btw this might be me swinging a bat at a hornets nest but like. absolutely none of my disappointment from the tl finale comes from ship baiting or any relationships that didn’t happen (though to be clear, i think the tedbecca fake outs were meanspirited and served no narrative purpose - in noted contrast to the season's earlier jamiekeeley fakeouts, for example, which were explicitly there to demonstrate jamie's growth + maturity)
tedpendant is a really fun concept for me, and i LOVE the characterisation + thematic potential there!
but as someone who personally resonated with a lot of ted’s struggles, the idea that ted could leave richmond so… seamlessly, for lack of a better word, really doesn’t sit right with me. the thesis of the shows entire first season - assuming it can be said to have only one - was about how everyone needs the love and support of a community, whether that comes in the flavour of someone who hypes u tf up or someone who will relentlessly call u on ur shit (or, as happened quite frequently, both!).
rebecca, roy, jamie are the clearest examples as the characters with the most screentime: they were all deeply isolated and disconnected from the people around them, and that was making them miserable. the connections they made with the team, the vulnerability they finally allowed themselves to express (the ghost banishing ceremony comes to mind!), and them going on to want *more* out of their life are what made their arcs about *progression* rather than *regression*. without that clear theme of compassion + community inspiring positive growth in everyone who encounters it, there is, frankly, no season one.
my personal favourite scene from season one comes right after michelle walks away from ted, when they’ve agreed to get divorced. ted sits down on the bench looking gutted, and a little shell shocked - and beard sits down with him. hands him the drink, and they sit there together. silent, but together. to me, that scene is an implicit promise from the episode, to the audience: ‘it’ll be okay. it’s going to be hard, but ted isn’t alone, and his friends won’t leave him behind.’
it also makes it clear to the audience that ted isn’t the saintly-giver-of-grace who needs nothing in return, as one might assume on first brush, but rather that he’s Also struggling with his own shit (as is everyone, always, in real life!) and he has something he needs from the people around him too.
and looking at the text of s3, and the conclusion to his arc in the finale, i just don’t believe that he got it. he wasn’t just sad that he was leaving (which would be understandable!), he was completely closed off. unresponsive to the people around him reaching out, borderline confused as to why they were trying so hard!
(side note, while i completely respect the read of ted and trents last interaction being rather rude + ooc on ted’s part, i personally read a different motive into it. for me, it was more like… he didn’t understand where trents enthusiasm was coming from? like, he read that as trent being too invested in what other people think of him, and responded in a way that he hoped would emphasise that ted doesn’t *need* to laugh at everything trent wrote, bc trent Already Knows that he’s done something really cool and kickass, and he shouldn’t value anyone else’s reactions above that. basically, based on his demeanour in the episode, i genuinely don’t think it would’ve even occurred to him that trent was more invested in HIS reaction than he would’ve been with anyone else.)
again, looking purely at the text, the show had already established that ted has really strong depressive + avoidant tendencies, as well as panic attacks (largely triggered by his fear of not being ‘good enough’ in various roles, ie: a father). we saw one area he was able to calm HIMSELF abt these fears (worry for henry, which is a Hell of a choice considering the ending…), but in literally every other heightened moment, he had to rely on his support system to help him make the choices that he WANTED to make, rather than ones inspired by avoidance and fear (ie: confronting michelle abt jake, talking to his mum abt why she was visiting + his dads death).
and to be clear, this is a GOOD THING! we’re not supposed to go through life alone, no matter how bad OR well we’re doing. rebecca and keeleys friendship isn’t worth less for all the scenes where they’re both in good places. if anything, the opposite is true - it’s lovely that they both have someone who want to celebrate the achievements in their life!
and fuck it, we’re sure as hell not supposed to go through life with exactly one (1) person whom we expect to fulfill ALL of our emotional needs at all times either! like, im sure i don’t need to labour my point here, but tying everything to one (1) person in ur life doesn’t make u any less isolated than if u were going it completely alone, whether it’s a family member, a friend, or a partner. i won’t pretend to know the first thing abt what it’s like to be a parent, but i don’t think it’s unreasonable to say that no parent would be at their best if they had absolutely no support/camaraderie/general love provided to them from Anyone other than their child.
so when ted is SPECIFICALLY shown to be in a bad place, over and over again (did he come to terms w his fear to be close to henry overnight???????), and then removed from his community? of COURSE the audience is left feeling unsettled, and like the rug has been pulled out from under them. there was no time in this finale dedicated to how ted would still be in contact with anyone from richmond. no promises of visits, or phone calls - fuck, nothing about emails!! according to the text, we might as well assume this is a clean break (and the maybe-dream-sequence does Fuck All to assure us otherwise. if ted doesn’t go to beards wedding, what WOULD he go to????). and since the show has ALSO completely failed to give us even an IMPLICATION of who/what ted’s support system would be in kansas, there’s… a reasonable argument to be made that this is It for ted. that, after two seasons doing NOTHING but attesting otherwise, the audience is supposed to suddenly believe that ted can (and SHOULD!) pull himself up by his bootstraps, and cope entirely on his own.
that, to me, is a betrayal of the show’s premise. we were promised a show about how, no matter how dark things may get, none of the characters would be left to struggle alone. and then they ended the show with ted alone.
i don’t know. i guess if i had to give this post a tldr; if anyone has any gen fic/meta/Literally Anything in the pipeline, i would absolutely love to be tagged/directed towards it. i’ll be endeavouring to write something myself, as well, but it might take a while before i can return to my WIP, lol.
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Since when did we start charging money on patreon for fanfics 😭😭😭😭 is this for real😭
hi, love. I haven't seen that many people doing the Patreon thing when it comes to fanfic, but it's pretty common for people who draw for example to set up a Patreon. I believe that everyone who does, just like myself, needs the money. I wouldn't be doing it if i didn't need to. I figured the Patreon setup was the best idea since it's not really that common for people to tip writers, we've been struggling with getting reblogs and comments, so you can imagine.
Right now, I'm applying and doing tests to get an internship, which still won't be enough because I'm also trying to apply for a master's. So, yeah, I'm really thankful for everyone who tipped me on ko-fi and subscribed to my Patreon, last month my savings were over, and the Patreon money was what helped me pay for some medical stuff I needed (Idk if you saw the whole mick schumacher's sick club, but yeah — huge thank you for everyone who subscribed/donated btw).
We often see fic writers as little robots who don't eat, drink, or sleep. We request stuff, and expect an instant reply, and when we get the content we don't even go back to the page to tell the writer our thoughts. We don't reblog, nor leave comments, but still, we expect them to keep writing and keep sharing everything as if it didn't take hours, sometimes days to come up with a 1k piece polished to what we think readers will like best. I hope I don't sound rude, I'm just trying to make a point because I'm tired of seeing writers deactivating, tired of seeing my friends getting writer's block and then people still demanding things.
On top of that, I'm still posting a lot here, from smau to blubs and long fic requests (and I won't even talk about how some pieces aren't even getting a hundred notes, which always makes me wonder if I'm doing something wrong, if my writing is bad, or if there's anything that I could do to make the reader's experience more enjoyable), and it takes a lot of time, it's even harder to balance the two profiles now, but still, I keep sharing some of my work for free. so please, please, don't make me feel bad about needing money. thanks ❤️.
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also uhm can I just say
I am kinda at a loss for what else to do to promote my work. I feel like ive tried everything and im still in a place where people just aren't reading it anymore and I feel like they don't care
people have their favorites and I get that but it just makes the fandom feel so small when everyone chooses to only support the same handful of people and not much else.
I guess all im asking is that people branch out. read new people, support other work because I understand how hard it is to work so hard on something and just see it sit there when others are treated so much differently. It hurts and I understand and I never want anyone to feel this way either.
I want this fandom to grow and for people to share and continue sharing ideas and not feel like only one person can write a certain character. I dont want comparative bullshit. i just want people to celebrate that we're all here creating shit equally.
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I am sorry you've been harrassed by terfs, but the way you are currently trying to weed them out seems a bit misguided. As in, the vast majority of terfs are in fact ok with big hairy CIS men. The so-called men they are actively hating are trans women/transfem people. So by acting like you proclaiming your love to big hairy dudes is the best terf-repellant you seem to be missing the point at best.
i'd love to actually respond to your concerns or whatever the hell it was that you were trying to convey with this ask, but it has almost no basis in reality so i literally cant.
thats the one statement on how effective i think the banners are that has left my queue so far. which is: i hope it works but also have literally 2 other backup plans already in case it does not. i dont know why youre calling that "acting like [me] proclaiming [my] love to big hairy dudes is the best terf-repellant", because thats wildly off target from what i have actually said at any point. everything else youve said is also pretty much either dead wrong or ignorant, so im getting the feeling that you not reading has been a problem for a while.
(ive also not mentioned terfs this entire time--ive been talking about radfems and using the word radfems. they're not the same thing although there's large overlap. so like. thats strike two for zero reading comprehension, buddy. cause you are literally not talking about the group im talking about and youre also inventing whole new sentences that i didnt say.)
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When did you discover your love for writing?
this ended up being a bit of a story, so. sorry for length.
must have been around 2001? i went to a really underfunded school in a broke town and we didn't have anything to do after school ended, so i mostly went to my grandma's and read books she bought me. one day i came home and she'd bought the lotr trilogy, and it was a very difficult translation. it took me months of careful reading on her couch. then i finished it and it felt like my life transformed. i watched the movies as they released in the cinema, i didn't have any friends to hang out with on the weekend so i'd beg my mom to drive me to the nearest big town and let me watch fellowship of the ring again. i couldn't get enough, so i started visiting fansites for it and thus discovered fanfiction. my english wasn't great, but i couldn't stop thinking about writing something for myself. yes, mary sue/self-insert, whatever. yes, it was with legolas and aragorn and all of those.
my fanfics were, obviously, not good. but i had a good time making them. i connected with a community of writers who had a ton of advice to give out, who suggested books to read, movies to check out. while i'm not in touch with any of them anymore, i know some of them went on to become university professors and literary translators, and that's pretty cool. i honestly remember less of the writing as much as i remember the community i kept having on livejournal. on top of that, writing a journal almost daily was really good consistent writing exercise. i loved writing so much that it became The Hobby for me, and i kept the lj and a physical journal going at once.
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