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#random comic book review
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Ka-Zar #5 (1981)
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Auto-conclusive flashback episode where Ka-Zar tells Shanna a sad story of his past, involving the native Savage Land settlement, his sabretooth "friend" Zabu and a rabies outbreak.
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Clearly because an editorial mistake, the artistic credits are missing in this issue. A quick search in Google solves the mistery: written by Bruce Jones and pencilled by Brent Anderson. In 1981, Jones already had a long experience on writting for Warren magazines, free of infamous Comics Code Authority restrictions, and it is noted in the inherent maturity of his script for this Ka-Zar episode. While Zabu remains missing, a crazed specimen of sabretooth is attacking people of the settlement, resulting in deaths from direct aggression as well as deadly infections from a mysterious contagious disease that Ka-Zar soon identifies as rabies. Ka-Zar fears the infected animal is Zabu, anyway he joins the expedition to hunt the beast. Conclusion: the raged tiger (who finished eaten by a t-rex) was not Zabu, but Tongah, the hunting partner of Ka-Zar gets infected and he has to accept his upcoming death.
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The story is narrated in a melancholic mood, where Brent Anderson's dramatic style of drawing bodies (with a touch of homoerotic sensuality) has an inportant role. A good handful of relevant subjects are touched in very few pages: the relationship hierarchy between a person, his beloved pet (kinda…) and other humans, the confrontation between beauty and cruelty present on virgin nature, the conveniences and inconveniences about renouncing to civilized world…
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This adult tone makes exteme contrast with tons of advertisment pages oriented to kids. The dissonance between the "supossed vs. actual" readers of comic-books was already strong in 1981. Specially funny and idiosyncratic the ad/mini-comic where Fantastic Four advertise candies.
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Purchased at Comic-Book Exchange (Notting Hill, London) for 50p
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fallenangels1987 · 7 months
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wait PAUL DANO was the one who wrote the battinson tie-in comic... help
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muffinsandpages · 1 year
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The Books Of Magic by @neil-gaiman
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I have a few reviews to catch up with, so bear with me!
The Books of Magic is a collection of four stories written by Gaiman and illustrated by John Bolton, Scott Hampton, Charles Vess and Paul Johnson. In each of these stories one of the four members of the "Trenchcoat Brigade" introduces a young boy, Tim Hunter, to the worlds of magic. At the end, Tim is supposed to decide whether he wants magic to be part of his life or not.
I never intended to pick up this book. As I headed to the bookshop I wanted to start reading the Sandman. When I couldn't find it, however, I asked one of the casheers and he told me that (for obvious reasons) they were sold out, but he very kindly gave me a tour of the other Gaiman comics that they had, and he incouraged me to try The Books Of Magic.
Since then I started reading the Sandman, but this was a nice introduction. The story is more or less self-contained and it can be read by someone who doesn't know anything about the DC/Gaiman universe (aka me in September), though there are a few characters that more experience readers will love to meet again. I'd totally recommend it.
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Review: Harley Quinn: Reckoning by Rachael Allen
Series: DC Icons #6Author: Rachael AllenPublisher: Random House Books for Young ReadersReleased: April 26, 2022Received: NetGalley Yes! I’ve been keeping my eye on the DC Icons series (reading them here and there), but I just knew that I had to read this one. Harley Quinn: Reckoning, by Rachael Allen, is precisely what I was hoping to see from this series. Harleen Quinzel has been working hard…
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ladyloveandjustice · 4 months
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My Favorite New Manga and Graphic Novels I Read in 2023
It's time to take a look at the comics and manga I read this year! I read  a whopping 78 manga and graphic novels in all. Here's a link to my Goodreads year in books (the manga is at the beginning, the novels start with Siren Queen) and my storygraph wrap up.
I also read 36 novels! If you want to see my favorites, check out my reviews here!
And finally, I've got the continuing manga series I've enjoyed this year here, so check that post out too!
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The Magic Fish by Trung Le Nguyen
This is a tale about a first-generation Vietnamese-American boy struggling with coming out to his mother. He connects with his mother through fairytales-- she uses them to express her journey as an immigrant, and he uses them to explore his queerness and identity as a Vietnamese kid growing up in America. It's an absolutely gorgeous book full of Trung Le Nguyen's signature stunning art. The fantastical, ethereal fairy tales are weaved beautifully into the lives of the characters. The book explores how fairy tales can form connection, can express culture, can tap deeply into something real and true, and can offer tragedy and catharsis. The protagonist uses fairy tales to write his own story, and the ending is lovely and moving.
Exit Stage Left: The Snagglepuss Chronicles by Mark Russell and Mike Feehan
You may know Mark Russell from his darker, socially aware re-imagining of the Flintstones, which made quite a splash on Tumblr with this post. Well, I had pleasure of meeting him at a local convention, and I finally got his comic re-imagining of Snagglepuss, also of Hanna-Barbera. He re-imagines the titular pink puma as a closeted gay playwright in the 50's dealing with McCarthyism. It's as wild as it sounds,but also really digs into the politics of the time, the struggle of standing against oppression and how art fights through suppression and censorship. It's tragic, hopeful, poignant and full of historical references. I enjoyed it ! Definitely be cautious if you're deeply disturbed by homophobia and suicide.
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The Summer Hikaru Died by Mokumokuren
A story about a teenage boy, Yoshiki, who realizes that his best friend and crush Hikaru has died and been replaced by a strange eldritch being who is imitating him. But, missing his loved one and desperate to cling to any piece of him, Yoshiki decides to keep on having a relationship with this mysterious entity. This book's horror is visceral and sublime, especially the bizarre, creepy, beautiful body horror involving the being who replaced Hikaru. It's an exploration of anxieties involving grief, relationships, and sexuality that hits just right, and the atmosphere layered with dread is top notch. I love me some messed up relationships and unknowable queer monsters, and this book delivers.
Chainsaw Man, Look Back and Goodbye Eri by Tatsuki Fujimoto
Chainsaw Man needs no introduction, but I did end up really enjoying the story of the doggy-devil boy hunting other devils. It got so tragic and intense at the end, with lots of great surreal horror imagery and darkly funny moments. I'm impressed it went so hard, though the random powers that kept piling up made what was happening hard to follow at times, especially in fights. I'm also enjoying the current weird arc starring a class-A disaster girl and the demon sharing her body.
Look Back
I really do enjoy how Fuijimoto writes messy pre-teen/teenage girls. They ring so true. The manga follows the fraught friendship between two girls as they create manga, exploring the struggle of art mixing with real relationships, and how someone keeps creating after tragedy. It's a little hard to follow at times (especially since I have to differentiate the leads based on hairstyle), but it's a good read.
Goodbye Eri
Probably my least favorite of the three, but it's a fun read- a weird ride that examines the thin line between fiction and reality in art and makes good use of Fujimoto's cinephile background and signature gaslight gatekeep girlboss characters.
Is Love the Answer? by Uta Isaki
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The story follows a teenage girl, Chika, who has always struggled with not being attracted to anyone. When Chika enters college, she meets queer people all across the spectrum of asexuality, and starts exploring her own identity. As an ace, this is the best story about asexuality that I've read. It was a nuanced look at asexuality and queerness and all the variations. Chika's journey and how she found her community was moving and poignant. It's a honest, moving look at relationships and identity, and how complicated and hard to define both of those things can be. I loved the moments of Chika imagining herself as an alien to explore and cope, and how she bonded with people through magical girl shows and other geekery. My favorite new manga of the year, it really connected with me!
The Girl that Can’t Get a Girlfriend by Mieri Hiranishi
Oh girl, I've been there. This is a fun autobiographical comic about a butch4butch lesbian's struggles finding a partner in a word that favors butch/femme, and it's just an honest look at the messiness of loneliness and relationships. I also appreciate that crushing on Haruka in Sailor Moon and becoming a HaruMichi stan was the beginning the author's queer awakening because uh...same! She has taste, and is truly relatable.
Qualia the Purple: The Complete Manga Collection by Hisamitsu Ueo and Shirou Tsunashima
See my review of the light novel here for my general thoughts on the story, since it's adapted pretty faithfully. I do think the manga is overall the best experience though, because the illustrations break up the detailed explanations of quantum mechanics a bit, and it includes a bit of extra content that fleshes things out, especially withthe ending.
The Single Life: 60 year old lesbian who is single and living alone by Akiko Morishima
Just like it says on the tin, this focuses on a 60-year-old single lesbian. And definitely the shortest thing on here, since only one 30 page chapter is out.  It's a grounded story about a woman looking back on her journey to finding her identity, touching on sexism in the workplace and other challenges. It paints a portrait of a proudly gay elder who's still perfectly content being single and feels fulfilled by the life she had rather than regretting past relationships. I definitely want to see more.
Daemons of the Shadow Realm by Hiromu Arakawa
Arakawa's latest, the story is about a boy who lives in a small village with his little sister is imprisoned and has to carry out a mysterious duty...but then the village is attacked, supernatural daemons awaken, and everything he knows might be wrong. I'm enjoying this fun romp so far! It delivers an really nice plot twist right out the gate (and an excellent subversion of the usual shonen "must-protect-my-saintly-sister" narratives). It boasts Arakawa's usual fun cast and interesting world (and cool ladies). There's some slight tone and pacing issues in the first part- there's so much time spent explaining mechanics the lead doesn't really get to react to his life turning upside down. But it starts smoothing out by the second volume. I'm excited to see what's next!
Superman: Space Age by Mark Russell and Michael Allred
This is a retelling of Superman set throughout the late fifties to early eighties that has Superman interact with the political and social upheaval of the time and question his own role in things. It explored the Superman mythos through a lot of cool new angles, and has a good Lois (why yes she would break Watergate) which is how I always measure a Superman adaptation. My one complaint is, while I liked some of the things it did with Batman, the ending with the Joker was pretty weak. The ending of the overall comic will also be bizarre for anyone not uses to how weird comics can get, but I think I dug it.
#DRCL by Shin'ichi Sakamoto
A manga retelling of Dracula that focuses on Mina as the protagonist and imagines the characters at an English prep school. It adds a lot of  diversity to the characters  and has exquisite, evocative art. I'm curious where it will go and what it  intends to do with all it's changes (especially Lucy), because right now it's mostly vibes and creepiness and the direction isn't clear.
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popculturebuffet · 2 months
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Batmarch: The Secret Origin of Batman's Trophys (Comission for WeirdKev27)
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Hello all you happy people and welcome back to Batmarch, or celebrations of all things that go bump in the dark knight
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Today we've got a special treat... and i'm not just talking the nice art Kev had comissioned! Looks really good and I really appcirated it. Thank you KEv and thank you Alan Patreon. It was a nice suprise gift.
As for what this is about, this was a fantastic idea Kev cooked up: the batcave is one of the coolest hero bases in all of fiction. The layout is never 100% consitant across media but your usually guaranteed a batmobile, a big ass computer at the center, water falls, and over time a display for various costumes from past sidekicks, alternate outfits etc.
What really spruces the place up are three distinct decorations that we almost always see in the comics and ocasionally in other media, if not live action since these bitches would be expensive to make: A giant dinosaur, a big ole penny, and a giant playing card of a joker. These three are staples of the bat cave, to the point when the original was caved in during the earthquakes that ravaged gotham in the build up to no man's land, Bruce made a point of fishing them out for the new cave he built after that traumatic year.
Yet most of us.... have no idea where he got these wonderful toys. Even I didn't. The Joker Card comes from an obvious grinning source, but what CASE did it come from? Where did he get that dinosaur? What was someone using that giant Penny for? It's a question i've asked once or twice but never looked into. Kevin did though, and while the through and lovely DC wiki helped him find each one, he went the extra mile, asking for a review. And I was entirely on board with this comission as I just.. never had those answers and I doubt i'm the only one whose wondered what the context for these things were. So today we're looking at three disntinct golden age batman stories, at a time when goofy nonsense reigned supreme, logic was optional, and weird shit like this was just another day in the batcave. IN other words, this is going to be a LOT of fun so join me under the cut as we look at gambling themed death traps, penny obessed gangsters and batman being hunted by the most dangerous game: mechanical dinosaurs.
The Giant Joker Playing Card:
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(from Batman #44)
I love these old titles, such flair and cheese. It's incredible.
Anyways this one starts because Joker decides to hit an off the books casnio after his win. Luckily for them, he just wants to play which feels entirely like a joker move: instead of robbing an easy target that can't call the cops and that the mafia presumibly running it would be stupid to retaliate on, he decides "fuck it let's try this whole gambling thing men, sounds like a hoot and a half".
And sure enough.. it goes really well. He spends what's implied to be the whole night just winning and winning until he cleans house. This being the joker this gambling bug can only end one way
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I just.. love everything about this. Joker just had fun at a casnio and turned it into a death trap. It's such a brilliant setup.. and one that while nicely goofy, is also well done: it fits the joker's unpredictablity to just go a gamblin and it fits him just as much to turn a new hobby into a death trap. I also love Lewis' reaction calling it SUPERGAMBLING., like he's some gambling expert and most dangerous game shit is a type of gambling.. which given we're in the dc universe, you probably DO need a name for this kind of thing in the crime world.
So he set shte perfect trap: he has a random balding middle aged man tell the two he has info on a recent raidum theft, raidum a hospital badly needs. To save the presumed orphans about to die without eating their radium, Batman and Robin go to a sketchy island with one house perched on a hill
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The World's Greatest Detective.. sees NOTHING wrong with this and goes ahead and gets caught in the most devious trap imaginable.
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Several head injuries later, our heroes wake and joker reveals the radium theives, who he captured for this scheme but have kept the radium's location to themselves. This is by deisgn: the joker wants the two and their "radium screts" as the ante here, along with Robin to make sure Batman does this. Batman repedately states "I don't gamble' as if logic suddenly works on the clown man who set up a gambling death trap, so Joker reveals if Batman won't play his three supergambling games, he'll just kill the hostages. Batman reluctantly agrees,
Game 1 is super pinball.
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But when Batman proves to be an expert at the snes Joker goes with plan b.. his giant pinball table of death. Sorry his giant SUPER pinball table of death.
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As you can see the same joker face from the card is here and you see it all over his lable. it seemed to be Joker's logo back the. I love this whole setup and mostly show it not only because it' sdope but because those pins must've been what bumpers were. I also had no idea PInball used to be a gambling thing. Makes sense, it's just fun to find out.
The game goes well mostly though one of the guys nearly slams into a pin. Thankfully Robin is an expert gymnist and batman smartly saved laucnhing robin till the last minute and Dick's able to save the goon.
Game two is super rolling some dice, which apparently used to land on numbers. This yugioh style death game involves our bait being tied to polls on three of the numbers. If Batman guesses wrong, someone dies. Or maybe not since the board is pretty damn big. Not every death trap can be super murder pinball. Batman spots some mud on the dice though and correctly guesses they'll pivot. This is the weakest of the death traps here, a bit convolunted, not really guranteed to be as deadly. I know the chance of nothing happening is part of it.. but with pinball there's really almost no chance you won't hit the bumpers. Here it feels like pure luck or simple cheating that both dice flew at the joker.
Next game and the one that introduces our prop, though the dice apparently are also in the cave sometimes which I love. The game is a game of cards.. batman has to correctly guess which face matches the door Robin and the hostage goons are in or they'll choke to death on the deadly gas released inside.. and naturally he figures out it's the Joker card. It's too joker not to work.
Turns out though, naturally the joker isn't playing fair both having a final one on one game ofr him and Batman and having his goon go to get robin behind the joker card door... and Robin dispatches him hilaroiusly and awesomely
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With that the hostages are free and the final death game begins. A giant super roulette wheel with both batman and joker getting in a slot. looser gets crushed alive. It's an awesome finale, and it fits joker to put himself at risk: after all he risks his life all the time why wouldn't he for such a fun gag?
Batman's able to get the wheel to turn fairly and then escape it, leading to a chase. THe Radium Theives agree to give themselves and the radium up but there's still the matter of the joker and we get a short but neat final chase as Joker uses the dice against the heroes then jumps off a cliff, gambling his life one last time.. and rightfully batman isn't betting on the joker having died.
Gamble With Doom is an excellent story. While the trophy we get out of it is only in it briefly the story itself is pure fun. It has some fun dated elements like Bruce's opinon gambling is EVILLLL and the old fashioned designs on the traps, but it's pure fun. The traps are clever, the tension palpable and the climax great. The gambling motif's really fit the joker and it adds up to an all time great joker story with a suprise impact. The Trophy Itslef. is barely in it but Robin DID break a guy's face with it so i'll say it was still cave worthy.
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(From World's Finest #30)
The Penny Plunderer is a name I had heard but had no real context for. I assumed he was some goofy silver age villian with pennies for eyes who drove around chucking pennies at everyone.
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I am an artiste.
Instead it's just a guy in a suit. He has the backstory of any good golden or silver age villian to justify his gimmick
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I love.. everything about this backstory. It reads like if a writer was given the thought exercise "Make the pettiest batman villian origin you can find.". I mean other villians gimmicks make sense: Poison Ivy was a botonist, Mr Freeze had a horrible accident, the penguin was born looking like a penguin with a lot of money, the Joker fell into a vat of chemicals and came out a clwon, the riddler liked puzzles.
Here Joe just... got screwed over by pennies a lot. Even funnier is that the last one has nothing to do with pennies. Like.. even if it'd had nickels he'd still be arrested.
So Joe vows since pennies runied his life, he'l lbecome the penny! Sadly this does not mean him dressing up like a giant penny with a cane and top hat.. nad now I can't show you it that last drawing put me too far behind and... oh fuck it.
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Instead he just wears a suit but makes his gimmick pennies. Commit to the bit man. I do get it as some golden age villians were just guy in a suit, even Joker and Penguin technically counts but one is a clown and the other is a rich penguin man. They have mor ethan just "suit and a vendetta against pennies that somehowturns into stockholm syndrome.
So the penny plunderer begins his reign of terror, setting up a penny arcade as a front, and cashing in a roll of pennies in the most diabolical scheme ever devised by man.
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A true criminal mastermind.
Batman picks up on this pattern because it's what he does and finds his next case, a coin and stamp exibiton with a rare one cent stamp. It's here we meet the reason we're here: the giant penny!
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Yeah to my shock the penny had NOTHING to do with the penny plunderer other than being at the site of one of his robberies. He prefered just.. chucking pennies at people.. which is awesome and a truly great tactic only topped by Batman's use of said giant penny
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I adore the fact that this iconic artifact is there not because it was seized from the villians or a police options.. but because, presumibly, Bruce thought this penny he found was kick ass and bought it off it's actual owner.
Most of the theives escape but they find one willing to squeal. Unfortunatley he dies for his hubris
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Yup bet you weren't expecting the penny guy to kill someone and to see his corpse weren't you but here you are. Also batman is apparently a cop now. George Lopez tried to warn us...
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But we didn't listen! We didn't listen!
A fight breaks out at the gambling parlour and we get two of the best moments in batman history that much like the blue beetle film, ar ehighly underated.
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I just.. I get the sense that is how batman ALWAYS plays pinball. Just judo kicks it every time even as bruce wayne. Both bruce wayne and batman have been banned from so many arcades.. often the same ones. Perks of having a secret identity. We then get coyne once again THROWING pennies at someone and it working. I don't know why he hasn't been brought back with the telkeentic ability to contorl pennies. Give him a copper helmet and a proper costume and oh dammit..
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Then Joe knocks batman out iwth his one weakness: a roll of pennies. He's trapped them in the parlor for your standard batman death trap, having removed their belts and ripped out the phone lines as usual. He then throws them a few pennies when then prove to be a mistake as it's time for SCIENCE WITH DR. BATMAN, who uses one old penny, copper, and one new penny, zinc to make a battery. Good thing jimmy didn't wish it away THIS week.
The cops arrive to free one of hteir own and batman finds a clue once the parlor is cleared of gas. Turns out Coyne was catering a penny slot party for a rich billinoare's houseboat, and naturally their filled with gas. I swear it's always gas with these golden age villians. Get another knockout device fellas.
With that our final chase enses as Batman and robin chase Coyne and while he nearly bests them with a good game of 1940's donkey kong
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He's foiled by his own gimmick: he has only pennies but the pay telephone.. dosen't.. take 5 seperate pennies for some reason? the hell? I get payphones not taking pennies once they went up to a quarter but come the fuck on 1940's payed telephones. he's foiled.. and sentenced to death.
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Yes folks that's the cannoical till some lucky fellow brings him back fate of the penny plunderer: PUT TO DEATH.
This story is as you can tell nonsense that's only gotten more hilarious with the passage of time and I loved every page on it and on getting the panels for this review, I only found MORE hilaroius nonsense to laugh at. We have a story where a guy with a penny gimmick smacks batman with a roll of pennies, trips robin with more, kills a man without pennies, is foiled by pennies yet somehow dosen't actually use the giant penny that's the only reason people know he exists. It's beautiful bollocks and worth your time.
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(From Batman #35)
As I hope you are, this issue had me hooked from the first panel: Batman vs dinosaurs being forced to fashion a bow and arrow for some reason. Yes... fuck. Yes. Also nice of bruce to eat Ollie's lunch.
Okay so this story starts, as many real life stories do, with a billionare having a zany idea; Mr. Hart is a man who puts on shows: ice follies, aqua carnival, 40's razzle dazzle type stuff. For his latest idea though he's going above and beyond: a DINOSAUR ISLAND. With mechancail dinosaurs and cavemen who throw giant sponges at you. Thankfully spongebob wasn't born yet but his great great grandpappys quarepants did the honors. Honorable old fool.
To ramp up the insanity, Mr Hart is inviting a club of big game hunters to eat mammoth steak with batman.
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If that weren't enough, and in any other golden age story it might be... our heroes get CHALLENGED at dinner by one of the rich assholes. Yeah turns out rich assholes who hunt innocent animals for sport and eat reheated mammoth aren't the most stable indviduals and Mr. Breech scoofs at the fact Mr. Hart says Man is the most dangerous game. He's hunted man, they went down like cowards. COWARDS. He feels Batman couldn't hut a dinosaur without his gadgets, and certainly not his bare hands... even though as this issue with prove and has already shown early man had tools.
To prove his point he challenges batman to a fucking challenge: survive on Dinosaur Island: no utility belt, no vehicles. If the dinosaurs touch him he looses. Mr Breech will man the controls. Honestly i'm convinced Breech knew hart well enough to know he'd both agree to this for the publiclity and why he'd invite batman and robin and just wants to play iwth giant mechanical dinosaurs and also batman. Which granted if I were invited to this sort of thing i'd also want to chase batman with mechanical dinosaurs for fun, who wouldn't, so I totally get it and respect the game.
Hart is on board, offering 5000 to the winner's charity and Batman is like "Why the bat-fuck not. Let's go".
Now you might suspect Breech's real motive is trying to kill batman. I mean you have a setup where batman will be without his weapons, the plausable deniablity of a machine malfunction and a secluded island with 24 hours to kill the batman. And you'd shockingly be wrong. Breech really just wants to prove dinosaurs are the most dangerous game so when that Jurassic Park he's working on opens no one will object to him hunting them for sport.
But his plans are foiled by Chase, anothe rich knob who wants to kill batman and robin to, as he says later form a "crime combine". So he wants a bunch of middle aged guys drinking beers to yell at him for not training the joker on tackling well enough. I see.. well played.
So the game is afoot and our heroes take a bit to catch up, first brushing off a real rock among the sponge rocks as a mistake. Theis ends when a Triceratops to trismash them into a tree. Batman calls for a war council on a nearbye island but naturally THAT'S NO ISLAND
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Batman fought a mechanical fucking seamonster. That.. that's cannon. To almost every batman timeline. God bless you Golden Age, god, bless, youuuu. Also i'd be stupid if I didn't say that Tally Ho, Batman! is one of the greatest phrases in batman history up there with "I Am the night" , "I'm batman" and "Something something joker's boner".
So now the games for their lives, Batman and Robin don't have to play fair and start fashioning bows, arrows and knives out of mechanical dinosaur bones. You know.. sometimes this job can be draining: 2-3 reviews a week, many a plan having to be delayed due to a review taking longer than expected.. but then you get a review where Batman and robin have to outrun a manical billinoare who hyjacked dinosaurs from a diffrnet billionare who was having a charity dinosaur hunt with batman and robin using a third billionare's dinosaur, while fashoining weapons from mechanical dinosaur corpses and fashion a kite from a mechanical ptreadon and remember why you love reviewing stuff so mucH: sharinng a good story with the world and finding a good one or two yourself while your at it. And thanks to Kev i've found three truly wonderful, truly bonkers batman stories, with this one being the easy winner. It's both a decent enough concept for the time and hilariously insane.
And I ddin't make up the kite thing: when, after a night of survivial, Robin brings up the batplane, Batman has an idea: since the flying dinosaurs are on a programmed pattren rather than directly controled, they can use them to make themselves a kite yor style.
So to win the day Batman has a plan: he uses himself as bait since Robin's the more agile of the two, and has robin CATAPULT HIMSELF into the air after chase, who is riding on t-rex back with an army of dinosaurs.. and how does he defeat chase' smighty dino army?
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It's both genuinely clever and wonderfully bonkers: Robin defeats an evil billionare RIDING a mechanical t-rex.. with water balloons.
Also props to this story: in the previous two the trophy was impressive.. but it was taken from what felt like a minor point in the story: the card flip game was fun as was batman slammin ga door on a guy, but it's sandwitched between far more elaborate death traps, while the penny, again awesome, wasn't even something the penny plunderer used. Batman just bought it off some offscreen character to relive fond memoreies of crushign some crimianls alive with it. Here the main villian ROAD IN on the thing. Granted he still had to likely buy it off his actual owner, but this time at least a criminal actually used it as a murder weapon. I can see Batman wanting this thing for his cave.
Batman chases chase over the now still dinosaurs and punches the guy out. With this Batman's saved the day AND won the bet. 5000 for batmobiles for kids, donate your batmobile today!
As for chase...
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With that our story and this trilogy comes to an end.. and as I said, it's great. check out all three of these issues their a lot of fun. Next time dc puts some up for sale I may have to get some 40's batman, this stuff is golden.
Thanks for reading
To conclude batman month: Wait'll you get a load of this
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thegayhimbo · 6 months
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Stranger Things Flight of Icarus Review
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If you haven’t yet, be sure to check out my other Stranger Things Reviews. Like, Reblog, and let me know what your thoughts are regarding the show or the upcoming season! :)
Stranger Things Comics/Graphic Novels:
Stranger Things Six
Stranger Things Halloween Special
Stranger Things The Other Side
Stranger Things Zombie Boys
Stranger Things The Bully
Stranger Things Winter Special
Stranger Things Tomb of Ybwen
Stranger Things Into The Fire
Stranger Things Science Camp
Stranger Things “The Game Master” and “Erica’s Quest”
Stranger Things and Dungeons and Dragons
Stranger Things Kamchatka
Stranger Things Erica The Great
Stranger Things “Creature Feature” and “Summer Special”
Stranger Things Tie-In Books:
Stranger Things Suspicious Minds
Stranger Things Runaway Max (Part 1 of 3)
Stranger Things Runaway Max (Part 2 of 3)
Stranger Things Runaway Max (Part 3 of 3)
Stranger Things Darkness On The Edge Of Town (Part 1 of 3)
Stranger Things Darkness On The Edge Of Town (Part 2 of 3)
Stranger Things Darkness On The Edge Of Town (Part 3 of 3)
Stranger Things Rebel Robin Book and Podcast (Part 1 of 2)
Stranger Things Rebel Robin Book and Podcast (Part 2 of 2)
Stranger Things Hawkins Horrors Review
Stranger Things Episode Reviews:
The Vanishing of Will Byers (Part 1 of 2)
The Vanishing of Will Byers (Part 2 of 2)
Synopsis: Hawkins, Indiana: For most, it’s simply another idyllic, manicured all-American town. But for Eddie Munson, it’s like living in a perpetual Tomb of Horrors. Luckily, he has only a few more months to survive at Hawkins High. And what is senior year, really, but killing time between Dungeons & Dragons sessions with the Hellfire Club and gigs with his band, Corroded Coffin? At the worst dive bar in town, Eddie meets Paige, someone who has pulled off a freaking miracle. She escaped Hawkins and built a wickedly cool life for herself working for a record producer in Los Angeles. Not only is she the definition of a badass—with killer taste in music—but she might also be the only person who actually appreciates Eddie as the bard he is instead of as the devil incarnate. But the best thing? She’s offering him a chance to make something of himself, and all he needs to do is get her a demo tape of Corroded Coffin’s best songs. Just one problem: Recording costs money. Money Eddie doesn’t have. But he’s willing to do whatever it takes, even if that means relying on his dad. Al Munson has just stumbled back into Eddie’s life with another dubious scheme up his sleeve, and yet Eddie knows this is his only option to make enough dough in enough time. It’s a risk, but if it pays off he will finally have a one-way ticket out of Hawkins. Eddie can feel it: 1984 is going to be his year.
Observations:
Ordinarily, when I do these reviews, I sum up the synopsis in my own words to convey my experience reading it. This time, I took the synopsis word-for-word from the book cover because I found it unintentionally hilarious and teeth-grinding that the publishers at Random House Worlds would try to bait Stranger Things fans like this. They had to have known most people who bought this book already saw the fourth season and were aware of Eddie's eventual fate. Even if they hadn't seen it, a.) It's pretty much an open spoiler at this point, and b.) You can figure out real quickly from the title (Flight of Icarus) and your basic knowledge of Greek Mythology exactly how this story is going to go. Giving both the audience and Eddie a Hope Spot in thinking things might improve for him was a cruel joke.
I know that prior to this books release, there were fans accusing Netflix of trying to milk Eddie's popularity with the audience despite his eventual fate in season 4. Having finally read the book myself.................it's a little more complicated than that.
Yes, the book does bait the audience with the idea of things getting better for Eddie when we already know that's not going to happen. At the same time though, it wasn't a book devoid of substance. There were themes and character interactions that left a lot to chew on, and might even play an upcoming role in season 5. Just like with Rebel Robin, there were aspects of the book that struck a personal nerve with me because of how they related to what's gone on in my life and what's currently going on in the world right now.
I'll discuss the book in detail here (Spoilers Ahead!) and let you decide for yourselves if this is a book you want to read.
Part 1: Eddie's relationships to other characters
The synopsis covers the majority of the plot. Eddie's in senior year, failing school, and coasting by on the Hellfire Club, his band, and his dead-end job at a bar. Unlike his friend Ronnie, he has no future prospects ahead of him until he encounters a girl from Los Angeles named Paige, who overhears Eddie playing one night and invites him (and Corroded Coffin) to record their music for a studio called WR Records. The hopes are that her boss, Davey, will be impressed enough that he'll invite Eddie and the band to later fly out to Los Angeles for an audition with the executives. Following them recording for Davey, Paige reveals to Eddie that Davey's more impressed with him than his band and only wants him to come out to LA to become a rockstar. However, Eddie still needs the money to make this dream a reality. So when his dad shows up with an illegal job that involves stealing weed from a Kingpin's truck so they can sell it for money, he reluctantly agrees despite knowing things could go wrong.
And just based on where Eddie is by the time season 4 starts, you already know how this is going to turn out.
Eddie on the show was already established as being an outcast who gets blamed for the murders committed by Vecna, but this book further explores that he was the town scapegoat way before any of this happened. Part of it has to do with his low socioeconomic status, part of it has to do with the bad reputation the Munson family has in Hawkins as crooks and lowlifes thanks to the behavior of Eddie's father (who is a loser and a sorry excuse for a dad), part of it has to do with the Hellfire Club and all the pearl-clutching parents did in the 80s about D&D being linked to Satanism (which, as Erica puts it in season 4, was bullshit), and the rest are people in Hawkins projecting their issues onto Eddie. They want to believe the worst in Eddie, and don't care about creating a self-fulfilling prophecy with they way they treat him.
Wayne Munson also gets fleshed-out more in this book, which I appreciate because he's one of the few adult characters on the show that I like. Unlike Al, who is constantly absent from Eddie's life unless he needs something from him, Wayne is a parental figure to Eddie who made sure he was being fed and taken care of when he needed it.
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He's also one of the only people who treats Eddie like a person and believes in him when no one else does.
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On top of that, Wayne is shrewd and able to put the pieces together just by reading a situation. He's the kind of person who can look at someone and figure out if they're being honest or not. When Al comes back into Eddie's life, he knows Al is up to no good, and he puts together pretty quickly that Eddie is going along with Al's con to get money. He allows Eddie to make his own choices, but he also warns Eddie that he's lying to himself if he thinks this is going to go well for him.
On a semi-related note, the way Wayne is depicted here gives more context behind why he was willing to let Nancy interview him when Eddie went missing after Chrissy's death: Unlike other reporters , who were either gearing up to paint Eddie as the villain before anything was confirmed, or else were trying to get their big break with this story, Wayne could tell Nancy wasn't just there to advance her career. She genuinely had an interest in what happened, and Wayne likely suspected something else (i.e. the death of Barb) was motivating Nancy to look into this case.
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Another relationship that gets more context as well is the one between Jason and Eddie. There were hints in the fourth season that these two had a history with one another before Jason wrongly suspected Eddie of killing Chrissy and led the basketball team in hunting him down. This book confirms that history. I will admit I had a headcanon for a while that Jason and Eddie used to be friends before falling out (which is also something Mason Dye joked about), but this book blows that out of the water by revealing they've been enemies since they knew each other. Jason was a part of a jock group led by Tommy Hagan (Steve's former best friend) who bullied students like Gareth who were either outcasts or part of the Hellfire Club. But because Tommy and Jason were valued basketball players at the high school, they were able to get away with their behavior whereas Eddie would get punished simply for trying to help out his friends.
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This puts the cafeteria scene between Eddie and Jason in a whole different light: Eddie's disdain for Jason in that moment wasn't because Jason did basketball, but because he knew Jason as a bully and had nothing but contempt for him:
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Just like with Lucas on the Line, this book doesn't paint Jason in a good light. Not only is he associating with Tommy (who is just as loathsome as he was in season 1), but the book also hints at the darker, zealot side of his personality that's going to be on display in two years following the events of this book:
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Chrissy also makes an appearance, and she's just as nice of a person as she was on the show. She actually intervenes (unsuccessfully) on Gareth's behalf to stop Tommy and Jason from bullying him, and we get to witness the flashback to the talent show when Eddie first encountered Chrissy and she showed him empathy and compassion in a moment when Eddie was feeling vulnerable after his dad didn't show up to watch him perform.
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While I'm not an Edissy/Hellcheer shipper, I understand the appeal of that relationship, as well as why the Duffer Brothers later regretted killing off Chrissy when there was more that could have been explored with her character. I'm also deeply sorry Grace Van Dien was harassed by immature Stranger Things fans because she liked the Eddie/Chrissy ship (to the point Joseph Quinn had to speak up in her defense). No actor or actress should ever have to put up with disgusting behavior like that. I wish people in this fandom would grow the hell up already, and stop treating the actors as if they're props to project themselves onto. 😒
We also get to know more about Eddie's parents in this book. Eddie's mom is dead by this point (though her love for music is a big reason why Eddie was inspired to take up guitar) and Eddie's dad is a contender for one of the worst fathers in the series. He isn't as awful as Neil Hargrove, but he makes little to no effort to raise Eddie (to the point Eddie is often fending for himself), is constantly engaging in illegal activities and ending up in trouble with the law, only comes back for Eddie when he needs something from him (something that Eddie is painfully aware of), and straight-up abandons his son to the cops the moment his heist plan lands both of them in trouble and results in a police officer getting shot. He's a selfish man who's good at lying to everyone around him, and even to himself. The sad thing is, because Eddie is so desperate to get out of Hawkins, he willingly believes his dad's plan to get them rich so they can move to LA and fulfill his dream, which makes it more of a gut punch when everything eventually goes downhill.
Given Eddie's death in season 4, I seriously question if his dad is going to show up at all if he ever hears about what happened to his son. Somehow, I doubt it.
The final character with any real significance is Gareth. In this book, he's a freshman who's up-and-coming in the Hellfire Club, and there's a whole subplot dedicated to Eddie helping him to craft a perfect D&D character that resembles who Gareth is rather than having him borrow someone else's character. Also, as noted before, Eddie is one of the few people who defends Gareth from high school bullies, which is why Gareth has a lot of loyalty towards Eddie. I know Gareth became an Ensemble Dark Horse for many fans when Season 4 premiered, and I would be thrilled if he, along with the rest of the Hellfire Club and Corroded Coffin, got significant roles in season 5. Maybe they could team up with the Party to defeat Vecna.
The rest of the new characters are by-the-numbers. Ronnie is Eddie's lifelong friend who has a future at NYU, and they both have a falling out due to disagreements with Eddie's choices. Paige gets into a romantic relationship with Eddie for a while (which also falls apart later), but she isn't really memorable and doesn't stick out the same way that other characters from tie-in materials do (i.e. Mr Hauser from Rebel Robin, Joey Kim from Zombie Boys, etc). Mr. Higgins, the principal who has it out for Eddie, is the embodiment of Mr. Vernon from The Breakfast Club, and his interactions with Eddie are pretty similar to the ones Vernon has with Judd Nelson's character (John Benson) in the movie. Officer Moore is a stereotypical asshole cop who harasses Eddie because he sees him as a future criminal who will grow up to be just like his dad.
There are a few brief cameo's from the main characters: Hopper appears towards the end when Eddie is arrested, and is one of the few people sympathetic to Eddie's plight. Will and Jonathan also make an appearance when Eddie defends Will from jocks who make fun of Will for being "Zombie Boy," gives Will some encouragement about being who he is and embracing his love for D&D, and even offers to sell Jonathan some weed (which is cheeky foreshadowing for Jonathan's drug habit that develops in season 4).
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Out of all the interactions with the main characters, the one between Will and Eddie was my favorite. Even though Will never joined Hellfire Club due to moving to Lenora, it's nice seeing these two get to interact and bond over something they love.
So that sums it up for the characters and main story. Let's talk about the main themes:
Part 2: Eddie and "Forced Conformity"
Just like with El in season 4, and even Steve, there's always been this stigma that because Eddie did badly in school, it meant he was dumb. However, unlike El, who struggles to catch up with her peers because of the way Brenner raised her (but is keenly aware of concepts even if she doesn't have the words for them at the time), or Steve who was more interested in chasing popularity at the expense of his grades (but has demonstrated his intelligence and ability to make connections that other people miss), Eddie doesn't put effort into school because he doesn't care to. School and homework doesn't interest him. D&D, Corroded Coffin, playing songs on his guitar, and even the works of J.R.R Tolkien do, which is why he invests more time into those things:
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There was a GIF set last year with bits of trivia about Eddie, and something that was noted in it is that Metallica's album Master of Puppets was released on March 3, 1986. Given the night Eddie performs their song "Master of Puppets" in the Upside Down was on March 27, 1986, this means he had less than 3 weeks to learn how to master the song on his guitar. Some fans will probably dismiss this as "lazy writing" (which I notice gets thrown around a lot these days when people don't want to think critically), but I beg to differ. Eddie is invested in music. It speaks to him. That investment, combined with doing something he loves, means he's going to put time and effort into learning the song. I can buy he learned "Master of Puppets" in less than 3 weeks because he's that good of a guitarist, and he was passionate about the song in the same way he's passionate about D&D and Tolkien.
The problem though is those kind of interests aren't considered "acceptable" by the school system, which is more interested in churning out "productive members of society" and punishing those who don't get on board with the program (This is a theme that's also explored in both Rebel Robin and Lucas on the Line). It doesn't help that Hellfire Club, D&D, and the music Eddie loves to play constantly come under fire due to the Satanic Panic at the time, which only causes Eddie's resentment towards Hawkins and his school to fester.
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You'd think things would have changed in the 4 decades since this series took place, but given how we're still living in an era of "concerned parents" wanting to ban specific books from being read by kids, or else enforce a conservative viewpoint in schools that prevents any kind of critical thinking, it's fair to say we haven't. In fact, there's an argument that things have gotten worse in recent years.
We can talk all day about the problems with the education system and school curriculum in the United States until the cows come home, but the point is Eddie is aware of the "forced conformity" schools impose on students, and is having none of it. As a result, he's punished for rebelling against the system.
It doesn't help that none of the teachers, nor Mr. Higgins, are remotely interested in trying to reach out to Eddie. They have decided in their minds that Eddie is a waste of space, and are either condescending or dismissive towards him. Even Robin, Mike, Lucas, Dustin, and Will had teachers like Mr. Clarke or Mr. Hauser who were interested in bringing the best out of their students. Eddie has been written off as a lost cause, and aside from his uncle Wayne (who's limited in what he can do for Eddie), no other adults believe in him. That just makes his eventual death later on harder to stomach.
I hate teachers and school authorities like Mr. Higgins. I get they have to put up with a lot of crap, both from kids and from the stress their jobs can bring, but I have no respect for teachers who either go to the lengths of bullying their students, or come up with preconceived notions about a student and then unfairly project that onto them so they can feel justified in treating them with contempt.
I had two teachers like this when I was growing up: One of them was from fifth grade. The second was my English Teacher from my senior year of High School.
The former was a straight-up bully who had a reputation for making kids cry (I was one of them) and was a Bitch in every sense of the word. I do not have good memories of her class, and I know several students who had their lives impacted by her for the worst: One of them was someone I went to the same church with whose mom later pulled him out to be home-schooled because he was frequently targeted by that teacher. The second was a former friend who had a rough time in her class, and later forfeited going to college entirely (and now works in retail) because of the impact she left on her. I make no secret that I DON'T miss her, and I hope she's no longer teaching.
As for my English Teacher, she was a condescending twat. She presented herself as an expert in literature, but I later found out that A LOT of her so-called "discussions" and "lessons" were taken straight from SparkNotes. I remember her going out of her way to publicly humiliate me in front of the class because I did a presentation that she didn't like, and then she later got patronizing with me over a different assignment several months later, saying she could see how I was struggling and then said "Allow me to give you some advice: Try harder." This was when I was also juggling 4 other AP classes and a Spanish class, along with my extracurricular activities, so this wasn't like I was half-assing my work. Once again, I was not the only person she treated like is. Multiple students despised her, and there was even a rumor for a while that she was a misandrist, which is why she treated the girls better than the boys. I can't confirm if this was true, but I wouldn't be surprised if it was. My brother (who's one of the smartest people I know) was fully aware of her reputation prior to his senior year, and specifically took a different English class just to avoid her. I still maintain that was the best decision he ever made.
I should briefly mention that, despite the two examples I just listed, I had some wonderful teachers growing up. Ones that not only encouraged me, but made their classes engaging to the point that I took an interest in topics I hadn't before. The entire reason I later pursued a degree in History is BECAUSE of my teachers in High School.
Regardless of whether people want to admit it, teachers are some of the most important people next to parents in a kid's life. They can either be the ones to elevate a student and set them on a good path, or they can be the ones to tear them down and dismiss them as a lost cause. It's a big reason I feel strongly about who teaches in schools and how our education system is structured, and why I get angry whenever teachers or school authorities either abuse their power, are apathetic about their jobs and their students, or else project their issues onto kids. I'm not saying there aren't kids out there without major behavioral problems that need to be dealt with (I literally had one such kid yell "Fuck You" at me two weeks ago from a speeding truck for no discernible reason, so I'm not advocating that all kids are sweet angels), but it infuriates me to see characters like Mr. Higgins who are smug in their belief that they have teens like Eddie figured out, and don't want to hear anything that contradicts that. People like that shouldn't be teaching in schools, period.
Part 3: The Evils of Society
Back in 2005, there was a horror movie called Chaos that was released, which got negative reviews and a scathing response from film critic Roger Ebert, who proceeded to call the movie "ugly, nihilistic, and cruel." The film's writer and director didn't take this well, and posted a letter to the Chicago-Sun Times where he condescendingly told Ebert that the movie was supposed to be ugly, nihilistic, and cruel as a way of conveying what evil was like in the 21st century, and smugly asked Ebert if he preferred the movie was sanitized of violence. Ebert later responded in a very classy and intelligent manner, where he not only called out the director for his sanctimoniousness, but also deconstructed his whole argument of depicting evil in a movie with no meaningful point or catharsis:
"I believe evil can win in fiction, as it often does in real life. But I prefer that the artist express an attitude toward that evil. It is not enough to record it; what do you think and feel about it? Your attitude is as detached as your hero's."
"Your real purpose in making "Chaos," I suspect, was not to educate, but to create a scandal that would draw an audience. There's always money to be made by going further and being more shocking. Sometimes there is also art to be found in that direction, but not this time. That's because your film creates a closed system in which any alternative outcome is excluded; it is like a movie of a man falling to his death, which can have no developments except that he continues to fall, and no ending except that he dies. Pre-destination may be useful in theology, but as a narrative strategy, it is self-defeating."
I've seen fans who've complained about the direction season 4 took in its tone and it's depiction of bullying and the Satanic Panic, with people complaining about it being "trauma/torture porn," which............I strongly disagree with. Trauma/Torture porn is (as Ebert points out) the kind of thing that has no point beyond indulging in meaningless suffering. Season 4 was dark (probably the darkest season they've done so far), but there was a message the Duffer Brothers were making with it; Not just in depicting how and why bullying becomes a pervasive problem, or how Vecna acts as a metaphor for depression and trauma driving people into despair, but also how the current social systems and attempts to force people to be "normal" cause long-term problems.
Bullies like Angela and Jason didn't suddenly decide to become awful overnight. Their behavior was enabled, not just by their peers, but by the adults around them who did little to nothing to stop the way they acted. Look at when El gets publicly humiliated at Rink-O-Mania by Angela and her friends, and how the adults there either participated with the other bystanders in it, or did absolutely nothing to stop what was happening to El (yet were conveniently available for Angela's benefit when El smashed Angela's face in with a roller-skate). Look at how Jason was able to turn a room of adults into a lynch mob to go after kids who were a part of the Hellfire Club by appealing to their fear of the Satanic Panic, as well as their fear of all the terrible things that had been happening in Hawkins.
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Adults play a major role in whether kids become spoiled, entitled brats, and that was absolutely the case with Angela. As for Jason, he was a star basketball player who made Hawkins High look good, which is why Mr. Higgins and other teachers always looked the other way at his behavior (as depicted in both this book and Lucas on the Line). It's also why both Angela and Jason felt justified in their awful behavior: Angela was able to convince herself that El had snitched when she hadn't, and therefore deserved to be punished for it. And when El finally had enough and lashed out, Angela twisted the narrative in her head to make it out like she was the innocent victim and El was the bully. Same thing with Jason in regards to how he treats Eddie: Jason sees himself as the perfect "All American Boy" and Eddie as the freak who may one day become a criminal and gives Hawkins a bad name. And while the deaths of Chrissy and Patrick (combined with witnessing how Patrick died which he chalked up to Eddie being in league with Satan) played a major role in Jason's actions, he already had preconceived notions about Eddie without truly getting to know him first. There's an argument to be had that, even without Chrissy's death, he would have looked for any reason to go after Eddie if he felt justified in doing so.
Even isolated areas like Hawkins Lab weren't exempt from this: Dr. Brenner specifically fostered a culture among the special kids where he would put them at odds with one another to fight for his approval, and allowed El to be viciously bullied by Two and the others in the hopes it would unlock her potential and get him the results he wanted. Brenner established the institution where El grew up in, and was the main person who benefited from it. Two was a vicious bully similar to Angela, but the reason he became that is because Brenner and his cronies enabled his behavior (only punishing him as a means of building up resentment among the other kids towards El and making her more of an outcast as part of his plans).
Likewise, there's an interesting parallel between Eddie and Vecna: Both are "outcasts" whom society tried to force to be "normal." However, while Eddie still maintained compassion and empathy for others, as well as making it his mission to look out for other outcasts like Mike, Dustin, and Lucas so their lives wouldn't be miserable, Vecna internalized the rage and resentment of "performing in a silly terrible play, day after day" until it consumed him and turned him into the monster everyone feared. Now he intends to destroy everything and everyone so he can create the world he wants.
It's the Harvey Dent quote from The Dark Knight:
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Eddie, despite being treated badly for most of his life, died as a hero, protecting those he cared about. Vecna lived to become the villain, and has abandoned his humanity in pursuit of his goals.
Tying this all back to Roger Ebert's letter: While Season 4 may have been dark, there was meaning to be found in the darkness: The season hit on the theme that, in spite of how Hawkins looks like a perfect suburban neighborhood, there's a lot of rot underneath, and NOT just from the Upside Down. There's an inherent bigotry in the town (and others like it, such as Lenora), of institutions trying to mold students and teachers into "productive members of society" at the cost of their happiness and well being, of punishing anything that's considered abnormal or against the status quo, of how ostracizing "outcasts" can lead to a self-fulfilling prophecy where the person either becomes the monster (Vecna) or is scapegoated and can never escape those stigmas no matter how hard they try (Eddie).
The Duffer Brothers aren't apathetic in their attitude about how they depict characters and themes on the show. If anything, they care deeply. It's why they wrote the character of Eddie in the first place, and based him off of Damien Echols, one of the West Memphis Three who was wrongfully convicted in 1994 of the murder of three boys in Arkansas, with a lot of bias directed at them due to the three of them being "delinquents" (as well as how the police pressured them into giving false confessions), which resulted in their lives getting ruined. Likewise on the show, Eddie is accused of killing Chrissy when he didn't (simply being in the wrong place at the wrong time), and his life got destroyed because of it. Even if he was a delinquent with his own personal issues, he didn't deserve what happened to him. Neither did Damien Echols. Society failed both of them, and allowed the true killers to go unpunished.
There are a lot of problems in our society today that have carried over from the 80s: From cultures that enable bullies and punish their victims, to attempts to control what kids learn in schools and how they should act, to bigotry and biases that aren't just rooted in people but in the institutions and laws that uphold the social structure, to people like Jason who take the law into their own hands regardless of the collateral damage it will cause, to government corruption, to people dehumanizing others because it's more important for them to be right over being nice, and so on. Stranger Things may be a love letter to the 80s, but it does not shy away from deconstructing the uglier aspects of that decade, and conveying how some of those issues had carried over into today's culture.
Final Thoughts:
Overall, this book is a mixed bag. It gives interesting details about Eddie and his life, and provides better context for certain scenes in season 4. Given that Caitlin Schneiderhan (the author of the book) had talks with the Duffer Brothers and other Stranger Things writers prior to penning this, it's likely this book can be considered canon. It's also a book that inspires discussion (as you can tell from what I've written), which is always a plus.
However, if you're a fan of Eddie, and you were upset over his death, this book isn't going to give you any catharsis. Unlike others, I'm not going to claim it's milking off of Eddie's popularity. At the same time though, it is hard to read when it teases that things might get better for Eddie and you already know what Eddie's fate is going to be.
In other words, you have to decide for yourself if this is a book you want to read. I hope my synopsis and this review gives some idea of what to expect.
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giulliadella · 4 months
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Hellraiser: the Toll is dumb AF
You freaks liked my review of The Scarlet Gospels, so I'm here to deliver this short review of another garbage Hellraiser novel while I'm procrastinating with studying for the finals. Spoilers for the entire thing (and some funny fanart) below:
Hellraiser: the Toll is a novella written by Mark E. Miller that serves as a passage between The Hellbound Hearts/Hellraiser movie and The Scarlet Gospels. It sucks harder than a black hole.
Short summary (5 sentences)
Kirsty Cotton is a depressed fucked up person that is running from place to place because she's scared of "The Cold Man" which is a nickname she gave to Pinhead. She gets a letter from some random theology professor and decides to go visit The Devil's Island in French Guiana where she's told the Cenobite would wait for her. She goes to a hotel kept by an old lady and a butler named Walter, the old lady is skinned alive and the butler tries to kill Kirsty, but she smacks his face with a hammer and kills him. Then she enters the jungle prison on the Devil's Island and meets Pinhead, they chat, then argue, then start a fight which ends by Kirsty smashing his face with a hammer and taking out one of his nails. She returns home and keeps the nail in a jar on her night stand.
Endlessly confused plot
I honestly can't tell what universe does this book describe. It's a mashup of "The Hellbound Heart" and Hellraiser movie, but the second movie is not cannon, which is very weird. The author basically picked and chose whatever random thing he liked and made a senseless mashup. One of the worst things about it is the same fucking issue with the Boom! comics and that is that Kirsty hates Pinhead because he "killed her father and ruined her family". Which is pure bullshit from every angle. In "The Hellbound Heart", Cenobites only killed Frank and Julia and let her go. In Hellraiser, they also killed Frank and Julia and she barely escaped. Her father was killed by FUCKING FRANK. Pinhead didn't ruin Kirsty's family, Frank did. I don't think that Kirsty would hold any ill intent towards the Cenobites, in fact, in Hellraiser 2 she objectively doesn't. She wanted to save them for fuck's sake. And they all gave their lives for her. I really have no idea why would she have any reasons to hate Pinhead, but oh well.
Pinhead acts like a whiny little child
Seriously, what the fuck is with these books and assassination of Pinhead's character? Why the FUCK is he depicted as narcissistic, misogynistic motherfucker, when he couldn't be further from it? Also, why does he use his fists to fight Kirsty when he can summon chains with hooks by will and also has like 12 butchering knives hanging from his belt? The worst part is probably the dialogue, especially when he says "Jesus wept", like, come on, that's the dumbest thing I've ever read. Does the motherfucker who wrote this think that Frank and Pinhead have any parallels? Because if he does, he needs a hit on his head with a hammer, just to reset his brain.
Hell is shit - literally
The description of Hell in this book is even dumber than in Scarlet Gospels. It says that the floor in Hell is made of shit. And there's a hole and people in Hell worship the hole and throw babies in it. Like, what the fuck. Also, I fucking hate the fact that he described Cenobites as foul smelling. Do your research, motherfucker, they smell like vanilla! There is some stench of rot beneath, but nobody in the entire franchise never had the urge to vomit when they were close to the Cenobites, so it can't be strong. I don't know how did the author of this garbage come to the idea that Cenobites smell like shit and that Hell is made of shit, but it's literally like how a 13 year old would describe it. I don't know what is the reason, but maybe, just maybe, straight men have much different interpretation of what Cenobites are compared to queer women like myself.
Stuff I liked
There was one scene where a demon was running in the rain screaming FUCK!FUCK!FUCK!FUCK!FUCK!FUCK!FUCK! until he was struck by lightning. I laughed my ass off with that.
The fact that Kirsty kept the nail she knocked out of Pinhead's face by her bedside was so cute. Like, this book has some shipping, but it fucking sucks. Mostly because both Pinhead and Kirsty are very much out of character. But keeping the nail was definitely in character for her lol.
Overall, this entire book could be summed up by this illustration:
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The Toll sucks. It doesn't suck as much as Scarlet Gospels, and, thank Goddess, it's only 40 pages long. But it still sucks. It ruins both Pinhead and Kirsty and their relationship and it's definitely not worth your time. If you want good stories about the Hell Priest and his human crush, go to AO3, there are many of superior quality.
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squadrah · 1 year
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Everyone’s favorite store at the mall? 👀🛍️
Risotto: Large scale sports stores because nobody will bat an eyelid at his size (and only the more courageous clerks will try to assist him) and if he wants anything, he is sure to find something to fit him.
Formaggio: Toy stores for the fun factor like looking at novelty decks, juggling small items to amuse kids, or heckling parents who are too uptight to get dolls for their sons or robots for their daughters.
Prosciutto: Book stores, and he will spend all of his time skimming through whatever has caught his interest. He often gets through dozens of books before purchasing a single one to throw a bone.
Pesci: Newspaper kiosks so he can check whatever comics are available while also excitedly browsing newspapers and magazines for headlines that could be used as conversation starters later.
Ghiaccio: Shoe stores, and he usually sticks to the sports section there to inspect sneakers and trainers, stimming on the materials as he goes. Tends to line up and meticulously rank his best finds.
Melone: Stationery stores because he cannot resist novelty pens and crisp, clean notebooks. Always ends up buying something when he already has more than he will ever use (they make good gifts, so).
Illuso: Large scale clothing stores where there are plenty of mirrors to move about because it gives him space to disappear and he can put on a fashion show inside without having to wait for fitting rooms.
Sorbet: The home improvement store where he can fantasize about how his ideal home would look if he could afford it, and if he has company, he will do snarky reviews of random items for fun.
Gelato: The lottery booth, not just because he enjoys buying tickets but also because he loves to chat it up with folks trying their luck there and have a consolation drink after if they're down for it.
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hikennosabo · 9 months
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trimax vol 10 random thoughts (ch 5-8)
part 1 here.
okay, time for part 2. i don't want to do this, i have a pit in my stomach.
chapter 5:
destroying razlo's punishers... a good strategy!
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getting leverage to jump by stepping on his leg, i love it
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you could say he. he was. *wheeze*... i guess you could say he was... ...disarmed... [a comically large hook drags me off the stage]
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wolfwood and razlo just met today (not technically but y'know), but he can read razlo so well already, taunting him like this.
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THIS FIGHT...!!! it's reminding me of vash vs knives in the finale of the 98 anime! one black gun and one white gun, and them being on even ground, making the same moves...
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they're an even match when they're just whaling on each other, but wolfwood has tactics that razlo doesn't. also this is an insanely cool move.
chapter 6:
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^ how it feels to read trigun maximum (said again)
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^ how it feels to read trigun maximum (said for a third time)
he knows wolfwood is dying. we know wolfwood is dying. he can't do anything to stop it. we can't do anything to stop it. (except for refusing to keep turning the pages, i guess)
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THEY HAVE NAMES?
vash can't do anything to stop wolfwood from dying, but he can help wolfwood go out on his own terms...
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PLEASE, HE'S ALREADY DYING, WE DON'T NEED YET ANOTHER DEATH FAKEOUT FOR THE BOOKS.
livio interfering... i'm not an expert but this is not how DID works. but sure. the drama carries it.
WHY AND HOW IS CHAPEL STILL ALIVE FUCK YOU FUCK YOU FUCK YOU FUCK YOU FUCK YOU
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razlo realizes very fast that chapel never cared. despite his verbal denial, i think he was realizing way before this.
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DESERVED!!! YES.... KILL!!!!!!
of course razlo can only attack. attack, like how he killed livio's parents. not that chapel doesn't deserve it, but this is the only thing razlo knows how to do.
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ough. livio apologizing... "i'm okay now"...
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so is razlo just gone now? like i said, i'm not a DID expert, i know re-integration(? not sure if that's the correct term sorry) is possible, but i don't know if this is how it works...
honestly, i feel bad for razlo. he only knew a life of violence, he was manipulated and indoctrinated by chapel, all he wanted was to be needed but his last experiences are finding out that chapel didn't care about him and then livio telling him he doesn't need him anymore. poor guy.
chapter 7:
oh, no, i don't want to read this chapter again. don't make me read this chapter again.
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the difference between this and tristamp... stamp had the orphanage much more directly tied to EoM, and a bunch of guys in suits came to pick wolfwood up. this scene is a lot more "normal," a lot less obviously suspicious. idk if i'd go so far as to say stamp!melanie was in on the whole thing, but she doesn't look happy about wolfwood leaving... i do wonder how stampede will handle all this... ANYWAY!
"six years"... lmao. now i understand what people meant when they said the timeline is confusing. it's killing me and i hate it, actually?! nightow ALL you had to do was NOT specify a number!!!
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the coins... i constantly forget about them and i find it funny whenever they're brought up... they were so clearly meant to set the ghg up as a shonen battle enemy-of-the-month type thing but then that got thrown off the rails when the magazine ceased publication and everything got turned upside down. yet the coins persist. what are they all for in the end.
also i'm sad. this is wolfwood's paltry attempt at pushing vash away. (also he's been carrying rai-dei's coin this whole time?! lol?! that's also sad... just waiting to give it to vash i guess...)
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"this is the way you want it? are you sure?" i'm just fucking inconsolable at this point.
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of course this attempt at sincere emotion is deflected. you boys are so, so, so, so, so stupid.
i can't do this man. i can't review the couch scene. i'm crying too much.
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the prayer. this especially is getting to me. we've seen wolfwood pray a few times, but now it's vash's turn to pray. we've never seen him do that. and while vash was there to answer wolfwood's prayer... there is no one to answer vash.
what if i climbed into the microwave right fucking now.
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ourgh. out of all the images in this chapter, this is the one that stuck with me the most. even more than the couch images. ugh, i can't even fucking write.
chapter 8:
i don't know where else to say this...? lol but livio's personality is different, he's cute now. is this because he broke out of the EoM brainwashing or because he integrated with(???) razlo? (once again: IS this how this works???) or is it both? either way he's a lot more expressive than he was before...
other people have already talked about how we didn't see the burial. i'm also thinking about everything else we didn't see. vash buried wolfwood, and he also cleaned up outside, brought livio in and laid him down, gathered ingredients and started cooking...
how long did he sit on that couch for before he moved. how much and how hard did he cry. we didn't see that either. we don't need to.
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knives. he's smearing blood on his face again.
his laughter... i don't think he finds this funny like "haha funny" necessarily, i think he's just losing it.
vash defends the orphanage and knives doesn't even push it. he just moves on. hmm, i'm trying to articulate this... vash's display of power used up more of his life, which knives noticed obviously, and vash is willing to go that far to protect the orphanage... knives still doesn't want vash to die, and... he's laughing out of disbelief, or something like that. i don't know.
vash and livio sharing a meal together is... it's nice. but vash is still clearly very angry. with livio, with razlo, with himself too probably.
i don't know. i'm not angry with livio or razlo at all. they were both victims of chapel same as wolfwood. this is all chapel's fault in my mind, lol.
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oh.
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we're gonna see this in stampede too, aren't we. wolfwood will die for a third time and we're gonna see vash holding the punisher.
the fact that this volume doesn't even have the goofy author extra... we're just forced to sit with this. man. the book club wasn't kidding, it's so much worse the second time around. the first time i cried a little but i was mostly just taking it all in. the second time i was like actually heaving and sobbing. reading this volume twice within a few days was a BAD IDEA.
AND WE STILL HAVE FOUR VOLUMES LEFT. HOW AM I SUPPOSED TO GO ON AFTER THIS. four entire volumes without wolfwood...
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Underwater #3 (1995)
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Underwater is one of the few unfinished Chester Brown's works, hence it has never been compiled in graphic novel format. The only phisical evidence for its existence is the original comic book series where it was periodically published by chapters.
Neither plot nor author's aims are easy to understand starting with chapter three. Underwater is deliberately surrealist, its dialogue is written in a bizarrely distorted version of English, and a single chapter is too few pages long to draw any kind of conclusion.
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In fact, the Underwarter episode is so short because it only fills half of the book. The second half belongs to another legendary unfinished work by Brown, nothing less than the Christian Gospels comic adaptation!. Particularly, these 13 pages adapt the "fedding the multitude" miracle according Gospel of Matthew.
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It's known that Brown's graphic translation of Jesus' life has a very special feature among others in any medium: The mood and look of Jesus changes depending on the particular gospel writer he is adapting. Clearly, the chosen depiction for Matthew's part is quite uncommon: semi-bald, older than usual, serious (almost angry) face... I am tremendously curious about the other alternative versions and the autor's reasons to choose those characterizations. I'll look for more chapters of Underwater and Yummy Fur on the Internet, hoping that Chester Brown take the decision to finish any of those works in order to see it reprinted .
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Purchased at Gosh! (Soho, London) for  £3.50
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alligatorjesie · 5 months
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*glances at the raging cunt who keeps posting harassment to this fandom's tags every month or so*
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You know the last time I checked you're not a fucking reylo so beats the fuck out of us why you're up in our goddamn shit so often @watchingtheearthrise
Cait Corrain isn't active in this fandom. She's hardly a reylo, and if she's gonna act like that she's not fuckin' welcome here.
I think they may have wrote a few reylo fics a long time ago but they're not a big name writer and the fandom as a whole don't really know who the fuck this person is.
I've seen a few people online mention Cait's book is published reylo fanfiction but I can't find anything from the writer confirming it so we’re all just assuming it started out as a reylo fic.
Looking at it, it seems more like lore olympus fanfiction than reylo but again, until the author says otherwise we’re just assuming.
Cait did however talk a gullible friend into helping her sabotage other people's book reviews and when the lacky she coerced did it wrong because she didn't really explain her dastardly plan very well and the moment she realized how badly the 'friend' fucked up she threw that kid under the bus.
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But even that shit is kinda sus because these timestamps don't fucking line up. This conversation looks doctored to a lot of people meaning the only person responsible for being a cunt here is cait and you @watchingtheearthrise.
The friend is mentioned to be a reylo but you can't really put much of the blame on them since they were just doing what their cool(shitty) published writer friend asked them to do, assuming this friend is even real.
Cait didn't get mad she did a bad thing. She got mad she did it poorly and got caught. Which speaks volumes about Cait.
You being here assuming the worst out of this fandom every time someone so much as sneezes without saying 'god bless you' speaks volumes about you @watchingtheearthrise.
Please for the love of fuck would you find a fucking hobby to pour this endless passion into.
You know something really fun that I've spent a lot of mental energy on over the years and has brought me great pride and joy is this Star Wars Episode 9 rewrite comic I've been working on.
Legit!
I got character sheets and new alien designs.
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Most of the script is wrote out, I'm currently working on storyboards and page framing.
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I'm only as far as I am because I have a life outside the computer and can't dedicate endless hours a pet project but it's got 2 of my favorite things in it:
A narratively cohesive continuation of The Last Jedi-
And furries.
Because fuckit why not it's my fucking comic.
You're welcome to laugh, and I know you will because you're a huge pile of shit, but doing this has been incredibly cathartic.
we live in a world were we have increasingly little control over basic shit in it. Media can feel like it wants to make money more than it cares about the story and character development and if I want media I’ll actually enjoy well goddamnit I guess I’ll make it myself.
I want it to be good. I want the salt of the fact a random furry wrote and created a better Star Wars EP9 to burn. I think thats funny.
I personally didn't like EP9
(Notice how I dislike EP9 but don't go out of my way to harass people who like it @watchingtheearthrise?)
So I decided to just make my own. Instead of being asshole to people in a fandom who do like it.
(Notice what I'm doing there @watchingtheearthrise?)
I don't see you in here when the fandom does nice shit like donating a shit ton of money to Adam Driver's arts for the military foundation.
I didn't see you in here when Thea Guanzon, a southeast asian reylo's published book became a new york times bestseller.
I don't fucking see you pop in when the dedicated members of this fandom post art and stories and celebrate the thing they love.
Don't let a single person who is acting shitty color your entire opinion about a whole ass fandom man. God fucking knows if I took this approach with finnreys I would just assume all of them are huge pieces of shit because nine times out of ten the people posting anti hate to the reylo tag are finnreys.
But since I'm not a complete fucking dumbass Like Some People Here
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I'm able to use some common fucking sense and see it's not the finnreys that are shit.
finnreys are fine.
It's just like... 4 unique people with a lot of extra accounts.
real fucking bold to comment on someone making extra accounts to do nefarious things online from someone who already does that.
I’m pretty fucking sure at least 6 of the antis I regularly come across in this tag Are Your Accounts @watchingtheearthrise. You admit to 2 extra ones you’ve used to harass people in this fandom in the past In Your Fucking Bio
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( I love hate how you have reylos in your DNI but paradoxically will not stop posting to this fucking fandoms’s tag I swear to Jesus Fucking Chri-)
God fucking bless you @watchingtheearthrise I hope you find someone who helps you learn how to not be such a festering cunt.
I started out this post not even know who the fuck Cait Corrain is. I still don't give a fuck because shit people can go fuck off into oblivion for all the fucks I don't give but since some asshat antis can’t be fucked to do a goddamn second of research I guess much like that ep9 I'm rewriting I’ll just fucking do this too.
Cait's a reylo about as much as you @watchingtheearthrise and you’re both welcome to let the door hit y’all on the ass on the way out.
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greatqueenanna · 4 months
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1/5/24
Happy New Year Everyone!! Here's to more Frozen Content in the coming year!
———
Introduction
So, I want to start out by saying that I know I have been a little quiet lately and haven't had any updates on posts. I had caught COVID and was fighting it for a while feeling horrible. I still feel pretty bad, but I'm slowly trying to come back. I apologize for my slow return and low activity, but I promise that I'll be back swinging with new analyses, tid-bits, and other projects very soon!
———
Arendelle Archives
I am ecstatic to announce that, as you've already seen, Arendelle Archives is officially setting up a blog here on Tumblr. It will be launching January 6th. Keep an eye out, and be sure to follow!
Also, just had to post this for shameless advertising hehehe.
With Frozen 3 now on the way, YouTube channel Geekritique revisits the story of Frozen as it stands so far in an expansive timeline video that compiles lore established across the movies, animated shorts, and tie-in books to create a detailed history of Arendelle.With the aid of dedicated fan group Arendelle Archives, the video begins with the grand designs of King Runeard (Jeremy Sisto), the shameful conflicts with Northuldra over the dam, Anna(Kristen Bell) and Elsa's troubled childhood, and the deaths of Agnarr (Alfred Molina) and Iduna (Evan Rachel Wood) that would lead into the original movie. The timeline takes into account the events of Joe Caramagna's comics that bridge the gap between each movie, as well as the novels Dangerous Secrets: The Story of Iduna and Agnarr, Forest of Shadows, and Polar Nights: Cast Into Darkness. - Nathan Graham-Lowery - Screenrant
———
Upcoming Analysis
Frozen Canon Talk - Fifth Edition - Arendelle Archives
What Came Before Part 2 - Previous Versions of Frozen 2 
All is Found: A Frozen Anthology - Review
Lost Legends: The Fixer Upper - Review
Tid-Bits #9 - Elsa’s Apology and Writing Good Dialogue
———
Poll Question
As with all of my recent updates, it’s time for the next poll question to my super vague F3 post. As with the previous update, I will also provide the results of the previous polls, with my answers as well.
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———
Other Featured Blogs
@arendelle-archives - A fan-project exploring, researching and analyzing the history, geography and lore of the Frozenverse.
@gqa-lite - GQA side blog for more random, opinionated, and personal posts.
@gqa-archive - GQA archive of all my analyses without any extra content.
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watchingeverydcmovie · 4 months
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Adventures of Captain Marvel (1941)
I am watching every movie based on a DC publication in release order, for more information, see my pinned post.
First movie, Adventures of Captain Marvel from 1941.
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Release Date: 3/28/1941 (This is the offical release date but also confusingly not the date the film was released, but instead the date that the sixth chapter was made available to film exchanges.) IMDB Rating: 7.2 Age Rating: Passed Runtime: 3 Hours, 36 Minutes/12 Chapters
GENERAL -
Adventures of Captain Marvel is considered the first comic book character adaptation ever. Captain Marvel (now known as Shazam) was not owned by DC at the time of this serials released.
In general, the plot is about Billy Batson going on an archological expodition with a team, meeting a wizard, gaining superpowers, and then his team steals this artifact and then they're hunted down by a masked villan called the Scorpian who they very quickly realize is a member of their own group.
MY REVIEW -
Is this movie good? Questionable.
It has not aged well, and I wasn't expecting it to have, but oh boy, is there a lot of rascim in this thing. Otherwise, it's engaging enough, if repetative, and it's very often uninentionally funny. The format that serials of the time used means that every chapter ends with a cliffhanger, which often leads to unnecessary drama being added that you can guess the resolution to before watching the next part. This also didn't need to be as long as it is, and there are often plot points that were definitely added just to add runtime.
That being said, I think Frank Coghlan, Jr. as Billy is an extremely likeable lead. He's generally sweet and charasmatic, and I like the movie most when Billy, the female lead Betty, and their friend Whitey are together.
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I think the action scenes are well choreographed if a little silly, and all of the actors are pretty good overall.
Final Rating: 4.5/10
Would I watch this again? No. Maybe if it was shorter.
RANDOM THOUGHTS -
Billy Batson spends this entire movie getting knocked unconcious. In fact, all of the characters do. There is so much head trauma in this movie, it's unreasonable, but extremely unintentinally funny. I wish I had coutned how many scenes end with or contain a character just getting knocked on the head and going unconcious, it has to be upward of twenty. Also, when Billy wakes up, he's always gaged, even if other charcters who are with him aren't. This makes sense considered that he has to say the word "Shazam" in order to turn into Captain Marvel. However, it absolutely *doesn't* make sense when you add the knowlege that absolutely nobody knows he's Captain Marvel or that Captain Marvel needs to speak to use his superpowers.
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There's one scene where Captain Marvel rescues Betty from a group that kidnapped her and then turns back to Billy before she wakes up. Before she got kidnapped, she was attempting to get to a certain location before the bad guys, and Billy assures that he'll get there faster on his plane, and then brushes her off when she attempts to go with him. I saw this and was thinking "Ah, yes, Billy Batson, who is Captain Marvel, who can fly, does not actually own a plane, and will instead turn into Captain Marvel and simply fly there with his superpowers." Imagine my surprise, when Billy then goes to airport and gets into an actual fucking airplane. Why did that do that?? What was the point??????? The man can FLY.
I think I am far to used to modern superhero comics and movies where, like, "should the hero kill the villain" is posed as a tough moral quandry and the answer is usually "absolutely not", because Captain Marvel kills SO MANY PEOPLE. And not even the main villain, someone else kills the main villain, Billy just throws a henchman off the roof of a parking garage at some point. He gets his powers and immidiately goes lethal.
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I'm also extremely used to the Captain Marvel/Shazam narrative of "very young boy gets superpowers and looks like an adult", which means that this movie's "young adult man gets superpowers and turns into a just slightly older but different man" is very funny.
FUN FACTS -
To achieve the special effect of Captain Marvel's transformation, the production team apparently put a trough of flash powder in front of Frank Coghlan, Jr. who played Billy and ignited it, which apparently lead to Frank Coghlan, Jr. losing a few eyebrows if the wind was particularly unfavorable.
Frank Coghlan, Jr. also apparently did not know who Captain Marvel or Billy Batson were before getting the role.
They used a paper mache dummy to achieve the flying effects from far away. It is incredibly obvious when they do this and also very funny.
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adarkrainbow · 5 months
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Masterpost 14: End of autumn
Various fairytale illustrations: Illustrations from "Past Time Books" (part 1 - part 2 - part 3) - Some Hansel and Gretel illustrations - An image d'Epinal (Little Red Riding Hood sequel) - Philippe Jalbert's In the eyes - Some Grimm fairytales illustrations - A 19th century book - Another image d'Epinal (with some Bluebeard talk) - Random wolf anatomy
The Tale of Tales movie analysis: Part 1 - part 2 - part 3 - part 4
French folktales and fairytales: A Snow-White from Corsica - Beanstalks in France? - A question about wishing - A French variation of The Fisherman and his Wife - Little Golden Hood - Mind like an angel - What race meant in Perrault's texts - Fin de siècle fairytales (part 1 - part 2) - An university talk about medievalism in 17th century fairytales (plus addendum) - A discussion about the Drac and affiliated beings - About the French Sleeping Beauty opera - A literary Snow-White
History of fairytale studies: How Bettelheim "saved" fairytales in France (plus a question I was asked about it) - Jack Zipes talk (part 1 - part 2) - Asked about some Aarne Thompson resources - Dickens' Fraud on the Fairies
Ogre illustrations: Caricatures - Advertisement - Little Thumbling (part 2 and part 3)
A Tale Dark and Grimm: An Adam Gidwitz interview - My final opinion about the Netflix series - The beautiful French illustrations - The concept art (part 1 - part 2 ) - The storyboards (part 1 - part 2)
BD reviews: The bad - The good - The okay
Otomo Katsuhiro's Hansel and Gretel: Part 1 - part 2 (plus a dark webcomic)
Other things: LGBT characters in the Fables comic(s) - A possible lost Hansel and Gretel adaptation - A discussion about ogres, orcs and orcas (here) - Pierre Dubois talk (part 1 - part 2 - part 3 - part 4) - It killed me - A Series of Unfortunate Events - What this blog is about
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kellyvela · 9 months
Note
There is difference between creative license for graphic novels and just random artworks. Its common sense. Secondly, starks canonically have dark hair so drawing them as such is not strange, however, drawing them with red hair is out of blue.
Maybe it seems out of the blue, but among the people in charge of the 'A Clash of Kings' Graphic Novel are GRRM's own editor Anne Groell, and his friend, minion, and collaborator Raya Golden, who often updates GRRM's Not a Blog.
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And there's also the fact that GRRM's editor Anne Groell, and the adaptor of 'A Game of Thrones' Graphic Novel, Daniel Abraham, know some parts of the series's ending.
So, there are many important people involved to believe that this is just a mistake.
~~~
About the curious case of the Redhead Rose of Winterfell from A Clash of Kings Graphic Novel that looks too close to Sansa Stark and her mother Catelyn, and how this fact makes fave sister stans cry . . .
~~~
UPDATE:
GRRM talking about Graphic Novels illustrations:
"I just carefully reviewed all the dialogues and drawings to make sure that no mistake or inaccuracy crept in anywhere."
A series of comics based on your story "The Hedge Knight" has recently been released. Are you satisfied with its implementation? Are there any plans to make comics based on your other works? The proposal to create a comic book based on The Hedge Knight did not come from me, but from the publisher. I was contacted, showed some preliminary sketches, which didn't impress me. But the guys were persistent and did not give up: they continued to search for a suitable artist until they settled on Michael S. Miller. In the end, he did his job just perfectly. Michael was very cool, in my opinion, was able to convey the inner essence of the characters through their appearance - that's exactly how I imagined them when I wrote the story. My participation in the project was minimal: I just carefully reviewed all the dialogues and drawings to make sure that no mistake or inaccuracy crept in anywhere. Now we are discussing the creation of a sequel based on the second part of the adventures of Dunk, published in the collection "Legends 2". It will most likely be made in the same six-comic series format as Knight of the Hedge. We also discussed the possibility of creating comics based on the Canto novels themselves. But given the size of my books, this would require a really massive series. I'm not sure that we are ready for such a grandiose project. —Mir Fantastiki - 2006 - Google translation from the source in Russian:
~~~
Told you!
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