The Story Forge: Supercharge Your Work With These Story-Building Secrets with Speaker Jordan Morris
Learn how to elevate your work with this new and innovative development process that will teach you the secrets of an impactful character arc, how to effectively deploy theme, structure organically, and create a powerful triangle of conflict between three central characters.
My coworker of 5 years, upon seeing me with my violin case: [Scarlett], you gotta stop revealing new skills and talents that I didn't know you had!
Me, reflecting that this particular coworker doesn't know about my history of equestrianism, the beading classes I took in middle school, my track record with a pottery wheel, or my skill with a piping bag: I don't think I can do that, actually.
My coworker: Yeah, that's probably fair.
i love being on the email list that notifies me of available non-credit classes at the community college. i just got one for a gardening class. that sounds so peaceful…
Important Update Below: In solidarity with the 2023 WGA/SAG-AFTRA strike, this liveblog is on hiatus for the strike's duration.
In the interest of not crossing picket lines, and in compliance with the Critics' Solidarity Pledge with the 2023 WGA Strike, I hereby disclose that while this liveblog is not in any way paid for promotional purposes nor monetized post-hoc, it can nonetheless be considered promotional and/or critical material for the work of American screenwriters in the employment of major Hollywood studios (namely, Warner Brothers Discovery and its subsidiaries).
As such, it behooves me to recognize that RWBY would not be possible without the hard work of its writers Miles Luna, the late Monty Oum, Kerry Shawcross, Kiersi Burkhart, and Eddy Rivas. Regardless of how one might feel about RWBY as a series and as a cultural entity, and regardless of whether or not any of these individuals belong or belonged to the WGA Writers' Union, the fact remains that their work for RWBY has touched the lives of many and they deserve to be fairly compensated for their labor and not undermined by the greed of the studio executives, whose obstinance and refusal to negotiate fairly is the reason for this strike.
As someone going to college from theatre/playwriting and currently taking a sceeenwriting class, I have gained so much respect for the dndads crew especially after listening to the s2 wrap up teen talk like yeah especially as writers all this is kinda first draft stuff but the nature of dnd is you just go with it and that’s hard especially when you pick apart yourself after like from a writing perspective but you don’t get to redraft or rework things
also in class monday, we had to write 30 things we hate and discuss it. it is insane how silly i went and how serious others went. one of mine was ellen. someones was sexism. like damn ok i thought we were silly but ig not..
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all these people whining in the tags about the what we do in the shadows season 5 finale don't understand the want vs need principle of character development and it shows
real confession: i hope people read the tags. i literally have so much fun writing the tags. possibly more fun than writing the content. i maybe write the content so i can write the tags.
Christopher Rice is still sulking because he couldn't use the delectable power of nepotism to his advantage, that's what we call a skill issue cupcakes
i've been so uninspired and unproductive today i haven't written a single line and i need to revamp and start my second draft. i'm getting caught up on the little details. why would charlie need to steal a horse. how would the two meet. what would stop isaac from turning him in. etc etc etc. ahhh!!!