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#so many people who no longer talk
jomeimei421 · 5 months
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GYAAHHH people are reblogging ANCIENT art of mine
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wiiwarechronicles · 5 months
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Sometimes I wanna kill people for acting as if ctubbo was closer to the manberg gov than fundy ever was SHE DOESNT EVEN GO HERE
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sp00ky-scary · 3 months
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I wanna rant about how people will use the term "seperate the art from the artist" and then talk about fucking JK Rowling however I think I'll sound too much like an asshole so I'm just going to say I think it's super fucked up when people say "seperate the art from the artist" when talking about a bigot who is alive and whos bigotry is so ingrained in their works that even when they aren't actively involved in something it is still present. It shows a misunderstanding of what the term means and a disregard for the people that person is harming and in the case of Harry Potter has become an excuse for people to continue supporting and funding a known transphobe and all round bigot and her works that aren't even that fucking good.
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useramor · 2 months
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>:/
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gurorori · 2 months
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haha oh no im definitely not at all disturbed by the prevalence of leftists on all platforms who are loudly 'anti-genocide' when it comes to the palestinian cause (and a couple others at best :3c) yet the only time ukraine [ʊkrɐˈjinɐ] leaves their mouths is in critique, in stark comparison to the former or in complaint about their (american) government sending aid.
at first what i saw often was pointing out the differences in western media framing [ukraine vs palestine], and that's fair (until the words and the agenda of western journalists are used to paint, as a whole, ukrainians who have been actively going through genocide as some kind of white supremacists hogging the blanket of global attention when they kinda just want to live and have the rights to their own land, culture, names and families)
but no one is even caring to do that anymore, today bitches just invent metaphorical scenarios and people to get mad at and to throw an entire ethnos away because wahhhh i decided that you care for X but not for Y!!!.... all while doing the exact thing they are condemning. the exact absolute same and they don't even hide it but do lack the self-awareness to realise
#'ohh i saw white people still go out to rally for ukraine' yeah have you considered they are ukrainian or have ukrainian loved ones or uh#simply have humanity in their heart to care about several humanitarian tragedies in the world?#this is both aimed at a post i saw on here and at SEVERAL. MANY. twitterians with a thousand palestine flags all over their accounts spewing#misinformation hate and sometimes straight up russian propaganda tactics because they're this fucking insane#i don't care about sounding nice anymore by the way. i know my heart lies in the right place and i have the capacity to care about more than#one ongoing genocide of indigenous peoples#removed incidents of bad actors having a ukrainian flag on their backpack doing hateful shit does not somehow okay dismissing a genocide you#so vehemently claim to oppose. they are not ukrainians who are getting bombed on the daily for years#i saw a very lovely 🍉🕊️ lady denying holodomor and using literal russian talking points while patting herself on the back for being such#a good person. i saw one of the most popular leftie accs on twitter be actively anti-ukraine and using slurs. luckily we mass reported them#and they're gone#i'm no longer being careful with my words because i don't want to be misconstrued. i know my values go beyond twitter and tumblr#if i catch you in any way undermining the genocide of ukrainians or only bringing it up to point fingers and bitch i am blocking you forever#don't care how far this post might go cuz of ppls questionable use of the search function. and i didn't care to censor anything#like. masks off. just block me if this is your rhetoric
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lunar-years · 7 days
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this narrative going around that she broke up with Joe because he was "too depressed" is sooo reductive and actively gross when it's used to paint her as this person who's dismissive of a partner's mental health struggles. particularly when the entire album is dripping with the crushing reality and weight of her own mental health struggles and turmoil! and confessing to her own mental collapse as a major propeller of the breakup! i don't typically like to comment much on her personal relationships and infer what occurred in them, but to me it has been made pretty explicitly clear by Taylor herself that they were engaged in a catastrophically unhealthy cycle of depression olympics in which both partners were deeply struggling and pulling each other down further and further into that hole, basically daring the other to sink them lower. that's what she's mad about (and he'd allowed to be mad, too, btw). she completely did understand what he was going through because she was going through it too, albeit in a different shade. and i think that's part of what made it so damn hard for her to leave. but you can understand someone's depression and care about their struggles without having to dismiss when they've hurt you because of it. Their mental health issues became a method of mutual manipulation until they eventually imploded. two graves one gun. she's allowed to be upset about that.
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opens-up-4-nobody · 4 months
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#man ive never seen an eating disorder kill someone else besides a parent infecting a child but my nana is really trying#shes like 1000% orthotexic. will not eat anything not filled with vegetables or fat. and my grandpa is 87yo with a heart condition currentl#in the hospital for covid bc thry went to Christmas church and dont believe in being vaccinated and my dad is so frustrated#bc he knows his mom is not gonna give his dad hearty foods. he needs to eat like protein shakes and meat and ice cream. anything thats not#her cooking which sucks on top of being extremely healthy. except its not healthy bc they dont eat a balanced diet#so its my nanas eating disorder killing her husband and shes so fucking frustrating. im like 99% sure she has obsessive compulsive#personally disorder bc she fits to a T and has zero insight. she may have full on 0cd bc talking to my dad he has more obvious 0cd#compulsions than i do. he used to say phrases before going to bed and would take 2 steps across the floor to prevent bad things from#happening. so like im pretty sure my nana is where i get my perfectionism and 0cd. god. i wish i could express how fucked up she is#like my dad said at least he had a stable home to grow up in but like she has zero sympathy for other people. cannot look past herself. wil#not wear a mask bc she doesnt care enough abt other ppl. my dad was like: u would not have survived in that house. which is fair bc i am#barely keeping it together coming from a stable home with two sympathetic parents who i know love me#and like its sad that they're suffering the effects of buying into the fox news bullshit and its killing them#but also. genuinely. i think theyre not very good ppl. theyre the type of people who think they're better bc they're religious. white. and#thin. and theyre not better thsn anyone. their grandchildren cant stand them. well cant stand her at least. papa is just quite so its hard#to say what hes thinking. apparently he was confused last night and saying something about eating dinner on the golf course. which sounds#nicer thsn being in the hospital lol. ugh. he seems not long for this world tbh. may he pass peacefully to b with his 1st wife who died of#brain cancer at age like 20 or something. so it goes. bleh. how many funerals are intended for me in the next 5 years? hopefully none but#that seems improbable with the unspoken drain circling that seems to b going on in this family. old age and like almost 10 years of cancer#defying the stats but for how much longer?#i dunno. its just so weird to watch these things happen and not talk about it directly to the other ppl who see it#i worry that ill come off as too callose or inappropriate bc i have that tendency when something bad is happening but thats everyone else#excuse? idk i just feel like its better to talk abt things#unrelated#ed mention#i tell u this so i can say these things to someone and also bc if i were u. i would like to hear the drama#bc im nosey and i assume other r too ;-]
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rainybraindays · 4 months
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Okay, apparently shutting the fuck up was never an option but the way no one likes to look at the marina situation and go "wow what the fuck is wrong with portia"? Crazy.
Like she immediately didn't like her, not because of anything she'd done, but because she took attention from her daughters no matter how bright she dressed them.
It didn’t matter that the main reason is that, honestly all 3 of her daughters are painfully awkward, and in ones case literally 17. It didn’t matter that Marina was only there at her fathers instance, or that theoretically through having someone thats clearly popular in her home she could have used it as a jump off mark to match her daughters, she was seen as her big hurdle to marrying them off. Marinas immediately othered, to the point that when shes being dressed the maids helping put on her shoes is enough to piss Portia off. She immediately puts Marina in the same ring as her daughters, fight for my attention and maybe maybe it'll be positive. But Marina doesn't do that because she doesn't want to even be there.
And then they find out she's pregnant and shes othered even more. She immediately tries to send her back, and when she's not allowed to do that shes locked away and the other girls aren't even allowed to talk to her. She literally tries to freeze her out, like Marina has any say in being there in the first place, before lying to her about her being abandoned by George.
She makes no attempt to find out if George has family, she doesn't care enough to try even though that would have been a way to get rid of her "problem". She tries to push Marina onto a man old enough to be her grandfather and slaps her across the fucking face when she tries to stand up for herself.
Theres no concern for her safety, for the babys safety, just getting her out of her house as fast as fucking possible, and I'm meant to be surprised that when Colin saves Marina from her elderly suitor she turns her attention to him?
Like the nicest guy, who everyone likes, who's attractive, who isn't multiple decades older than her and most importantly not going to literally assault her? Yeah not a big shocker. Should she have lied to him? No, but she wouldn't have had to or felt the need to if she wasn't in the most hostile fucking house. Even Penelope, who she likes, why does everyone forget that she fucking likes Penelope and viewed her as a friend, becomes aggressive towards her. Shes cornered, shes scared, and all of this could have been avoided if Portia was a slightly better person and said "hey soilder boys not written back, you're gonna have this kid, does he have any family?" instead of setting this entire mess in motion.
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rabbittwinrithings · 1 year
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Why I revoiced Kaidan for Cary Interactions
  So, I didn't really want to bring this up as I feel almost, foolish, I guess, I'm not sure of the right word. This isn't something I wanted to bring up, but I've been hearing confusions at to why I hired a new VA to voice Kaidan in the Caryalind interactions and people talking about me because I would revoice Dan. I will place a TLDR at the end of this post for those that don't want to read the whole thing. But I do hope to make this mostly quick as the whole situation makes me icky and don't want to type about it for too long.
   Originally, I made the Caryalind interactions through spliced dialogue. However, after some thought, decided that there's a chance it could be like AI voice acting and didn't seem fair keeping it up unless I got Dan's blessing. Seeing as this dialogue was made with old dialogue, I didn't see a reason to email the EE team and just Dan for a simple "Can I use this since it's your voice?" (I also know the EE team doesn't like me and I feared I wouldn't get a response from them.)
   After a few days with no response from Dan, I got the lines revoiced. It wasn't until after talks of an entire revoice came up that I got an email back from Dan stating that he owns Kaidan's IP and dialogue and that I was infringing on his copyright by revocing the spliced dialogue. After receiving the email I asked him if he could clarify which lines are his so that I could make sure I wasn't using any, in which he clarified that he is "the voice of Kaidan in a literal and legal sense."
   This threat hung around for a week until someone was able to talk to Dan about the situation. While I never heard back from Dan, I did get confirmation that my interactions were in the clear.
   In all honesty, this situation really has ruined Kaidan alot for me. But since the character was such a big part of how I experienced Skyrim, I don't want to give up on the character.
   Due to all this, and that he isn't open to being hired outside of the EE team, I rather not work with Dan as he's made me super uncomfortable with this situation and the legal threat.
   I'm sorry about posting this, I really didn't want to. But I've been told my name is being dragged about for not messaging the EE team and not wanting to work with Dan. I feel icky, and stupid, and... I'm not sure. This situation did leave me scared for a bit as I'm just a college student. I'm 23. I don't know about all this legal stuff. But I'm thankful I had friends to help me get through it and give advice. If I didn't, I don't what I would have done about Dan intimidating me with this...
   Sorry once again... I hope this clears some things up.
   TLDR; I didn't message EE team because the email I sent was about old lines and none of their work, and I don't feel comfortable working with Dan because he sent me a legal threat.
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isfjmel-phleg · 7 months
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#random personal stuff#I get it everyone in church wants to fuss over the babies#who are very cute and I'm glad that they're loved! they should be!#but I'd like to put in a good word *also* for a group who tend to get overlooked and undervalued#and that's older kids#once you get past baby age in the church circles I'm familiar with#you are no longer an object of adoration and are now a nuisance a burden and a problem that needs to be suppressed and contained#parents will openly complain about them and heaven forbid anyone reach adolescence because then they're regarded as next-door to a monster#and not many people are really listening to older kids or thinking about what they might need as human beings#which is connection and knowing that people give a darn about them personally#and don't just see them as something to be 'kept busy' or as free labor/babysitting for younger nuisances#I have the most interesting conversations with these kids#they're bright and hilarious and passionate about all kinds of things#and they're dealing with more than most adults seem to realize or take seriously#I remember being that age very vividly and the adult whom I wanted to be around the most was my aunt whenever she visited#because she actually took the time to listen to me and put up my jawing about [current obsession]#probably took a lot of patience on her part but I appreciated it so much#it made me feel like I mattered#sometimes the kids at church will talk to me and I want to be for them the kind of adult my aunt was for me#they ARE worth listening to!#everybody at every stage of life is worth caring about
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elfcollector · 8 months
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bi women can be masculine and prefer topping and still be bi! bi men can be flamboyant and still be bi! sexuality is not entirely dependent on how many gay stereotypes you fit, thought we'd got this sorted in 2010 but what the fuck do i know!
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autisticlee · 18 days
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sometimes I want to be more genderfluid and switch around to whatever seems right for the moment. but at the same time, while having a more masculine persona, immediately lose the support, trust, and kindness of fem peers. but when having a more fem persona, men treat me like a stupid, useless inanimate object they wouldn't be caught dead respecting. just want to be treated equally by everyone, the same way I treat everyone equally regardless of their sex/gender/anything else. so makes me mostly want to stick to a genderless form now, but generally people are obsessed with assigning a gender to me so get treated one way or other anyway. makes me wish to not be perceived at all and to blend in and treated equally by all. why's that so hard to ask for.
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ahappydnp · 1 year
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hi, sweet anon here! :) let´s seeee.... do you have some fun facts and photos from around tatinof? and the radio show as well! (honestly, so jealous, i would love to have my own radio show) (rewatched phil´s draw my life 2 and the bit about his panic managing all the buttons in the studio cracked me up :´)
i hope you have a nice day!
ooo fun stuff for tatinof era! i still love this video of a fan who ran into kath and nigel the day after a show covered in merch bc that's so embarrassingly funny. also i am legally required to mention this moment from the tatinof doc (X) also little fun fact: after they announced the book in march and then went to japan in april, they both went to IOM in june 2015 and it was the first time dan had gone to IOM (that we know of) they documented a lot from the trip as well!
also fav radio clip moments
dan getting covered in custard
blind man's bluff
ball lightning story
human show jumping
~random selection of photos~
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ze-pie · 1 year
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Man ai art is so scary
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boyfridged · 1 year
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Do you agree that Jason, as written by Winnick in UTRH and Lost Days, acts out of character post-resurrection if we take into account his post-crisis robin days? If yes, how would you have him act/react to stuff after he comes back from the dead?
tldr: i definitely agree. moreover, classism plays a huge role in it, and i don’t think that at this point the storyline could lose these implications, which makes trying to conceive what an “in character” (for robin jay) version of these events would be quite difficult. 
let’s just start from saying that i don't think it's a secret that i don't really like winick in general. despite his work being mad interesting on a conceptual level (and style-wise, genuinely well written!), he has no love for the characters he writes about. 
imo utrh shouldn't even ever make it into the mainstream batman timeline. i am aware that this is a radical opinion, but my take is that it would do best as an elseworld story (and in this version too it would need some tweaks here and there), because it made damage both to the mythos of batman and jason's legacy that can never be undone. the very premise of the story is so deeply disconnected from jay's original place in the narrative, and so classist at its roots, that there's not much room to truly fix it. 
(i want to say, preemptively, that i am aware that there are people who read utrh as a story of a revolutionary and a victim – and they have the right to do so, but ngl, my view has always been that it was never written as that. utrh reinforces so many stereotypes that it overshadows the revenge tragedy spirit of it all.) 
another disclaimer is that, to be honest, jay doesn't have a very consistent characterization even in his 80s run, and it also has some classist implications that ideally should be either erased or addressed in the text (that winick instead exaggerated and put at the very front of his storytelling.) starlin's writing is, at the end of the day and very much ironically, more sympathetic and gentler in evaluating jay (simply because at the time he would not get away with changes too blatant) but details such as jay saying that "all life is game" and his random nonchalant behaviour that has its origin in the very beginning of starlin’s run are already signs of it. some readers will trace jason's arrogance prevalent in his red hood era to these issues and say that his actions post-res are therefore a logical extension of his robin days, but i don't buy it. even if you want to lean into starlin-esque characterisation, if you consider the core problem of the garzonas plotline – which is power, jay shouldn’t look into the solution of anything in climbing to the top. and if he did, it would have to be written as a “becoming what you feared/hated most” kind of story, which i can see a certain appeal in (and which would at least acknowledge that it was not his initial personality), but which would go back to its classist assumption of cycles of violence and doomed fates.
so – how to make his post-res era more accurate to his post-crisis robin days (and least classist in the process)?
if we were to follow my fav iterations of his characterisation (barr’s detective comics and the ntt appearances) tbh I don’t think a lot would happen, because his personality is quite mild, and just so hopeful there that i wouldn’t expect any extreme actions from him – but then again, the circumstances that he finds himself in post-res, the trauma, and his sensitivity do warrant grief that should become a driving force in his life from now on. the question is, what to do with this grief as a plot device?
i know that plenty of jason fans hate this take but I actually think the concept of jason trying to be detached and cruel but being bad at it might be one of the least offensive to his 80s characterisation. it’s def not accurate to pre-52 canon (apart from countdown perhaps) but imo for jay to be authentic and nuanced he should be conflicted about his own actions. his overconfident behaviour should be a pose – just as his frantic acts in his origin story as robin were. (again, something that many readers don't take notice of – but reading the rest of collins' writing wherein jay quickly settles into being easy-going and even a bit shy is proof of it.)
these two points lead to the “no good deed” narrative that I often talk about - the reading that jason saw his intuitive and self-sacrificial kind tendencies as something that brought him pain and that never was quite efficient, and that post-res he intentionally tried training himself out of. there are some flashes of it here and there throughout the years of the red hood publishing history, but it never got a true spotlight. and if i were to write lost days, jason flinching at his own violence would be a focal point of the story. 
moving on to utrh; i have spoken about it at length before but I think if he were written 1. with more political sensitivity 2. to have retained the same maturity re: the social order 3. to have the same idea of morality, he should have followed more of actual revolutionary tracks and the whole “drug lord” authoritarian figure schtick along with the idiotic idea of “controlling crime” would have to be thrown out of the window. 
and, later on, forgiveness should play a big role in his story. he's so quick to forgive and justify everyone in his robin run – this is also why i reckon his team up with harvey in tfz was a wasted opportunity.
so, in conclusion – perhaps not that much would have to change re: his actions but definitely a lot should change regarding his emotional journey and his position. i would def throw out a lot of mindless violence and power posturing out of it though. and perhaps make him a bit more polite just for the sake of more consistency (this is not me taking a moral stance btw nor tone policing a fictional character. i just think it would be more faithful to his 80s writing unless you want to make him explicitly scared. and it would be funnier tbh.)
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orchideae · 5 months
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When I approach Yelan (or anyone else I've written), I don't just look directly at her character, but I also look at her surroundings. Both the ones that she knows by some semblance of necessity, but also those that she chooses. Like here, I talked about the Chasm, and what being 'okay' with existing down there needs to mean for a character, because it's not normal. Someone's surroundings, room, or home say a lot bout who they are and what their mindset, or specifically, their perspective is of the world. And sometimes, I think it says more about people than even the characters realize.
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This brings me to the topic of the city of Fontaine. Now, I personally think it's rather obvious that a lot of the nation takes from historical France, and so when looking at it, I think it really adds to remember its monarchy, the view that the 'common folk' had of it, and its inevitable demise to non-existence today in terms of importance as a result. So my first question is, who constructed or decided on its layout? Was it Furina, Neuvillette, Egeria? Whoever it was, there's a lot that can be said about their view of the world and their placement in it when you look at locations of buildings. Look at where Palais Mermonia, its governing body, is located within the city; it sits at a rather astounding elevation in comparison to, well, everything and everyone else in the city. This frequently represents the concept of 'distance' between groups in one way or another, and seeing the consistency in other nations, this is something that is rather intriguing to me, especially keeping Fontaine's characters in mind (and considering this is the nation of 'justice'). Mondstadt has everything almost entirely uniform, with arguably the church on the highest level (but it isn't greatly elevated in comparison to all else), but it's joined with the plaza and statue which are a common gathering site for all people in the city. Liyue had the gods and adepti visibly living among the humans back in the days of the Guili Assembly for reasons of 'integration' (my apologies to numerous from our dear Guizhong!) The fact that numerous adepti now live far outside of the harbor is a different matter entirely, and the one who seems to function within a semblance of separation of sorts is Ningguang with the Jade Chamber (but I'm not one to speak on behalf of her character as I don't bear the knowledge). Inazuma also has the Tenshukaku at a higher elevation in comparison to the rest of Inazuma City. Sumeru is interesting, but ultimately Nahida was kept at the very peak of the city, far out of reach of humanity— but that's exactly the common denominator that has my interest, the distance between the 'governing body' and humanity for one reason or another.
But Fontaine really takes separation to a different level in my opinion (and again, think of this when you think of the person having designed the whole city), not only because of the above which I'll elaborate more on in a moment, but also its separation from the outside world. Now, this is interesting to think about if you keep in mind that it was perhaps done in eventual protection of the city's inhabitants in terms of the prophecy (which means that this would have been constructed anywhere during or after Egeria's reign), but then why is only Palais Mermonia far above the water's reach? If the walls surrounding the city were ever breached during said prophecy, all its inhabitants are pretty much immediately caught in the flood and would drown, which tells me nothing positive of the city's 'architect' or whoever signed off on the designs. But if not done for the prophecy, then why? Stand in the middle of the Court of Fontaine and really look around you, the only sights you really have of the outside world are the sky, and it's obstructed by a fair bit of the waterways and gardens that hang overhead, which you can only properly enjoy when you take the ages long elevator to the upper level where the palace is located (which, credit due, seems freely accessible to everyone in present-time). But if you don't venture up, how much of the outside world do you get to see? It feels very secluded, very much under lock and key. On some level (and this is one of the many reasons why I think that the Meropide is so excessively important in Fontaine and it's likely why we spent so much time there; it's all to show the ever, ever important contrast and nuance between this 'autonomous nation within Fontaine' and, well, 'Fontaine'), it almost feels like a prison, regardless of how pretty it may look or come across (and despite not 'lacking rights'). And considering how people in the Meropide speak of not always wanting to return back to the 'overworld' following their sentence, I think that there's definitely quite a bit of truth in that. But again, stand there and look around for yourself.
Now to return to the original topic, but keeping the last one in mind as well, look at one other thing that I'm unsure how many have really kept an eye on: the massive effect Palais Mermonia's level has on the rest of the area (inside and outside of its walls). Have you ever walked through the city of Fontaine at any given time of day or night, north to south, east to west, clockwise or counter-clockwise circling through it; have you ever seen how it overshadows an immense part of the streets below it either entirely on its own (which to me signifies a very domineering presence), or together with those outer walls that surround the city? I know how I've spoken thoroughly with people before about how much I enjoy Fontaine and how dark it is in its storytelling, but despite how gorgeous this region with its water- and landscapes are; its city bears quite a heavy weight to me. I don't know who designed it, or ordered it to be constructed in this way, but nothing about the city itself truly, rationally, shows a healthy perspective versus its citizens.
Me: /continues on to ramble in tags because I'm me and I'm a nuisance with always more to say than I know how to coherently put into these posts.
#[ meta. ] the chances are if i open this door; there can be no witnesses left alive. is that a sufficient reason for you?#[ i love how i'm writing a liyue-based character and here i am rambling about fontaine. ]#[ listen my little french heart just ached at this. i've been sitting on it for so long and have been wanting to talk about it. ]#[ but every time i hear 'fontaine is so pretty' -- i agree. i truly do. and the city has become my new 'hub' away from liyue harbor... ]#[ which says a ton in itself. ]#[ so trust me when i say i enjoy it and find it gorgeous. but i don't have any real kind words to spare on who designed it. ]#[ and i don't mean that in an insulting/bad kind of way but more so in the sense of-- whichever god likely designed this-- ]#[ how much worth was placed where; you know? ]#[ this is why i find the gods and all of their differing views so inherently interesting. ]#[ but then i also sit here longer and think more of the meropide. ]#[ and how THAT is supposed to be the prison. hmmmm. and yet /that/ is the place many seem to not want to leave anymore. ]#[ the place that is run and made better by the person whose tragic case was entirely missed and neglected by the authorities. ]#[ ah yes; the meropide. aka meropis-- the retelling (was it a parody? i believe so) of plato's story of atlantis. ]#[ which was sunk by the gods as punishment to its people for leading lives they deigned morally unjust and petty and /greedy/. ]#[ ah yes. the references never end. ]#[ granted we know how the meropide came to be-- so if egeria was in charge of that. chances are she likely was for fontaine as well. ]#[ well-- ]#[ well. ]#[ yep. i have more to say but i'm struggling to find my words-- so here we are for now! ]
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