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#ok I will actually shut up now
surfthestardust · 4 months
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from annabeth’s “careful. I think you were about to call me a friend” to her crying about how percy is better than all the gods in ONE EPISODE I need to be sedated
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Tolkien: "...You are familiar with Thorin's style on important occasions, so I will not give you any more of it, thought he went on a good deal longer than this"
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heartslobbf · 8 months
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hater alert! far too many people say that juri’s character arc ‘isn’t about her being sad about being gay, it’s about being sad about unrequited love that happens to be gay’ and. well. that is not true and by saying that you are completely flattening the brilliance of juri’s character arc which literally culminates in her being able to accept her own lesbianism despite her unrequited love, despite all her shame and self-loathing, despite this pursuit by Some Fucking Guy to try and ‘save’ her from these feelings. like if you think juri’s entire character is just ‘sad about shiori’ how do you appreciate even a modicum of the emotion packed into that final juri duel. it is both about shiori and, even broader, her lesbian identity and what that means to her intrinsically as a person, removed from romantic relationships and just purely as like. you know. Who She Is. the idea that even when juri’s locket is cut from her neck she is still a lesbian that’s still who she is and she cant change that and, crucially, she doesn’t want to even as she is agonised by these feelings. that’s why she forfeits the duel!!!! she’s clocking out she’s quitting she’s saying no!!!!!! this is me and ive got to be ok with that this is me and i can accept that this girl might not love me and i can keep living despite that. like. god im so normal arisugawa juri im so sorry that no one understands you and your intrinsically unapologetically lesbian storyline like i do
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superbellsubways · 12 days
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are you guys seeing this. rn hello can angone help me hey.helo uuuuuwhw wbwjalwnwbwk ahwbwj hello Tumblr
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Imma do this final vent and then I’ll shut up about it.
This was a dumb move, from every possible perspective.
In the og goodbye video, they really made it sound like they were doing the streaming service because they wanted to go bigger, make cooler videos, really see what they could do and let their creative vision take the lead.
Growing as an artist is what you do when you Already Have The Money To Do So. You don’t tell your audience “give me money and then I will use to it to make cooler bigger things”. That’s not a streaming service, that’s a kickstarter.
They didn’t have the numbers to pull a streaming service off either. “We think we’re ready for television quality content” no you don’t. Sorry, no you do not. Television quality content means 30-50 crew per project, means at least 4-5 production being worked on at the same time, and at least 4-5 productions being broadcast at the same time. Watcher has maybe 2 series they upload simultaneously and they have 25 employees TOTAL. Not even CLOSE to tv levels of content, who the fuck do you think you are???
Did they really think all 3 million of their subscribers were going to follow them on this? Including kids, whose spending is dependent on their parents? Including the casuals, who only subscribed for the occasional video? Including people for whom $6 dollars on another streaming service just isn’t an option? Why DIDN’T they poll this, was this being a surprise really that important??
AND why would you completely cut off another revenue? Even if YouTube is restrictive, it’s still another source of income. Cutting that off completely is… bold.
Especially since in the apology, they let it slip that no, actually, it’s because Watcher is on the brink of having to close up shop because they’re not making enough money with just the patreon, the merch sales, the ad reads, etc.
So… one of those is a lie. Or at least part of the truth.
But let’s assume they are in financial trouble, then this was still the dumbest they could’ve done.
Welcome to the entertainment industry where we follow 1 giant fucking rule: Kill Your Darlings.
Fellas, pals, amigos, bros, dudes. If your projects spend more than what they make, it’s time to downsize. Not upscale. Cut the shit that’s spending the most money, start concentrating on how you can conserve without having to fire your crew. Put the projects where you have to fly out and buy new stuff all the time on the back burner, you can get back to them once you actually have the money for them. Work with what you already have. You have a MASSIVE studio space, fuckin use it. You HAVE sets, you HAVE props, you HAVE talent and you have ideas. Start workshopping all the crazy and shit ideas you thought weren’t gonna work and start thinking how you could make them work with the lowest possible budget you can have. Your audience is there, they’ll watch whatever you throw at them. Now is the time to go crazy and see what sticks. You HAVE viewership. Collab. CONSTANTLY. Get it the fuck out there that you exist. A lot of people had no idea a patreon existed, mention it ALL THE TIME. To the point that it becomes annoying. Do it!
If your studio is becoming too expensive, get rid of it. Sorry, kill your darlings. Move some shit around in Steven Lim’s tesla garage, put up some green screens, this is where you work now until you can afford a studio in LA again, you dipshits. Editors can work from home, sound designers can work from home, writers and researchers can work from home, meetings can happen in someone’s kitchen or living room.
And finally: be transparent. Be honest to your audience and communicate. “We’re sorry to put Ghost Files on hiatus, however we can no longer justify the cost of traveling to locations.” The majority of your audience will understand and show patience. The part of your audience that matters will wait and enjoy your other wacky shit in the meantime. Hell, they might spontaneously start their own kickstarter because those who can, will want to support you financially, if you’re just hONEST WITH THEM.
As a business, you constantly have to choose between your financial stability and that of your employees, your vision and the future of your company and what you Want to do with it, and your integrity, the trust between you and your audience. (Especially that last one, businesses can’t pretend they don’t have a relationship with their audience, that’s not how business works, guys.)
When you’re in financial straits, one of those has to go. Watcher chose the latter, they should’ve picked the middle. Their grand television quality ideas can fucking wait, if money is a problem.
Look, I’m an artist too. I had a vision too. But it was either my creative vision or being able to afford food and rent. Creativity can wait, creativity will always be there once I can support it. Living comes ALWAYS first. Asking my audience to fund my huge artistic dreams though, with only the promise of something cool, NEVER even crossed my fucking mind. That’s what donations are for, that’s what the patreon is for.
They apologised. And good. But this was a dumb decision from the goddamn start. There were like 500 steps in between and they skipped all of it. And for what? For money? For grand ideas? For greed or for hubris? How many of their original subscribers are actually gonna come back? How much money did they lose with this stunt? If they really are in financial trouble, this MASSIVE risk -which is what it has always been- might just be their downfall. And it’d be 100% their own fucking fault.
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rocketbirdie · 1 month
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destiny intersects with the ruined reactor...
little details!
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stuckinapril · 6 months
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i love anthologies. anthologies are so sexy
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solomiracle · 5 months
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i think it'd be interesting if the brothers' comments on solomon acting more like a demon than human actually went somewhere. it's really only used for comedy, but even then, it kinda falls flat since it seems to only stem from him being immortal and shady or whatever. if they focused on it and made it have some weight, i think it could be a really good source of angst and character development for solomon.
solomon prides himself on being humanity's protector, the one who will keep his fellow humans safe from unnecessary otherworldly interference. but if demons started comparing him to themselves, denying him his humanity, his entire motivation for doing what he does, how would that make him feel?
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fossilizedhysterics · 1 month
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angel Ɛ✦3
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todayisafridaynight · 2 months
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no ones ever gonna understand how much i love daigo doin this stupid shit after dissolving the tojo
#snap chats#is this a gaiden spoiler. its been like five months catch up you nerds#ANYWAYYYYY NOO I LOVE HIM ....... this whole bit is like four seconds long but i love it so much#i just reminded myself i should probably make gaiden/y8 videos for daigo.. i'll make it a JP/ENG comp or somethn.. one day#not soon tho like its barely anything since he's not in those games Long At All but still. im lazy 💀#excuse me while i gush about daigo for twenty minutes now because hehee HE'S SO CUTE I CAN'T GET OVER IT#this is literally the middle aged equivalent of going yippee like YOU CAN TELL HE'S SO RELIEVED IT'S SO CUTE#got the energy of a student with crippling anxiety after they somehow get through giving a presentation without throwing up#AND his lil smile ......... thank you gaiden you made me wanna eat drywall with daigo's sad puppy dog eyes about kiryu#and then immediately made up for it a minute later#sorry i keep scrolling up to look at him and i love him so much. what if i threw up#i dont like using babygirl lightly but this is actually the most Babygirl frame of him ever ive decided#thats my boy .... i love my boy so much ..... he's so cute ... come so far in life congratulations king ..... ily ...#him lookin up at the sky for a minute just to breathe i know he thankin god for the fact he somehow isnt dead yet#im gonna ignore the fact all of this was for naught so i dont bash my head against a wall anyway stan daigo#im gonna be sick i love him so much#if i redraw this later shut up. i love him...#this is why i try not to look at cutscenes anymore cause when i do i feel my brain being put in a microwave and start to melt#its not my fault i love my guys so much .... ok bye i have work to do ....#and then when i finish that work i can go back to loving my guys YAAAAAY !!!!!!!
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milommid · 3 months
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ghs doodles from the last 2 days!
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just let me pretend smakky wasn't scrapped for a second, it would have been so cute guys. I know in my heart he would have been the character ever : )
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You know, I think what really bugs me about the "Dadworth" dynamic applied to Kay and Edgeworth's relationship is that it usually makes Kay out to be this hyperactive, slight problem child (in the 'stealing and pranking' sense rather than the 'moody and abrasive' sense), occasionally with deep-rooted daddy issues like Edgeworth has, when that's... the opposite of her character.
(This post got away from me, so TL;DR: Kay is a quick-witted and independent young woman who has worked very hard to be both emotionally and practically intelligent enough to be seen as a legitimate successor to her father's legacy. Making her out to be the traits mentioned above, so she functions as Edgeworth's daughter rather than his investigative partner and equal, undermines her character and semi-conflates her with Maya [the deep-rooted issues bit]. Also I don't like it wksgskaj)
Kay is very, very sharp.
The thing about Kay is that she's not actually in the series as much as it feels like she is, which makes it easy for her character to be altered to suit the needs of the story (which I think happens in The Forgotten Turnabout, but I won't talk about that here). She turns up in two cases as herself in AAI (as in, teenager Kay whom we're most familiar with) and shares her role with Gumshoe, Ema and Franziska when she does, lessening her appearances even further. Nevertheless, there are still concrete elements to her personality that we're made aware of right from the beginning, and the first major one which I feel gets overlooked in favour of her hyperactive characterisation is this:
In terms of mainline assistants, I'd consider her the sharpest of all (maybe after Trucy? But I don't remember enough of AJ to comment on that). Yes, she's shown to be reckless and impulsive, but, when it comes to actual investigating and reasoning, she is solid. With Nick and Maya, you sometimes get the impression that they're both fumbling along until Phoenix catches on (most of the time with Maya's usually a little accidental help, and he still has to explain things to her near every time [not Maya's fault. Following Phoenix's reasoning is like being on a rollercoaster in a minecart]), but Kay is very rarely like that with Edgeworth. Within minutes of meeting him, she can predict what he's going to say (or 'steal his lines', as the game puts it), and there are several moments after he uses Logic and is about to explain what he's connected where Kay interrupts with the correct conclusion herself:
Edgeworth: A second Blue Badger that shouldn't exist... Clearly, the true identity of the person underneath is...
Kay: Oh, I know! It's one of the kidnappers, right!?
There's even a point where she tells him off for overexplaining things to her:
Kay: Yeesh, I told you I got it! Do you feel the need to explain everything!?
And, near the end of their first case together, he acknowledges that's she's generally quite quick:
Kay: OK, what should I re-create first?
Edgeworth: ...You haven't figured it out yet?
Kay: Heh, maybe I have, and maybe I haven't.
Even if you don't take these points into consideration, the fact that she comes up with a new way to use Little Thief, and knows how to use it at all actually, shows you that she's a really intelligent girl! Continuing on a bit from the point I made earlier about her being brash, Kay may be reckless, but she isn't irresponsible. Whenever she rushes into situations, she doesn't expect other people to come save her; she's quite assured that she can and will get herself out of them on her own, and, if she needs help, she asks for it in advance. She treats Edgeworth less like her guardian and more like her investigative partner:
Kay: I didn't get permission to enter Allebahst... so we're going to go gather whatever info we can over on the Babahlese side, OK!?
Edgeworth: Alright, I'm counting on you two.
Kay: Right, and I'm counting on you and Ms. von Karma to sniff out clues in Allebahst!
...
Edgeworth: A number of pieces connect in a very complicated way in this case... It's almost enough to make one completely mentally exhausted.
Kay: Let's not over-complicate matters, OK, Mr. Edgeworth? We've been so focused, like a laser, on only what seems strange and out of place... it's no wonder nothing's clicked and we haven't unlocked anything yet. But, if we think things through calmly, the answer should come to us!
There's an independence to her proactiveness that kind of forces Edgeworth to meet her on equal grounds, and this too is an element that gets lost when the Dadworth dynamic comes in because it involves making Edgeworth responsible -- or feel responsible -- for her actions and general wellbeing when Kay has never expected nor wanted that. She does things on her own terms, and she walks the path she's chosen by herself:
Edgeworth: Preposterous! On what grounds do you suspect her of such a thing!?
Shih-na: The fact that she calls the Yatagarasu. That in itself is a more elegant proof.
Kay: Ms. Shih-na.
Shih-na: Yes?
Kay: I... have no intention of taking back any of what I've said.
Shih-na: ...?
Kay: I am the Great Thief Yatagarasu. And I refuse to allow some imposter to claim that name as their own! The path of justice that my father pointed me towards... I will walk it the best I can!
Her relationship with Edgeworth works as an inverse to that of Nick and Maya's in the way that, where Nick and Maya have deep respect for one another beneath layers upon layers of playful insults and messing about, Kay outwardly respects Edgeworth first (and expects that respect to be returned) and razes him second -- that, too, never to an extent she wouldn't with anyone else or that crosses a certain boundary. Her messing with Edgeworth is shown to be more an attempt to get him to lighten up or not take himself too seriously than an act of (platonic) intimacy as it is with Nick and Maya (which makes sense because Nick and Maya have spent years together, while she's known Edgeworth for all of two weeks) or genuine obliviousness/silliness (although it definitely sometimes is). This is pretty obvious simply from the fact that she always calls him 'Mr Edgeworth', though she's perfectly comfortable calling Gumshoe and Badd, people whom she is more familiar and comfortable with, 'Gummy' and 'Uncle Badd' respectively. Also Kay, in general, is quite polite? Edgeworth calls something she said rude at one point and she gets insulted, and, when you ask for her opinion, she doesn't go 'What?' or 'What is it?', she specifically says, 'Yes?' (this changes in AAI2, which I promise I'm not discussing here) Upon meeting Oldbag, she has this exchange with her, where Kay chooses a more formal mode of address than what is actually offered:
Oldbag: My name is Wendy Oldbag. But you can call me "Wendy", or "Granny", or whatever suits your fancy.
Kay: Nice to meet you, Ms. Oldbag! I'm Kay Faraday.
She's also had moments where she calls Edgeworth out for being 'tactless', and she's shown to feel very strongly about rudeness throughout the whole game. I'm not saying she isn't mischievous or playful, she very much is, but the point is that she's really quite respectful, and this extends to her relationship with him. Her characterisation in Turnabout Ablaze, where she's considerably more excitable/high-strung than in Kidnapped, seems largely due to them chasing down Calisto Yew. Edgeworth even comments on this:
Edgeworth: Kay, you need to look before you leap. You tend to lose your cool when it comes to anything related to that woman.
Generally, though, you can tell that she was obviously raised with an adherence to certain formalities. She's not looking for another parental figure (because she doesn't need one, which I'll go into after this), but, if she was, she'd make that clear.
Kay's a very straightforward person at heart; she doesn't hide any part of herself, even the part that should be hidden (i.e. the Yatagarasu). There are points where she suggests that Edgeworth reminds her of her father, but, in AAI, she specifically mentions that it's both Edgeworth and Gumshoe who remind her of her father and Detective Badd. It's not about her seeing Edgeworth as a father figure; it's about their and her own dedication to the truth. Even in AAI2, where her comments could be read as leaning more towards the former angle, she doesn't get cut up about him not picking up on that or really paying it much emphasis at all, because it doesn't matter. The fact that he reminds her of Byrne is just that: a fact.
Returning to the point about Kay not needing/wanting another parental figure, I think it's pretty self-explanatory, but to put it succinctly: Kay has the guidance she needs without him.
To put it less succinctly, Edgeworth's possibly the worst candidate to go for for emotional support and guidance in the first place, and by the time she meets him again, she's basically processed her father's passing and has a better handle on herself emotionally than Edgeworth does (not a brag; most characters have higher EQ than Edgeworth); what she wants isn't necessarily closure for Byrne's death in the emotional sense but in the I-want-answers-to-this-mystery-that-will-restore-my-family's-honour sense. You could make the argument that Kay becoming the second Yatagarasu and shaping her entire future around continuing her father's work prove that she isn't over his death, but I don't think that's true and more of a result of conflating her with Maya a bit.
With Maya, becoming the Master isn't something she chooses; it's given to her by Misty and Mia. With Kay, it's the opposite. Kay's decision to become the Yatagarasu and pursue the truth is wholly her own, and her approach to that goal reflects that. While Maya uses her cheery, upbeat attitude to conceal a lot of self-doubt and vulnerability (and Franziska does the same with her hostility), Kay does not. Her cheerfulness is precisely who she is; it's not a mask so much as it is a distraction. It keeps people from looking at her too closely and realising exactly how capable she is, and, while I don't think it's fully intentional (again, she believes in living her life in a straightforward and upfront manner), she does imply that it's sort of her (or the Yatagarasu's) MO:
Kay: Well! By the time everyone notices, it's already gone! That's the Yatagarasu way!
Interestingly enough, this unintentional tactic of using humour and cheeriness as a distraction from her abilities makes her a mirror to Calisto Yew, who also uses her seemingly always light-hearted nature as a disguise for what she's actually capable of (Calisto's joviality is her true self, too, or at least as 'true' as she can get). The difference between them is that Calisto delights in ironically mocking the world around her, whereas Kay finds joy in life itself, and she's stronger for it.
The only part where we see Kay attempt to mask her feelings is when she's a child, and even then she admits that she feels better after crying, which, I believe, led to her becoming more open with her emotions later in life (see how her older self has a teary sprite which makes pretty frequent appearances where her younger self does not). In any case, to me, this shows that she has people in her life already who are helping, and have helped, her confront and process her trauma. She's not looking to Edgeworth to help her make sense of her father's death and she definitely isn't looking for a replacement (again, literally dedicated to continuing her father's [and Badd's] legacy). Whenever Edgeworth even gets close to becoming parental with her, she dismisses it, unless she acknowledges that she is in the wrong:
Edgeworth: ...Kay, it's not good for you to stay up late, you know.
Kay: Yes, gramps!
...
Edgeworth: ...I appreciate your sense of justice, however... I would appreciate it if you wouldn't go running into the heart of any more raging fires.
Kay: Nngh... Yes, Mr. Edgeworth... I'll try...
Despite her buoyancy and bright attitude, Kay is quite firm that she be treated as an adult (she doesn't see her cheeriness as a mark of youth; it's joie de vivre, it's who she is, and that's that), and, throughout the game, she gets annoyed when people don't respect that (her arguments with Lang are largely over how he calls Little Thief a toy and her crow-girl). She holds her own and relies on herself while being unafraid of asking for help.
Anyway, this post has gone on for long enough and I think I've addressed the points I wanted to. I should mention that I realise that a lot of how many people portray/interpret their relationship is validated by AAI2 but that's honestly a discussion for a separate post HAHA I feel like, when it comes to AAI, the father/daughter interpretation can maybe be argued with regards to the way Edgeworth treats her? Honestly, though, I think he'd treat any young lady who suddenly becomes part of his team/responsibility in pretty much the same way. And, like, he drops the ball almost every time he's supposed to give "fatherly" advice because he's just not that great with it/children!! It's actually hilarious HSKSDHSK
Either way, yeah! I just think Kay is actually given a lot less credit than she's due when the Dadworth card gets played and I just! Want better for her!!
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jackobbit · 4 months
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Fellas we’ve officially hit that point /lh
I called my mama because I was upset over something, after talking it out she encouraged me to ‘go do something fun’ because the situation really couldn’t be helped so I might as well move on and cheer myself up.
Her suggestion? “Go play with Sun and Moon.”
She was referring to my plushies but the fact that she SAID THAT??
I’m officially at a point in the fixation where my MOTHER, who knows nothing about video games or fandom or anything like that, is able to recognize that shoving these two celestial themed robo twinks in my face is going to make me happy. And that’s insane to me.
“Here kiddo, go play with your jester animatronics you’ll feel better.” And she’s RIGHT. GOD.
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heartslobbf · 11 months
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being deranged about azure paler than the sky again. like girl i am literally all mysteries in creation near and far far and near i am all the mysteries (because i am a closeted lesbian). the representation of my lesbianism was cut from around my neck, symbolising both a violent attempt to ‘correct’ my identity and my own personal realisation that my infatuation with a girl is making me loathe that identity. it agonises me. i forfeit my duel because i realise i cannot exist in this system as i am, and i want to be that even as it is painful and unfulfilling. the symbol of holy matrimony and heteronormativity literally weeps over me for making this choice. i make it anyway. i am all mysteries in creation. ALSO, the utenanthy bedroom scene that episode is maddening to me and juri’s car sequence is one of my ult faves and all the imagery this episode (the chairs!!!!!!!) is on point, as with all juri episodes. also i am all mysteries in creation btw
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oatm3al-c00kies · 1 month
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ALSO THE FACT THAT THIS BASICALLY CONFIRMS OR IMPLIES LIKE…. BUDDIE CANON. IS ON ITS WAY.
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