On how Crowley and Aziraphale felt during the kiss (but mainly Crowley here):
Ok so first, the main idea for this huge meta is that a LOT of us noticed how the music from the kiss scene is similar to the nebula one, right?
Second, a lot of us also correctly noticed the parallels between the kiss and how it was to taste food for the first time for Aziraphale: bc of his reactions, the hand on lips, the similar way MS acted both scenes, the little inhale etc. So how was it for Crowley?
Aziraphale's reaction to the kiss is practically a puzzle to solve on its own, so it's fun to analyse it, but basically, in a few words, Aziraphale kissed Crowley and he discovered he was physically starving for him, longing for him, yearning for him, for his kiss, and he had no idea. Just like with the ox. And now he needs to gorge himself in him but he can't. Great amazing heartbreaking chef's kiss someone give MS an Emmy.
But there's already so much amazing meta out there about Aziraphale x Ox ribs x The Kiss that I want to focus on Crowley here, and on the music.
So back to the music. The song in "Before the Beginning" and the song that plays during The Kiss (I Forgive You + Don't Bother) are so similar. They're not *exactly* the same, but they're totally reminiscent of each other. The viewer is immediately reminded of those chords that played in the opening scene. It's no coincidence that the fandom was talking about this fact only minutes after first watching those final fifteen minutes. This is an obvious intentional choice for storytelling reasons (David Arnold is a genius).
I have no expertise whatsoever when it comes to music, so I asked our friend @otsanda to see if that made sense and not only it does and she explained it, but she also uncovered so much more hidden meaning in all of it (musicians are amazing), so check out her meta about the music that not only serves as evidence to what I'm proposing here but it also has so much more juicy information in it 💖.
Back to the point: WHY thought? Why choose a similar song? Why intentionally COMPOSE a similar song for that moment?
Hear me out. WHAT IF, by reminding the audience of the creation of the nebula, they meant to convey to us that, for Crowley, kissing Aziraphale gave him the same feeling that creating his stars did?
THAT'S what the music is telling us. THAT'S why it makes us remember "Before the Beginning". It may sound cheesy, but Crowley may have literally seen stars when he kissed Aziraphale. He couldn't react accordingly (just like Aziraphale couldn't), bc it was an overwhelming and extremely sad moment (the music is also telling us that) for both of them. They knew it was ending . They were both having a moment of huge revelation that was fated to not come to completion. Crowley was right, it was too late.
It makes sense to show Crowley's feelings through the music, bc he was the one who started the kiss, and also he was wearing sunglasses in that scene, it's different from a character like Aziraphale that has all his million expressions for everyone to see at all times. And they've been doing this ever since s1 with the Queen songs that play in his car or in the background.
So my point is: the same song being used there makes me wonder if kissing Aziraphale finally gave him what he lost. His purpose. What Aziraphale was trying to give back to him by taking him back to heaven. There's no need for Heaven. Just kiss him, Aziraphale, and there he'll find the stars you want to give back to him. There you will one day see that smile on his face you saw Before The Beginning. Neil Gaiman and David Arnold I am in your walls 😭
This is what may lead us to see this happiness in Crowley again (not the action of kissing itself, of course, but what it represents to their relationship, them being together, them being an Us).
As @otsanda said: from the music we can interpret that that moment was a Revelation for them. Almost a religious experience. Crowley found his purpose again. What he'd been missing the whole season (or even his whole life since the Fall, but we've seen him especially depressed this season).
I'm not even getting into the poetry of how one can interpret the parallel to the angel's reaction to the kiss as carnal, and the demon's as religious; that would be another whole essay but let's just agree that it's incredibly beautiful. (Let me be clear that I mean here Aziraphale's reaction is carnal specifically for Crowley, and Crowley's is religious specifically for Aziraphale, not religious as in "worshipping god")
"Do you ever wonder what's the point?" Crowley asked in s2e1. The point, for him, is Aziraphale (if you've seen The Good Place you know what I mean). I hope he figured this out with that kiss, even as heartbreaking as it was. Even if it was a (temporary) separation kiss. (I hope Aziraphale figures this out with time too, that he's more than enough to make Crowley happy, that Crowley doesn't need Heaven, or stars, that Crowley needs him.)
Maybe that's why Crowley didn't leave and kept waiting outside until the very last moment.
Aziraphale and Crowley both bit the apple at the end of s2. There's no turning back from that Knowledge now.
Edit: I just have to add here this brilliant colour analysis of the nebula scene by @halemerry. And it's pointed out that during the nebula formation there's a moment when it looks like two people embracing. And the fact that a similar song is used in the actual Kiss scene I just... I have no words
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DC xDP fanfic idea: One hell of a good Bellhop
Danny and Jazz Fenton get a chance of a lifetime after a whirlwind of dimension displacement. It's hard to explain how it happened. One minute, they were visiting Clockwork, having tea with their surrogate grandfather, and the next, they were being attacked by what appeared to be woolly mammoths standing on two legs and carrying weapons.
Clockwork had dispatch to take them head on- timeline pests he called them- but in the confusion Danny and Jazz were taken by suprised, stuffed into sacks and thrown through a whirlpool turned portal that spit them out in a new world.
They tried to call Clockwork for help, but it was as if though the Ghost Zone was blocked by some power. Danny at least still had his ghost powers and Jazz was equipped with the standard Fenton weapons on her person, but that wasn't much help when between the two of them they had sixty dollars and thirty four cents to their names.
Drivers' invalid licenses, phones that weren't connected to any service, and maybe worse of all, no actual identity to speak of.
The Fentons simply didn't exist in this world. Not even their four fathers. The two were at a loss on what to do- for about three months. Then they put their Fenton intelligence to use and hacked into a hotel.
It was a run-down place in the heart of downtown Gotham- the place that the portal shot them to was Metropolis. Still, people paid way too much attention to homeless minors there, so they had to move after dodging a weird underwear guy who kept trying to capture Danny. Apparently, he thought Danny was a "Kryptonian Clone". Fruitloop.
Jazz thought they were the only guests in the Hotel, which is why the owner was so happy to host them for weeks instead of a few days. He was a sweet old man named Charles who was far too old to work but couldn't afford the staff, so he did everything himself.
Jazz felt an awful pity seeing him sit at his counter, staring hopefully at the door for any new guests whenever she returned from her work. It was heartbreaking to see Charles' eyes dim whenever the closing time came, and once again, no one stopped by. At this point, he kept the hotel open in a sad, broken dream.
Where did she work? Danny didn't know, but Jazz made him swear she would handle their expenses. She kept a tight lip on her day, and since Danny had no documentation to go to school with, he found himself helping Charles with maintenance.
He has no license to do anything, but Danny has been installing electricity, water pipes, and anything in between since he was young. FentonWorks always needed something fixed, after all.
He even went out and "borrowed" some paint cans to give the old place a little touch-up. Charles' eyes watered when he saw.
"My wife and I meet at this hotel, you know," Charles tells him one day as Danny patches up some old bricks. He runs to find the old man, gently running his hand along the fireplace. A picture of two young people dancing in the Hotel Lobby—back when it was new and shiny—is hanging right over it. It's easy to see it's Charles and his late wife, Sally.
"Of course, that was back in the forties—a few years after the war and before Gotham was crime-infested. We always wanted to run this place together. We worked two jobs, and when we finally had enough, we bought it from the old owners when they announced they were closing down. We were so happy and ran it together for a year, but then she got sick. Really sick. I was told to give up on the Hotel when I lost her. No one saw a reason when it was obviously failing, but it's the last thing I have of her, you know?"
Danny's lips wobble. He thinks back to hours and hours of tracing the Fenton Works logo on all his new clothes. It looks stupid but, gosh its the last thing he has of his parents since they been sepreated too.
"Yeah" His voice catches "Yeah I know. Did you two ever have children?"
Charles shakes his head. "Salley couldn't have kids, and no matter how many times we applied, we were never approved for adoption. Then we were too old."
"I'm sorry Charles"
"That's alright, my boy." The man's smile is just as heartbreaking and sad as it is soft. "It's something I accepted long ago. "
Danny decided then and there that he would save this hotel if it was the last thing he did. Danny wasn't aware that his Ghost Powers launched onto that oath and sent out a flair, turning Gotham's Fog Lodge into his new haunt.
This meant that overnight, Danny's haunt was carefully bettering itself as a reflection of Danny's happiness. It made it look brand new among all the old and falling apart scenery.
No one knew why or how, but it looked just as Charles remembered it in the glory days.
Danny decided they couldn't compete with large chain hotels, so he made it an experience instead. He did Era events using his experience with the different parts of the Ghost Zone as references.
Soon Gotham was hearing of the Victorian Era Ball—a chance to dress up and dance the old ways with antique clothing of that period.
But Danny didn't stop there.
Disco parties. Nineties garage bands. Murder mysteries nights from the roaring twenties. Even the props were so realistic that people swore they stepped into the time from when arriving for their events.
People started calling, hoping to book in advance, and Charles burst into tears the first night Danny told them they ran out of rooms.
Since it was Danny's haunt, he could complete all the work by himself, having the hotel help him along the way. No one knew why or how, but somehow it was always clean, food was always prepared whenever someone needed it, and bags would be up into their rooms without actually seeing the Bellhop pass getting them at the door.
Not a single staff member in sight, either.
Charles suspected Danny was meta, and he was using his powers to be one hell of a good host. Everyone else thought the place was haunted by staff made entirly of ghosts, and that somehow made it more appealing.
Jazz's new boss thought it a little too good to be accurate, but he was so good at keeping records and organizing that he gave her the benefit of the doubt. After all, she did mention she had a meta brother she was desperately trying to protect.
If there was one thing Red Hood knew, it was that desperate people turned to crime the most. If he could keep someone like Jazz Fenton away from working with the nutjobs of Gotham, he would have been doing one thing better for the city.
As far as Jazz was aware, she was only an assistant/secretary to an obvious front masquerading as an insurance company, and if she pretended not to notice all the crime, she could feed Danny and help Charles.
Charles, for his part, never said it, but he thinks if he and Sally had been able to have grandchildren, they would have been exactly like Jazz and Danny.
He may have let it be implied at one point, and the misunderstanding spreads that he is their grandfather. None of the three make haste to correct it.
Gotham Fog Lodge starts to gain traction around the same time it captures the eye of one very intrigued billionaire. Bruce Wayne keeps an eye on the business but decided to let Jason make the call since the grandduaghter's owner works for him. '
Surely, he would step in if something malicious was going on.
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