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#seeing people on twitter being like 'this is so complex' and 'but what will happen' like PEOPLE HAVE SAID WHAT!
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Here is where I stand with the Global Conflict this week (no one asked lmao)
1. The top priority for me is stopping the genocide in Gaza, and, immediately after that, establishing a Palestinian state/two state solution.
2. Hamas isn’t going to peddle any kind of solution/compromise. Hamas essentially took their “We want to kill Jews” treatise and replaced “Jews” with “Zionists” but nothing has changed. If you can’t see that, you’re dangerous and probably stupid.
3. The hostages need to be freed (if they’re still alive, which let’s be realistic, they probably aren’t.) If Netanyahu actually cared about freeing the hostages, he would have done it by now, and a large number of Israelis recognize that.
4. Recognition of the hostages/ October 7th and recognition of the genocide/ deeply awful conduct of Israel can and SHOULD coexist.
5. Joe Biden is a useless little bitch. Having him as President again would still be better than four more years of Trump.
6. The Met Gala was not orchestrated by Big Zionism to distract from the invasion of Rafah and saying that it was is just blatant antisemitism. That being said, the Israeli military does frequently carry out large strikes on nights like the Met Gala and the Super Bowl when they know that the American news cycle will be focused on something else. Both things can be true. Also, the Met Gala is inherently a stupid thing to get excited about I’m sorry.
7. Student protestors do often fall into traps of antisemitism and say shit that could potentially harm Jews. What else is going to happen, when you gather a bunch of 19 year olds and tell them to yell as loud as humanly possible? That being said, I do have to believe that a vast majority of college protestors have good intentions AND, most of all, even if they don’t, censoring them and spraying pepper spray in their eyes is draconian behavior that the history books will not look kindly upon.
8. I’m so on the fence about boycotts, especially Eurovision. Because on one hand, banning Palestinian flags and keffiyeh’s from the performance is wrong. And I don’t think that Israel should be allowed to compete considering everything that the government is doing, like Russia was banned in 2021. That being said, it does make me sad that this 19 year old girl wrote a song about losing friends and family on October 7th and in response, she’s been booed and told to stay in her hotel room lest the angry mob tears her apart.
9. I do think that celebrities have some level of responsibility to use their platforms for good. That being said, this is such a complex issue that I almost don’t fault some people for not making a 250 character Twitter statement. I don’t think the dying children of Gaza care much if you block Zendaya or Olivia Rodrigo on Instagram. It also gets ridiculous when you go in the comments section of creators with like 100k followers and you see people posting Palestinian flags like yeah I’m sorry that blorbo from my shows isn’t personally flying to Gaza to punch Netanyahu in the face.
10. If you punctuate every single acknowledgement of the genocide with “but what about the hostages!!” or GOD FORBID “it’s sad that Hamas made Netanyahu do this” you have been propagandized by your local Hillel. No one made Netanyahu do this except Netanyahu. There’s no way you don’t know that by now. Wiping out Hamas: another thing that Netanyahu probably would have done by now if he genuinely wanted to.
11. Whenever I see lists of “here are the celebrities/professors/writers/guy on the street to block and throw rocks at because he’s a Mean Scary Zionist” I am reminded of the lists of synagogue goers that Nazis used to track down Jews and their families during the Holocaust. Seriously if you’re peddling lists of “Zionists” ripe for demonization you might want to ask yourself what you’re REALLY doing, and why.
12. Fun fact about me: I actually consider myself a Zionist. I do think, historically speaking, that Jews do need a safe place and a homeland to prevent us from being killed again like we seem to be every few centuries or so. I just don’t think that place has to be Israel, and I DEFINITELY don’t think Palestine should be subjugated for it to happen. But whenever I hear “Zionism = BAD” I just cringe a bit because… you keep using that word. I don’t think it means what you think it means
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ahaura · 7 months
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many people have said it but bears repeating again:
Palestinian liberation calls for a 1 state solution under which all people are equal under both under the law and in practice.
In order to have peace the genocide, apartheid, and occupation must end. Settler colonialism must end. Second class citizenry must end. All Palestinians imprisoned must be released. Reparations must be made to Palestinians who have been affected by both current events and historical, from the Nakba in 1948 to today. Everyone who participated in the facilitation of the apartheid, and the violence of the apartheid and occupation required to maintain the oppressive regime, must be held accountable. Palestinians must be granted the right to return to their homes.
The idea that Palestinian liberation = carrying out a genocide on Israelis is nothing more than baseless, racist, orientalist fearmongering (and, to an extent, pure projection) that serves to justify the current genocidal regime and the apartheid having been maintained for decades. One people's freedom does not threaten another people. People are fearmongering over a hypothetical scenario (the same fearmongering used in South Africa; both during the reconstruction era following the abolition of slavery & also against abolitionists while slavery was still legal in the United States; in regards to the North American indigenous population; and so on) while an actual genocide is going on.
the only way to real actual peace, safety, and security is through the complete liberation of the Palestinian people, not the continued maintenance of the current regime or the apartheid that led to this current moment in time. apartheid is inherently violent; oppression is inherently violent. colonialism is inherently violent. if YOUR 'safety' is dependent on the oppression, displacement, and murder of OTHER PEOPLE then your conditions are not and will never be safe.
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asgardian--angels · 7 months
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Izzy Discourse Masterpost
Hey all, given the amount of awful splintering and wank happening in ofmd fandom rn regarding Izzy's death, including the flat-out immature and unacceptable harassment of David Jenkins and Co, I wanted to just make this one all-encompassing post to address the various grievances and complaints I've seen (almost entirely on Twitter). If I've missed anything, please feel free to add on. I'm putting most of this under a read-more for length.
Please be aware, I say all of this as an Izzy fan. I've loved his character since season 1, and while I was sad to see him go, I completely understand and support David & Co's reasons for concluding his arc, and I think it was done respectfully in a way fitting to his character. So let's break down some of the takes I've seen. I am not referencing specific posts or people here, I just want to address the general themes that I keep seeing about why some people are upset.
Izzy's death served no narrative purpose.
Look, this is one that I'm sure fans will debate for the rest of the hiatus. It's completely within your right to disagree with this writing choice, but Izzy's death did serve a narrative purpose in the story that David Jenkins is telling - and he has spoken to this end in several interviews already. I can only summarize here, and fans may find other perspectives in time as well. What we need to remember is that Our Flag Means Death is, at the end of the day, Ed and Stede's love story. That has been made abundantly, explicitly clear. The show has been fantastic at fleshing out the other supporting characters, but that's what they are - supporting characters. They often have their own subplots but ultimately the narrative seeks to move Ed and Stede's story forward and they are tools to spur Ed and Stede's growth or mirror their struggles. Izzy has been a wonderfully complex, multifaceted character but we must remember that all characters are vessels through which stories are told, lessons are imparted, and metaphors are established. He's not a real person who 'deserves' any particular fate. David said he's always intended for Izzy to die at the end of his arc.
Firstly, Izzy (now canonically, through his own dying words) represents part of Blackbeard. He enabled and encouraged Ed's darker side, they were mutually toxic forces to each other. Ed is attempting to cope with and move on from this phase of his life, and like Stede in season 1, set out a free man, unshackled by expectations and loose ends of those he's hurt and been hurt by (though we realize this is an ongoing process that takes time). This lovely gifset sums it up nicely, with Izzy being the Mary parallel, and making s2 mirror s1. Blackbeard is both Ed and Izzy; Ed cannot be free of Blackbeard while Izzy is in his life, and when Izzy is gone he will never truly be Blackbeard again. They are each other's rotting leg!! Yet, they love each other - and David has said that for Ed, this has developed into a mentor and father relationship, and where Ed has previously despised his father figures (his actual father, Hornigold) he does not want to lose Izzy. This time, Izzy brings out Ed, not Blackbeard - and that's where we get the callback to 'there he is', bringing their impact on each other full circle, freeing Ed, getting approval of sorts that he never had, to be soft, to be loved (and there are parallels to Zheng and Auntie here as well that others have made) from that force that drove him to stay in line all this time. David has said in multiple interviews now that he was going for the idea of the mentor/father figure dying and the hero living on and trying to do justice to them.
From Izzy's side, Izzy cannot be free while Edward remains either (Mary cannot find peace while Stede remains). The scar never truly healed, the leg will always be a reminder. At this point the argument becomes 'yes, but why did he have to die? Why not just sail off with the crew of the Revenge?' David has stated that he feels they've done everything they can with, and for, Izzy; he's come leagues from season 1, he's found community, he's found hope, he's found new parts of himself, and he's made good memories. He's found worth outside of what he can be to others. That's more than most pirates could hope for. Where would his character go from there, when the Golden Age of Piracy he belongs to has burned to the ground? Would he stay around and whittle on the Revenge? If he were a real person, yes, that would be lovely, and he'd deserve all the quiet peaceful happiness in the world. But as I explain several points below, he's not interested in being a captain. He's not up for the hard physical labor of regular crew, and he's extremely overqualified for that besides. He has served his narrative purpose, and symbolically, to enter a new age, everything must go. He's connected to the old age of piracy, to the Republic of Pirates, that is now demolished. To him, fighting for what he believes in, for the family he's found, bringing down an army of British twats in the process, is how he should go. It's a pirate's death, and as Izzy's said, he's a pirate - unlike Blackbeard who's succeeding in breaking away from piracy, Izzy never wanted to stop being a pirate, throughout his arc. To me, that's why Izzy remains trapped in the narrative, trapped in history, whereas Ed and Stede will escape history. They leave piracy, and canon, behind, while Izzy was content to remain a pirate and face a pirate's fate.
Burying him on land, right next to Ed and Stede's beach house, shows that his sacrifice was not in vain - they start this new life together, thanks to Izzy's mentorship, his role in their lives that sometimes for worse, sometimes for better, made their love what it was and made their breakaway possible. The new age is built on the foundations of the old age, and is stronger for it.
As we're well aware by now, David tweeted that there's no version of ofmd without Izzy. Whether that's literal or not, symbolically it's true. Izzy's arc of growth affected everyone on the Revenge. Jim fondly remembered fighting for a time when life meant something on that ship; the crew helped give Izzy new meaning in life, and he helped them in return. When he dies, they mourn and have a funeral; that wouldn't have happened under Blackbeard's watch in episode 2. His life meant something to them. He influenced Ed and Stede immensely, and they will take that with them. As David's said, they're all a family, and Izzy was a part of that family, and his loss unites them and brings them closer to continue to fight for that family they've built. It's a tragic, sudden death of someone they've all grown to care for, and that steels their reserve to keep the torch lit. They literally sail off into the sunset to hunt down Ricky to avenge Izzy; he will always be a part of this show. And, of course, with the brief appearance of seagull Buttons, the door is left open for anything.
If this was The Izzy Show, then sure, we'd be content to see him simply engaged in shenanigans every episode. But the plot, and therefore the characters, need to keep moving forward, and Izzy got his growth and development. He got what he needed for his character to have closure, and he served his symbolic narrative purpose in Ed's (and Stede's) story. You may have your own ideas and perspectives, and that's great - that's what fandom is for. But we cannot say his death was pointless when David Jenkins and the writers clearly had a well-defined motive for pushing the narrative in this direction. I actually think the narrative around Ed and Izzy is the most well-developed in the entire show. I for one am so happy we got such an interesting and complex character, and had the brilliant Con O'Neill to portray him.
Izzy's growth & healing arc was rendered pointless by his death.
As this post so eloquently puts it, it's pretty bleak to have the outlook that taking steps to heal and find meaning in life is worthless if it's later lost. Seeking happiness and self-actualization is worthwhile for its own sake; no one knows what's down the road, and we all die eventually. Find meaning in life now. Would you rather have had Izzy not miss with his bullet in ep2? He was given the chance to experience joy, freedom, and hope for the first time in potentially a long time, and when he died he did so with those happy memories. As mentioned, Izzy's death was decided long beforehand given the narrative, and the point of storytelling is to make you feel emotions. We were given impetus to connect and relate to Izzy's character through his process of healing, so when he did die, we felt it keenly. That's how stories work actually! We felt what Ed felt. It moved us. It's not a bad thing that Izzy's arc made him more likeable to fans before his death. It's not a bad thing to lose a beloved character - guess what, it happens constantly in stories - and it's not bad to grieve over it either, but to say that it made his journey pointless is just not true. People saying that Con must be upset that they snatched his character away from him after getting to develop him so much - again I say, would you rather him have died in ep 2 before he had the chance to grow? Or how about in s1, when the crew tried to mutiny? How'd you feel when Stede killed him in his dream, in the very first scene of the season? I think Con's probably glad for the opportunity to have explored this character so much in season 2. Ask him if he thinks it was pointless.
Killing off Izzy was bad for queer rep/burying your gays/"Izzy was the queer heart of the show"
I'm putting 'bury your gays' on the top shelf so people can't use it when it doesn't actually apply. Most of the main cast of characters in this show are queer, and it's a show about pirates with a good amount of violence. Ergo, chances are a queer character will die in the course of Things Happening In Stories. Izzy didn't die because he was queer, and he wasn't the token queer rep. Please turn your attention to the boatloads (literally) of queer characters that are happy and thriving (how about the LuPete wedding immediately afterwards??). As for Izzy being the "queer heart of the show," this is literally the Ed and Stede show. You know, the two queer leads whose queer love the show revolves around, per David Jenkins himself. I'm glad folks connected with and derived joy from Izzy's growth and especially his performance in Calypso's birthday, but he is not the main character of the show. The queer heart of the show is in fact, the entire show, all of their characters and the community & found family they create aboard the Revenge. Not to mention the fan community as well. Izzy was never carrying the show's representation on his back, and frankly that's an absurdly wild take to have (esp when he spent most of s1 actively working against the main queer relationships in the show, attempting to maintain the oppressive status quo of pirate society).
It was bad and irresponsible to have a suicidal character die
Are we forgetting the entire first half of the season where Ed, who was suicidal, kept trying to passively kill himself because he felt he was an unlovable monster, only to be shown that he is in fact loved unconditionally and it gives him the strength to fight for life and triumph against his own self-doubt? The show has spent quite a lot of effort telling viewers that despite feeling damaged or broken you are worthy of love and that you are loved even if it may be hard to see it when you're in a bad place. That you don't need to be fully healed to deserve love and care, and that love and support will help you along your journey. It's incredibly wild to disregard this major plot point and fundamental message of s2 to try and spin this the opposite way for Izzy's character.
Secondly, where are people getting 'Izzy is suicidal' from? Are we going back all the way to episode 2, when he's at his lowest point and fails at his suicide attempt, only to be figuratively reborn after removing the metaphorical rotten leg? By the time of the finale he's shown to be in a good place, thanks to the arc of healing and growth he's gotten, through the support of the Revenge crew and his 'breakup' with Blackbeard allowing him to find his own way in life, realizing he doesn't need a purpose to have value and enjoying his time on the Revenge and the bonds he's made with Stede and the crew. He is, in the words of Ivan, "the most open and available I've ever seen him" by the finale. To take episode 2 as evidence he's suicidal is to erase his whole season of growth, which is an ironic thing to do in the context of these arguments. There's no canon evidence Izzy Hands was suicidal post-'Fun and Games'.
As for 'irresponsible,' once again I say, David Jenkins is not your therapist, he's not 'Dad,' and has no responsibility to tell his story any other way than he intended to tell it. Please find media that gives you what you want or need, and if the death of a fictional character causes you this much distress please seek help. I mean this kindly but seriously.
Killing off Izzy was ableist/bad for disability rep.
I point once again to the rest of the characters, several of which are disabled in varied ways. There are literally multiple other amputee characters specifically. It's not good storytelling to wholly avoid killing off any character that is disabled/queer/poc/female or [insert marginalized group here], especially when a) it makes sense narratively, and b) there's plenty of representation of these groups in the media in question. The answer isn't making such characters invincible and immortal, it's increasing the number of these characters in shows so it's not devastating when some do die in the course of natural storytelling.
OFMD was my comfort show/safe space show, now it's ruined for me
I am not trying to be insensitive here when I say that's a problem that is yours and nobody else's. David Jenkins created this show with a three-season vision and a story in mind, and he is telling that story to the best of his ability the way he wants to. It's already been said that he and the crew did not anticipate the fandom becoming as large and passionate as it has. The plot of the show was never intended to be 'fan service,' and it's ironic that there were people complaining this season that there's been too many fanservice tropes, up until David and the rest of the writers room made a narrative decision they did not like, then the complaints changed to not coddling the fans enough.
We as viewers can derive joy from this show, it can be a comfort to us, it can be important to us. But it was not designed specifically for that purpose, therefore it cannot fail in that respect. We do not have the right to harass writers for not steering the ship in the direction we want - it's their work of art, and we can choose to either come along for the ride or not. It's rare to see creators actually given the chance to tell their story the way they intend (budget cuts aside), so let him do that. He should not cater to fans, or cave and change the story to appease us. Respect his right to create his art, and remember you have the right to create your own. That's what fanfiction is for - write fix-its to your heart's content, but keep these realms separate. David Jenkins and Co hold zero, and I mean zero, responsibility to you. He could not please everyone no matter what he did, it would be fruitless to try, and it would certainly compromise the quality of the story he set out to tell.
You are absolutely allowed to dislike choices made in any show. Curate your media experience. If this show no longer brings you joy, stop watching. But it was never David's purpose nor responsibility to juggle the mental health of millions of fans. Trying to put that on him will only make him less enthusiastic about interacting with fans or continuing to make this show. This isn't rocket science. You're responsible for yourself, not this guy you call 'Dad' that you've developed a parasocial-therapist relationship with.
Izzy should have become captain of the Revenge.
Really?? Firstly, we did actually get that already in s1. He was tyrannical and the crew mutinied. But even if you think 'well after his character arc he'd be better suited to it,' it goes against the point of this arc. He's found value in not having a distinct role or purpose on the ship, decoupling his worth from the job he's expected to perform. He's found his place amongst the crew, not commanding it. There's no narrative reason to put him in charge when he's expressed no further interest in slotting himself back into a role full of pressure and expectations.
Con O'Neill was only told halfway through filming, it's cruel to just kill off the character he loves so much.
Guys, he's an actor. More than that, an actor with a theater background. I think he's used to characters dying. You don't need to look out for him. Con and David spoke one on one about it at length so they were on the same page, and David even said that Con took it well. I'm sure Con had input, just as other members of the cast have influenced their characters' stories, costumes, backstories, etc. Do you really think David Jenkins hurt Con's feelings or something? The writers (remember, it's not just David, it's a whole team of hard-working people coming up with these ideas) gave Con such a chance to shine this season, really developing Izzy beyond what he was given in s1 and letting Con show off his full acting range. Why are you only focusing on the destination rather than the journey? Sure, Con's probably sad to see Izzy go, but please do not project your distress onto him or try and accuse David & Co of being 'cruel' to their cast. That's really ridiculous. It's constantly evident how close they all are.
More importantly, do you actually, seriously think that Con O'Neill would want fans to harass each other or the writers over his character? The man who preaches being kind above all? There is no better way to make an actor uncomfortable about a show and its fanbase than to start treating fictional characters like they're more important than real people. He would not want you to bully people over Izzy Hands, and it's mind-boggling that some of you have convinced yourself otherwise.
Lastly, I just want to talk about the fact that some people are holding OFMD to absurdly high expectations.
Our Flag Means Death has been a pioneer series for its diverse representation, earnest storytelling, and themes of hope, community, and love. It's fine to discuss aspects of the show with a critical eye, but so much of the discourse has truly felt like folks are trying to find fault in a show that is leagues ahead of the average tv series that we still enjoy. How many fan favorites are killed off all the time? How many plotlines are scrapped, or drawn out without closure, or contradicted the very next season? How many shows are indifferent or actively hostile towards their fanbase? How many have any queer characters, or actually do bury them? The bar's so low, and OFMD has risen above to give us so much. Some are holding the show to astronomical expectations, waiting for it to fall from the pedestal it's been placed on. If something you don't like happens in the show, it's not suddenly ruined or demoted to being ~just as bad as those other shows~. Give them some breathing room, have some perspective on how progressive the show is, and that perfection is impossible, especially meeting every single viewer's idea of it. This is basically a repeat of the recent Good Omens drama, with an absurd number of people harassing Neil Gaiman for breaking up Aziraphale and Crowley and leaving the second of three acts on a very predictable cliffhanger. Let stories be told, let them unfold as they may, and you are free to leave anytime. It's so wonderful that more queer love stories are becoming popular and even mainstream, but let's not shoot ourselves in the foot by tearing them down when they don't go exactly the way you want it, which often seems to mean no drama, no character deaths, and therefore no conflict or even plot!
Just, please be civil human beings, and while this seems to be a difficult thing for so many fandoms to do, just keep your fan opinions in the fan space. Never bring your grievances to the writers, never bully them and persecute them for telling a story that you opted into viewing. That's something that goes entirely against everything this show, and this cast and crew, have imparted onto us - the importance of kindness, support, community, and love. I'll say it again because it bears repeating: the fate of a fictional character is never more important than how you treat real people. Just be kind in real life, which includes the internet. Thanks.
Now please, let's work together to ensure we get a season 3. There's so much more story to be told, and if you want to see Izzy back, whether that's as flashbacks, as a ghost haunting the inn, or in the gravy basket, we'll need more episodes! #RenewAsACrew
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natailiatulls07 · 8 months
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The golden trio Pt 6
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Lando Norris x female!reader
Carlos Sainz x female!reader
Max Verstappen & Female!reader & Charles Leclerc
Summary - Being bestfriends with two famous formula one drivers is never easy, but what will happen when you get involved with yet another formula one driver??
Warning - swearing, crying
A/n - 😌😋
The golden trio
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Twitter
username It’s been five days since Lando was caught kissing that other chick and Y/n hasn’t posted ANYTHING!!
username He has sooooo fucked up mate it’s unbelievable and by the looks of it he hasn’t done anything to apologise yet 😖
username You know I don’t think anyone has seen her leave the apartment building either, like we know Max and Charles are around but they haven’t be looking all that happy
username Yeah cause someone who is practically their little sister has been hurt time and time again!! What do you expect?
f1gossip
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Spotted: Y/n L/n leaving her apartment complex with both of her roommates, Max Verstappen and Charles Leclerc.
Liked by username and 1,583 others
username Lando fucking Norris you are a fucking idiot 😒
username Oh mate, she looks devastated
username She can’t get a break!!
username Did you guys see Max and Charles though?! They were so annoyed
username I hope the chick is happy, she ruined a relationship 🙄
Max Fewtrell twitch live stream
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Twitter
username Anybody watched Max Fewtrells twitch this evening?? Lando??
username You can tell he’s so guilty with himself!!
username Like he was so blunt!
username He had it coming, like you can’t go around kissing another girl whilst you’re in a relationship. It’s common sense.
Text (White: Reader) (Red: Carlos)
Hey, I heard about what happened with Lando I’m sorry
Yeah these things happen, it’s not your fault
Look I have a idea but you can back out if you want totally your choice
Ok?? Go on
So I’ve was thinking if we could date until Lando gets jealous
Oh right…
Please don’t feel like you have to do this tho
Sure I’ll do it, I don’t want to let him down easily
Perfect! So should we go on a date tomorrow night and make sure people see??
Yeah that’ll be a good idea, the gossip instagrams just love to post about me so it’ll spread fast
f1gossip
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Spotted: Y/n L/n and Carlos Sainz, former McLaren teammate of Lando Norris, seen on what seems to be a date in Monte Carlo this evening. It has been a few days since Lando Norris, who seems to Y/n’s ex now, was seen kissing another girl.
Liked by yourusername and 3,263 others
username Mr Norris what will you do now??
username She really said get even bitch 😚
~~ Liked by yourusername
username Ooooo more gossip more gossip!!!
username Yk I would sell my kidney to see what is going on behind the closed doors 👀
username Y/n in her reputation era??
username Yk, Idk what to think??
Gossip Groupchat (White: Reader) (Blue: Max) (Red: Charles)
Hey Bee…
Yeah I’d everything ok?
No…
Um Lando is currently stood in our living room, pestering Charles on where you are…😬
Wtf!
Why? Ask him why he’s there!
Seen 2 minutes ago
Yk I don’t like the fact that it’s taking forever!
He is here to apologise, he feels horrible and I think he means it
Well tell him that I am busy and that he should consider this relationship done
Ok soooo he’s gone but
But…?
I don’t think he was very happy that you are completely blocking him out, more angry in my opinion
Look that’s his problem, you can’t go around kissing other girls whilst you’re in a relationship it’s common fucking sense
Ok, what time are you coming back tonight?
Around 9pm, Carlos has a flight in the morning
See you then Bee
Bye guys
Bye Bee
f1gossip
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Since Y/n’s date this evening we have noticed that the former couple have both gone and unfollowed each other on instagram and other socials. Maybe the ship has really sailed away.
Liked username and 2,583 others
username Oh Shit!
username So that really does mean…
username No I can’t do this, nope not today 😭
username True love? Yeah no that doesn’t exist
username What do we do now?!?! 😰
username Friends to Lovers to Enemies 🥺
yourusername
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But now you’re on your knees while I’m wrapped up in his sheets 😚
Tagged: carlossainz55
Liked by carlossainz55 and 75,925 others
username MISS GIRL!!!
username Karma really is a bitch!
carlossainz55 ❤️‍🔥❤️‍🔥❤️‍🔥
= yourusername 😋😋😋
username Lando you know this is about you!!!
~~ Liked by yourusername
username Loving this whole thing!!!!!
username She moved onto a real man, not a little boy. Well deserved!
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Tag list: @eviethetheatrefreak @janeholt3 @raizelchrysanderoctavius @namelesssav @amalialeclerc @eugene-emt-roe @skepvids @ravisinghs-wife @bellaturner @roseseraj
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roz-ani · 3 months
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One issue I don't quite get and want to briefly comment on is the idea that Alastor has to be either an old-school villain who's just evil for the sake of being evil, or more of an antagonist with actual depth, emotions, and traumatic backstory to explain his actions, letting the audience relate to him. I think we're going to extremes here. We don't have to go, "Oh, I understand why he would do that". The main goal is for us to say, "Oh, so that's his deal".
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While we don't know exactly what Alstor's deal is, what the exact terms of his contract are etc., he is, without a doubt, the most complex character in the show. He's in a unique position since he technically helps Charlie achieve her goal, but it's obvious he's in it for selfish reasons, with some grander scheme going on behind the scenes. May he eventually be the one the main cast will have to fight at some point? Sure. Would it be even more fun because he is a part of the said cast? Absolutely.
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Let's get one thing straight: Alastor is evil. He's in Hell for a good reason. He's a cannibal and a serial killer. And I know we can absolutely forgive characters for doing the absolute worst, but he is not a good person. And yes, you can like (and simp for) evil characters. (If you think being a fan of intriguing fictional creations makes you a terrible person, you need to get off twitter and tiktok to actually interact with real people.) At the same time, the finale of season 1 simply made it clear that Al does have depth, and that he's going to be a three-dimensional character. Not that his actions are going to be suddenly justified.
But why can't we explore evil characters while enjoying them and letting them be evil? We can. Alastor started his carnage in Hell before making his deal, so it's not the main reason behind his less-than-questionable actions. For now, he's looking for freedom so he can (re)gain power and be in control again. At the same time, he is growing attached to the other characters. I highly doubt he'll be redeemed; we'll just learn more about him, his backstory, and his goals.
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Can you even call Al an antagonist? If you ask me, he's more of an anti-hero. Heck, do we know who he is? Not really, and that's the point. He's one of the main characters, but he makes himself separate in both the story and the writing. He's a wild card.
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We don't know what's coming for the Radio Demon in season 2. The first one established that there's more to him and that he started growing fond of the other characters, while the finale made Al realise it almost got him killed. He was humiliated and it reminded him even more that he's still under someone else's control. At least, that's how I see it. Alastor may become more sinister as the story progresses, and as he's getting more and more desperate to free himself of the contract. AT THE SAME TIME, he did come back to the Hotel with a smile and consent for a group hug, so it's not like he's going to blow it up in the first episode. He's not against the Hotel itself. He's doing his own thing, knowing that the titular establishment is an inherent part of his story. All paths lead to the Hazbin Hotel. My guess is that he will simply become more active.
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Alastor is already a three-dimensional character; there is no doubt about that. But it's not like he's getting reckoned here. I don't really understand where this notion of our Radio Demon being an old-school villain came from in the first place. He's always been a mystery. Okay, maybe in the pilot it was not so clear-cut, and I'll admit, it would be fun to just see the Radio Demon as a powerful entity overlooking the hotel for his own pleasure. Turning him into a villain later on? Meh, depends on what would happen in the story if that were the case. Watching Jack Horner in "Puss in Boots", reminded me how much I missed villains that were not an initial antagonist's evil-incarnate-superior. However, it was quite quickly established that there is more to Alastor. He would have to appear pretty rarely to not go through any character arc in a show with such an ambitious storyline as Hazbin Hotel (and what a delightful character would we lose if that was the direction the writing team would have taken?). I would mention the pacing actually harming that development, but it's clear this is the show's biggest problem, and we just have to take things for granted.
If anything, Alastor is being restrained from being purely evil. To me, he's a combination of both of the character types I mentioned at the beginning, leaning more toward the well-developed anti-hero. Just let evil characters be evil and three-dimensional. 
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allastoredeer · 22 days
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I'm with you there on preferring bottom!Alastor and getting squicked out by top!Alastor. The squick is worse for me when searching radioapple than radiostatic stuff, and I think it has more to do with the egregious amount of uke-fication of Lucifer that I've seen. Vox and Al get it sometimes too, let's be real that's gonna happen in any mlm ship. But I feel like it happens SO often to Lucifer, mostly cause he's small and cute, that people completely forget he's the oldest and most powerful entity in hell.
He would NOT be genuinely scared or intimidated by Al or any other sinner for that matter and Al would NOT be able to physically overpower or threaten Luci. It just feels so wildly out of character for me that any of the appeal of the ship/characters is gone at that point.
Like, for real, no shade to anyone that likes that, go on and get your food. But my extreme dislike of it has me now avoiding bottom!Lucifer radioapple like the plague just so I don't risk being subjected to it.
I think...I think you just described why I feel so squicked out by bottom!Lucifer and top!Alastor 😦 Like, I couldn't figure out what exactly about it was throwing me off, but you just said it perfectly!!
That's literally it! It's the uke-fication of Lucifer. That's it. Lucifer would never feel threatened by Alastor. He would never be overpowered by Alastor. So when I see depictions of Alastor successfully intimidating Lucifer, or overpowering him at all, it just throws me out of the story.
Lucifer's been alive longer than Hell. Alastor's measely 100+ years of being alive is nothing compared to his millennia+ lifespan. And yeah, Lucifer is the strongest person in Hell, he could beat Alastor in any fight, no question. He has no reason to be scared or threatened by him.
And look, there are ways to get Lucifer to a point of being afraid. There are always a way to make characters act in a way you wouldn't typically see. In fact, Lucifer, the biggest, baddest person in Hell, being threatened by something would be a huge thing for his character and for the story. That could totally work!
But when it comes from Alastor just going into his demon form, or looming over Lucifer, I just 🥲 it takes me out of the story. I can't. Alastor may be a big bad Overlord, and he's dangerous for sure, but like...power-wise he is just not on Lucifer's level and Lucifer knows that--Alastor knows that--and this is what makes their dynamic so, SO interesting, especially if they're in a relationship or slowly building into a relationship. That's what makes it so spicy and flavorful. The push and pull. The insecurity and emotion. The complex dynamic between them.
I think you're right about it making bottom!Lucifer and top!Alastor lose its appeal. I went back through my Twitter bookmarks yesterday and found a few top!Alastor's & bottom!Lucifer's that I've saved, but I've come to dislike that generalized characterization of it so much that I avoid it it like the plague too.
And like you said, there's no hate to those who enjoy it. This is fandom and people are allowed to write, draw, and do what they want. It's all fiction and it's not hurting anyone.
I just don't like the top!Alastor & bottom!Lucifer dynamic in most fan-arts, and I don't click onto fics with it cause I just don't want to subject myself to an unenjoyable time 😂 I'm here to have fun too, afterall.
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steakout-05 · 8 days
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it's so funny seeing the negative fan reactions to Jax being even more of an asshole than he was in episode 1. like first of all, how can you not enjoy his dickhead antics and growing frustrations at the things that aren't allowing him to be a dickhead 100% of the time. i think it's really entertaining to watch him be a complete jackass to everything and everyone! and second of all, i feel like this is an effect of twitter fandom kiddies always praising a character who's a perfect angel or a "bad boy but he's bad in a good way..." character and deeming characters "immoral" as soon as they do something bad. as soon as that character they attached themselves to isn't what they thought they were, they get super mad about it, even though Jax hasn't really changed at all since episode 1. it's like seeing Jax have more opportunities to be an utterly selfish and destructive asshole put them off from the character entirely because "ohh he's mean now". it's so weird. like god forbid a character has flaws or does objectively horrible things that makes them more entertaining /sarc.
it's kinda like the whole discourse surrounding Pomni "abandoning" Ragatha in the pilot. a lot of people were deeming Pomni to be a terrible character because she did something that could be perceived as "morally incorrect" when 1. she was scared and confused out of her mind and practically in survival mode the entire time she was there, 2. she literally just met Ragatha a while ago and wasn't in the right place to properly prioritise anything but her own survival, and 3. characters are allowed to do """immoral""" things because it's interesting, it makes them more complex and it drives the plot. oh yeah, and they're not real!!! they can't hurt anyone!!! it's so confusing how people will see a character with flaws and then get so enraged about how immoral they are, while completely missing the point as to why a character has flaws in the first place.
i just find it funny how people saw Jax in the first episode, visualised a bad boy version of him in their heads and then got super mad when he was even meaner deliberately in the second one and isn't exactly what they wanted him to be. like you guys just pulled a full 180 and went from loving him to despising him in and instant. characters will have something deserving of a character arc and twitter fandom kiddies will become livid about it.
by the way, i thought Jax being even more of an asshole shined a brighter light on his troubled nature. like,,, to me it seems Jax's asshole-ish attitude is kind of a mask for deeper insecurities, especially when you see his face soften during Kaufmo's funeral, before quickly replacing it with anger and walking away. i think he's grappling with some heavy shit and trying to hide it behind a troublemaker attitude and constantly causing chaos and destruction to distract himself. i think that's why he got so angry and frustrated during the second episode, because he couldn't always have his way. he's definitely hiding something. whether it has something to do with Kaufmo, his situation or both, i wanna see what happens and what's going on with him.
personally, i want Jax to get worse, because it would be a very interesting look at how he deals with the circus compared to everyone else. i want him to get so aggressive and asshole-ish that he does something he deeply regrets (in reference to what a tweet from Gooseworx teases). to me, the biggest allure of TADC is the way the characters react to what's going on around them. each character has such a different way of coping with everything and i think Jax's way of coping, desiring chaos and death and destruction, would be an interesting look into who he is as a character. i want his harmful coping skills to drive him to a breaking point because hell yeah, character development!!! i want to see what makes the asshole into something closer to not really being as much of an asshole as he started out as.
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04/28/24 Daily OFMD Recap
TLDR; David Jenkins; Nathan Foad; Damien Gerard; Watch Parties; Fan Spotlight; Cast Cards; OFMD Colouring Pages; Community Q's Love Notes; Daily Darby / Today's Taika;
== Cast & Crew Sightings ==
= David Jenkins =
I think this picture speaks for itself.
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Img Src: @simonenathan Twitter
= Nathan Foad =
More Love's Labour's Lost with Nathan! So good to see him having such a great time!
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Img Src: Nathan's IG
= Damien Gerard =
Our crewmate @/rosiemegglemoth on twitter saw Damien this weekend and he got to meet little Edward! I've seen Edward travel all over the place and I'm loving that he and Damien got to meet up <3 Thank you Rosy Meggie Moth for letting me share this with everyone!
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@rosiemegglemoth's Twitter
== Watch Parties ==
= Palm Royale =
Palm Royale WP May 2 via @LCWebsXOXO with the lovely @/dominicburgess approx. 4pm EDT/9pm BST/1pm PST!
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= Wrecked Season 1 =
Another week of Wrecked Season 1 is on the docket! Don't have access? Reach out to me on @gentlebeardsbarngrill on tumblr, or @aspirantabby42 on twitter.
Days: Apr 29 - May 3
Times: 3:30 pm PT / 6:30 pm ET / 11:30 pm BST
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== Fan Spotlight ==
= Cast Cards =
Tonight's cast card is Pop Pop's Son! Thanks @melvisik for bringing him in too! I thought he looked familiar.
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== OFMD Colouring Pages ==
Thank you @patchworkpiratebear for more colouring pages! This time featuring Calypso's Birthday!
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== Community Q's ==
Starting something new today friends! I want to hear from you all!
What's your favorite interview featuring the OFMD cast?
It could be just Rhys or Taika and Rhys, or just David, or just Samson, or any number of cast members! It could even just be an interview of a cast member for another movie or show they did (doesn't have to be ofmd related except that an actor/actress also played in OFMD)! I just would love to hear what your favorite cast interviews are-- and if you have a link to it even better!
== Love Notes ==
Hey Lovelies. I'm sorry it's been so hard lately. Everyone I talk to seems to be struggling in one way or another right now, and I know it's been a lot. Remember to vent if you can-- even if a lots been happening for a while, you're not a burden if you need to vent again.
We all go through so much in our lives, and sometimes those hard times go for a lot longer than we'd like, we're allowed to be just as frustrated with them as we were the first as the 100th day we're dealing with them.
But you know what? You're so incredibly resilient lovelies. Seriously, look at you. Look at you getting through each day even when things are tough. If you had a great day, or you cried your eyes out, the fact that you're still here is so incredibly important.
YOU are so incredibly important. I know sometimes it feels like we are our struggles, but you are so very much more than them. Your struggles might be chronic, you may never be rid of them, or they may be temporary, so please, feel them, fight them, experience them, learn from them, but know that when you come out of them at the end of the day you are not those struggles.
They influence you, and they are a piece of you, but they are not the whole of you. You are a wonderful, kind, an beautiful individual that means so much to so many people, and you are so very complex and you have so many sides to you.
You are wonderful lovelies. Remember that. Good luck this week, I'm rooting for you so hard.
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Img Src: @goldiealexx Instagram
== Daily Darby / Today's Taika ==
I always come back to this being one of my favorite interviews so that's tonight's theme, fav interviews. Today's gif courtesy of @celluloidbroomcloset
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kekisu · 3 months
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a very popular headcanon people have (i Think its popular. at least a lot of my twitter mutuals agreed with me a while back) is that joker comes from inaba, and if youve played p4 you know that theres literally nothing to do there
so a big headcanon that i used to be obsessed with is that he would spend a lot of his days skateboarding or biking around listening to music and exploring old dirt roads.. and he ended up getting a special interest in bugs and reptiles because hed come across so many during his little solo adventures. hes also very well versed in fishing its not a fixation or anything but just something hes pretty good at
this is why i tend to draw joker like some sort of skater boy. i think hes always stood out a lot in this small town even before the false assault charge, like he wasnt disliked or bullied but he just didnt really fit in. and this didnt bother him. i think he only realized how boring his life was when he became a phantom thief and got all these new friends in this new big city that understood him despite the circumstances that led him here. like man i really used to live like that and see nothing wrong with it? i didnt yearn for more?
it makes it even more painful when he has to leave and they naturally drift apart. because they all have dreams and ambitions, and the best years of their lives are waiting for them around the corner. but joker is back in this small town where theres nothing to do but hang out in some food court or poke around in the woods. i imagine this newfound loneliness is really hard on him, not to mention the guilt for feeling like hes somehow to blame for. well, whatever happened with goro
to me personally i think goro lived. i think he mustered up the perseverance to bite and claw his way out of shidos palace after seeing that even someone like him has a chance at being loved, he just didnt really remember this in marukis reality because it was all a blur. so both goro and joker were completely clueless as to what his fate would be if they went back to their true reality, which is what was so scary. the uncertainty. he could very well be dead but how could they know for sure? i just dont like the thought of him dying before he could truly live, even though i understand the tragedy of it can be poetic, i just cant stand for him going out like that because i relate a lot to his struggles. and i think it would go against the overall positive message of p5r. sure not everybody gets to have a second chance or a happy ending, but. man. anyways
joker fully believes goro is dead though. he wouldnt be crazy to assume this considering how they parted ways in shidos palace. but it eats away at him and maybe he really does go crazy. maybe his life feels like its stuck in time and while his old friends are out chasing their dreams, hes stuck. broken and shattered over feeling like he couldve done something to save him, knowing jokers savior/martyr complex
im running out of steam and i didnt mean to ramble on about my post-p5r headcanons but, to wrap it up: goro is in rehab somewhere and has a service dog to help with his dissociation and mood swings. and a couple other stuff. he feels like if he walks back into jokers life itll mess something up like joker will just break down or something. so he keeps his distance until they cross paths again. im just very obsessed with the idea of goro getting his life together vs joker wanting so badly to chase that high of phantom thievery again but failing and being actually so depressed
man morgana must be exhausted
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film-in-my-soul · 5 months
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Oblivious | 10,166 | Stevieschrodinger / @stevieschrodinger
Summary: Everyone knows that Steve and Bucky are a thing. Everyone, that is, except for Steve.
dark into the heat | 10,247 | Nonymos
Summary: Steve breaks everyone out of Azzano, then goes back for one last prisoner who might not be quite human. Everything is going to go just fine.
Circularity | 11,724 | dharmashark / @dharmasharks
Summary: Steve runs his underground cybernetics shop with two rules: 1. Don’t get involved with HydraCorp. 2. Don’t get personal with clients. But when a mysterious cyborg shows up at his front door, Steve decides that some rules are worth breaking—especially if you can take down a big bad mega corporation in the process. (And if said client just so happens to be unreasonably cute.)
Say it louder for the people in the back | 14,864 | redhook
Summary: Steve operates a glory hole. One of his regulars starts to get under his skin.
Please see below for more recommendations!
The Run and Go | 14,960 | lupus (khaleeseas) / @khaleeseas
Summary: When Bucky Barnes first meets Steve Rogers, Bucky's standing half-naked in their apartment complex's laundry room. It's 2 a.m. on a Friday night (or is it considered a Saturday morning?) and for once Bucky is way too sober for all of this. The next thing Bucky knows, Steve is everywhere. Being hot and sarcastic and nice and overall perfect and Bucky is kind of totally and completely screwed.
Caramel Macchiato | 15,450 | littleblackfox / @thelittleblackfox
Summary: "You ate my bees," Bucky says. Because his own tongue fucking hates him.
wipe the blood from your face and your hands | 15,735 | AustinB / @cornerficus
Summary: It’s weird. The whole fucking thing is weird. Steve’s sitting across from a vampire in a diner under harsh fluorescent lighting, and he still looks like a fucking GQ cover. Steve wonders if biting creates some sort of bond like it does on T.V. Maybe he should’ve asked that question before consenting to it. “Do you have some kind of telepathic connection with me now that you’ve drank my blood?” Bucky snorts into his coffee. Steve finds it oddly endearing.
imagine being loved by me | 20,247 | spacebuck / @spacebuck
Summary: Just after 1am - a few hours after he posted today’s photo - he hears the tell-tale sound of a twitter message. Bucky grabs his phone, not checking who it’s from as he opens it because it’s probably one of his mutuals yelling at him as per usual. When he actually looks at his phone, though, it’s not Natasha The ‘verified’ check stares back at him for a long moment before he can even bring himself to process the name on his screen. Steve Rogers is messaging him. Or, he reasons, a very good fake. The handle looks right though, not that Bucky knows. Not that Bucky has Captain’s America’s tweets set up as notifications, or that Bucky’s own display name is set to captain america’s bitch. Not at all. Hey, the first message says. It’s Steve.
Paper Tree | 21,391 | Ellessey
Summary: Bucky just laughs and shoves another bite of egg in his mouth, giving Steve a shrug and a full-cheeked smile. He's so damn cute Steve wants to shout at him, but he can't seem to say any of the right things. "Shoulda got you a comb for Christmas," is what he comes up with instead. "What did you get me?" It's Steve's turn to shrug now, and if he looks more terrified than cheeky as he does so, he can only hope Bucky doesn't catch it before Steve hurries out the door.
Controlled Release | 21,836 | steebadore / @steebadore
Summary: Bucky's just having a little trouble...finishing. Completing the mission. He can squeeze the trigger but he can't make the shot is what he's saying. Which is why he's here, loitering outside a nice brownstone in Park Slope, trying to find the courage to knock on Captain Come Control dot com's door for his three o'clock appointment. You know, just normal Thursday things.
I Just Want to Love You in My Own Language | 22,436 | agetwellcard / @agetwellcard
Summary: Bucky Barnes is Captain America and uses terrible pickup lines. Steve Rogers is Captain America's nurse and is not impressed by the aforementioned terrible pickup lines.
During Business Hours: A Filthy Coffee Shop AU | 25,116 | samanthahirr / @samanthahirr
Summary: Unemployed artist Steve takes a job managing the worst coffee shop in Brooklyn, where the floors are greasy, the coffee beans have expired, the espresso machine’s been sabotaged, and the owners might be Russian Mafia. But the job comes with a few perks, like a generous paycheck, reasonable hours, and one super-hot customer whom Steve can’t resist having dirty, filthy, bad-idea sex with in the bathroom. Steve is pretty sure this job is going to kill him. But what a way to go....
One Caress | 26,160 | fuck_me_barnes / @fuck-me-barnes
Summary: Steve's rarely been touched in a way that didn't equate to some kind of hurt. The cold metal of a stethoscope against his frail chest or the sting of a needle drawing yet another blood sample, when he was a sickly child. The bone-shattering punches thrown by the neighborhood bullies on the playground, or by his own father at home, drunk and wild. His mother, weak and clutching at him as she grew more incoherent with the drugs as the cancer ate away at her insides. Touch was something he shied away from, something he told himself he just didn't want. Except...he did. He just didn't know how. Until he finds a flyer for a local "affection and intimacy services" program.
Season of all things | 26,466 | Claudia_flies / @claudia-flies
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Trust Enough | 27,374 | geneticallydead
Summary: “Saturday. Yeah, that’s good,” Steve says, and actually scuffs his shoe at the ground. Like a ridiculous shy superhero damsel. “Say eight? I live-“ “Yeah, big building with the A on it,” Bucky says, and can’t help a big stupid grin. Steve stares at him, looking a little dazed, and after their whole conversation it’s only now that Bucky’s brain catches up and realises Steve finds him quite attractive. So. Win for Bucky. “Let me get your number,” Steve says finally, after they’ve stared stupidly at each other for about three hours, taking out his phone. So they exchange numbers, and then Steve says he should go, and Bucky agrees, and they kind of stare at each other for a bit more, then Steve actually does go, but not before taking Bucky’s hand and squeezing it warmly in a way that makes Bucky want to shiver all over. Then Steve is gone, and Bucky is standing alone in the alley, grinning to himself. Right up until the moment he remembers that Steve thinks Bucky is an escort he’s just hired. Well fuck.
How To Embrace A Swamp Creature | 27,625 | littleblackfox / @thelittleblackfox
Summary: Steve washes his hands with the sliver of soap left by the sink, and takes a long hard look at himself in the mirror. The cut on his brow has scabbed over, and the bruises around his eye are blotchy red and sore to the touch. Stupid. His hands are no better, and he grips the edge of the sink to keep them from shaking. The scabs on his knuckles open up again, blood welling up starkly against his bone white fists. He holds them under the running faucet and watches the water circle the drain before pulling himself together. Just a little bit further, a little bit longer
Through The Open Window | 28,661 | 74days
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Agent Rogers | 31,348 | Stevieschrodinger / @stevieschrodinger
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The Daily Rogers | 32,154 | Nonymos
Summary: College AU. May contain exchange students, a Starbucks addiction, daddy issues, anger issues, closets and how to get out of them, the ever-ominous influence of social networks, various levels of betrayal, awfully poor life choices, but also, ultimately, real chunks of love.
miles to go before i sleep | 34,079 | obsessivereader / @yetanotherobsessivereader
Summary: Vietnam vet Bucky is just trying to get a hot meal, and maybe a job, in the small town of Hope, but the local law enforcement has other ideas. When their brutality triggers a flashback, Bucky snaps and escapes from their custody. Hunted, exhausted, injured, he finds shelter for the night next to a cabin in the middle of the woods. He means to be long gone before the cabin's occupant awakes. Things don't turn out quite the way he expected.
we are the things that we do for fun | 35,585 | Nonymos
Summary: Going to a professional Dom may be one of the weirdest things Bucky’s ever done. Especially since this skinny Steve Rogers guy doesn’t really look the part. But hey, they might just find a way to make this work.
The Devil's Acre | 40,636 | littleblackfox / @thelittleblackfox
Summary: “I’m sorry, you want me to what?” Steve sits back in his chair and tries not to glare at Hill across the conference table. “Track down a cryptid.” Agent Hill repeats, tossing a dossier onto the table. Steve has to stretch out an arm to reach across for it. “A cryptid,” Steve repeats doubtfully.
only one my arms will ever hold | 41,561 | wearing_tearing / @wearing-tearing
Summary: Like most stories about Bucky Barnes and his questionable and sometimes terrible life choices, this one starts because he decides not to listen to Natasha’s cryptic and mostly annoying advice. He decides not to listen, and he hunts down and kills a deer during that month’s full moon run with his pack and leaves its dead body on Steve Rogers’s front step. Steve, the man Bucky kind-of-possibly-maybe-absolutely is in love with. Bucky would try to smother himself after that one, but he’s learned that werewolves are hard to kill.
Karma's A Fake Orgasm | 51,637 | daisymondays
Summary: There’s another abandoned mug, festering with mould in the living room — Steve offically has the world's worst roommates. And complains about them. Often. Bucky, tired of his lack of action, decides it’s time to avenge Steve's sleepless nights and unsanitary conditions once and for all. They’ll pretend to be the world’s most annoying couple: excessive PDA, loud fake sex, and general repugnance. The plan sounds easy enough; it will be strictly platonic. Or will it?
Like the Tide | 53,950 | Deisderium
Summary: There's no SSR anymore. It's SHIELD, now. The worst part is, it's named after him in some way, Peggy's idea of a memorial to honor his sacrifice. He hates the thought of it, because it makes him feel like a hypocrite. His shield was only ever a prop, not something to base an agency around. But he's been mythologized differently. They give him files to read on this thing that Peggy and Howard built, and his story is a part of it—or anyway, the story that Peggy and Howard chose to tell about him. It shouldn't matter; they thought he was dead. They never thought he would see what they turned him into.
Catchweight | 56,418 | notlucy / @notlucy
Summary: For the most part, Steve’s life is fine. Sure, his job is tedious, he lives with his mother, and he can’t quite get over thinking he’s wasting his potential, but maybe that’s just part of being twenty-three. Then, one day—one totally dull day—the archetypal cliche of a tall, dark, and handsome beefcake walks up to his counter, bringing with him more questions than answers, and a duffel bag full of cash.
Through The Woods | 64,082 | VenusMonstrosa / @venusmonstrosa
Summary: There’s a legend in Mansewood, nearly as old as the town itself, about a pack of werewolves that once lived in the forest. They say only one survives; a monstrous and snarling beast with fur like a blizzard and fangs the size of daggers. They say it guards the lands and all creatures in it, and no hunter has faced it and lived to tell the tale. Steve doesn’t care about any of that. He only wants to know if it prefers T-Bone or ribeye, and would it please stop tracking dirt through his house? He just mopped the floor.
Master Reclist · Personal Masterlist · Blog Nav.
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odinsblog · 9 months
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I was stunned to find the number of people in the tech industry who are all-in on the theory of scientific racism and eugenics. They've been out about that for years, though.
There's a sort of complex where this was the birth of, whether you want to call it the intellectual dark web, I think that was the moment there. They've sort of been radicalized gradually, as happens with these things, where they started with, like, Slate Star Codex was a really big key central point for them to gather and sort of say, well, we have to interrogate and question a lot of these (egalitarian) assumptions. They were very actively courted by the neo-reactionary movement.
So you have things like Peter Teal holding dinner parties with the founders of the movement, and sort of people who have explicitly endorsed slavery, explicitly endorsed disenfranchising women, and people of any non-male gender from being able to vote.
And I always resent it because I sound like a crazy person by just merely accurately describing what they have publicly said. I sound like a conspiracy theorist who's pinning up red strings on a cork board by literally being like, “This is a thing they said out loud, in public, multiple times.” And people are like, “There's no way.” And I'm like, I don't know what to tell you, but it's all out there. We have receipts for ten years.
They are way out there, and they have an explicit agenda of normalizing, really radical, really hateful agendas.
And for me, it's like, it's just a very simple thing.
It's like I have to care about my kid’s safety. I have to care about my friend's safety, I have to care about, you know, basic moral values that we used to agree on.
And that's the other thing too, is because I knew these people 10 and 20 years ago. Like the first blog that Marc Andreessen ever had, I set up. It was on a platform I helped build. So I know that there was a point in which, at least from the public visible face, this was once a reasonable person. And for them to embrace the sheer intellectual dishonesty, along with the hatred… the fact that they're just like, they don't care that they're lying because it's an effective tool to get what they want.
That stuff is… I don't know.
It really soured me on the traditional tech industry.
This is what their tech is for. The things they fund are meant to carry out their agenda.
Let me give you a clear example: To the people who believe in this extremist racist ideology, Elon Musk being willing to lose tens of billions of dollars in value of his own money, presumably, in Twitter, turning into “X,” is a principled person who puts his values ahead of the dollar. He is so committed to advancing this reactionary movement that he's willing to forego tens of billions of dollars of personal wealth in order to advance it.
And what rational people see as the destruction of Twitter is rather, the destruction of the ability for anybody to ever again make a Black Lives Matter hashtag, or to make a Me Too hashtag. And that is because he's not a dumb person. Like the thing that a lot of progressives and reasonable people want to just say, well, he's racist and evil, so he must be dumb.
He's not a dumb person.
Peter Thiel's not a dumb person.
So if we assume they're smart people who understand how systems work and have virtually unlimited resources, then why would they choose to do this?
Well, there must be a reason.
And there is a reason.
It's just one we don't like to confront.
Even more insidious is the fact that these tech moguls own huge companies with enormous influence, and wielding that kind of power over their employees creates a herd mentality within their workforces.
So if, for example, Facebook's board includes both Peter Thiel and Mark Andreessen. They don't have to give somebody an order to say what kind of content they want to promote on the newsfeed, on Facebook.
Everybody who works there knows this is who our bosses are. This is what we got to do, because they're smart. Everybody's smart, everybody's very reasonable.
And so you don't have to imagine, like I said, I don't have to be a conspiracy theorist that's putting up some red strings on a cork board to connect the dots and whatever. You're like, “Oh, I'm a midlevel product manager at a company. I'd like to make a name for myself and make the share price go up. And I know the boss's boss has been on every podcast in the world saying we need to promote more voices that are calling for ethnic cleansing,” okay?
Message received.
That's what a person who has no moral context would do. And there are a cohort of people in the technology industry that have come up entirely consuming media owned and created by these people, because they know the programming site Hacker News, which is owned by a venture capital firm and run by Paul Graham, is one of these guys.
They read blogs written explicitly by these guys. They consume it. They were on clubhouse. They're in a Discord chat with others that are sort of buying the stuff. They have a full wraparound media bubble. If they just read substacks and listen to the blog posts or read the blog posts from these folks, you can have what feels like an entire media diet shaped solely by this dialogue.
And this is why they're trying to own the media outlets and the distribution, like Twitter, alongside owning the platforms. And the fact that they can control more parts of society, right? The leverage of owning the distribution networks, the leverage of owning media outlets, the leverage of owning the platforms is very, very different, because we do have a lot of historical precedent.
If we go back 100 years ago and we say you're reeling from coming out of a pandemic, you are reeling from economic precarity and inequality at unprecedented levels, and you see the rise of, again, a direct parallel, virulent antisemitism. And you have things like the oil barons giving way to the Henry Fords of the world, the labor crackdown of the Pinkertons, Ford's embrace of, you know, to the point where he's pen pals with Hitler, and IBM building the technology.
The first person that ever asked me to do technology work for him was a neighbor of ours, and he had a tattoo on his wrist. And I was a little kid and didn't know what it meant. And I asked him what it was. It was his concentration camp tatoo. And what people don't realize is those are database entries in an IBM database.
And IBM's stance at the time was that they were neutral.
This is what technology does to enable the rise of fascism and victimization around the world. And we have a direct precedent less than 100 years ago, of how these technologies are used.
And I don't say that lightly.
I'm not saying we're there yet, but that is how you get there. And I would be surprised if the pattern doesn't play out in some ways, in terms of if you have tycoons of industry at a moment when the world is reckoning with massive social change, cultural change, along with recovering from things like economic destruction, inequality and pandemics… And you have rising military threats around the world.
That is exactly where we were a century ago.
—ANIL DASH shares his thoughts and experiences on Richard Hanania and rampant neo-fascism in Silicon Valley
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mtkay13 · 9 months
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So I made those as requested by abscess chemical on twitter and figured it may be fun to share them on tumblr as well. And you know what? Share a break down of my choices as well, because why not! I tried doing it seriously haha.
Zhou Zishu:
Intense - 6/10: He can be very intense, re the things or people he's invested in, but he also has a chill and detached quality to him, a way of being at peace with things that he won't blow things out of proportions.
Complex - 9/10: I think that he's a very nuanced, multi-faceted and deep character, but I guess I didn't go 10/10 just because there's also a very straightforward and easy to get part of him (esp. from WKX's perspective.
Fruity - 2/10: I think the guy's very gay but not the most bombastic about it LBR.
---
Angst-lord: although it's not as obvious in TYK, QY gives us some EXTREMELY tasty ZZS angst and a good look into how ZZS can process things through anxiety. It definitely got more lowkey post-QY canon, but...
Flavor container: IDK what that means really but I wanted to tick it
Soft and sweet: I actually didn't check it on the twitter version initially (but published an erratum). He is described as soft on the inside by too many people not to check it.
Braincell haver: self-explanatory, the guy's brilliant
Chew toy: literally!
----
Tragic backstory: if QY can count as a backstory, then everything that happened with Jiuxiao works.
Frequently violent: duh
Sidekick owner: WKX is ZZS's sidekick from everyone else's perspective (or vice-versa) and my opinion abt it won't change ever.
Pet stray animals: ZCL, for one, and for two we all know he pets cats and raccoons
Chronic insomniac: technically, in TYK, the nails do force the insomnia, but we know from QY that he had a lot of trouble sleeping at night.
Murderer: well
----
Just some guy 95%: clearly he's a natural-born NPC/side character
Too many thoughts 100%: he overthinks everything!!
Awful company 15%: I think that a goofy drunkard like him is fun but not the best company, especially when he goes all grumpy shifu/shixiong
Beloved by all 60%: most characters REALLY like him (and the others don't even know he exists) and often praise how sweet he is. Charming against his will and attempts at being invisible uwu
Trauma x1000 10%: again, I think that the Jiuxiao story left deep scars.
Helps others for fun 70%: pretty much the plot of TYK
Scary-smart 80%: I think he's really brilliant but then you have these moments where he's just clueless abt stupid stuff and clearly doesn't care/doesn't want to know or try so those 20% left are the deliberate goof I guess.
1000 weapons and tools 50/50: it's both!! every rock is both a tool and a weapon and he just keeps pulling random shit from his bosom--
At peace with life 48%: I think, for the most part, he is--at peace with both life and death, until he decides that keeping on living is just the best option in the end.
Break the rules 80%: I had no idea w this one but... in TYK he pretty much does whatever he wants, so---
Extra comments: The way the "evokes" ticks every boxes for me to various degrees of intensity... sigh It was difficult for the "want them to have" section since I think he has everything post-canon, but I tried seeing it from a mid!canon perspective.
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Wen Kexing
Intense - 9/10: While WKX's feelings are generally cold, they seem equally intense to me, just like his eyes or his stare. He's intense about his love, about his revenge, about his plans.
Complex - 6/10: I've had interesting convos about how WKX is... nuanced, of course, but not as complex or deep as it may seem on the surface. That doesn't take anything from how interesting he is, but he is rather straightforward in what he is, ultimately.
Fruity - 8/10: I MEAN--
----
Enemy of the State: he's literally THE main Jianghu villain
Flavor Container: I still don't know what it means but it felt right once again
Braincell haver: the guy is EXTREMELY smart and outsmarted everyone in TYK so yeah
----
Tragic backstory: can hardly do worse than parents murdered in front of you, ate your dad to survive, took care of a child in the wildest, most dangerous part of jianghu, fought to reach the top while "serving" the previous master........ He scored it all!
Orphan: again, fully checks out
Frequently violent: yes
Has enemies: in SPADES
Sidekick owner: GX and ZZS are WKX's sidekicks 100%
Murderer: yes
----
The antagonist of life 70%: had to change from protag to antag because he IS the TYK antagonist (if TYK had been a traditional wuxia from ZCL's perspective...); of course it ends up being subverted but you know
Too many thoughts 75%: I think he's a big thinker as well
Awful company 85%: Let's be real guys
Hated by all 30%: I think he's too underestimated or not even really acknowledged enough to be hated, but I am pretty sure that more people dislike him than the opposite
Trauma x1000 60%: well.......... I think he has a bunch!
Sadistic for fun 15% : I doubt he's one to like helping and we know him to have those sadistic tendencies
Scary-smart 80%: same reasoning as for ZZS
1000 weapons or tools: mostly bare handed for everything save for the occasional whip or walnut shell but---
Enemy of god 35%: I have to be honest I don't really know what that means but I guess he's defied death a few times!!!
Break the rules 95%: WKX shits on the rules
----
Additional notes:
Mostly ticks everything in the "evokes" categories as well, but I unticked "symptoms of projection" because I don't feel like I project much of anything on WKX... maybe? (save for the ZZS lewding.. LOL) always hard to say, IG we always do a bit of that on every character, eh
and The Horny ofc because i'm kinda known for not really lewding my good WKX atp
I want a lot of things for him during canon, but again, all I can think of is how post-canon WKX really got it and then I gush and am simply happy for him.
That's it thank you for reading this mostly unnecessary breakdown!!!! Edit, following a comment asking for the sheet:
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i-heart-hxh · 5 months
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hey
ik you're busy with processing all this scrapped ending stuff, but imma ask anyways. so people here and on twitter tend to say that killua and gon's relationship is codependent. how is it shown? cuz to me they're just extremely devoted to eachother, but i can't exactly see this whole codependency thing.
love your analysis btw, you're great❤️
Hi! Thank you very much for the kind words, I appreciate it! (Obviously answering this after a while, as the scrapped ending topic isn't quite as omnipresent now.)
On one hand, I do think their relationship has aspects of codependency, for reasons I'll go into below. But there's a lot going on in their relationship, and I also believe people use this term as sort of a catch-all for the various issues.
So, what is codependency?
Codependency is a dysfunctional relationship dynamic where one person assumes the role of 'the giver,' sacrificing their own needs and well-being for the sake of the other, 'the taker.' -- Psychology Today
I mean...doesn't this sound like Killua's unhealthy, self-sacrificing devotion for Gon?
Killua mostly takes on this role himself, but Gon does stoke this dynamic, assigning Killua the role of holding him back in dangerous situations and expecting him to clean up after his messes.
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Killua is happy to have this role supporting Gon and takes it seriously, but as the series goes on, the burdens he deals with on Gon's behalf keep getting more and more extreme, and when Gon pushes him away even when he's doing his role (trying to keep Gon from doing something reckless and getting carried away, in the scene where Gon confronts Pitou), it breaks Killua's heart.
The issues between these two have a root cause: Both of them love each other more than they love themselves. This is the key to understanding many of the underlying issues in their relationship.
In Killua, this manifests by devotedly taking on whatever Gon wants or needs no matter what personal cost it has to him, trying desperately to be of service to him because it's the only way he knows how to express his love for him. Coming from the Zoldyck family, it makes sense acts of service are one of the only ways he believes love can be expressed meaningfully. As I said in another post, he even takes on things Gon doesn't ask him to do, and then hides how much he does for Gon and the costs it has to him, so Gon isn't even aware of how much Killua suffers on his behalf.
In Gon, this manifests by prioritizing Killua's life while recklessly disregarding his own. Remember this line?
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I come back to this scene all the time because it's vital to understanding the way Gon values Killua above himself. To Gon, his life isn't worth all that much, but Killua's life is another story.
When Killua could have died if he dodged differently in the Dodgeball match, Gon loses his temper completely, to the point where he can't even answer Bisky's simple questions. I recommend reading the whole scene to see just how pissed Gon is about this, but for the sake of brevity here's the most important part:
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This happens before the pivotal scene of Killua holding the ball for Gon, severely injuring his hands. There's a lot of complexity to this scene and what it means in their relationship, it honestly deserves its own post because it's difficult to summarize, but it shows us Killua being perfectly willing and happy to be gravely injured on Gon's behalf, and Gon accepting Killua's willingness to sacrifice and suffer for him. Definitely a case of codependency, if you revisit the definition above.
At the same time it's an indication of deep trust and understanding between the two: Gon knows that Killua wants to do this for him and he allows him to do this because he knows it has meaning to Killua. Killua knows that he's the only one Gon would ever entrust such a task to, and that means the world to him, even before Gon says his "It has to be Killua," line. And ultimately, even if it's a bit twisted, this act is all in service of Gon trying to avenge Killua being put at deadly risk.
When Gon is in front of Pitou and says the "This means nothing to you," line, this is intended to push Killua away, tell him it's not his fight. This battle is Gon's burden, he's willing to give up his life if it comes down to it, but Gon doesn't include Killua in his plans because, after all, Gon believes that it's okay if he dies, but not Killua. While the way Gon lashes out at Killua says more about his emotional state at the time than his intentions, his repeated pushing Killua away during his grief and rage is one of the ways he ironically shows love towards Killua--he doesn't want Killua to have to share this burden or die on his behalf, because he sees it as all his fault. Even when Killua contributed to what happened in a way (knocking Gon out in order to take him and leaving Kite behind, something Killua definitely blames himself for), Gon refuses to blame him even slightly.
But because Killua stakes his entire self-worth on how useful he can be to Gon (codependency), being pushed away by Gon and not allowed to share his burdens and his pain is just about the deepest wound Gon can inflict on Killua. It's not what Gon intends with his actions--if anything it's him trying to protect Killua in his own way--it's just the way their respective issues with self-esteem manifest, and it's unfortunate. It's why they need to split up for now, to heal and work through what happened, so they can come back together, communicate properly, and build a better dynamic the second time around.
Now, when discussing their codependency I think it's worth remembering some things: They are both young teens with issues with trauma and self-esteem, who haven't had close friendships prior to this. Many of the less healthy aspects of their friendship, like their lack of fully communicating for instance, are tendencies from the ways they were raised. They adore each other more than anything, they almost never intend to cause harm to each other, and the "roles" they take on in the relationship that end up hurting them are generally more self-imposed and coming out of their individual issues than something either of them is forcing the other to take on.
Their relationship has been transformative and deeply meaningful to both of them, and they're definitely happier together than apart. The issues between them need to be addressed and reflected on by both of them, but I truly believe this is something they'll be able to overcome ultimately.
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lilyginnyblackv2 · 1 year
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Misaki Unasaka - Old Habits Dying Hard - BD - E10 - SPOILERS
I like Misaki as a character. I like the complexity of her character, and I’m glad to see that the reason they had her come back for Miri was because of a truly life altering situation like cancer. 
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I don’t wish ill on her (I saw a tweet over on Twitter that was basically saying they hoped the cancer killed her). She hit rock bottom, or hit the end of the sea, as the name Unasaka can mean. The kanji for sea also has the kanji of “regret” making up a part of it:
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And I do think that we are seeing Misaki expressing regret here. Addicts, people stuck in abusive relationships, and other such situations, often don’t realize how bad things have gotten until they are at their absolute worst. That’s what’s happened to Misaki here. She’s trying for a fresh start:
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A hair cut, new set of clothes, and wanting Miri back in her life.
I do think that she’s coming from a good intentioned place, and for wanting what’s best for Miri. But, some things are still feeling off, but not in a “she’s evil and wants to ruin them” kinda way, more in a “I don’t know if Misaki will be able to break out of bad habits that will end up harming her, her relationship with Miri, and Miri.”
When Kazuki met Misaki, she was at the end of her rope and most definitely burned out. Now, Misaki has had a year without Miri, so seeing Miri again and interacting with her can be viewed as easier, especially since she seems to want to try and due right by Miri this time. But she still seems to be floating, she mentions living with her parents, but then Rei brings up the Christmas show coming up at the daycare, so she states she’ll rent an apartment.
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She lost her job and “her man,” but hasn’t stated what her new source of income is yet. And while she seemed comfortable enough in the kitchen, and Miri is nothing but smiles at seeing her Mama again, the way she interacts with Miri feels more like a visitor than a mother:
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There is a distance there, which could be explained by the one year absence, but not quite. I lived in Japan for six years. I was an adult at the time, but my family experienced a lot of changes at that time. But when I came home for good, it felt like no time had passed at all. 
With Misaki, it feels more like a friend of the parents dropping by with the way Miri introduced everything to her. I do like how Misaki’s mother asked Miri her thoughts on who she wanted to live with:
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It’s important. She may be young, but her thoughts and feelings on the matter aren’t pointless or useless. That being said, the way Misaki asked it seemed a bit competitive in a way. Or, a better way to say this, is that she might feel a bit inferior here. They were likely able to provide for Miri in a way that she couldn’t. Both her and Kazuki are butting heads here, since they are both trying to fulfill a similar “mother” based role, and both feel a bit threatened in a way. Rei just doesn’t fit into that role, which is why he is able to mediate between the two of them.
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As the end of the episode stands, it seems like Miri is going to go off and live with Misaki. That’s what Kazuki and Rei think, that that Ferris wheel ride was the last time they would be with her. And while that could end up being the case, the series is an anime original, so none of us know what will happen yet...A part of me just don’t think that will end up being the case.
Both Kazuki and Rei have shown that they can grow and change, especially if its for Miri’s sake. They talk a lot about that in the Ferris wheel, and we (the audience) have seen this. But with Misaki, we don’t know yet. We hear her talking about change, we see her physically changing her appearance, but the moment that stands out to me is this one:
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She was reaching for a cig even though she has throat cancer! She likely got that cancer because of smoking, and yet, here she is - smoking still. Rei used to smoke too, but once Miri came into the picture, and after he really started to bond with her and care about her, we haven’t seen him smoking, even at Kyu’s cafe. I think the last time he smoked was back in Episode 4 or something. It’s been ages.
He broke a habit and changed for Miri.
Will Misaki be able to do the same? Or do old habits die hard for her? 
I don’t know how, exactly, they are going to chose to wrap this situation up fully. Will they have Misaki pass away due to the cancer, and then have Miri going back to Kazuki and Rei in the end (or would she end up with her grandparents then, since they still seem to be in the picture)? Will Misaki realize that maybe motherhood really is just something that isn’t for her in the end and allow Miri to return to Kazuki and Rei? Or will they go for a “blended family” type of situation?
I don’t know. They could go in a totally different direction as well. We’ll just have to wait and see, which is a scary prospect, I know, but I’m extremely intrigued by the direction they might take things.
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shadamyheadcanons · 2 months
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What songs do you think that fits Amy and Shadow?
My knowledge about Shadow is only a few so I'm not sure about him
For Amy, it will be Happy Synthesizer and Ikanaide/Don't Go and various bubbly and lively songs
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Combining these two for convenience.
First one - I’m glad you asked!
Love your ideas, especially Ikanaide. It sounds pretty upbeat at first, but then you pay attention to the lyrics, and...ouch. Feeling left behind and trying to pretend she’s okay with it? Yeah. That’s Amy. Here’s a link I found for an English version.
And here’s one for Happy Synthesizer.
As for which songs I associate with them, my Song & Dance tag covers the topic pretty well, especially this post.
Given how often I think about these two, though, I’m always finding more examples. There’s one song that I feel fits Amy better than any other. I wrote a headcanon about it on January 7th, 2022. I correctly predicted in that headcanon that a bunch of Amy-related stuff would happen that year--right down to her getting a new theme song, even!
I still think my song idea works better than the one in the Frontiers DLC, though. That one feels kind of bland to me. Yeah, she trusts her cards, but she’s supposed to be a go-getter! She reads the cards and then blazes her own destiny using them as a guide. Her mild Frontiers theme gives off the vibe of someone who’s letting fate happen to them, not the other way around. Amy is kind, but she’s not passive.
Laineybug04 correctly pointed out in this post that “House of Gold” by Atreyu fits Shadamy quite well, and I included “Wait for You” in In a Pinch, but it doesn’t stop there. The more I listen to Atreyu, the more I hear Shadamy, and I’m glad you gave me an excuse to point it out! “House of Gold,” “Wait for You,” “Terrified,” “Super Hero”...and “I Would Kill/Lie/Die for You” is pretty much spot-on for Shadow’s brand of dedication. It’s more romantic than the title makes it sound, haha.
They’re not all necessarily romantic in nature, but it’s very easy to imagine Shadow singing them about Amy.
I want to call special attention to “Stronger Than Me,” though.
The speaker starts by showing insecurity.
Yup.
He fears opening up and showing his entire self because he thinks others will be scared by what they see.
Yup.
He admits connecting with him might be complicated sometimes, but he remains steadfast because the relationship is important to him.
And, uh...this is from the chorus:
“When I was lost, You were always there, my guiding light, You are my ward, my compass ROSE, my lighthouse in the night”
Do I even need to explain? She’s one comma away from being name-dropped. The song’s title fits perfectly, too. It takes a lot of strength to always look for the best in people and put your faith in the goodness of others. It’s so easy to give up. Shadow would legitimately admire her for it. She deserves to know how special she is for that, and who better to tell her than someone whose entire life was changed by that strength and kindness?
Here’s a detailed breakdown of the song and lyrics. Trust me, you’ll need the lyrics sheet.
Second ask:
Yes, absolutely! I think of him as liking modern rock and metal, and also jazz because it would’ve been all the rage when he was made. I’ve mentioned this before, but if I had to pick one band to be his favorite, I’d say Nine Inch Nails. It’s heavy, intense, angsty, and complex, and it has some of the same electronic, bass-centered vibes as Shadow’s earlier themes. Compare NIN songs like Discipline and The Perfect Drug with Rhythm and Balance (White Jungle’s theme) and Shadow’s original character theme, Throw it all Away, both by Everett Bradley. Trent Reznor also has a deep voice like Shadow and Bradley do. NIN could do a mean cover of Throw it all Away, now that I think about it...
I don’t think it’s the best idea for canon, even the questionably-canon Twitter Takeover, to cite real people/artists. It’s fine for fans like us to do it, but the official franchise is different. Humans are flawed and complicated. When you start including real people, you could potentially do something awkward like, say...connect your series built on environmentalism with someone who uses a private jet.
Y’know. Hypothetically.
That’s why I love what the social media team did with Hot Honey in The Murder of Sonic the Hedgehog. A fictional band doesn’t carry that risk, and they’re seamless within the Sonic universe. Fans like us can’t get caught on whether or not Shadow would enjoy their music because none of us can actually hear them.
Funnily enough, your ask aligns perfectly with what makes Hot Honey so cute for these two. Shadow canonically doesn’t like Hot Honey at all:
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No questions asked, no headcanons needed.
The reason he agreed to go was entirely, 100% because Amy asked him to. I think that’s far sweeter than the Taylor Swift thing. And I’ll be able to prove that when I finish writing Sweeter Than Honey. Don’t worry, I haven’t forgotten about it!
No offense to anyone who does enjoy Taylor Swift’s music, of course. Different strokes for different folks. :)
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schweety · 4 months
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i've been bitching about the ending non-stop so i sat down and thought about how i would've ended it, so here are my thoughts (unhinged)
first and foremost: hiyori's death
how i would have done it: she had an unique status as an half-ayakashi. a few chaps back, when she was almost sucked into that hole, i wholly believed adachitoka was planning for her to go to the underworld to meet izanami. i'd have loved to see her meet the goddess of death, somehow get the info on how to break the koto no ha (as izanami is surely still mad at father), making a promise to her to bring father to her and then return to the near shore (as she's half-human) to kill father without having to die for the melodrama of it all.
and to make her return to her body, yato'd have had to cut their ties once and for all, making her forget about him (this would have been just as emotional and dramatic as her death!)
second: the whole heaven arc
i would've shown at least SOMETHING about heaven (like a covenant) officially pardoning bishamon and co. and amaterasu announcing that heaven had to change their ways in order to never let anything like this happen again. amaterasu saw first-hand what corruption could lead to and an insight into her mind, her thoughts and learnings all brought to her by yato would've resolved at least some of the loose threads from the heaven arc.
third: god's greatest secret
this wasn't resolved at all by adachitoka. kazuma and yukine have been touched by GGS and lived! nice, but what about the secret as a whole? honestly, all gods should be deadly afraid of them bc of this and not allow their shinkis to hang with them at all lol.
the whole point of GGS was that the painful, regretful death of their past lives would corrupt a shinki. the solution to this whole thing, in my eyes? break the taboo as a whole. not sure how exactly i'd have handled this, but if all shinkis knew their past lives, they could start healing each other together, playing back into the famous quote that ,,only humans can help humans'', which shinki are. ofc, this would need like a whole arc of itself so the ending in the manga is fine, i guess. they just don't rly talk about it lol.
fourth: father
OOOH what wasted potential! he was so complex and then they went ''haha, bad guy go blubblub'' which i honestly don't even mind at all. but i'd have added at least one scene of him meeting izanami back in the underworld, with her wearing kaya's face once again. he'd hear kaya's words ''to let it go'' one last time before he accepts his death and failure, embracing izanami and meeting his end therem eternal limbo. it'd have been a deserved death, bc he was (comically) evil and did terrible things but with some more context and depth to his character (which he always had!).
fifth, yato's lifeline (the most important one)
the literal plotpoint of the manga was yato being recognized as a god by the people. the whole twitter debacle was funny, yeah, but oh so cheap.
i personally would've loved for him to realize, after saving hiyori, that he actually wasn't disappearing at all, making him realize that there were people believing in him (like masaomi). they could've cut back to the little boy with his cat, who still thought about yato as his saviour, or to the girl he saved in chapter 1, who remembered a god that had brought her happiness. he'd have realized that, while bringing calamity, he had also been a god of fortune to them all the time. would've been such a nice, full circle and such a good pointe to this whole lifeline thematic and another realization that father had been lying to him all along. BUT NO. TWITTER SAVED HIM. hsuiahfsdufhudzshf
and lastly, the timeskip:
honestly? i liked this about the chap. showing hiyori as a doctor, her thriving, i was so happy! i would've kept that. also i like the fact that yato hid her diary from her, in order to let her live her life after cutting their ties, peak drama, mwah!
of course, she remembers him, i loved how his name formed on her lips and boom, there he was, on the tree
i would've added a convo, something, anything!!! they haven't talked in yrs (real-time!) so they should've exchanged words, a hug, WHATEVER, accepting their love for each other, accepting that she has to live on on the near shore, as much as it dooms their relationship. some frigging acknowledgment of their feelings for each other, come on!
also, yatorine reunion, before we cut to the end page where hiyori writes in her diary about yato.
the rest? i was fine with. take has a good end, bishamon has a good end, nora especially won! i liked these points but like… everything else i pointed out? too sad we're left with these threads hanging loose, i guess :(
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