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#she’s extremely ableist to Cass
whalehouse1 · 1 year
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You don’t realize how much you hate how a character until you walk into a store and audibly groan so loudly over seeing them as the main selling point.
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brucewaynehater101 · 3 months
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Timothy Drake-Wayne and Red Robin don't hold grudges. Someone could try to stab them, and he would still greet them amicably.
Tim, however, absolutely holds grudges. He'll forgive his siblings for betrayal or attempted homicide, but every piece of technology they own is obliterated if they touch his Zesti.
The lines he'll cross are more extreme if he's holding a grudge for someone else.
A person mentioned three years ago that Robin's (Damian's) outfit looks stupid. They still get every single red light when they drive.
That new JL member that implied Batman is too cold-hearted to be a hero? Every embarrassing moment of theirs on patrol (including tripping) is uploaded onto YouTube as failure compilations.
Duke knows it's no coincidence that every jerk he's mentioned to Tim has been aggressively dealt with. He fully utilizes this but allows himself plausible deniability.
Tarantula hasn't been heard from in years. No one knows what exactly happened to her, but rumors indicate she suffered greatly.
A goon that had gotten a lucky hit on Red Hood ended up at the police station 24 hours later with all the bones in their dominant hand broken.
Any person that makes ableist comments about Barbara has their information directly sent to her. She prefers to deal out the retribution. Steph is similar, but she'll sometimes ask Tim to join her.
Cass treats the experience as a siblings bonding trip whenever someone is stupid enough to slight her in front of Tim.
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jupitermelichios · 1 year
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Hey, we need to talk about the way Batfamily fans write Cass using ASL, because a lot of it is really fucking ableist
But Cass can't speak, of course she needs to sign!
Not true! There is nothing physically wrong with Cass's vocal chords or mouth, there's nothing in her brain stopping her from making sounds, and she is not an elective mute. She actually learns to speak individual words really quickly after she puts herself into an environment where that's a useful skill. Basil teaches her to quote huge chunks of Shakespeare in Nu52, and that's easier for her than forming simple sentences. That would definitely not be the case if she had any physical limitations on her speech.
Cass's disability is that she was not taught any language, and so she is having to grok the entire concept of language from the ground up. Grammar and syntax; tonality; how to combine words to convey more complex ideas; how putting two words next to one another can change their meaning; how to break down a whole idea into the individual parts needed to turn it into words; the fact that people's words might not line up with their tone and body language so you have to pay attention to both; how to tell if someone wants a response or is stating a fact; how to work out meaning from context if a word is new or someone has an unfamiliar accent; how to know if someone is using a new word or if they actually just have an unfamilar accent and all the ways words can be bent and changed before they become something new; the fact that two words can use the same sounds but have the same meaning; the fact that there can be two different words that mean the same thing. This is all stuff she didn't learn as a baby, and not knowing it would be just as much an impediment to learning ASL as learning English (for accent, swap out things like having limited movement in their hands, or having learned slightly different forms of the same sign, using a lot of home-signs etc, it's the same concept in a different medium).
There is no language on earth Cass wouldn't have these problems with. ASL is not any kind of shortcut.
But she reads body language, and ASL is kind of like body language right?
Not true, also pretty abelist! Just as the sounds which make up spoken language are essentially arbitrary (there's no objective reason why the sound "gud" should mean good, English speakers just all agree it does) so most of the signs in ASL are arbitrary! There's no reason for
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to mean good. ASL users just all agree that it does. Cass knowing body language would not help her any more with ASL than it would with English, and if anything, it might make it harder, because sign uses the whole body and therefore changes the way people use body language so unless she saw a lot of ASL users as a child (and there's no particular reason to think she did), she would have to adjust what she knows about body language to account for those differences!
But she signs in the comics!
Nope! She uses hand gestures to communicate sometimes, but that's not signing. Pointing at food and miming eating to convey hunger is not sign. Pretending to punch someone and pulling it at the last second to convey you could hurt them but won't (Cass's actual first communication with Bruce in the comics) isn't signing. I've done the point and mime thing in countries where I didn't speak the language, that does not mean I knew that country's native sign language!
But she learns ballet, that's like a physical language, so sign is the same thing!
Nope! Also low key kinda abelist. Dance is a method of communication, but it isn't a full language. There's almost no grammar or sentence structure, the vocabulary is extremely limited, and also you can just make up new dance moves or use moves from different styles of dance together and still convey your meaning (you cannot just make random gestures or use BSL and expect ASL users to understand you, because they're full complex languages). Cass vibes with dance pretty hard, but that's precisely because it isn't a language, it doesn't require any of the skills she struggles with in order to communicate emotion.
But ASL isn't like a real language, it's not as complex or nuanced as spoken English so it would be easier for her to learn
That is so fucking gross I don't even want to have this conversation with you. Go and sit in the timeout box and think about what you've just said, and then commit to doing better.
But I just think that once she learned it, she'd like using ASL because [it's very expressive/she's used to her world being very quiet/she can use it on stealth missions more easily/etc]
Valid, understandable, have a lovely day
But I'm writing an AU were she uses ASL because her backstory is too comic-book-y to fit in no-capes AUs but I didn't want to erase her communication difficulties so I've written her as having a different disability
Cool. Send me a link when you're done.
But what if I write her using makatong?
(For context, makatong is a form of sign developed for people who have intellectual or phsyical disabilities that affect language use, which uses more descriptive signs which require less precise hand possitioning than other sign languages, and which has very simple grammar, making it easier to learn than ASL). Yes this would be easier for her, because it's intended for people with similar difficulties to hers, but since her difficulties stem purely from a lack of experience which can be (and are, in canon) overcome with practise, it would be kind of needlessly limiting compared to her just starting out with very simple spoken language, and wouldn't give her as many chances to develop those language learning skills. Makatong is also not mutually intelligable with any other sign language, so she couldn't easily transition from that to ASL once she got used to signing, she'd have to start learning it from scratch.
But I HC her as deaf
There is 0 comics evidence to support that, but it's a headcanon, so who cares. You do you. Have fun.
But learning sign language would be better than learning to speak anyway because it's a universal language!
That is not even slightly how it work. Go read the wikipedia article on sign languages around the world or something. Do some research.
TL:DR; Cass does not use ASL in the comics, and nothing about her disability or sign languages in general would make learning ASL easier or more convinent for her than spoken English. That does't mean writing her signing is inherently bad, but you should examine your reasons for doing it to ensure you're not just perpetuating ableist stereotypes about the language.
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but-a-humble-goon · 5 months
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I've talked a few times before about Barbara's ingrained ableism towards Cass and how it repeatedly drives a massive emotional wedge between them but what's underdiscussed is that it's actually not totally one sided. Cass also lets her ableist assumptions about Barbara come between them as well. She's obviously someone who lives for the physical. It's her first language, it's how she processes the world and it's her only real way of expressing herself. It's inevitable that someone who was raised like that, as Cass was, to see Barbara who can't move or fight the way she does as kind of... broken. Even if not consciously. Barbara constantly tries to push Cass into going outside, talking to people, having fun, making friends etc because Babs doesn't really understand Cass' needs and thinks forcing her out of her comfort zone and into a "normal" life is what's best for her. She is wrong about that of course but the way Cass interprets this is as Barbara trying to live vicariously through her because clearly she must be lacking fulfillment in her own life.
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Which is also totally and spectacularly wrong. Babs never sees herself as broken and doesn't miss her old life, she's extremely clear about that. Cass is entirely just projecting her own ableism onto her, exactly the way Babs does her.
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PRELIMINARY ROUND - DC COMICS
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PROPAGANDA
Cassandra Cain
1.) essentially her character premise is that shes more or less an unbeatable martial artist due to the way she was raised. in the comics, she's the second batgirl and had a very popular solo series from 2000-2006. However, essentially DC editorial really didn't like that a teenage chinese girl was a better hand-to-hand fighter than batman, and so mandated that she be turned into a extremely random (also remarkably racist, as she was more or less turned in a 'dragon lady' stereotype) villain, which completely derailed and destabilized her character enough for her to almost entirely disappear from comics for the next decade. this is a far more detailed write up if wanted: https://www.reddit.com/r/HobbyDrama/comments/pdue0e/american_comicsdc_comics_the_saga_of_cassandra/
2.) Following the events of One Year Later, Cass was turned into a homicidal villain who led her own league of assassins and wanted to force Tim Drake into murdering people. This was later retconned as her being drugged, brainwashed, and manipulated by deathstroke.
3.) Literally canonically a better fighter than Batman and probably most of the DC universe. Killed one person once and because of the way she grew up (never taught to speak, learned to communicate by reading body language, in order to make her the ultimate weapon), saw what he experienced as he died and then refused to ever kill again. Had an awesome initial run… And then got hit with "evil mind control" that made her go completely OOC, depopularizing her character so much that a lot of people don't even know she exists.
Barbara Gordon
1.) Was shot as angst value for Bruce and her dad, implied to be sexually assaulted in The Killing Joke with absolutely no respect for her long career as Batgirl. When Alan Moore asked if he could, the editor said "cripple the bitch." She became paralyzed from the waist down. THankfully, an actually good writer picked her up from there and then wrote one of the best stories ever written (Oracle Year One: Born from Hope). Was one of the most iconic disabled characters in comic book history, hell, as Oracle, she was definitely up there as one of the most iconic disabled characters ever as well as a fantastic character, period. There were a few moments where people kept trying to make things out of her disability and had her be shitty to other women for no reason but for the most part, she was awesome. During her time In 2011, Dan Didio and some other misogynistic/ableist comic book writers were responsible for "curing" her disability and forcing her back into Batgirl, despite her having shown absolutely no desire to do so, as part of the New 52. They also made it an editorial mandate that she couldn't have glasses, a cool secret base, and her time as Oracle couldn't be referenced. This was because those writers were nostalgic for the 60s Batman show where Babs was played by an actress they all had the hots for and couldn't accept she'd grown up and moved on. That was bad enough, but over time, she's been increasingly deaged and reduced even further to just Dick Grayson's on and off again girlfriend and a generic girlboss. Batgirl of Burnsides burn in hell.
2.) Famously fridged in 1988, which was so popular with misogynists it became canon. After almost 2 decades of being one of the only disabled characters, was rebooted to a younger, more fun version of herself whose only history is that she was fridged but not disabled by it.
3.) The Killing Joke is one of the biggest comic examples of a female character getting hurt to motivate male characters. Also tbe way different cannons will trade off who her romantic intrest is out of Batfamily is pretty disturbing ranging from Bruce Wayne in Batman the Animated series universe (ew) to Tim Drake in the Arkham games (ew). Not to mention DC now is not letting her grow out of being Batgirl taking away her legacy of other young female heroes taking up her mantle and her getting to mentor them instead forcing her into a Batgirl cycle of purgatory when she was always better as Oracle (Its a little more complicated in the new Batgirl book but its still not solving the issues in a way that feels meaningful enough to make up the damage).
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punkeropercyjackson · 3 months
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Related to my prev post:
I don't give two shits if Bruce is written like a bad dad if it means we get good writing for everybody else since i think minorities are more important than a white cishet male nepotism baby unlike his butch lesbian counterpart who's judaism is an actual fundamental part of her character and since he's been written as abusive so consistently over the years it's in-character anyway
Dick can be both bi/pan and demisexual and there's more evidence for the latter than the former so making him be sexually loose is aspec erasure and mspec stereotyping and he dosen't have a thing for redheads,he has a thing for black women and to me the only guy he seems to like romantically is Roy and that adds on to his demisexuality since they're childhood best friends
'Catholic guilt Jason' is a shit headcanon that misses the major and critical part of him being Red Hood that he didn't feel the slightest bit bad about killing people and the point of his redemption was learning remorse,afrolatino Jason isn't based on stereotyping but him filling out so many black and latino cultural aspects and if any hcs for him are stereotyping it's the one that he's a slut because he's a very handsome and hot and cute goth punk man
Tim is perfect the way he is and dosen't need power ups or to get 'punished' for the oh so horrible crime of being a realistic teenage boy,he's not JUST huge a loser or a super cool dude but both at once and it's bad writing and fetishistic to ignore his wide range of relathionships that consists of mostly of women to make him a 'guys guy'
Stephanie is heavily autistic and bpd-coded so she's far from a 'normie',much less an 'it girl' but people see blonde hair and blue eyes and throw away everything else about her because that's all she's worth to them or call her an abuser and a pick me just like they do irl bpdtistic women and she's also canonically pastel/indie punk and a Team Mom but gets her presentation switched to basic and made out to be a womanchild instead
Cass had a million times more moral conflict than Jason ever did,would never in her LIFE wanna be feminine even in the chinese way and would be butch in it instead,turning her scattered speech into sign language is ableist not unlike(but not on the same level as)changing Babs' type of wheelchair disability and she'd be a better Batman than any male character in existense
Duke is only a golden child in the sense he has a yellow motif and is as disruptive and authentically quirky as his siblings,We Are Robin is a better team than the canon Outlaws,his powers are cooler than any Al-Ghul ones you could come up with,he has more femme energy than Tim does and Carrie Kelley ain't shit and only gets brought back to replace him because DC is antiblack
Damian's introduction mentality was a result of not only child abuse but also psychological grooming to get him to dehumanize himself and all his bigoted comments are explained either by him being like 12 or his writers trying to demonize brown people and anybody who thinks he's a bad person is a super-sized pissbaby with no sympathy for kids of color,shipping him with Jon is making a bisexual man into a ped0phile and Jay is good even if aging Jon up wasn't and he should be friends with Maya,Suren,Nell,Colin,Kathy,Maps,Tai and Miles,Gwen,Peni,Pavitr,Hobie and Margo from Atsv and Nico and Hazel from Pjo instead of Billy Batson or Danny Fenton or ANY Mcu characters
Talia is super hot but should be drawn in accurate arab clothes instead 'sexy assasian gear'(not that these two can't co-exist but you get what i mean),her personality is extremely rich and her stories are mega interesting,she's a good mom to Damian and literally never 'took advantage of Jason' seeing as That Scene In Lost Days was decanonized by it's writer who said it was ooc for her on his part,she should've been a mom figure to Stephanie in her Robin Days too since they would get along and she deserved her own run where she takes over Lexcorp to transform it into a force for good and become Superfam-adjacent to free herself from having only male connections
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vermillioncrown · 10 months
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ttbh snippet - the kids settle in (sorta)
more fuel for the fire 😎 the time being had is of ambiguous quality, but we're certainly here in collab w @rozaceous
they've been in canon-verse for a few days already, and the bats have updated their opinions on the mini-interlopers
After the dust settles, everyone seem to agree that it was eventually going to happen. None of them—not even Damian (who is indignant at the accusation)—ever aimed to make the kids cry. It’s understandable, however, that the events of the past few days have been overwhelming. For trained vigilantes used to worldending and multiversal threats, context helps but it’s still ten of them confined to one (admittedly large) manor and its surrounding property. For kids without any context or the wherewithal to understand it, being the equivalent of multiversal bookends means nothing to them.
The fact that they held their composure for this long is admirable. They are, overall, extremely easy kids to care for and well-behaved. Retrospectively, it was a trap in making them complacent.
Allie has the most detailed instructions attached. Food intolerances, strict preferences and diet, allotted time outside for being physical, time left alone to read and be quiet are simple enough needs to address once known. During outside time, she plays soccer with an oddly charming combination of vigor and systematization. When there’s too much activity around her, even during things she enjoyed doing, she’d retreat into quiet play until it’s back at a tolerable level. The giant set of crafting beads that Steph and Cass ran out to purchase on Day Two has been lovingly organized and curated during her shy periods. Korvin is the only one she lets into her space, then.
Korvin’s notes are extensive but disorganized and contradictory, as if multiple people threw everything they had at the dossier and didn’t bother cross-referencing each other. Food is straightforward—he eats everything on his plate, nothing more or less, always with a “Please” and “Thank you.” Suggestions on occupying him fall flat; Tim’s attempt to show off the 3D printers and computers was met with a wide-eyed stare and a shake of his head before he runs off after Allie. Hide-and-seek and Sardines worked for a bit until Alfred put his foot down because Korvin followed Dick onto the chandeliers. They don’t catch that some of the soaps in the manor were giving his skin blisters until they see him fidget non-stop under his oversized sweater sleeves.
Eventually, they leave the kids to their own devices; it seems to work better than hovering.
Steph’s the one that points out at their fretting, “Chill out guys, I think they have autism.”
“That’s—wow, Steph,” Tim looks taken aback and almost personally affronted. “That’s so rude. They’re just quiet kids.”
“Hm, kinda ableist of you, Tim,” Duke crosses his arms, frowning down at the now sputtering older vigilante. Cass catches his side glance exchange with Steph. It’s half-serious but entirely shit stirring.
“There is nothing wrong with them,” Damian throws in his two cents. “They are, in fact, more tolerable than most of my classmates despite their age.”
All of them—barring the kids, of course, and Alfred making sure they stay hydrated—are discussing the situation in the second floor parlor. The room overlooks the immediate garden area, and has a balcony they can all leap off safely. Allie and Korvin are chatting and giggling in the garden, inspecting flowers and bugs alike. On a closer look, Allie’s admiring the different flowers and Korvin is gently flicking worms back onto the dirt. A worm flies too close to Allie, who squeals, and Korvin profusely apologizes.
There’s a lot of exchanged glances that happen after Damian’s declaration. Tim looks reluctantly grateful at Damian, who purses his mouth petulantly.
“Woof, Dami,” is all Steph has in response. Duke has a pinched expression on his face and quickly looks away from everyone.
“Look, autism levels in the manor are off-the-charts,” Jason says blandly, disregarding Dick’s frantic motions to stop him. “Just look at that Bat filing system.”
“The ontology makes sense,” Tim can’t help but interject. His expression shows that he immediately regrets speaking.
Everyone looks at Dick, who finally gives up and gives in. “It makes sense but it’s also…” In lieu of finishing his statement, he wiggles his hand in the air.
Throughout the entire discussion, Bruce has been sitting in the corner of the parlor, giving careful glances outside with his peripheral vision. He’s the first to realize that Allie and Korvin always know when they’re being watched. And the few times they’ve been separated, he narrows it down to a slight difference: Korvin is hyperaware of his surroundings versus Allie being hypervigilant. They both get nervous when there are too many eyes on them, and Bruce was the first to point it out and be conscientious about it.
A sudden faraway shriek has everyone tense up and scan the area. They find nothing amiss despite the kids sprinting towards the nearest tree. Alfred calls out to them patiently but doesn’t seem alarmed.
“Oh, hah, it’s just a wasp,” Duke points out.
It’s too far away to see the perpetrator in question, but it apparently closes the distance to the kids and they shriek again, sprinting to another tree for sanctuary.
“Let’s stop with the whole ‘armchair diagnosis’, alright? It’s not helping anyone,” Dick returns to the topic for closure. He ignores the knowing look that Jason aims at his back.
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Note
I have a theory on why WFA comic is so well written and has so much care put behind it and canonical mainline comics are… like that.
Basically I think mainline comics are full of cutthroat, nepotistic, misogynistic white manbabies who have been there since the 70s and refuse to leave. They only hire their enabler friends who, it turns out, are also incredibly shitty, misogynistic people/writers and who either kiss their ass or share their opinions on things upfront. Since people’s position in mainline comic writing is pretty much guaranteed due to the whole my-best-friend-hired-me sort of thing, they don’t feel the need to reread things or do even the most bare minimum research and instead just write fan fiction of whatever they want the characters to do/be. So TLDR mainline comics is just full of a bunch of inflated egos and narcissistic writers.
HOWEVER I think the reason WFA has escaped this curse is because the most toxic of DC personalities simply didn’t think it mattered that much and so it escaped their radar/endless editorial meddling or what have you.
Idk this was just some random thoughts I had lol. Sorry to bother!
Funnily enough the two people in charge of DC right now are not white men. Jim Lee is a Korean American and Marie Javins is obviously a woman. Dan Didio the previous co-editor in chief, someone I made more than one negative post about was and destroyed so many things during his tenure in charge. Barbara Gordon definitely being a character ruined by his decisions. Making her Batgirl again in new 52 was a terrible decision not just for her but for other characters around her. Since he not only completely and utterly disrespected her disability by making her Batgirl again, he erased the two characters who should be Batgirl from existence to because he had extreme hatred for them for some reason.
Now the fact that he's gone and she's still being written like this is a huge problem. DC writers seem to have this weird nostalgia for the way things used to be that they can't let go of. They also make her act and seem like way younger than she should be. Same with a lot of their female characters. But yes Tom Taylor should be blamed for her state currently too since he's writing Nightwing and ignores all fan complaints, and blames it all on DickKory shippers of all things. Still can't believe he blamed fans complaining about racism, and ableism on "angry Dickkory fans who were targeting him"
I think DC as a company needs to get their priorities straight. It's like they start to push Barbara to the front of Batgirls since the book isn't selling. When the book sold well at first and then fell down in sales once people saw how bad Stephanie and Cass were being written. Pushing an ableist verion of Barbara to the front instead of listening to fans and trying to write the characters properly to boost sales is just like a lot of the shit they've been doing lately. Especially since Barbara can very easily co-exist with the two of them and not be a detriment to their character, all of post crisis era comics showed us this. Yet DC keeps writing her in a way that's disrespectful not to just her but to Stephanie and Cassandra as well.
Also did you know DC doesn't have character bibles right now? And that the archivist never had any previous library experience before being put in charge of this. I think that's a huge part of why characters are being written so horribly OOC right now. I also know people usually hate executive meddling but I think the Editors need to do their jobs properly. They need to be more of top of writers, and fix mistakes in the comics. It's just every recent interview I hear it's pretty much, yeah they said I could do what I wanted essentially. Which no sometimes writers should very much not be able to do what they want.
Also yes DC definitely needs to hire more female writers. The comic industry is dominated by male writers and it so clearly shows. I can think of maybe 5 ongoing series that have a female writer right now. But with the Webtoon it actually has nothing to do with who DC as a company hires. Since the Webtoon is a licensed property, and the company hired their own creators to work on it. Think of like the equivalent of some shoe company licensing Batman and making Batman slippers, who can then make the slippers look how they want and will use their own facilities to do so, not like DC movies which are all connected through the same parent companies. Which is entirely my point in the first place people who don't even work for DC are doing a better job with her currently than the people who actually do.
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Alright.
I'm incredibly frustrated I have to bring this up again and apologize to anyone who has sent us a submission on this character. They will not be posted for a while.
Every time we post a submission with Cassandra Cain in it, we almost instantaneously get some blog that complains to us. They demand to know you sent what submission and harass the mods who refuse. They threaten us daily and honestly? I'm tried of it. I won't allow anyone to harass the mods anymore.
Even in the post about Cass and Damian's mixed heritage we got several DMs from people angry with the anon and us about Cass. We didn't get anyone for Damian. In fact, we haven't ever got a hate message on any of the characters except Cassandra.
Our mod Selene has been devastated with the messages she constantly received through us by people who claimed to love the same character she loves with all she is.
Back to the post on mixed heritage, most of the people Dming us claimed we were racist and anti-Asian. They came from supposed Asians themselves. A quick search of these blogs proved that not all of them actually were. Those that were Asian were in the minority incredibly unforgiving to the idea that mixed Asians exist. We don't know if this is exclusively related simply to the character in question and frankly, I am too exhausted to care.
One of the most vicious blogs who would harass Selene claimed she was a fake fan, constantly set extremely ableist messages and very serious threats against her.
I search their blog a lo and behold, all the things they preach about the character, thrown away in their fanfics. Cass's ideology apparently doesn't matter as long as they wrote it. She could murder who she wanted as long as it was on their terms.
I'm sick and tired of this. We won't be posting Cass related submissions for an unspecified period of time. I just can't take stans' harassment anymore.
A comic character is allowed to be criticized or explored. Many fans may not be informed about the character. Instead of being aggressive, try being informative in a kinder way.
Please feel free to send submissions on all other characters. We won't delete Cass related ones, but they wont be posted for some time probably.
-Admin
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zorilleerrant · 8 months
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so I'm finally reading Cass's original Batgirl run - or what I think is that, I don't know, comics are honestly so badly organized - and. why is Babs so mean??? she does NOT need to be that mean! Babs is usually such an empathetic character who can so easily put herself in other people's shoes; it's what makes her such an effective mentor and leader. so why is she just. evil this time?
every time Bruce tries to help Cass, Babs is just jumping in with like. "oh she doesn't need that Bruce she's not broken she's normal stop being so autistic about it" and totally ignoring what Cass would need to get better in favor of what the most normal thing would be. like it's so so uncomfortable!! why is she just ignoring the fact that Cass is not normal and can't cope with normal things, and in fact doesn't have to seem normal to live a happy and fulfilling life?
and Bruce is working so hard to meet Cass where she is (I mean yeah that whole thing with Superboy is obviously super abusive but it was pretty much required to include that joke at the time) and help her with changes she can actually make to her life, instead of just. I don't know. asking her to throw her whole life away and just start acting normal like everyone else? even though a lot of the ways she lives her life are super helpful to her?
not to mention the whole forcing her to wear a bikini (an extremely sexual one, at that) even after she protested, and wanting her to wear normal outfits instead of the Batsuit that makes her comfortable. she keeps demanding to know why Cass is looking at things and listening to them, when she knows Cass can't read? (and acting like illiteracy is some huge moral failing.) mocking her for her taste in news, even tho her choices are super constrained based on the accommodations she needs? and alternately complaining about time spent in the holodeck, or telling her to go in there to get rid of her, which just really feels exactly the same as how parents/teachers are with techniques that are meant to help the kid and not them.
and constantly trying to push her to live on her own even tho she's not ready yet. like yeah it's mostly in metaphor but. it just feels so ableist. especially given the whole thing where Cass (like Bruce) was so young when her trauma changed her life that the trauma is something she developed around, whereas Babs already had a developed personality and self-concept when her major trauma hit. which so many people in real life don't understand work super differently and need to be handled differently, so it rings true. which means they could do so much with comparing how early childhood trauma and trauma later in life have radically different treatments, but they just. don't.
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Reminder that Cass isn’t the Bat Family’s therapy dog; she’s her own person with a rich personality and an extremely well-defined set of moral boundaries and ignoring those to make her a living crutch for your favorite bat boy is sexist, racist, and ableist. 
This isn’t to say that it’s wrong to want her to have positive relationships with her adopted family, but that it’s wrong to pretend like her morals and headstrong nature don’t exist when talking about how they’d magically be best friends without any conflict or nuance. 
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stxleslyds · 3 years
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NIGHTWING #81
UMM... HOW ABOUT NO. 
Ever since Tom Taylor took over Nightwing I have only made a post about one issue of his (I will leave it here Nightwing #78), that issue was beautiful, it was a solid start and the little things that made me feel a bit icky were not mentioned in the post because the issue was good.
Then the issues felt like connectors or just very bland story wise. I had problems with the book also feeling like a Nightwing and (fake) Oracle book instead of just Nightwing. There were many instances where Dick alone could have gotten himself out of situations without Barbara, but because she was there the opportunity to show that he can do things was taken from him. I guess what I am trying to say is that the book has disappointed me but I didn’t feel like making a post because it was too early and this is an ongoing book that Taylor said he planned on continuing for a while, but now I can’t not make a post.
A few days ago, I finally read the Red Hood story in Urban Legends (I have a review for that one too I will link it here Red Hood part 4) and I couldn’t stand how OOC and disappointing the story/characterization has been. I am saying this because I am only reading these two books at the moment, ONLY these two, and all I have gotten from them is shit.
I know it’s still early to say that the Nightwing book is bad but…I hated this issue, I hated it with all of my heart. But now that I am a bit calmer, I have come up with some ideas of what is truly going on with the Melinda situation.
Anyway, let me give you my thoughts.
There are big Wilson Fisk vibes coming from both Blockbuster and Melinda Zucco. Those two will lie, manipulate and be evil every chance they get. They are working together to make Nightwing disappear. I know it. The whole “make us all much wealthier and to extend your power beyond the city” idea does not include Nightwing.
Melinda might not want to burn anything down but she sure isn’t a hero. This woman accepted the position of Mayor after watching Blockbuster kill the former mayor. I understand that talking with the BHPD isn’t the best idea but this woman feels way too comfortable in the presence of a killer.
She is cunning and she has plans, I strongly believe that she might be a villain and that she will betray Blockbuster and take all the power (if it reaches that point) to herself.
Heartless is just another weirdo, he tricks both Nightwing and the reader into thinking that he has a soft spot for kids but surprise! He doesn’t. There isn’t much to say about him, he just has very complex gadgets and doesn’t know how to fight. I don’t even have any ideas about who he might be.
What I know though is that there was absolutely no need for Dick to think that he had “underestimated” Heartless, my love you threw your stick at him while he was looking directly at you, there was a 50/50 chance of him catching it. I swear I don’t understand the need to write him thinking that mostly because Taylor then has Dick swiping the floor with the guy, not only is it a simple fight (for Dick) but it’s also boring for him. Taylor’s writing is so annoying sometimes, he just loves to write extra things that are out of place like the “Tim Drake. Thought of by many as the best Robin” why the fuck did he put that there? Honestly, what was the point of having Dick say that, I don’t read a Nightwing book to have Tim Drake praise. If it doesn’t offer anything to the story that is being told then keep the thought to yourself Tom...
Moving forward the scene in the pier was quite nice, mostly because it’s Dick’s quick thinking that gets everyone to safety, he knows exactly what to do and how to contact the Maritime distress channel.
He has hope for his city, he knows there is good in it and he believes help will show up when lives are about to be lost. I loved that, just like Heartless said, Nightwing IS Bludhaven’s Guardian Angel. Once again, I am having Daredevil vibes from Dick (like from the show)
After the fight we get to see consequences of Dick not healing properly from a shot to the head. He loses his consciousness which is extremely dangerous but luckily Tim is at arm’s reach to help him out of the pier.
There are many things I want to talk about from the scenes that happen after Dick wakes up in his apartment so here we go.
First of all, Bitewing is adorable, she loves Dick the most and was happy to see him awake once more, what a good girl!
Secondly, Barbara, honey, you do not have three names, you aren’t Batgirl anymore, you are a grown woman that needs to move on from a mantle that has other people that can do something else/better with it. And we all know that this Oracle is just the ableist version of Oracle. So yeah…all I ask is for Barbara to move on from Batgirl, Cass and Stephanie are right there, enough is enough.
In these panels we have Dick, Tim and Barbara being kinda dismissive about the homeless kids, and it has been happening for so many issues, what is the point, Taylor? You made Dick a millionaire and you just can’t have him say or think for a second that he will monetarily help those kids and make sure they are put somewhere safe? You are really going to wait up until you have Dick running for Mayor or something to help the kids? I just don’t get it. Kids living on the streets and each time they are mentioned the three heroes of the book act like it’s normal and doesn’t need fixing. What the fuck.
Then we have the gang finding out that Melinda Zucco is the new mayor, the woman has an FBI file and a redacted one! This makes me think two things, either things are like I thought in the beginning of the post (she is evil and very good at it) or this woman is actually FBI and she is undercover (this one is less likely because of what happens at the end of the issue).
What we can see from the file that Barbara found is very little, but in these two pictures we can see that maybe she was put in foster care and x age? Also, she was apparently investigated in April of 20xx, the investigation must have been recent, why would the FBI investigate a minor or college student? What if these files were implanted by Melinda for someone to find them, and for her to have some sort of proof of her lies? If the file is about her being left in foster care or something while would the file be redacted? I don’t know, everything about her is shady and I don’t trust anything from or about her.
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This could be a complex and very interesting character but Tom Taylor and DC really love to do stupid shit for shock value (more of this later).
All the new information (the Maroni, Blockbuster and now this very shady Mayor) has Dick saying that it is a bit too much for him and yeah, it is too much, you know who could help? Red Hood. I am of course not talking about current DC comics Red Hood, I am talking about the Red Hood that I would love to see, just yesterday I had an ask about who would I like to see working with Jason and I said Nightwing because Dick puts a lot of responsibility on his shoulders so it would be nice if they negotiated and each could work on different crime areas in Bludhaven, if only DC would hear me…
Anyway, now that we come to the end of the scene let’s talk about Barbara’s shirt.
That was unnecessary and not funny. That’s all it was. Yeah, I know it’s a meme and I know it was included for funny ha-ha purposes but I am not laughing. Bruce has been written as abusive towards his kids for so long, Jason, Tim and Dick have been physically harmed by Bruce and writers use it as just something that happens, there are never repercussions for the Bat. And this shirt sucks because Dick was Robin there and he was a kid, so having Barbara or anyone wearing a shirt with Batman hitting Robin!Dick right in front of Dick is just disgusting. What if someone wore a shirt that had Joker beating Jason with a crowbar in front of Jason, would that be a funny ha-ha too? What about Dick wearing a shirt with the Joker shooting Barbara, is that a funny ha-ha? The answer to those questions is no, it’s not funny.
The idea of that shirt shouldn’t have been pitched, drawn or included after the editor took a look at it.
The picture is a meme in our world, not in theirs. And the readers aren’t laughing.
 Back to the issue, Dick is left alone in his apartment to rest (seriously? You think the man that showed up to help Bruce in Gotham with a knee brace is going to rest?) but he can’t, he just found out that Mayor Zucco might be trouble for Bludhaven and might be working with not only Blockbuster but the Maroni family. He is not waiting one more second to have a chat with her.
Dick is obviously still concussed so of course he grabs a mask that has a camera that Oracle can view, and of course he enters yet another window without being careful.
Melinda and Audre were obviously waiting for him.
But here is where the real bullshit begins. Dick is unmasked.
I am so mad; it’s been four issues and Dick gets his ass in a trap and is unmasked by a villain? Are you kidding me right now?
But that’s not all, after Dick breaks free and accuses Melinda of being the daughter of the man that killed his parents, she pulls out a uno reverse card and says that her actual father is John Grayson, and that she is his sister.
How about no. Absolutely not. Go away.
Let’s re-visit Melinda’s appearances in the book so far so we can start theorizing about her real intentions or if she could be saying the truth.
Back in issue #78 where she is first introduced to us, after Melinda watches Blockbuster kill the mayor, she goes home and tells her Audre that she is now mayor because Blockbuster did what he does, so she knows that this guy is trash and a killer. But that’s not all, Audre asks her if she came across Dick Grayson to which Melinda answers “I am not ready for him yet”. Audre suggests she talks to him sooner rather than later because she might not have “another chance”, and the issue ends with Melinda agreeing with her while she is looking at a Flying Graysons poster with a red circle framing Dick’s face.
That whole thing? Shady. Melinda, obviously, wanted to talk to Dick Grayson, probably to tell him that she is his sister, but why is there a time limit, why is Audre telling Melinda that she can’t wait too long? Is it because her undercover work is ending soon? Is it because it’s not real at all and she needs to tell that lie in order to move forward with some sort of plan? I don’t know…
In issue #79 Melinda (and Audre) are out in the open with Maroni and they are talking about her becoming the next Mayor, Nightwing was watching from afar so this is his first contact with her. And it might be the first time that Melinda and her friend see Nightwing in action too. I cannot tell if she is aware that Nightwing/Dick Grayson are the same person here.
In #80 she doesn’t make an appearance.
But now in #81 she is taking her place as Mayor of Bludhaven, there Commissioner McClean takes her somewhere she didn’t expect to go (she is shown not knowing that Maroni and Blockbuster were in the next room over). Once in the room she refuses to take the cash from McClean but she will take the money as a transaction (for a second I thought she wouldn’t take the money but she did because she is very corrupt) and talks to Maroni once more. Before I talk about what happens with Blockbuster let me say this, she acts so distant to Maroni, she calls him Mr. Maroni every single time and she comes off as cold and feeling no type of way while talking with someone that is part of the family that actually raised her, and this is not because she is in a room full of other people, she did it too in #79. It seems weird that she acts that way with someone that took her under his wing since she was eight years old.
When she sits with Blockbuster he says “tell us your plan for my city” to which she says all of this: “My plan, Blockbuster, is to make us all much wealthier and to extend your power beyond the city. But to do so in a way that builds on the good work you’ve already done I have no interest in burning anything down.”
At the start of the post I said she gave me big Wilson Fisk vibes and that right there is why. She is shady, she has plans on top of plans, she calls Roland Desmond Blockbuster to his face but says that he has done good work for Bludhaven, which is weird because Blockbuster destroys Bludhaven a couple of times a year…
As I said before whatever she has planned does not include Nightwing, and here is where I kinda start theorizing a bit more, what if Blockbuster told Melinda Nightwing’s real name, he used to know who he was once upon a time…
Later in this issue when Nightwing is going to Melinda’s place Audre is already waiting for him right next to the window (with a sword), so, was he making an insane amount of noise or were they told to be ready for him?
Melinda traps him and takes his mask off, she barely seems surprised about Nightwing being Dick, she barely reacts when he jumps at her. She is in complete control of the situation and proves that by disarming Dick, as fast as he accuses her of being Zucco’s daughter she tells him that her real father is John Grayson.
She is in complete control. She has to be lying, she put a stop to whatever Dick had to say and do in seconds. This woman is trained and she is manipulative as fuck!
And if she isn’t lying then fuck DC and fuck Tom Taylor, this woman is either younger or the same age as Dick, John Grayson was not a cheater, the man is dead, has been dead for so long, don’t throw dirt on his name at this point. I refuse to believe this is true.
I honestly think that she is evil, and knows more than we are aware of, her first appearance was shady as fuck, let's suppose that she didn’t truly know that Dick was Nightwing, why on earth did she have a Flying Graysons poster with a red circle on top of Dick’s face? That doesn’t seem like something a sister would do! And why would this be information that is so important that she NEEDS to tell him in a certain amount of time?
It’s fucking insane. Tom Taylor, if she is actually Dick's sister then shame on you. Disgusting, what is with writers and cheating, what the hell is going on? Dick doesn’t need to think back to his parents and see a cheater in one of them. This better be Melinda being a cruel and vile human being that is trying to emotionally hurt Dick/Nightwing so she and Blockbuster can do whatever its they want to do.
That’s all I have to say.
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oracleout · 3 years
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ACCESS FILES : // B.ARBARA G.ORDON - DISABILITY cw/tw: mentions of physical and sexual abuse, erasure of disability, and overall “manpain”
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the infamous k.illi.ng j.o.ke comic has a lot of issues itself. i am not going to start this off by saying it’s a gold standard of comics. barbara is used literally as a fridging device to inflict pain on to her father, jim gordon and by extension, b.atman. she’s sexually abused and shot in the stomach, the bullet hitting her spine and causing the paralysis that causes her to lose the use of her legs. it effectively ended barbara’s role as batgirl, as she simply couldn’t physically do it anymore.
but barbara is a resilient person, and the things that made her batgirl were not just her ability to jump from rooftops or kick a bad guy’s ass. she was bright, a near-genius with her eidetic memory, and resourceful. she was every bit of the detective that her father and batman were, right on par or even surpassing them in some aspects. she was often a voice of reason and logic within the “family.”
so she evolved from that. barbara took up the role of the “ oracle “ -- an all-knowing, all-seeing being of greek myth known for her great prophecies. in this new role, barbara sat within the clock tower of gotham, using her advanced knowledge of technology and coding to create an environment capable of tapping into some of the most advanced systems in the world so that she can do surveillance and be the eyes for the superhero community when it needs it. she created and led the birds of prey, mentored and ran missions for two different batgirls, and aided the justice league and other members of the batfamily in their own missions. she became an extremely valuable member of the superhero community in her own right, and could still kick ass, even from her chair. her disability didn’t define her, but she also fully accepted that this was her life now, and she was going to make the most of it.
barbara has many great lines and moments throughout her time as oracle that are so extremely important in showing her acceptance of the role.
“ y’know, a lot of the time it’s like you batguys want me to hold on to the past because you can’t get over it. understand -- i have. i have a new life now. one i like -- one that fulfills me. it’s not the same one i had before, but it’s good. maybe even better. “
“ do you know why i don’t keep handles on my chair? it’s because i don’t like to be pushed. “
“ never underestimate a deathbed as an opportunity to rethink strategy. “
“ when i was in physical therapy, there was a small sign on the gym wall. it read, ‘ no matter how dark the night gets, the sun still rises in the morning.’ every day, i’d wake up two hours before dawn. back then it’d take me that long to get into my chair, clean up, and go outside to watch the sun rise, but i did it. and i still do. i love life, dad. i love every single day. “
these are just small examples of ways that barbara has even outwardly said that she’s content with her life and that she isn’t going to chase some way to fix things because she doesn’t see herself as broken.
what they did in nu52 completely erases that immense character development and growth by having her regress to wanting to undergo surgery to get her ability to walk again. there was absolutely no need for barbara to be ba.t.girl. there had been two different batgirls since she had become oracle, and making her batgirl really hurt all three of those three characters and their roles in the overall universe more than it did any good.
regardless of the implications on overall character development, the erasure of disability from one of the most prominent disabled heroes in comics is just plain gross. there are already a very finite number of disabled heroes across the superhero platforms, and with a hero who had formed a complete identity due to that disability that ultimately worked for her and made her happy to suddenly change and want to get fix is ableist beyond belief. the wheelchair does not define who she is, but it’s part of her, and any erasure of disability that is like this is just simply wrong.
SO FOR THIS BLOG’S CANON:
1. i simply will not be taking nu52 into account. ba.t.girl of b.ur.nside is a story that i fully believe should have belonged to stephanie, not babs. the ba.t.girl story that precedes it is fully against what i think is right for the character, so you simply just will not see any nu52 content here.
2. there are some elements of rebirth and the more current stories that i do like, but it is still limited. for example, the current n.ight.win.g run has some things in it that i see babs doing, but i’m still fully against her not having her disability, even if i am glad that she’s back in the role of oracle. so you might see some current narrative things, but please be mindful that this blog did not erase her disability and will be carrying on as if she has been in the wheelchair this entire time.
3. the portrayal of babs on this blog is highly reflective of the late 90s/early 00s birds of prey run, with a mix of d*xon’s ni.ght.wi.ng, and both the cass & steph runs as b.at.gir.l. for the most part, everything up until 2011 is considered canon for this portrayal.
4. i will likely update this more as i continue writing here and am getting back into reading more comics!
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rachelbethhines · 4 years
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Tangled Salt Marathon - Secret of the Sun Drop (Part 1)
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Were now at the season finale folks and it’s the beginning of the end. This is the series’ highpoint, it’s all downhill afterwards. However, while this episode is good, it’s still got flaws so let's get to it. 
Summary: On Rapunzel's nineteenth birthday, Frederic tightens his grip on the Rapunzel and the kingdom, while Varian makes his move to attack. 
More Indication of the Timeline 
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Remember, Varian said that it would be matter of months until the rocks reached the island in QfaD and today is the day that they reach it. Now Raps is saying that Frederic has been lying to her for months. At least since TWoRR, which makes more sense if you remember that that particular episode was meant to slot between QfaD and this episode. 
The show has a bad habit of making the passage of time an important plot point but failing to showcase how much time has past. Showing episodes out of order didn’t help, but even more than that the audience shouldn’t have to rely on one line exposition to gain knowledge of what’s going on. The show fails to use actual visual indicators of what’s going on. There’s little visual change in seasons, next to no change in character models, and all we have are made up holidays to go by.   
Also yes, Rapunzel has left a fourteen year old alone for three months. This isn’t something that can be excused. Seriously, stop trying to do so people. It just makes you look bad when you do.  
Wow, Way to Victim Blame, Raps. 
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“Unstable”? We’re seriously going to use ableist terms to describe a grieving young teenager who’s been persecuted and neglected for months on in?
And Rapunzel knows he’s been persecuted and abandoned for months at this point. She’s read the note. She’s been attacked by same the guards that attacked him. She’s heard the rumors. She seen his father’s corpse. She has just admitted in this very spiel that Frederic has been lying. She knows how people are unfairly treated by Corona’s legal system and that ‘treason’ is a death sentence to anyone but herself.  
Yet, all she can do here is whine about how all of this only affects her. This entire speech is just me, me, me, and I, I, I. Don’t tell me she’s a kind and compassionate person when her hypocrisy is made into a fundamental plot point for the season’s main conflict. 
But let's get to the real reason for this little recap. It’s to create bias in the viewer. 
The viewer is aware that Varian might be up to something, but Rapunzel logically, should not be. Varian technically hasn’t done anything wrong yet. The worst he’s done is feed people truth serum, which is no different than Xavier drugging folks with the mood potion. Given how Raps didn’t care about Xavier doing that she shouldn’t care about Varian doing it either, especially since it didn’t physically harm anyone. Also Varian very much is in the right to take the flower and she knows the only thing he’s going to use it for is to free his father and possibly stop the rocks. He’s been very upfront about that. 
Also don’t you dare bring up the stupid reprise! Intent isn’t action. You can't condemn people for having negative thoughts. You can only condemn people for acting upon their negative impulses, which, once again, has not happened yet. 
Furthermore, Rapunzel isn’t privy to Varian’s innermost thoughts and hasn’t been present for those instances where he did voice negative intent. Ergo, him singing a misplaced reprise does not excuse her behaviour. 
The characters in the show treat Varian as a villain before he ever actually becomes a villian, and that’s only because the creator wants you to side with his self-insert instead of actually addressing the moral conundrums that he’s written into the show. 
Does Anyone Else Besides Me Find the Glorification of Classism In the Show Disturbing? 
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So supposedly all of these gifts have been given to Rapunzel by the regular citizenry of Corona. There might be a few from a couple of lower nobles or royals from outside of Corona, but for the most part it’s implied that all of theses presents are from poor people. 
Rapunzel is a princess. She’s literally the richest person in the whole kingdom and holds people’s lives in her hands. Giving a thoughtful gift because you like her is one thing, paying tribute to her very existence just because she technically owns you is another. 
Keep in mind people have been brainwashed for nearly two decades to worship Rapunzel. They’ve made a holiday out of her birthday. Later on we see the townspeople defend the King even when it’s been proven that he’s done them wrong. They follow Rapunzel blindly through out season three. ect. 
The people of Corona are dangerously loyal to feudalism, royalty, and authoritarian rule long past sanity, and given the other authoritarian messages in the show, it takes what is meant to be a sweet scene of a girl who grew up with nothing suddenly gaining acceptance and turns it into a creepy endorsement of the class system. 
More Evidence that Frederic is the Worst 
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This scene makes it clear that Frederic is the one who is threatening Cassandra here, not her dad. It was never Cap who held the convent thing over her head. Now you can hold Cap accountable for choosing loyalty to the crown and his job over his daughter’s well being, but that is one of the few things that is actually addressed in the show, in this very episode in fact, so why would you? 
Also, why only now? Frederic has known about Cassandra’s involvement since TWoRR when he first read Rapunzel’s diary. It’s strange he’d go out of his way to silence Varian for months on in but waits until the last episode to persecute Rapunzel’s bestie. You could argue that maybe he didn’t wanna risk tipping off Rapunzel but then why didn’t this happen during TAR instead?  
Once again the writer is playing favorites in order to create bias. It’d be suddenly a lot harder to excuse Frederic if he was hunting down Cass along side Varian as she’s a main character and you couldn’t keep that as a ‘read between the lines’ scenario. Which, incidentally, is why we never get a Varian focused episode to show his time on the run. You couldn’t get away with having the main character siding with your dictator self-insert if you actually visually showed him persecuting a helpless child. 
Don’t Expect This to Go Anywhere
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Rapunzel is rightly angry about this clear abuse, but then never brings it up ever again. It’s completely forgotten about after this point. Frederic is never held accountable for his actions. 
This is the Point Where Varian Actually Becomes a Villian
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Not the flower, not the truth serum, not the damn reprise, but here. This is the point where his actions cross the line. Violence, particularly violence against people who aren’t currently hurting you, is wrong. Varian is a villain, he does do bad things, and I’m not going to ignore that. 
However, knowing where, when, how, and why he becomes a villain is extremely important in not only understanding the story but in also navigating the moral minefield that is this show. 
Because Varian is still the victim even as he slides into the role the antagonist. There’s been no change in the power dynamics. His life is still under threat from the king. Every action he takes is a step to either free his father and/or defend himself from a corrupt government that would see him hanged just for daring to defy it’s dictator.   
People defend Varian to this day, not because he has a tragic backstory, but because he’s been forced into a dangerous situation with little way out. There’s nothing else he could have done that wouldn’t have lead to his eventual untimely death. Because indirect violence is still violence. Frederic is no less evil just because Varian fights against the king’s indirect violence with direct violence.  
Varian’s Life was Forfeit the Moment He was Turned Away During the Storm and This is the Show Confirming That
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This is a grown man, with all the power in the world, threatening a child. A child who he has cannonly persecuted for three months before this incident. A child that was neglected by Rapunzel despite him being her responsibility. 
Any excuse you give to defend either Frederic or Rapunzel is already made invalid by the simple fact that they are both adults and Varian is not. They are both in charge here, not the fourteen year old. 
We do not hold people under legal voting age to the same standards as adults for two simple reasons. One, they are powerless in making the laws that they are accused of breaking, and two, they haven’t reached the point of development where they can take care of themselves and be expected to make rational decisions within a functioning society. Now we could have an argument all day long about the pros and cons of when the rights and responsibilities of adulthood should be granted to people (16?18?21?), but at fourteen/fifteen, Varian isn’t there yet regardless. 
You can not in any good moral consciousness hold people lacking rights to the same responsibilities as those with rights. 
That isn’t to say that kids can’t do bad things. They obviously can and have before. But when enacting judgement and the punishment that goes along with that, you have to keep their lack of rights in mind and make the sentence proportional to both their age, circumstances, and their crime. This is why courts that try teens as adults are absolutely vile. I do not care what crime they commited, you don’t do that. 
I’m not criticizing Rapunzel and Frederic here because I personally dislike them or something. I’m criticizing them because I’m opposed to the messages that they become mouthpieces for. When you defend these two characters you defend their stance to persecute and abuse a child. Ergo, you spout the same authoritarian beliefs that are currently tearing my country apart and I will hold you accountable for it. 
Like them all you want, but liking a character does not mean blindly going along with their bullshit. 
This Still Abuse
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In fact it’s the same abuse that Gothel did to her. It was wrong then and it’s wrong now and there’s no excuse for that. 
What a lot of people don’t seem to understand is that you can be both a victim and a bully at the same time. What differentiates Rapunzel, Frederic, and Varian from one other is their level of respective power in the situation and how their trauma actually impacts the rationale behind their actions. 
Frederic is the most accountable in this whole conflict because he’s the one with the most power and because his personal trauma isn’t grounds for what he does. They’re a reason that’s been given, but past trauma isn’t an excuse to hurt others who had nothing to do with that trauma. He is, ultimately the instigator of all of the conflicts in season one. 
Rapunzel is not as accountable, but she’s not entirely blameless either. As both an adult and a princess, Rapunzel held the power to save Varian and stop things from getting this far and she choose not to do so. Rapunzel’s trauma is a reason for why she fails in her responsibility but it’s still not an excuse as Varian has nothing to do with her personal insecurities. He’s not responsible for getting her to fix her shit and had he done nothing she would have continued on ignoring both his and her own problems. Frederic’s abuse would have still been there with or without the black rocks or Varian’s involvement. She’s not deserving of how her father treats her, but neither is Varian deserving of how she treats him.
Varian is the least accountable. Sure there are somethings that he does wrong, but as a child he holds no power in the situation. His only means of fighting back is his own intelligence, but being the smartest person in the room isn’t necessarily a power imbalance. Also his trauma is currently ongoing and his actions are directly tied into making his abusers stop. Because yeah, both Frederic and Rapunzel are abusive to Varian. Neglect is a form of abuse.
Eugene is the Only Person in this Situation with the Right Response, Shame It Won’t Amount to Anything
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After all this, Eugene has no reason to ever trust Frederic again.  Neither does Rapunzel, nor the rest of kingdom. He should have been shunned from here on after. This isn’t promoting ‘cancel culture’ or whatever, this is acknowledging that ‘forgiveness’ isn’t and shouldn’t be a shield from the personal consequences for your actions. 
But Frederic is the Creator’s Self-Insert and Therein Lies the Problem
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I keep calling Frederic the creator’s self-insert not because I’m making assumptions or accusations but because this is something that Chris has admitted to publicly on numerous occasions. If you want a reference than just check out his interview during D23. 
https://www.youtube.com/watch?v=9ECeflBTS58
There’s also more confirmation on his twitter and in other interviews. Though I’d personally recommend that younger fans stay away from him and his twitter, given his past behavior. (more on this later)
Chris has also publicly made excuses whenever criticism of Frederic has reached him. The same excuses that he then puts into the show itself. That’s why he and the show is so desperate for Varian to be the hated villain instead and goes out of its way to create a bias in how characters and conflicts are presented. 
Look, having a self-insert or a character you relate to isn’t in of itself a bad thing. Nor does having such a character mean that you personally avocate all that they do. I mean Varian is my favorite character in the show, partly because I’m a political activist, but that doesn’t mean that I approve of attacking government officials in their homes or something. Yet, if you want to make your self-insert likable to the audience then why on earth would make them an abusive dictator and then never hold them accountable to that? 
I cannot say what goes through Chris’s mind nor what his actual beliefs are, but the very fact that show won’t acknowledge corruption for what it is and constantly excuses abusers is worrisome enough on its own. It either means that Chris is woefully incompetent, actually encourages authoritarian thought, or some combination of both. Add in his bullying of younger fans, to the point where his was kicked off the Tangled discord, and what is left is not a flattering picture of the man. 
The Show Completely Assassinates Arianna’s Character Here
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You’re telling me that the Queen has no power? You’re telling me that the only mother in the show is going to stand aside and do nothing while her only daughter, who has been missing for 18 years, is abused? You’re telling me that Arianna only exists in the story to excuse her husband’s actions? You’re telling me that this ‘strong, independent, badass’ woman you co-opted from the movie is only here to be subservient to a man and you’re going to act like this is a good and noble thing, that it’s ‘true love’? You’re telling me that if she’s not only willing to do this, right now, then she apparently has done it before in his 18 long years reign of terror and oppression? 
Fuck whoever wrote this! This is an insulting to women everywhere and a slap in the face to people who were actually victims of abuse.  
This is Enabling Abuse, Don’t Do This! 
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BULLSHIT!!!
This is the line abusers feed their victims all the damn time!!!
The movie smartly made the decision to keep Gothel’s personal feelings towards Rapunzel ambiguous. That’s why she is one of the best villains in Disney history. If we only look at the movie than she may have ‘loved’ Rapunzel too. Who knows? It doesn’t matter. 
Abuse Is Abuse Regardless of the Abuser’s Reasons or Personal Feelings Towards Their Victim
Many abusers think that they love their victims. It’s a lie that they sell to both themselves and their victims. But it’s a twisted, toxic, and possessive ‘love’ that doesn’t actually care for and respect it’s recipient. Ergo, not love at all. 
There’s not enough words to express my disgust with this exchange. There are children watching this. It’s directed right at them and sadly, yes, there are undoubtedly some watching who are trapped in abusive homes. The show just reinforced the beliefs of those abusers and helped to keep those children trapped in that situation by confirming what they’ve already been taught. 
This is beyond irresponsible, and someone higher up should have stepped in before this. It’s clear that this show lacked any sort of real oversight. You have a million dollar series being showrunned by two newbie producers with zero writing credit and no one thought  that there should maybe be a senior executive and editor involved?
That’s Not Enough
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Admitting that something is wrong, right after excusing it, isn’t enough. You need to show the characters taking action and changing their ways. If Arianna truly believes that this ‘isn’t right’ then why does she not do anything about it after this conversation? 
So What Did the King Do to Monty?
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He runs off the tell the king the very thing that said king has gone to great lengths to hide and has yet to admit his involvement in. Also Monty doesn’t re-appear until after Varian blows Frederic’s cover. So what happened in between now and then? Did Frederic persecute Monty as well, lie to him, or did Monty not ever reach the King before the scandal was revealed, because any one of those answers would conflict with Monty’s actions later in the story. 
Watch as Cass Forgets Her Motivation 
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We’re at the end of the first season and the audience is only just now getting this important insight into the deuteragonist, a reveal that’ll only be walked back on in later seasons. 
If Cassandra’s whole motivation and reasoning is just to earn her father’s approval, which she does gain by the way, then how come she gives a crap about what other people besides him thinks? If being a guard is her true goal then why is she after praise from strangers constantly? You don't get praise from being a guard. It’s a thankless job and she should know that from see what her dad has to do all the time to stay in Frederic’s good graces. Also why not make her dad more central to her arc and resolution, then? 
What I’m getting at is that Cassandra isn’t consistent. What she wants changes conveniently to suit the story’s needs rather than being based in any actual logical progression of events. Often flip flopping from one supposed ill-defined goal to another and back again; till in the end she winds up with no goal at all.
Set Yourself Free is the Only Point Where Rapunzel’s Arc Works
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This is the only lesson that Rapunzel actually learns. How to be assertive. This is set up, is build up to throughout the season, and then culminates into this climax/reveal. For once there’s an actual resolution here to a previously established problem. A resolution that isn’t then walked back on. Rapunzel remains assertive throughout the narrative and grows no further past this point. There’s nothing else learned, even as she takes this lesson and runs it into the ground by overstepping her bounds and going into full on bully mode in later seasons. 
Undermining Tension 
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I talked about this in What the Hair, but Cassandra conveniently ignoring orders without consequence, or even any real effort on her part, showcases that the convent was never really all that much of a threat as it was built up to be. It goes from being a ‘threat to her safety’, a basic need, to a ‘threat to her sense of belonging’, a psychological need. One is less of an immediate threat to her physical being and ergo holds less tension. 
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Even Hookfoot Admits He’s Useless to the Story
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Look, pointing out the flaws in your story doesn’t make them any less of a flaw. I like Hoofoot, but he adds literally nothing to the series. There’s was no need to include him if you weren’t actually going to tie him to the plot. Just like Monty, Friedborg, Willow, and Axel; Hoofoot is a character who could have been exercised from the show and it wouldn’t have changed much of anything other than to give more screen time to the actual plot and main characters. 
And for those who want to come at me for saying they should get rid of the tokenistic disabled rep, just remember there was no reason why Lance couldn’t have served both functions in the story. He could have been both disabled and black, while carrying all of Hookfoot’s episodes and being part of the ongoing plot. Much in the same way that Xavier and Monty should have been streamlined; combining both Lance and Hookfoot into one person would have left us with a more rounded character and a more focused show overall. 
Varian Isn’t Lying Here
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Look, just cause he’s the villain doesn’t mean he’s exaggerating the truth. Someone on tv tropes tried to claim that Varian was being unreasonable in accusing Frederic of ‘villfing’ him, but uh, no, that’s exactly what the king did. We got the on screen evidence for it back in Quest for Varain. It’s also true that he’s been keeping the rocks secret, lying to the populous, and has thereby endangered many of his citizens.   
Cap is the Only Parent on this Show to Get Called Out, Recognize his Failings, and Actively Change His Ways....and the Show Still Messes this up by Having Cass Apologize to Him?
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Cap is the best parent in the show, hands down, but that’s a very low bar to clear. What makes him the best parent is that he admits his faults and goes to great lengths to fix them. He never goes back or reverts to old ways and doesn’t offer excuses for his behavior. 
But the show seems to think that you should forgive dad’s just because they’re dad’s, not because they’ve actually done anything to earn that forgiveness. That’s why Cass interrupting Cap’s apology to apologize herself doesn’t work here. She, and no other other child on this show, owes him (or any parent) such an apology and Chris can go stick a rusty nail up his butt for ever suggesting otherwise.  
Oh, Look, Cassandra Getting What She Wants, Again
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What is this? The fifth or sixth time now that Cass has been rewarded by the narrative? Gee, it’s almost like she doesn't really have anything to complain about in seasons two and three. 
Varian isn’t Harming ‘Innocents’ Here
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Remember when I said that Varian is both the victim and the villian? That’s reflected in who he actually attacks. Arianna, the guards, Cass, Eugene, ect. are all enablers for his abusers. They’ve knowingly chosen to side with a dictator who has repeatedly done unacceptable things. The guards and the main cast at least are very well aware of the truth. As to whether or not Arianna knew of the full details behind Varian’s treatment, she does know about Frederic’s past actions and has excused them for years.   
That doesn’t make Varian treatment of her, or others like her, right, but Arianna isn’t blamess either. 
If you’re a person with power who is attached to a system of government who goes on to uphold corruption, and remain silent in the face of that corruption, you become a part of the problem. You become the oppressor even if you’re not directly involved in the more violent events yourself or even personally hold the views of the person committing those violent acts. 
A queen is responsible for a her people and she abandons that responsibility by staying with Frederic and supporting him. 
Turning his Pet into a Mutant Monster is the Only Time Varian Hurts Someone Who Isn’t Involved 
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As I said, Varian is a villian. I’m not going to act like he doesn’t do bad things or that all of his actions are justifiable. The reason I’ve gone into great detail about Varian’s reasonings into what he does isn’t to excuse his actions; it’s to point out that ‘heroes’ are every bit as much to blame as he is. 
Everyone is at fault here; not just Varian, not just the King, not just Rapunzel ect. But the show forces Varian to carry all of the blame regardless. Which is why the show fails. You can’t set up a morally complex situation like this and not follow through on it completely. Failing to do so winds up reflecting poorly upon the writers and those that try to excuse them. 
Conclusion 
Dang, this took forever. This is why I’m following Disney’s lead and splitting the review into two parts. Come back tomorrow, where hopefully part two will be up. 
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hellyeahheroes · 4 years
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Birds of Prey Review
Okay.
I saw this movie and no I didn’t pay for it. Someone else did. It was a birthday party and everyone wanted to see a movie. It was Bad Boys 4 Life, Star Wars Episode 9, or this. First one is an instant no. Second is a hell to the fuck no. So we settled on this movie.
So Birds of Prey it was. And okay, I’ll just say that it was a good movie. For one it was extremely and surprisingly comic faithful except for one but I’ll get to that. The explained Victor Zsaz which again was comic faithful, down to his misogyny and love to murder women and girls and to the marks on his body. They even had a comic faithful Helena Bertinelli and explained her origin. Black Canary? Yep. Renee Montoya? Yep. Even Harley Quinn was redone to seperate herself from Leto’s Joker. They used real Batman iconic locations from Amusement Mile which was Joker’s hideout in Arkham City. There is also Frontiers Park, another Batman Gotham location that you visit in the Batgirl DLC in Arkham Knight. Except for one glaring thing that might as well be seen as intentional because clearly if the writer didn’t bother to take liberties with anyone else and they are essentially straight from a comic book, it had to be.
The movie itself had dynamic action. Think martial arts done by people who rather not hire martial artists or have that type of choreography and whatnot. Not a lot of CGI and some wire play so practical effects which I appreciate because Margot Robie is athletic. The plot of the movie was fun and how it all tied together made sense since it was Harley narrating it. All and all, one of the better DCEU movies and it was better than most of the Marvel ones. It’s better than Spider-Man: Homecoming.
I also want to say that to the dudes who protested Captain Marvel, you protested the wrong movie. There is not a single male character in this movie that is redeeming. They are either rapists, murderers, criminals, misogynists, backstabbers, and it’s clear that a theme of the movie was men suck and hold women down. Which is a theme I agree with nonetheless I liked Birds of Prey. I would have except one glaringly obvious thing.
I mentioned how comic faithful this movie was because I noticed it too when they provided an exposition dump on Helena Bertinelli. Now I noticed it because that was surprisingly a lot of well thought out backstory and origin that a writer just can’t think of themself so clearly they got it from someone else. And lo and behold, I researched it and yep, it’s Helena’s exact same origin. Then I looked into Black Canary, Renee Montoya, and I looked into the big locations and yeah, someone obviously did their research and decided to be comic faithful to these characters and places. Even fucking Roman Sionis background was faithful to his origin. They didn’t change shit.
But Cassandra Cain and that is maddening. So you erased her character, intentionally broadcast that she was this character that you erased all semblance of, erased her disability, and her combat ability so she has no identity. So she is a foul mouthed pickpocket who bit off more than she could chew and now needs Harley Quinn’s help to get out of it?
Excuse me but fuck you. And to the people who are claiming that Cass was a racist stereotype because she was mute and badass, fuck you too. They took out two pivotal characters who were disabled. That’s bullshit. And you somehow think that a little frightened helpless Asian pickpocket relying on Harley Quinn to protect her is better representation? Yeah, you are deluded. This wasn’t Cassandra Cain and was just another slight that her fans have to deal with. If you say that this was better representation of the character, you are an ableist. End of story. Cassandra Cain wasn’t Frank Miller’s Miho. And this isn’t a shot at Ella Jay Basco. It was a great first role for her and she performed well. But the writers, I don’t want to hear it. You were faithful to Victor Zsaz. Faithful to these obscure elements and characters. But changed Cass? Yeah, fuck you royally. If you didn’t want to write Cass, choose someone else.
@ubernegro
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dyketectivecomics · 4 years
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this is extremely rambly and hits on a couple of different points without going too much into detail. mostly its just a vent about the batfam-fandom. if y’all agree/want to reblog it you’re more than welcome to, but im definitely not looking for a conversation here nor am i inviting anyone to come “change my mind”. if you disagree feel free to unfollow/vague about me on your own blog lmao, i’m using the usual vent & negativity tags here though (& a cut but plz feel free to lmk if its not working for whatever reason)
so going off from this ask- 
whether intentional or not, using dead space & resizing/using perspective to diminish one character’s presence in a picture in favor of another CAN have a cool effect, absolutely! (after all, if ONE character is meant to be the focus of the piece, then you need to diminish everyone else’s involvement) but when its used to bring focus once again to those usual four boys, then to me, it gives off the vibe that the artist in question only sees the others as extras or as dressing to round out the 4 batboys, which :/ doesnt reflect very well on that artist really
i understand that it can be a LOT to include 8+ characters in a picture, but if you’re gonna label a picture/edit as “Batboys” and it doesn’t include Duke, I’m personally not interested in it. If you’re gonna make a “Batfam” pic/edit and it doesnt include both Cass AND Duke, its gonna be a HARD pass from me from here on out. Making something with the “Robins”, BARE MINIMUM you should include steph there!!! (not that i dont love to see Carrie as well, but like.... she’s an out-of-canon/futureverse robin guys. you better be including steph before you go throwing carrie into the mix) 
Like, Legally Bruce has 6 kids. i dont care what anyone even TRIES to say. Dick, Jason, Tim, Cass, & Duke have all been adopted/fostered by Bruce at various points of canon. sometimes its a little up in the air as to whether that’s carried over from continuity to continuity, but it’s high time that we do better as fandom to remember that regardless.
now, EMOTIONALLY he’s got at LEAST 8 (thats where you throw in Babs & Steph obvsly.) maaaaybe 9 if we include Harper but she’s only recently making a return to Rebirth iirc so that’s another one that half the fandom takes or leaves depending on their affection for her. and we’re not even getting into how connected/disconnected characters like Kate, Helena, Luke, etc., are to that “core” batfam. 
hell for that matter, no one ever bats an eye either about including Alfred, but yknow.... that’s a whole other topic I would save for another time. because what this really reveals about the overall trend of fandom is that it IS racist! it IS sexist! it IS ableist! fans can have the best of intentions while writing/drawing/editing, but unless we collectively work together and remind one another to look outside of those four boys (& think critically about why we end up whitewashing two of those boys who are confirmed romani/chinese-arabic respectively), then fans of color absolutely have every right to criticize this! (we also have every right to criticize poorly thought out race-bending for that matter, but again. another train of thought)
But really, all this boils down to the fact that the batfam fandom really is its own branch/subset of DC fandom, damn well enough to be its own separate fandom. 
so many of those batfam-fans are so insular in how they interact with the canon, its like they’re blind to the fact that this family is meant to be just one SLICE of the greater world’s history. there’s an entire WORLD of characters outside of gotham (hell there’s a whole wealth of Gotham residents that ARENT batfam members that are being ignored by the fandom too, now that I think about it)
but i guess that would require them to actually look up comics and read em to learn that, but even that seems to be too much to ask at this point
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