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#open to additions
fandom-trash-xl · 1 year
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Character Mixes 3/?: Hit (With a Little Fritters and Such)
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SIDE A: HIT The cold and elusive assassin, in a dusky mood. There is a soul underneath, you just need to allow yourself to find it.
Oh Ana - Mother Mother Killer Queen - Queen Little Dark Age - MGMT First Love / Late Spring - Mitski After Dark - Mr. Kitty Baby Hotline - Jack Stauber Liquid Smooth (Audiotree version) - Mitski Sweater Weather - The Neighbourhood
(A/N: A dark bitter chocolate with a candy soft caramel center... or sometimes the caramel's the one hiding the dark chocolate. Hit's vibe playlist is just this balance where you don't want to make it too light but at the same time you want to have a little fun with it. Didn't really add it here but I feel like he would be into some jazzy stuff too considering his FighterZ theme.)
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SIDE B: FRIT A space pirate on the lam expects to quake in his boots at the thought of the assassin carrying his bounty... never thought it'd turn into a welcome feeling.
Love Dramatic - Masayuki Suzuki Daddy Daddy Do - Masayuki Suzuki Stalker's Tango - Autoheart Killshot - Magdalena Bay Gimme Gimme Gimme! (A Man After Midnight) - ABBA Dead Girl Walking - Heathers soundtrack (Barrett Wilbert Weed)
(A/N: Once again, not abandoning Frabba, I can do both ships in different fic contexts. Felt they needed a vibey too. Kaguya-sama Love is War openings are just a vibe for them and I don't know why. For those unaware, "Dead Girl Walking" is a bit of a... spicy pick, but you can't tell me I'm wrong that it works and Frost absolutely would do that.)
BONUS TRACKS: Just some sweet stuffs in here- perhaps a bit too soft for the serious assassin, but some fluffies to go with Shattered Ice.
Over the Moon - Penelope Scott Washing Machine Heart - Mitski Me and My Husband - Mitski Line Without a Hook - Ricky Montgomery feat. mxmtoon
(A/N: These were mainly to go with Hit's ship with Frigid in Shattered Ice. They're kind of more Frigid prominent at points. "Over the Moon" really hits well after Chapter 10. "Line Without a Hook" was on this list before, but I found the mxmtoon version as I was grabbing links and felt it worked even better. Also, do with the fact that "Me and My Husband" is on here what you will~)
Bonus Note: [x]
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kizzer55555 · 3 days
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The Vampire Aesthetic
Ok so Danny knows two billionaires personally and they really couldn’t be more different. Yet they had one thing in common. A vampire aesthetic. Sam is fully into goth. Spiderwebs, bats, the color black. She enjoys fangs and fake blood and the darkness of her soul. Meanwhile, Vlad is Vlad. If his name wasn’t enough, the dark clothing, pale skin, and flying around with a cape and fangs with coffins in his mansion really sells it.
Danny doesn’t know many rich people so he thinks this might be some kind of trend. (If Paulina is rich, her family likes the chupacabra) So he just thinks that all rich people have some kind of vampire thing going on.
Cue Danny somehow ending in the Wayne household. Maybe he was brought over as a friend of one of the bats, maybe rescued from a field trip/vacation gone wrong, maybe some other situation. But he is there in civilian form with civilian Waynes and Danny just takes a good long look around the inside of the mansion.
“So where’s the vampire aesthetic?
Everyone freezes.
Danny just starts looking around, checking behind paintings and feeling the walls for secret levers. Used to secret passages with Vlad and possibly Sam. The Fentons definitely had them when they were temporarily rich.
“Come on, I know you guys are hiding it.”
Cue the entire batfamily thinking that this is another Tim and that he is fully aware that these people are the batfamily. Danny hangs around the mansion more and the bats just start dropping their disguises and not even bothering to hide stuff around Danny because they assume he already knows. (Possibly even trying to recruit him to be a new bat) Meanwhile, Danny, who does not know these people are batman and his birds, just does not pick up on any of it.
He grew up in a health violation with a giant ballon observatory lab above his head and a portal to the afterlife in his basement. He is a half dead teenager who has tea with the god of time and his godfather is the other parent to his clone child. He’s used to death lazers being scattered across his home and mysterious stains on clothing.
People are weird! He doesn’t judge!
#Dpxdc#dcxdp#Kizzer55555 ideas#The Batfamily think Danny knows their secret.#For once Danny really is clueless and thinks they are just his new billionaire friends.#Blood stains? What bloodstains? That must be chili.#Danny: *knocks into Jason and accidentally pushes out bad ecto without realizing it* “oh sorry about that.” Jason: “are you God?”#Danny is obsessed with the animals. They are little BABIES! Damian approves this new interloper. Danny rides Batcow and has a ✨🤩✨ moment.#Danny introduces Damian to Cujo. No one else knows about Cujo. Damian will make SURE no one else knows about Cujo.#Cujo and Titan are best friends.#I know people think Duke’s ghost vision has him see Danny as something obviously not normal but I do you one better.#He cannot see or hear Danny at all. It takes him MONTHS before he realizes that the batfamily are talking to an additional presence.#And instead of thinking this is weird he thinks this is a new code they have developed and is trying to decipher it.#Duke watching Damian as he casually talks to the wall. Danny looking at Damian “why is he staring at us.”#Damian makes direct eye contact with Duke. “Training.”#Duke: WHAT DOES THAT MEEEAAANN?!?!?#There are ‘accidents’ like that one Time Danny was staying over and Jason was trying to sneak into the mansion.#Red hood (in full gear with guns bombs and glowing red eye googles) comes over at 1 am and crawls up the vent and opens it above Danny’s be#Danny: lying on the bed with his eyes wide awake and already staring at the ceiling as the vent above him opens. *waves* “Sup”.#Red Hood: …….“sup” (slooowwwly closes vent)
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im a simple guy! i think about puppy Barnaby. i promptly explode into bloody heart-shaped confetti
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s-aint-elmo · 7 months
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Falin has been nearsighted since she was little, and has a habit of squinting when she's looking at things. —Delicious in Dungeon World Guide: The Adventurer's Bible
she should have been at the optometrist's
(ID in alt text)
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zu-is-here · 2 months
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Key
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ryoalouette · 10 months
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Machi's Idea #4
The JL can't understand what's wrong. They did their best effort to honor the king of dead and celebrate accordingly with the most strict protocol. Yet the king seems equally dull and annoyed. The JLD knows what's going on but they decided to say nothing in the hopes that this would teach the JL a lesson. Jason tried to explain the situation but none of the "adults" (aka Batman) listened to him so he decided to get his point across by getting into a fist fight with the king. One hour later they are kissing and Jason is explaining to the JL that ghost bond through fighting.
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louisdelac · 1 year
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shiv nation sound off. how we feeling.
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stevenrogered · 3 months
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Ambika Mod and Leo Woodall as Emma Morley and Dexter Mayhew ONE DAY (2024)
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starry-bi-sky · 5 months
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sO i got to part two of the daniel jason todd fenton au :)
>:) word count 8k+
So, first, taglist for folks who asked for it: @blep-23 @mikyapixie @isnt-that-grape @randomenglishmajor @illryiannightmare @the-navistar-carol
SECOND: this part needs a trigger/content warning list: - CW Mild Swearing - CW Slight Psychological Horror - ^ CW mild depictions of being haunted by your own ghost/death flag and not realizing it (other people do though) - CW Brief Emetophobia (Danny throws up during a second nightmare) - CW Danny has nightmares of dying - except its of Jason Todd's warehouse death. It's not explicit but it's implied - TW Mild mentions of perceived Blood - TW Depictions of Corpses (first is non-descript, and then second one is slightly more descript but its not anything uh, super descriptive) - TW Mild description of burns (the descriptive part above) - TW Depictions of Panic Attacks (Danny's nightmares)
I mentioned that this au was inspired by a song lyric from Jann's 'Gladiator' here is that line:
I know your addiction's attention, Let's start a show Is it everything and more than you were hoping for? Show us something we ain't never seen before
The day after Danny meets himself, he's downstairs having breakfast in the dining room with the rest of the family, listening idly in on their conversations. Tim Drake is talking about something about Wayne Industries with Mr. Wayne - and wasn't that a startling surprise to learn the first time? - and Damian was slyly trying to feed Ace under the table. Duke Thomas was mid conversation with Cass, much of it audibly one-sided as Cass swaps between ASL and verbal speech.
(Danny comes across her a fair few amount of times in Wayne Manor. The first time was in the library. She hands him a book about planets, smiles, and walks away.)
(He hasn't talked much to Duke Thomas yet, but he plans to - he seems cool. They just haven't had the time to run into each other yet. Danny might just have to corner him, he thinks.)
And finally Dick Grayson on his left, his Dick Grayson, was talking away with the other Dick Grayson - who had stopped by from Bludhaven for the morning for his day off. He was a cop, ew. They were comparing lives, specifically college lives. There wasn’t much to talk about in their childhood, it seems. Danny was quietly listening in. 
(They both gave their Bruces headaches as children, apparently. Climbing the chandeliers and sliding down the staircase banisters. Flips and tricks only a child raised by the circus could do.) 
All-in-all, a very quiet morning, Danny thinks. That is, until the other Dick Grayson turns to him and goes; "I'm sure you've been asked already, but what do your parents do, Mini Jay?"
Danny squints at him, and releases his grip on his spoon to raise a pointed finger. "First off: only my Dick Grayson can call me Jay, you have your own." He says, slightly playful and nodding to Dick - oh that was going to get confusing, fast. He should come up with a nickname for one of them, probably - "And second: you're the second person to ask me that, actually. Jason - er, myself? - asked me yesterday. My parents are ectologists."
Apparently, mentioning that he met himself is a set of magic words, because the whole table stops what they're doing, and Danny's half-sinking back into his chair when all eyes turn to him in varying degrees of surprise. Dick - Richard, he’s going to call him Richard - looks at him with wide eyes and furrowed, confused brows. "You saw Jason?"
(Danny sends Bruce a confused look, but he's not paying attention - looking at everyone else with threaded eyebrows and a faint frown. Well, at least Danny isn't the only one confused by the reaction.)
(What a comfort.) 
"I guess that nickname is a dimensional constant." He mutters under his breath, and straightens up, eyeing the room warily. It... doesn't bode well to him that the Waynes were surprised by his other self's appearance -- was hisself estranged from the family?
...He hopes that doesn't happen in his world. Dick and Bruce may not be his adoptive family, but he likes them quite a lot. He wants to stay in contact with them when they get home.
"Yeah, he was in the library." He says, frowning at Richard Grayson. "He was sitting in my armchair." He supposes it was Jason's armchair first -- god, that was so weird to refer to himself in third person. "We talked for a little bit, and he asked me what my parents did. They're ectologists, by the way."
He turns to Mister Wayne and tilts his head, "Did you really not know that he was here?" He asks, narrowing his eyes. He wouldn't expect Richard to know, he doesn't live here. But Mister Wayne looks just as surprised, perhaps even a little remorseful.
(There’s a pit in his stomach that’s growing bigger.)
(His neck burns with a new pair of eyes, ones that he can’t see.) 
Mr. Wayne looks thoughtful for a moment, and then carefully, he goes; "Jason is rather... independent. He comes and goes from the manor when he feels like it." And the way he speaks sounds like he was choosing his words carefully. Danny suppresses the shiver of unease.
Something was not well in this house. Something unspoken was haunting the air. 
(Jason would know about hauntings, wouldn’t he?) 
He hopes history won't repeat itself, he likes Bruce quite a lot.
"...Alright," he says after a moment of silence, not hiding his wariness as he slowly turns back to Richard. His eyes flick towards Bruce, and then to Ricard. "Anyway, my parents are ectologists, as I've said for the third time now."
Richard, for his effort, takes the topic change easily, and his surprise shifts into one of curiosity - as does everyone else. (Did Danny really not mention what his parents did? Even Dick and Bruce look intrigued.) "That's... new." Richard says lightly, Danny commends him for the way he sounds non-judgmental. "What are ectologists?"
Danny quirks a dry half-smile, and deadpans; "Studiers of all things dead and afterlife."
...And there is that reaction again. A ripple of surprise and intrigue that spreads throughout the room as everyone looks at him, like a bunch of cats perking up their ears. 
On the other side of the table, Damian scoffs quietly, a sound much like the one Jason - the other one - did when Danny told him. Danny's eyes snap over to him in an instant, he stares at him, trying to study him. Why that reaction - again? 
He lets himself frown, briefly, before addressing Richard again. "Everyone just calls them ghost hunters, but the 'official' term is ectologists." He drawls, air-quoting the word 'official' with his fingers as he rolls his eyes. "They've been obsessed with ghosts since college. We even have a lab in the basement, and they keep liquid ectoplasm samples in the fridge."
Danny's been in the lab a handful of times, he and Jazz both have, either to clean it as part of their chores, or to listen to a lecture from their parents for their newest invention. The lab is cool, kinda, but Danny thinks it wouldn't look out of place in any evil lair of a Rogue with a doctorate. 
…He’s glad that the Fentons weren’t stationed in Gotham. They would have blown up a street. He’s surprised they haven’t already. 
"Ectoplasm?" Dick asks, leaning over to catch Danny's eye. Almost by instinct now Danny smiles at him, and then nods.
"Mom and dad say it's the stuff that makes ghosts." He explains, leaning back against his seat, his arms crossing. "It's invisible in its natural state, and it makes up everything. Kinda like the Force from Star Wars, or just, matter in general."
That cracks a few quiet, laugh-like sounds through the dining room. Danny halves a smile again, a swelling of pride in his chest that lingers for a moment. "My parents say that when ectoplasm condenses enough in one area, it can start taking on visible properties," he continues, "they say that ghosts are just the memories and emotions of a dying person or animal being imprinted on a concentration of ectoplasm, and that the ghost itself isn't actually the person or animal, just matter trying to mimic it."
Which Danny guesses makes sense, even if the way they talk about ghosts made him really uncomfortable. His parents insisted that ghosts weren't actually people, but he just couldn't shake the idea that they were. How close to ‘human’ does something get before they actually are? 
Well, no, that wasn’t fair. Superman wasn’t human, and yet everyone treated him like he was. Let him rephrase himself:
How human-like must something get before they are considered as such? Before they’re considered sapient and sentient, and real?  
"That's... quite interesting." Someone says, and Danny turns to see Bruce leaning his elbows against the table and putting his chin on threaded fingers. He looks genuinely engrossed in what Danny's said, and pride once again leaks into his heart. "You mentioned they kept ectoplasm in a liquified state in their... fridge?"
"Oh yeah," Danny says, putting his full attention to Bruce, "it's crazy. They keep little test tube racks in the freezer full of liquid ectoplasm, and it's this - uh - glowing, bright green stuff. It used to be the weirdest thing in the house."
(From his peripherals, Danny notices the room tense up again at his description — and he bites back the urge to slow his talking down and narrow his eyes. Suspicious. Suspicious. The Waynes weren’t scientists - why do they react to something like they are?)
(Nobody knows what ectoplasm is. To the scientific world, it's an unconfirmed theory of a state of matter. Why do the Waynes act like they know what it is?)
(Danny is not stupid. Even if his scientific family makes him feel like it, sometimes.) 
Bruce gives him this half-tilted, confused smile, the corners of his eyes crinkling up. "Used to be?"
Danny opens his mouth, the answer already on the tip of his tongue -- and then he freezes. His jaw clicks shut as he frowns. Should he say what his parents' latest pet project was? Surely, surely, it would be fine? Their inventions never work - and a life-sized portal is just another thing on his parents' crazy ideas list.
His teeth sink into his bottom lip, chewing on the skin as he rolls the answer over in his head. ...Surely, it would be fine. His face turns in hesitance, and his shoulders scrunch and twist to his ears, like he's about to admit something that could get him grounded by his parents.
"They... may, or may not, be building an inter-dimensional portal in the basement?" His voice steadily pitches upward nervously the longer he speaks. By the time he finishes, his voice is close to a squeaky pitch.
There is a horrified silence that follows him, sitting in the air so still-like that Danny could hear the whoosh of a pin drop. He should have expected that, nervously surveying the ranging horrified expressions on the Wayne family's faces. "...I promise they're harmless... to the living." He hesitates, "Mostly."
Bruce stares at him for a long moment. "Mostly?" He repeats, his brows arched high and pinched together. Danny cringes back a little.
"Dad's a little clumsy, that's all." He says, shrugging with a helpless smile. It doesn't help, he thinks, and the silence is strangling. Sitting up, he's a little frantic to add; "I really, really, doubt it's going to work, Bruce. Their inventions never do. Mom and dad built a mini portal in college and it didn't work either!" There's a moment of silence following him, before he quietly adds, wincing, "It- it did hospitalize the guy who was helping them, though."
He only heard about that when he asked his parents about the portal - it was still in production when they picked him up. Jack Fenton claimed it was safe as safe could be - they’d make sure that the ‘college’ instance never happened again.
Bruce - both Bruces actually - looked vaguely ill at the thought. Mister Wayne’s face was blank, his face sunk into his folded hands, and Bruce’s stare burned into Danny, intense like concentrated fire. 
Danny for some reason - either through his panicked urge to make things better, or through temporary insanity - laughs forcibly. "The worst thing that could happen is that the portal could explode, but that never happens."
Next to him, Dick makes a stressed sound. "That's not better, Jay." He forces out. He looks even more horrified.
Danny sucks on his bottom lip for a long beat. Then lets out a breath.
"Yeah, I know." Danny sighs, deep and long while his shoulders slump. He watches the room for a moment, with their various stony-like expressions, and looks back at the very concerned-looking Bruce. "But Bruce, I swear it's fine. Nothing's gonna happen, please don't call the Justice League on my parents. They really are harmless."
Bruce looks conflicted.
"I was being dramatic when I said the portal could explode, it won't." He continues, giving Bruce what Jazz has called his 'cheating puppy eyes'. "My parents are eccentric about their line of work, but they understand lab safety. They'd never do anything to put me and Jazz in danger."
...Actively or on purpose, that is.
He and Bruce stare each other down. One second, two seconds; what feels like thirty seconds pass in silence before Bruce relents, sighing deeply and uncannily dad-like. He drags a hand down his face, and rubs his eyes with his thumb and forefinger. "When we get back to our universe, you are giving me your phone number so you can contact me if anything happens."
Danny beams, nodding hurriedly. "Thank you, Buzz."
Bruce isn't able to hide his smile - small as it was - quickly enough. "You're welcome, Danny."
—-----
Danny has a nightmare that night. He doesn't remember most of it. There's a ticking sound, and high laughter, and there is a thumping heartbeat in his ears. Everything is dark and he is in agonizing pain.
He wakes up in paralyzing terror, a scream lodged in the back of his throat. His head pounds like a concussion and there is a shallowing ache in his ribs, like someone's kicked him, and kicked him, and kicked him until all air has been knocked from his lungs. He can't breathe.
Danny's hands scrabble for his throat, and even though he can hear himself gasping for air, it doesn't feel like he's taking any of it in. There is no relief in the action, no reassurance, and everything is so hot. He kicks at his blankets, his panic growing higher as they tangle around his legs.
He needs-
He needs--
He needs to move. He needs to get up. He needs to free himself. He needs to prove that he's not dying. He feels like he's dying. He feels like he's burning. There are tears swelling in his eyes as he finally gets the blankets off his feet, and he rolls - quite literally - out of bed.
He tries to catch himself, he does. But he doesn't. He hits the floor with a heavy thud and can hardly bring himself to care -- he catches himself on his elbows, and the sting it causes makes him feel worse. The air is knocked out of his chest again. 
The ground is cold though, blessedly cold. And before Danny can realize this, he lifts his head and, disoriented, looks for the door. It's too dark, it's too dark. His head swivels blindly in search of it. He needs to get out, he needs to escape. 
"Bruce." He croaks, still trying to force air down into his lungs. His call comes out raspy, weak, and hot tears blur his vision.
"Dick." He tries instead when a minute passes and no one comes, and he thinks he can finally start breathing. No one comes to find him - his voice is too quiet to wake anyone up. The tears in his eyes bubble and pop, and stream down his face.
He makes a distressed noise. "Jazz?" He whispers, his voice shaky and uneven with an encompassing want for his sister. It's nearly been a month since they got here. He wants Jazz.
No one hears him. He's alone.
God, he doesn't want to be alone. Please don't make him be alone.
Danny eventually gets himself calmed down. But he is curled up on the floor, trembling with the lingering traces of fear from whatever dream had woken up. His fingers dig painfully into his arms, leaving crescent-moon indents by his nails. The contents of the nightmare are already fading further into his mind, slipping out of his hands like water. Like ash.
He feels no need to chase after it.
The back of his shirt is damp with sweat, and in between the trembling he is also shivering, goosebumps lacing up his arms. His eyes have adjusted to the dark, and he stares with wide, crying eyes at the side of his bed. His breath comes out in short, shaky pants.
He doesn't know how long he lays there, trying to comprehend what happened as his mind still hangs onto the edge of the dreamworld. It feels like there is something in the room with him, crawling along the walls.
Danny forces himself to get up, and the sudden standing makes his vision blacken and swim as blood rushes to his head. He stumbles, slightly, and lurches halfway across the room for the light switch.
He squints as the room is drenched in light, chasing away the lingering paranoia in the back of his brain. He is still shaking. His head still hurts. He still looks, wide eyed, around the room for anything out of place.
There is none.
But he still feels unsafe. He needs- he needs to find someone, or go somewhere else. He grabs a firm pillow off the bed, and leaves.
(He ends up in the library alone. He turns on the lights and grabs a book Dick recommended to him, and he curls up tight in his armchair. He ends up falling asleep just as the sun is rising.)
(He doesn't tell anyone about the nightmare.)
-
Progress in getting the three of them back to their home dimension is slow. Dimension Hopping is a rare experience, and what update Bruce gets he relays back to Danny and Dick: they're trying to figure out a way to send them back safely, from the exact time they disappeared, and to find what dimension they're from. It's complicated magic.
It's been three weeks. 
Danny, for one, is getting homesick. He misses Jazz, Sam, and Tucker terribly, and his parents. Bruce and Dick are great, really, and Danny kinda wants to keep in touch with them after they return to their own world, but they aren't replacements of his sister and friends.
His nightmare from a few days ago still haunt his steps. He closes eyes, and that high-pitched laughter and blood-rushed pounding burns itself his ears and fills a level of unseen terror into his heart. Danny thinks that if he was hit with Scarecrow's fear gas, this is what it would feel like.
He tries to avoid falling asleep by reading in his room, by stargazing, but the place sets him on edge; an unsettling reminder of that nightmare. So he goes to the library when it gets too much, he's run into Bruce twice now doing it, and they both do reading.
Danny thinks Bruce can suspect something is up with him, but he doesn't want to tell him about that nightmare. Dick either, for that matter. He just wants to forget it.
They spend afternoons in the gym, they have it mostly to themselves - Tim Drake is at Wayne Industries, Damian Wayne is at school, so is Duke Thompson, and Cassandra Cain is... doing whatever she does during the day. Danny's not totally sure.
Dick in that time, tries showing Danny how to be more flexible. He says he's a fast learner, but Danny knows he's been slacking lately with his lack of sleep.
There isn't much they can do outside of the manor - Bruce and Dick can't go outside because they'll catch the attention of the paparazzi, and they are both significantly younger than their counterparts, and Danny isn't allowed out without a chaperone.
Which has its own unique set of problems because rumors could rapidly start if he's seen with any of the Waynes multiple times. The paparazzi aren’t dumb enough… okay, most — some — of them aren’t dumb enough to make a tabloid claiming there’s a new Wayne kid just because they see the Waynes interacting with one kid, one time. Multiple times however? That’s another story. And, he has the same issue as Bruce and Dick - he's a baby-faced Jason Todd. Who is Bruce Wayne's adoptive son in this world. He could be recognized. 
And how do you explain a tiny Jason Todd to a world where Jason Todd is a full grown man?
So all three of them are... stuck inside, so to speak. And making do with what they can. Danny spends most of his morning and early noon with Dick, and then they both separate after to have time to themselves before dinner.
Bruce is in one of the studies, doing... something. Danny's not sure and he keeps forgetting to ask.
--
Dick likes Danny - Jason? - Jay. Danny said that he can call him Jason, and he doesn't protest to being called Jay. 
Point is: he likes Jay. He's a delightful kid to be around; he's funny, and clever, even if he doesn't realize it himself. And Dick's a little upset that Jay isn't his brother in his world, he would've loved to have him around the manor. He probably would have visited more if he was around.
Something that he and Bruce were still slowly trying to fix...
He likes spending time with him - getting to teach him his acrobatic tricks was not something he expected, but he loves showing Jay how to do them. He thinks this is probably how Bruce felt when he was training Dick how to be Robin, all those years ago.
Speaking of which, Dick was still not over the Robin jacket that Jay wore. The origins of it weren't the best - Jay started wearing it to take back the insult the other kids at his school were throwing at him - but isn't that what part of what being Robin was about? 
Cheesy, he knows. But his point still stands.
He thinks that if he had to pass the Robin title down to anyone, it would be Daniel Jason Todd-Fenton. Or perhaps just Jason Fenton-Todd? Jay doesn’t seem all that attached to the name Danny. 
(“Mom and dad just started calling me it when they picked me up.” Danny — Jay shrugged when Dick asked him about it, the two of them swinging from bar to bar. “I wasn’t tellin’ ‘em my name at the time, so they gave me a new one.”) 
If he had met Jason before the Fentons had, Dick thinks maybe he would have adopted him instead. And what would that future look like? Would he have been able to, when he had to go to college and classes? Would he have been able to keep going out at night, and keep that secret to himself? 
He’ll never know, he supposes. 
“I think that’s it for today.” Dick says, swinging off the jungle gym and landing on the mats with a cat-like thump. Behind him, Jay groans, and drops with a less graceful thud as Dick stretches out his spine. There’s a satisfying pop-pop-pop of his back as he leans back. 
He turns, and sees Jay going for his water bottle. He looks tired — from what, Dick doesn’t know. But there are dark bags under his eyes and a sleep-distracted look on his face. He’s been distracted, and their lessons have been suffering from it. 
Dick wants to know what’s bothering him, but Jay hasn’t said anything, and Dick doesn’t know what he could say to make it better. 
“I can still keep going.” Jason insists, but he tiredly slumps over to grab his water, and straightens up sluggishly. It’s probably not a lie, but anything Dick shows him he doubts that Jay will retain it. “You don’t have to stop.”
“Oh but I want to.” Dick says, walking over to grab his own water. “I’m human too you know—” and Jay snorts at him with a grumbled ‘doubt it’. “—so I also need my breaks.” 
“With the way you can bend I really don’t think so.” Jason mutters, eyeing him up and down. Dick laughs quietly and takes a long sip of his water. “Seriously, circus boy, what do they feed you? Actually - what did they feed myself?”
Dick’s laughter doubles as Jay’s eyes grow wide and wild, his head shaking with spasming arms. “No, seriously! I don’t know if you’ve seen the other me yet, Dick, but he- he’s fucking huge!” He exclaims, and jumps as high as he can as his arms try to make a silhouette above his head. “I- I’m almost as big as Jack Fenton, and we’re not even biologically related! I don’t know where he got that much height to him, ‘cause- ‘cause Willis, that drunk bastard, was never that big!” 
Dick hasn’t seen the elusive other Jason Todd, and he’s been so curious about him. Both he and Bruce have — especially considering that everyone else doesn’t seem to want to tell them about him. He tried stopping his other self to ask about Jason Todd of his world, and his other self just said that he was his little brother and the second robin, and that he did a lot of his own stuff. 
It was a whole bunch of fucking nothing. And he and Bruce were growing suspicious about it. They hadn’t thought of it before because, well, they were busy adjusting to being in a new world and trying to figure out a way back. And then Jason was never really brought up, but neither was Dick Grayson unless Dick asked about it, and he didn’t think to ask about Jason Todd before.
It was all just strange.
But Jay’s exclamation over the size of himself distracts Dick long enough that he forces himself to put the mystery of Jason Todd on the backburner for now. “I’ll- I’ll have to see him for myself, Jaybird.” He says when his laughter subsides, and he straightens up. 
“Seriously,” Jay stresses, and he starts to make his way towards the gym door. “He’s fucking massive, Dick. Built like a brick shithouse.” 
Dick almost starts laughing again, “Where did you even learn that phrase?” 
Jay rolls his shoulders back and grins at him slyly, “I read.” He says, and it’s so clearly not how he learned that word that Dick barks out a laugh. 
They reach the door, and Jay holds the door open as Dick reaches for the light switch. He looks behind him, surveying the room quickly to make sure that there’s nothing they could have left on the floor, before turning off the lights.
Bright green eyes stare at him from the mirror. Right where Jay is standing. 
In an instant, the lights are back on. Dick’s heart has been kickstarted into fifth gear, suddenly and loudly racing in his chest as he darts his head around the room. It was only two seconds, perhaps only even one, but fear has been shot like an adrenaline needle into Dick’s veins. An inhuman, skyrocketing fear alike to Scarecrow’s fear gas. 
What was that?
What was that?
WHAT WAS THAT?  
But there’s nothing there. There’s nothing there. There’s nothing there. There is only Jason where the eyes were. 
From the mirror’s reflection, Jason turns his head — he hadn’t been looking at Dick, he hadn’t been looking at Dick — and stares up at him. There is confusion written on his face as he glances up at Dick, and then at the mirror. He meets his eyes - Jason’s blue, blue, not green, eyes — and Dick forces himself to look away from the mirror and down at Jay.
“What was that for?” Jay asks him, perfectly normal and perfectly confused. 
Dick feels like he just ran a marathon. He’s panting, he doesn’t know why, and he forces himself to sound like he wasn’t as he wets his lips and furrows his brows. “I thought I saw something.” He says, frowning. 
He didn’t think. He did. He did. 
What did he see? 
It was standing where Jay was. Those eyes. Those green-green eyes. It was where Jay was. He forces himself to shake his head, his frown deepening, unsettled. Jason peers around him as if to see what he had, and Dick puts a hand on his chest, stopping him. “It was nothing, let's go.” 
He turns Jay around, and ignores his bewildered look. That lighthearted mood he had earlier has plummeted, replaced with an eerie paranoia as he takes the door from Jason’s hand and flicks the lights back off. 
When he looks over his shoulder at the mirror, there’s nothing there. 
—------------
Danny has another nightmare. It’s the same one. It’s dark again. That high pitched laughter fills his ears. The ticking is louder, louder, louder. It’s counting down, but to what - he can’t see — he can’t see what it’s counting down to. 
There is still so much pain. His head hurts, his body hurts. He has a body now, he can remember he has a body. He’s in so much pain. He looks down at his hands and pooling around his knees is a bloody yellow cape, it’s torn and bloody and his hands are bloody and torn and he’s wearing green gloves. 
He wakes up just before the ticking stops. He doesn’t know how he knows that the ticking stops. 
Danny rolls over and hangs himself sideways off the bed, gasping for air that doesn’t come. He wants to scream again, to shriek with such terror that it sends everyone in the manor running into his room. He doesn’t, he can’t, he has no mouth and he must scream. 
Danny gasps for air instead, and then dry heaves until he throws up onto the floor. His head is spinning with the fadings of a dream-made concussion, again. His chest hurts deeper, more, it’s no longer shallow and as if someone was sitting on his chest, like someone had beat him in the stomach and chest and head.  
He feels like he’s choking. He is, he’s choking on what bile he can’t get out of his throat, and he forces himself to swallow it back down. He’s crying, he realizes, and dragging in air down into his lungs to the point it hurts. 
What is going on? He thinks through the haze in his mind. With what lucidity he has he brings a hand to his head to make sure he’s not bleeding. His palm swipes against sticky skin, and all that comes back is sweat. He’s not bleeding. He feels like he is. 
Make it stop. His inner mind wails as he finally, finally, starts to calm down again. He’s still crying. The tears burn down his cheeks, and he absently sticks out his tongue and licks the ones that gather at his lips away. He wipes at his face again, and when he looks at his hands, all he sees is skin.
He’s not wearing gloves. 
His hands reach for his back, and grasp his sweat-soaked shirt instead. He’s not wearing a cape. It soothes him, just a little bit. But not enough to keep him feeling safe. 
Danny peers over the side of the bed, and through his dark-adjusted eyes he sees the sitting puddle of throw-up on the floor. He cringes, sniffling. He can’t keep that there. He needs to — he needs to clean that up. 
Alfred must be sleeping by now — what time is it? He doesn’t know. He can’t wake him up. Where does Alfred keep the cleaning supplies? 
Danny throws his legs over the side — they’re not broken, he thinks dazedly — why would he think they’re broken? — and he stumbles to the door. He avoids, somehow, the sick.
(He passes by a mirrored vanity on his way to the door. He doesn’t see his reflection staring at him with green-green eyes. He doesn’t see those eyes following him.) 
He runs into Bruce in the hallway. He should have guessed it so. Danny freezes in his tracks, fear shooting up into his throat as Bruce turns towards him, already a smile pulling on the older man’s face. 
It drops immediately when he sees him. It twists down, and his face burrows into concern. “What’s wrong?” He asks, and Bruce is kneeling before him before Danny can blink. He looks worried. Danny must look awful then.
(He does. He looks pale as a ghost, and his face is splotchy red and shiny with tears.) 
Danny blinks at him numbly, trying to get his thoughts in order. Bruce’s hands are on his shoulders, Danny throws his hands over them, squeezing the knuckles and blinking widely. “I had-” he licks his lips, “a- uh, nightmare. And then I threw up.”
Fuck, he feels like a toddler. His eyes burn with embarrassed tears. He’s fucking thirteen. He’s not a baby. But he feels like a little kid going to their parent’s room. Bruce isn’t even his dad. He shouldn’t feel this way. 
But Bruce doesn’t make fun of him, or scold him, and Danny didn’t really expect him to, but the concern that melts over his face as his eyes soften makes him feel all warm and fuzzy anyways. “Okay,” Bruce says, expression softened but no less worried, and stands up. “Okay, we can go find Alfred then.” 
Danny’s lips press together, uneven and wobbling. “Please don’t.” He says before he can stop himself, and his voice cracks. He feels like such a baby. “I can clean it myself. We don’t have to wake him up.” 
“Do you even know where the cleaning supplies are, chum?” Bruce asks, and in the dark hallway he can see him raise an eyebrow. Danny’s lips press tighter together. He doesn’t. But he can find it. 
They wake up Alfred. Dany feels like shit the entire time. 
“I’m sorry.” He croaks as he follows Alfred and Bruce down the hallway with a mop and a bucket. He’s so embarrassed. He’s going to cry again, and he hates it. “I can do it, Mister Pennyworth. Please.” 
“You sound,” Mister Pennyworth starts, his voice soft, “just like young Master Jason when he started living here.” He turns to throw Danny an endeared smile, and Danny thinks it’s supposed to make him feel better. It does, a little bit, and it also makes him feel worse. 
“I am Jason.” He says, and tears spill down his face again. He is Jason. That’s his name. It’s not Danny, it never has been. The time he’s been here has slowly been pointing that out to him. He may be Fenton, but he’s not Danny. 
Alfred gets it all cleaned up, and Bruce sticks with him after he leaves. Danny’s grateful and resentful of it — hasn’t he embarrassed himself enough tonight? 
Bruce leads him to the library, a funny parallel to the first time. “We can ask Mister Wayne —” Bruce’s face scrunches up slightly, and Danny laughs under his breath. At least he’s not the only one still weirded out by it. “— about getting you a new room tomorrow.” 
Danny sniffs dryly, “How’d you know?” He didn’t think it was obvious that he didn’t want to go to sleep in his room. Bruce smiles knowingly at him, sadly, and they both sit down in the lounge chair next to the fireplace. It sits across from Danny’s armchair.
“I know a thing or two about nightmares.” He says softly.
Oh. 
Yeah.
That’s right. His parents. 
He probably had nightmares about that. 
Danny looks away from him, his eyes drop to his hands. His bare, non-bloody hands. He leans into Bruce’s side. “I don’t wanna talk about it.” He mumbles. He doesn’t want to talk about dying. Or what he thought was dying.  
“And you don’t have to.” Bruce says, slinging one arm around him and slumping against the curve of the chair. Danny reluctantly follows his falling, and finds himself trapped between the back of the chair and Bruce’s side. His ear is pressed to Bruce’s heartbeat. “We can just sit here, and talk about something else.” 
Danny blinks at the empty fireplace. “Okay. Tell me about films again.” 
Bruce’s fingers dig gently into his hair, and scratch slowly against his scalp. “Okay, Danny.” 
Danny frowns. “And don’t call me Danny. It’s Jason.” 
He doesn’t look up to see Bruce’s smile, but he can hear it as the man thumbs over the shell of his ear. “Okay, Jason.” 
(Danny falls asleep halfway through Bruce’s telling of the history of the Grey Ghost. Bruce knows by the way his breathing slows into a steady rhythm and his eyes don’t open.) 
(He smiles for mite a moment, before it drops and his eyes turn to the bookshelf in the corner. Standing there is a small black figure, with two burning green eyes.) 
(They stare at each other for a long, long minute, Bruce’s heart rising slowly. The figure tilts its head, and disappears. Bruce doesn’t sleep for the rest of the night.) 
—-------
Danny stares down Bruce. Bruce stares him down back. It’s morning. It’s breakfast. Everyone is at the table eating, and he and Bruce are having a silent staring contest. Danny has to ask Mister Wayne about moving to a new room, he thought he would be able to do so after breakfast. 
(Who was he kidding? He wasn’t going to ask at all - why bother Mister Wayne about something he can get over?) 
(Bruce, apparently, wasn’t having it. With that stupid knowing look on his face.) 
But Bruce wants it to be now. Danny narrows his eyes at him, and Bruce raises an eyebrow back. Dick Grayson, his world, was going to notice soon. He was sitting next to Bruce this morning. That traitor. 
If you don’t do it, I will. Bruce’s face says. Bastard. Danny was going to take away his Jason rights.
Danny’s the first to relent, pressing his lips together into an annoyed, thin line, before he lets out a silent sigh and turns to Mister Wayne. “Mister Wayne?” He says, cringing slightly when Mister Wayne looks up at him - as with most of the room. 
“Yes, Danny?” 
He spares one last look at Bruce, who nods curtly at him, and Danny throws him one last annoyed look before turning back to Mister Wayne. “Would it, uh, be fine if I changed rooms?” He asks. 
Mister Wayne tilts his head, slightly, to the side with a look of interest. “You can, but what brought this up? Is everything okay?”
Fuck. Shit. Fuck. Danny was expecting that question. He glares at Bruce from the corner of his eye. And then smiles shakily at Mister Wayne. “Um, uh, yeah. Everything’s fine— it’s just, it’s stupid. Some, some stupid nightmares keeping me up.” 
Mister Wayne’s brows furrow, and Dick looks concerned from Danny’s peripherals. “It’s not stupid, you can change your room. I’m sorry you’ve been having nightmares.”
He doesn’t even ask what they’re about. Bruce didn’t either — he thinks he would’ve, maybe — but fuck, jeez. Danny laughs uncomfortably, scratching his jaw. “Yeah- um, thanks. It sucks.” He just barely stops himself from blurting out that he was dreaming that he was dying.
That was not a can he wanted to open. They would have questions, he knows they would, and he doesn’t want to think about it. The image of his bloody, torn hands are already seared into his mind. 
Everyone goes back to eating.
(Dick keeps looking up at him with a shadow of a frown on his face, like he’s keeping an eye on him. Quick enough that Danny doesn’t notice it. Bruce does, and watches his son from the corner of his eye.)
(Danny doesn’t see it, but his reflection turns its head. And peers around the back of its chair. Its eye burns green and it stares at Dick. The next time Dick looks up, it catches his eye.)
(He doesn’t straighten up, he forces himself not to react. He just keeps staring at it, his breath locked in his lungs, his limbs filling with a low, buzzing static. He doesn’t know what it is. It’s terrifying him.)
(The reflection doesn’t react to him, but its eyes seem to… glitch. And an eye appears next to it, and another one appears in a line. The pupils slowly turn to look… at Danny.)
(The window begins to crack.)
“JaSON!” Dick suddenly yells, standing up so abruptly that his chair falls back and slams against the ground with an echoing bang. Danny jerks back in surprise, and stares at Dick, who looks at him with equally wide eyes. 
Dick looks like he’s seen a ghost, his face pale as a sheet. He looks ill. He’s panting, there’s a sheen going over his forehead, like he’s just run a mile. But he’s gripping the table like he may just vault over it.
And everyone is looking at them both once again. Bruce looks incredibly concerned. 
“I— what?” Danny says, pushing his back into the chair as far as he could go. 
Dick blinks, and heaves a breath. Like whatever trance he was in was just… snapped out of. His brows furrow, and he moves, suddenly, peering over Danny like he’s trying to look around him. Left, right, and over, and then back again. 
“You—” he pauses, breathing in, “you looked like you were about to disappear.” 
Danny stares at him in disbelief. And he looks behind him, laughing nervously. There’s nothing there but his own reflection in the smooth glass window. “What- what kind of fucking—” he turns back around to look at Dick. “Why would you say that?” 
“There was something in the window.” Dick says immediately, and Danny is immediately rising to his feet and rushing around the table. Nope - nope, nope, fuck that. He’s by him and Bruce in an instant, as the other Waynes stand up and turn to the window as well.
Dick’s arms are around him the moment he’s within reach, tugging him into his side as one hand presses down against his chest, keeping him close. Dick hasn’t taken his eyes off the window, brows furrowed and serious. 
Everyone looks so serious. It’s freaking him out a little bit. 
“What was your nightmare about, Jay?” Dick asks when he finally tears his eyes away from the window and looks down at him. He’s got a protective hold on him, something so similar to Jazz whenever their parents set something on fire upstairs. 
Danny swallows dryly — does he have to say it? Saying it might bring him back to it, and he doesn’t want to go back to it. Twice was enough for him. “I was dying.” He admits anyways, and regrets it immediately when half a dozen heads all snap to look at him. 
In a panic, his mouth runs. “I was- I don’t remember anything- I just, it was dark and I was in pain and-” He presses his lips together, “I— I was in so much pain. There was this laughter—” Laughter. Familiar laughter now that he thinks about it. From the news. Danny’s lips curl downwards, and he whispers to himself, “Joker?”
“Joker?” Dick repeats, his voice hard. When Danny looks up, his face is unrecognizably stern. “You had a dream that the Joker was killing you?” 
“I— no— yes?” Frustration bleeds into his chest, fear pooling up his throat as the nightmare pulls on the edge of his memory. “I don’t fucking know. I didn’t see anything, all I heard was ticking and that stupid laughter. And I was bleeding, and I was wearing this yellow fucking cape, and- and I was dying.” 
He pulls himself away from Dick, his breathing picking up. “I just- I was— there was this ticking sound and I woke up before it stopped, and I- I don’t know why I knew it was about to stop — but I know that when the ticking stops something bad was going to happen— and it was just a nightmare.” 
Danny grits his teeth, and looks back up at Dick, forcing himself to calm down before he works himself into a panic. “It was just a fucking nightmare, Dick.” He says forcibly, and then he marches out of the room to the library. 
His appetite’s been ruined. 
—---------
Danny’s — Jason’s — asleep next to him. Bruce would think it was sweet if it weren’t for the fact that Jason’s been having nightmares about dying of all things. Nightmares that weren’t, he suspects, completely unfounded. 
His other self looked ill in the face as Jason marched out of the room that morning after Dick’s outburst. Outburst. That’s all he can think to call it even if it sounds juvenile. Like it was unfounded as Jason’s nightmare. 
His other self has been hiding something from him. Something about Jason Todd of this world, who he hasn’t seen at all since they arrived, but Danny — Jason — has. He would’ve thought the other Todd was a ghost if his other world’s… children… hadn’t confirmed seeing and knowing him recently. 
(That was something he still hasn’t fully comprehended. Children, plural? He adopts more after Dick? He has a biological son?) 
He’d be interrogating his other self on this if Jason wasn’t asleep next to him. It would be remarkably easy, as they were all sitting in the living room for the afternoon. All his other children were vigilantes, he wouldn’t need to keep pretenses.
But Jason is asleep next to him, and he doesn’t know. So he resolves to staring holes into his other self’s head, who was going through documents. A case, he bets. His other self doesn’t pay him any mind, but Bruce knows he knows that he’s staring at him. 
(“What have you been keeping from me?” He growls the moment Jason is out of the dining room, rising to his feet. The look on his other self meant that he knew something about those nightmares that Bruce didn’t. 
His other self looks at him, “Nothing that concerns your world.” He says, all of the kids looked tense as well, but now they were staring between the both of them like a fight would break out. 
“Bullshit.” Dick snaps before Bruce can speak, he walks around him and points an accusing finger at his other self. “You looked like you saw a ghost when Jaybird said he was dreaming of the Joker killing him. You know something.”
He did not tell them anything.) 
Whatever it was that his other self was hiding, Bruce would find out before they went back to their world. This concerned him, and it concerned Jason’s safety. If he wasn’t safe and his other self knew something about it, Bruce would be furious. 
Jason’s ragged gasp cut through the air like a knife, and Bruce’s gaze snapped down to his face as the boy’s eyes flew open and he jerked sharply. Jason’s hands were latched onto his shirt before Bruce could react, his nails dragging into his skin like he was trying to claw himself up.
It was another nightmare. Jason was clawing at him, trying to sit himself up while jagged, awful sounding gasps filled the air. He wasn’t looking at Bruce, he wasn’t looking at anything, his eyes glazed over like he was still trapped in the nightmare. 
Bruce wrapped his arms around the small boy and pulled them both down onto the ground, ignoring his other children standing up and looking at them until he had Jay in a cradle. 
The boy was still gasping for air, hyperventilating. His hands drop from Bruce’s shirt and scratch at his throat, his arms forming an ‘x’ while he tilts his head back and desperately tries to draw in oxygen. Bruce tilts his head back up with his hand, and leans him against his shoulder. 
“Breathe.” He murmurs, pushing damp black curls out of Jay’s face. It was a poor command - Jason’s eyes were squeezed shut and his face scrunched in pain, Bruce doesn’t think he can even hear him. “You’re safe.” 
“Bruce.” Dick hisses into his ear, and Bruce doesn’t look at him. He grunts to let his son know he heard him. “The mirror.” 
Bruce’s eyes fly up.
There was a floor length mirror sitting in front of the couch. A mirror that Bruce was conveniently, coincidentally, sitting in front of. A mirror that should have been working as all mirrors do. 
A mirror that, instead of showing Bruce his reflection back as he was, showed him in his Batman suit. Jason was in his arms, but in a torn, bloody uniform. A uniform that looked like a Robin suit. Jason - his Jason - wasn’t a Robin. But here he was, dressed as one, his black-yellow cape pooling beneath him and covered in blood. 
The Jason in the mirror, the Robin, wasn’t breathing. His head lolled over Bruce’s arm lifelessly. 
Bruce’s heart skids to a stop, and he looks back down. Jason was still breathing, his hyperventilating was beginning to slow, but he was breathing. The pained crease of his face was softening, even as his brows were still furrowed. 
When Bruce looks back up at the mirror, the reflection has changed. It wasn’t back to normal, Jason was just in a different suit. He was wearing a white hazmat suit now, and he was burned, horribly. The suit was melted to his skin in patches around his body in black, charred splotches, what wasn’t burned was torn, and the skin he could see was cauterized. The only part of him that was bleeding was his head, and it soaked his black hair red. What of his face he could see, there were bright green lightning figures going up his neck, burning the skin around where it glows. 
The mirror cracks down the middle, severing Jason from Bruce. 
He forces himself to look down, terrified to see the reflection a reality right in front of him. But Jason was alive, uninjured, and breathing quietly. Bruce presses two fingers to his throat, and feels a steady pulsepoint thumping against the pads of his fingers.
Jason’s eyes open and blue stares up at him.  
When Bruce looks up at the mirror, the reflection is back to normal.  
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minophus · 3 months
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you may download this pic as a transparent PNG. you may draw your own sisyphus interp posing around/behind him. you may reblog with your addition. i want to see.
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achillesdaily · 3 months
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DAY #12
>posting Achilles until he arrives at my doorstep.
well can't argue with that
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zytes · 11 months
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7.15.23
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bluebudgie · 2 months
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i remembered that drawing is an activity
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bonefall · 2 months
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i'm ngl depicting thunder's prosthetic as a burden is pretty uncomfortable even if it is something some amputees experience because like. there's a huge stigma around prosthetics already you know? it's like having a parent forcibly strap a child into a wheelchair when they don't need it and having a horrible experience with it and that being your only character in a wheelchair. some full-time wheelchair users do resent their wheelchairs but when that's the only time you're bringing it up at all it feels like you're playing into our society's perception of wheelchairs and mobility aids in general as useless and best and divine punishment at worst. idk do let me know if i'm wording this wrong because i really do love better bones! it's just that this detail is... strange.
I mean, I'm open to feedback if that's not something I should do-- but I do actually have other characters in prosthetics and mobility aids! A lot of them! Thunderstar's actually the only one who ends up rejecting his own, because I also wanted to depict that it's bad to force a device onto someone who does not want one.
Especially in circumstances like Thunder Storm's, where that sort of device would be actively unhelpful for his lifestyle. It might help in open field environments like moorland, but then I got more feedback and realized that it would just make a lot of unwanted noise in a forest (since cats have carpal whiskers to help them figure out where to place their paws). Then I figured it was a good way to show how BB!Clear Sky doesn't actually listen to his son's needs and acts differently when he's not "grateful" enough for his gift.
But he's far and away from the only one with a mobility aid or prosthetic!
I haven't figured out Frog entirely yet, but he's going to be the first cat with a "wheelchair" type device, to set up a long line of cats through the generations improving on it (Probably not much more than a reinforced canvas or durable leather, as this was the age of very early flax processing)
Wildfur's the next in the big advancements, even making the Great Journey in his own and getting a side story based around Littlecloud and Cinderpelt collaborating over this
The device is then improved upon by Jessy for Briarlight, giving her a level of independence and confidence that she needs to finally cut her mom out until she learns how to behave
Deadfoot has a brace for his front paw because the joint is loose (it was based on a friend's carpel tunnel bracelet) which is affectionately referred to as The Bonker; his name is also now an Honor Title (Old name: Hoprunner) for inventing a battle move by distracting with his good paw, and then SLAMMING his other limb down hard on his opponent. It's called "deadfooting."
I think mobility devices are super important, usually massively improve quality of life, and I just enjoy designing them, so the choice to portray Thunder Storm's as negative was a very deliberate one that I did in response to what I thought was a desire in representation. Even the fact it's a hind-leg prosthetic was thought out, since those have a much higher satisfaction rate in humans than hand prosthetics, but in a cat would probably be the opposite.
Still, I'm not missing a limb, so now with all of that context presented, do you still think the same thing? Should I just add even more limb prosthetics to make the ratio of satisfied prosthetic users vs Thunder Storm even steeper?
Sunlit Frost is actually going to have a bite on his good paw go septic (the other side has permanent damage from the fire). I could have that paw get amputated and have Thunderstar "return the favor" for how Sunlit Frost created the prosthetic he rejected by helping him build his own. A pawsthetic, if you will
OR would it be better to just remove the subplot of Thunder Storm grappling with/rejecting a prosthetic that is unfitting for him entirely, and have all prosthetics be 100% treated as positive in the narrative?
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iamfuckingsorry · 2 months
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Thinking about that mural from DE
You know which one
TRUE LOVE IS POSSIBLE ONLY IN THE NEXT WORLD, FOR THE NEW PEOPLE. IT IS TOO LATE FOR US. WREAK HAVOC ON THE MIDDLE CLASS
The next world mural. In the game, you encounter this piece very early on if you interact with everything available, you probably see this mural before you've ever even heard of Dora or before you've started to get really serious about your commie tendencies, if that's how you choose to play. And the reaction is like, "wow, this is kinda profound actually". Or maybe it's like, "oh lol, this game really is commie af isn't it" (even though later on it turns out that the game is much more critical of communism than you'd think at first). And the story in the ledger provides some insight into Harry and Jean and how they work together too, so it feels like it makes sense, it fits in very well at that moment in the game and that's it.
But looking back at this mural after you've played through the entire game, knowing what you know of Harry's relationship with Dora...
It's Harry's own fucking love story in a way, isn't it?
Him and Dora came from very different backgrounds. He's genuinely poor, grew up checking the trash cans on the streets for tare and edible food, spent his teenage years running around with a bunch of kids who all OD'd or got themselves killed one way or another over the years. He had dreams of getting an education, getting a chance to use his creativity and curiosity and learn about all that that is worth exploring in this world (which is everything), but those dreams are long dead. She's solidly middle class, with access to all the education and art and music he's always dreamt of, with her family to always fall back on. She's everything Harry's ever dreamt of growing up. She might as well be living in another world.
They fall in love with each other and she moves to Jamrock to live with him. Jamrock, the biggest fucking ghetto in Revachol, full of tweakers and gangsters and just thousands upon thousands of poor people permanently down on their luck trying to get by, with no proper aid or government and a police station so understaffed and underfunded they never even stood a chance. And they can barely make ends meet even living in Jamrock, moving from shithole to shithole, never knowing when they'll have their electricity cut, when something will happen that gets them thrown out, desperately scrambling for a new place to stay. And Dora could never do that, not really - she never actually lived in Jamrock, she always had the possibility of leaving, of going to work across the river and visiting her parents whenever she felt like it or just escaping, packing her shit and getting on the tram and never going back. And as long as she knew she wasn't really, truly stuck in this miserable shithole forever, she wasn't ever really living in Jamrock. And it could never be enough for her.
And she wanted more - for herself, for Harry, for their family, who even knows. Maybe she saw Harry struggling trying and failing to make a difference as a gym teacher and thought he could do more good with the RCM. Maybe she was getting desperate, living in this fucking shithole, and thought they needed more money. Maybe it was something completely else - but what is certain is that Harry ended up joining the RCM, and the 41st, and everyone there is on speed, everyone is miserable and desperate and always running behind playing catch up with the case load, with the crimes, with the drug addicts and rapists and murderers, and Harry, who's always been like this close to a genuine mental breakdown, just fucking falls apart. He needs to help people, needs to make a difference, and working at the 41st, with the budget and case load and staffing situation and the pure fucking misery in the area. He goes out and meets a miserable person after a miserable person and he can't do anything else than be nice, make their day a little bit more manageable, do his best- but he knows that no matter what he does, his best won't be enough. He won't be able to make a dent in the pure fucking misery that is Jamrock. But he needs to, so he drinks, he smokes, he does drugs, he loses any semblance of control he ever had over the voices in his head, the dude telling him to hit shit and the dude telling him to forget everything and just get fucked up and Revachol herself screaming at him about her imminent death. And in the end Dora can't stand it anymore and she leaves (and, honestly, good for her. I'm happy for her. But this is about Harry, and Harry isn't, he isn't able to be happy for her at this point in time).
And like. I personally doubt that she'd have left just because of the money if everything else was good. I honestly even doubt that the money was that big of an issue for her to start with, it was all the other issues first and then the fact that they couldn't even rent a fucking VHS and play it at times became just one more thing on top of this already massive pile of shit that broke the proverbial camel's back. But in Harry's mind, he was never rich enough for her. She was always the middle class girl who settled for the poor fuck, and he was never gonna be good enough for her because he was just a broke dude from Jamrock. She was perfect and so so beautiful and at one point her love was the only thing keeping him going, and then she left because he couldn't even
And from what we can see in the game she was the only person he's ever really, truly loved.
But in his mind, they could never be together again. They could try as they might, but it was never gonna work out, because she was a rich girl and he was just a poor miserable fuck. He grew up looking for change on the streets, she took piano lessons in a fancy part of town. The difference was just too large to ever truly be bridged.
So for post-breakup Harry, prior to Martinaise and even during the events in Martinaise, true love was never actually possible. It is possible only for the new people, in the next world. It was too late for him - he had his chance, and it was an impossible thing, it could never have worked out and now he's wasted it. Because of the inherent differences between different social classes. It is too late for him. So yeah, fuck it, wreak havoc on the fucking middle class. Fuck those rich bastards who took Dora from him, and fuck Dora too.
On another note, this was also one of the most recent cases him and Jean worked on prior to Martinaise. I don't remember the date exactly, but it was in his last ledger, it must have been pretty recent. Do you think he saw the mural and thought about it the same way I did? Maybe this was the one that truly pushed him over the edge? The impossible love. It truly was too late for him. The only way to fix it is a new fucking start. And how do you get that?
After life - death. After death - life again.
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comicallylargebow · 2 months
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