be vulnerable and reveal the ugly nasty parts about himself and still be loved#but he does not let himself and it is everyone’s downfall#he chooses cruelty bc it is easy and familiar and makes him feel more powerful than the vulnerable give and take that real love requires
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clown-owo · 11 months
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been replaying the Portal series I think this is where its heading
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unforth · 9 months
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Gentle reminder that very little fandom labor is automated, because I think people forget that a lot.
That blog with a tagging system you love? A person curates those tags by hand.
That rec blog with a great organization scheme and pretty graphics? Someone designed and implemented that organization scheme and made those graphics.
That network that posts a cool variety of stuff? People track down all that variety and queue it by hand, and other people made all the individual pieces.
That post with umpteen links to helpful resources, and information about them? Someone gathered those links, researched the sources, wrote up the information about them.
That graphic about fandom statistics? Someone compiled those statistics, analyzed them, organized them, figured out a useful way to convey the information to others, and made the post.
That event that you think looks neat? Someone wrote the rules, created the blogs and Discords, designed the graphics, did their best to promo the event so it'd succeed.
None of this was done automatically. None of it just appears whole out of the internet ether.
I think everyone realizes that fic writing and fanart creation are work, and at least some folks have got it through their heads that gif creation and graphics and moodboards take effort, and meta is usually respected for the effort that goes into it, at least as far as I've seen, but I feel like a lot of people don't really get how much labor goes into curation, too.
If people are creating resources, curating content, organizing the creations of others, gathering information, and doing other fandom activities that aren't necessarily the direct action of creation, they're doing a lot of fandom labor, and it's often largely unrecognized.
Celebrate fan work!
To folks doing this kind of labor: I see you, and I thank you. You are the backbones of our fandoms and I love you.
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