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#so can we talk about how i feel ghosted is an odd phrase to use for someone vanishing
septembersghost · 1 year
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twitter. com/Joseph_Fasano_/status/1655915588940603393?s=20
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ohhhh my heart
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afsurgence · 1 year
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she doesn’t like being told what to do. she never has, even when she was a little girl. vanessa has always been of her own mind, thoughts and feelings, actions and opinions all hers. the choice she made to let HIM in, that was her own too. a little persuasion, but not much at all. he played her right, got in her head, used her as his own eyes and ears and hands. she let him for a year. and then... NOTHING. sudden, terrifying silence had encapsulated her for weeks now. like someone cut the phone line, and it all went DEAD. she’s been on-edge, all of her feelings feel like they’re frayed. she feels like she’s falling apart. maybe that’s how she ended up in this situation with who she knows as ‘ dave ’. even though he has oddly, been around about as long, and just as oddly so quickly roped himself into her quasi-cult bent on resurrecting a murderer. his pushing, standing just behind her, now, is ENTIRELY unhelpful. it just makes her breath break, her hands shake. the knife in-hand keeps catching the light and twinkling promisingly. it’s supposed to be for HER. “ hold on. i - i CAN’T. ” she’s too much of her own mind to carry out this deed. maybe bloodshed wasn’t the answer anymore. it wouldn’t bring the glitch back to her. she’d already lost him. hadn’t she ? “ we don’t - i don’t - ” she’s scrambling to find something to say to avoid this, sounding like she’s cowering out. a first. “ dave, i don’t know if this is going to work. ” it’s lame. just because she doesn’t have the wall anymore to protect her from the pain. “ i haven’t heard - seen - felt - anything from him in weeks, ” she continues. “ doing this, it got his attention last time, but... i don’t know now. ” she sounds a little lost then, looking from the blade to him, haloed in blonde wisps falling out of a high ponytail.
REALLY looking at him. “ why do you keep pushing for this, anyways ? ” a sudden shift, a little defensive, suspicious. he’s as new to their little club as he is to the megaplex team, and he’s always been so... interested in her and her body and her connection to the ghost. it’s finally time to talk about it. if anything, just to get away from the whole ‘ CUT MY HAND OPEN TO BLEED FOR A RESSURECTION ’ thing.
@cultbunny cont.
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I always come back. A phrase repeated ad nauseum by him in the past yet never before had it been incredibly accurate. In the flesh, William was indeed back however remaining under smoke and mirrors. Laying low and simply waiting for an opportunity. So here was the peculiar security guard Dave Miller: someone seemingly appearing from nowhere with barely any background yet a high amount of knowledge in certain areas. . . and a few odd habits & interests. One hand carefully held onto the knife as , initially , he stared both distantly but also intensely whilst the words Vanessa had been speaking where listened to. It all was fascinating. Not a single idea though that made it all easier. If there would be hope to get this ‘voice’ back , potentially she would be easy to manipulate into his plans. An incredibly slow process until then however Dave knew everything will work better than the past. 
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“  and why would it not work again ? You did do it once successfully. Not being able to hear the voice simply means a repeat." Even now his accent was still strong though he held doubts that it would have the same effect on people as in the past, so he decided focusing carefully on what was said would be better. " In fact, Vanessa, focusing solely around repeating what he once had done will work. All that has to be done . . . is lure them in." Rather skillfully he twirled the knife only to point it at a random place within the room. His smirk dropped immediately.
“ pushing for this ? It is obvious. To watch and enjoy that panic when nobody can determine what is occurring. Call it a strange fascination, if you must, and yet I wish to see it. Are you not the same? Afterall, you must have wished similarly since we both know what he did." Dave had a lopsided grin
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delimeful · 3 years
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Snapshot: Cleanse
snapshots: a new compilation of mini-fics taking place in the WIBAR universe! this one takes place a few days after Making Adjustments!
warnings: none! Whoops, All Fluff!
-
It was a few days after the Breakfast Ceasefire that Virgil decided enough was enough.
He needed a shower. Badly.
It didn’t matter that he was on an alien ship full of alien stuff, or that showering meant temporarily ditching the comfort of his hoodie, or even that two out of three aliens would probably happily see him dead at any opportunity.
He had picked up what felt like an entire football field’s worth of dirt, mud, and other muck while him and Patton were planet-hopping, and impromptu washcloth (read: a patch torn from the back of his shirt) cleaning sessions had only done so much. They only came across clean water every so often, anyhow. Most of it couldn’t be wasted on washing.
Patton had picked up on his discomfort back then— that or the smell— but the Ampen’s idea of ‘cleaning up’ was very similar to that of chinchillas’ back home on Earth: dust baths. That’s right. More dirt.
(Yes, he’d rolled around in the dirt with his friend. Contrary to popular interstellar belief, he wasn’t a monster.)
Still, it was time to come clean. Literally and metaphorically.
Patton had spent last night cuddled up to him, which meant that he had actually gotten a full eight hours of sleep (good!) and that Roman was probably sulking around (ungood!). The sense of clarity that came with not being quite so horrendously sleep deprived only made him more aware of how dirty he was. It felt like heresy to even touch any of the numerous well-sanitized surfaces in the ship.
“Patton,” he called, once the Ampen had started doing those little antennae twitches that meant he was half-awake. “Can you show me the wash room?”
The response was a little delayed, but eventually Patton startled into full wakefulness with a little chirp-peep that reminded him of a computer startup noise.
From there, he was led down the circular halls to a square room that sort of resembled a locker room shower area, complete with drainage grates in the floor. There was a ledge along one side of the room that led up to a windowbox-like protrusion, and Virgil could see from here that it was full of soft, beige dirt.
Patton paused, visibly turning his head from Virgil to the washbox, as though measuring things out in his mind.
“That’s probably too small for you, huh?”
Virgil stopped him before he could start making plans for a human-sized sandbox. “Uh, actually, Pat, I need water to wash.”
“Oh!” Patton exclaimed, more surprised than disconcerted. “Well, water we doing over here then?”
Virgil couldn’t hide a smile, and Patton crinkle-smiled back at him before waving him over to the opposite end of the room. He pointed up, where there were little circular discs with a grid of tiny holes set into the wall. “Here you go! Roman uses these to help with his slough, or when he gets particularly rough and tumble down on planetside!”
… Great. Odds were borrowing his shower was probably going to make Roman even more homicidal towards him. Virgil decided to worry about that later. For now, he was faced with the biggest challenge of them all: figuring out how a friend’s shower knobs worked.
Surprisingly, it seemed like the panel set into the wall below each disc worked similarly to the other touchscreens he’d seen set into the control room of the ship. Unsurprisingly, they were all labeled with the written form of Common, which meant he had about zero chance of figuring it out on his own.
Patton noticed his blank stare and patted at his knee, and Virgil squatted down easily so the undersized alien could clamber onto his shoulder. He rose up, and Patton’s little claws scrambled for purchase for a moment before he caught his balance, Virgil tense with preparation to twist and catch him if he fell.
“This little icon has the symbol for on, and this is how you get it hot or cold,” he chirped, leaning forwards to point at the screen for emphasis. Virgil obligingly shifted closer, trying to commit the guidance to memory. “You’re a little squisher than Roman, so you should probably change the pressure, too.”
Once he’d shuffled around so he was sure neither of them were about to get slammed by a jet of water, he tapped the power button.
A three-note chime played as a sort of countdown, and water shot out of the disc, at what was probably the appropriate pressure to powerwash muck from under tightly-packed scales. Virgil pushed the slider down until he could put his hand under without feeling any sting from the water’s impact. Then, he cranked the temperature up until it was just short of scalding.
Patton eyed the steam curling up into the air with a concerned fluff to his feathers, but didn’t protest after seeing the small, delighted grin that Virgil made as he held his hand under.
No, this wasn’t dunking his head in cold streams, or dipping his arm in a lukewarm puddle, or the humiliating icy hose downs in captivity. This was warm water. He’d never take it for granted again.
He shrugged out of his hoodie as he walked over to the entrance. “Does this… lock?”
“Any door on the ship can be sealed,” Patton replied, and bonked his head to Virgil’s sympathetically at the shudder that information sent through him. “Nobody’s going to lock anything without your permission, though, okay?”
“Yeah,” Virgil said, knowing he sounded less than convinced. “Can you guard the door, still? Just in case,” he added in English, one of the phrases he’d used a lot while they were on the run.
Patton gave him a sad look, more than aware how unsafe he still felt, but nodded firmly and dropped carefully down to the floor, taking up position just outside the door like a tiny sentry. Virgil draped his hoodie over him, and then-- checking that the others weren’t nearby to witness and freak out about it-- he gave him the world’s smallest noogie, ruffling the feathers atop his head with a knuckle.
Having preemptively twitched his antennae out of the way, Patton made one of those bird-like laughs at him, batting his hand away. “Go clean! And make sure you wash out for slippery floors!”
Virgil snorted, and carefully sealed the door behind him, trying not to think about the feeling of being stuck in a tiny square room again. He shook his head, dragging his thoughts back on track.
He had access to a warm shower, his first in literal months (...years?). He was going to stay under that spout until every bit of dirt washed down the drain.
---
Roman was midway through a session of storywriting when he heard Patton’s bright voice coming down the hall, passing by his room and chattering all the while.
His ears flicked back automatically to check in, and he frowned when he realized that he couldn’t hear Logan’s arms clicking alongside the Ampen. No, apart from Patton’s tiny tapping footsteps, there was nothing. Patton had to be talking to the Human, then, since he was the only one who ghosted around the ship silently enough to make Roman feel stalked at every corner.
Well. He’d grown tired of watching his characters make a rather vexing detour from his carefully-plotted main storyline anyhow, and he was loath to leave his smallest friend alone with a Human, regardless of how docile that Human pretended to be.
After a brief cleanup of his writing instruments, he was sweeping down the corridor to the commons after them.
Logan was already in the room when he arrived, which was surprising; even Roman had picked up on the ludicrous lengths the Human went to avoid the Ulgorian, as though Logan of all people was someone to be scared of. The nerd’s poison blood was the most “threatening” thing about him, and the Human had already shown how easily he could shake that off.
Patton was leading the Human by one hand, their size disparity as jarring and terrifying as ever. And the Human…
Roman turned his head to the side to study the scene more intently, and that in itself was strange.
Normally, Virgil was almost preternaturally aware of when he was being watched, according to Logan. It was obvious when he knew: the Human went tense and rigid, practically poised to pounce at any moment.
But now, he was trailing after Patton with a relaxed slope to his shoulders, his steps almost languid. He all but collapsed on the fluffy cushion Patton gestured to, eyes gliding shut as the Ampen climbed up after him.
Roman took a few steps into the room, and the Human cracked one eye open-- not entirely out of it, then. The mild suspicion he was regarded with was almost reassuring.
Upon closer inspection, there were physical changes, too. The human had gone from pale, almost grey-toned to having a pinkish tint to his skin. The grey-brown still clung to the hooded garment he’d draped himself in, creating an even more jarring contrast. Dirt, then? It would certainly explain the smudges he left everywhere he touched much better than some strange Human Residue.
… He wasn’t crossing Human Residue off the list of possibilities, though.
Most striking of all was his head. He had originally stalked around with a matted mess of fur, glinting oily in the light where it wasn’t dull with dirt. Now, the fur was clean and stuck out in little fluffy tufts, creating a much less menacing look overall.
Patton apparently agreed, because he’d scampered up to one shoulder and immediately buried his tiny hands into that fluff. Roman and Logan both startled, exchanging an alarmed-exasperated-fearful look, one that had become exceedingly more common after Patton came home with his new Human cellmate.
Surprisingly, all Virgil did was go even more boneless on the cushion, turning his head to better meet Patton’s touch. Patton closed his eyes happily, apparently completely fine with petting one of the most feared creatures in the galaxy.
That wasn’t surprising at all, actually.
What was surprising was the Human’s apparent tolerance for it.
“I wasn’t aware Humans enjoyed tactile ministrations,” Logan said, tapping his wristplates curiously. “Is Virgil alright?”
The Human in question turned slightly to glance at them, eyes still half-lidded. It was probably the least threatening body language Roman had seen from him since… well, ever. “Mm?”
“You’re just relaxing, aren’t you kiddo?” Patton combed through that mess of fluff some more and Virgil lost what little tension he’d regained. “Virgil spent a lot of time on guard while we were on the run planetside. He deserves all the time in the world to recuperate… and all the head scritches!”
Roman’s tail swished exasperatedly, but even he really couldn’t come up with a reason to begrudge the Human for this, not when Patton was so clearly enjoying having someone else onboard to preen. Even if that someone was a Deathworlder.
He moved to settle onto his own cushion under the guise of supervising, though for once he thought the Human might actually fall asleep in front of him.
And if he was perhaps just slightly curious about what exactly a fluffy Human felt like? Well, that was nobody’s business but his own.
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spook-central · 3 years
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So you know how I said I was gonna write a short Ray fic based on that garage kiss in Some Kind of Wonderful?
GUESS WHAT I DID IT
I’ll be posting it here and on archive of our own! Find me there at egonspenglersnose and give it some love!)
It’s based on this scene and this song if you need a little more context! Enjoy!
•••
She Loves Me
Word Count: 2939
Warnings: none it’s fluffy!
The day had started off normally enough, aside from the usual craziness that often occurred around the firehouse. Spring was in the air, and after what had felt like a bleak and oppressive winter, it was finally time to open up the doors and air the place out.
It felt good, letting the spring air in, and it made your overtime far more bearable.
You often stayed late a few times a week to make sure everything was caught up on for the next day when things got busy during the work week, something which Janine always appreciated greatly. Tonight was no exception, but the sun staying out for a longer time in the evenings definitely made it more enjoyable.
It also helped that Ray had lingered behind this evening to work on the Ecto. You had always been incredibly fond of him, and it was obvious to just about everyone that a crush had blossomed on your part.
You recalled the day you had met him; they had hired you on the spot mainly because they needed the help but also because you had a fairly impressive resume, and Ray was one of the first of the guys you had been introduced to.
He was quite honestly one of the best looking men you had ever met, and so incredibly sweet. You immediately liked him and got a good feeling about him.
You loved how passionate he was about the Ecto, and his overall knowledge of cars had always impressed you. Even if you didn’t know much about them, you loved his enthusiasm for them and it easily rubbed off on you.
Now, as you finished up the last of your paperwork for the evening, you could hear him tinkering away not far from you. Ecto had her fair share of problems, but there was nothing Ray wouldn’t do for that car. It was like another member of the team, and you couldn’t imagine the guys doing anything without it.
Ray would occasionally come in from where he was working for something he needed, and your eyes would meet on occasion. You had never had the guts to tell him of your feelings. Ray was just so cute and enthusiastic about what he did that it was hard NOT to give him heart eyes 24/7.
From time to time, you would hear him shuffle in for a drink of water or a missing wrench that he had left in the lab, smiling at him as you took in the sight of his wild brown hair and big, sweet eyes. How was it fair for one human to be that cute? You felt like you were sixteen again with the way you wanted to fawn over him.
However, restraint was a quality you possessed as well, and you hoped that you had been able to be somewhat subtle around him.
Oh well, maybe someday you would have enough courage. Sighing as you finished up your paperwork for the night, you stood to stretch your back, adjusting your jeans, purse and blouse as you made your way towards the door.
“She still down and out?” You asked Ray as you came to stand carefully beside the lovely car he had so caringly constructed and repaired. It really was his baby, in a funny way, and you respected the work that had gone into it a great deal. Ecto kept the guys in one piece, and you gave the vehicle a sweet little pat on the roof as if to say thank you.
“Not if I have anything to say about it,” he said, his voice echoing off of the metal interior before attempting to stand up too quickly and bumping his head on it. “Ow!”
“You okay?”
“Yeah, it always gets me like that,” he chuckled, rubbing the spot on the back of his head that had been bumped and smiling that sweet, bright smile of his at you that always made you melt. “Are you headed out for the day?”
“Yup, unless you need anything else from me that is,” truth be told, you would’ve gladly stayed all night just to hang around with him. Ray seemed hesitant to fully say Goodnight, and you couldn’t help wondering if he was thinking the same thing.
“Well, uh...hand me the socket wrench?” You had gotten a fairly decent rundown of which tools were which upon receiving your first car as a teenager thanks to your father, so luckily you knew exactly what he needed. “Thanks.”
“Sure thing,” adjusting your purse on your shoulder, you couldn’t help asking about a case that had piqued your interest. “How did that class 5 turn out?”
“The one from yesterday?”
“Yeah, that one sounded nuts!”
“It was,” he laughed, “Venkman’s aim is getting better, he didn’t make any chandeliers explode this time.”
“I thought that one was Egon?”
You both laughed, and part of you was thrilled at how naturally conversation came for the both of you.
Needing a socket wrench turned into needing pliers, but soon enough Ray ran out of tools to need and it was clear that he really just wanted to spend time with you. You weren’t about to object in the slightest, comfortably sitting on a nearby stool and watching as he worked.
Truth be told, he had liked you ever since meeting you on that first day. You were always kind to him, and listened to anything he had to say no matter how out there it was.
He also couldn’t help thinking that you were incredibly pretty and very smart, but his own shy nature prevented him from saying so the way he wanted to.
A long time passed with you talking to Ray as he worked, and it was quite nice. The sun was setting now, the light golden as it streamed in from the open door beside the Ecto, but you didn’t mind.
“So Venkman seriously busted up this woman’s entire China cabinet?” The conversation had strayed back to Venkman now, and you couldn’t help laughing. He was such an odd duck, and you always got a kick out of him and his wild antics.
“We were able to blame it on the ghost being rowdy, but my god, it was a mess!” Ray tried to smooth back his messy hair as he laughed again, his hands covered in engine grease and not helping the situation much.
“He seems like he can be a real peach when he’s not causing trouble,” you rolled your eyes, smiling as Ray closed up the Ecto’s hood.
“He teases me plenty, that’s for sure, but I love him. He’s one of my best friends,” Ray was clearly fond of Venkman, and you didn’t doubt that their bond was a special one.
“What on earth does he tease you about?”
“Mostly my luck with women. Not that his is anything to go by,” this got a gut laugh out of you, and you were surprised by how witty Ray could be at times.
“No kidding. What, does he think you haven’t got game or something?”
“He tells me women won’t want to kiss me since I smoke so much.” Ray rolled his eyes, and you couldn’t help thinking about how far from the truth that actually was. “Or he acts like I don’t know how to do it at all. I mean, sure, I spend a lot of time at work but I’m not a complete hermit.”
You both laughed again, and you sat your purse on the ground as you got a rather cheeky idea. Was it even smart to try and approach things like this? Would he go for it? God, you hoped so.
“I’m sure you know how. I mean, everybody has a general idea of how to lay a proper smooch on someone if they want to.”
He raised an eyebrow at this, thinking the phrasing was humorous and wanting to hear more from you on this subject in particular.
“A ‘proper smooch’?”
“Yeah, you know. The kiss that kills. Butterflies and rainbows and all that stuff.”
He watched you as you took a few causal steps toward the Ecto now, the gears visibly turning in his head. Was this some subtle attempt at flirting?
The nearby radio, which had been playing softly in the background the whole time, played a song that perfectly fit the mood, the lyrics softly ringing out as you contemplated what to say next.
‘Who made the rule
that I should always play the fool?
All the nights I suffered
when I need not have bothered…’
“I don’t think I’ve ever had one of those, now that I think about it,” he admitted with a half smile.
“I uh...I think I’ve gotten close, but never all the way there,” you tucked a bit of hair behind your ear, watching as Ray adjusted his uniform, which he still had on. It had smudges of engine grease on it now, and you found it endearing.
He realized that this chance was now or never, gauging by the look in your eyes that you wanted what he wanted and deciding to go for it.
“How would it work? I mean...you seem like you know more about it than me,” he took a step closer, and you knew your eyes were shining in an undeniably flirty way.
“Oh you—you want me to show you?”
“I mean...if you feel up to it. I’m no expert and I could use the help.” Cheeky man, you thought. You could certainly show him if that was what he wanted.
“Do you have your eye on somebody, Ray?”
He wiped his hands on a nearby rag, the tension heightening as you watched them and then met his eyes again. You had always had a thing for those wonderful hands of his.
“I guess you could say that, yeah,” he nodded, his big brown eyes warm and sincere and you knew what he wanted to say but didn’t right then.
Instead of pressing further, you nodded, thinking this might be the most fun lesson you ever had the pleasure of teaching anyone as you got right into it.
“Well...I mean, first you have to start off in a stationary position. That helps,” he was closer now, and your cheeks flashed a soft tinge of pink as the space between you lessened. You didn’t usually have it in you to be playful, but decided to gently hop up on the hood of the Ecto in an attempt to bring him closer. “Come a little closer than that. Can’t do a thing from that far away.”
You moved to scoot nearer to the edge of the hood, willing Ray closer and practically beaming as he closed the space between you both more and more with each step.
Had anyone else sat on the hood like this, Ray might have gotten finicky, but the sight of you so close to the car he loved so much actually only ended up getting him going even more.
“It definitely helps,” he rubbed the back of his neck now, seeing that this had clearly turned into something beyond just a lesson in kissing techniques. You could smell his cologne now that he was so close, which only seemed to set your senses on overdrive even further.
“Now, uh...do you know where your hands go?”
His eyebrows raised in what seemed like a mix of curiosity and confusion, and you couldn’t help the way your breath hitched now that he stood directly in front of you.
“My hands?”
“Yeah. They go on the hips of whoever you’re kissing,” the mood had certainly shifted now, and you felt more daring than you ever had before. A timid smile crossed your face as Ray allowed you to guide his hands to the appropriate place, and the realization that this was definitely about to happen made your stomach do leaps.
“Hips, got it.” God, his hands were so strong and steady and you didn’t even care if this got engine grease on your jeans, it was just thrilling to have him this close.
“Okay, now look into my eyes. Eye contact is important.” The both of you gave a shy, breathy chuckle as your eyes met, and you playfully shoved Ray’s chest. “Come on, we’ve gotta take this seriously if you want to learn anything.”
“Sorry, I get a little skittish with these things,” he admitted, and you shook your head with a smile.
“It’s okay, but the lesson isn’t quite over yet,” you said, your cheeks noticeably warmer. The tension was enough to make your heart race.
“Alright, and uh...after that?”
“Well, uh...my hands go here,” you reached up to loop your arms around his neck, inevitably bringing him directly between your legs and causing Ray to clear his throat.
“How do you, uh...I mean, how do you know that that happens every time?”
“I watch a lot of TV, I guess,” you managed a soft laugh with this, “now, uh...close your eyes.”
Ray’s heart was pounding. Was this seriously about to happen?
“Close my—? Oh, yeah, okay.” He nodded a bit, doing as you said and knowing he had wanted this for what felt like forever. He was so handsome up close, and you couldn’t believe your luck.
It was time to go in for the kill, and you didn’t waste a second.
Leaning in, the first contact was soft and exploratory, and it took Ray a moment to figure out exactly how to respond. But once he got the angle right, it was everything you had described and more.
The music swelled on the radio nearby, and you thought you could’ve melted right then and there.
‘The minutes that we missed
idle lips that should’ve kissed
and now gently together
The first kiss lasts forever
She loves me, she loves me
Oh and she loves me, all the time…’
Tilting his head a bit, Ray found just the right angle, and one kiss turned into what felt like a million. Your hands made their way into his hair, that hair you loved so much that often seemed to fly out in all directions.
His lips were soft and very pleasant to kiss, and it occurred to you that he must use lip balm of some kind. Ray himself couldn’t believe this was happening. He honestly couldn’t fathom how he had been lucky enough to end up kissing you like this, but he was, and he was putting everything he had into it.
Ray’s mind moved at a million miles a minute. All he could think about was how it felt when you moved in a rhythm with him, how soft your lips were, your soft body, and how GOOD you smelled—
He nearly sighed as he felt your leg brace around him to bring him in as close as possible, gripping your jeans to pull you close by your hips in return.
You nearly melted into a puddle on the floor at the feeling of his grip, so strong and firm on you like he couldn’t bear to leave any space between the two of you at all.
He must have shaved that morning, you thought, having expected him to have at least a little stubble and feeling surprised that there was none. Where on earth had Ray learned to kiss so well? Boy would Venkman have egg on his face if he knew about THIS.
Unfortunately for you both, you had to break away and breathe at some point, just looking at each other until you finally managed to speak.
“Well, uh...Venkman was wrong. Way wrong. Wow.”
“It was...I mean, was it like you said? Butterflies and—and all that for you too?”
“Are you kidding?” You laughed, “sheesh, I didn’t know you had that in you. You wouldn’t have any trouble hooking any woman you wanted if you kissed her like that.”
He seemed surprised and incredibly flattered, looking down and then back up at you with a grin and eager brown eyes.
“Was it obvious at all that I was referring to you?”
“I kind of hoped that was the case,” both of you grinned then, the final chorus of the song fading out in the background as the spring breeze blew in once more.
‘She loves me, she loves me
Oh and she loves me all the time…’
You couldn’t resist leaving a sweet peck on Ray’s cheek just because you could, earning a bright smile from him as he got a somewhat playful gleam in his eye.
“The guys are gonna be gone for the rest of the evening, and I don’t have anything else planned...would you want to grab some dinner with me?”
“Sure, but only if we can do more of this afterwards,” you giggled, and Ray helped you off the hood of the Ecto to stand you up and kiss you so that he could press you flush against him now. You were sure you looked like a cartoon character with birds chirping around your head as he pulled away.
“You drive a hard bargain,” Ray said, unable to keep from grinning as he took your hand, “but you’ve got yourself a deal.”
What a lesson to teach with anyone, you thought. He was a fast learner, that was for sure.
Picking up your purse, the two of you headed out, and you couldn’t help humming that lovely chorus to yourself one last time.
‘She loves me, she loves me
Oh and she loves me all the time…’
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all-about-seggs · 3 years
Text
┗ Love- Lies- Bleeding
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Pairing - Geto Suguru x Virgin!reader
Word count- 4.8 K
Warnings - Gaslighting, Corruption kink, snuff (not graphically depicted) and then reincarnation, cunnilingus, fingering, unprotected vaginal sex, adding blasphemy kink just to be safe.
A/n- Geto isn't a yandere here but it's Villan! Geto we're talking about so I think his actions are pretty in line with his current canon! Personality. Though a bit delusional. This is by FAR the longest thing I've ever written.
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The gray cobblestones stretching across the shrine clicked against your thick wodden sandles, the quaintness of the place only making it seem unnaturally loud. It's was a regular autumn morning, which soon turned into noon as you felt the bright sun shining right on top of your head.
Having finished your morning tasks you were returning to the main shrine where the senior priestess would give you further things to do. Just the thought of more work non stop made you sigh at your monotonous shrine maiden lifestyle but as you lamented you heard footsteps behind you, the sound of which same as that of your own.
"Hey!.....", You turned around to see your little sister huffing as she catches up to you,
" y/n! He's here again!," The implications of her words made your face heat up, sure you were still a bit green and naive, but you made sure to discreet when it came to 'looking' at that one particular man that always seem to stand out among the hoards of faceless people you saw visiting the shrine everyday.
"How many times have I told you not to phrase it like that! You'll get me in trouble with the priestess!", Scrambling to get yourself together you retort sharply.
"Oh come on! Youre the one who used to stare at him from a distance like a lovesick teenager! Atleast now you're talking to him like a normal person", In terms of liveliness the sound of your back and forth was the only thing the place had.
"Watch it! If someone hears you we'll both get scolded", gently warning her again you find yourself turning back to where she came from. The other part of the premises where the peculiar man would be standing, as usual, in all his serene beauty, on the brigde overlooking the small lake.
A man in traditional Japanese cloths that you rarely see anyone wearing these days came to your shrine everyday, without fail for the past month. Everything from his attire to his elegant long hair left you in a trance and your eyes would naturally follow him.
Something about the fact how he'd always come here but never to pray or wish striked you as odd so at first you just observed and even before completely wrapping the situation around your head you two started sharing numerous conversations of the huge world that was right outside but so far away from your reach, his words fuelled the budding curiosity in your heart, the vastness of which made your trips to the lake, the most refreshing part of your otherwise monotonous daily routine.
Even if all you did was talk, a 'supposidly' demure maiden working in a shrine, skipping on her duties and rushing to the other side of the ginormous area to see a man felt almost elicit, scary even when you consider the consequences that would come if you were to get found out. The charisma his every action held was beyond resistance and you soon found yourself enraptured by the male despite everything.
"This is so pointless" you huffed, smiling out of self pity to hide the more frustrating emotions twirling within you.
"Yet you do it everyday", with a small nudge from her elbow you made your way straight to the lake, forgetting about your obligations as a shrine maiden, the responsibilities, the restrictions and all inhibitions put upon you in the name of god.
With quick steps you soon found yourself at the base of the curved brigde,
"Good afternoon Mr. Geto", your greeting came out in a rush, trying to ignore the warmth of your face, but your attempts at hiding your flustered state didn't go unnoticed by the man in front of you.
" Seems like you've been having quite a hectic day", smiling in his usual serene way Geto gracefully turns his head in your direction.
" Not any more than usual", calming your erratic heartbeat you slowly close the distance between the two of you and stand beside him on the arch of the bridge.
" It's really nice here", He remarked, his eyes sweeping across the tiny fishes swimming near the surface of the lake. You stared at him for a little while before finally asking the one thing that drew you to him the most.
" I always wondered, why do you come here everyday if you don't even want to go to the main shrine to pray?. Surely it's not just for this scenery."
" Hmmm? Pray for what?", Not particularly moved by your question he quizzically tilt his head.
"Well.....you know, the usual, success in job, finding a significant other or maybe even something materialistic? Although I doubt you're interested in the last one", you laugh a little to take the edge off your slightly personal question.
"Dreams come true through steadily applied efforts not praying", with his sage like appearance, his words didn't came off as a shock.
"Not the best thing to say to a shrine maiden but I guess it's somewhat true", Quipping back you just looked at him with a smile, silently revelling on your familiarity with each other.
"What about you? You never look like you're having fun while working here.... As if you're the one who's not satisfied with you're job" His voice took a more serious note and asked the question you always tried to push away but for the first time, you felt safe. Safe in talking about things what most people around you would call blasphemy.
"Yeah well, I wouldn't say it's my life's calling. It's basically following the ideals that has been written by others and just blindly following them day in and day out", just as you finished your sentence you realised how shallow and sad you just sounded but the slightly widened eyes of Geto was what made you mentally kick yourself before you hastily try to smooth things over.
" But! It's not that bad! Once you get used to-", after a few lighthearted words to clear the heavy atmosphere that was building up you were cut off with one long finger hovering just above your lips.
" It's okay, you don't have to worry about being judged with me", not touching your lips he quickly retreats his hand back,
"It's only natural to question your ideals and beliefs when you actually start thinking about them, it's a proof of growing up. I can say it was the same for me as well, I had thought I'd spend my whole life sequestered in 'that' place but...." His gaze takes on a far off quality as his words fade.
"What changed then?", Without even knowing why, you urged him to continue.
"Well, I grew up and realised mine were just idealistic views, far from practical."
"Wait! How old are you now?!", Unable to ignore your budding curiosity you went on,
With a soft flick to your cheek he snorted in amusement, his low baritone made you recognise your own rudeness as you rub the non existent pain off of your face.
"It's not polite to ask strangers their age, regardless of their gender, young lady".
"I'm sorry! It's just, your answer...... Was kinda vague so...." Trailing off, the fact that he didn't owed you any explanations dawned on you making you stop. But the sudden halt in your unabashed questioning didn't go unnoticed by the long haired man so he continued, as if reading your thoughts.
"Everyone's entitled to act idiotically every once in a while but you sure are abusing your privilege", he went on, after a few words of sass.
" It took a while but, I soon discovered my true feelings about the world I lived in and how I wanted to change it", The unshakeable conviction of his voice reverberated through your ears and there seemd to be more to the hint of darkness in his downcast eyes, but further questions left your brain as you felt genuine resolve through his words.
Before you could process what's happening, Geto pulled you in close, resting his hands on either side of the brigde railings, caging you inbetween the low wall and his body.
"How about we run away to a better world together?", not waiting for you to protest he spoke. The words falling from his lips were casual enough to make you overlook the outrageousness of their meaning and your oddly intimate position did nothing to stop your brain from short circuiting.
"The decision is yours y/n but I'll be waiting anyway," his voice seems to trail a little before he bends down, his thin lips ghosting over your right ear, " you see, I hate it when even the good gets destroyed along with the bad", with that he quickly pulles his body back, letting you have your personal space again.
"I'll come back here at 8 'o' clock tonight",
After announcing that smoothly, he turns his back away and walks off to the exit, leaving you gob smacked at his confusing words.You watch him saunter off, still to awestruck to move when you finally take a note of your own unsteady breaths and face that radiated heat rivaling the sun atop.
" Who would- even go along with that crazy idea", your meek words get lost in the now empty place but the longing in your eyes to see what lied beyond your conservative lifestyle was as clear as the autumn sky hanging above.
You turn your back on the place and jog off in an effort to escape your own complicated feelings on the matter. His casually spoken words clawed at your heart, an entire different life was just one step away and it was shocking to even you how much trust you were subconsciously putting in every single word he says.
The conflicting thoughts in your head kept you busy the entire walk from the bridge to at the door of the only home you had known for so many years and never once your feet held such hesitation as you entered the building to continue the tasks you had left behind for the momentary change you craved so much.
The evening passed by in a flash, the thumping of your heart only getting louder with each passing hour. You just got out of your bath and were getting ready to help with dinner when you heard two voices coming form one of the senior priestess's room
"I saw her talking to a man, he didn't looked like a -", their words weren't clear but one thing was. Their topic of discussion was you.
"No he was wearing a hakama", it was getting harder and harder to breath with every second. If they were to tell that to your other supervisors then it would become very difficult for you to live here.
"So he could be from a neighbouring temple, maybe just asking about something general?"
"But weren't they standing too close?"
Listening in from behind the door all you could make out was that they clearly saw you and Geto, but one thing was certain. You were about to be very strictly reprimanded for just having curiosity.
Before you could even think up of some excuses to get yourself out of this mess the previous offer of his night time rendezvous flashed in your mind. It got you thinking, if you were going to be made to stay under supervision for a while anyway then the least you could do was to meet Geto one more time so as to let him know that his idea was indeed crazy and that life wasn't that easy for you to give up on everything you've done until now just on a whim.
You couldn't exactly get to a proper conclusion, sure leaving seemed like the better option but the fact that you'll be heavily dependent on Geto for everything didn't sit will with you either. It's not like you had any other skills or connections and even if he said he'd take you with him, you weren't fully ready to trust him on that. Why would you? It's not like you two were connected or related in any way.
The meeting time was approaching fast and since it's dinner time soon most of the girls would be around the dining area to help. It was the perfect opportunity to slip out unnoticed and come back after explaining things to the kind person who brought a few extra colors in your dull life.
Shakily you made you way to the back door, knowing full well you're about to commit another offense.
In a few minutes you reached the bridge, it was empty right now, indicated that your are ether early or that maybe Geto was actually just messing with you and oddly enough you felt your stomach drop at the thought of the second option.
But before you could overthink out the negative options you sense eyes on your back and whirl around to see a happy looking Geto strutting towards you.
" I take it you have decided to entrust yourself to me?", Greeting you with his self assured words he smiles amicably at you.
" Actually- I've decided to not leave", you say, with both sadness and regret in your voice.
He listenes to you in silence, his face doesn't look convinced no matter how much you explain but he never interrupts you until you're finished.
" So, Is that what you really want? To rot in a place which binds you to unnecessary obligations?", He blankly says, after you're done.
"It's only natural to lose something in order to attain greater things y/n", steping in your personal space again he peers at you face, his eyes were slited enough to hide their true intentions yet leaving just enough space for the moonlight to give them an otherworldly glow.
His beautiful face just centimetres away from yours and before you can finish he grabs you by the chin and delivers a mind blowing kiss.
This wasn't good for your heart. Your previous resolve was melting, just like the rest of you. Geto quickly slipped his hot tongue inside your mouth, exploring every nook and cranny of it.
"Why are you going so far?", You ask, still not entirely convinced.
" Because we are the same, that's why I know what you want and I can give that to you. So trust me okay?", A few seconds pass as you both stare into each other, when you finally heave a sigh of defeat.
" I do want more than just a life of modesty,", having changed you decision yet again you look up at the man in a renewed resolve.
"That's my girl!", Almost excitedly he envelopes you in a warm hug,
"Well y/n? How exactly do you want to celebrate your new found freedom? ", giving his words a suggestive tone he leaned forward to press his lips against your ear, placing light kisses up and down its lobe.
A surge of heat runs through your confounded heart, voice raspy as you reply " Ofcourse I want to do it with you", the snickering above you made you realise the innuendo your words held,
" I meant the celebration! It as in the CELEBRATION OKAY?!", Frantically, you push against his chest to break your embrace, trying to explain the simple meaning behind your previous words but even so, you'd be lying to yourself if you said that the thought of sleeping with him never crossed your mind.
The unmarried virgin criteria you had to fulfill in order to be a shrine maiden was in the past now. So you couldn't find any reason to hold back now.
" I'd be an honor," Geto's melodious voice reverberated through the entire room and you whip your head upwards to look for the confirmation you needed.
With minimal amount of words Geto took you to a near by cottage, saying he atleast wanted your first time to be in a proper place. You thought he was staying at just a room in that cottage but it turned out he had rented the entire place.
For you, it was quite a luxurious thing, while it was something you'd love to revel in, you had other, more important matters to give your attention too.
With a soft click, Geto opens the bedroom door and ushers you in, you breathing coming out irregular, and you were almost shaking in both excitement and nervousness.
What if he doesn't like how I look like naked? Would he like it better if I had shaved? Wait- I hope I'm not wearing my ugly panties today!. While you were freting the small details, the long haired man quietly made his way towards the bed, where you sat, buring his face at the crook of your neck as his arms wrap themselves around you.
"White suites you",His voice rumbled in your ears, his tone as smooth and sweet as honey when he slipped his hand inside the collar of your top, parting the neatly tucked fabric until your chest was exposed. The sudden contact with the air and his hands made your nipples perk up. He fondles them a little while kissing up your neck and shoulders.
Slowly he undos the cloth belts that tied your red hakama to place and eventually you feel them loosen up and then down to the ground, leaving you in just your open white kosode.
Being so exposed in front of a man and that too for the first time made you instinctively cover your chest and crotch, but it was pointless really, because even your hands couldn't hide the dampness of your panties from the sharp eyes that seems to look straight through your meek attempt at modesty.
"Come on, show me everything", his eyes met yours, all attention on you and it was almost disconcerting how vulnerable his eyes made you feel.
Felling a warm rush of blood to your face, you slowly loosen the grip of your hands around your body, letting Suguru pry them off until they rested limply on your sides. Slowly you lie down flat on your back, shyly looking away.
"Getting embarrassed is fine, but there's no need to hid yourself, It's only natural to want to look at your lover's body",He says it with such low, sweet, seduction that your toes curl in response, the word 'lover' ringing in your ears sent your heart in a frenzy.
Slipping the rest of your garments off of your shoulders he gently kisses your ear, licking the contours of your jaw and all the way to the hollow of your throat. His mouth nibbed at the skin beneath as his smooth tongue caressed the marks it left behind.
Soon he latched his lips onto on of your nipples, his teeth grazing the hardened tips pulled a few moans out of you, his long hair tickled your skin wherever they fell and it took everything in you to stop yourself from grabbing onto them.
Moving lower, he soon reached your pussy, already dripping with arousal. You felt his breath on your folds as spreaded them with one of his hand and gave the smooth space inbetween a long lick.
Sucking on your clit with fervor, his arms around your hips traced it's dips and curves as he delves deeper into your moistened sex. Your moans were inevitable at this point, the feeling his mouth in the most intimate part of your body was making you shiver in ecstasy but as soon as he brought his hand near your hole you felt your thighs clench.
"Don't worry I'll only use one finger at a time to get you all nice and ready for later" Gentle reassurances flowed naturally out of his mouth as he covers his fingers in your slick before spreading your pussy more.
His digits push past your folds and buries themselves deep into your throbbing pussy, the sensation of being penetrated both new and arousing. Geto slowing moves his finger in and out as his tongue latches on to your clit again.
The sensations of being licked and fingered together intermingled in your body, bringing you closer to your release in no time. Although it was a good thing you didn't wanted to end it so quickly. He was undeniably good with his hands, knowing when exactly to add another finger or when to curl or rub them inside.
Maybe it's because it was your first time but the onslaught of your orgasm leaves you shaking and moaning wildly in the most unladylike ways you have ever acted. It was embarrassing how much you ended up enjoying while Geto did all the work.
Though he pushes you to your limit you can't help but want to watch his every movement, anticipation building inside you when he raises his head and props himself on his knees to get a better look at your blissed out face. You let out a sigh of longing as he bought his glistening digits to near your face as a proof of you how good he made you feel.
" I'm glad you like it honey", his voice dangerously seductive, he licks his fingers just as erotically, making you embarrassed.
" Let's move onto the part where you cum on my cock now shall we?", His crudeness may have been shocking but right now all you cared about was the cumming part so you let him manhandle your throbbing form until he properly lines himself up against your hole.
Suguru didn't removed his cloths fully, just loosened his hakama just enough to whip his member out.
" Deep breaths now y/n", his gentle guiding eased your mind, and so you relax your body to take him in because even if it's your first time, you were pretty sure he was big enough to make anyone ache.
A warm tingling pain tears through your core which soon mealted into something more euphoric, unbearably good even, making you cry out in ecstasy. He filled you up to the brim and you wondered how bad it will ache tomorrow. As soon as he bottomed out in you, the entire aura of the person about you changed and the room felt like it dropped a few degrees in temperature.
It was not what you'd expected as your first time. Not the painfully rough speed he started with. Not the large hand around your neck that threatened to cut off your air supply. And certainly not the cold, detached look in his face.
Even when your breathing was getting shallower by the second you still writhed in pleasure. It was alarming as to how much you were willing to entrust your entire self to Suguru who was nothing if not composed, keeping his hand firmly around your neck while thrusting his member in and out of your pussy, fucking you like some sort of rag doll.
Long gone was the mild mannered person you looked up at with heart eyes, maybe he was just different in bed, that's what you wanted to tell yourself but the lack of consent and the level of his roughness kept you from doing so.
He eventually let go of your neck, only to flip you on your stomach and shoved his cock inside from an even deeper angle. He didn't let you tap out until you came twice, with your third orgasm approaching just as fast.
The sumptuous heat from his body lingers on yours for sometime even after he pulls himself out
And you felt that the longer you stayed in his embrace, the more darkness seeped into you which would surely make you go numb eventually
You wanted to ask Geto what was happening but a few broken screams were the only thing you could make out, everything was sudden, how the pain made your vision go white to then pitch black and as your consciousness left your body all you could hear was Geto's calm voice.
" Next time you wake up, well be in a better world"
The few rustling sounds of fabric brought you back to the waking world, the dark blue skies outside with flashes of gold inbetween told you it was just the crack of dawn.
You slowly prop yourself up in a sitting position to look around the unfamiliar room.
You catch your reflection in the nearby window next to your bed, you looked the same save for the few indecipherable marks here and there.
" Good morning y/n", Quickly looking at your right, you see Geto just walking out of the bath, his mascular form only covered by a thin cottan kimono.
He was behaving normally, as if the events of last night didn't happen. So normally that you were starting to think you may have hallucinated the whole thing.
Walking towards your sitting form, Geto bends down to cup your jaw and layers his mouth on yours, the scent of his shampoo tingling your senses almost made you forget about everything else.
He breaks the kiss, gazing at your downcasted eyes, the heat from your face made him chuckle.
"Quite an innocent reaction considering all the things we've done", he smirks triumphantly at you, his eyes a mix of dark but intense passion. All the things huh. You thought. Your mind was still in a haze and it was talking longer to process your words and thoughts.
"What happened last night?, I can't remember everything properly", you were expecting straight answers, that how did you passed out or where you exactly were right now but Geto seemed to go off on his own tangent.
You were just like my past self,", were, he said. As if you're something else now. The man in front of you was changing his colors faster than you could comprehend his words and it was terrifying you.
"That's why it's my duty to show you everything that life has to offer, the entire extent of it. As long as you stay by my side.", Not paying an ounce of attention to your shocked state he want on,
" The people you were staying with before were only going to confuse you further, that's why I had to take you away".
"You are the most free and safest at my side, darling. But if you still want your preistess life back then, I'll be your god and you can spend the rest of your life worshipping me instead"
Of course, he didn't saw you as an equal who could stand beside him, you weren't even his lover, just someone below him who he needed to worship the ground he walked upon in. But even so, the fear you experienced just a few minutes ago dissipated, bringing back the curiosity that was at its height whenever he was around.
"Were you lonely?",Geto's eyes trailed up and down your face which halted in their track after hearing your words which oddly resembled pity.
" What-", the previously composed and slitted eyes expanded a little before his expression abruptly shifts, turning serious, making you flinch under its sharp gaze, the animosity that surrounded him contrasted with the previous tender kisses and touch.
With his one large hand he grabbed your face from the base of your jaw, painfully lifting it up until your entire body was a few centimetres above the surface of the bed.
" Listen up y/n, I didn't brought you here to dote on you and the only reason I wiped out your silly little shrine because I can't stand hypocrites who spread false teachings written by equally hypocritical people. It was your job to worship things you couldn't see before and now you have to do the same job for someone you can see. That's. All."
"Ofcourse, leaving isn't an option.I've turned your body into a reincarnated curse. If any of the Jujutsu tech people caught you roaming around, it'll be instant exorcism for you." He lets go of your face and sits next to your form, Geto was quite for a while, giving you time to sort out your own feelings on the matter.
You knew what was happening now. Inbetween those conceited words flashes of the warm blooded man behind the god slipped out and you had to resist the overwhelming urge to comfort the person who just confessed to have burnt down the shire you were living in just until a few days ago. Maybe your thought process was altered just like the rest of you body, or maybe you were always this crazy too.
The source of your sympathy was unknown but the twisted obsession of his was provided you with more solid answers.
Your meeting, the conversations, how you eloped together. All of it made sense now. He wanted to save you from the oppressive state of the place you had spend most of your life in, ofcourse he would. He was thinking of you in ways no one ever had. He loved you in ways no one ever will, or could for that matter.
And you,
You loved him too. You had to.
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Text
So Much Like Stars - Part TWO
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Pairing: Boba Fett x Female Reader
Part TWO (Read Part One HERE)
Rating: Explicit (18+ ONLY)
Summary: During a trek through the mountains, you discover new things about both Boba and yourself.
Warnings: Explicit sex, p-in-v sex, hand feeding, breathplay, choking kink, power dynamics/power play, royalty kink (?), dom/sub dynamics, pool sex (kinda you'll see), unprotected sex, coming inside (do not do this in real life), age difference, dirty talk, spit kink, offscreen oral sex, AFAB reader, safe to read if triggered by pregnancy
Word Count: 10k+
A/N: Major apologies in order for the delay on this one! It's been up on AO3 (here) for a hot minute but it took me a bit longer to get around to posting it here. Anywho... here it is. Let me know what you think! I love to get reblogs/comments/messages so very much. As always, no use of Y/N, and please heed the warnings. <3
The early hours of the following day fly by like ash in the wind.
You and Boba leave as soon as you are able, gathering necessary supplies into packs and preparing for the grueling trek ahead of you. You notify your father of your departure - he is not happy about it, but he learned long ago that he has little sway over the decisions you make.
You also find Boba a cloak that fits over his armor and that doesn't hinder his ability to reach his weapons. It's thick around his neck, which is why you'd insisted he wear it.
He'd stopped complaining once you were about a kilometer out from the village gate.
The howling wind swirls around the two of you, snow and ice collecting on your clothes. The journey is not an easy one, but with Boba's natural strength and your knowledge of the terrain the two of you handle it better than most.
Boba's steps are always audible behind you, even when the air around you seems to be screaming. You appreciate his closeness, because far too often people have been lost and never found because they fell too far behind.
It's easy to become lost in a place like this. Being found tends to be a matter of life and death.
The sheer cliff faces and shifting dunes of snow present the most hazardous challenges on your journey. One single misstep could have either of you tumbling down, and as you walk you only gain elevation, increasing the distance between you and the ground below. It's terrain that you've traversed plenty of times, but you don't know how well-suited Boba is to such harsh elements.
You glance back at your companion when you come to a turn, sheltered from the biting wind and driving snow.
"Faring alright back there?" You have to yell to be heard, but Boba nods.
"I'm doing just fine, princess. Seen worse than this."
You raise your brows, even though he can't see your face through your mask. "If you say so. We'll be on this trail for the rest of today and most of tomorrow. Then we'll turn off and find the source."
There is, of course, the risk of encountering an ongrol. The idea of it looms over your journey like a dark cloud, and you keep alert to any shift in the wind or in the landscape ahead. The constant drone of air around you would typically mask the sound of any movement, but your ears have become attuned to listening for things outside the wind. Footsteps, especially those of a creature larger than yourself, will be obvious. The ongrol are not known for their stealth - if they want to attack, they'll do it with a thunderous leap and a swipe of razor-sharp claws.
You'd been telling the truth when you told Boba it was rare to escape an encounter with one alive. Boba had shown you the fire-blaster on his arm, and the two of you have no shortage of weapons, but still you worry. You keep alert, listening to the world around you.
Though your focus has a tight hold on your mind, you can't help but let your thoughts wander to Boba, and to the events of the previous night.
In all your life, you've never met a man quite like Boba.
Not only did he sense your needs intrinsically, it seemed as though he saw right through you the moment he laid eyes on you. You recall seeing his visor tilt toward you in the meeting room; you hadn't known it then, but now you can imagine what he'd been thinking. Boba saw your presence at that table and immediately knew what kind of girl you are.
It doesn't speak well to your sensibilities as a village leader, if you're being honest with yourself. This is the first foreigner to visit your people, and you let him into your home, between your legs? You suddenly feel rather guilty about it, but a small voice in your head reminds you how good it felt.
How good he felt.
Maker above. Nothing in your life could ever compare to the things he made you feel last night. Armor against skin - ice against fire, rough edges against smooth curves. The smell of him in your nose as he pleasured you, unkempt and raw. The splay of his hands on your hips as he took, and took, and gave you so much in return.
Boba knew exactly how to take you apart. And you'd only met him that day.
You didn't delude yourself into believing this could continue. He does not belong here, and you certainly can't leave. Above all else, your people need you, and to leave the planet would be to abandon them.
You steel your heart into acceptance. You'll enjoy Boba's company for as long as he's here, and then things will return to normal. You'll figure out how to hide the kyber and no one will bother you. Your people will live on in peace.
Whether you will ever find peace after knowing what it is to be with Boba Fett is another matter entirely. But you can't dwell on that, or you might decide to do something drastic.
You let that thought slip from your brain quickly, replacing it with memories of last night. Despite yourself, you smile beneath your mask, surely blushing as well. Though your steps forward are certain and sure, your center heats up at the thought of his hand around your throat, of his thick cock moving wickedly inside you.
From the depths of your mind float up a few words he'd said, a phrase you'd forgotten until just now.
Come for your king.
Odd, his choice of wording. It sends a shiver down your spine, but then you give it a moment of thought. Surely he didn't mean king in the context of you, of your village - that wouldn't make any sense. But then again, he couldn't mean --
You furrow your brow. Yes, it was the heat of the moment, but he still said it.
There's a possibility of something more there, something much more than just a bounty hunter in search of a handful of credits and some relief for the night. You remember how he'd asked if you knew his name, like he'd expected you to.
Do you know the name Boba Fett, princess?
Boba Fett. No, you have no knowledge of that name outside the armored man trekking behind you.
Who is he?
You frown, but decide to keep your questions to yourself for now. You're nothing if not careful - keeping your cards close to your chest is a skill you've more than mastered.
Boba Fett, no matter who he is, will be none the wiser to your doubts.
-
That night, once darkness begins to envelop the air around you, you lead Boba to a small, secluded, empty cave safe from the cold wind. There's a dark scorch mark on the ground, evidence of a past campfire.
"I've used this cave a number of times," you explain as you take off your pack, setting it on the ground with a groan. The weight on your shoulders never gets lighter. "The cold shouldn't reach us here, especially once we get a fire going."
Boba hums, unrolling his bedroll, which is a collection of mats and blankets identical to yours. "I know a few other ways we could stay warm, princess."
You look over at him. His back is turned to you, large and imposing in the dim light.
"Do you?" you ask, light with a hint of a sly smile in your voice. You lean your staff against the cave wall and crouch to begin extracting your own bedroll.
Behind you, you hear a gruff chuckle. The deep, rumbling sound of it makes your breath hitch. Boba Fett may be an enigma to you, but that doesn't mean you feel any less strongly for him now than you did last night.
In fact, the close quarters of this cave mean his words are more than just teasing.
You turn and spread your bedroll out beside the spot where you'll set up the fire, and you see that Boba has set his up so that it's perpendicular to yours, the corners overlapping.
Next you take out the meat and bread you brought along, as well as flint, some firestarter, and a few bricks of coal that will burn through the night. You prop yourself on your knees to get the fire started, and once the flames have sprung to life, you lean forward to set up the small spit to cook your meal.
You're just arranging the cut of meat on the metal spike when you feel movement behind you. The fire beneath you is searing, so hot that when you feel hands on your hips, you lean back into them to escape the heat.
Boba's hands grip your hips tighter and you yelp as he drags you backwards. His fingers land on your thigh, grasping at and arranging you until your back is flush with his chest. Your legs are tucked in between his, which are spread out in front of the two of you.
You look up at him. You're seated in his lap, but the layers of clothes and metal between you prevent you from feeling anything distinct.
He reaches a hand up to tug at your face mask.
"Let me see you," he murmurs.
You let him remove the cloth covering your mouth and nose, and then he slides your goggles off of your face. You're sure you've got marks around your eyes from wearing them for so long, but Boba doesn't seem to mind.
In return, you place your hands on the bottom of his helmet, fingers curling under. He allows you to press the small latch beneath your index finger and slide his helmet off, the warmth of his breath ghosting across your face as soon as you can see his mouth.
You lift Boba's helmet all the way off and set it to the side. He puts a hand on your waist, firm and grounding, fingers curled tightly into your ribs.
"I've been many places in my time, but I admit I've never met anyone quite like you, little one."
His words are smooth as silk, soft and tender in your ear. You smile and raise your brows, glancing from his eyes to his lips and back again.
"Surely you've met more than a few pretty girls in your travels," you reply.
Boba scoffs. His grip on your thigh tightens, pulling you close.
"I have. You…" he shakes his head, and you watch as his gazes slips down to land on your mouth. You bite your lip and your heart races at the way his pupils dilate at the sight of it.
"You're different, sweetheart."
The new pet name makes you shiver, subconsciously pressing closer to him. "Is that right? I can hardly believe I'm much different from anyone else."
You're baiting him, goading him into saying something more. You've never been one for compliments - they've always felt forced, almost disingenuous. Not with Boba.
"The girls I've known either want my head on a pike or can't look me in the eye," he tells you. You chuckle softly - you don't blame them.
"Is that 'cause you'll shoot them if they do?"
Boba grunts and pinches your side, making you squeal. You laugh, full-bodied and silly, at your own joke, spurred on by Boba's tickling.
He leans down, large body curling over you. Your giggles peter out as his lips press against your ear.
"What if I said yes, little one?"
You blink. Slowly, you turn to face him, so close that your noses are brushing.
"If you said yes?" you whisper into the air between your lips.
He hums.
You take a moment to study the scars on his face before grinning, soft and lazy. Your hand, resting on his knee, gives a gentle squeeze.
"Then I'd tell you there's more than a few men in that village who can't look me in the eye."
Your words seem to take Boba by surprise for a moment, from the way his eyebrows bounce up. It's true - when you were younger, boys in the village would try things, stupid dares and pranks you took none too lightly. There's one in particular who, if he looked at you funny, would get a blaster shot to the knee thanks to the shit he's pulled in the past.
They've learned their lessons.
"Is that so?" Boba's voice has gotten slightly deeper. It rolls through you like thunder, filling the small cave with its resonance.
You nod, a smirk playing at the edges of your lips.
His eyes flit down, gaze following the subtle movement of your mouth. It's too much - the closeness, the heat of the fire and of his body and of the way he's looking at you. You bring your hand up to rest on his shoulder, gripping his armor.
And you kiss him.
You press your lips against his, open and pliant, unable to save yourself from how much you want him. Boba groans and returns the kiss, tongue sweeping into your open mouth, licking into you like he's a man starved and you're his next meal. You savor the taste of him, because you can't pinpoint exactly what the flavor on his tongue is, and you know that must mean it's something uniquely Boba.
He shifts his hands to rearrange you, placing your legs on either side of his own so you're straddling him. Your palms come up to rest on his neck and jaw as his land on your hips, pulling you down so you're sitting right on his codpiece. You gasp at the feeling of it through your clothes. Boba bites at your bottom lip, pulling it between his teeth, before releasing you.
You open your eyes, not having realized you'd closed them. Boba is staring at you, but you can't read the look in his eye.
"What?" you murmur, searching his expression for any hint of what he might be thinking.
He hums, hand on your hip flexing, squeezing. "Nothing, sweetheart, just…"
You wait for him to finish his thought. His brows furrow ever so slightly as he looks back at you. Behind you, the meat sizzles from the heat of the fire, filling the space with its aromatic scent.
Boba shakes his head. "Nevermind."
Before you can respond, he presses forward to kiss you again. You want to encourage him to share what he was going to say, but it only takes a swipe of his tongue against your own to have your eyelids fluttering shut and your thoughts quieting.
He kisses you like the sun - hot and insistent, reminding you how fleeting it all is. You've only ever seen the sun a few times in your life, but its brightness seared your mind in a way not dissimilar to the way Boba's laying his mark on your heart.
You let him kiss you deeply, unhurried, until your brain clicks on long enough to remind you that there's food cooking behind you.
You extract yourself from Boba's hold, which makes him grunt in displeasure until he sees what you're doing. In your pack there's a plate and a cloth, both of which you retrieve and bring back to the fire. Carefully you take the meat off of the spit and put it on the plate, along with the bread.
Boba watches, legs still spread as he sits, leaning back on his hands. You take the plate and sit between his thighs again.
You make to tear a piece of the tender meat off, but you feel a hand on your arm, preventing you from doing so. Confused, you look up at Boba, who simply rips off his own bit of meat. But instead of bringing it to his lips, he raises it to yours.
Wordlessly, you lock eyes with him and open your mouth. His stare is hot, intense, as he feeds you, your lips closing around his index finger and thumb, tongue licking the excess juices off his skin. You take a moment longer than is strictly necessary to taste the pads of his fingers, hollowing your cheeks and sucking his digits like you might something else of his.
You chew the meat once he's pulled his fingers from your mouth. He watches intently until you've swallowed, and then he takes a piece for himself.
As he eats, you find yourself full to the brim with curiosity about him. Once he's finished with his bite, you ask the first question you can think of.
"Last night you mentioned your father. I'd like to hear about him."
Boba raises his brows. He tears off another chunk of meat, offers it to you, and you take it. He speaks as you chew.
"His name was Jango. I -" he seems to consider his words, eyes darting down to the ground as he thinks "- he wasn't technically my father, but he raised me as his son. I traveled with him as a boy, until he was killed by a Jedi."
You frown. "What's that?”
Boba looks at you funny, tilting his head. "You've never heard of the Jedi?"
You shake your head no. "Are they human?"
"Some are," he explains. "They're Force-users, claiming to fight for peace and justice in the galaxy."
His voice is bitter, but you don't blame him, if what he says is true. "But they killed your father."
Boba nods. "They will tell you they fight for what's good and right. But they are no worse than those they call enemies."
"Who are their enemies?"
"The Empire. Dark users of the Force." Boba studies you as you take in this information. You've heard of the Empire, and the Republic, but clearly some information was omitted from your village's records.
"And the Force is…?"
Boba shifts, grabbing some more meat for himself, which he eats before replying.
"I've never fully understood it myself, but from what I gather it's an energy present in all things. The Jedi and the Sith can manipulate it to their will."
You have so many questions, but you know asking them will only make you more confused. Energy in all things? That sounds… well, it sounds overwhelming, to be truthful. It sounds like magic, which your father always told you was the stuff of fairy-stories.
Boba feeds you another morsel and you eat, thinking.
"Can they 'manipulate' blaster fire?" you ask once you've swallowed.
"I don't think so. They tend to deflect it with their lightsabers, which are swords powered by kyber, coincidentally."
You wrinkle your nose. "Swords? I'd take a well-timed blaster shot over a sword any day."
Boba laughs, hearty and full. He wraps an arm around your shoulders and pulls you close, pressing his lips to your temple.
"That's my girl," he mutters. His words send a shiver down your spine.
Boba continues to feed you as he tells you about his father and his own travels. You learn about his time on Kamino, where Jango's DNA was made into clones, and that Boba himself is an unaltered clone of his father. You learn about Obi-Wan Kenobi and Anakin Skywalker, legendary Jedi who proved difficult for both Boba and Jango at various points through the years. He tells you about meeting Fennec Shand on Tatooine and about another companion of theirs, a man who just goes by the name Mando.
He doesn't tell you about the scars, so you don't ask.
When you're falling asleep, eyes drifting closed as your head rests on Boba's chest, you wonder at the life Boba Fett's led, how such excitement and pain ultimately finds him here, holding you close.
All you've ever known is this planet, your people. Perhaps the universe, in its vast, unknowable expanse, is really here beneath you, in Boba's stories and his scars. You think maybe it's okay that you aren't meant for more than your cold village, because at least you can travel through the galaxy just by listening to him.
At least you can know the taste of the stars just by kissing him.
-
The next morning is decidedly less relaxed than last night. You and Boba pack up hastily and you're on the trail when the first light of the morning is just beginning to show.
Hours pass in much the same way that they did yesterday. Snow and wind beat at you, but you press on until you reach the area you're no longer entirely familiar with.
You see the map in your mind's eye as you lead Boba across the rocky terrain. You're sure of your path, even though it's beyond any place you've been to previously. Somehow you just know, like the trail is programmed into your feet. Everything seems normal until the wind shifts and you catch the sound of something else on the air.
Throwing an arm out, fist closed, you immediately come to a halt, and Boba follows suit.
You're in an open expanse of snow and ice, still trekking upwards, but now a good distance away from any sheer cliff faces. You tighten your grip on your staff and listen, ears drowning out the howling wind to pick out the other you'd just sensed.
Something's ahead of you. Something large. You can hear the shifting of its weight, the silence of the space it takes up.
You glance back to Boba and nod. Carefully, quietly, he walks up to stand next to you.
"Up ahead," you tell him, voice as low as possible so as to not be heard by anyone - or anything - other than him. "Something big. It has to be -"
Your mouth snaps shut when you see it. Up ahead, a pair of glowing blue eyes emerge like beacons out of the fog, looming over you even before you can see the rest of its body. The ongrol moves forward, massive steps fading in and shaking the ground under your feet. You clench your jaw and ready yourself for what you know is coming.
You look over at Boba, and when the visor turns to face you, an unspoken agreement passes between the two of you, perfectly clear despite lack of words and facial expressions.
The ongrol doesn't allow you a moment longer, though. Its massive form is now visible through the driving snow - white fur with glowing blue stripes, pointed ears with long, flowing tips, and massive fangs.
You draw your blaster.
The moment it senses the two of you, it looks down and roars. Immediately it's charging forward and you fire off a volley of shots, though they don't seem to do a whole lot of good. Boba's hand comes down like durasteel on your arm and he jerks you back, positioning himself between you and the monster. He aims his fire-blaster at it, hosing it down with a torrent of flame. The ongrol yelps, then snarls, and you watch as it raises its massive paw, claws extended, piercing blue gaze zeroed in on Boba.
In that split second there's a feeling that comes over you, a gut instinct that pours over your body like warm water. It fills your skin, your nerves, your bones, so fully that your mind goes quiet in the wake of your body taking control.
As if you'd done it a thousand times before, you plant your feet and thrust your hand towards the beast, palm open. A feeling like electricity surges through you - not painful, but equally powerful and all-consuming.
The ongrol flies away, launched through the air, as if pulled by some invisible force.
Its cries echo against the mountainside as it falls, tumbling and rolling down a cliff face you can't quite see.
Boba whirls around to look at you, and the last thing you see is his visor coming closer as you collapse and the world goes dark.
-
The first thing you notice when you wake up is the warmth surrounding you. It's everywhere, like you're lying in front of a fire, and your immediate instinct is to turn over and fall back asleep. Your tired brain wants nothing more than to bask in the heat and enjoy it for as long as it will last.
But then your eyes flutter behind their lids, and you catch glimpses of something glowing, bluish-green in a way you've never before experienced. With considerable effort, you open your eyes wide, and the sight before you brings your mind to full awareness. You struggle to tuck an arm under yourself and push up slightly, getting a better view of where you are.
You're lying atop your bedroll, your staff on the ground next to you. Immediately in front of you is a pool of water, still and steaming, that glows a bright, shimmering combination of blues and greens. No, wait… the water itself isn't glowing - rather, it's reflecting light from the walls.
Walls lined with crystals.
You still feel exhausted, despite having just woken up, but the sight of the kyber makes you jolt to a sitting position. Your head swims, dizzy and drained.
From behind you, you hear Boba's voice.
"Woah there," he murmurs, a hand coming to rest gently on your shoulder. You squeeze your eyes shut to block out the rocking motion of the world around you.
When you open your eyes again, Boba's sitting to your left, facing you.
"What happened?" you ask, your memory of the events of this morning still foggy and distant.
Boba hums. "Well, you tossed that cat across a mountain with your mind."
You frown and look up at him incredulously. His helmet's off - in fact, he's also taken off the rest of his armor as well as the top half of his flight suit - he's left in his pants, undershirt, and boots.
His arms are bare. It's the most of him you've seen - his biceps bulge, large chest straining against the tight shirt he wears.
Your thoughts circle back to what he just said.
"Run that by me again," you mutter, searching his face for any hint of a lie. Boba blinks, raises a brow, and stares back, keeping the eye contact.
"You used the Force to kill that lion, princess."
His face is stone-straight. He's not lying to you, not that you can tell.
You groan, squeezing your eyes shut and rubbing the heels of your hands across them roughly. Stars erupt on the back of your eyelids, and for a moment, your nausea abates. It comes back to you in flashes - the creature's eyes, the sound of its roars on the wind, the feeling that overcame you when you watched it raise its deadly claws at Boba.
It's nothing you've ever felt before in your life.
"So…" you pause, trying to sort through the situation. "So - does this mean… how is that possible?"
Boba puts a hand on your calf, firm and grounding. "You want my theory?"
Hands still pressed to your eyes, you nod.
"The water. It's infused with kyber, which is what has healed your people, but it must have also awoken a Force-sensitivity in you."
You take a few deep breaths, the exhaustion and nausea slowly leaving your body with each exhalation. Boba's thumb rubs your skin softly, a simple back-and-forth motion that brings your racing mind back down into your head.
Carefully, you take your hands from your eyes. The world has finally stopped spinning. You look over at the pool to your right, into its calm, tranquil waters. Steam rises from its surface and dissipates before it can reach the cavernous ceiling above you. Kyber dots the walls, green and blue all around you, mesmerizing and radiant.
Sweat is beginning to gather under your eyes and on the back of your neck and between your breasts. You belatedly realize Boba has undressed you to your undergarments, so you sit there in little more than your underwear and a sleeveless top.
You stare at your hands, fidgeting between your thighs, and look up at Boba again. A million questions are floating through your mind, but you're not sure he'll be able or willing to answer them all. You bite your lip, brow furrowed.
"Does this mean I'm a Jedi?" It's the most pressing question on your mind, because if what Boba says is true, you're not so sure you want any part in your newfound gifts.
Boba shakes his head. "No, little one. All Jedi are force-users, but not all force-users are Jedi. Or Sith, for that matter."
In your lap, you turn your hands so your palms are facing up, cradling one another. Nothing has changed about them - still the same jagged patterns of lines as always. Still the same, but with this new… sensitivity, they feel foreign.
The Force feels like a new limb, a new sense that's now made your body a stranger to your mind.
"What do you remember from yesterday?" Boba asks, rough voice a soothing balm to your racing heart.
You tilt your head, trying to gather your memories together. "I remember walking up the mountain, and then there was the ongrol. I tried to shoot it, but that didn't work, and then you pushed me behind you. You threw your fire at it, and then it -"
Suddenly, you feel yourself getting choked up. It washes over you like a gust of cool air, returning to the emotion you felt in that moment on the mountainside. You blink a few times, swallowing down your panic and fear at the thought of it.
"And then it raised its paw, and I thought you were going to die."
Boba says nothing, just waits and lets you continue.
"All of a sudden this feeling came over me, like an instinct, and then there was this… this buzz that I felt. I just did it. I don't know how I knew how to."
Boba nods. He's looking at you with an expression you can't quite place, soft and severe all at the same time. It makes you shiver despite the heat that surrounds you.
You avert your eyes, instead focusing on his hand where it lay on your leg. His fingers nearly encircle your calf. You reach out and take his hand in yours, drawing it close to you, running the tips of your fingers over his knuckles, his wrist, the silvery scars that interrupt his tan skin.
"From what I understand," Boba murmurs, curling his fingers into yours ever so slightly, "it's supposed to take years of training for a Force-user to wield that sort of power, princess."
You glance up at him. He's smiling at you now, dark eyes sparkling.
Something about his expression, combined with what he just said, hooks into your brain and sours the taste on your tongue. You recall your doubts from earlier, doubts about who he is. Why would it matter if you - a village girl from a desolate snow planet - have more of a gift than most? Why would he care?
Your immediate reaction is that he's flattering you, like he did the other night in front of the fire. For some reason, your instinct tells you this is different, that he's got motives beyond those he's revealed to you.
Instinct has proven to be on your side lately, so you follow it headfirst.
"Why did you call yourself a king?"
Boba's smile vanishes, and the tension between you grows tenfold.
You grasp his hand firmly. Your faces seem so much closer now.
"What?" he asks, even though you know he heard you perfectly well. You narrow your eyes, not liking whatever game he's playing at. Boba Fett doesn't seem to be the type to play dumb, and you're certainly not the type to fall for it.
"You heard me," you say, voice calm and monotone. "Why did you call yourself a king when you were fucking me?"
Boba chuckles, a deadly sound that would have unnerved you if you were anyone but yourself.
He raises a brow. "Interesting question. Didn't you like it?"
"I liked it a lot less when I realized you had no reason to say it, bounty hunter."
Your voice is acidic, like venom hissing out from between your teeth.
"Or am I mistaken?"
Boba hums, but it feels more like a growl with your close proximity to him. "You sure you want to fall down that sarlacc pit, little one?"
You clench your jaw, giving your answer in the way you stare unwaveringly into his eyes.
His eyes flit down to your lips and back up again. You lean back slightly in response, refusing to let him distract you.
"It's not an official title, if that's your concern," he says.
"What sort of title is it, then?" you ask, guarded heart racing once again.
Boba tilts his head to one side, taking a long moment to look at you. His breathing is slow, steady, and you try to match your own to it, but his next words throw you off balance.
"A stolen one."
You blink, a fluttering sensation erupting in your chest - and not in a good way. It's as if your heart has tripped over itself in an attempt to flee him.
He brings his free hand up to cup your cheek, tender and authoritative as he runs his thumb along your lower lip. "I killed the man who last sat on my throne, so the title is now mine."
You frown, despite the digit near your mouth. "What's your kingdom, then? Who are your subjects?"
"Those like me," he responds, without hesitation. "Hunters. Mercenaries. People who are willing to do most anything for some credits."
The dots are beginning to connect in your brain, and you're not sure you like the picture that's forming.
"Criminals. You're - you're a crime lord," you mutter.
Boba chuckles again, a smirk forming at the edges of his lips. "Something like that."
A conflicted feeling rises in your chest. You twist your chin out of his grasp, looking away and into the waters beside you. Had you known this was the man you were dealing with, would you have let him between your legs that first night? You'd like to think not. But then again, a voice in your head reasons vehemently, you knew he was a bounty hunter, and how is that any better?
You purse your lips. At the moment you're not entirely sold on what your conscience is telling you to do, which is to cut him off now and end whatever it is that exists between the two of you.
In your lap, you're still holding his hand in both of yours.
"I want to trust you, Boba," you admit. He puts his other hand on your thigh as you turn back to face him. "But I'm not daft."
He opens his mouth to speak, but you aren't finished. "I know it may not be in your nature, but I would appreciate some clarity here. What does this... this Force sensitivity really mean? I'm not some spoiled, naive princess, either - despite what you may say."
Boba is silent - his brown eyes are as intense as they are unreadable as they look at you. It drags on long enough that you get restless. You let go of his hand and turn away, tucking your feet up under yourself to stand.
The water has been calling to you each time you’ve looked at it, and you can no longer resist its draw. Tentatively, you touch a toe into the shimmering pool, marvelling at its warmth.
You walk forward. With each step, you feel as though you're gaining life, absorbing energy you hadn't known you'd lost.
The water is up to your thighs when Boba finally speaks.
"The Force will die in you if you remain here for the rest of your life, princess."
That gives you pause. You turn around. Boba is shirtless now, but he's still reclining as he was. It takes a major effort not to let your eyes drop down to his abdomen, enticing like a beacon in your periphery.
"You want to know what I’m thinking, is that right?” He asks the question like he half expects you to say no.
You nod. Around you, the warm, steaming water is rippling with your movements, but it shimmers in a manner more than can be described as distinctly natural. Almost without thought, you step backwards, submerging yourself further in its enticing warmth. Your fingers and palms skim the surface.
"I wanted to ask you to join me. To come back with me."
It almost makes you laugh, the way he says it so seriously. A disbelieving smile crosses your features.
"You know I can't leave my people," you reply. "You've known that since the start."
Boba sighs. "I have. I was still tempted to ask, regardless. Ever since the tavern."
That's interesting. This whole line of conversation is peculiar - you get the feeling he rarely needs to explain himself in such a way to anyone.
"Why? What use am I to you?"
He stands, but does not follow you into the water. Instead, he walks over to another part of the cave and leans against the wall, observing you.
"It's always been selfish," he admits. "At first I just wanted you as a crew member. You have a way for negotiating, or at least the type of negotiating that would be useful for my sort of operation.
“But then you revealed yourself to be this needy little thing, so desperate for me to fuck you, and I could just picture you in my ship, or in the palace, spread out and wanting me wherever I am.”
Those words, low and promising, cause a certain sort of wetness to pool in your underwear, one that can’t be blamed on the water that surrounds you. By now, you’re up to your collarbones in it, hands no longer visible to him as they remain at your sides.
You hook a thumb under the waistband of your panties and slide them off, slowly floating down as the water pulls them from your form. When they get low enough, you tuck them under your heel to hide the garment away.
Boba gives no hint that he sees, so you assume he cannot tell.
“You wanted to bring me back as a rare specimen, to show off to the criminals who work for you,” you retort, though something deep within you preens at the idea.
Something hidden and unknown until that night in front of the fireplace.
He just hums. “Yes.”
You can’t decide if his blunt honesty is a fault or a virtue. Right now, it’s mainly serving to bring heat to the space between your thighs. To hide your arousal, you narrow your eyes, trying to focus on why exactly he thinks he can just… whisk you away to some strange planet.
“And now,” you reply, “what's your reason for asking me to come back with you?”
He shrugs. “As I said, without training, the Force will die in you. I have connections to nearly any type of creature in this galaxy, Force-users included. I am your only hope if you want to keep your gift. If not, we go back down this mountain and it’ll be as though I was never here.”
That does present an interesting twist. The gears in your mind turn a bit faster, thinking on what exactly this may mean for you.
You consider where you are in the present moment - the reason Boba is even here in the first place. You consider your duty to your people, and you consider the long life your father has ahead of him.
How much time you have before you'll need to take his place.
How little time you might have if someone else realizes what this mountain holds.
"You said this kyber puts out some sort of signature, one that others can pick up on."
Boba raises a brow, and you see that he catches on to what you're proposing.
You continue, because if you don't, you'll convince yourself the idea is foolish. "This Force-user could teach me to hide the signature, no?"
"I don't see why not," Boba replies. In his eyes you see a glimmer of humor, like he thinks he's got you wrapped around his little finger. The way you're talking, you're on the verge of agreeing to return with him. He's got it in stone - his negotiator, this girl who needs him so strongly.
You see through him, though. He's tough to read, but you're learning to look between the lines.
Boba Fett is a criminal. For your whole life, you've studied law and order, learning the diplomatic ways of other planets and societies. To go with him would be to align yourself with everything you should hate, everything you should fight against.
But you are, after all, more than just a meek princess. You're a leader, a role model, a strong woman and lover of your people. Are you willing to dispense with your morality in favor of this Force training? In favor of following this man who has stolen your heart like he stole his throne?
"Say I did go," you start, and he doesn't even bother to hide his small grin. "Say I go with you. What does that look like for me? I will not be reduced to some pleasure slave, hidden away in your palace."
Boba shakes his head. "You will be free, my dear. You and I will work together, for both of our benefits. When I need a kind, unrelenting negotiator, you will speak on my behalf. In return, I find your training."
It sounds too good to be true, especially considering the major aspect to your relationship he has not yet mentioned.
Your eyes finally flit down to his chest, broad and thick in a way you never knew you'd like so much. His arms and shoulders are equally as enticing, the knowledge of how strong he is only serving to make his body more attractive to you. He is scarred, long-healed gashes across his skin the echoes of unimaginable pain and fire. As your gaze drops lower, tracing the skin of his abdomen as it disappears into the waistband of his pants, you feel something tighten in your chest. In the space between your hips.
Seeing him like this is intimate, almost more so than that very first night, and he hasn't even touched you.
"And what else might I expect, traveling with you?" You ask it knowing he sees the way you're looking at him.
Boba hums, as though he's giving the question some thought. He pushes off from the stone wall he was leaned up against.
"You know where this will go, princess."
His hands drop down to hook into the front of his pants, fingers toying with the clasp there. Your eyes follow the movement, entranced. The tendons and muscles in his arms flex and ripple as he works his hands, movement capturing your eye like a mouse to bread.
"I do," you reply, "but I want you to tell me."
His gaze darkens at your words. You watch as he deftly unfastens his trousers and pushes them down, stepping out of them and towards you. He moves unhurriedly, but with clear purpose.
You feel like you're one of his bounties, caught in the crosshairs of his rifle. Trapped.
Excitement courses through your veins.
"The first place I'll fuck you will be the ship," Boba says as he walks forward into the water, his thick thighs flexing with each step. You're too caught up in watching him approach to think to respond.
"Before we even leave this planet, I'll have you screaming against the durasteel, begging for my cock."
Your brain goes a bit fuzzy at his words, at the force of the arousal that hits you. It's like the moment he starts speaking to you like this, all higher function in your mind shuts off, full only of the images he conjures with his voice.
Boba's getting closer, and before you know it, he's within arm's reach.
All at once his hands are on you, rucking up your top to search out your bare skin, warm under the water. You reach up and put your hands on his shoulders, savoring the heat of his skin on your own.
"Once we get to Tatooine," he continues, pressing his lips close to your ear, voice like honey flowing over you, "I'll get you the most expensive dresses credits can buy, and we'll go to the clubs and cantinas and everyone there will want what's mine."
Your grip tightens, nails digging into his flesh. Boba finally pushes your top all the way up and off. He absentmindedly tosses it behind him, landing with a wet smack against the stone floor of the cave. His palms find your breasts and he squeezes them, kneading, flicking his thumbs over your nipples.
The feeling of it, like sparks shooting through your chest, makes you gasp, light and breathy.
"You'll sit on my lap at the sabacc table, and all those filthy criminals will know exactly how much you love getting fucked."
Boba runs a hand down your side, the other still toying with your breast, and you watch his face as he realizes you're no longer wearing your panties.
His jaw clenches as his fingers curl into the meat of your hip. He dips his head down so his nose brushes against yours, his breath cool compared to the heat of the water.
"You're a temptress, little one."
You can't help the small smile that floats across your lips. "What was that about how much I love getting fucked?”
He hums, dark and deep, the sound nearly a growl with the way it reverberates around you. Boba slides his hands down beneath your ass, and then he's hauling you up and pressing you against the wall to your left. You squeal at the sudden movement, legs locking around his waist and hands gripping his shoulders even tighter to keep from slipping away.
You feel the heat of a cloth-covered bulge against your burning, most sensitive skin. The sudden pressure of it makes you gasp, smiling, breathing in the air he's just exhaled with how close your mouths are.
Boba holds you with such ease. It's as though you're floating, featherlight in his arms.
"Watch it," he mutters, leaning in to graze his lips against the shell of your ear, the broad plane of his chest covering your own.
"Or what?"
It’s clear that Boba is more turned on than annoyed by your teasing, despite his words. He adjusts his grip so his broad palms fit even tighter around your hips, pressing his erection solidly into your bare core once again, rolling his hips wickedly. The water enhances everything - the throbbing in your cunt is amplified tenfold and you can hardly contain yourself.
His words only serve to drive you madder, lips and teeth pressed against your neck.
“Or I’ll make sure every last man in that village sees the limp in your walk before I take you away,” he growls.
You moan at the thought of it, at the thought of walking past your friends and fellow townspeople in such a state. The things they'd say - the whispers - would never get back to you, for you know they respect you too much, but oh, would they talk.
Boba shifts, reaching down to finally free his cock from his underwear. Almost immediately, you feel the hot length of it pressed up against your pussy.
“Yeah,” he mutters, moving his hips and torturing you with the drag of his dick. “They’ll all see how well I’ve fucked you - how good their little princess takes a bounty hunter’s cock.”
Your eyes slip closed as you cry out, shaking with how much you need him. “Please, Boba!”
His shoulder muscles ripple under your palms and he groans. "I need to get you ready for me, little one --"
"No," you cut him off, voice little more than a whine, pulling him closer as best you can in your desperate state. "I can take it. Right now, I need it, I need you, Boba--"
With a grunt, Boba lines himself up, hands like durasteel on your hips as he pulls you close in tandem with the thrust of his cock. You moan, high-pitched and uninhibited, when you feel his hot member pierce your cunt. Your folds part easily for him, the head sliding into your pussy like it was built just for this.
Your legs tighten around Boba's waist as he starts fucking you, dirty promises and filthy imaginings rolling off his tongue. His voice strains with each thrust, and it all just feels so divine.
You think you could live like this, if he'd let you. Get addicted to the way his cock moves inside you and never spend another day without it.
"That's it," he mutters, teeth bearing down on your neck, surely leaving marks that'll turn black and blue in a day or so. On a particularly sharp thrust, you're jolted back, legs trembling in his hold.
"Maker, Boba." You open your eyes and see the way he's looking at you, teeth slightly bared and brows furrowed. He looks vicious as he uses you.
"You're so tight, princess. My fat cock fits in your little cunt so well," he grits out, your body still jostling with each thrust. Your eyes are fixated on his face, on his mouth, watching the words spill out from behind his lips.
For a moment, your brain provides a sliver of sass, making your eyes sparkle with mirth, even as your tits bounce against Boba's bare chest.
"You fuck pretty good for an old man."
Boba growls, a deep chuckle combined with a moan sounding from somewhere deep in his chest. His thrusts slow and he leans back, taking in the way your body is wrapped around him. Your hands fall to your breasts, pressing them together and flicking your thumbs over your nipples.
He snaps his hips up, hard, slamming his cock into you and forcing a whine from your throat. You can feel his balls smack your ass, even under the water. "You're desperate for it, princess. Desperate for this old man to fuck you like you need."
He rolls his hips again, rhythm slow and steady and deep. The air around you seems to rock in tandem with him.
"Yeah, you'll love Tatooine," he drawls, exhaling through his nose. "I could take this sweet pussy right on the throne and no one would say a thing. They'll all watch their King fuck a woman young enough to be his daughter."
You moan loudly, silken walls clenching and fluttering around his cock as it pounds into you.
He hums. "You like that, huh, little one?"
Despite yourself, you nod, squeezing your eyes shut again. Boba's left hand comes up to grip your chin, fingers like iron against your jaw. His thrusts get shallower, lazy, like he's become distracted from the fact that he's currently balls-deep inside you.
Your hands find his chest, getting your fill of his searing hot skin against your own.
"Open," he demands, and you do, tongue resting on your bottom lip.
Boba hesitates for a moment, and in that split second, the world around you is still once again. "This mouth," he murmurs, "is just begging to be filled, isn't it."
The words make you clench around him, an involuntary reaction to the thought of putting his cock in your mouth, of laving it with attention and worshipping it like it deserves.
Your eyes are still closed, so you can't see as he closes his mouth and works his jaw for a moment, gathering saliva on his tongue. You only feel the jarring sensation of spit landing in the back of your throat, filthy and debasing.
"Swallow it, little girl."
Eyes fluttering open, you do as you're told, and you know you'd do it a million more times if it means he'll look at you like he is right now, eyes dark as space itself.
"Thank you, my king."
You don't know what compels you to say it, other than the fact that it just feels right. Boba smiles, a sly thing that makes his dark eyes sparkle with something dangerous, and he begins fucking you again.
His hand slips down to your throat. Not tight, just resting there, a reminder.
Boba Fett licks his lips before speaking, the steam from the water around you making his face look almost eerie in the glow of the kyber. "You take me so well, my queen."
He picks up the pace again, and soon he's jackhammering into you with the same fervor as before. Your mind melts into a puddle inside your skull, only able to focus on the push-pull within you and the building crescendo that accompanies it. Boba's fingers tighten ever so slightly on your neck, and you respond in kind, curling your nails into the meat of his pecs like claws.
The fire within you is licking up your legs, winding through your ribs, and you gasp when it feels so close it's unbearable.
"Boba, I'm gonna - I need --"
He cuts you off with two simple words: "Touch yourself."
And so you do, the fingers of your dominant hand flying down to rub your clit and draw your orgasm to its inevitable peak. You press the pads of your middle and ring fingers to the bundle of nerves and frantically work to bring yourself off.
The sparks that shoot through you at the feeling of your own touch, combined with Boba's continued movements within you, force you up and over the edge of your climax in rapid succession. You cry out, the sound of it echoing far above your heads.
There must be something about the water, because the sensation is unlike anything you've ever experienced before. Your whole body seizes, straining against the hand that's wrapped like durasteel around your neck, and a tingling sensation shoots down your arms and legs to your toes. You've heard tales of the afterlife, of nirvana, of pure euphoria, and you think this must be it, because you can hardly comprehend the full-body pleasure that engulfs and drowns you.
When it passes, you go limp in his arms, head draped against his shoulder.
Boba finishes not long after, spilling into you. His spend is hot where it fills you, hotter than the water, and it's like an ancient lock has been fastened shut inside your cunt.
Your king carries you back to the dry stone floor. He lays you down and kisses you softly, heatedly, passionately. He kisses you as a lover should, like you're consummating a bond. A contract, signed in the twist of his tongue against yours.
The two of you do not leave that cave for a long while, taking the time to explore one another's bodies in every way you can dream up. You finally taste his cock, swallow his cum and find you love the taste, and Boba likewise licks and eats your pussy like he's a man starved.
When it's time to depart, you do so a changed woman. Boba Fett's body has left its touchmark on your soul. Now that you know true pleasure, the gratifying gift of submission to him, you couldn't imagine not going with him for at least some time. Leaving with him has become a need more than a want. You'll return someday, to rule and guide your people as you should, but not before you explore life with Boba for a while.
He promises so much, so many experiences and pleasures and truths. You can't let those promises go unfulfilled.
-
When Din enters the throne room, he surveys the space, as he always does when he walks through a doorway. Little is out of place.
Boba is seated upon the throne, conversing with a supplier, helmet betraying exactly as much emotion as Din's own does. From the grip Fett has on the arm of the throne, however, it's clear the negotiations aren't going to turn out well for the snivelling merchant.
Shand is leaning against a wall, jar of spotchka clutched in one hand, gesticulating with the other. She's smiling, which is rare for her, as she speaks in a tone Din can't quite hear.
Next to her is a girl Din's never seen in the palace before. She's dressed rather strangely - a thick cloak with fur trim over dark clothes, pants tucked into leather boots and some sort of shirt-tunic on her torso.
Certainly not suitable for the weather on Tatooine. In fact, Din would wager that's the clothing of someone from a snow planet.
He walks further into the room and catches the attention of Fennec and her friend. They both look at him; Fennec only for a second, but her companion's gaze lingers. Din thinks he sees something akin to curiosity - perhaps surprise - in her eyes, but it's hard to tell.
Her head turns to look directly at Boba, eyebrows raised. The other bounty hunter dips his head in acknowledgement.
Din stops in his tracks, unsure of the dynamic he's just walked into.
"You're excused," Boba barks, waving a hand at the supplier, who yelps and scurries out of the room.
He then rises from his seat and makes his way down to where Din's standing. He removes his helmet - an action that still makes Din tense up, even with everything that's happened - and tucks it under an arm. He sticks his other hand out and Din shakes it, nodding once.
"It went well, I assume?" Boba's almost smiling, which is a rare sight to see on his usually sullen visage.
Din nods again. "Yes. He's doing… he's doing great."
If he took his own helmet off, Din's smile would be clear as day.
Boba claps his hand against Din's shoulder, an amicable gesture that Din must remind himself is a sign of friendship, not posturing. Old habits die hard.
"I've got someone I'd like you to meet, Djarin," Boba says, turning towards the women who stand, watching them, not too far away.
They walk over. Fennec takes a sip of her spotchka, while the girl glances between him and Boba. For the life of him, he can't figure out where she might have come from, or what her role will be here. She's pretty, that much he will readily admit. Her eyes are bright and alert in a way that tells him she sees more than she lets on, and her stance is simultaneously relaxed and braced for conflict. He knows it well - it's as easy as beskar to spot.
She holds herself like a warrior.
She’s also young - certainly the youngest in the room.
Boba's voice pulls Din out of his thoughts. "This is our newest crew member. She'll be helping us with our… over-the-table dealings, in exchange for training."
Confused, Din tilts his head. "Training? What kind of training?"
"That's where I'd hoped you'd be able to help," Boba tells him. The girl looks from Fett to him, eyes focused right on his own through the visor.
"I need guidance in the Force. Boba said you have connections to people who could help me master my Force sensitivity."
Well, he supposes that's at least somewhat true. Ahsoka may be willing, but given how it went with Grogu, he wouldn't count on her.
"I'll see what I can do," he responds. As is his habit, he props his hand on his belt, hip jutting out just so.
The girl's eyes flicker down and back up again.
Boba clears his throat. "In the meantime, the princess and I have other matters to attend to."
He reaches out to her, and at first Din thinks he's going to grasp her shoulder in his firm grip like he tends to do with all of his close acquaintances.
Din quickly sees that this girl is much more than just a close acquaintance.
Boba’s hand finds its place on her neck, thumb tucked under her jaw and fingers wrapped around the base of her skull, tangled in her loose hair. As if they’ve done it a million times before, they lean towards one another. The girl’s eyes flutter closed, a soft smile on her face, while Boba’s study her unabashedly.
Their lips connect, heatedly, and Din knows his surprise shows in his movements. He glances over to Fennec, who just smirks at him.
The couple in front of him kiss one another completely without shame. Boba’s grip tightens to the point it looks almost painful, but the girl simply presses closer in response. She brings a hand up to rest on his chestplate, the only bare skin visible besides her face and neck.
Despite how warm his cheeks feel, Din can’t look away. He feels a rush of blood out of his head at the sight in front of him.
Boba and his lover kiss for another long moment before pulling away. He slides his hand to her hip, casually pulling her along as if he’d simply taken her by the hand.
She falls into step beside him, looking more comfortable than Din’s ever seen anyone next to Boba Fett. As they walk away, the girl glances back at Din, her observant gaze piercing right through him. Right through the beskar of his helmet.
And then she turns back, content in the embrace of the most feared bounty hunter in the galaxy.
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astriefer · 3 years
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Please have this messy, badly written scenario as a humble gift to you, because I wanted to do something since I reached 200 followers!
Bits of Truth
They stood in front of the Carstairs' townhouse in Cornwall Gardens. Christopher seemed mildly confused about what they were doing there as if he had not been paying attention. James shared one last glance with Thomas before he knocked on the door.
A few bits of silence flew by, in which they had held their breaths. Then footsteps tapped on the floor, and the door cracked open.
A wave of relief passed through James that not Sona nor Risa or any other maid came to open the door. Then he thought what a peculiar thought it was for him to be relieved by. Alastair looked at them, frozen in place, blinking a few times as if he didn't believe they were truly there. He rejoined his composure hastily. He didn't let them in - he stood in the front door and his eyes searched theirs for an explanation. It was like a weird staring contest. Eventually, Alastair spoke first. "Cordelia is not here. You know it fairly well."
He moved to close the door. "We haven't come for Cordelia," he said quickly, which received another incredulous glance from Alastair. "Well, we have. But not because we thought she'd show up here. We came to talk to you."
Alastair narrowed his eyes, expressionless, and considered James. Then he glanced at Christopher and Thomas, noting their desperate eyes. "About my sister?"
"We won't take long," promised James, despite he wasn't sure it's true. Alastair studied him, and James felt himself going rigid. He leveled Alastair with his indecipherable gaze.
Then Alastair had stepped back from the door and ushered them in. "My mother is in her bedroom, resting, and Risa went shopping for supper. So, you have to be quiet. Make it quick.'
~~~~
Alastair took their coats and tilted his head towered the parlor. A kettle whiselted in the kitchen. As he gestured them inside he turned the other way. A fire burned in the chimney, and a book rested peacefully on the armchair. When James examined closer he discovered it was written in Persian. Thomas mumbled something about Persian poetry.
Alastair came inside with a tray and James thought he was, for a change, being hospitable, but he ignored them and disappeared up the stairs. When he got back, empty-handed, James assumed the tea was for his mother. Alastair placed the book on the table as he sat down in front of them. Thomas and Christopher set on a love sofa and James set stoned on another armchair. He didn't waste time being the kind host, James presumed. "What it is about my sister?"
The golden-eyed boy decided the best tactic was started from what he knew. That wasn't much, but it was the most important thing, and he was certain about it, at the very least. "I love your sister."
Alastair raised his eyebrows, amused. "Yes, that's something that tends to happen between married couples, I've been told."
James shook his head. "This marriage, of Cordelia and I," just saying her name on his lips made a treacherous skip of his heartbeat, full of hurt and love. "It was a sham marriage."
Alastair pools of dark marble were fixed on James when he explained, rather awkwardly, the events that led to their marriage. And then events that led to Cordelia leaving the country. He prospected Alastair would be outraged, throw spears at them, maybe even recite some very angry poetry phrases in Persian. Instead, Alastair was very still for very long. When he did speak, the words weren't the James expected them to be. "I knew the marriage wasn't out of love," Alastair said calmly. "But I didn't expect you to tell all that rubbish."
James blinked. "It's the truth."
"Oh, I know," Alastair returned with a dismissive wave of his hand. "I doubt you would come up with such a ludicrous idea on your own, even if just to spite me. and I also know Cordelia wouldn't have slept with you unwedded, no matter how much she loved you."
All the thieves caught their breath when Alastair leaned forward, his month curving in an odd angle. "I also know being married to you was a wish she never thought would come true, and that you cared for her. You claimed her as yours and you defended her. It was good for Cordelia, and so I said nothing."
James snorted, although he hadn't found the conversation funny. Not the least. "I thought I loved Grace at that time. I felt bad when the thought of living with Cordelia was more appealing than I expected." The thought of Grace made his features harden. "And because of Grace, for years I've been blind. Manipulated. I lost my wife and Parabatai. She played with me like a doll; messed with my feelings, messed with my life. This is unforgivable."
He did not notice Christopher who tensed up and fixed his spectacles on his nose. "She did some bad things," he said, surprising them all. "But I don't think she's evil."
James furrowed his brow. "She's like a siren: beautiful and compelling, but going after her will only end in you being drowned."
"I see," Alastair said, turning back to James. "But why? Why did she do it?"
"Does it matter?" James asked. "She hurt so many people. She doesn't even deserve to apologize. It won't matter anyhow - the damage is done. After all she has done...sorry will never be enough. Nothing will."
"It matters," Alastair said. "Because you don't know her side of the tale. You don't know what she thinks. What she feels. You don't know if she had to do what she did."
He was tempted to say Grace has no feelings at all. "I believe I'm allowed to be angry."
"I do agree that what she had done to you is far above a jest or a play with hearts," there was a strange flame burning in the deep ponds of Alastair's dark eyes. "And you have no obligation to forgive her. But why not hear what she has to say? You are the one with the power. You know the truth. She can not affect you any longer."
James shook his head. "You don't know Grace," he said coldly, gravely. "She will try to use me. She will try and make me do as she wishes. I will not be a pawn in her game again. She controlled my life long enough."
Alastair glanced away, pondering over something. Thomas turned his head nervously between James and Alastair. For the first time since the beginning of their conversation, Thomas inquired, "Why do you insist James will hear her out?"
"You have no idea of her motives," Alastair retorted. "What she's done - she must know it's wrong. And she will have to live with this knowledge for the rest of her days. You are allowed to be angry, James, and rightfully so. But don't let it blind you. That you have been kept from certain kinds of evil doesn't mean everyone else had. You have no clue what led her to those decisions." Alastair looked distanced. James managed to guess he's not been talking only about Grace. "You should talk to her. You may not forgive her, but you deserve to understand, to know why to hear the plain truth. And you should let her mourn what she could have had and lost."
James wasn't sure he fully comprehended. "I wouldn't have loved her. Even without the bracelet issue - my heart belongs to Cordelia."
"What do you mean?" Christopher asked. "That not everyone had been kept from evil."
Alastair shrugged. "I met Tatiana Blackthorn only once. She's a madwoman. She doesn't seem like the kind of caring, kind mother to pet her daughter's shoulder. Besides, Grace seemed to be controlled by Tatiana, rather than working alone or alongside her."
"She took the love of my life away from me," James growled. "Nothing can atone for that."
"The love of your life is my sister," he reminded James. "I can hardly find the idea of her being heartbroken a good thing. And the one who caused this pain is not much liked, as well. But you shouldn't think that just because you would've done it otherwise, it was an option for her. You can't know what are the options in front of people. You can't know how they feel unless you talk to them. So talk to Grace, James. Then seek out my sister. If you love her like you claim you do, will you give up on her so easily?"
"No," James stood up, "I will not."
Alastair nodded. "why did you come and tell me about your little schemes? Why now?"
Now, after so much time of lying, why tell the truth? Why not keep it in its cage of delicately made lies?
James cut his gaze to the book on the table. Thomas answered instead in a quiet voice. "She is your sister. You must have been worried about her. We wanted to tell you because - because you deserve to know the truth and understand why things happened the way they did."
What Thomas did not say was what none of them wanted to admit. Cordelia ran away to Paris with Matthew. Even if she'll be back in only two weeks - they all were worried sick. James couldn't blame her, he was awful and blind. All of this was a mess. If she needed time to calm down in Paris, he couldn't deny it of her, even if he had a say in this choice.
Alastair studied Thomas, and James felt the half-Persian hadn't quite believed them. It was true - they needed his help in the future. But it was a start. "Anything else? A ghost friend? Another evil aunt?"
"No," Christopher affirmed.
"Good," Alastair said. James might have imagined it but he thought he saw Alastair sneak a glance at Thomas before standing up. "Now get out of my house. Risa will be here any minute."
~~~~
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I- how?? Thank you so much, everyone!! 🙈 Thank you, you can't understand how much it means to me. 🥺
This is mind-blowing. Truly. For whatever reason you follow me, know that I love you <3
Tagging some of my mutuals, you are all wonderful and make my time here so much better (not all of them because my brain is all wonky, but I mean all of you): @kit-12 @littlx-songbxrd @pink-party-dino @shadowhuntertrash @gummybears-4u @itsdaughterofthemoon @mcrrythievcs @fictionally-fantastic @reyna-herondale I'll tag more but I don't want to bother anyone so... thank you!! I don't know what people find in my blog, but I am grateful, and I appreciate all of you endlessly.
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imbellarosa · 4 years
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Let’s Talk Calm-ly about Two Loves
OR: When you’re a grown man who writes stories for a living, you definitely wrote your own weird bedtime story, too. 
The TLDR here is that H has taken one specific listener around the globe, notably to Tokyo and Jamaica. He quotes an old Victorian Poet who was an awful human but who’s lasting legacy is the phrase “a love that dare not speak its name” which is - you guessed it - a reference to queer love. He also is super excited to spend what seems like the foreseeable future with this listener and has bought a little house with a garden of daisies with them and it’s very sweet and domestic. Anyways this is a wild time and it’s all under a cut because it’s...really a lot. 
Anyways I think the people I owe thank yous this times around to are @queenlokibeth​ who had to listen to me scream about this for a while, Astrid, who screamed with me when this came out, and “M” who convinced me to finally get to work in this fandom. And, of course, all of the lovely people tagged below who’s work I used to build my argument. 
1.) Who Wrote “Dream With Me”? 
Well, not H, or so the story goes. Two other people (Steve Cleverly and Sanj Sen) did! I mean, right, okay, for a while I was like...that seems like an odd choice for a man who didn’t want to hand Two Ghosts over to his own band because it seemed too personal. He wrote on every song in both albums’ he’s released thus far, because he seems to be passionate about telling the stories he wants to tell (even if he won’t tell you explicitly what they’re about). But for a while, I was totally going with the flow there, and the rest of this analysis would still stand: the writer of this story definitely referenced a poem by Lord Alfred Douglas and Harry’s own songs. 
However, I then read this fun quote from the Co-founder and CEO of Calm: 
“Well,” he said, “The the Harry Styles one is interesting because that came purely from Harry Styles himself...we took the approach of creating a sort of musical epic poem – he doesn’t sing, it’s spoken with poetry, but there’s a sort of musical sound bed to it and it’s pulling on things and themes that Harry’s fans really adore about him and associate with him. So his story was driven really by him – we really created a concept around him.” 
-  Chris Advansun, July 7th, 2020 via @hlupdate​
And I thought, hmmm. This does not sound like a project that he was not involved in creating. From this point on (July, 7th 2020), I began to think of it as a three way co-collaboration between him and the other two authors. But this confused me a bit, because there was largely a nonreaction from the fandom. I was waiting for an actual transcript, because I always fall asleep to these meditation stories, but it was being referenced to as some sort of Y/N fic, which was...honestly not what I expected, but also not implausible, thanks to the ~lovely~ image this man has had since the age of sixteen. But also, twitter seemed to be concerned by other things at the moment, and no one was analyzing the story. . 
In fact, I messaged a friend the day that this story dropped, because it had been kind of a shit show day on Twitter. Rumors were sort of flying about everyone and everything: had Liam shaved his head? Was he engaged? Had he and Maya broken up? Were Zayn and Gigi engaged? Had they broken up? Did Niall have a girlfriend? (this one was true lol). Were Elounor engaged? Were they pregnant? Had they broken up??? My personal fav was the bald Liam rumor, which he promptly put to rest in LP Act 1 by...having a huge mane of hair. 
So then I thought - huh. Why has today looked like this? I’m not saying that there aren’t days that twitter goes wild because of boredom, because there definitely is - the articles about secret meetings in Italy that are coming out this week (8/12/2020) are proof positive. So that definitely does happen, but it doesn’t usually happen on the days that there’s a lot of content. And maybe I’ve just been starved for content in this fandom, but I would consider a 40 minute video quite a bit of content. 
Then the transcript dropped. I’m using two as references - this one on Wattpad and also @carl-and-pearl ‘s version here (thank you so much for the transcript!!). We’re going to get into a more detailed description of what’s going on in the story, but the first thing I recognized immediately is that it was first person POV. I knew that going in, based on the number of Y/N jokes going around on twitter. Then I read it aloud, and I realized that it read like a letter. Like an experience specific to the writer and the reader. And while that’s not super uncommon to write about an experience from the author’s POV - I listen to a podcast called Nothing Much Happens: bedtime stories for adults which has a similar concept - I thought it was odd that they were trying to include both the author and the listener. I completely understood why the y/n jokes were pertinent. But at the same time, it felt like something had snagged in my mind - like a particularly annoying splinter. 
The conversations I was having around this story - completely based on the content, concept, and my own instinct - was that this story contained specific references to one person. I thought that it did read like a love letter, and that most identifying features would have been taken out, but the essence remained. Which, once I thought about it, was something that H excelled at doing. Think about Sunflower Vol 6 and Adore You and Canyon Moon and even Watermelon Sugar and Golden.  Ask yourself, What do I know about the person they are about? They have skin that browns, they have a secret, they have mesmerizing eyes, they’re willing to dance in the kitchen with him (to dancehall), they have a belly, they’ve been through hard times, they’re witty, they have an accent, and they have lips. I know - super specific right?
So the splinter grew into a thorn - what was I missing? And then - when I was looking for something completely different - I stumbled upon this old interview Harry did with Zach Sang and the Gang Show back in 2017.  For context, he was being asked about Sweet Creature. As you can imagine, it’s hard for people to believe he wrote such a beautiful love song when he hadn’t ever really had a long term relationship (two hearts in one home?? Who did you move in with, you can imagine them asking. When did you have time?). So what did he have to say about this?
"In my opinion,” he explained, “I think most songs are written for one listener. Maybe there's one thing in there that only they'll notice about them.... It's so much easier to say something in a song than it is to say it to someone and I think it's really amazing to be able to communicate through that and be able to wrap up everything that you want to say in three and a half minutes and say it in a song."
- HS, May 3 2017
By this time, please believe that I was screeching. Seeing this felt like he put into words the exact feeling I had about “Dream With Me”. It felt like a nod to someone that I didn’t know, which made the story hard to listen to, tbh. Although, I will say that when I did finally listen to it, it knocked me out and gave me odd dreams so. Once was enough for me haha! 
So my new operating theory is exactly what Advansun said: I think that H was the primary writer/the driving force behind the story. Because of the references I’m about to run through, because it feels like the way he tells stories, and because they admitted to him being more involved than they originally claimed. That’s going to be how I write the rest of the analysis - under the impression that H had a direct hand in the story that was being put forth. However, I think that the analysis itself would stand whether or not he wrote any of it. It would just be a more tenuous reflection of him than I believe it to be. 
2.) How Do I Love Thee? In Two Ways. 
Before I jump into the story, let’s talk a little about the poem that I want to compare it to: Two Loves, by Lord Alfred Douglas.  Let’s be clear this is not at all a defense of who Bosie was - he was a terrible person, particularly in his later years, when he’d converted to Catholicism and turned his back on his younger self, and his partner, Oscar Wilde. He was violently anti-Semitic, and turned his back on his own community. I want to get this out of the way because I very much believe that we should examine artists for who they are. That is, after all, what I am trying to do here. 
But his poem Two Loves has often been used - much to his disappointment, I’m sure - as an exploration of queer love in Victorian times. A line that I will be exploring more deeply in a second was in fact used against Oscar Wilde in his trail for indecency . He attempted - unsuccessfully - to explain it away, but it was too blatantly about their relationship for even the British Victorian society to ignore. I really, really recommend a read of this poem, because it is - despite it’s author - a good piece of work, which explores the themes of shame and love and longing between two men in that time. 
I’m going to start with my own background, as someone who’s analyzed fandoms before. I first came across this poem in the Sherlock fandom, with this analysis by @the-7-percent-solution​, when I was running in that fandom, and she explains the poem brilliantly in just a few lines. I’m going to take a little longer to run through it, but if you want a concise explanation and a brilliant meta, I encourage you to run to their blog and check it out. That fandom taught me most everything I know about catching symbols and recurring themes and “clueing for looks” and I love it desperately, still. 
But we’re here to talk about this fandom, so on with the poem! Essentially, the poem outlines a dream the speaker had: In his dream, he’s standing in a field with flowers - beautiful ones of all kind - and he meets this young man with clear blue eyes and bright red lips and they kiss a bit and have a picnic, and it’s all lovely. If you think I’m kidding, I’m really not. Please, read it for yourself. 
Anyways, after they did they did the whole picnic thing, the speaker and his date go on a walk in this field, where they come across two figures. The first is described as, 
“...fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were.” 
- Two Loves, 1894
The speaker, however, was drawn to the second figure: 
“He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame..”
- Two Loves, 1984
Of course, the speaker immediately asks the second man who he is. The second man says, “My name is Love”. The first man corrects him quickly: 
“ He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.”
-Two Loves, 1984
The second man sighs and acquiesces, “Have thy will. I am the love that dare not speak its name.” 
It was, of course, this last line that really gave the meaning of the poem away. It was the line that was put to Oscar Wilde as proof of a romantic relationship, it was the line that went down in history as a way to refer to queer love, and it was the line that first stuck out to me when I was reading “Dream With Me”. 
The reading here is clearly that “Love” is the love that is acceptable to society - easy, sweet, and cherished. “Shame” is the love that happens in secret - beautiful, alluring to the speaker, passionate, anxious ( as can be seen in the clenching and unclenching of his hands), and proud. He refuses to call himself as anything but what he is. The first man may call him Shame, but he refuses the name, and instead, offers a qualifier to his own descriptor. He is still love, he is just the love that can’t be spoken about. 
3.) Walking in Golden Fields of Sunflowers
Now let’s talk about “Dream With Me”. I’m ignoring the first few stanzas (from the line “Have you ever wondered” to “What the two of us can find”.) because those are pretty standard introductory paragraphs to a guided meditation. So we start with the line “Let’s travel now to moonlit valleys...”. 
I’m going to do the same thing I did with “Two Loves” first. I am going to describe literally, in general terms, what happens in the story. Warning, I change pronouns from “they” to “you” because the whole thing confuses me, but note that I’m always talking about the speaker and the listener: 
So after doing the standard intro, the speaker and the listener take a walk through the woods enjoying nature, particularly the grass, the trees, and the blue sky above. You’re already clearly in love. Then you’re magically on a raft, with cherry blossoms all around you. If you want a good visual for that, here’s a site that has pictures from a boat rental in Tokyo where you can snuggle on a raft in the  Chidorigafuchi moat. And then suddenly it starts raining, and they (you) watch the rain for a hot second, and then the scene magically shifts again, and you’re under a porch (although I guess it could be the boat rental’s porch. They do usually have covered areas). 
Kind of furthering that theory, they then lounge by the shoreline, skipping stones and hanging out, looking at the snow capped mountains. In case you’re curious, because at this point I sure was, you can see mountains from certain areas in the city of Tokyo. 
Anyways, then it’s snowing, and you’re magically in a cabin, just chilling by the fire, and you fall asleep again. You wake up somewhere else.
Where are you now? Well, you’re on a tropical island filled with palm trees. As an American, my mind immediately jumps to the Caribbean, but I suppose it could absolutely be in the Mediterranean as well. The island has white beaches, mangroves, a turquoise ocean, and a gorgeous, peaceful atmosphere. 
If you’re curious as to what a mangrove looks like - and I certainly was - they are a group of trees and shrubs that live in the coastal intertidal zone and Jamaica is doing a massive restoration project involving primary school children to regrow this vital part of their ecosystem. More interestingly, there currently exist no mangrove forests in the Mediterranean, so my initial feeling that this scene would take place in the Caribbean was correct. On that note - again, because I was curious - Jamaica has gorgeous white sand beaches with turquoise oceans. 
But I’ve gone off topic again! After you’re minds are “in tune” once more (trying to find a heartbeat, anyone?), you reappear in a meadow, with beautiful flowers of all kind, where you are now walking hand in hand through a field of sunflowers, which give the feeling a “warm and golden hue”. Then you come across a little farmhouse with daisies poking out (clearly I have no way of locating this anywhere in the world, but I assume that the UK has both sunflowers and daisies). It’s an empty house which was loved and left because of the passage of time, which inspires my favorite line in the poem: “ The thought of passing time inspires/A feeling that grows stronger”. It’s just...really sweet to me. 
So, of course, they do what anyone would do when they come across an empty farmhouse, they go inside. And there, they begin to fall asleep, reflecting on all they have just seen, referencing other scenes of the poem: “ Moonlit valleys, Burdened forests, Gazing at the ocean. Summer meadows, Tranquil sunsets steeped in emotion”. 
The next few stanzas are just going to be copy-pasted, and then I’ll go into them a bit, but this is the end of the poem, so they’re the final reflections;
“The tenderness we feel When we are close Two minds as one Surrounds us and connects us But we’ve only just begun.
For now we dream together Of all there is to follow. And know that sleep will keep us safe From now until tomorrow.
Maybe all the memories That we’ve gathered here tonight Are all dreams now remembered Or wishes in plain sight.
No matter what They’re with us now. For this night and forever. And every time we close our eyes They’re yours and mine to treasure.” 
- HS, Dream With Me, via @carl-and-pearl​
And that’s it! The literal story, in short, is that you started in a forest, then went to Tokyo (maybe) and then Jamaica (perhaps) and then back to a field of sunflowers and daisies in the UK (which is also a guess, it could be Italy or France or Idaho for all I know, but let’s call it an educated guess). 
4.) My Dream Journal
So now that we know what happens in the story, how do we interpret this? Well, There are a few lines in the poem that I want to draw your attention to: the first takes place in the first part of this story, when you’re still in the forest. This is, I must say, the most direct reference to Two Loves in the whole poem/song/story. Both works are describing a walk in the woods with your loved one, and, in a fun reference in the middle of the story, Dream With Me says
The shimmering reflection Shows us smiling from above. But what we think But dare not speak is L-O-V-E love.
-Dream With Me, 2020
Remember that line I mentioned before? I am the love that dare not speak its name. Right, so that’s almost a direct quote. It also has a really fun nod to “I Would” (Would he say he’s in L-O-V-E?/Well if it was me then I would), but I digress. 
This first part of the narrative, I feel, really sets up what the rest of it will look and feel like, in the same way that “Golden” sets the tone for Fine Line. (You didn’t think I was going to make a post about Harry and NOT mention Golden, did you?? If you did, I’m disappointed!!). So  let’s take a look at what’s happening, and the language he’s using to describe it. 
One of the best things about this poem is how vivid it feels. Of course, I’m about to argue that it’s vivid because it was based in reality, but let’s talk about the sheer amount of detail he uses to describe the place he’s walking through. The valley (canyon lmao) is moonlit, the grass and the leaves make mosaics of green, you’re walking by the heather (the symbolism of heather is good luck, admiration, and protection), the sepia sunlight breaks through the trees. 
You know what it kind of sounds like? Sweet Creature. You’re about to roll your eyes at me! I can feel it! But listen, okay?  
“Sweet creature Running through the garden Oh, where nothing bothered us But we're still young I always think about you and how we don't speak enough”
Which, to be honest, sounds like what they’re doing. They’re walking through the garden in the sun, not daring to speak about the Love that he (they both) feel, and instead refering to it in veiled Victorian terms. 
And then we head to Tokyo! I know that you’re about to ask me why I think it’s Tokyo versus...idk, anywhere else? Well, for one, he went to Tokyo (to let it go) publicly in 2019. He was there for a few months, and there are some great pictures of that time: 
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Look! Here he is with his club owner friend and his dog, and a fun red bandanna! But let’s be honest, the dog really steals the show here. But wait! there’s more! More dog content, too!
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This was on Jan 31st, 2019, and he’s taking the dog for a walk! Very cute! If nothing else, he spent a lot of time with dogs in Tokyo! And the city fits the description of the story. So I feel rather comfortable with my interpretation that this first date is a memory of this trip - or another - to Tokyo. 
So what did “you both”do in Tokyo? Well, chill on a raft while the cherry blossoms flutter around you, clearly. You also refocused your purpose. What did he do in Tokyo in 2019? Well, he took time to think about and write songs for the album he was about to go record. Kind of like refocusing on what’s next, right? And then, in the story when “you both” had time to think amongst the lake and the water and the rain and the moon, and you’d come to the conclusions you needed to, you left. What did he do when he did the things he needed to? Well, he left, too. 
And where did he go? Well, in real life, I suppose he went to do his job. But, in the story, you’re meant to be falling deeper and deeper into sleep, so it’s sort of like traveling backwards, you see? Like counting down to one. So you end up on this island with turquoise ocean and mangrove forests. I’m calling this Jamaica. Why? Well, the description fits, for one, down to the four types of mangroves that exists within its ecosystem. 
And - probably the biggest reason - I can place him there, too. Here’s him in 2017:
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I added this picture because the water around him....looks rather turquoise, doesn’t it? Kind of like he’s enjoying his time on a tropical island by the beach?? Oh, and here’s another one!: 
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The red bandanna makes a comeback! 
So what are you doing in Jamaica, according to the story? Well, you’re hanging out, basically. Enjoying the beach and each other, of course!  What else? To be exact, “[Your] thoughts dovetail and unify/ In tune two minds together”. I’m so glad that you’re tuned like an old guitar now! Congrats! Really happy for you! 
What was he doing in Jamaica three years ago? Why, he was recording his first album, or so the story goes. I’ll tell you something: finding press for that album was literally the most difficult part of this whole analysis. I got a fair bit of the tattoo roulette with Kendall Jenner, and some things about Carolina, but the interview with Zach Sang took me like an hour and a half to find again to link. The fact that a lot of it has been buried is...not great, for posterity purposes. He’s going to want that one day. 
But I’ve gotten off track again! We gotta go back and finish our story, right? What happens now? Well, this does: 
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hahahaha okay, I’m really sorry, but I had to. I’m not, actually, making it up though! According to the story: 
“ As minutes turn to hours We drift off somewhere new. And visualize a stairway To a door we now walk through”
- Dream With Me, 2020
So maybe Louis was just...demonstrating for you. 
Anyways! Where do you walk out to? A golden field full of sunflowers. You walk for a minute, then come across an old house with daisies popping up out of the garden. And that’s where the story ends. I guess you’ve made that farmhouse feel like home. 
Now to the little reflection he does on the outro. The lines I want to bring your attention are: “The tenderness we feel when we are close two minds as one surrounds us and connects us but we’ve only just begun” and “Maybe all the memories that we’ve gathered here tonight are all dreams now remembered or wishes in plain sight.”
Let’s talk about the first sentence first. In the context of finding a home that could be a shared home, and a future, this is very much an “end of the story, beginning of our lives” sort of thing. You’re back from all over, and it’s time to settle down, and see what’s next. 
And now the second sentence. I think this is the one that really drives my point about this story being a collection of memories he has - that’s what he calls it. The story is “gathered memories” that might also be called “remembered dreams” (think of how people say of vacations, “oh it was a dream!”) or you might call it “wishes in plain sight”. This feels in line with the rest of the story. In this stanza, he’s sort of letting you in a bit. If I’ve read this right - and I really think that I have - he’s giving the larger context for the story. It’s a collection of memories he’s had with someone he loves. 
5.) Cool! Can you prove it? 
I mean, I’d argue that if you read this far, I have proved it, but let’s make some more links, shall we? This was called a “muscial epic” that was “driven by him”. I’d argue that if I know my Victorian literature (thank you, Sherlock!), then he definitely does. Then there’s the fact that he quoted it, so. That did happen. And he knows what it means. And even if he didn’t, there were two other people on the story. Someone was more than capable of catching that one, and the fact that they didn’t speaks to intent. They want you to think of that phrase when you read this poem. They want you to think of that walk in the woods while you’re going on this one. 
And, as for my assumption that this is for and about one person, well. Think about it. He said that he writes his songs for a single listener. I’m not saying it’s the same listener each time, let’s get that right, but it is always just for one person. With that, and with the assumption that he’s been involved in the writing of this story, I’d say that the same rule applies. He went with someone to Japan and Jamaica (J^2 haha). And, if I had to guess, it was the same person. 
Why, you ask? Well, for one, if that weren’t the case, then this poem would no longer be for one listener, it would be for multiple. And, for another, imagine how awkward it would be to listen to it with his current partner and have to explain “oh, yeah that was the super romantic vacation I took with someone else” . And, I suppose that because I think that attitude of “refocusing” and “dovetailing” and “tuning” and getting excited about imagining all of the tomorrows with your partner speaks to a long term relationship breathing easily, you know? 
I’m also going to argue that describing the aura around the house as “golden” was intentional, especially when paired with the location - in the middle of a field of sunflowers. Those are both direct references to his songs. And those two songs are particularly linked by the number 28. The third song that features 28 is Fine Line the song, but that’s a different story. Anywho! “Golden”’s bridge just repeats the word ‘golden’ twenty eight times (if you go here , you can count the bridge) and “Sunflower Vol. 6″ ends the song with 28 “boops” (believe me, I wish I was making this up. I’m not.). So then, once again, you’ve linked a story to two already linked songs. 
And, even if you don’t buy the intentional repetition, they’re linked another way, aren’t they? The color scheme and the sun symbol. Sunflowers were named because of their sun-like appearance. They turn to face it. They symbolize loyalty and adoration. And then, of course, the sun is - say it with me - golden. And it - like the person in golden - waits in the sky, beautiful and dangerous and constant. And here that symbol is, in a farmhouse in the middle of nowhere. At home. 
This whole story feels like you’re taking the time to find that heartbeat that you think you might have lost, and sort of coming back to a space where you understand that this is what you want, now and forever. It feels like finding a home that could be yours forever, and it feels like walking through some of the moments that remind him of that. 
It really is rather lovely, if you think about it, especially since he has a tendency to attribute “home” to people rather than place, in his songs. So it’s like. Going all around the world and always being at home. 
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chalkrevelations · 3 years
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So, Episode 7 of Word of Honor, and where to start? No, I’m kidding, I know exactly where I’m starting, which is with some recognition of what a great job this show does of developing 98 percent of its multitude of characters, because the first two things I’m going talk about this week aren’t even Zhou Zishu, Wen Kexing OR Wen Kexing’s thirst (AKA, the three main characters of the show).
Well, I guess I’m really starting with the usual warning – this is a re-watch and so there are SPOILERS here, not only for this episode, but for most of the show. Scroll away and come back later if you’re trying to watch all 36.5 eps unspoiled.
SO, I mean, come on. Of course I’m starting with the Smartest Man in the World, who has finally shown up in this episode, and I’m reminded once again what an actual cinnamon roll, too good for this world, Cao Weining is. He’s maybe the single completely good character we meet  – even Chengling wants to burn down somebody’s house at one point because he’s mad. But Cao Weining is almost too good to be true – and yet, there he is! Living his best life, being good, eating good, falling in love, and refusing to let his beautiful, clever, fierce girl’s neuroses come between them. I love him, y’all. And not just because he instantly falls in love with A-Xiang when he happens to see her beat up a bunch of drunk bro assholes in the inn where he’s having a quiet little lunch by himself before she storms into his life like a purple whirlwind. But let’s do think about this from his perspective, yeah? And let’s remember it as we watch the progression of their relationship, as we wait for the revelation we know is coming, and as – many eps down the line – he learns the truth of her. Cao Weining’s first experience of A-Xiang is someone who’s brave and capable, who defies outsized odds to come to the rescue of those in need, who doesn’t allow women and girls to be abused, who expects proper behavior from the representatives of the jianghu, and who is absolutely fearless in demanding just treatment and never even thinks to be intimidated when she faces unfair censure from an authority figure. This is the girl WKX raised, y’all. This is a girl who embodies everything Cao Weining has been taught to believe in as a cultivator. And this is the girl Cao Weining sees every time he looks at A-Xiang. Maybe, just maybe, this is the truth of her, and Cao-dage sees and understands it from the very first time he spots her, and anything else he’ll learn about her is really extraneous. (Hmm. I wonder what other relationship we’ll eventually end up seeing that kind of dynamic in, where someone truly knows you and believes in you, so everything else is unimportant?) Also, Cao Weining tells A-Xiang she’s very beautiful, and how many people do you think have ever told her that before in her life? He asks why he would want to fight and hurt her, and how many people – particularly men, given where she grew up – have ever told her that before? He buys her lunch – twice, because the first round gets cold. Remember a few episodes back, when WKX asked her who the second cutest person in the world was, and she responded that it was someone who would buy her a meal? Well, here he is. For bonus points, it is hilarious how badly WKX responds to Cao Weining’s very existence after ZZS points out the pair of them having a toast at the same inn that WKX and ZZS have stopped in WKX has dogged ZZS’s footsteps into. Poor Cao Weining doesn’t even get the shovel talk – although to be fair, he doesn’t get the full-court Ghost Valley Master press, either, so WKX must have been holding back somewhat – he just gets told to get out, before WKX grabs A-Xiang by the ear and delivers some scathing commentary on her taste in men, like he didn’t immediately fall for some rando who was tits out, drinking himself to death in the gutter.
ANYWAY, from the Smartest Man in the World, we’re going to move to Han Ying, My Beloved, who we see interacting with the Five Lakes Alliance again, this time in the person of Gao Chong, leader of Yueyang Sect and host of the upcoming Heroes Conference, da-ge of the 5LA. I had honestly forgotten we got to see so much of Han Ying this early on. What strikes me here is that this is a guy who I actually could believe is the second-in-command of Tian Chuang at what is it? 21 years old? When he’s doing his job, and ZZS is nowhere around for him to make pining puppy-dog eyes at, he’s focused and determined and a bit forceful and somewhat threatening and, frankly, appropriately arrogant for the job he’s been sent to do. He’s also wearing a cloak with a mini-Collar of Evil. He comes off as, dare I say, a capable leader of an assassin organization and a guy who’s able to do a proxy flex for his boss without looking completely ridiculous - which puts him one up on Duang Pengju, omg that asshole, and also makes me feel a little better about how I want ZZS to wreck him (or I guess, technically, him to wreck ZZS, because I’ve never seen a character (except Marcus Flavius Aquila, THANK YOU for your service, Channing Tatum) who put off such subby service-top vibes. WHY is there not more Han Ying/ZZS on AO3, fandom? I thought better … worse? … better? … of you.) When Gao Chong claims the Glazed Armor is a myth, Han Ying basically calls this older, respected zongzhu a liar and gets up in his face before refusing a dinner invitation and sweeping out in his mini-Collar of Evil with a credible “PAH.” My boy has layers, y’all.
What else? We start out the ep at Luo Mansion, a wedding scene, and I’m struck by how the Ghost Valley colors match traditional wedding colors, here. I’m thinking about how A-Xiang’s wedding dress won’t be red (and I think green was more common during the Tang dynasty?) although all the decorations will be, and I’m thinking about how we have this wedding as a book-end to that wedding, and I’m thinking about how it’s interesting that a girl who was raised in the Ghost Valley and protected by the Department of the Unfaithful meets a man who’s going to be so faithful to her in the same episode as this wedding with/of the dead. Ghoul, who’s one of the attendees from the Ghost Valley, also remarks that the red makes him hungry, so there’s a meat reference to throw into the thematic basket, I guess. (Also, hey. Ghoul is played by the same guy who’s Sun Yongren in Killer & Healer.) Lovelace (ugh) briefly menaces one of the Department handmaidens before Luo Fumeng shows up, and I think she’s Yun Zai or Hong Lu, one of the two maids that A-Xiang rescued from him, although I’m not positive, because her hairstyle is so different and hides a lot of her face, here. So, we’re all attending the “wedding” of Mu Yunge, the apparent fuckboy who got got a couple of episodes ago as bait for Ao Laizi when Changing Ghost got his hands (briefly) on the Danyang Glazed Armor. We did see a brief scene with Yunge in the last ep, when he woke up tied up in bed, being menaced by someone who appeared to be his dead lover – who hanged herself while pregnant with their child – but turned out to be Beauty Ghost using a face-masking technique similar to ZZS’s disguises. In the interim, Ghost Valley has kidnapped 10 cultivators as his wedding party, and – this is the important plot point – that includes Deng Kuan, head disciple of Yueyang Sect. We get to see some of Beauty Ghost’s ruthlessness here, as she carries in the dead woman’s memorial tablet draped in a red cloth – how’s that for some foreshadowing (my f’kn HEART) – to set it down in the “bride’s” place before Yunge is forced to bow three times. (Dead girlfriend was a Mo from Broken Arrow Manor, and I … am not sure if that is significant or not. Is she possibly related to Mo Huaiyang? Does anyone know which sect is associated with Broken Arrow Manor?) Beauty Ghost also kills two of the 10 “guest” cultivators for talking without permission as she explains the next event to them – cage match. Only one of them gets to get out alive. Deng Kuan, the best of them, apparently, pleads with everyone to not let themselves be divided, but we can all guess how this is going to go. I guess maybe he’s the other completely good character we meet, but he sure is a punching bag. He ends up the last man, sort of, standing, as he kills the final other person in self-defense, but not before getting stabbed, and he goes down and is out for the count.
Meanwhile, cut to Zhao Jing and Shen Shen drinking and gossiping at an inn on the way to Yueyang. Shenshen – Shenshen – continues to bemoan Chengling’s uselessness, and also talks about the torture the other Zhang family members underwent just in time for Chengling to overhear in the hallway, so thanks a lot for even more trauma, Shenshen. Zhao Jing is so sad about it all, y’all. He’s just so very very sad, can we just stop talking about it, Shenshen, because you’re making him sad, and he’s just going to let Da-ge figure it all out, OK? Uh-huh.
Fourth plot thread of the episode is ZZS skulking around, following Chengling, trying to convince himself that this kid is safe now that he’s turned himself in to gone to live with the 5LA, even as ZZS spots Tian Chuang spies in the ranks of the Yueyang disciples and among the dumpling vendors on the streets outside. ZZS follows the dumpling vendor, gives him a code phrase and almost gets his head taken off by a Scorpion blade for his trouble, before stabbing Dumpling Man in response. WKX picks this exact moment to wander back into ZZS’s orbit, taking the chance to flirt as Dumpling Man spits up blood and dies in the alleyway, because of course he does. WKX tsks, accuses ZZS of being cruel, and quotes some poetry about fair faces and poisonous hearts, which - like all of his poetry - has a double meaning, because which of them is he really talking about, ZZS or himself? ZZS notes that WKX is openly wearing the (Danyang) Glazed Armor because of course he’s looking for trouble, but WKX loosens his stays and clutches his pearls and replies that he couldn’t possibly be looking for trouble – him? Philanthropist Wen? He’s not a merciless killer like ZZS. Whereupon ZZS finally says out loud what he’s been clearly thinking since he started going on about what an awful person he is in the LAST EPISODE, which is why the hell don’t you stop following me around, then? There’s some more flirting, and WKX continues to follow ZZS around, and ZZS takes note that WKX is obviously flaunting the Glazed Armor out in the open, and then there’s a little sleight of hand when Famous Pickpocket Fan Bu Zhi, oh noes! Steals WKX’s Glazed Armor right off his belt when he isn’t even looking! before WKX continues to follow ZZS around, conveniently into the same inn where Cao Weining and A-Xiang are having lunch. After WKX attempts to chase him away, we discover Cao Weining has had his wallet stolen. WKX deploys his Sadness Eyebrows to convince ZZS to turn over his wallet to pay for Cao Weining’s and A-Xiang’s lunch. ZZS – who does an admirable job of refusing for a bit – finally caves, and WKX orders lunch for everyone, on ZZS. Now all we need is Chengling, because the fam is not complete without Goldbean.
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septembersghost · 1 year
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Jess, honey, hey! How are you?? I'm so happy you're back!!! ❤️
Your post about Kim popped up and I'm gonna say that... yeah. Actually the longer time passes, the less right the final episodes sit with me. I mean they TRIED to give us the most hopeful possible ending, and the first time I watched it seemed really good, but now I just don't know. It truly seems like Kim became the ghost of her former self, like she is gone and I don't know if she's ever coming back. I'm happy that both her and Jimmy are alive and, who knows, maybe they have a shot at rebuilding their relationship, maybe Kim will become a lawyer once again, maybe she'll find herself and shine in her true light, but we will never know. I just want her to come back. I just want her to become brilliant and dedicated and passionate and larger than life again, she's honestly one of my two MOST beloveds female characters EVER, and thinking about her arc and how she appeared in Waterworks especially makes me sad.
Which also makes me think (I'm sorry for going off-topic here) final seasons and specifically the endings are hard, and the more we love the story, the more we love and connect with the characters, the harder those endings hit and the more difficult it is for them to be truly satisfying. I got into one show a few months back (as in podcast), and I fell in love with it so much and especially fell in love with two main characters who are also in love with each other. They became my number one favorite OTP (kid you not, even more than Kim and Jimmy, which surprised me.) I'm close to the final season and the anxiety levels I have about this and the actual finale are going through the roof. I've never actually talked about this, but I do worry. What if they destroy my boys? What if the whole thing ends up in a big tragedy and that is it? What if it's never gonna be okay? What if the final episodes are just... bad? It's been STELLAR so far but I know how shows in their final seasons can get.
Like, so far I can name only two shows whose finales really, fully satisfied me, and the others were either just plain awful, or sort of okay-ish, but I have my issues with them (BCS is the latter.)
Anyway, sorry for this rant and I would really love to hear your thoughts about Kim (that is, when your wrist is doing okay and fully healed.) Btw, you can call me Ellie!
ELLIE!!! omg it makes me so happy to be able to use your name because i have been too shy ALL these many months to ask what you like to be called?! HI! ILU!!! and i always love your long messages, rants or otherwise! my hand/wrist are healing a bit and not as painful, though i'm still trying to be careful, thank you for asking! <3
i have had many emotionally overwrought private discussions about kim and the way she was ultimately treated, and it's a couple of mutuals who have had me wanting to mull it over and work through it a bit more recently too, because they've expressed some thoughtful criticisms that have hit me hard.
it's curious, because i think we maybe had a bit of an emotionally shell-shocked reaction to the amount of things they threw at us in S6B, and while i did express some feelings of hurt/being disconcerted at the time, it has also gotten worse for me the further we've gotten from the show. they tried, but they also kind of...didn't?...and it leaves us in this odd liminal space where it feels like they 1. were painted into a corner because of brba and could not find a creative way around that; 2. they forgot the key principles that the show was built upon because they, at that last hour, prioritized plot over character; 3. they wanted to have their cake and eat it too by serving us both wrenching tragedy and some sense of hope, so ended up with a lukewarm mix of both while not entirely serving either.
i'm going to quote @boboodenkirk because she wrote such astute replies that i don't think i can phrase it better, i hope she doesn't mind (bold is mine): "as for me i guess at first i felt such need for comfort from the show, that i just tried so hard to find the good and forget the bad about 6b. i liked the ending at first because from 609 on i'd been feeling like every new ep was…painful for pain's sake. the breakup was so messy and rushed, 611 to me felt like "propaganda" trying to convince you jimmy's a monster, 612 was heartbreaking, so i guess 613 at first felt like breathing again. but then i look back at it from a "safer" distance. and i realized that there were to many things that just seemed rushed, forced and contradictory to me. and as you said, as time passes, the feeling of disappointment just gets more and more intrusive. maybe i'll try and voice them? you've got a break up that somehow doesn't sit well with me, maybe because it was too abrupt, maybe because parts of the script in 609 just seemed a bit… melodramatic. but i could accept it, i guess, if that was kim running away from herself as fast as she could…but the divorce scene? that is angst p*rn ffs. why would she stick around? why would he "become saul" so quickly? i know this is my personal taste, but still…it feels different and worse. which brings me to the characters arcs being suddenly dictated by the plot and not vice versa. after the messy and rushed breakup (followed by a divorce scene that just seemed a bit sadistic), you've got them trying and trying to paint jimmy as THE villain. don't get me wrong, saul is awful and did plenty wrong, but this universe was never about balancing morality and choices with the justice system. it was about balancing those choices with yourself those you love, and those you hurt. in my eyes, they went on a mission to demonize jimmy so you'd feel okay with him being 86 years in prison. but i don't. the rampage he goes into after kim's phonecall makes absolutely no sense to me, because that's not him. they made him worse and worse and i think it was just so that his final good deed would look "cooler". while kim? kim annihilated herself. and 612 is another perfect example of pain for pain's sake. and instead of, dunno, having her trying to figure out how much she's """responsible""" for jimmy's becoming the worst version of himself (which is something i'd have loved to see) and dealing with guilt, vince said hey!!! let's make her bf a misogynistic asshole but somehow funny!!! let's turn doubtful consensual sex into a meme!!! and, eventually, she almost felt like a means to an end. she was there so jimmy could "repent", but where was the depth of her new storyline? you can't show that level of complete and utter self loathing and sabotage and think that "yeah, but see? she's volunteering at a legal aid center now" will somehow be the right answer to all of the deep questions her annihilation raised." <- i legitimately feel like she plucked this from my brain.
one of my biggest problems was, and continues to be, the way they very quickly tore the characters apart and then tore them down, in a way that vilified one and utterly destroyed another, for...misery? to prove a point about morality? part of the strength and even genius of these shows was that they never moralized AT us, they were so brilliant and intelligent and challenged us without talking down to us in regards to the justice system, in regards to human failings, in the deep, murky gray of destructive choices and hurt/harm and the interplay of that with empathetic connection, and how those terrible actions and downfalls happened, and what the legacy left in the wake of that was. where the humanity could possibly remain. how "justice" doesn't necessarily lie in a system, and isn't equated to revenge. how certain amends can never be made, but where the decisions lie within that tragedy, and what one can do (if anything) to change, to look at those shifting sands and make something of them. it's why the end of breaking bad works so well - there is no absolution for anyone, but there is the heavy consequence and the hope of slowly building something else.
they were aiming for that in a way with bcs, but it didn't quite get there. all of us know logically that hope is absent in those 86 years, but we keep trying to convince ourselves it's there and a release is possible. we get hardly anything with kim because she is utterly stripped of her agency and her strength and she barely speaks. (as i've said, it's beyond my understanding why kim doesn't even get a flashback when she is literally the center for jimmy. we get those scenes between all the main men that verge on the cynical and yet...nothing with her to provide some realized meaning? really?) which is what makes her depressingly feel like a means to an end - they built up this incredible, empowering female character only to CRUSH her, force her to annihilate herself and run from everything she was, surrender her agency (which was the key to her character's existence), and never return any of her power to her. she's left to her silence and her paralyzed inability to decide anything and then to jimmy's whims - even though what jimmy conclusively does is for her and a kind of reclamation, she has no say in the matter, no ability to affect it. she's barely recognizable, but in a way that doesn't work for me. it just...it makes me ache a bit that such a brilliant, wonderful, complex female character was diminished in such a staggering way. that she's basically a plot device, when she was NEVER that. her existence boils down to being the catalyst, abandoning jimmy to force him into the final descent of becoming saul, and then having no power or arc of her own to lead to the ending. she deserved to be more than a ghost. she deserved to be an active participant, like she always was. and i can't get over the fact that it feels like a uniquely female punishment, to silence and make her smaller the way that they did.
It truly seems like Kim became the ghost of her former self, like she is gone and I don't know if she's ever coming back. I'm happy that both her and Jimmy are alive and, who knows, maybe they have a shot at rebuilding their relationship, maybe Kim will become a lawyer once again, maybe she'll find herself and shine in her true light, but we will never know. I just want her to come back. I just want her to become brilliant and dedicated and passionate and larger than life again, she's honestly one of my two MOST beloveds female characters EVER, and thinking about her arc and how she appeared in Waterworks especially makes me sad. <- you also could've taken this directly from my thoughts. :(
endings ARE very hard, no doubt! and i have immense respect and regard for vince and peter and these actors and this creative team, and deep, abiding love for this show, which is another thing that's made it hard to criticize. it's not a violent shock and horrific wound in the way certain other endings have been (you KNOW what i'm referring to). it's difficult to get a story to a right and fulfilling conclusion - i can think of a handful of shows that managed it and all are shining little exceptions to the rule (ironically, i still maintain brba is undoubtedly one). far more often, they're either disappointing, saddening, or utterly ruinous. it's challenging to get them just right, and maybe it's nearly impossible to satisfy everyone when our connections to stories are so subjective. sometimes we're forced to accept sort of okay-ish because at least it's better than irreconcilable pain and destruction, but i feel like we still have the right to criticize things that don't ultimately sit well with us. it's been harder for me to process with bcs because i did trust peter and vince so much and it was hard to realize how let down i felt, and because i just wanted to cling to the comfort i got from the show and the way i loved it, but the more i've stayed quiet, the more discomfited i've been and that hurt has festered a bit.
the more we love and connect with the characters, the harder those endings hit and the more difficult it is for them to be truly satisfying. agreed.
never apologize for your thoughts and rants! tbh i could talk about kim forever, and despite what happened, it doesn't take away how vitally important she is to me. i truly hope your show ends well and is satisfying and doesn't take anything away from the characters you love. let me know!!! *hugs you tight* 💙💙💙
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starring-movies · 3 years
Text
The Haunting of Bly Manor: Episode Analysis
*SPOILERS*
Episode 7 - The Two Faces, Part Two
Episode 7 of The Haunting of Bly Manor is mainly a continuation of Episode 3, which has the same name, as we explore more of Peter and Rebecca’s backstory and a lot more questions also start to get answered.
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The episode starts as Dani has been tied up and is coming back into consciousness after Miles (possessed by Peter) hit her over the head at the end of Episode 6. As Peter is trying to set his plan in motion, for him and Rebecca to possess Miles and Flora’s bodies permanently, he suddenly gets thrown into a memory. Unlike Hannah, Rebecca and Flora who ‘dream-hop’ through many of their memories, Peter only ever gets put into one of his memories.
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The memory that Peter repeatedly gets pulled into is the memory of a time when his mother came to visit him. Peter’s mother knocks on the door and when Peter lets her in, she tells him “I’m out” and that this time she’s out “forever”, because she says “I suppose they’d say I’m cured”. It’s never explicitly made clear where she’s “out” from, but it’s most likely that she’s been released from a mental institution for her failure to help her son when she knew that her husband was molesting him (which is something that is insinuated later in the episode).
Peter’s mother tells Peter that she needs money from him now that she’s been released and so she blackmails him, saying that she’ll show Henry his “juvenile records”, if he doesn’t give her any money.
The scene then moves to the memory which Rebecca has entered, where we find out that “priceless heirlooms” have been stolen from the manor and that Peter had been embezzling money from Henry. From this it becomes apparent that in Episode 5 when Hannah saw Peter stealing a necklace from Charlotte’s vanity, he was stealing it so that he could sell it and give the money to his other to keep her quiet. It seems that Peter was stealing the “priceless heirlooms”, such as the necklace, to give the money to his mother. However, the “quarter million pounds” that Peter embezzled from Henry most likely really was for the purpose that he said - so that he could run away to make a life in America with Rebecca and free himself from his mother’s blackmailing.
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A small little detail; is that after Rebecca finds out that Peter is dead, we see her zoned out in one of Miles and Flora’s lessons. On the desk that Rebecca is sitting behind, there are some word blocks that spell out “redrum”, which is a nod to the 1980’s film ‘The Shining’. Mike Flanagan created The Haunting of Bly Manor and also directed the 2019 sequel to The Shining, Doctor Sleep.
It’s interesting to note that in The Shining “redrum” spells “murder” backwards, and Rebecca ends up being murdered by Peter.
This is not the only reference to The Shining, as there was another one in Episode 1. When we see Dani leaving the hostel which she’s been staying at, as she’s shutting the door behind her, we can see that her room number was 217. In the original book of The Shining by Steven King, the haunted room that Jack Torrance enters is room 217 (but in the movie it’s room 237).
As well as these two instances, there is yet another reference to The Shining, also in Episode 1. When Miles and Flora are locking Dani in the cupboard, we get a shot of them just before the shut the door on her. The shot of Miles and Flora standing side by side with one another evokes the memorable shot of the twins in The Shining.
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Rebecca tries to suggest to Peter that they still continue their previous plan to run off to America and tells him that she doesn’t mind if people think that she’s “some batty old witch who talks to thin air”. Peter tells her that they can’t do that because he “can’t leave Bly” and he “can’t get past the end of the drive”, but then he discovers that he can possess Rebecca’s body just like he can with Miles’. The two of them devise a plan where Peter will possess Rebecca’s body and he’ll try to leave while still in her body. They carry out the plan the next morning but as Rebecca runs to the boundary of the grounds, Peter is ejected from her body.
This brings up a question of confusion, as in Episode 9 Dani manages to leave Bly with The Lady in the Lake in partial possession of her body and neither of them were thrown out from Dani’s body. Since Dani is able to leave the grounds, the reason that Peter was pushed out of Rebecca’s body must be because he exited her body himself. As he was about to cross the boundary he probably came to the realisation that if he left while still in Rebecca’s body, then he and Rebecca will never be able to be properly together again and so he pulled himself out so that he could think of another way that they could be together. However it also could be that Dani stopped Viola’s gravity well when she invited Viola into herself (we see all the other ghosts are released when this happens in Episode 9), but this still wouldn’t explain Peter’s oddly quiet reaction when he gets pushed out of Rebecca’s body at the manor’s boundary.
This would also make sense of a lot of a few other things as well. It would make sense of the odd reaction that Peter gives after the failed attempt at escape, when Rebecca says “it didn’t work” - he doesn’t look particularly sad that it didn’t work, even though he was so enthusiastic to finally be able leave and be with Rebecca. It would also make sense of when Older Jamie says that “Peter had not been back to find her, he had left her at the boundary of Bly”. Peter disappears for so long because he’s trying to come up with a different plan for them to be able to be with one another.
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After trying to leave the manor in Rebecca’ body doesn’t work, for whatever reason, Peter then comes back to Rebecca with his new plan. Peter explains that when he tries to take possession of Rebecca’s body, neither of them mean to, but he always tries to push her out and she always tries to push him out and so the possession is “temporary”. He tells her that there is a way that they can be together forever and able to touch each other but to do this he says he needs to be given permanent possession of her body and for this to happen she needs to invite him in and give him consent. However when he’s explaining this to Rebecca, Peter doesn’t explain that his grand plan for them to be together means that he’ll take over her body and they’ll only be together by being tucked away in a memory together.
After being given consent from Rebecca to have permanent control over her body, which he gets through the phrase “it’s you, it’s me, it’s us”, Peter carries out his plan. Rebecca gets tucked away “in a memory of them”, and although they are together and can touch one another, this is not what she wanted (nor is this what he really promised to her when he got her to give him her consent) and it’s not ideal for him either as he is now left in Rebecca’s body “here, alone”.
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Since Peter is now alone in Rebecca’s body and he doesn’t want to continue to be alone, he decides that he’ll drown her body so that they’ll both become ghosts and they will both be together that way. We see Rebecca (possessed by Peter) crying as she walks into the lake, and then we see Peter crying in bed with Rebecca in the tucked away memory, which is how we know that Peter was in possession of Rebecca’s body when she drowned.
But then as the water starts to enter Rebecca’s body’s lungs, Peter leaves and Rebecca herself is forced back into control of her own body again. We see just what type of a person he is, as he leaves her on her own to feel the pain of the drowning. In a parallel to this, this shows us just how much Rebecca cares for Flora, as in Episode 9 she tells Flora that she’ll take over her body before she’s dragged into the lake and she’ll feel everything for her - a completely selfless action considering that she’s already had to endure the pain once.
Like Peter and Hannah, Rebecca immediately turns into a ghost and we see her mourning her body and the betrayal of her trust, as she stands by the side of the lake and cries. This explains to us why, when Rebecca was possessing Flora’s body, she always walked to the lake - because she sits by the lake and mourns her life.
This is the most prominent example of the love versus possession conversation that Dani and Jamie were having in Episode 3. Peter says that he loves Rebecca, but he displays no true love for her at all, to ask for her complete trust and consent and then to betray her by stealing her life. Peter is acting completely on selfishness and is treating Rebecca like a possession who he manipulate for his own personal benefit. To truly love someone is to want the absolute best for them, even if that comes at your own expense; but when Peter makes this decision he isn’t thinking about Rebecca at all, he’s only thinking about his own desires and loneliness.
After Peter drowns her body, Rebecca returns once more to the memory of when Peter gave her Charlotte’s fur coat. The memory was once a very happy one for Rebecca, but now it’s been tainted by Peter’s selfish actions. Rebecca now sees how Peter manipulated her as she says that “I didn’t agree”, she only agreed to them being together not for him to take her life from her.
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Peter suddenly gets pulled back into the only memory that he gets pulled into, the memory of his mother coming to visit him. Peter says that from constantly having to return to this memory he feels “like I’m in hell” and his mother says “well, where else would you go”, stating that there is nowhere else that he could go after what he did to to Rebecca.
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Peter then gets released from the memory he was being tucked away in and he returns to the attic, where Miles and Flora are in the process of freeing Dani. Peter stops Miles and Flora from letting Dani go and Rebecca returns from her dream hopping.
To try and convince Miles and Flora to give consent for their bodies to be possessed, Peter says that they’ll be able to go to their “forever house” where they’ll be with their parents forever. The “forever house” is a reference to The Haunting of Hill House where Olivia made blueprints of a “forever home” for the family to live in once they got enough money from flipping Hill House (but when Olivia dies, Hill House becomes the forever home). The “forever house/home” is something that is supposed to symbolise safety and family, however in both Hill House and Bly Manor this isn’t really the case. In Hill house the promise of the “forever home” that Olivia dreamt of was never fulfilled; and in Bly Manor the “forever house” that Peter is talking about is just for Miles and Flora to be permanently tucked away in false memories.
Despite Peter’s manipulation, he does know what love really looks like. He tells Miles that, when he’s tucked away in the “forever house” with his parents, he’ll be “with two people who love you so much, so much. That makes you the luckiest man in the world, the richest person, I wish I could be that rich”. Peter recognises that being in a safe place with two people who love you makes you the “richest person” and was something that he never got to experience himself. Not that this makes his behaviour acceptable, but it may from his childhood where Peter developed a distorted view of love and posession, and so this is why he manipulates others and treats them as his possessions - while Peter is supposed to be the conventional ‘villain’, this fleshing out of his past makes his character much more multifaceted and complex, as well as making his actions much less black and white. This added depth and complication is one of the things that makes Bly Manor and its characters so deeply flawed yet extremely relatable.
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When Peter takes permanent possession of Miles’ body, when Miles gets up we can see that his right eye is still blue but his left eye is now brown. This is a sign that the person is no longer completely themselves anymore and we see the same thing happen to Dani’s eyes in Episode 9.
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We then see Miles (possessed by Peter) walking with Hannah to the well, to try and get her to come to the realisation that she’s dead. He compares Hannah to the cartoon Wile E. Coyote, who would run off a cliff and just keep going, just as Hannah has died (run off the cliff) but she just keeps going and doesn’t become a proper ghost. Miles explains to Hannah that “when Wile E. Coyote looked down, then he’d fall, only when he looked down”, so he tells Hannah that she also needs to look down in order for her to come to terms with her situation and then she’ll also fall (become a ghost). The looking down that Miles wants Hannah to do is not just an actual looking down the well to see her corpse, but this is also a metaphorical looking down of her seeing the ‘big picture’ and for her to stop being in denial.
Hannah finally looks down the well and sees her corpse. She isn’t interrupted (like when Dani interrupted her doing this in Episode 1), but she’s given a proper moment to take in what she’s seeing, and so she is able to come to process and accept her death - just like Peter got to see and accept his body being dragged away by The Lady in the Lake; and just like Rebecca saw and mourned for her body by the side of the lake.
We then return to Flora and Dani in the attic and we find out that Rebecca only pretended to go along with Peter’s plan and possess Flora’s body. Rebecca tells Flora that “no one should ever need that much help”, showing us that she understands true, selfless love and to ask that much of someone is not caring for them at all. This also relates back to what Peter did to Rebecca, he should have never needed “that much help” from Rebecca as to take her entire life from her.
As well as this, it shows us how much Peter is like his mother. Peter’s mother asked too much of him and, in a way, ended up killing him by blackmailing him for money, which is just as he told her that “I hope you know that, late at night, that you killed your own son”. Peter is just as manipulative as his mother when he persuades Rebecca and Miles to trust him so that he can possess their bodies - needing to ask for “that much help” from a person is not love.
You can read my previous The Haunting of Bly Manor posts here:-
Episode 1 - The Great Good Place
Episode 2 - The Pupil
Episode 3 - The Two Faces, Part One
Episode 4 - The Way It Came
Episode 5 - Altar of the Dead
Episode 6 - The Jolly Corner
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five-rivers · 4 years
Text
Cold Case
So, this is a continuation of Interview With a Ghost, my corpse AU.  Sort of.  Lots of outsider perspective.  
But, I’m too lazy to hunt down the tumblr links.  So.  Here’s the AO3 link to the series.  
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McGee braced himself before getting out of his car and walking into the precinct.  He’d heard all the jokes before, all the mindless digs at his name, and he liked to think that he’d grown a thick skin in response, but part of him still flinched every time.  
Plus, there was a reason he’d been sent to Amity Park.  That reason being the incredibly suspicious crime rate.  That is, the just shy of nonexistent crime rate.  Also, the billionaire mayor that had popped up out of nowhere.  And the high road repair and park maintenance bills.  
Oh, yeah, and the giant murder investigation that had just.  Disappeared.
The county wanted answers.  So, they sent McGee.  Of course, they didn’t tell the Amity Park Police Department that.  As far as they knew, he was just a transfer. Someone being shifted from one department to another.  
So, yeah.  Bracing.  Just like the wind.  Ouch, it was cold.  McGee wrapped his coat more closely around himself and began jogging through the otherwise deserted parking garage.  
The… underground parking garage.  Wind?  
McGee stopped and turned in place, trying to see where the breeze could have possibly come from.  There weren’t exactly any windows down here.  
Feeling more cautious, but not knowing why, McGee made his way more slowly to the elevator door and hit the call button.  The doors opened immediately.  Inside, a speaker tried to play music, but what came out of it was mostly ear-tearing static.  
Well.  If APPD was getting paid off by a mob or the town was skimming from road funds, they certainly weren’t using their ill-gotten gains on the elevators.  
When the doors opened, McGee was hit with a blast of warm air and Christmas music.  He kept his face carefully blank.  It had only just become December, and the police station was… it was… Well. McGee would have to call it ‘decked out,’ no matter how much he abhorred the phrase.  
… Why were there so many menorahs?
“Hey, are you John McGee?”
“Yes, that’s me,” said McGee, turning to face a remarkably plain man in a button-down shirt and a pullover sweater.  
The man had a pair of novelty felt antlers on his head.  They were decorated with bells.  How unprofessional.
“I’m Collins.  We’ll probably be working together at some point.  Same department.”
“Homicide?”
Collins raised his eyebrows.  “I don’t know what you were told, but we don’t have enough homicides to warrant a dedicated homicide department.  We get a one or two mysterious deaths every month, but it always turns out to be, like, anaphylaxis or something.”  He brought a mug to his lips and sipped slowly.  “Mostly we do vice, theft, fraud, and missing persons. Not much of that last one, either. Oh, we had an arson one time.  But it turned out it wasn’t really arson. Anyway, let’s get you checked in, and hopefully Patterson will be here by the time Captain Jones is done with you.”
“Patterson?”
“My partner.  You know, you being here gives us an odd number of detectives.  That’s going to be weird.”  He sipped from his mug again.  “Maybe we’ll promote someone.  Not Cameron Daily, though.”  Collins stared into the middle distance.  “No. Not Cameron Daily.  Love that man. He’s got to stay in tech support.”
“The captain?” prompted McGee.  
“Hah.  Yeah. You have to brave the secretaries, first.”  Collins patted McGee on the shoulder, and McGee suppressed the impulse to shake him off. “Good luck.  At least this is going to be a quiet month, right?”
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McGee spent what was probably far too much time pondering what Collins had meant by ‘it’s going to be a quiet month.’  Did the APPD’s arrangement with the local criminals (because there had to be an arrangement) include forewarning concerning the crimes they did deign to investigate?  Or did they have statistics that indicated December was a low-crime time for Amity Park?
Orientation was highly typical, as far as these things went.  The only oddity were the advertisements and promotional pictures for the local tourist trap tapped up all over half the captain’s office.  Was the man a fan?  Did he believe in that ghost nonsense?  Was it some kind of bizarre joke?
At least the Christmas plague hadn’t made it this far.
“Right, now that we’ve got that part out of the way, let’s move on.  We normally like an even number of detectives, but the county moved you over so fast we couldn’t get you a partner, and no one is retiring.”  Jones rolled his shoulders and fixed McGee with a very sharp gaze.  “Do you know why the county was so… insistent with your transfer?”
Ah.  So, the captain was suspicious.  Time to put that backstory to good use.  
“Honestly, sir, I embarrassed someone, and I think they just spun the wheel on how to get rid of me.”
“Mhm.  See, usually when they do that, they pick from departments that actually put in requests for extra personnel.  We haven’t.”
“I think the main concern was just to keep me away.”
“I see.”  The level of suspicion in the man’s eyes did not change.  “You’re going to be with Patterson and Collins until you get your feet under you and we decide what to do about the partner situation. If the county will even let us out another detective on payroll.  Consider yourself on probation as far as whatever it is you’re doing with the county. Don’t put my detectives in danger.”
“Sir—”
“Whatever excuse you have, I don’t want to hear it. Go talk to Collins.  I know you met him.  Patterson probably isn’t here yet.”
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Collins stood next to a woman in a coat with a long dark braid.  Both of their backs were to McGee.  He could see that they were talking to one another, making tight little gestures with their hands near their chests.  All the other occupants of the room stared at them without a modicum of shame.  
“—until he sees his first fight?  We’re supposed to babysit him until January?  We won’t be able to talk about anything!”
“Well, if you’d been on time, maybe we could have convinced the captain not to—”
Someone behind McGee cleared their throat. Loudly.  Collins and the woman turned, sheepishly.  
“Oh.  McGee. McGee, this is Patterson. Patterson, this is McGee.  You’ll be working with us, apparently.”
“Hopefully, I’ll be able to get out of your hair before too long,” said McGee.
“Don’t count on it.  How long have you been in town?” asked Patterson.  
“Only since yesterday.  Why?”
“We’re showing you around,” said Patterson, snatching the antlers from Collins’s head.  
“Consider it your last bit of freedom before you’re condemned to paperwork,” said Collins.  
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Amity Park was odd, McGee decided.  
It wasn’t just the clashing but equally enthusiastic Halloween and Christmas decorations, the omnipresent construction, and the worrying number of holes in the road (really, there was no way the road repair budget was actually getting used on the roads).  There was something else.  Something McGee couldn’t put his finger on.  Something—
He did a double-take.  Were those two cosplaying the Ghostbusters?  Why?
How seriously did these people take their tourist trap nonsense?
“What are Jack and Maddie doing out?” asked Patterson.
“I don’t know,” said Collins.  He tilted his head to one side and pulled into a nearby convenience store parking lot.  “You’d think they’d be told; December is a quiet month.”
“Mhm.  Maybe they didn’t believe it?”
“They can be stubborn sometimes,” mused Collins. “But it would be nice if there was some action.”  He pulled the parking brake.  “You want to introduce McGee to the local celebrities?”
A look of indescribable disgust appeared on Patterson’s face.  “Why don’t you introduce them?”
“I did that last time.”
“No, you didn’t.  You rang their doorbell and then ran like the coward you are.”
Collins, without any hint of repentance, shrugged. “Wouldn’t you do the same?”
“This is different,” she protested.  “This isn’t just any new resident.  This is a coworker.  A coworker who isn’t going to see that kind of action for a whole month.”
“Action?” asked McGee.  This felt perilously close to what he’d been tasked to find out.  
“You’ll find out in a month,” said Collins. “Assuming you last that long.”
McGee frowned, and decided to take another risk and prompt the pair further.  “I know you have a low crime rate here,” he said, “but I’m sure there will be something for us to investigate before the end of the month.”
“Well, yeah,” said Collins.  “We don’t get paid for doing nothing.”
There was a sharp rap on the window, and everyone jumped.  God. It was just some kid.  McGee put a hand over his heart and tried not to think too hard about the time he had almost been killed in his car by a dirty cop and his gangster friends.
Collins rolled the window down, letting in a gust of frigid wind.  
“Hi, detectives!” chirped the teen.  “I heard you got a new guy!”
Oh.  That was interesting.  Was the local gang using children as in-betweens?
“Yep,” said Patterson.  “This is McGee.  McGee, this is Danny, the only sane Fenton.”
Danny tipped his head to the side and squinted. “I think that title needs to go to Jazz.”
“Danny, I hate to break it to you, but your sister is a lunatic,” said Patterson, completely serious.  
“Come on, you’re just saying that,” said Danny, staring openly at McGee.  
Did this kid blink?
“Anyway, I’ve introduced McGee to one Fenton, you get to do the others,” said Patterson, poking Collins in the ribs.
“Danny doesn’t count,” protested Collins, squirming. “He’s sane, like you said.”
“You’ll have to be fast.  Mom and Dad are like three blocks down the street chasing…”  He trailed off.  “Well, they think they’re chasing something, anyway.  Transient noise on their latest EMF reader.”  He rolled his eyes and finally blinked.  
“Think they might actually get anything?” asked Patterson.
“Nothing with a mind,” said Danny.  “Might have to play animal control soon, though.”  There was a loud crash and a squeal of rubber, followed by distant but still deafening engine noises.  Danny winced.  “Can you please give them a fine for driving around in that thing?”
“They have a special permit,” said Collins, shrugging.  “Straight from the mayor.  Nothing we can do.”
“I will bribe you to do something.”
McGee choked.
“With what?” asked Collins.  “You’re a penniless middle schooler.”
“Excuse you,” said Danny, crossing his arms. “You know I’m in high school.”
There was another crash.  
“Are you sure they haven’t found anything?” asked Patterson, leaning forward.  
“Absolutely positive,” said Danny.  He sighed.  “I should probably go, though.”
“Okay, have fun, Danny!”
“Don’t think you’re getting out of introductions, Patterson,” grumbled Collins.  
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“Alright,” said Collins, opening a narrow door and turning on the buzzing yellow light within.  “Your kingdom awaits!”  He gestured grandly, disrupting clouds of dust.  “You’ll be entering old cases into the system.  Did Cameron Daily show you how?”
McGee’s lips twisted at the memory of the computer tech.  “Yes,” he said.  
“Yeah, Cameron gets that reaction,” said Collins, thumping McGee on the back.  “If it makes you feel better, he’s usually in charge of keeping track of the cults. Did he tell you about the VHS evidence?”
“The cults?”
“Yep.  You’ll learn about those later.  VHS?”
“Yes, he told me how to handle the VHS.”
“Great.  So, Patterson and I will be working on case paperwork in the main room, if you have any questions, come get us, okay?”
“I will,” said McGee.  
Collins nodded.  “If we wind up being assigned a case, we’ll come get you.”  He absentmindedly rubbed his shoulder.  “The captain probably won’t give us anything today. Oh, and if Mayor Masters drops in, redirect him to the front desk.  There’s no reason for him to be back here.”
There was a good deal of hostility in Collins’ tone. Interesting.  
“Do you not get along with the mayor?”
“We get along fine,” said Collins.  “He just oversteps his authority, sometimes.”
“I… see.”
“Not yet you don’t,” said Collins, softly, before turning to walk away.  A “Good luck” was tossed casually over the man’s shoulder and seemed to echo in the air despite the hall being far too small for that to happen.  
McGee turned to his work and smiled.  They shouldn’t have left him alone with the records. This was where he did his best work. There was always a paper trail somewhere.  
He opened the department-issued laptop and brought up the digital filing system.  
It was odd, though.  He’d spent years in the police, and he’d never heard of Fenton & Foley Information Systems.  
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The department computer filing system was a miracle.  McGee meant that completely, as a connoisseur of filing systems.  He wondered if he could get the county to adopt it, assuming it didn’t tie back to the mob or something equally unsavory.  
On the other hand, it was only a couple months old, by the looks of it.  It was, therefore, mostly empty, as compared to the almost infinite number of filing boxes in the record room.  
The record room was not well organized.  In fact, it was barely organized at all.  Several of the boxes looked like they’d been beaten with a bat, others were singed.  A few dripped with something sticky and green. One or two looked as though they’d been drenched in water and then left to dry in a dark, damp room.  Only about half of them were labeled.  
To top it off, towards the beginning he’d found a post-it that had said: Boxy, if you steal these again, I’m going to leave you in the thermos for a week.  -Phantom
The people here were way too into their tourist trap shenanigans.  Unless they weren’t just tourist trap shenanigans.  Unless they were a front.  
He’d put that on his list of things to investigate.
But first, first, he was going to find the records for the murder that was recently swept under the table.
The newest boxes, despite being reasonably intact and therefore unique, weren’t easy to find, but he was able to drag them out and sit down with his laptop.  He could enter as he searched, and thereby give the illusion that he was a completely normal transfer more credence.  
Except.
Except.  The records for that murder didn’t seem to exist.  Not even in the cold case box.
“Hey.”
McGee jumped.  Patterson was standing behind him, holding two paper coffee cups.  
“How’s it going?” she asked.  “I know these records are hell.”
“Fine,” he said.  
“Coffee?”
“Sure.”  He took the offered cup from her.  “Forgive me if I’m wrong,” he said, “but when I was working up at county, I heard that you had a murder case here, recently?  You dug up a teen’s body?”
“Oh, yeah.”  Patterson was unperturbed.  “Yeah, that was pretty exciting.  Collins and I were on that.”
“I can’t seem to find the records for it.”
“Yeah.  Well, there wasn’t any foul play.”  Patterson shrugged.  
“Wasn’t he found buried in a public park?”
“Well, aren’t you informed,” said Patterson. She sipped her coffee aggressively through the plastic stirring straw.  
“So, you found an illegally buried teenager’s corpse and just… dropped it?”
“We investigated it,” said Patterson.  “There wasn’t anything there.  Case was cold even without that.”  Another long, aggressive sip.  She couldn’t possibly be getting any coffee up through that straw.  It had to be mostly air.  
This was the most bizarre intimidation tactic McGee had ever come across in his entire life.  This was saying something.  Once he’d worked with a man who’d pretend to have the flu during interrogations.  
“You should still have records for the investigation.”
Patterson shrugged.  “You’d have to ask Captain Jones about that.  Anyway, I brought a bunch of tapes for you, too.  You’ll have to rewind them by hand, though, when you finally get to them.”  Another sip. “Are you planning on doing the salvage boxes?”
“The what?”
“The salvage boxes.  The ones that got fished out of the lake.  Wouldn’t blame you if you weren’t.  Just curious.”
“I’m- They were in a lake?  Why?”
“Stick around and find out,” said Patterson.  “Did Masters come bother you yet?”
“Mayor Masters?”
“The one and only,” said Patterson, raising her coffee in a mock toast.  
“Why would he come here?”
“Because you’re new, and theoretically a weak link. Oh, yeah.  One more thing.  I know your check-out time is in half an hour, but come back around eight, okay?”
“Why?”
“Reasons.”
“Are you hazing me?”
“That’s what the salvage boxes are for,” said Patterson.  “Come back at eight.  Bye.” She waved as she left.  
Great.  What was he supposed to do about that?
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He didn’t go home after checking out. Instead, he walked around town.  Patterson and Collins’ tour had been… interesting. Not terribly informative.  They had given him an overview of various restaurants, ‘paranormal hotspots,’ and places where dumb kids gathered to experiment with drugs of dubious legality.  
But they had avoided certain parts of town.  McGee had noticed.  
True, some of that was likely coincidence, but McGee had never heard of a public cemetery that wasn’t the site of something shady. Sure, a good caretaker would chase off anyone messing around in daylight, but cemeteries and graveyards just attracted trouble.  Even if that trouble was just the local goth kids running around while high out of their minds.  
But this cemetery, evidently, is different. Because there’s an unholy amount of people there for something that supposedly hallowed ground.  Is this also part of the weird ghost-theme the place had going for itself?  Were those tourists?  In the graveyard?  
That seemed to be in remarkably poor taste.  
McGee pushed his hands deeper into his pockets and lengthened his stride.  This whole town was in poor taste.  
Oddly, everyone seemed to be gathered around the same grave.  Maybe it was a funeral?  No, the ground in front of the headstone was long since patted firm, and the headstone, while obviously fairly new, had some evidence of weathering even from a distance.
Had there been a celebration today?  Memorial Day wasn’t today, was it?  McGee always lost track of those fiddly little holidays.
Huh.  The headstone was blank.
“Excuse me,” he said to a nearby woman.  “Do you know who was buried here?”
“You… don’t know?” she asked, eyes wide with surprise.  
McGee grinned.  “I’m new in town, I’m afraid, and I just saw all these people here… I’m curious, I guess.”
“Oh,” said the woman.  She looked away, every part of her body language screaming that she was coming up with a story to feed him.  A lie.  Or, at least, deciding which lie to use.  “Well, there was a body found a few months ago?  No one ever identified him, so… He was buried here?  We just, um.  It was sad, you know?  You’ll probably hear more about it if you stick around.”
Despite almost everything she said being a statement, she still managed to make everything but the last sentence sound like a question.  
Even if it was a lie…
“I hadn’t, actually.  Can you tell me what happened?”
… Maybe it was just what McGee needed.
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The Lovers / Long Dream of the Soul
In the Ooku, there is a room which Kama cannot enter.
TL/DR - I had some thoughts about Arjuna in the Ooku and the Lostbelt and wasn't planning on writing all of it down but I got hit by the creative bug (I hear that there's some planets in retrograde that might explain it) and I wrote like 4000 words out of nowhere.
In the Ooku, there is a room that Kama cannot enter.
The room is tucked at the edge of the floor, and there is a board across the door. Arjuna sees it and thinks that it is another dead-end. The Servants cannot open it; even Parvarti, even the nun, even the Lady Tsubone cannot figure out the mechanism to undo the lock.
When Zoe approaches it, however, all it takes is a glancing touch.
The board falls away, and the door slides open, like a sigh of relief.
Kiara Sessoyin smiles in the faint, cynical way she often does and covers her mouth with one hand. "My, my," she says, so softly that it's barely audible.
The nun does not move, and nor does she elaborate. Arjuna is immediately suspicious. He looks at Zoe's back, and begins to say, "Wait -"
But Zoe unflinchingly crosses the threshold.
Arjuna looks to the others - Mata Hari, Scheherazade, Munenori - but sees no alarm on their faces. Why can't they see how dangerous this is? There is no telling what lays beyond that dark threshold. Even though Arjuna cannot sense the slightest hint of malice or other ill intent - it cannot be that easy. Not in this place, not with this god. There is simply no other possibility than a trap.
But when Zoe enters the room, lanterns flicker to life, filing the room with a buttery, pleasant glow. There is the faint, sweet scent of flowers - perhaps some of the lanterns are perfumed, but it's not enough to overwhelm the air. Instead, it makes the space feel clean and pleasant. Inside, the room is quite spacious, and though it is plainly decorated, it is not lacking in comfort. There are blankets and pillows stacked in a corner, and there is a table laid out with food - Arjuna is shocked to see that it is not food from this era, but food from Zoe's own time.
She smiles at the sight of it.
"Look," she says, and turns her smile on Arjuna, who nearly winces. "They even got curry for us!"
Indeed, some of the dishes are recognizably Indian - not something that he would have eaten as a prince, of course. It's too simple. It's too good. This situation is wrong. Arjuna does not return her smile.
Spotting his discomfort, Zoe beckons the Servants into the room.
"We can stay here for awhile," she says, and it's phrased like a suggestion even though her voice contains a decision. "We'll be safe here. And we'll need our strength to confront Kama."
Kiara demures. "If our Master insists, surely we will be welcome to rest here?"
The phrasing strikes Arjuna as odd. If the Ooku is made from the souls of Zoe's Servants, then the Servant who made this place -
"We're safe here," Zoe says, confidently, holding out her hand as if to pull them over the threshold. "Come on - aren't you hungry?"
Servants do not get hungry, Arjuna thinks. But Zoe has never indicated that she cares about such things. That the concept of offering food to a ghost is odd - no, it would have crossed her mind. She is very deliberate, in her own way. She is choosing to treat them as people.
Arjuna thinks this is fine. In a way, it does not matter how Zoe perceives him. She is his Master, and perhaps she has even seen his true face, but they both knew that their alliance's foundation was more than a simple contract. Arjuna knows, also, that when the contract is complete here, they will return to Chaldea, and it will be like none of this has ever happened.
They cross the threshold, and sit down to eat.
All of the foods, it turns out, are Zoe's favorites.
///
The lanterns dim after they've eaten their fill - the plates disappear as if they never existed. One by one, they roll out the blankets and set out cool pillows to sleep on. Arjuna finds the atmosphere cold - perhaps he is still uncomfortable from earlier. The door to the room is closed, and there have been no attacks - but still. Still. How can Zoe fall asleep so easily, he wonders, watching as she drifts into a deep slumber. And the others? Mata Hari curls up on one of Zoe's sides, and Munenori lays stiff as a board on the other. Kiara sits up, appearing to meditate in unbroken silence. Parvarti goes dormant inside of Tsubone to let the old woman's body rest. She too, falls into a deep sleep and snores lightly.
It is only Arjuna and the storyteller left now. They glance at each other awkwardly.
After a long moment, Scheherazade says, "This room -"
She pauses, and looks at him. Then, she looks at Sessoyin.
The nun does not move. She barely seems to breathe.
Scheherazade sighs. "The Servant who made this place must have loved Zoe very much."
Arjuna frowns. "Why do you say that?"
Because it gave her a place to rest, her favorite foods? That hardly seems like love. Anyone who had met Zoe and spoken to her for more than ten minutes could have told you about the things she liked to eat and the fact that she often required, if not outright demanded, nine hours of sleep.
"Because she was the only one allowed inside," says Scheherazade. "The rest of us had to be invited."
"Perhaps that was Kama's doing." Arjuna is surprised at how petulant his voice sounds.
"But haven't you sensed it?" The storyteller looks at him, imploring. "It's so peaceful here. Too peaceful."
Arjuna feels his brows knit together. "You're saying -"
"Kama has been tracking us through the labyrinth," says Scheherazade. "But I think that she did not wish for us to come here. I think she put this room away - at the end of a hall that we should not have turned down otherwise, on a floor where we are so close to the end that Zoe may have just decided to push forward, to the very end."
Arjuna considers this. It would certainly be to Kama's benefit to keep them weak and exhausted, confused in the labyrinth. And it had been Zoe's whim that drew them down this particular corridor. And it was indeed odd to find such a peaceful place in a den of vices, especially so close to the depths where lust was liable to overwhelm -
"This place is a safe harbor," Scheherazade says, interrupting his thoughts. "That this Servant can repel Kama's entry - I think that means this room was built on a foundation of pure love."
"Hm." It doesn't make sense, not any of it. Kama is a god of love, and so how can love repel her? Arjuna turns his face away, feeling a dark, disquiet sensation in the pit of his stomach. He remembers, in a flash, a foreign land with a tiny, wicked queen. Zoe had been there, and there was a man at her side the entire time - a knight that Medb had a passing interest in, a knight who carried curses and oaths the way that Arjuna was endowed with so many blessings and gifts. Could it be that...?
Arjuna barely restrains a scowl. He does not turn back to Scheherazade, who seems to accept his silence. He listens to the storyteller quietly rolling out a mat and curling up in the most sheltered corner of the room.
Her voice, feathery soft, drifts over once more: "Will you sleep, Prince Arjuna?"
He debates his continued silence but eventually designs to answer. "No. Servants have no need of it."
Scheherazade sighs again, and then the room is entire peaceful, except for the spot where Arjuna still sits, wrapped in an icy, bitter jealousy.
///
Hours pass, or perhaps minutes. The longer Arjuna sits, the more certain he feels that he is not welcome in this place, in the room that was made for the love of Zoe. She was the Master of Chaldea, the Master of many Servants, and she had a much greater capacity for love and generosity than he did, and it was unreasonable to expect her to wait for his sake when he had barely -
No, no, and even in Chaldea. Those days when he had never allowed her to see his true face, to really know him. He was a prince among princes, isolated, high above her other Servants. He wasn't there for her. She had turned to another because he wasn't there.
Arjuna feels like he is slipping on the edge of something dark and deep. Something that he had buried or hidden long ago. How is it that the Hero of Endowment has lost the one thing that he desires most? It wasn't fair.
The oppression of the peaceful atmosphere finally drives Arjuna to his feet. He will not leave the corridor - but he can wait outside. He cannot stand it in this place for even a moment longer.
As he reaches the door, he looks back at them. Zoe is in a dream, her expression one of deepest peace. The other Servants also appear so relaxed - all but Sessoyin. The nun has not moved for hours but Arjuna cannot shake the sensation that she has been watching their every move with a hawk's eyes. Listening to everything. Almost as if she is waiting for something.
Still, even Sessoyin does not stop him from leaving the room.
Stepping over the threshold is like walking into a brick wall. Immediately, the heady scent of the labyrinth swells and floods his senses. The humid air faintly tinged with promise and pleasure seems to settle over him like a blanket. He had thought to clear his head and the irony of this atmosphere being easier to deal with is not lost on him. Perhaps it is good that Zoe never really knew him. What would she think of him if she knew his true thoughts, his true feelings? This is his own fault for being unable to stay away from her. He simply wants to stay at her side for as long as possible, even though it's all...
Arjuna takes one step forward. Then another.
A twinge at the back of his neck makes him straighten and steady - his eyes focus. Imperceptibly, there has been a shift in the air.
Arjuna extends one hand, prepared to draw his bow.
"Finally," the echo of Kama's voice floats from a distance, accompanied by a scent that is all wine, all flowers, all sex. "We haven't had a chance to properly talk yet."
Gandiva shimmers at his fingertips, just within reach.
"I have nothing to discuss with the likes of you," Arjuna says. "And if you intend to fight me -"
"I'm not interested in you that way," Kama drawls. "But I do want to get your opinion on this place. Are you enjoying yourself, o sinless one?"
Kama's avatar is an Assassin, and so she will be hard to detect, even for his eyes. Gandiva lands heavily in his palm, and he raises it before him just so.
"I thought it might be fun for you... This floor especially. You could stand to unwind a little bit." Kama's voice is closer now. "It's a shame that you and Zoe couldn't spend this time alone, but I'm not a miracle worker, you know?"
Arjuna reaches for an arrow. Lightning crackles between his fingers.
"You're awfully quiet," Kama complains, and it sounds as if she is very near now. Almost as if she is standing right before him. "What's the matter? Are you disappointed, o hero of the endowed? Tell me, what can I do to please you?"
And her voice changed as she said this, as the shadows coalesced, and then took shape, and it's shape -
Arjuna goes cold. Horror fills him, and confusion, and dread, and sorrow.
The woman standing before him is not Kama. Her smile is so familiar. He has not seen her in a lifetime. He does not relax his stance - years of training prevents it - but he cannot move. She's not really here, he tells himself, listening to the light, familiar sound of her approaching footsteps - she's not here. She has not been here, not for a thousand years. It's an illusion. A dream.
It is all a dream. All of it. Everything.
"No?" says the ghost, almost teasing. "You won't smile for me, my love? Even now?"
Arjuna does not even breathe.
The ghost merely smiles sadly. "You've grown far too serious, my love. I remember that you used to smile and laugh so easily. It breaks my heart to see you this way."
Ah. That is the reason for his sorrow. Even now, after all this time. But even so - this is Kama's trick. He realizes that he should feel angry - that he is angry - and he is going to -
"Or," the illusion says, nearly purring, "perhaps this form isn't to your taste anymore. Maybe you'd prefer something new to distract you?"
And her shape changes until -
Zoe stands before him - close enough that the arrow's tip rests just inches from her bare collarbones - close enough to reach out with one calloused hand and touch his cheek -
Arjuna releases his arrow like a bolt of lightning.
Kama goes flying, and the illusion shatters. She lands with a thud and a clatter at the end of the corridor, sprawled in a pool of blood - the dim lights from behind the papery walls flicker unsteadily as she recovers. Even such a blow as he had landed was not enough to fell a god like Kama, especially since she draws her power from the labyrinth and their sins.
Kama groans and rolls over, shuddering as she climbs to her face.
For a moment, the girl's form also flickers, and the shadow of the god who had once been appears - and then that too, is smoothed over, and Kama's face is alive with fury.
"You SHOT her?"
Arjuna nocks a second arrow.
"And if you disrespect her again in that matter," he says, "then the next one goes between your eyes."
Kama snarls. Already the wound in their chest is healing.
“You’re so ungrateful,” she spits, like a curse. “After everything I’ve done for you –”
Arjuna takes a step back. He does not fear Kama, but as long as her true power remains unclear, it’s best to stay back, as close to the hidden sanctuary as possible.
Unsteadily, Kama rises, arms wrapped around her chest, teeth bared. She is less a girl and more a beast. The passage of time is difficult to measure in the labyrinth, but it’s possible that years have passed, based on how the god’s form has changed. And there was no telling what she would become when they reached the depths of the Ooku. Arjuna wonders if he could manage a killing blow with just his arrows. It’s too risky to use a Noble Phantasm, but there are no finer archers in all the world. Surely even he –
Kama just stares at him, and then disappears with a grimace. The place where she once stood is littered with flower petals, and the scent of perfume only thickens.
Frowning, Arjuna covers his mouth and nose as Gandiva disappears. Perhaps the god has gone now – perhaps that was what had caused the oppressive atmosphere inside. If it was really true that Kama could not enter this room, then it was perfectly reasonable to imagine that the god had been stalking them this entire time. Perhaps it was all a bad dream. He has been overthinking lately, or trying not to. This place must be getting to him. He has to focus on protecting Zoe. After all, this is the reason why he was summoned to Chaldea.
Even if it would never be what he wanted, at least he could do this much.
He re-enters the room just as quietly as he left, but he finds Sessoyin awake, staring at him.
Arjuna pauses, and frowns. “I knew you weren’t sleeping.”
“I’m glad I wasn’t the only one who kept themselves alert,” says the nun, with a serene smile. “I have sensed Kama’s presence for some time. The closer we get to the inner sanctum, the more intense it becomes. It’s deliciously fascinating.”
Another odd phrase. Sessoyin certainly is strange. Discomforting is a good word for it. Arjuna knows that Zoe is the only one he can really trust in this place. Sessoyin, he thinks, is the link that will lead them to Kama. She has been unusually attuned to the god’s movements and whims, even more so than Parvarti. Instead of dwelling on it, he pulls the last set of blankets from the corner and moves into the open space of the room.
“Did she say anything to you?” Sessoyin asks. She is so straightforward and innocent in her tone. It makes Arjuna’s skin crawl. “You never know. It could be a clue.”
“She came to make a nuisance of herself,” Arjuna replies, settling in. “I landed a blow, and she ran but I doubt I did any serious damage.”
“Hmm.” Sessoyin closes her eyes once more. “I hope that you enjoy your dream, o triumphant prince.”
Arjuna scowls, but does not otherwise react to what is obviously some kind of bizarre taunt. He looks over to see Zoe, to assure himself that she is still here.
In all this time, Zoe has not opened her eyes and seems to have barely stirred. There is a faint smile on her face as she dreams.
Arjuna lays there in the dark, peaceful room, and does not sleep a wink.
///
Eventually the dream comes to an end.
One by one, they disappear. The labyrinth disappears, and then they are standing in the garden courtyard that they had first arrived in. First is Parvarti, at least freed from her human vessel, and then Munenori, and then Mata Hari and the storyteller. And then Zoe turns to Arjuna, and smiles. Her outline has faded. Unlike the Servants, she emits no unearthly glow, no shower of sparks. She is simply untethered to this world, this broken time. She is returning back to the place she belongs.
As he now must.
Even so… I feel…
Arjuna looks away from her smile. “It seems I’ll be last this time.”
Zoe grins, but seems to think better of it. Her expression softens with concern. “You seem upset. But it's not like we won't see each other again."
Something is wrong. Arjuna feels it in his bones. In his fractured heart. The sky is darkening. The stars seem very close, somehow. The garden is fading. Everything is fading, and Arjuna is –
“I don’t want to go,” he blurts out. He covers his mouth, his face, with both hands, but the words feel like they are being physically torn out of his throat. Like he’ll die if he doesn’t say it. Like he’s possessed by whatever dark thing has been growing in him since the moment he set foot in the Ooku.
Zoe pales and steps forward. "Arjuna."
“I don’t want to go. I want to stay with you. I want to go to Chaldea. I don’t want to leave.”
But that makes less sense, as he says it. Hadn’t he already been in Chaldea? That was why Zoe had summoned him here. He was her loyal Servant, her partner –
Zoe reaches for him, touching her fingertips to his wrist. She was a ghost, barely clinging to this world.
“I’ll come back to get you,” she promises. She seems to understand all the things that don’t make sense, but she’s already too far away. Her voice is the strongest thing about her, frantically assuring him. “It’s okay. Just – just stay where you are. Wherever you are, I’ll come and get you. And then you can stay in Chaldea. Just wait for me, and don’t go anywhere. I’ll come back. I will.”
And then she is gone, and the garden is gone, and Arjuna is among the stars.
For a long moment, nothing happens. And the moment drags, and stretches, and something is wrong, and his heart is broken, and he is afraid, afraid, afraid of what, he doesn’t know.
But it is dark all around him, and inside of him, and then –
There is a gap between the stars. At once, he knows – this signature, the pulse of divine power like a throbbing heartbeat – and Kama takes shape, pulling herself out of the sky. She floats into his face, and her smile is cruel.
Arjuna cannot move. Even if he wanted to reach for Gandiva, it would have been impossible. The Singularity was gone. Zoe was gone. There was nothing left. Nothing. It was all… empty.
“So,” Kama asks, sweet as poison. “Did you enjoy yourself in the end?”
Arjuna cannot speak. His mind is moving, and there is so much that he now understands. Everything, everything.
“Cat got your tongue?” asks Kama, sardonic. “How disappointing. I guess without Zoe’s humanity to anchor you, you really don’t have a personality. Shame. What a waste of a pretty face.”
He understands. And it doesn’t matter. Nothing does.
“You’re just lucky she likes you more than that nun,” says Kama, snickering. “She didn’t even question why you appeared. She was so happy to see you. Maybe if you’d been more proactive, she would have even loved you instead of that other guy.”
And he’s forgetting already. He forgets the face of the storyteller, the swordsman, the brave woman who mastered the labyrinth. And Zoe. But he doesn’t want to forget Zoe. He loves Zoe. He wants to hold on to that. He can’t forget, even though none of it matters in the end.
“I was never in Chaldea,” he says, and his voice is far away to his own ears. He is in pieces, and it is all draining out of him. All of that darkness and fear, like so much dust in the wind. All of his love, and his pride, and everything that matters, shriveling up like ashes, and gone. He is clean, and empty, and he understands everything.
“Of course not,” Kama replies, smug. “You were always too proud to answer a summons from a mere mortal. Even the precious Master of your heart, the one you claim to love so very much.” Her smile becomes a snarl. “And you couldn’t bear to even look at an imperfect god like me.”
And then she is bright, wicked and cold. “But in the end, it’s thanks to your arrogance. You allowed me to escape, so that I could do all of this in the first place. Even if Zoe and the others did manage to defeat me, I guess bringing you out here was the least I could do to thank you. Say whatever you like about me but I always repay my debts.”
The sky greys, and even the stars are disappearing. Even Kama is fading away.
“So, seriously, tell me – did you enjoy your dream?”
Arjuna closes his eyes. He thinks – Zoe – and – then –
///
There is a blue sky.
The sky is always blue. It has been, and will be. Just that endless expanse over the world which is now full of flowers. The sky will darken when the world ends.
“Ah, Almighty,” says a warm, untrustworthy voice. The robed figure beside him has been there for some time, but he cannot remember how long, or why they had come, or what their original purpose was. In any case, it does not matter. The cycle will begin anew soon. “You closed your eyes for such a long time, I thought you might have actually fallen asleep this time.”
The monk approaches, and the air stirs. The wind whispers over them like a gentle touch. Like the touch of a loved one, who tries her best to comfort you when you are afraid.
…What a strange thought.
It is gone. Like it never existed.
“What did you dream of?” asks the monk with two faces.
He does not remember.
18 notes · View notes
twstarchives · 4 years
Text
Jade Leech・Voice Lines
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Additional Voice Lines
Beans Camo event card
Scary Dress event card
School Uniform - R
Unlock Card “I was just preparing some tea. Why don’t you take a break?”
Groovy “I’d like to enjoy my time here on land.”
Home Setting “Pardon me.”
Home Transitions “Floyd comes to visit my classes every once in a while. He may not look like it, but he’s rather clingy.”
“History on land is quite interesting. It’s very different from the stories they tell us in the sea.”
“Clothes feel so restrictive... It’s been a while since I came on land, but I’m still not used to them.”
Home Transition (Login Greeting) “How coincidental it is that we meet here. ...Hm? What’s the matter? Of course it was only coincidence.”
Home Taps “My grades? Hm... I apologize, but I’m not interested in receiving any judgment from others.”
“Are you familiar with terrariums at all? Caring for miniature gardens is difficult, but I truly enjoy it.”
“Riddle is very dedicated; I respect him as a classmate. I’m not sure what he thinks about me, however.”
“I don’t particularly enjoy having attention on me. I’d say Azul is the best suited for attracting others.”
“Oh dear, you might hurt yourself if you keep acting so rash.”
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PE Uniform - R
Unlock Card “I’m not keen on the idea of running around, but... I will do it if I must.”
Groovy “Let’s strive to be neither good nor bad.”
Home Setting “Now then, we must work our hardest.”
Home Transitions “What’s the matter? ...It makes it difficult to keep going when you’re watching me move so intently.”
“Initially, it was very difficult for me to run, much less stand on my feet. But I’ve gotten quite used to it now.”
“I think I’d like to eat something light before exercising. I’m embarrassed to admit it, but I tend to get hungry easily.”
Home Transition (Login Greeting) “Keeping up your fitness is an important factor in enjoying the mountains and all of our surrounding nature. What do you say about joining me?”
Home Taps “My parents trained me in the art of self-defense starting from a young age. That’s something I’m very grateful for even today.”
“I thought we’d be cleaning the Mostro Lounge today... but it seems Floyd has run off again.”
“I picked some odd plants I found in the mountains to grow in my terrarium. I hope I raise them well.”
“I’m not the best at Flying. ...Heheh, who am I kidding? I’m not as awful as Azul.”
“Are you perhaps...? Nevermind, it’s nothing. Bravery and recklessness aren’t the same.”
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Lab Coat - SR
Unlock Card “If there’s something I’m interested in, I’m going to want to thoroughly research it. I have a passion for learning.”
Groovy “If you’re curious about the Mountain Lovers Club, feel free to stop by to take a look anytime.”
Home Setting “Conducting experiments is one of my strengths. ...Do you have any questions?”
Home Transitions “Magic Potions requires intelligence, not so much magic power. As someone who has no magic, this is the perfect subject for you, don’t you think?”
“Heheh. Perhaps you should consider having a talk with Azul if you hate studying for exams this much.”
“I’m rather confident in my ability to brew potions. ‘Why,’ you ask? Who can say?”
Home Transition (Login Greeting) “I was completely engrossed in a sketch I was working on, that when I snapped up, I saw everyone had already left the lab. How cold-hearted of them all.”
Home Transition (Groovy) “Would you mind telling me your preferences for the Mostro Lounge menu? I will use them as a reference.”
Home Taps “I enjoy the thrill of never knowing what’s going to happen next whenever Floyd is around. If only we were put in the same classes...”
“Heheh. Whenever I see someone heavily concentrating on something, I get the urge to start talking to them. ...Is that cruel of me?”
“Carrying out an experiment is a race against the clock. Sometimes it’s important to start taking risks and trying your hardest with them.”
“I like the Botanical Garden. ...Oh, is that a surprise? I may not seem like it, but I’m always brimming with curiosity.”
“Have you heard of the phrase, ‘Haste makes waste’? ...No, I suppose I shouldn’t even ask.”
Home Tap (Groovy) “In the Mountain Lovers Club I founded, we study the plants we pick as well. ...Oh my, are you perhaps interested?”
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Ceremony Robes - SR
Unlock Card “The entrance ceremony is truly nostalgic. Have you grown accustomed to Night Raven College yourself yet?”
Groovy “I hope your time at this academy is a pleasant one.”
Home Setting “There’s so much to do on the day of the ceremony.”
Home Transitions “I’m not used to outfits with so many layers. After all, I don’t come from a race of fish with fluttering tail fins, such as the ones they keep in aquariums.”
“I enjoy observing people, however I get uncomfortable when it’s done to me. I suppose this would mean I’m shy?”
“If you have any spare rooms in the Ramshackle Dorm, how much would you charge to lend them to other students? I think I’d enjoy living somewhere with ghosts...”
Home Transition (Login Greeting) “It’s nice how quiet ceremony days are. Normally everything is so wild.”
Home Transition (Groovy) “Are you nervous? I’ll brew some relaxing tea for you. It will almost put you to sleep.”
Home Taps “I was quite surprised when I learned which dorms the Mirror of Darkness had sorted us into. Although, I had thought Azul and Floyd would be in the same dorm.¹”
“Floyd caused a bit of an uproar during our entrance ceremony as well. Just like you and Grim. Heheh.”
“The custom humans have of changing their clothes depending on the circumstance is very interesting. It’s similar to fish who change the color of their scales to blend in with their surroundings.”
“I often lose track of time while gazing at the stars. I’m not necessarily into astrology, I just find them interesting.”
“Heheh, that isn’t very nice of you. Please don’t mock me.”
Home Tap (Groovy) “Are you familiar with the history of Night Raven College? These ceremony robes have a greater impact on you once you know.”
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Dorm Uniform - SSR
Unlock Card “There���s no need to worry; I only want to help you.”
“Heheh... I’m truly honored you called for me. There is something I could do to make all your wishes come true.”
Groovy “I will take care of any requests you may have. Please don’t worry; I’m very familiar with self-indulgences.”
Home Setting “I will show you around Octavinelle any time you wish.”
Home Transitions “I’m employed as a waiter at the Mostro Lounge. I’ll strive to receive you with the utmost hospitality.”
“Should you ever find that something is troubling you, I recommend paying a visit to Azul. He could make any wish come true. Heheh.”
“Merfolk must be prepared for all sorts of problems when living on land. This lifestyle is so terribly different.”
Home Transition (Login Greeting) “It must be fate that I ran into you like this. Would you care for a spot of tea? I will prepare some.”
Home Transition (Groovy) “Azul would do anything to achieve his goals... That is to say, he truly works his hardest. It’s easy not to perceive him as such, though.”
Home Taps “Pay what you owe. Even a baby fish should understand this, but every once in a while I run into some unreasonable people.”
“Contrary to what some may think, I’m not exactly interested in earning money. I simply enjoy anything that entertains me.”
“We may not have enough legs to say ‘Just like the Sea Witch’s,’ however the deep, glossy black of our dorm uniforms certainly gives off the impression of her hidden power.”
“Floyd always whines ‘I hate it so tight!’ and undoes his bowtie. I keep tying it for him, but it always ends the same way.”
“This will certainly cost you a heavy price. ...Only joking. I would never say that. Yes, ‘I’ wouldn’t.”
Home Tap (Groovy) “I always welcome the unknown. Please, I encourage you to play an even more active role in everything.”
Duo Magic Jade: May I ask that you entrust me with this today, Floyd? Floyd: ‘Kay~ Jade. What’re you going to do~?
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Birthday Celebration Outfit - SSR
This card was only obtainable during Jade and Floyd’s birthday event (Nov 04 - Nov 11, 2020).
Login on Birthday “Welcome to our birthday party. I’m certain Floyd will be very happy to know you’ve arrived. Now, I’ve prepared some food. Heheh, there’s no need to be shy. I’m simply doing as I please.”
Unlock Card “I’m looking forward to seeing how you’ll receive me as a guest.”
“What day is it today? Let’s see, what is it...? Only kidding. I know. Floyd and I have our birthday today.”
Groovy “I’m very pleased you came to celebrate for me. You have my sincerest gratitude.”
Home Setting “So this is the outfit we have to wear today... I will try to pull it off.”
Home Transitions “Azul gave me a large aquarium for my birthday. No, it isn’t for me to swim in. I’m using it for my terrariums.”
“Simply watching everyone put together this party didn’t sit well with me, so I contributed one dish. Do you know which one?”
“It’s surprising that I eat so much? I hear that a lot. But it’s because of that that I’ve grown this tall.”
Home Transition (Login Greeting) “I enjoy parties. They allow you to hear many unusual stories from those who always have dynamic surroundings.”
Home Transition (Groovy) “Should I pour some tea? ...The star of the day shouldn’t be the one doing that. Well, let’s just say it’s my thank-you for coming to celebrate.”
Home Taps “Ruggie gave me two wild plant recipes for my birthday. I believe I still know how to cook them... I’m very curious.”
“Our parents ask us what we want for our birthday every year, but Floyd and I have never asked for the same thing. Even twins have different tastes.”
“I received special tea leaves blended by Vil himself. The flavor is phenomenal; you can tell it’s a high-class product.”
“What do I want for my birthday? ...Art supplies. Lately, I haven’t just been collecting fruits and herbs from the mountains; I’ve started working on field sketches as well.”
“How playful you are to fire a party cracker without warning me first. It’s only right if I return a surprise to you... isn’t it?”
Home Tap (Groovy) “Hm? What was it you just said? Could you repeat that one more time? Only joking. I just wanted to hear you wish me a happy birthday over and over.”
Duo Magic Jade: Oh, you came to wish me a happy birthday as well, Jack? Jack: Yeah! Happy birthday, Jade!
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Tutorial “May I ask what your plans are for today? Wherever you go, I shall accompany you.”
Lv Up “Oh my, you seem to have taken a fancy to me.”
“My apologies. I’ll strive to live up to your expectations.”
“Heheh. This feels rather nice.”
Lv Up Max “Brimming with all of this power... I am shocked to say the least. Heheh, it’s certainly not a bad feeling.”
Episode Lv Up “How strange. At first, I thought you were nothing but a drab human, but... Ah, don’t get mad at me. My impression of you has changed since then.”
Magic Lv Up “Magic on land is so interesting. I absolutely want to try it out.”
Limit Break “How very kind of you to have gone this far for me. I will do my best to live up to your expectations.”
Groovy “I seem to have gotten ahead of myself and acted rather unsightly. Heheh.”
Lesson Select “Please, choose any class you like. I will join you if I’m interested.”
“Trust that I will aid you in any of your classes. I am always prepared for anything.”
“Would you like me to choose my most recommended class for you? As you can’t make up your mind.”
Lesson Start “Let’s enjoy ourselves again today.”
Lesson End “Good work everyone. Let’s do our best next time.”
Battle Start “Please don’t be too rough.”
Battle Win “I had hoped I could keep having fun with this... Oh well.”
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Other
Profile Quote “It’s your own fault that you didn’t fulfill the contract you signed.”
January 2020 Trailer “If you ever have any problems, then we will help you.”
Countdown Poster “If you’d like all your dreams to come true, then come here.”
Login Bonus Greeting “Since you work so hard, I’ve prepared a gift for you. I won’t request any compensation for it. Please, go ahead and accept it.”
Player Birthday Wish “Happy birthday. This isn’t much, but here is a present from me. Oh! But don’t open it here. That wouldn’t be fun at all. You must do it in secret, when you’re all alone... Understood?”
306 notes · View notes
chaseatinydream · 3 years
Text
pirate king (58) || atz
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You sit in the sickbay, quiet, uncomfortable as San moves around without a word. There’s the clatter as he mixes something, from the smell, probably some sort of herbal salve to prevent infection, but that’s not the most important thing right now. Even more important than your hand. Even more important than your pain.
You tongue the inside of your cheek nervously. San is practically stomping around the room, his movements only increasing in volume with every second that passes, you can clearly see the wound up tension building in his shoulders. That intimidates you, but you need to at least try to make everything okay.
It’s the least you can do.
“Master?” You begin, hesitantly. San doesn’t respond first, whether he can’t hear you or he’s plain ignoring you, you don’t know, but you swallow the lump in your throat and call, louder this time. “Master?”
San freezes, hands hovering over the work table. Suddenly lost for direction, aimless, without purpose. “What.” His voice is curt, short, trembling and when he finally turns around to meet you, his eyes scream “what” even louder, and you’re shocked to see that tears are clinging fiercely to his lashes, refusing to fall.
The sight stings like a whip to the face.
“Master–” You begin to say, desperate to fix this somehow, but San doesn’t look at you, fingers digging into the wood of his work table so hard that his fingers turn white. He’s angry, no, furious with you, that much is obvious.
How are you supposed to make things right?
You merely watch in silence as San takes three deep breaths to compose himself, the furious expression vanishing only to be replaced by an emotionless mask of steel. You’re not sure which one you prefer, the tension between the two of you merely thickens like growing smog. He continues smashing the marigold petals with more force than necessary, the sound of mortar meeting pestle going clack-clack in your ears like an ominous echo.
The sharp smell of potent marigold paste fills your nose, but its familiar scent isn’t comforting you, instead you close your eyes and try to will the pain in your hand – and in your heart – to go away.
“Why didn’t you say anything?”
“Wha-” You say, confused for a second before you realise, oh, that’s what he’s talking about. You had your reasons, sure, but speaking them out loud suddenly seems way too daunting a task for you to handle. You fumble around for the right words, but they don’t come to your mind.
“I said,” San repeats, through gritted teeth this time, and the fury makes his voice tremble. “Why didn’t you say anything about the bleeding?”
You press your lips together for a while, keep silent. Trying to figure a way to phrase your reasoning into words seems impossible at the moment and your head hangs while San doesn’t say a word either, the tension only growing between the two of you.
San finally finishes preparing the poultice with lips drawn in a tight line, his eyes don’t meet yours as he steps over to you with a bandage in hand. Crouching before you, he continues to avoid your gaze even when he picks up your hand with the utmost gentleness, as though he can’t bring himself to translate his rage into a physical form.
Your heart squeezes painfully in your chest.
He swipes a finger over the skin around the wound, taut expression unchanging, and a shower of tiny flakes fall to the ground. They look like snowflakes.
What are those?
“What are those?” San echoes your thoughts brusquely, curiosity clashing with some attempt to remain upset. You frown, confused, bend down to squint at the small shapes. But then San shouts in horror, staring at the hand that he has clasped in his.
Shocked, your eyes instinctively follow his gaze to the wound on your hand, and what you see terrifies the hell out of you.
“Master!” You scream, panicking. Everything is going haywire. “My hand… it’s–”
San cradles your hand urgently in his, as if that would be of any help to you, but it only ends up doing the opposite. The two of you can only watch in terror as a crack splits down the tip of your index finger, tiny web-like patterns splintering across the skin. Your heart leaps into your mouth, but before the two of you can do anything about it, your index finger breaks off completely, falling to the ground and breaking clean in half.
What?
San’s eyes dilate at the sight, his breath leaving him in unsteady, terrified pants. You feel no pain, but your heartbeat resounds in your ears, like a faint echo. You’re so calm you’re surprised and, raising your hand curiously, you see more cracks already starting to appear along the skin of your knuckles.
“Chin Hae!” San screams, alarmed, but you don’t hear his voice, instead you simply continue to stare at the webbed fissures blossoming across your hand, down to your wrist. The skin turns an earthy brown before your eyes before they fracture into tiny pieces, falling away like chaff blown away by the winds.
There’s another crack, a sharp breath, and then your entire hand falls to the ground.
It shatters into a thousand pieces.
You sit there, stunned, staring at the broken shards that had used to be part of your body. Where warm blood had once flowed through, you only feel empty pain there, a phantom ghost of what had used to be.
Instinctively, you try to wiggle your fingers.
Nothing moves.
There’s no blood, no nothing. Just a mere stump where your hand used to be, clay fusing with warm flesh at the joint of your wrist.
“I… I need to tell Captain.” San trips over his own words, stumbles over his own feet as he stands to make for the door. But the fingers of your remaining hand find his wrist, encircle it ever so lightly, that is enough to stop him dead in his tracks.
“No.”
San whirls on you, with wide eyes, you can still see shock in the depths of them. It’s clear that your master knows that this is a problem way out of his depth, one that he has no ability to resolve. “Are you crazy?” He demands fiercely, but you can hear his voice breaking. Guilt washes over you, but you force it down and meet his eyes with more calm than you should have.
“You can’t.”
Your voice doesn’t break.
“Why?”
San is furious, he’s powerless and yet here you are, taking away the only thing he can do, calling for help. He wants more than anything in the world to save you, needs to save you. He won’t give up, but you can’t let him tell anyone; most of all your captain.
“– you’re going to die if we don’t do anything about this, Chin Hae! You’ve been coughing blood, having nosebleeds, and now? I didn’t do anything about it and look what happened to you! I’ll be damned if I let you die after all this time, Hongjoong-hyung would be able to do something–”  
You waver for a second, the will in you crumbling. You just want someone to know, someone to help you, but you stay resolute in your decision, immovable as stone. Suddenly, the words come to your lips too easily.
“It wouldn’t change a damn thing.”
There’s a second of stunned silence between the two of you.
“What?” San repeats after you, he looks stupefied that you’d say such a thing. Then the words begin to tumble from your lips, razor sharp knives that tear into your master’s heart with each stab.
“What could he possibly do about this? I know he’s the Pirate King and all, but do you really think a mortal man with a mere blessing could save me from breaking into pieces?” You spit contemptuously, rising to your feet. Your words burn but you’re hollow inside, you continue speaking even as San’s expression turns more and more hurt. “Don’t lie to me. I was created by gods, San. Captain is human… he’s weak, powerless… He can’t save me.”
“He–” Your master begins to say, but even he falters ever so slightly in the face of the unconquerable odds laid bare in front of him. How could a mortal ever solve a problem of such a scale?
For the first time in his life onboard the Treasure, he doubts his captain.
Seeing him waver, you press forward, spilling empty words you don’t believe. “Besides, Captain has so much to deal with already, and it’s not like I’m dying or anything. Stop over-exaggerating, master.” You roll your eyes, get to your feet, and the sound of a tiny sob escaping your master behind you nearly breaks your heart. Why do you feel like crying? “Do you really want to make Captain take on more burden than he already has? It’s not his fault that you aren’t a good enough healer to cure me.”
A soft wail leaves your master’s lips, but you hold your head high and step into your shared bedroom tucked behind the infirmary, slamming the door shut behind you.
And for the first time, you lock it.
Finally, with no eyes on you, you sink to the ground and begin to cry, quietly into your sleeve. Sobs pulse in your chest, tear at you from the insides, struggle against you like the wings of a bird, but you suffocate them. You can’t let anyone hear.
But you’re scared.
You’re so, so scared.
You’re going to die.
And no one can help you.
“Please… no, that’s an order. I order you not to die, Chin Hae. I… no… I won’t be able to bear it if any of you die so please…”
Don’t die.
As if to mock you, something warm and coppery begins running from your nose once again, dripping into your lap, turning your shirt red. You raise the stump where your hand used to be to your nose and blood smears across it, turning it crimson. For a moment, it looks your hand had truly been amputated.
How you wished that were the case.
I’m sorry, captain.
I think I won’t be able to keep this promise.
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