Same As The Day I Lost You
I...
This came to me as I'm making dinner so I'll be quick.
What if we mix deaged Danny and twin/older sibling (either one works) Damian, AND he gets tossed to his sibling in a last minute escape.
Like what if he was fighting Vlad who was doing his whole "denounce your father and join me as my son Daniel!" Thing while in the Zone and knocks Danny into something that's floating in the Zone with the ability to deage or was hit by a new Fenton or Plasmius invention while fighting in town that accidentally deages him.
Danny, who in this was adopted, gets put back to the age of six. The same age he had been found by Jazz in a 'haunted' forest Jack and Maddie were visiting/investigating while also using that time as a family vacation. (They were shocked to see a little boy with a stab wound bleeding out and rushed him to the nearby town, almost completely forgetting about the glowing green tiny puddle they found nearby and bagged most of it as evidence when they heard Jazz's scream of terror over finding the hurt little boy)
The sudden revert into that traumatized age, along with the child response to a fight or flight scenario, and add Danny's deepest need/wish to be protected his child fogged mind wishes to go to the one person who always made him feel safe.
His twin/older brother.
Just as quick as it was with Danny being turned into a child, his ghost powers ripped open a portal and sent Danny to the person he wants to be with...
Only he didn't know that right at that moment his seventeen year old twin/older brother is currently fighting the League with his family's help (his mother was trying to convince him to return to the League and be it's heir) in Nanda Parbat (the very place Damian lost the last/only person he knew loved him without any strings attached.)
So imagine everyone's face when a portal opened up, some muttering its a new pit being formed before them or something, and crawling out of it is a very scared and confused six year old Danny.
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it is day six of losing my mind over the peteway hand-holding, what came before, what came after, and what may or may not come later, and today i am thinking about the importance of touch.
or most importantly, of touch as a gesture.
because there's the touch itself, which as two enigmas with touch-based powers that are probably touch-starved for genuine consensual purposeful touch (thank you @marinacourage, i am never recovering from reading those words strung together in that order) is... already a lot. we can infer from what we've been shown/how deliberately they focus on it every time that both their powers work by touching people with their hands, which i imagine must be incredibly alienating for both of them, albeit for different reasons, but specially so for pete who (unlike way who also has to verbally issue a command) seems to need only to touch someone to invade the privacy of their mind even if he doesn't want to.
so, the act of touch alone is incredibly intimate for both of them.
once everything is out in the open, when they both know the other is an enigma and what his powers are, and way knows that pete has been using his power every time he touches him to read his mind, pete could just stop touching him. which is what he does at first.
but then there's my favourite part: both the intent and the manner of the touch. because pete withdraws, but not because he doesn't need or want to keep touching way; he does it because he was using his power surreptitiously, and now he doesn't need to.
pete reaches towards way again, and not only touches him: he slides his own hand in between way's and touches their palms together. pete is touching way, but he makes sure that way is touching him, too. and just like when he bared his neck earlier, pete is putting himself in way's hands, at way's mercy; he can read way's mind, but way can control him if he wants, either to make him back off or anything else. and way doesn't, nor does he draw back even if he looks at pete in surprise.
because pete is showing way he believes in him. he's telling him as much, saying "don't let obligation or fear make you not dare to decide to do the right thing. you are worth more than daddy says". saying "you always have a choice. you still have the right to choose, way".
but he's also telling him with his touch, with the palms of their hands resting together. "i see you", "you are not alone", "i'm here, and i believe in you", "your past sins will not drive me away. wounded hearts can still be cared for".
and also, because of how pete looks at way and because of how emotionally charged this moment is, i cannot help but think about the metaphor of "and palm to palm is holy palmers' kiss" in act 1, scene 5 of shakespeare's romeo and juliet; juliet's evocation of a palmer touching the hand of a saint's statue as an almost holy and transformative experience. a kiss with hands.
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i tell my partner i’m sad and she just leans over and puts on voltron??? and then they tell me they’re a keith kinnie?? as if i haven’t been kinning lance since the mf 7th grade??? hello????? klance is canon king???????
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i've seen someone calling Will Ramos a golden retriever that occasionally gets possessed by a demon and honestly they were right
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Not to take away from the sadness but we all saw next week's preview right? With Alan and Jeff? Like I didn't fever dream them making out right? Because I am so ready for AlanJeff!
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Honestly I love the difference between TNG and DS9
In TNG, Picard is pissed af at Worf for murdering the murderer of the mother of his child (WHICH HE HAD A RIGHT TO DO), spends very little casual time with his crew (anyone who's not his doctor and a select few of his senior staff) when not on-duty or just any time with his crew until the VERY END or the later part of the seasons/series, is very strict abt the rules with Starfleet, but is still a good captain
In DS9 the crew takes multiple breaks to go off and murder people, kidnap/rescue people, go behind Starfleet's back for things, do terrorist things on occasion, and get things from the black market and Sisko's just like : Have a safe trip ig, AND IS STILL A GOOD CAPTAIN
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objectively ,,,,,, an art heist is like the gayest crime you can commit,,,,,,,just sayin’
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James Harvey Blair on the Starting From The Pits podcast.
Includes such out of context gems as "if Marcus hadn't pulled my pants down" and "am I trying to get off, or do we have to just hang out?"
(oh, and the two F1 drivers in the Budapest story are George and Pierre)
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