#goodbye eri

[ultimateinferno]

This man is insane.

#csm #chainsaw man #tatsuki fujimoto #fire punch #goodbye eri #i might try it myself tbh #theres an implied (afffectionate)/(admiration) after insane just fyi

[cutecapybarapics]

#goodbye eri #sayonara eri #tatsuki fujimoto #mangacap #manga panel #manga aesthetic #manga #monochrome #manga scenery

[sugar-grigri]

I think I remember you making references to Fire Punch in a few analysis post so I assume you've read that one, but have you read Goodbye Eri, and if so do you have any particular thoughts you want to share on it? It might be my favorite, although it's hard to rank Fujimoto's works because there's something different I like about all of them.

Hi Yuta! or is it Fujimoto?

2022, Goodbye Eri is released and I'm in for a huge slap in the face! I've finally got the chance to talk about it, so thank you!

It's hard to come after the war after this one-shot has been the subject of so much analysis, interpretation and criticism. But I think it's a work that's deliberately designed to be a trap, and the first mistake would be to try absolutely hard to determine whether Goodbye Eri is true or false. 

Trying to detect the true and the false is futile, not that it's really impossible, but arguments could be several pages long and the theories put forward would remain mere hypotheses because no explicit confirmation is given. Quite simply because this is not the aim of the work, nor a satisfactory way of reading it. 

For example, when Yuta's father seems to be getting angry with Eri, we understand from Eri's "And Cut!!!" that it was all a set-up. So, as a good reader, we can only assume that what follows is pure reality. However, the father, now an actor, if he should play his line differently.

As another illustration, when Eri is close to death and Yuta are talking, there are a few hints that they might have a relationship, but this is denied by Yuta himself, in a discussion with Eri's friend. 

The film plays with this to such an extent that all sorts of theories are possible. It could just as easily be interpreted as there being only two films (on Yuta's mother and then on Eri's death), two films but in different ways: one about Yuta's mother and a second film about Eri, as a vampire, with the end scene played by Yuta's father and by Eri before her death.

This explains why, even after Eri's death, Yuta continues to film because the film isn't actually finished yet, the editing being there to reverse the scenes played chronologically, to make it look as if Eri was still alive, and so on. ..

As you can see, it all makes sense, and our preference is purely personal because they all work. But I'm not going to play that game, because it only shows me one thing, and that's that the plot surrounding Eri is deliberately obscure. 

I've seen a lot of people describe Goodbye Eri as a work about dealing with death - the way we want to remember those we've lost, etc... It's about mourning, symbolically saying goodbye, hence the title. Which is true! But it goes further than that.

Eri's plot is deliberately obscure because the right way to appropriate the work is not through her. She's the character we know least about. Physically alone, we learn that she wore glasses and braces. Mentally, she was more annoying than she seemed in the movie. Eri is a mirage in which we won't find answers, so we have to learn to say goodbye.

The only reliable information given in this OS is that everything is filmed by Yuta's phone. And in reality, you know Yuta better than Eri, so it's him you should turn to...

Hi Yuta!

Yuta is almost never shown in this OS, as he is always filming. And when he is shown accurately, it's when he's inspired by other films by watching them with Eri, in other words, he's continuing to work on his own film by watching others. 

Yuta's first film began as a result of his mother's narcissistic desire, as he was celebrating his birthday, discovering his gift, a smartphone, all of which was directly taken over by his mother, who asked him to film her until she died.

By keeping only the good sides of his mother, ignoring all the abusive parts of her, Yuta does not follow his parent's wishes, he does it for himself, showing what he himself wants to retain from his childhood, his story, in order to move forward properly.

But as everything is filmed, it gives the impression that the videos have been passively lined up without any sorting, without any choice. Yuta takes his revenge because he refuses to film his mother until the day she dies, stopping before then, preferring an explosion to conclude his film. It's brutal because it's as if Yuta's tastes, his little touch of fantasy, are suddenly surfacing, while the rest of the film is just as personal, just as him. So when his film is mocked, it's a work so personal that Yuta wants to die. 

It's not insignificant that it's Eri who intervenes, whose only certainty was that she loved not only the films but also Yuta's, simply because she saw not only Yuta's mother in this film but also him, whom she considered to be the best character. She wasn't revolted by the ending, because she was aware of Yuta's touch throughout the film. The same ambiguity then resurfaces, we don't know if Eri is in love with Yuta, she corrects him to say that it's these films, the two are so linked, that liking Yuta's films is tantamount to liking the teenager. 

Yuta follows Eri's desire to produce a film that is above all personal to him, to the point that when Eri sees her last moments narrated by him, she sees Yuta more than herself, because she is seen through someone else's eyes. 

For me, there aren't two or three films, but just one from start to finish. Because you see, we've said goodbye to Eri, we've got out of her tricky story to reflect on Yuta, but we still haven't stepped back enough. Because you know who made the film, and it's not Yuta, it's Fujimoto. So, third stage :

let's salute Fujimoto. 

The film we've just seen in this OS deals with a number of overlapping themes, the way in which a loved one is portrayed, the relationship with others, death, creation, but above all, the extent to which a work is personal. Goodbye Eri is a pretext for Fujimoto to show us the extent to which even the cutting is the fruit of reflection, is already a message.

In this OS, all the boxes are in the video format of a smartphone, each moving, static shot depends on Yuta, just as each shot is in the third row, drawn by someone.

People make the mistake, like the first audience of Yuta's film about his mother, of relating to works as linear stories to be trusted, even if they film his mother every day, Yuta's editing is his way of counting a story, it is certainly not the truth in all its neutrality. It's only at the moment of the explosion, which expresses the most of Yuta's personality, that people get upset.

This offbeat, absurd explosion is something that Fujimoto punctuates in his works, yet they are both thought out and personal to him. But they are often mocked as a way of poking fun at his work. What Fujimoto is saying is that the work doesn't become brutally personal for the controversial, offbeat moments, just the way he depicts a scene from life is personal. 

People believed this version of the author's mother, otherwise they wouldn't be outraged by this disgraceful way of portraying this nice woman at the end, so in itself, Yuta's film worked. But all this is just a pretext for Fujimoto to point out that he is the author of all his other works, CSM, Fire Punch, Look Back, Just Listen to the Song... They are just like another film made in response to the positive or negative reactions of the others.

Fujimoto likes to trace the common ground between these works, which respond to each other. Each one, placed side by side, is an attempt by Fujimoto to upset his audience a little more, a second or third try.

The mistake is to separate the author's touch from his work, just as we are tempted to focus more on Eri than Yuta. Just as Fujimoto reminds us through this OS, who writes, draws Goodbye Eri. The first part of CSM was turned upside down by the fact that Makima was a demon from the start, abusive to the point of being the antagonist.

A violent and abusive maternal relationship. The design of the mother is also a bit similar. Mentions of the breasts, something that also went down quite a bit and left its mark on a lot of readers because it was so out of sync. The emphasis on cats... A rejected boy. A work focused on female characters.

Goodbye Eri is a work in which Fujimoto makes fun of himself, his works and the things that bring them together. Yes, there will be an explosion if the author so decides. Yes, Eri can live again, be a vampire, if the author so decides, but what's to stop him making his characters die, and then bringing them back to life a few pages later? 

The characters' plots are the authors' playgrounds, whether you like it or not. You can't detach works from their authors, or read works as unrelated things because they were written by the same person. Talking about death, life, mourning, love, with a touch of fantasy is what Fujimoto does in each of them. 

So if you're lost, remember that what you're reading isn't in the title but in the author. 

#goodbye eri #sayonara eri #fujimoto tatsuki #eri #yuta #makima #csm #chainsaw man #fire punch #look back #one shot #analysis #my thoughts #credit to Reddit for the last image @/blackfish171

[ladyloveandjustice]

My Favorite New Manga and Graphic Novels I Read in 2023

It's time to take a look at the comics and manga I read this year! I read  a whopping 78 manga and graphic novels in all. Here's a link to my Goodreads year in books (the manga is at the beginning, the novels start with Siren Queen) and my storygraph wrap up.

I also read 36 novels! If you want to see my favorites, check out my reviews here!

And finally, I've got the continuing manga series I've enjoyed this year here, so check that post out too!

The Magic Fish by Trung Le Nguyen

This is a tale about a first-generation Vietnamese-American boy struggling with coming out to his mother. He connects with his mother through fairytales-- she uses them to express her journey as an immigrant, and he uses them to explore his queerness and identity as a Vietnamese kid growing up in America. It's an absolutely gorgeous book full of Trung Le Nguyen's signature stunning art. The fantastical, ethereal fairy tales are weaved beautifully into the lives of the characters. The book explores how fairy tales can form connection, can express culture, can tap deeply into something real and true, and can offer tragedy and catharsis. The protagonist uses fairy tales to write his own story, and the ending is lovely and moving.

Exit Stage Left: The Snagglepuss Chronicles by Mark Russell and Mike Feehan

You may know Mark Russell from his darker, socially aware re-imagining of the Flintstones, which made quite a splash on Tumblr with this post. Well, I had pleasure of meeting him at a local convention, and I finally got his comic re-imagining of Snagglepuss, also of Hanna-Barbera. He re-imagines the titular pink puma as a closeted gay playwright in the 50's dealing with McCarthyism. It's as wild as it sounds,but also really digs into the politics of the time, the struggle of standing against oppression and how art fights through suppression and censorship. It's tragic, hopeful, poignant and full of historical references. I enjoyed it ! Definitely be cautious if you're deeply disturbed by homophobia and suicide.

The Summer Hikaru Died by Mokumokuren

A story about a teenage boy, Yoshiki, who realizes that his best friend and crush Hikaru has died and been replaced by a strange eldritch being who is imitating him. But, missing his loved one and desperate to cling to any piece of him, Yoshiki decides to keep on having a relationship with this mysterious entity. This book's horror is visceral and sublime, especially the bizarre, creepy, beautiful body horror involving the being who replaced Hikaru. It's an exploration of anxieties involving grief, relationships, and sexuality that hits just right, and the atmosphere layered with dread is top notch. I love me some messed up relationships and unknowable queer monsters, and this book delivers.

Chainsaw Man, Look Back and Goodbye Eri by Tatsuki Fujimoto

Chainsaw Man needs no introduction, but I did end up really enjoying the story of the doggy-devil boy hunting other devils. It got so tragic and intense at the end, with lots of great surreal horror imagery and darkly funny moments. I'm impressed it went so hard, though the random powers that kept piling up made what was happening hard to follow at times, especially in fights. I'm also enjoying the current weird arc starring a class-A disaster girl and the demon sharing her body.

Look Back

I really do enjoy how Fuijimoto writes messy pre-teen/teenage girls. They ring so true. The manga follows the fraught friendship between two girls as they create manga, exploring the struggle of art mixing with real relationships, and how someone keeps creating after tragedy. It's a little hard to follow at times (especially since I have to differentiate the leads based on hairstyle), but it's a good read.

Goodbye Eri

Probably my least favorite of the three, but it's a fun read- a weird ride that examines the thin line between fiction and reality in art and makes good use of Fujimoto's cinephile background and signature gaslight gatekeep girlboss characters.

Is Love the Answer? by Uta Isaki

The story follows a teenage girl, Chika, who has always struggled with not being attracted to anyone. When Chika enters college, she meets queer people all across the spectrum of asexuality, and starts exploring her own identity. As an ace, this is the best story about asexuality that I've read. It was a nuanced look at asexuality and queerness and all the variations. Chika's journey and how she found her community was moving and poignant. It's a honest, moving look at relationships and identity, and how complicated and hard to define both of those things can be. I loved the moments of Chika imagining herself as an alien to explore and cope, and how she bonded with people through magical girl shows and other geekery. My favorite new manga of the year, it really connected with me!

The Girl that Can’t Get a Girlfriend by Mieri Hiranishi

Oh girl, I've been there. This is a fun autobiographical comic about a butch4butch lesbian's struggles finding a partner in a word that favors butch/femme, and it's just an honest look at the messiness of loneliness and relationships. I also appreciate that crushing on Haruka in Sailor Moon and becoming a HaruMichi stan was the beginning the author's queer awakening because uh...same! She has taste, and is truly relatable.

Qualia the Purple: The Complete Manga Collection by Hisamitsu Ueo and Shirou Tsunashima

See my review of the light novel here for my general thoughts on the story, since it's adapted pretty faithfully. I do think the manga is overall the best experience though, because the illustrations break up the detailed explanations of quantum mechanics a bit, and it includes a bit of extra content that fleshes things out, especially withthe ending.

The Single Life: 60 year old lesbian who is single and living alone by Akiko Morishima

Just like it says on the tin, this focuses on a 60-year-old single lesbian. And definitely the shortest thing on here, since only one 30 page chapter is out.  It's a grounded story about a woman looking back on her journey to finding her identity, touching on sexism in the workplace and other challenges. It paints a portrait of a proudly gay elder who's still perfectly content being single and feels fulfilled by the life she had rather than regretting past relationships. I definitely want to see more.

Daemons of the Shadow Realm by Hiromu Arakawa

Arakawa's latest, the story is about a boy who lives in a small village with his little sister is imprisoned and has to carry out a mysterious duty...but then the village is attacked, supernatural daemons awaken, and everything he knows might be wrong. I'm enjoying this fun romp so far! It delivers an really nice plot twist right out the gate (and an excellent subversion of the usual shonen "must-protect-my-saintly-sister" narratives). It boasts Arakawa's usual fun cast and interesting world (and cool ladies). There's some slight tone and pacing issues in the first part- there's so much time spent explaining mechanics the lead doesn't really get to react to his life turning upside down. But it starts smoothing out by the second volume. I'm excited to see what's next!

Superman: Space Age by Mark Russell and Michael Allred

This is a retelling of Superman set throughout the late fifties to early eighties that has Superman interact with the political and social upheaval of the time and question his own role in things. It explored the Superman mythos through a lot of cool new angles, and has a good Lois (why yes she would break Watergate) which is how I always measure a Superman adaptation. My one complaint is, while I liked some of the things it did with Batman, the ending with the Joker was pretty weak. The ending of the overall comic will also be bizarre for anyone not uses to how weird comics can get, but I think I dug it.

#DRCL by Shin'ichi Sakamoto

A manga retelling of Dracula that focuses on Mina as the protagonist and imagines the characters at an English prep school. It adds a lot of  diversity to the characters  and has exquisite, evocative art. I'm curious where it will go and what it  intends to do with all it's changes (especially Lucy), because right now it's mostly vibes and creepiness and the direction isn't clear.

#year in comics #manga #yuri #the summer hikaru died #the magic fish #chainsaw man #superman #daemons of the shadow realm #drcl midnight children #is love the answer? #superman: space age #goodbye eri #snagglepuss #my reviews #drcl #the girl who can't get a girlfriend #the single life #trung le nguyen #qualia the purple #tatsuki fujimoto #hiromu arakawa

[thewebcomicsreview]

I'd forgotten that I'd ordered Goodbye Eri, a short story by the creator of Chainsaw Man, until it arrived in the mail today, and it was a pleasant surprise. The book is an artsy short story about movies, nearly the complete opposite of Chainsaw Man's action-shounen spectacle, and yet unmistakably the same guy making it.

The book's central gimmick is that it's a "film" being recorded by the protagonist, and thus 98% of the pages have a panel layout that's a row of smartphone-on-its-side-shaped panels. This is a clever conceit, and one that's uniquely well-suited to the comics medium over plain text, and which gives the book a unique feel.

The story involves protagonist Yuta making a movie about his dying mother, and, after it's poorly received, meeting a girl named Eri who trains him on filmcraft, so that he can create a truly good movie (the one we're reading), which has much to say about the nature of storytelling and the importance of what's left out.

It's sort of difficult to talk about a book this short without spoiling things, so I'll leave it at this: It make me think, it made me feel, it did interesting things with comics as a medium. What else can you really ask for?

I give Goodbye Eri a strong recommend. Go check it out!

#Goodbye Eri

[belindarimbi13]

Goodbye Eri & Chainsaw Man Part 2, Chapter 98: Bird and War

#tatsuki fujimoto #goodbye eri #chainsaw man #chainsaw man part 2 #asa mitaka

[a-preferable-alternative]

[ID: Tweet by @\SketchesbyBoze that is edited to say, "i love that tatsuki fujimoto wake up in the morning and says to themselves "i'm going to write the most traumatizing thing you've ever read". End ID]

(id by @tothetrashwhereibelong )

#csm #chainsaw man #chainsaw man anime #anime #manga #csm anime #csm manga #chainsaw man manga #csm part 2 #chainsaw man part 2 #tatsuki fujimoto #fire punch #goodbye eri #csm memes #chainsaw man memes #anime memes #manga memes

[vicholas]

#my edits #goodbye eri

[fuzzyroseparadise]

with the overcrowded fandom mentioning about the death demon and joking that it could be Eri, I've noticed that in a way Eri's character physically looks like Denji and Asa's daughter.

I know you are going to tell me that they look alike because they are drawn by the same person, and you are right, but even so with that idea in mind I thought of drawing children to Asa and Denji.

the eldest daughter is totally inspired by Eri while the other two are not.

#csm #asa mikata #denji #asaden #goodbye eri #asaden's childrens #oc #csm oc #chainsaw man

[tojismo]

ベルベットより青い夜だった.

#goodbye eri #manga icons #manga #eri icons #sayonara eri #sayonara eri icons #icons #goodbye eri manga #goodbye eri icons #icons manga #animes icons #yuta icons

[cutecapybarapics]

#goodbye eri #sayonara eri #tatsuki fujimoto #mangacap #manga panel #manga aesthetic #manga #monochrome

[superchat]

#LOSING MY FUCKING MIDN CUZ I SAW THIS ON HERE LATE OCTOBER LAST YEAR AND NOW IU CANT FUCKIGN FIND IT ANYWHERE ON HERE #WHWERE IS THE POSOT #WHO YUPLOADEDED I WWANA RBELOGGG #GFKSLJDFGHLSJKDFHGLSJKDFHGLSKDFJGHSLDKJFHGSLDFJKGHSDRF #GOODBYE ERI #LOST KITTEN METRIC

[animepopheart]

★ 【澗C_23】 「 goodbye, eri 」 ☆ ✔ republished w/permission ⊳ ⊳ follow me on instagram

#goodbye eri #chainsaw man #anime girl #anime #anime art #artist: 澗C_23

[yongblock]

📍 Vernon Street.

#stray kids #skz #kpop #random #icons #layouts #anime #headers #moodboard #seventeen #goodbye eri

[linalavender]

How Tatsuki Fujimoto writes Affection

First of all I would like to give massive credit to Tiktok user @campaign_baby for their Tiktok I saw on this that really made me think of it alot more

I will Bring up Examples from:

Shikaku

Mermaid Rhapsody

Goodbye Eri

Fire Punch

Chainsaw Man Part 1 (Quite a big spoiler in this will give fair warning)

Fujimoto has a sort of strange method he uses to write that a character Loves/cares deeply for someone. And its The character either being willing to be consumed or to provide sustenance to someone, Or to consume the other person. Examples:

Shikaku

After Shikaku confesses her love for Yucel, He rushes to the hospital to offer her his blood, Making her into an immortal vampire just like him. Yucel has also fallen for Shikaku, its basically his confession of love, He wants to live with her Forever.

Its drawn in a way you can tell its such an act of compassion too.

Mermaid Rhapsody

"I loved her so much that I thought, If it was by someone with a smile as pretty as hers, Maybe being eaten wouldn't be so bad."

Toshihides Dad feels the exact same way about his Mom as Toshihide feels about Shijyu. Mermaids eat humans, But that never mattered to either of them.

Goodbye Eri

In Yuutas Movie about Eri, He writes her to be a Vampire, because he wouldnt actually mind to be her sustenance, In his movie, he loves Eri so much. (I genuinely cant read this fucking story without sobbing, Rereading it again just to get this screengrab just made me cry for like 20 min help)

Fire Punch

This one is Pretty straight forward, Agni with his regenerative powers feeds his village by continuously chopping of his Arm so they dont all starve to death. But more importantly he does this to prevent his sister from doing it aswell. He doesnt want her to suffer that pain so he takes sole responsibility for providing himself to the village.

Agni also later feeds his followers with the help of Togata Chopping of the part of his face that isnt on Fire. I think this has more todo with making sure Togata gets fed rather than his followers, To Agni Togata means alot.

⚠️Chainsaw Man Part 1 (Spoilers for the Final arc)⚠️

When Power is about to Die, Power not only offers her own blood For Denji to Drink so he can get back to health, But Pochita also offers a small part of himself so she can come back as a Powerful Devil.

And ofcourse the big one is Denji Eating Makima. He obviously has to and all for the sake of erasing her. But he explicitly says it wasnt an Attack, It was an act of Love.

Its such a fascinating thing that the idea of consuming someone can be concidered something you do to a cherished one, as an affectionate thing. I guess as Denji mentions that you basically become one with eachother in a way if you consume them.

But this is such a Weird thing Right? Where does this idea even originate from? Well ofcourse we can only Speculate but I really think he took on inspiration from his own life here, Because he has actually done this to someone he loved. Yes, Seriously.

Tatsuki Fujimoto eating his deceased Pet Fish

In the Authors notes for "Tatsuki Fujimoto Before Chainsaw Man: 22-26" Fujimoto shares a story from when he was 24:

"Even though we were poor, we had a pet Japanese rice fish. I found it dead one summer. I went to toss its body into the trash like in Parasyte, but my girlfriend said she wanted me to bury it, So off I went to the park, alone. I tried to bury it under this big tree, but the ground was too hard, my hands got all dirty and I had no hole to show for my effort. Out of Options, I figured I would pretend I had buried the fish and left it lying there on top of the ground. As I watched it for a little while, ants found the body and began to carry it away. Im not sure what came over me, but in that moment, love for that pet fish welled within me for the first time. I brushed the ants away, and then Ate it."

You can read the full story here

It has that "Wait what the hell am I reading" Charm to the story like alot of his works, But theres something so weirdly beautiful about this story, Somehow stricken with grief and love for this fish, He ate it. As Denji says, its not an attack, his fish is part of him now and its an act of love. So strange, yet so Beautiful.

Anyways thanks for reading this insanely long post if you even got this far I appreciate it!

#tatsuki fujimoto #fire punch #chainsaw man #goodbye eri #Mermaid Rhapsody #Shikaku #chainsaw man spoilers

[belindarimbi13]

tatsuki fujimoto & aquarium

chainsaw man // look back // goodbye eri // chainsaw man part 2

#chainsaw man #look back #goodbye eri #chainsaw man part 2 #fujimoto tatsuki #tatsuki fujimoto