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#real talk. can you give me a solid definition of cottagecore so i can more effectively discuss this lol
benchowmein · 1 year
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really missed the point. to say its laden with colonialism when talking about how a house is built feels only true by proxy of where it exists, not the role it played in colonialism (which you can make a stronger argument for the prairie farms, but they aren't the "cottages" in "cottagecore".) to break down parts of an aesthetic like cottagecore -- which can markedly vary -- and say it is influenced by colonialism (not even addressed the conversation about classism) implies more than just the era these "aesthetics" originated from (which is equally arguable, since then it becomes an argument about where an aesthetic's components originate from.) calling for colonialism to be mentioned on an aesthetics page is deviated from the conversation one wants to have about these countries and their cultures as a whole, which becomes a much larger task, and not about the components themselves, all of which are cherry picked for an individual's preference and what they consider cozy and cottagecore
dark academia is different in the sense that it heavily regards its aesthetic origins and ongoings with intellectualism and old european colleges (which spots its roots in harry potter and the "magical" novelty of going to school in a castle.) and the very heavy history of said colleges which, if an individual wanted to learn more about the implications around such colleges, then they should go to the respective places and learn about the college histories themselves.
I love that you describe cottagecore as being "cherry picked for an individual's preference and what they consider cozy and cottagecore". You are right: cottagecore girlies do cherry pick the palatable elements of a bygone age, and ignore their deep roots in feudalism, enclosure, colonialism, misogyny, and conservatism.
Your prose style is very leading: you use the impersonal pronoun 'one' to encourage a reader to agree with you. But Wikipedia is not about a 'conversation one wants to have', it is about compiling sources to present the pertinent information to readers. The article also goes into extreme and superfluous detail about Greek pastoral poetry. Do you think this is as relevant to cottagecore's development as, say, the Arts and Crafts movement? Do you think we shouldn't mention Orientalism when we discuss fashion in the late-Edwardian period because it turns the conversation into one about colonialism?
Just to point out as well: you can't say that prairie farms arent' the 'cottages in cottagecore'. There is no defined principle for what is and what isn't cottagecore. I would never describe Gierthoorn as the archetype of cottagecore, but I can recognise how it conforms to the aesthetic. Media set in early America and on the frontier is often used in cottagecore.
Dark Academia is much more obviously steeped in elitism, yes, but cottagecore is steeped in merely a different mindset from the same period. To consider the cottage as 'free' from the constraints of the town, to think of agriculture as an ornamental task, to idealise the 'natural purity' of the countryside and of a life of knitting and painting, is to romanticise the aesthetic of being poor. The cottage was not free. The common land was taken from the farmers and worked by a wealthy landowner. Farmers worked for a pittance on land they did not own, often in houses they did not own outright, and had barely enough to scrape by. Sure, we can cherry pick the good side of this, but that is exactly the danger of aestheticising a complex and multiply-realisable way of living.
It can all be summed up by this: the other editor's last edit to the article changed "According to critics cottagecore offers a nostalgic, romanticized view of rural life" to "According to critics cottagecore offers an realistic romanticized view of rural life". This is unfounded in the critics' work. It is not true. It is the personal opinion of an editor being inserted into an article. And they are describing my inclusion of documented critiques of the aesthetic as a personal opinion. And...they changed it to "an" for no reason
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I'm okay with a bunch of disorganized rambling honestly 😂. But if I had to narrow it down then I guess I want to know about main and side characters and how they compare to the original?
I know that tumblr is the Prime Site for disorganized rambling, but I have perfectionism issues. But that is a great question, nonnie, and I will be happy to ramble is a slightly less disorganized fashion.
When reading Maximum Ride as a somewhat-formed adult who discovered they enjoy English classes about 3.5 years ago, I noticed that JP, when writing, doesn't understand consistency. At all. Which means, in many ways, I have a free sandbox to work with.
Spoilers for my rewrite WIP, because I strongly believe that if a story would no longer be good if one had spoilers, then it wasn’t a good story in the first place.
I'm trying to keep the backstories the same, plus or minus the scientific method and a few characters (RIP my OCs. I want to bring you back so bad but it wouldn't fit with the thematic narrative). I've mostly kept their (starting) abilities the same, too. Without further ado, I'm going to introduce some WorldBuilding. (If I'm good at nothing else, I'm good at world building)
First off. Logically.
How are they getting Cable?
How are they getting internet?
How are they getting money to eat and stuff?
JP's answer: handwave it off. Sometimes you need to ignore logistics for the sake of plot. This is an answer I'd accept from an author that I like, such as Julie Kagawa, that makes amazing worlds, characters, and narratives that I will happily handwave a few things that wouldn't work in the real world. James Patterson, on the other hand, did not make any of that; he made a cool concept, some good rough-draft characters, and nothing else, and therefore this is an unforgivable sin.
Wasp's answer: They are not getting any of that.
Introducing Cottagecore.
The house is off the grid. Solar Panels and a wind turbine create electricity. They have their own well. They grow their own food, raise livestock for eggs, milk, and wool, and trap fish for meat. They get money through dumpster diving and pawning. They still have to steal half of the necessities they can’t make themselves. They do have a TV, but it can access about three channels on a clear day. Internet is only a thing when they go to the public library.
Giving the flock a background that’s heavy in farming and livestock rearing shores up the plot holes mentioned above, but in my opinion, ties the flock more tightly to the environment, thus giving them something tangible to lose when they have to leave the E-shaped house. Because they’re not just leaving a house and a safety net— they’re leaving their entire way of life with no promise of getting it back. It also gives them a tangible connection to the earth in case I want to actually pursue the global warming themes.
Main Characters
Maximum “Max” Ride (Birthname: nonexistent)
First off, I'm letting her be Latina, James Patterson.
In the original, Max was very much the headstrong, independent, action girl. Leaning into Strong Female Character (TM), but overall she had a strong, solid foundation and enough character consistency through the first three books for me to not have to just make an entire new character. However, I felt that she was, in some ways, a bit too Action-Girl and Strong and Capable. Yes, Max is incredible and competent, but she’s also fourteen. She’s a child.
In the rewrite, Max’s character is still headstrong, independent, capable, and sometimes not the best at listening to others. All of that’s the same. But she’s that way not because of girlboss energy, but because there’s no one else to do it. She doesn’t want to lead, necessarily. She wants to get some rest and let someone else handle the problems life keeps throwing at her. But she knows if she did that, the responsibility of leader would fall to Fang and Iggy, and she can’t ask that of them. She doesn’t want to place that burden on anyone else (Look, there’s a reason I chose Ayano’s Theory of Happiness as one of her signifier songs, okay?). Her narrative is very much centered around burden, and also around loss. She lost her cultural heritage when she was taken away from her birth family, she lost her childhood to being a leader, she lost a good deal of her friends to the school (RIP my OCs), she lost Jeb, and then she lost her stability. And she’s going to lose a lot more before the end of the story. So a lot of her character arc deals with learning that there are some things she can’t fix, some things that can’t be recovered. She can’t get the E-shaped house back. She can’t get her Little Baby Angel back, even after they rescue her. She can’t get her friends back from the school. And instead of working so hard to recover those or find something to replace them, she has to learn to live with that sense of loss and move on with her life without feeling guilty for leaving things behind. And she has to learn that asking for help and sharing her burden is selfish or weak.
Other changes I made that don’t necessarily fit into her narrative arc, but you asked for rambling so rambling you shall get:
Max hallucinates, because mental illness is also a prominent theme in the rewrite. She doesn’t have a psychotic disorder, but her C-PTSD causes visual/audio hallucinations, especially when she’s stressed or sleep deprived. 
Max ends up having a Gender Discovery throughout the story and goes by He/She pronouns eventually. I don’t know when, but it will happen.
As far as genetic modifications/special quirks go, she can fly faster than the rest of the flock, but not 300 miles per hour. She averages about sixty mph with diving speeds of 240. She cannot breathe underwater or shut down her organs on command. She also has the Super Special Power to predict the weather, but that’s not because of genetics, it’s because she has chronic pain in her right arm that gets worse when weather fronts change.
Her favored weapon is her trusty rebar that she picked up from a condemned building. I think she’s going to name it eventually but I don’t know what yet.
Fang (Birth name: Gabriel Xue)
In canon, Fang is characterized in early books by being the “dark, strong, silent type”. He’s probably the most reserved member of the flock, to the point of falling into the Brooding Mystery Man trope in parts of the book. They care a lot, but they’re not the best at conveying that, especially with the younger members of the flock, and at times their high empathy leads them to making mistakes. Despite the high empathy, he’s often compared to a robot due to his lack of expression and external emotions.
Well, first change is that they’re not a man, so jot that down—
If Max’s narrative is centered around burden and loss, I would probably say that Fang’s is centered around humanity and moving on. None of the flock was treated as human while in the school, but Fang was more often than not treated like a wild animal due to “behavioral issues”, and therefore had and continues to have a difficult time considering themselves real and alive, let alone human. This manifests through a several different ways— where in canon Fang definitely had a ‘fight’ reaction, in the re-write they have a ‘freeze’ or ‘shut down’ instinct. They’re selectively mute for multiple reasons (including derealization, jaw pain, the fact that they didn’t learn how to speak until they were 10, and genuinely forgetting it’s something they’re capable of), a period of Cotard’s syndrome, and a tendancy towards self-loathing and self-sacrifice. In short, Fang is still halfway stuck in the mindset that most of the flock grew out of when they escaped in the school, and doesn’t know how to move past it.
Much of their character arc revolves around not necessarily seeing themselves as human, but learning to treat themselves as human even when they don’t feel like one (or even feel real), and knowing that just because they don’t feel human all the time doesn’t mean anyone else can treat them the same. They never start easily expressing their emotions, and they’re always going to be selectively mute, but they learn to accept that those aspects of themself aren’t character flaws or signs that they’re sub-human. 
Other additions to Fang’s character include:
They don’t get their hair cut in New York. It stays long through the entire series. They have the longest hair in the flock by the end of the series, and they can wear it in so many styles.
Fang uses they/it pronouns because themes of reclaiming the weapons used against it and, more importantly, Gender.
They’re actually really good at spelling compared to the rest of the flock, because they and Iggy communicate with Print-On-Palm when they’re nonverbal, and they’re nonverbal for some pretty long stretches of time. 
They and Max have... zero romantic tension. At all. There is none. The number of times Max calls them her sibling/little sibling in the first arc alone is staggering, and that will not change.
Igneous “Iggy” (Birthname: Jamsetta “Jamie” Griffiths)
I’ve talked about Iggy before. Canon doesn’t give us much to go off of, but from what’s shown, he’s smart, sarcastic, has sharper edges than Fang and Max, and also has a sizable ruthless streak. So that’s what I have to go off of.
The big difference between Iggy and Fang&Max is that Iggy has a much better memory of the School. Most of the flock have areas (months or years) that they don’t remember, or people that they’ve blocked from their mind, but Iggy... doesn’t. So he’s the one that remembers all of the other AVIAN test subjects that were old enough to have names and identities but died due to complications. Max might have the burden of leadership, but he has the burden of memory. And that has lead to both a massive fucking guilt complex, because why did he survive when they didn’t, and, as mentioned above, a ruthless streak that he doesn’t shy away from.
Which is to say, by the end of the story, Iggy has the highest kill count.
I love, love writing Iggy next to Max and Fang. I love writing Iggy next to Gazzy and Nudge. Because, I say this with all of the love of the world, but Iggy is not a good person. He is loyalty and love incarnate, and the world can burn down if he and his siblings are safe. Max and Fang will always try to save as many people as they can. They will wonder what’s wrong with them the first time they kill and don’t have a mental breakdown about it. They are good in a way that Iggy is not. He’s okay with killing Erasers. He’s okay with killing humans. He’s okay with killing people who might not necessarily deserve it, if they show themselves as a threat or are simply in the blast radius. He knows perfectly well that most of those Erasers he’s murdering are four and five and he is okay with that, because a lot of the AVIANs were that age when they died. (Yeah, in the rewrite it’s not Fang who has an issue with Ari; it’s Iggy who wants the 7-year-old wolf-boy dead.) 
And this is, of course, juxtaposed with Iggy being really, really good with Nudge and Gazzy (especially in the beginning). Because, again, he actually remembers being a child. He remembers a lot of kids that died and is therefore fiercely protective of the kids that didn’t, as well as fiercely protective of the innocence that he never got. So he’s the one that cooks their favorite foods when they’re having a bad day, always makes time when they want to talk about something, and convinces Max to let them go to that toy store in New York because, yeah, he Max and Fang aren’t kids. They never were. But Nudge, Gazzy, and Angel can be. (And if he has to be a murderer to preserve that, then he’s perfectly okay with that.)
He and Angel don’t get along very well, though. The telepath doesn’t like hanging out with the person with the most clear memories of the school.
Other additions:
Iggy is trans and says trans rights
He also has paranoid episodes, because C-PTSD. Sometimes they’re very helpful. Sometimes they are not.
I actually decided that he’s one of the flock that doesn’t meet their parents. I know in canon he did, but I always found that very clunky because it didn’t add to his character. He was one of the characters who, until it was convenient for the plot, seemed to care the least about his family. I’d much rather give that to a character whose arc would benefit from it.
Iggy! Gets! Older Sibling Rights! Seriously, he’s two months younger than Fang, he is just as capable.
Iggy does not know braille because Jeb decided it wasn’t necessary for him to know. Iggy is also the best speller in the flock, because Print-on-Palm was the only way to talk to Fang for a solid year. Yes he mocks everyone over this.
Iggy is the only member of the flock that enjoys swimming and can take into the air from water. Everyone else in the flock is incredibly jealous.
Nudge (Birthname: Monique Robinson)
If Iggy is defined by his memories, Nudge is his polar opposite. She was seven when she left the School, but she has next to no memories of it. She is missing a lot of time in the first year she escaped. And that causes... a lot of things. It makes her feel disconnected from her older siblings, it gives her the ability to function in society in a way the other’s can’t, it lets her feel less grief over the ones that didn’t make it and she doesn’t remember, it makes her feel guilty that she doesn’t remember what she’s old enough to know. 
Basically, in order for me to keep the character of Nudge as I saw her (more extroverted, not afraid of the world, fascinated with humans like her siblings aren’t, desiring to fit in instead of isolate), I had to put a little bit of distance between her and the flock. Of course, she loves them— that will in no way change— but she’s old enough that she should remember the school (and her dead friends) unlike Gazzy and Angel, but she can’t, and she very much fears forgetting the flock if anything happens to them. So she’s trying desperately to keep the flock close and wants desperately to experience the world at the same time, and doesn’t know what to do when she can’t have both. That’s her biggest character conflict throughout the series, along with that in-between area where she’s not quite where her older siblings are but understands so much more than Gazzy and Angel, and where she stands in that.
So yeah. Nudge’s journey is that in looking for belonging in the world, in her family, and in herself.
This is why she’s one of the ones that gets to find her parent, James Patterson. 
Other additions include:
She never straightens her hair. Never. Her resources at the E-shaped house aren’t perfect, but she still has learned how to take care of her hair and has a few styles she cycles through.
She becomes the default person Max sics on people when the flock is trying to befriend them. Also their de-facto diplomat around strangers.
As in canon, she does take some time away from the flock to expirience ‘normal life’. This does not last long due to the stress of being separated from her siblings/not being able to help them and [REDACTED]
Nudge is... not the only person in her head. I’m not focusing on it much because she doesn’t actually know and neither does the flock (I don’t know if they ever figure it out during the series, either), but she has dissociative identity disorder. She’s not aware of her alter(s?). Her alter isn’t super aware of her, either. 
The alter that I’ve developed is named Oxy and is not super aware of the outside world. In her eyes, she’s still seven and they’re still at the School. She would not recognize the body as her own if she looked in a mirror.
Nudge actually leaves the flock for a while to pursue her dream of living a normal life. She deserves it. She learns how to make muffins and the basics of software development. These things are unrelated.
Gasman (Birthname: No first name, surname “Falk”)
Honestly, writing Gazzy is kind of hard for me. Partially because I’m not great at writing kids, and partially because I feel like he’s a pretty surface-level character in-series that... isn’t super compelling in canon. But even if that’s the case, I try to treat all of my characters with respect, so here we go. In my rewrite, he escaped when he was four, which was half a lifetime ago for him, so his memories are ill-defined. Therefore, he managed to circumvent a lot of the trauma that the rest of the kids have, and not in the way Nudge did, which is by creating an elaborate blockage in her memories. 
Which means Gazzy... really doesn’t know how to deal with all of this traumatic stuff happening. So much of his development turns out to be a coming-of-age narrative. Learning how to deal with the horrors of what his siblings grew up with. Learning the fears that they had the entire time. Losing his innocence when everyone around him never had it in the first place, and being so terribly alone because of it. Because, really, how can you explain such a deep loss to people who never had what he had? How can they help in a way that matters?
Also, relationship-wise, I’m slowly deteriorating the relationship between him and Iggy. Slowly. Or, changing it, at least. Gazzy hero-worships Iggy in-series, and for good reason, because Iggy is super cool, especially in the eyes of an eight-year-old, and especially when Iggy has taken care to cultivate parts of his behaviors to be child-friendly. Part of growing up is seeing the flaws in your heroes, and Gazzy has to learn how to deal with it. End of the series Gazzy is much less closer to Iggy than beginning of the series Gazzy, and neither of them are really okay with that, but they learn to live with it, because that’s really all they can do.
Notes:
I’m keeping the mimickry! It plays a bit of a bigger role because that’s how Gazzy learned to talk. I’m debating whether or not he has his own voice or if he just borrows the flock’s as he sees fit. He also uses it to scream really loudly and occaisonally burst the eardrums of Erasers.
At one point he cosplays as Jessica Jones. No you don’t get any more context than this.
He has a horrible sense of fashion.
I’m changing his name eventually because it sucks. He’s either going to change it to Gannet, Garrison, or Ivy Mike temporarily, and permanently to Zephyr. (I never said I was going to make his name GOOD, because he’s eight, but it’s changing. You’re welcome.)
Angel (Birthname: No first name, surname “Falk”)
It’s just... a completely different character, at this point. I’ve changed so many things about her in an attempt to make her consistent and act like a six-year-old and work in the whole “telepath before she has a solid sense of identity”, so it’s a different character. Also, I’m tired of writing coherently or in paragraphs, so have some interesting facts.
She has epilepsy! Super severe epilepsy! I think she might also develop juvenile MS in the future because her brain has so many scars from being a fucking six-year-old telepath. There’s no way she could get out of that unscathed.
She has more memories of the school than Gazzy, but only because she keeps accidentally reading the minds of Max, Fang, and Iggy. On a related note, she interacts with Iggy as little as possible.
The mind reading means that she has a hard time developing as a normal child with a normal sense of identity or reality. She can’t tell how much people are individual people and how much they’re just extensions of her. Conversely, she can’t tell how much of herself is actually her instead of the thoughts/opinions/identities of someone else. It’s... kinda fucked? But also super not-her-fault. 
She’s albino because white wings. Also, because I thought it was cool. This also means that her vision sucks, though. Also she has the biggest straw sunhat and the most stylish sunglasses a six-year-old can have.
She’s responsible for Max shaving her hair off.
She has the highest swear count because I think it’s funny. She’s the only person allowed to say the fuck word in writing. Everyone else can only say ‘hell’ and the occasionally ‘damn’ but she can say whatever she wants for dramatic and comedic value.
She is NOT THE FUCKING VOICE, J*MES P*TTERSON.
Honorable Mentions
Jeb
I’m skipping Jeb because of how little I care about him. He’s a little bitch, next character.
Ari
STILL HASN’T BEEN REVEALED AS AN ERASER. I’ve been writing for 50,000 words and he’s over here saying ‘nope nope not yet, not dramatic enough’. He’s had speaking lines but has refused to make himself known to Max. I am so frustrated with this seven-year-old wolf-child that I’ve already considered how I would kill him, if I decide I want to kill yet another child in my writing.
So, my main thoughts for Ari is that he... really just drew the short end of the stick in every possible way. While Jeb didn’t sign him up for Eraser expirimentation, he didn’t do anything to stop it, and pretty much cut his losses when he realized this expiriment made a wreck of his ‘perfect, unflawed’ son, because Jeb doesn’t consider children of any species to actually be humans. So, Ari really hates his dad, which makes things complicated, because he also really loves his dad and really wants his approval. 
Which means that he also really hates Max, because she’s the child that always got Jeb’s time and attention, even when Ari was human. I think, on some level, he knows that trying to tear Max down to a less-favored level isn’t actually going to help his situation— infighting for the love of an abusive parent won’t make them any less abusive— but he’s also seven, and his development is already severely stunted due to becoming an Eraser, and he doesn’t see ‘leaving ITEX’ as an option like the Flock does. ITEX is his everything. It’s all he’s ever known, and they tell him he’s doing the right thing, and he wants them to love him. He wants his father to love him. He knows that if he ever questions ITEX, his father will never love him. So it must be his older sister that’s ruining his life and being a horrible child, and once Ari drags her back down to his level, Jeb will realize who the best child is and love him properly again.
Ari, on an even deeper level, does care for Max quite a bit, because she’s his older sister and he wants that to mean something in a way that ‘Jeb being his father’ obviously doesn’t. He wants what she made for herself, and he hates the Flock because she loves them and obviously doesn’t love him. 
Ari, if anything, is the product of neglect, and both loves and hates everyone who shows a chance of caring about him. And he’s seven, so he can’t notice these patterns, let alone break them.
So. Notes!
He doesn’t look like an adult. I thought that was gross and unnecessary. He’s seven, but he looks closer to thirteen or fourteen. Still young enough that he looks like every Eraser’s little brother, and the Erasers high-key treat him like it.
On a related note, he’s the only Eraser who can talk. The others don’t have the mental capacity or vocal structure to replicate human speech, but they can understand language (at about the level of a two or three year old) and are very good at nonverbal communication. This is why Ari managed to climb the ranks despite only having three years of “service” and also looking like a tween.
He doesn’t have an expiration date because that is SUCH a stupid plot point.
I’m giving him a chainsaw! I don’t know how, I don’t know when, but he deserves to have a chainsaw and GODDAMN I will give it to him.
Emergency and Gene
The OCs that I love and also killed pre-series. They don’t have any scenes, because they’re dead, but their deaths greatly effected Max, Fang, and Iggy, and they are very commonly referenced. Their voices are probably Max’s most common hallucination, to the point where she sometimes pretends they’re ghosts that she can talk to. They’re not ghosts. They’re dead.
Dr. Valencia Martinez
I’m actually keeping her pretty close to canon— loving, supportive, the type of person to take in a gsw victim with minimal questions. The difference is that rather than kindness fueling her actions, it’s incredible guilt. She has three goals surrounding Max: Give her as much support in any way she can, teach her as much about chicane culture as possible, and never let Max know that she’s her birth parent.
(She’s probably going to fail at AT LEAST two of those, but it’s the thought that counts.)
Notes:
She has a pet fox named Robin Hood that she rescued from an exotic animal salesman that got arrested.
I think I’m going to kill her. I don’t know yet, but it’s on the table.
Anne Walker
Y’know, the fake FBI Agent. Who’s not actually a fake in my story because I hated that plot point. She’s genuinely an FBI agent who put the Flock into pseudo-witness-protection in order to build a case against the Institute of Higher Living, accidentally got attached to her prime witnesses, raised them for a few months, realized a [SPOILER] and promptly had to let them get the hell out dodge.
I really like the Anne Walker that lives in my head. She is a VITAL part of the Flock’s development, their mental/emotional recovery, and adding to their safety net to fall back on. She serves them as their first adult role model, and is the first adult to show them what parent/child are supposed to look like from a healthy perspective. Though she has several fuck ups, she becomes someone that the Flock genuinely trusts and loves, which makes it all the more difficult for them to leave when [REDACTED].
Notes:
She and Max do butt heads initially, because Max is paranoid and also afraid of becoming uneeded. This ends up being incredibly important because Max needs to learn how to live and find meaning in life without being the designated Leader/Parent/Big Sister
Anne, at one point, sits the entire flock down to teach them about consent, which was something no one ever talked about with them before. She goes in talking specifically about consent in a romantic/sexual sense (because they’re fourteen and that’s something they need to know), but quickly turns into a full-fledged no, people are NOT allowed to do that to you, what the FUCK.
She’s responsible for giving the flock a laptop. It’s because Angel is online schooled (bc telepathy makes actually learning difficult) and was therefore provided with a computer.
Anne is also allowed to swear, but only when it’s funny.
Michael “Grey” Rivers
Aka Grey from the Sewers Aka GR3Y H47 Aka Mike from the Bronx Aka Gifted Child Syndrome Incarnate Aka Would-be-in-MIT-if-his-parents-weren’t-horrible. He’s my son, your honour.
Basically, his backstory boils down to him being a genius, getting into MIT at 14, his (horrible) parents wanting a perfect child who could “make it out” of the Bronx and represent his family/neighborhood/borough to the world. When he inevitably failed their expectations due to stress, a schizophrenic-spectrum disorder that completely alienated him from the rest of his support network, and refusing to take his psych meds because the side effects were horrible and they made it harder to think (and therefore pass his classes), they kicked him out. He fully intends to go back to MIT when he turns 18 and has control of his finances/scholarships/medication/therapy.
So that’s how the flock meets him. 
Mike ends up in a very prominent support role for the flock both in technological persuits (helping them track their parents, helping them get information from ITEX, trying to disable Max’s chip and failing multiple times until it becomes a matter of personal honour—), in helping the older members of the flock figure out how to deal with hallucinations/delusions (because he’s actually been to therapy, unlike them), and in being one of the only people who talks to them and helps them without any ulterior motive. He’s not trying to build a case against ITEX/The Institute of Higher Learning, he’s not double crossing them, he’s not plagued with guilt. He just genuinely wants to help them, and they genuinely want to help him, and that’s their first introduction to a healthy, non-codependent relationship.
My many disorganized notes on Michael Rivers:
He’s from specifically Morris Heights, Bronx, NYC.
He would say that his last name is actually Rivera, but his grandparents changed it to Rivers so it would sound more English, and his family has been in America for so long that he doesn’t know much about any Latino heritage he may or may not have. He identifies as African American, not Afro-Latino. He’s just bitter that his family felt the need to change their surname to have better opportunities in New York.
Nudge aggressively befriends him pretty much the moment she meets him, bullies him into teaching her how to code, and he very quickly adopts her as his pseudo-little-sister.
His delusions in the book seemed to involve government conspiracies, but as that’s the one delusion that is proved correct in the book, I’ve decided it would be best if his delusions and reality intersected a bit less if I don’t want to write him having a manic/paranoid episode in the second scene he has screen time. So his delusions are more based on “none of this is real”, “someone is recording everything I do and setting me up to fail” and “my ill-wishes on people can and will come true if I dwell on them too long.”. Government conspiracies are one of things he is skeptical about because he thinks most conspiracies are either “CIA admitted to this twenty years ago” or “antisemitism”.
He’s taking online free college classes that don’t actually give him any college credit, but they have good information and help him feel like he’s working towards something. He plans to double major in computer sciences and electrical engineering, minor in marine biology. He’s wanted to join NOAA since he was twelve and he is nothing if not stubborn.
There you go. These are my characters, now. I have custody.
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retvenkos · 3 years
Text
“i am a little bit of everything i’ve seen in my life.”
requested
MY HEADCANONS FOR THE HYBRID HARRY POTTER HOUSES...
gryffindor/ravenclaw
if you’re in gryffindor you think you’re more “refined” than everyone else, and if you’re in ravenclaw you think everyone’s a stiff
this is the person with the braincell! let it be known that they have it, but refuse to use it
they have to be a little chaotic because they know what consequences are but disregard them
these people call themselves ambiverts but it really just means they won’t talk to you if they hate you
and i say that lovingly
okay, but if they do talk to you??? best people to talk with - they can hold an interesting conversation masterfully and it’s all because their enthusiasm is off the charts
let them ramble, it’s very endearing.
and physical touch is probably their love language so cuddle with them, too
they’re sci-fi and superhero nerds change my mind
now their loyalty is really interesting because gryffindors are really loyal where as a ravenclaws are individualistic and prioritize #1, so i feel like they are very much on guard
befriending is hard - they’ll keep you at bay until they are sure you can be trusted. and they won’t be made to feel bad about it either.
but once you are close to them,,,,, they would save you or die trying
their inside jokes are god tier
i don’t know how they do it other than they know how to make people laugh using the most unexpected methods and because it was such a weird experience, people are able to remember really well?
like, they could say “nutmeg” and everyone around you starts laughing, meanwhile you’re just ???
gryffinclaws are also really interesting because they don’t do well with conflict, but drama sort of gravitates toward them because let’s be real here, they can kind of be actively seeking it out, sometimes.
i mean, it’s usually to avoid having to deal with deeper emotions or even bigger problems, but sometimes they have a hand in their own suffering....
also, these people never study if they don’t like the class. they don’t. if they dislike the subject, they procrastinate with every fibre of their being.
but if it’s something they love, they are the first to get it done and will 100% do extra research and talk about it all the time.
they say they love both cats and dogs equally, and they actually mean it.
they are most likely concerned with wanting to change the world in some way - but they want it to be a tangible way that still allows for creativity and freedom
this is also the friend who stays up wayyyyyyy too late, and when you ask them what they’re doing, all they can say is “memes”
and they really do love memes - send them some. it’s their primary way of communicating
they love going out to get lunch and chatting with friends
food + people = love
they’ll even do it in their room! just bring bread and a good conversation - they can stay up for hours
also,,,, creativity and courage??? these are the people who actually have the confidence to publish their writing/art/whatever, and i admire that.
but writers block hits them so hard... i’m so sorry
okay, but if i understand the meme right, i’d give them wine aunt status.
gryffindor/hufflepuff:
these bastards
but i say that lovingly!
this is your meddling friend - that person that knows all and you can’t hide a secret from them to save your life.
and they seem to know everyone?????
they could ruin your life if they wanted to, but they are sweet uwu children and would never - in fact, they’re appalled you would even suggest it.
don’t let them hang out with gryffindor slytherins, no matter what. they will be corrupted and then it’s all over.
“but why are they bastards?” you ask. well,,,, if you’re acting surly or really don’t want to do a thing™ they will use their knowledge against you, prodding you in the direction you did not want to be going
of course, they only ever use this power when it’s for your greater good, but it’s annoying and invasive enough to grant them bastard status.
10/10 the mom friend.
even has the mom stare.
you know - the whole “you’re being irrational and you’re going to do this no matter how you hate it” stare
they have the  m o s t   energy and i honestly admire that
and they’re so hard working and dedicated that motivation isn’t a problem? it’s really just trying to get a solid, coherent thought that plagues them.
someone please get them a planner - they are constantly running late, but excited to be here!
100% have cottagecore vibes, or at least naturecore or adventurecore
point is, they want to be outside, doing things
they most likely want to make change in this world, but on a smaller level - with the people they care about, or the place they live
they really want to see what this world has to offer, but they are deathly afraid of being lonely
ngl, they probably get hurt by people a lot. they’re a little too trusting and go in a little too deep and when that other person leaves it does irrevocable damage.
it’s kind of like idealism and optimism, but at what cost?
100% smother their own feelings with a pillow and then preoccupy themself with the problems of others to not deal with their own
get them someone to talk to, please. they deserve it.
most likely they are an extrovert and surround themself with people so that they won’t have to feel loss as hard
spoiler alert: loss is always crushing.
gryffinpuffs believe in people - it’s their greatest gift and worst downfall
and they cannot live without them
do they have the braincell? sometimes. most of the time they share it and forget to ask for it back.
they probably like to do tangible things - like sculpture or knitting, baking, caring for plants....
something they can hold close
and if they read, they 100% finish books in one sitting. they just binge and it’s very iconic of them
probably a romantic, idk
they want a meet cute in real life and read all of the marriage fanfics
gryffindor/slytherin:
now these are the people who smile when you call them a bastard
and are most likely to be called a bastard unlovingly
at first glance they might be a little low on the empathy scales, but if you make it into their circle they would kill, die, and resurrect themself for you
BUT! all things come with a cost.
these are your friends with shifting loyalties. they are loyal until they feel your loyalty toward them fade, and they can and will shift against you for self preservation.
and they won’t feel bad about where their loyalties lie.
but please love them because if you really do believe in them they will feel it and it will rock their whole world
and if your feelings are strong, you’ll be surprised how quickly they can turn to you for guidance
if you haven’t noticed, this group is extremely intuitive - they can just sense what everyone feels about them
all that intuition... and quite a lot of tact
maybe it’s the cunning or the self preservation in them, but they can read a room really well - only bested by the hufflepuff/slytherin - and can sway everyone to their side
you want someone to give oddly accurate motivational speeches? this is the person you’re looking for!
slytherdors.... you either love them or you hate them
but no joke these are the people that the gryffinclaws and slytherclaws are constantly fighting - and the slytherdor is ready to throw hands at any given moment, someone pLEASE send a ravenpuff (huffleclaw?) to save them
if you wanted someone to embody teenage angst, HERE YOU GO!
it’s either that or they are extremely competitive and not afraid to call someone out
if there’s a dueling club, someone please put restraints on these children
as you can imagine, these people have a lot going on, and what they really need is just some quiet stability.
they need to see this world isn’t constantly out to get them.
they absolutely love music, so listen to songs with them! they have the best spotify playlists with the most obscure vibes, and it’s very aesthetically pleasing
also! listen to them in any group setting - they make the best, dry comments under their breath
if you laugh at them they will reach into the heavens and give you the moon and the stars
they really want the ~found family~ and definitely seek it out
they crave redemption arcs
they give me baby wolf vibes - they are wild killers, but they’re at that tender age where they’re still vvv similar to a puppy, when given affection
their slytherin side has tamed the impulsivity of a gryffindor, but the level of tactician a slytherdor is varies wildly. you never know what you’re going to get, and they are actually really good at covering it up
kind of like on those alignment charts where it’s like “looks like they could kill you but is a cinnamon roll” except it’s “seems competent, but is really an idiot”
they really need an animal companion, probably a cat or tarantula
the slytherdor probably doesn’t feign to study - they either do or they don’t and if that’s bad for their mental health then they’ll fight god himself
i get a lot of vibes of zuko screaming at the sky in that lightning storm, where he’s like, “come on, strike me! you’ve never held back before!”
maybe i’ve been a little negative, but uh,,,, their love language is sitting in the dark, holding hands and talking about the lamest part of their day
also, they hate meaningless endings to tv shows - they just want to see everyone be happy or die trying
ravenclaw/hufflepuff:
you mean the adjusted ravenclaw?
maybe that was mean, but what i really mean is that they are the most emotionally intelligent of all the ravenclaws
these ravenclaws know how to use conflict resolution skills, and they are very much needed in ravenclaw tower
they’ve been coaching the gryffindor/ravenclaws, but good luck maintaining their attention if they don’t want to listen
they also have patience! that means they get along well with slytherins.
even if they’re tired, they’re a good sport about it
light academia aesthetic, or just soft vibes in general.
they are probably the only artists with a coherent schedule that they keep up on, while still remembering to stay hydrated and function like a normal human being
they lowkey crave structure - the unexpected is not for them
riddles? those have a right and wrong answer - they absolutely hate it when the gryffindor/ravenclaws or ravenclaw/slytherins give an answer that is “technically” right
they probably don’t tell anyone, though
passive-aggression? yep. i can feel them seething from here.
like, they can solve minor problems and can get over bigger ones in time, but if it’s a huge slight, they are never going to let go
and it’s super palpable when they dislike you because they are so kind to everyone else
they probably have a passion for poetry but can’t seem to write any themself
definitely still keep a book of it hidden under their bed, though
and if they are good they vehemently deny it but continue to write anyway
the biggest thing they struggle with is knowing their direction in life - who do they want to be?
abstract thinking is an art form, and these ravenclaws ponder existence in the most intangible ways you’ve ever seen
10/10 lay on the ground and stare at the ceiling for like 3 hours straight
they can vary wildly on the introvert-extrovert scale, but they are never in the middle. extremes only.
you can get close to them out with acts of service - they give so much, please just treat them ONCE
they attach themself to so many people, though. even if they’re an introvert, you’d be surprised with their connections.
they’re so level headed and yet, they can feel so lost
kind of reminds me of 50′s moms who seem perfect on the outside but have existential crises while making a roast in heels
they don’t necessarily want to be “known” - they probably feel like that definition is changing all of the time, so it would scare them to put themself in a box
i guess they’re kind of free spirits - maybe more like the aunt who does yoga with baby goats and collects crystals and pretty shells
they are great at conflict resolution, yes, but don’t expect them to be your therapist (that’s the hufflepuff/slytherin)
they have absolutely no idea when it comes to deep feelings - they barely understand their own
probably paints, tbh, or at the very least loves to go to museums w/ really abstract art.
they actually have the braincell! they keep it a lot of the time and can be stingy with it.
they either wake up really early in the morning or stay up until the sun rises because it gives them “clarity” or something.
ravenclaw/slytherin:
they’re definitely the blunt friend who will just say things as they see them
yeah, tact is lost on them
they also love to claim that they “don’t need” people, so they butt heads with the hufflepuff/slytherin and the ravenclaw/hufflepuff a lot
they have quite a bit of stratagem up their sleeve, so people can be weary of them
their attitude does nothing to solve this, but it could also be that the slytherclaw has this idea that flattery gets them nowhere
they are so divisive in their individualism,,, good luck befriending them
but if you do befriend them, you have a powerful friend in your corner.
they are 100% that distant relative that you think hates you but you aren’t sure if that’s just the way they are
but let me tell you a secret,,,, their love language is words of affirmation and if you stroke their ego they’ll grow soft
while slytherclaws may not be very persuasive on their own, they actually work really well in teams. they know everyone’s strengths are are unafraid to take charge and tell people what needs to be done and how
they’re also really good at logical thinking, so you definitely want to be lab partners with this one
and schoolwork? they do it and they take good notes. a really great student
and their ambitions and competitiveness means they are unafraid to go far, and they will do it in style, too
this is the epitome of dark academia. 
and there is very little that is chaotic when it comes to them - the slytherclaw is an excellent planner
maybe they desire more out of life - they never feel like they are quite getting what they want
they are cynical, but they they have such high hopes for this world
when they are let down, they’re not surprised but disenchanted nonetheless
they ponder the meaning of the world and what this world could be far more than they ponder their own life
they tend to see a bigger, more sweeping picture
100% they love the odyssey and definitely think it’s better than the iliad
they adore high fantasy with every fibre of their being and can really get into period dramas
i would say that a gryffindor/ravenclaw would be a good friend for them - we all know a gryffinclaw can talk, and sometimes a slytherclaw just needs to hear someone else’s take on this world
and, of course, it helps when anyone shows appreciation
okay, but they love sweets - chocolate, liquorice, peppermint, caramel... it’s one of the few childish things they allow themself to have.
they are actually relatively quick to trust? the fastest slytherin, actually
they keep their group small, but they get vibes about people and once you show them loyalty they trust you entirely.
i suppose they guess you don’t have any games because they don’t have any
ooh, but if you betray them??? they are a mess, emotionally, and will not hesitate to lash out.
but they are caring in their own way, and will do little things like reminding you to drink water or bringing you toast if you haven’t eaten and it’s very sweet
hufflepuff/slytherin:
so i know we have this idea of the slytherin sweetheart, but a slytherpuff is so much more than that
one of their strongest traits is the intersection of ambition and hard work - they will not stop until they are the best (in their mind at least)
it’s almost a petty form of competition. a bit of schadenfreude when they win.
and everyone’s immediate thought is that a hufflepuff/slytherin would be the most trusting slytherins but no.
not even close.
slytherpuffs are guarded at first, while holding a secret soft spot for you in their heart. but they won’t act on it until they are 100% sure you won’t hurt them. they are suspicious, but really want to like people.
it takes a lot to break down their walls, but when you do they already have a steady foundation for your trust to grow on, and it’s the strongest thing in this world
because of this they can often come off as cold or distant, but once you’re in their circle, oh yeah. there’s the hufflepuff qualities you were searching for.
a good contender for the mom friend position, but they aren’t overt enough to be so.
they’re not getting into your business or being slightly invasive like real mom friends, but if you need advice or a hug,,,,, this is the friend to go to.
they’re like the nice aunt. vvv comforting, but only if sought out.
oh, they have the strongest moral code i have ever seen - it cannot be shaken or swayed.
but! it can often go against the rules, so you do have a bit of chaos working beneath the surface.
i 100% believe that their love language is quality time, and most of that can be spent quietly, just sitting in the other’s presence.
i feel like 90% of their conversations is hand gestures or subtle facial expressions, so it make take a while to be able to read them, but it also means they are soooo good at reading other people
seriously, if you need a therapist in the group, this is your person. they know people so well. their intuition is off the charts.
BUT ALSO,,,, their levels of introvertedness are sky high. i feel like this is a given, but they can be in your orbit for 5 months and speak to your twice and think that is a decent amount of exposure.
please get them an extrovert. they need the exposure.
sEcReTS??? this slytherin probably has some, but you have to be like at level 50 to unlock their tragic backstory
they also have academia vibes and do really well in school work, but whether or not it’s dark academia or light academia is disputed. maybe grey academia? (is that a thing?)
they struggle with wanting to be known and yet wanting to hide parts of themself they find unattractive or unwanted
probably feel like they’re pulled in too many directions and overthink their choices just a bit too much.
everyone knows they have the braincell, but whether or not they use it is unsure
it’s so easy for their friends to coax them, they probably give it to someone else and never ask for it back even though they should be in sole custody of it
AND FLUFF ENSUES. (i realize some of these are kind of aggressive, so... vibe check!)
-- taglist: @musicallisto, @theletterhart, @locke-writes, @randomfandomimagine, @brokenandheadoverheels, @timeofmadness, @writerdream22 // message me if you’d like to be added to the taglist!
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