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#please don't clown on me
flipside-phoebe · 1 month
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So about that thing I mentioned earlier...
As per my previous spoiler-free review of Frozen Empire, I mentioned that the film includes something I never expected, and I have complex feelings about it. Well, here it is. Spoilers below, don't read if you haven't watched (I'm serious).
Alright well first of all, PHOEBE SPENGLER IS GAY!!! PHOEBE IS A FUCKING HOMOSEXUAL!!! A LESBIAB!!! WOMEN!!! THERE WAS NO HETEROSEXUAL EXPLANATION FOR THAT. HOW SHE TALKED WITH MELODY THE GHOST. THAT WAS FLIRTING. EVERYONE SHUT UP. PHEOBE OUT-GAYED YOU ALL. SHE HAS TAKEN HER CROWN AS THE QUEEREST GHOSTBUSTER AND THE SIMPSONS PREDICTED IT.
Ok. Ok. I'm fine. I'm calm now. I'm not. I'm fine I swear.
Joking aside, let me talk about this seriously. Phoebe's relationship with Melody was fascinating and a huge surprise to me. I suspected this movie might delve into the ethics of ghost hunting, and there would be a betrayal involved in the story (based on some very grasping-at-straws observations I made that I won't go into here) I was shocked to be right on both accounts, but not in the way I expected.
I loved the direction they took these two characters, and I loved seeing their interactions that read as awkward flirtations. It was beautiful and bittersweet up until the very end. I'm so happy they were able to make up and help each other. Melody was able to move on and Phoebe discovered a part of herself, along with a newfound appreciation for her family.
That being said, this plot element left me an emotional wreck. Once I got over the high of seeing obvious queer coding in a Ghostbusters movie, I crashed hard. The scene were Phoebe separated her own soul just to be close to Melody was upsetting to me. It's almost as self-destructive as suicide. It's in-character considering what Phoebe was going though at the time but still. That along with what happens after was really scary to witness. Also... Up until now I had been clinging to a personal headcanon that Phoebe was aroace like myself. I can't hold on to that idea anymore. Sitting in the theater dressed up as this character that I related to on a personal level for so long, suddenly watching her experience emotions that I never have or ever will... It broke me. I actually couldn't sleep last night because this + personal stuff made my anxiety come back. I had to call in sick today because I can't eat.
I feel horrible about this. It's selfish to want a character to be exactly like me when she was made by someone else. I don't want to be homophobic and I want to support other LGBTQ+ people in our community that can feel represented by this. I am truly happy for them! Even if this wasn't the perfect romance (it's between a living child and a ghost who can't grow up with her) it's still something special! Hopefully later down the line she can have a girlfriend with a pulse, though.
I do worry about what the fan reaction to this will be. Will people hate Phoebe for the mistake she made in trusting Melody? Is this going to be another "Mabel caused Weirdmageddon"? I'm not strong enough to handle that again. On the other hand, now that She's been strongly hinted at being gay and she's a bit older, is her tag going to become nothing but ships? Will everyone abandon all other headcanons/ideas in favor of "Melody stays" AUs (robbing her story of it's impact) or shipping her with OCs? The main tag is already full of romantic shipping and my sad little aro heart can't take it. I may just have to accept that fandom isn't for me and stay away.
I acknowledge that my feelings on this are deeply personal and do not detract from the film at all. I will be OK, I just need time to process this. I have to be mature about it. I still love Phoebe with all my heart. She's my favorite and nothing will change that, even though we are different for many reasons.
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I'm curious what this blog's demographic looks like in terms of age, so please vote only if you're following this blog or frequently participate in polls posted here!
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thecaduceusclay · 18 days
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"this character in iwtv isn't a victim-" but YES they ARE!!!
literally everyone in this entire series is victimized, at some point, by something! that's half the point! like whether it is a system or society or individual or circumstance!
your problem is just that you're conflating victimhood with innocence, with being morally right, with being the "good" one. and your problem there is that no one in this series is innocent
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spooky-month-archive · 4 months
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A poster signed by Sr Pelo, given away at the La Rocket Convención
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beanghostprincess · 4 months
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Can you believe this little thing felt like he was his best friend's shadow and gave up on his dream because Shanks shone brighter than him? Can you believe he spent his childhood staring at his best friend from a distance because he thought he couldn't reach the stars by himself? Can you believe his dream was taken away from him and he lost his ability to swim and his love for the sea when he was just a child?
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respectthepetty · 10 months
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I . . . *concentrating on breathing deeply and slowly so I don't hyperventilate*
I just . . . *breathing getting quicker even though I'm trying to calm down*
I . . . I . . . *heart is racing at an alarming speed*
I LOVE THIS SHOW SO FUCKING MUCH!
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The previews haven't lied to us once! The previews told us Pisaeng was going to show up at Kawi's in his wedding tux and kiss him, and he did. The previews showed us Pisaeng was going to confess to Kawi on the rooftop, and he did! Then the previews said Kawi would kiss Pisaeng, AND HE DID!
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Kawi told Pear he liked her and she kindly rejected him. Pisaeng told Pear he has no feelings for her beyond friendship. Pisaeng told Kawi he liked him, and Kawi kindly told Pisaeng the feelings were not reciprocated.
AND NOW THIS!
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And this!
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Kawi intended to tell Pisaeng he is from the future, and even though Pisaeng probably thought Kawi was drunk rambling, it matters that Kawi wants to tell Pisaeng. And for Pisaeng to have felt he was gay for YEARS, and finally have the confidence to tell his mom that he doesn't need her approval or shielding from reality was amazing.
This show isn't lying to us! I can trust it! Because when Pisaeng asked Max if he felt isolated after realizing he was gay, Max answered honestly.
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This has been a big discussion this week for Step by Step, so seeing the boundaries between Max and Pisaeng although Max is slightly crossing it, shows there is hesitation on both sides, but they are growing closer. Unlike these clear boundaries.
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Kawi had a double boundary with Pear after he realized Pisaeng told her his issue, but with Pisaeng, Kawi was boxed in the boundary.
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It started at the dinner, with Pisaeng's window being opened but Kawi boxed in.
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And it continued throughout the night until Kawi crossed the line multiple times (IN THE PINK!).
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And after that, they were boxed in, together.
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It's great that Pisaeng's mom stated that Pisaeng never brings anyone over because she said it due to Pisaeng bringing a drunk Kawi home, but we learned Kawi was there earlier, and very sober, to get a shirt from Pisaeng, and they were boxed in together then as well. So will Pisaeng's place serve as their safe space?
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Even more interesting is, much like Step by Step and the rich boys' closets, Pisaeng's closet has mirrors (reflective) and glass.
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After Pisaeng's conversation with his mom, we realize that Pisaeng, much like Step by Step's Jeng, isn't closeted but can't be OUT out. Pisaeng has known he was different and has been sad and isolated since with his ironic Cheers Queers Beer.
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I mentioned it last week, but this show is really harping on the honesty aspect for all its characters. Kawi, who never drank before, is trying to drown all his conflicted feelings in alcohol instead of being honest with himself. Pear's dad encouraged MORE drinking, while Pisaeng refused to drink what his mother offers him. Kawi is running but Pisaeng is done trying to bury his emotions.
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But when Kawi woke up the next day after kissing Pisaeng, he immediately asked Pisaeng if it was a dream at breakfast, then he attempted to ask Pisaeng about it again.
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And right before he crossed the line with Pisaeng AGAIN and leaned his head on Pisaeng's shoulder, he admitted that he hates himself for "sucking so much" that he needs constant help from everyone else.
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Because the first time Kawi crossed the line was to stop Pisaeng from leaving, which caused him to apologize to Pisaeng for being a jerk, and we'll see him ask Pisaeng to stay AGAIN next week in the hospital. Kawi is literally and figuratively starting to reach out for comfort.
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This show really is telling us that being ourselves is good enough, but we have to be honest with ourselves so we can figure out who we really are.
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I HATE that Not cannot stop putting his own foot in his mouth every two seconds, but Pear pushing back against what he believes is a "straight man" is the type of reflection the show is commanding of its characters and us as the audience.
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Max questioned Kawi about what is wrong with him and why he keeps pushing Pisaeng away. Kawi questioned Pisaeng about why he continues to be so nice to him. And Pear questioned Not about his ideas on masculinity and sexuality. All the questions require some level of self-reflection, which Kawi is having to do in leaps and bounds sandwiched between an abundance of knowledge.
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Pear also encouraged Kawi to be honest with her.
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Because the answers we seek aren't at the bottom of a bottle, but deep within ourselves.
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A show that hasn't lied to us yet is leading by example - We must be honest.
Sidenotes:
Pisaeng having to basically tell Kawi to shut up and eat because Kawi is too honest about everything else except his emotions was hilarious.
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Kawi jumps into the future next week and sees he's a famous musician, but I think he stays there for a bit and this is where we will get the future issues from the trailer.
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Because Kawi didn't look sad when he moved the globe, so I'm hoping his dad does well in surgery which prompts Kawi to see how his life is now that his dad is alive.
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But I'm worried this line will come back to haunt us.
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I loved that we were shown Pisaeng changing Kawi without any sexual connotation. It's important to see this without it being implied that the gay man can't control himself. This scene was merely a man trying to help his friend.
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And Pisaeng stopping the second he realized Kawi was asleep and sleeping on the chair rather than the bed were more excellent choices.
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Finally, the nod to performative allyship where the mom is fine with her employees being gay but has strategically tried to keep her child in the closet is the sweet subtle commentary I live for. This is also why Pisaeng did not tell Max, a Tired Gay, that she was his mother. It would be rough to hear that she isn't as cool as presented.
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Max, the best character and a Tired Gay, is gonna have to kill his idol.
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(My colors theory is sticking. Pear was in a light purple, but Pisaeng was in Kawi's brown. He changed into black after kissing Kawi. Is Max blue though?)
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flashyfools · 16 days
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months ago, while mindlessly scrolling through twitter, i came across an analysis of this particular panel from chapter 434 (i can’t remember who wrote the thread, i’m so sorry </3), and i really want to talk about it too.
(EDIT: original author of the thread is @goingbuggy!!! go check out their metas, they're amazing)
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the thread was focusing on the way the speech bubble covers shanks's scar completely, and how it can be seen as a sign of vulnerability. oda is using shanks’s own words to hide his suffering, letting his physical scars be representative of his emotional ones, even though the event he’s talking about is completely unrelated to the way he got his scar.
in fact, we know shanks is not ashamed of the scar, since just a couple of pages after this one he mentions it directly as a way to start the conversation about blackbeard:
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he doesn’t have a problem with the marking itself, it’s just used as a narrative device, a tool to highlight (in an extradiegetic way) his emotional wounds and the pain he always tries so hard to hide, in an effort to keep his usual composure.
the original author of the thread compared the panel from chapter 434 to another, way older one, from the very first chapter:
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this takes place right after shanks loses his left arm to save luffy’s life. it’s obviously a very emotionally charged moment, which means the best thing to do would be showing a close-up of shanks’s reaction to everything that’s unfolding in front of him at that moment (luffy’s cries, or even his own reaction to his sacrifice). oda, however, chooses not to do that; instead, he hides half of shanks’s face, just like he did in chapter 434. the way the moment is portrayed tells the reader shanks is willing to hide his pain in an even deeper way than what he’s showing by smiling at luffy right after getting his arm chopped off.
it’s a great way to explain an important characteristic without stating it right away. it's a focal point of shanks's character: it's his way of showing luffy he cares about him and would much rather hide his suffering than pass it onto him, but it's also oda's way of conveying that shanks is much more vulnerable than what he allows himself to show.
having said that, the reason oda chose to bring back this framing in chapter 434 appears obvious: shanks misses buggy.
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it’s plain to see, especially if we look at the whole page.
shanks tries so hard to act collected when talking about buggy, but it’s obvious that he’s hurting. his wording makes it clear he’s trying to detach from him (“that’s the end of it” + “rumors have it”); he acts like buggy doesn’t exist in his thoughts anymore, when it’s obvious he still does. he feels remorse, he regrets letting buggy go. he’s scared he might have been in the wrong. he knows he hurt buggy, but he desperately wishes he didn’t.
all of this weighs on him in a way he isn’t used to, so he locks these feelings up, thinking of them only in relation to something that happened in the past, and as so, stays in the past. he smiles while talking about him and buggy, but it’s a remorseful smile. he cuts the conversation short even though he vividly remembers what happened between them, and as he does so, his words hide the scar. he desperately tries to patch things up in his mind by exclusively clinging onto the good memories they share, but the remorse always creeps up on him. he always smiles when talking about buggy, even when he’s talking directly to him. but his smile always ends up looking sour.
this is exactly why i hate it when people say shanks doesn’t care about buggy. oda wouldn’t have given these panels so much depth if he didn’t want to show just how much shanks actually cares. even just the fact the panel we are focusing on directly mirrors a panel from the first chapter, one so important and impactful, should tell you everything you need to know.
buggy will always be shanks’s weakness. caring so much about someone when you’re a pirate of that caliber is difficult in itself, even more so when that someone is so far away from you now.
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dazais-guardian-angel · 8 months
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Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.
When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?
Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?
I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.
I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.
An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.
So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.
Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡
#bungou stray dogs#seriously call me a clown and point and laugh at me if I'm proven wrong all you want#but I really feel like there's solid evidence for this#either s5 isn't gonna reach 109 at all (but I seriously cannot fathom where you would want to stop before then) or they'll go beyond it#if they really do end it with 109....... well i'll give Bones kudos for having the balls to do that ig lol#maybe i'm underestimating (overestimating???) them idk#also just to clarify I don't wanna make it sound like I think Asagiri let the anime/Bones dictate the manga's pacing#like I'm sure these were his/their (him and Harukawa's) own decisions first and foremost#not that (if this theory is true) the anime had a major impact on how the chapters were split and that it-#-would have been extremely different otherwise#i'm pretty confident in that Asagiri does not do anything with BSD he isn't comfortable with#and he doesn't let anyone tell him how to write his story#I just feel like he worked with Bones to make this near-simultaneous release happen#BUT if this is the case I don't feel like it had any major effect on the writing/final product that is the manga#like the last handful of chapters have been so incredible#so I at least am still perfectly happy lol#(i mean i'm devastated and a nervous wreck but u know 🫡 in a good way lmao)#anyway 110 in two days please let this theory be true because I need some fucking hope already#please let Oda show up as Dazai's guardian angel to help (see what I did there-)#it would be the perfect way to end the collective season that is 4/5 with s4 beginning with Oda and now ending with Oda#Asagiri are you reading me are you picking up what I'm putting down please please a ghost Oda is long overdue please-#Oda Verlaine Adam just GIVE ME SOMEONE ALREADY 😭😭😭#MAYBE EVEN A TASTE OF THE FYODOR BACKSTORY TO TIE INTO HIM BEING IN ANIME UNTOLD ORIGINS. THE POSSIBILITIES ARE ENDLESS
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mqfx · 4 months
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introspectivememories · 7 months
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buggy, dreamily sighing: did you see marco today?
shanks, warily: yeah? why? we see him like every other month?
buggy, immediately gushing: wasn't he soo cool? like the way he transforms and those muscles! didja see his muscles, shanks? he could probably pick me up with one hand....
shanks who has just realized that he never wants buggy looking at another man who isn't him: .....yes... cool
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peaceshire · 8 months
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i think it's rather telling that goyim assume
a) that they are entitled to know the stance of every public-facing jew on the state of israel
b) that jews' opinions on the state of israel can be easily summarized in a quick word or phrase
there's more depth and complexity and intricacy in the jewish community than you can ever know. stop trying to take it and somehow make it easily consumable for the average social media user. all of your attempts will prove futile and everything you do will be a reduction and an oversimplification
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art-is-kayos · 27 days
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She's cute. Also probably evil
Other versions under the cut
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rmbunnie · 7 days
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Red Hood Characterization
This is really long so I'm putting a cut here, I've been thinking about Jason Todd's character motivations and the question of whether or not his actions are based in a Moral Code (I don't think so, not to say he's without any morality) and I talk about that in more depth here.
I saw someone say on here that Titans: Beast World: Gotham City was some of the best Jason Todd internal writing they'd seen in a while, and I've been a Red Hood fan for 8 years or so now? pretty much since I read comics for the first time, so I went and checked out and I thought it was good! The way the person I saw talking about it as if it was rare and unusual made me wonder though, because as well-written as i thought his stances on crime were, there wasn't really anything in it that went against the way I conceptualize Jason?
This kinda plays into a larger question I've been thinking about for a while with Jason though, which is that, do people think that the killing is part of a fundamental worldview that motivates him a la batman, and that worldview is the reason he does the things he does?? Because 8 years ago i was a middle schooler engaging with fiction on the level that a middle schooler does, so I simply did not put much thought into it beyond "poor guy :(" but ever since I actually started trying to understand consistent characterization, I don't really see Jason as someone who's motivated by a moral code in his actions the way batman or superman is!
tbh my personal read is that he's a very socially-motivated guy, his actions from resurrection to his Joker-Batman ultimatum in utrh always seemed to me like every choice made leading up to his identity reveal was either a. to give him the leverage and skill necessary to pull off his identity reveal successfully, or b. to twist the knife that little bit more when he does let Bruce find out who he is. Like iirc there's a Judd Winick tweet like "yeah tldr he chose Red Hood as his identity because it's the lowest blow he could think of." And I think that's awesome, I think character motivations rooted so deeply in character's relationships and emotions are really fun to read! I also think it's where the stagnation/flatness of his character comes from in certain comics, because if his main motivation is one event in one relationship that passes, and he is not particularly attached to anything in his life or the world by the time that comes to pass, it's a little harder to come up with a direction to go with the character after that, because there isn't much of a direction that aligns with something the character would reasonably want? But I do think solving this by saying "all of the morally-off emotionally driven cruelty he did on his way to spite Batman was actually reflective of his own version of Batman's stance that's exactly the same except he thinks it's GOOD to kill people" isn't ideal. To be fully honest, it seems to me like he never particularly cared one way or the other about killing people to "clean Gotham of crime," he just did everything he could to get the power necessary to pull off his personal plans, and took out any particularly heinous people he encountered along the way (like in Lost Days.) Not to say I think the fact he killed people keeps him up at night anymore than everything else in his life events, I just never really thought he was out there wholeheartedly kneecapping some dude selling weed or random guy robbing a tv store for justice.
Looping wayyy back to my question, Is this (^) contradictory to the way he's written/the overall average perception of the character? Because like I enjoyed his writing in Beast World i have zero significant issue with anything there, I just didn't believe it would be a hot take, like yeah, that is Jason. It's been a while since I've read utrh and lost days, but I don't think my takeaway directly contradicts either of those too bad iirc. Idk all this to say I think Jason killing and being alright with killing is an obvious and objective fact, but i guess i've always seen it as more of a practical tactic than a moral belief, and I think taking the actions made during the lowest points of a character's life where he is obsessively focused on this ONEEEE thing and trying to apply it as a Motivating Stance to everything he's done after that, doesn't really follow logically for me.
#edit: i am so so open to discussion and disagreement on this but please try to have something substantial to say. god bless!#like ofc jason kills but to me it was less “everyone I've ever killed deserves death objectively”#and more “when people are dead they stop doing things like heinous atrocities and trying to kill me"#i don't even think he wanted the joker dead (only) because he thinks he objectively morally deserves death#although the joker is one of the most extreme cases possible and he if does think that he's VERY justified#i really do think it was just about bruce#and wanting bruce to avenge him to show he loved him and he mattered and wanting his dad to give him security#all the killing was about the clown and everything with the clown was about bruce#i've NEVER forgotten the bit in lost days where he has the joker tied up at gunpoint and doesn't kill him#i think if it was only about a moral greater good situation he would have taken him out then and there#if you disagree i'd love to hear why provided you can be civil and not an jerk#also if you disagree PLEASE PLEASE put screenshots and comic issues if possible#i'd love to check them out and form my own stance on them#just know that if you say like. battle for the cowl. or the Tom King batman annual or something i probably won't care too much#comic characterization is ever-changing and inconsistent i truly believe that the best thing to do is just read the important stuff#and try to form your own stances from there#because there's never gonna be 100% of comics involving a character that align with each other perfectly and that's just a given#jason todd#red hood#dc comics
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kaleidoscope
Buggy x F!Reader; fluff, angst, just a drabble. 806 words
Summary: Captain Buggy is a lot of things. The man is a kaleidoscope, each of his sides shining brighter than the others, and you love all of them.
Captain Buggy is a lot of things. The man is a kaleidoscope, each of his sides shining brighter than the others, and you love all of them.
He is talented - way more talented than it seemed in the beginning when you, hungry for freedom and adventure, agreed to join the Buggy Pirates. He is a true performer, flashy, dramatic, filling the room with his presence and making heads snap in his direction. He demands perfection from himself and from his performers, and you suspect that there may be something lying deeper inside of him, something that drives him even further in his desperation to be perfect, but you do not push. He will tell you when he is ready. For now you just enjoy the colorful whirlwind that is his circus, starry eyed as a child, and take the front row of his every show. The circus magic is in your soul now, and its ringmaster has you safely under his spell.
He is a leader, even if it is not evident at the first glance. Or the second. He may be chaotic, harsh on his men, and winging a lot of his plans, but in the end of the day there is an undeniable connection between him and his crew. His men are loyal to him and they will follow him without questions to whatever crazy scheme, big or small, he concocts this time.
He is lucky - even with all your love for the man you will need to be blind to deny that. Of course, he is clever and he is resourceful, but you have never met another person who could manage to fail upwards so successfully time after time. You sincerely believe that he can be proud of that quality - even if he himself has not realized it yet.
He is funny. Of course he is funny - how can a clown not be funny? But his true wit shines in the half audible comments he makes in that raspy voice of his when the two of you share a drink in whatever bar you end up at. He is observant - way more observant than people give him credit to be. His comments are witty and sharp, cutting to the essence of the unlucky person that crossed his path this time. These comments do not need a ‘Laugh’ sign. They make you choke on your liquor, and then you follow in a similar spirit with the observations of your own. You two can spend hours like that, trading comments and laughing, weaving one story after another until you either run out of alcohol or time, whatever comes first.
He is passionate - his blood runs hot and is as red as his nose, if not brighter. It is good that he is already a pirate and a criminal because the way his touch sets all your senses on fire is borderline illegal.
What not many people know however - nobody knows actually - is that Captain Buggy is soft. He is soft with you - only you - and you love him for that. He rarely shows that side of him in the daylight. After all, he has a reputation to uphold, and you would never hold it against him. But in the dark hours of the night, when the midnight has long passed, and the world doesn’t feel real anymore, he is different. It is in times like these he opens to you about his life on Oro Jackson. About Roger, Rayleigh, and Shanks, about grief and betrayal. About losing one family and desperately scraping to make another. He tells you about his dreams: you know him well to read the question what if I am not enough between the lines, and you prove it to him in any language and any way you know that he is. It is in times like these you tell him about your home island - a dot so small in comparison to the vast ocean around that it doesn’t exist on most maps. You tell him about your tiny village, your childhood, and your beautiful sisters. You whisper about the embers smoldering in the ashes of your home, about unnamed graves under a scorched oak, and a vow to never return. When the tears inevitably come, he is there for you. He holds you through the night and kisses your hands until your fingers are red with his lipstick. You don’t talk about it in the morning, but it isn’t necessary - there is a silent recognition that you have grown just a little bit closer.
Captain Buggy is a lot of things, and you love all his sides. But the part you treasure the most is that he is yours, body and soul, and in equal measure you are his.
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foulfirerebel · 6 months
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Tai Yang Xiao Long
is not a shit parent.
A shit parent doesn't love or take care of their kids. A shit parent fobs them off onto someone else. A shit parent runs from their family just as their daughter is born. A shit parent abuses, gaslights, and torments their kid.
Just because Tai isn't the best at helping Yang or Ruby with trauma, which doesn't exactly come in a parenting class or anything, and because of the problems in the past doesn't mean he's not there right now.
And I'm tired of people saying that he's a bad parent, when RWBY has PLENTY of examples of bad parents.
Raven walked out on their family. Marcus Black was practically Cassandra Caining Mercury. Jacques is...Jacques, needs no explanation. Lady Tremaine/Cinder's wicked adoptive mom literally electroshocked Cinder. The Vanille's were, by and large, only interested in Trivia/Neo as more of a status symbol then a kid IIRC or at least didn't treat her too well either.
Tai and Willow may have the problem of 'neglected their kids in a critical juncture of their lives', but I've seen too much Tai hate to let that go. Nobody appears to be jumping on Willow for getting drunk at every opportunity, nor Qrow's on and off visits or drinking problems likewise despite that coming in bad ways.
Nobody appears to actually think of Raven coming in only when Yang was close to death as a black mark on her record as a parent.
Did Tai screw up when Yang and Ruby were young? Sure. Is he still there and still trying? YES. And I, for one, massively prefer Tai over Raven as far as parenting Yang and Ruby goes. He was a much better parent to Yang then Raven was, and yet some fans treat Raven with kid gloves and reserve the sledgehammer for Tai?!
~
Okay, maybe I should confess that the reason I feel so strongly about this is that I relate to that. Not the whole 'emotionally distant parent' thing, but the 'raised by a single parent when the other one left' thing. Yes, Tai messed up in the past and that messed up Yang quite a bit. It's not as much as Raven leaving did, but it does deserve criticism. Not an explosion, however, we got that with the Raven confrontation(s) in V5.
Again. I prefer a parent who tries at the very least, and this includes Willow too, to a parent who walks away or actively abuses their kid.
For Grade A parenting (genuine) in RWBY though? The Belladonnas, Pietro, and Ren's folks come to mind. Heck, Saphron and Terra and possibly Jaune's parents too if we ever get to see them?
TL;DR: No, I don't think Tai is a shit father or the "third worst parent" as a mutual described him. There are far worse in RWBY than Tai, and that's the truth. I'm not saying he did nothing wrong ever, I'm saying people are being way too harsh on him.
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