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#rick new book
yonemurishiroku · 2 years
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So, like, we’re going to have Percy, Annabeth, Nico and Will having experienced Tartarus.
Two most popular ships and there they go in the most horrible hellhole. Wow.
Congratulations to the Tartatus Club, Percabeth and Solangelo.
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theitalianerd · 2 years
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SOLANGELO BOOK NEWS!!
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miroana · 7 months
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Percy Jackson will do your quests
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greenconverses · 2 years
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how dare you do this to me
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agentsofmarvel · 2 years
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my 20 year old self is not ready for this middle grade book 😃🤚
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gxndrya · 7 months
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me at 13, reading the new pjo book and watching the movie
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me at 26, reading the new pjo book and watching the show
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autism-alley · 3 months
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hi originally posted this at the end of a long thread of back and forth, here’s the og post if you want full context but i feel like this needs to be its own post especially bc i keep seeing this argument being made—the argument that the kids (in this case it was annabeth) SHOULD just know the monsters are monsters and who they are and how to defeat them before ever encountering them, that it’s a problem if they don’t.
the problem is not if 12 year olds should recognize a trap when they see one, even if they’re smart 12 year olds, and if that’s realistic. that is entirely beside the point.
the problem is rick riordan wrote a book series whose formula is bringing myths to the modern age and he’s not sticking true to that in the show—percy jackson and the olympians’ Shtick is taking these classic, ancient threats and giving them a new face. these traps work because these kids are not walking into a cave marked with Get Out and getting ambushed by monsters—the monsters are disguised as harmless mortal human beings, in harmless mortal human being places (for the most part) and i think we—and more importantly, the show—are all forgetting the mist, the magic involved here. it’s not just that medusa is a “creepy lady with her eyes covered” it’s that there is ancient magic at work here, magic that, like the systems of abuse pjo exists to criticize, has been evolving and continuing its malevolence for millennia. it’s formulaic, that’s the point. it’s the same trap you’ve learned about all your childhood, the same trap a thousand children before you learned all their childhoods, and still, it works. you fall into the trap. because that’s how generational abuse works. it’s a trap. it isn’t enough to learn monsters exist, what they look like from a second hand story that originated thousands of years ago. if you want to escape alive, you have to adapt as quickly as they do, recognize their face, and ultimately, beyond any individual trap, the game itself has to change. real, generational change.
so. the problem is rick riordan wrote a series with a formula for action that perfectly captures the overarching, systemic conflicts he was commentating on, and then threw that formula out in the show because it was “unrealistic”. i don’t give a damn about realism when it works to the detriment of the story. this is a story about generational abuse, yes, but it’s told through ‘a tale as old as time’ and that’s why it works so fucking well. and when it comes to basic storytelling, if your characters know the threat before they even walk in and you do practically nothing to then make up for the stakes you have removed, that’s a flaw. now you’ve lost the entertainment value for your audience, on top of also lessening your themes.
something else that is so. honestly soul-crushing as a writer and a creative, is that to me this is reflective of the way we are now afraid to tell earnest stories. stories where we care not for listening to the people who want to pick apart fictional, mythical, fantasy stories for not being “realistic” instead of aligning with our target audience who acknowledges reality is not what makes a story. think of your favorite movie, show, book, comic, what have you—has the reason for your favoritism ever been because it is the most reasonable, the most grounded, the most practical out of any you’ve seen? or is it because of the emotion? the way it speaks to you, to your life and the person you are? the journey it takes you on? is the percy jackson and the olympians book series so good because it’s inherently realistic?
the secret to storytelling is, very simply, focus on your story. everything else is secondary. if it’s written well, it doesn’t matter to me that the characters walk into a trap that, to the audience, is obviously a trap. because i can understand how the characters don’t know it, and how the story falls apart if the narrative just tells the characters it’s a trap from the jump. that’s what dramatic irony is—first used in greek tragedies! this is literally a tale as old as time in every sense except for the end—where it’s happy. and it’s not earned if we don’t first see, over and over, the status quo as a tragic trap.
it’s not about if annabeth (or the other kids) is “smart enough” to not walk into a trap, or about if she’s just too prideful to not walk into what she knows is a trap (or any reason that could apply to the other characters), it’s that annabeth, at the end of the day, is a character. she is a storytelling tool for the messages of the narrative. that doesn’t make her any lesser. in fact ignoring it reduces her, because it reduces what she represents. it’s about how rick riordan, or whoever else at disney, has fumbled the storytelling bag so ridiculously hard that they can’t take the simple, effective formula outlined from start to finish (by good ol 2009 rick himself) and adapt it to the screen without answering the most unimportant, derailing, anti-story questions.
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purpleshadow-star · 5 months
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So I went to an early screening for the first two episodes of the Percy Jackson show yesterday (Saturday), and let me just say, it is 100% the adaptation we deserve. It was amazing. Once it ended, I wanted more.
The characterizations were amazing, any changes there were made sense and made the situation more realistic and added tension, the story was straight from the book, it was just amazing.
I went with my mom and she, who doesn't know the books, really enjoyed it. I asked her how she liked it (literary just the first two episodes) compared to Harry Potter (which i had her watch a few years back), and she said there was no contest. She likes the pjo show much more. She said it was engaging and even had her wanting the next episode once it was done.
Everyone needs to watch this show. It was amazing. It lives up to the hype. We need to make sure it gets greenlit for season 2.
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nerdblob · 1 year
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Zeus: and so i guess you’d want to be immortal , you know more like us, essentially more awesome
Percy:
Zeus: ??
Percy: pay ur fucking child support
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demitimelord42 · 2 years
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It’s me.
I’m girls
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yonemurishiroku · 2 years
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Extremely elated to see:
- Nico low-key subtly merely a little bit freaking out at whatever he’s pointing at. Perhaps a possible danger.
- William Andrew Solace giving zero care to that possible danger and only having eyes on his boyfriend.
Ahhh, to be young and gay at the bottom of hell.
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Rick really be like „nah, i‘m not writing other books, other people will take over“ and, „percy will be forever 17“ and then just drop a new dam percy jackson book with the literal god damm original trio on us harder zeus dropped apollo from olympus
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mydairpercabeth · 8 months
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percy is so sure of him and annabeth being endgame 🥹
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saturday afternoon goodies. i don’t always believe in retail therapy, but a trip to a local bookstore is allowed now and then, as a treat.
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greenconverses · 2 years
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I AM NEVER GOING TO BE FREE
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"the percy jackson show is bringing a whole new meaning to what it means to be a faithful adaptation" YOU FUCKING BET IT IS OH MYG OD ARE YOU KIDDING???? UPDATING THE BOOKS IN A WAY THAT PORTRAYS THE SERIES'S OVERALL MESSAGE BETTER THAN THE ORIGINAL????? AND KEEPS THE VOICE???????? AND THE EPICNESS????? BUT ADDS COMPLEXITY?????????
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