#of their brilliant writing

[arcielee]

Interview With a Writer

Thank you @st-eve-barnes for going over your Saltburn series with me! Just a reminder, you can view volume 1 & 2 of my ongoing series Interview With a Writer, where these talented individuals allow me to pick their brains over the brilliance behind their writing!

Name: st-eve-barnes

Story: Leverage

Paring: Michael Gavey x Female!Reader

WARNINGS: 18+ for explicit content and language. Kissing, oral sex (male receiving), dry humping, hand job, fingering, p in v sex. First kiss and loss of virginity. Experienced reader. Enemies to lovers vibes.

So, when did you start writing?

I guess I have to say as a teenager, though I never shared anything I wrote back then. I still have the notebooks I used to drabble in (in Dutch), it wasn’t very good at all but I guess even back then I had that need to be creative and make my own stories.

I officially started writing fanfic in 2013. I watched Thor the Dark World, fell in love with Loki, made a Tumblr and a whole new world opened. After a few months of reading fanfic, I started writing my own. Again, it wasn’t very good at all but even my bad stories slowly started to find an audience on here, so I stuck with it.

Loki is amazing, just Aemond energy in a different font.

He truly is! I've written different characters since, but the moment I saw Aemond on screen I was transported back to the first time I saw Loki. His intensity, that quiet threat like you don't know what he's going to do next, combined with this, "I was made to be king but my stupid brother is the chosen one."

And a certain sadness, of course. We know they're the villains, but we understand them in a way and can feel their pain. And they are sexy as hell of course ;)

Where did the plot for Leverage come from?

Okay, so first of all, I am someone who never plans an entire plot when I start a fic. I am very much a "make it up as I go along" writer. I start with an idea and a dynamic I want to write between two characters and then I build from there.

For this one I wanted Reader and Michael to have a common goal and a common enemy, something that would push these two different characters to want to work together. I wanted the enemies to lovers vibe but soft. Like, you can tell very early on in the fic that they have empathy for each other. When Reader is crying, Michael softens up easily, and when she sees Michael being vulnerable about not being able to get girls, she feels for him as well.

Their personalities will still clash even after that, but you can (hopefully) feel the connection between them as well. I wanted Ben's threat to loom over them for the entire fic but also never make it the main plot point in every chapter. The main plot for me here was how Michael and Reader could help each other change and grow, and then either accept that change or turn away from it.

Was there anything in specific that inspired your Reader portrayal?

No, not really, I think. I wanted to make her independent and confident, but also a little bit lonely, all traits you can also find in Michael. And anything else, as usual, I make up as I go along. I get to know the characters as I write them and often I'm surprised where they take me. In this fic I think it was Michael who surprised me the most though, he really turned out different than I initially had planned.

Explain your interpretation of Michael. What drives him? How did he differ from what you originally had in mind?

Salburn didn't give us much to work with, and I actually love that because it gives us so much freedom to play with the character.

I went with what the movie did give us: Michael's obvious hatred for the popular privileged kids. It's the reason he initially hates Reader, but warms up to her when he learns that she is actually working for her place at Oxford and she is not a real part of Ben's group. I think he is driven to help her purely because of that common enemy in the beginning.

Then he gets to know her a little and the promise of sex comes into play, which he definitely doesn't say no to. What surprised me in writing him is that I initially planned on writing him as a sub throughout the entire fic, but then half way in the tables started turning and he started taking over control a bit (of the Reader and me as well apparently!). And then suddenly it made complete sense to write him that way, because he would be that overeager student who wants to do well and who does the homework to get it exactly right, it doesn't matter whether it's math or sex, he wants to show how good and smart he is.

Him just accepting his feelings for her so calmly was also something I didn't plan, but just sort of happened as I was writing.

My initial plans there was going to be a big fight between her and Michael right before they would call things off. He would force her to admit her feelings and the sex would turn quite rough; Michael just being Michael and saying a lot of wrong things to her that would eventually shut her down completely. But I never wrote that scene and by the time I got there in the story it didn't seem to fit their characters anymore and it also seemed too heavy for this fic so I let go of that idea.

Do you feel your Reader and Michael complement one another?

I definitely think they complement each other, but I also think they are quite alike in many ways. As I said before, they are both quite confident in different ways and insecure in others.

I do think they complement each other perfectly with Michael being more book smart and focused, while Reader is (a lot) better with people and social skills. I think them being together changes them both for the better cause they can learn from each other's personalities and bring out the best out in each other (but also the worst, of course).

Let's say that in their future they definitely learn to focus on bringing out the best and not the worst in each other ;)

Do you think you'll ever continue their story?

Never say never, but there's no plans to write more for them for now. I don't think I've written many sequels over the years, but I love writing different ideas and dynamics between two characters and once they are together, it's like "my work here is done."

Do you have a personal favorite story (on ao3 or Tumblr) you'd like to share?

My absolute favorite story is from a previous fandom that I'm not in anymore, but I have to share that one as it is the single most beautiful thing I've ever read. It was the fic that pulled me into the fandom. It's a Stucky story and it's called Not Easily Conquered, known as NEC in the fandom.

It will crush your soul and heal you and I will give anyone the same advice I got before I read it for the first time: be prepared because this one will hurt. I cried for like a week after I read it and I don't cry easily so this one should come with a warning. But it is absolutely worth it!

Do you have another story in the works?

The only thing I'm working on right now is a Felix Catton x Reader story called Pretty Little Liars. Two chapters have been posted and I'm working on the next ones, but it may be a while as life has been a bit full on here lately.

Would you like to share a snippet of what's to come?

“I think he has a little crush on you,” you stated while Felix opened the door to his room and let you step inside first. Felix shook his head but the little blush on his cheeks didn’t go unnoticed by you. “It’s not like that,” he denied, “He’s just…a bit lost and I’m trying to be his friend.” “You sure that’s all he wants?” “Yeah,” he laughed, “Ollie doesn’t want me, he just wants to be like me.” “If you say so,” you sighed, not convinced. Felix grabbed you by the shoulders and pushed you down to sit on the side of his bed, leaning forward to look into your eyes, “Hey, come on, don’t ruin this by becoming jealous.” “I’m not jealous, I’m…concerned.” That wasn’t a lie. Jealousy was never a factor, you knew right from the start that Felix would never truly be yours, you would always have to share him with the rest of the world. And you always accepted that. But the idea of sharing him with Oliver somehow made your blood boil. Felix kneeled down in front of you, eyes locking with yours as his gaze darkened and he smiled that irresistible smile of his. “Now, did you come up here to chat about Ollie, or to get your pussy eaten, hmm? Cause I can’t do both at the same time.” His lips connected with your knee, kissing your skin softly and you bit your lip and sighed deeply, “Fine, I’ll shut up.”

#interview with a writer #bts #of their brilliant writing #writing community #writing stuff #writers on tumblr

[wrongspacetime]

The Fall of the House of Usher 1.08 | The Raven (2023)

#the fall of the house of usher #tfothou spoilers #mike flanagan #carla gugino #kyliegh curran #tfothou #lenore usher #verna #tfothouedit #dailynetflix #dailyflicks #thehauntingsource #mygifs #i was doing fine (ish) #not as much ugly crying as the other flanagan shows #but then this scene wrecked me #the fact that death was so kind to make sure lenore knew she made a difference ughhhhh idk it did something to me #the hand at the end.... the way you can feel it costed death to take lenore - BRILLIANT WRITING #also the layers of carla's acting!!! give her all the awards i'm so serious

[comradekatara]

katara’s role as the show’s narrator is so underrated because no one really seems to understand just how deeply katara is impacted by the nature of stories, with regards to their craft, their promulgation, and their cultural significance, so they don’t truly register the sheer metatextual brilliance of having her be the resident storyteller of the narrative itself.

the first thing atla establishes about katara is that she is someone who is fueled by dreams and fantasies, and believes in a return to a world where “all four nations lived together in harmony” (which is obviously an illusory ideal, as there was always geopolitical strife even if it wasn’t as overt as the devastating imperialist project they are now subject to), described to her by kanna’s stories about the old days.

katara is someone who indulges in fantasies of adventure and heroism, projecting these ideals onto both herself and others. she is an idealist in the truest, purest sense of the word, and what is an idealist if not someone who tells themselves stories about a more beautiful world to survive?

it’s no coincidence that the episode where katara successfully scares everyone with a very compellingly narrated campfire story is the same episode that she must contend with her heritage, the ominous lacunae in her stories, the pitfalls of her own naive idealization. it’s also not a coincidence that the story she tells was first told to her by her mother.

katara grew up hearing stories passed down to her from kanna and kya, and those stories gave her hope and brought her the possibility of happiness in a bleak, cruel world where she was ultimately alone. there used to be people like her, said the stories, and they were brave, and they fought til their final breaths to hold onto their culture, their love for their people, their humanity.

well that’s who i’m going to be, says katara. someone who fights, someone who cannot be knocked down (because there is no one else left to take her place), someone who will never cease to have faith in the capacity of others for good, for truth, and for justice.

stories are her heritage, they are her culture, they are how she defines herself and how she understands the world around her. stories are how she copes, how she survives; they are all she has left to cling to. and sometimes they are reductive, and sometimes they are outright false, but that’s okay too. she grows, she adjusts her narratives, she learns to leave room for more grey in her neat tapestries of black and white. stories can define a tragic past, but they can also pave the way for a better future. she keeps telling stories.

#i could sunlit garden this girl so easy (probably what hama was thinking) #katara #analysis #kanna&katara #katara&kya #hama&katara #this is also what makes the southern raiders so brilliant as the apotheosis of her arc #but that’s for another post #(one that I’ve probably made before lbr) #everyone in atla has a sunlit garden / mythmaking event / whatever you wanna call it #but katara is the QUEEN of narrativization #and you do not get katara at ALL until you get this #fyi. #anyway i love her so much that i nearly teared up writing this. it’s whatever tho

[vroomvroomwee]

No but I love this scene so much because him saying "Is that who I am now?" Means his sexuality changes from regeneration to regeneration, therefore. Making. Every. Single. Headcanon. CANON

Ace, Aro, Bi, Pan, Lesbian, Gay. Anything we might have thought about the Doctor can now be true. *Cue Neil and Terry's Good Omens "they are ethereal, not humans" gender and sexuality fluidity, * and Doctor Who did the same thing. Crystal clear. Effortlessly.

They managed to make every headcanon fucking canon. Bravo Doctor Who team. Bravo.

#personally #i #a queer person #wouldnt have thought to write it so smoothly #brilliant #doctor who #doctorwho #dw #the doctor #doctor who 60th #doctor who 60th anniversary #dw 60th #60th anniversary #wild blue yonder

[anthurak]

Okay, but just the contrast in writing/performance between Jaune and Ruby in their different breakdowns.

Miles is giving Jaune this very up-front, very overt, very traditionally dramatic ‘man losing his mind out of isolation and guilt’ performance. He shouts, he screams, he makes big, attention-getting monologues and outbursts where he lays out all his pains and torments for the audience to hear. Again, all in what we’d call a very ‘traditionally’ dramatic fashion.

Meanwhile, Lindsay is giving Ruby this very restrained, grounded, visceral, far more raw and ugly performance. Ruby is generally quiet and restrained until something sets her off. She doesn’t shout or scream but instead lashes out with things she’s been holding in all this time seemingly at random. She’s not ‘explaining’ what or how her problems are, she’s just VENTING. Because that’s all she CAN do right now.

And it all works brilliantly with both the characters AND what the scene needs to accomplish.

I think from a character perspective, Jaune is making these big, overt dramatic breakdowns in a subconscious attempt to GET attention, as an unconscious cry for help. Specifically, because Jaune is deep down DESPERATE for absolution. He’s become so consumed by guilt over what he did to Penny that it’s now taken over everything he does, and deep down he’s desperate for someone or something to absolve him of that guilt.

But whereas Jaune is dealing with something recent, relatively speaking, what we’re seeing with Ruby is simply the result of coping mechanism she’s been using to compartmentalize, manage and repress her trauma likely her entire life, which has LONG since been pushed past it’s limits, FINALLY breaking down. What we’re seeing start to come out is likely a LIFETIME of repressed pain and trauma. Which ironically she CAN’T let out nearly as obviously as Jaune is doing because she’s still trying to keep it in. Because she doesn’t know HOW to be open with her pain.

And putting Jaune opposite Ruby in this episode only serves to exacerbate Ruby’s problems. Because Jaune’s far more overt and obvious breakdowns just end up drawing the attention of Weiss, Blake, Yang and even the audience AWAY from Ruby’s already subtle and restrained breakdown.

Until it’s too late and Ruby simply checks out entirely.

#rwby #rwby spoilers #rwby volume 9 #Ruby Rose #Jaune Arc #lindsay jones #miles luna #rwby analysis #the writing acting and literally everything on this show is FUCKING BRILLIANT

[drbtinglecannon]

I'm rewatching Glass Onion after literally just finishing it like you do, and the way that Lionel is supposed to be a brilliant scientist but didn't solve a single piece of the puzzle box himself was such a good detail, I noticed it the first watch but on the second it's got even more depth to it.

He couldn't do anything without following Miles, and Miles was a dumbass. Canonically, a manipulative dumbass. Who so thoroughly whipped an actual clever scientist into being his lapdog that didn't do anything without first being led or prompted.

Duke's mom figured out the box in a simple glance. And the genius scientist needed to be told.

#glass onion #glass onion spoilers #knives out #i wanna write about small moments that clearly displayed each char early on. i just loved that scene so much bc the mom was BRILLIANT in it #tc posts

[stealingpotatoes]

dinluke making utterly zero sense but catching so much popularity is my favorite thing to exist ever

no no no this is slander it DOES make sense!! u gotta think, dinluke didn't get popular out of nowhere, they got popular after they canonically met. what 2 other things happened in this episode? 1. din's son going with luke to be a jedi and 2. din becoming mand'alor. you know what that leads to? 1. a reason for din and luke to continue to interact and 2. spicy conflict and a shitload of shared struggle. Din and Luke both have to lead/unite/help their disparate, genocided people, are both strongly devoted to their creeds, both fierce warriors willing to do a helluva lot to protect those they love, and like loaaaads more. they might seem pretty different on the surface but at their cores they rlly match up and share a very particular set of experiences and again HAVE REASON TO MEET REPEATEDLY

and that'd be enough on its own but then you have that against their peoples' ancient feud and bam you have some romeo and juliet spiced in there. and w that, even if you ignore the mand'alor stuff you still have their devotions to their religions (+ w that the conflict of intimacy and want and din's helmet/the old code getting in the way), din knowing NOTHING abt famous hero luke and ofc din actively trying to avoid being the main character vs luke being the Most main character ever. its just. im normal abt them

#if dinluke doesn't make you go insane then it doesn't make you go insane. nothing to it everyone's got their tastes #personally the conflict the similarities the way they can fit together in brilliant symbiosis makes them just So Good #if you think this makes zero sense you would not have survived a day in the old overwatch fandom. biggest ship had 0 canon meetings #but i will not take this slander!! this is a sensical ship w reason to meet and reason to fall in love #i could write like a 2k+ essay on dinluke and why it rlly appeals to ppl (beyond 'haha pretty men kiss'). alas i have to do uni essays #thanks for the ask! #dinluke

[just7frogsinapeoplesuit]

I'm rereading Hogfather for the first time in probably 15 years and I. Cannot believe I missed all the jokes about Hex the first time around. The "anthill inside" sticker. The ram skulls. The small religious pictures. Christ

Whoever made that post about rereading Discworld novels making you go "damn you Terry" while shaking your first at the sky, you get it

#I love his writing more than everything #because it's simultaneously brilliant and the dumbest puns you have ever encountered #cannot believe he had it run on ants from the beginning for the sole purpose of eventually making this pun (yes I can) #Discworld #hogfather #terry pratchett #also the line 'real stupidity beats artificial intelligence every time' hits so hard decades later

[witchinatree]

i know the whole "do you think jon ever used his powers to Know what his parents looked like" thing is far more devastating than this but what if he tried using his powers to remember original sasha? jon and sasha always seemed closer than the rest, he picked her (and tim) to work with him and tolerated a lot more nonsense from her than anyone else (using his password to access his computer [161], debating his pronunciation of calliope [25], etc)

and ofc jon and martin became significantly closer as the podcast went on, but in the beginning he was cruel to martin when he gave a statement but accepting of sasha? idk i think their friendship was a lot deeper than we realized (ESPECIALLY since his first murder in season 5 was because NotThem provoked him about sasha) and i think jon wouldve used his powers to Know the original sasha, not sure if it wouldve worked though

so so sorry to distract from the post but can yall read the tags for me because i suffered immensely for this post

#they make me ill #sasha was so cool i miss her every day #i think we need more sasha content #idk i wish we got more of them specifically #THIS POST. HAS CRASHED. 4. TIMES. #i am trying to write about the magnus archives and its like “hee hee tumbeast ate your post” give it the fuck back? #it saved to my drafts after the 4th tag but this is pissing me off #every time i try to tag it as “tma” it crashes so im not doing that #just pretend i did ok #16 more times total of 20 every time i try to write tags it crashes #it wont let me write the archivists name im genuinely so serious #please help me please help me #im gonna sit here for a second and let it save as draft #6 more times #ur joking #total of 26 crashes over this one post #hate to distract from my incredibly brilliant insight but this is unusable #i think its okay again actually? #gonna try tagging with real tags wish me luck #jonathan sims #jon sims #sasha james #tma #the magnus archives #the archivist #notthem #notsasha #tma theory #tma spoilers #holy shit it worked

[glitterslag]

ok this is my last one of these. maybe

#his mattress is on the ground bc he is a floorboy next question #rhombus one is particularly silly i love making fun of his synesthesia #pretty sure the lori pic is from a deleted scene but you can't tell me that wasn't the dynamic of that relationship #also love a cheeky lisa apologist post. womens wrongs etc #always gonna love and support the women of TD S1 and hate marty (affectionate) and feel... ambivalent at best towards nic pizzolatto #like thank you for writing the show but also i probably hate you #starting night country tonight and i'm excited to cement my hatred of him because i just KNOW it'll be brilliant and he's just butthurt #true detective #rust cohle #marty hart

[arcielee]

Interview With a Writer

Thank you again @inthedayswhenlandswerefew for continue the Maggie's Suffering Sundays tradition with a behind-the-scenes on her latest story! As always, here is masterlist to my Interview With a Writer series and the other talented individuals who allow me to continue this self-indulgent series! 💜

Name: inthedayswhenlandswerefew

Story: Napoleonville

Paring: modern Aemond Targaryen x female!reader

Warnings: 18+ mature themes. Be mindful of chapter warnings.

What inspired the plotline for Napoleonville?

I’ve always thought that bayou country (and the Deep South in general) has a fascinating, slightly unnerving, ancient sort of beauty, and I had a vague idea that I’d use it as a setting for a fic one day. I actually wrote a short story in college that took place in rural Louisiana (it involved fraternities and murder, sounds like me, right? 😂) and really loved the experience of mentally living in that setting for a while.

One day I was thinking about this preoccupation I have with Louisiana while listening to You’re Wrong About, a podcast I really love. They have a 5-episode miniseries about Princess Diana that is super informative and also hilarious, and I go back and re-listen to those episodes a few times a year because I enjoy them so much. So the plot of Napoleonville was a marriage (pun intended) of these two seemingly random, disconnected inspirations!

I think I imagined the story as taking place in the 80s primarily because of the Princess Diana connection, but also I’m super obsessed with 80s music and fashion, so I’m sure that was a contributing factor. 😁

My Pinterest board for this series was called "Swamplands" and featured a LOT of retro 80s photos, as well as plenty of alligators and baking recipes, of course!

I sadly did not yet exist in the 80s, so extensive research was necessary.

Explain your interpretation of Aemond. What drives him? Why is he the way he is in Napoleonville?

To me, Aemond seems a lot like Prince Charles in the 80s. He’s very image-conscious and dutiful, but also deeply insecure and unhappy, and he has a secret scandalous life that serves as his escape from the emotionally devoid reality that has been chosen for him.

Aemond is at peace when he gets to feel like he’s in control, but he’s also just fundamentally starved for genuine affection, and those are things that he needs—even in secret, and even in small doses—in order to survive the stifling, relentless demands of being the heir to the Jade Dragon Energy dynasty.

Did you already have an idea of how you wanted the Targaryen family dynamic to be in Napoleonville?

In most of my fics, Viserys is either dying/dead or super distant, so I liked being able to get a sense of how the family would function if Viserys was alive and well and at least somewhat present.

He’s this dark cloud of a patriarch whenever he jets into town from his latest business trip, reminding every member of the family how they’ve disappointed him: Alicent is an unlovable wife, Aegon an embarrassment of a son, Aemond an overlooked middle child always trying to prove himself (at the risk of both his mental and physical health), and then Helaena and Daeron are barely even on his radar.

When Viserys is away, the family seems a bit happier, lazing around the pool and distracting themselves with a variety of hobbies and substances. I think the fact that Aemond picked up smoking Marlboros from Alicent—and then she shared them with Christabel as well—is very indicative about how a dynamic like this is generational. Parents suffer, and then their children develop maladaptive behaviors to survive in that environment, and then they grow up to recreate it because that’s all they know.

With Viserys still around, Otto became a different character, and this version of Otto Hightower was really fun to write. I imagined him as someone who was once a determined social striver and now—burned-out and somewhat aware that all his ambitions led to nothing but misery—has become a bit of a nihilist and is content to spend what remains of his life on a beach in the South Pacific.

Can you give us the "dad dynamic" comparison of Aemond and Willis?

Aemond, while emotionally kind of clueless, is definitely aware that he had a bad childhood and doesn't want any other kids to have to feel that way.

Also Aemond, unlike Willis, is socially open-minded. He has this fascination with scrappy underdogs who manage to take bad circumstances and make something meaningful out of them, undoubtedly because that’s deep down how he’s always felt: like someone harmed and overlooked, yet a constant striver.

When Aemond first meets Cupcake, there is a level of chemistry and attraction that he didn’t expect (although he certainly has always hoped for it), and he realizes almost immediately that this will be more than a one-time hookup and treats Cupcake accordingly. Then as he begins to learn more about her, his admiration and affection grows.

Cupcake is unassuming and yet nontraditional and defiant in the face of adversity, exactly the sort of person that Aemond respects most. He feels that—like himself, although in very different ways—Cupcake was also robbed of the agency she deserved and wronged by people who should have had her best interests at heart. Viserys was responsible for Aemond’s lost eye; Willis—in Aemond’s mind—was responsible for Cupcake’s loss of control over her body, and the loss of her educational opportunities as well. Aemond doesn’t hate Willis because he used to be married to Cupcake. He hates Willis because he consigned Cupcake to a life that was less than she deserved.

Aemond gets along so well with Cadi because, simply put, he treats her like a human. He is intrigued by her obstinate personality and pays attention to her interests, even if she’s just a kid; Aemond remembers being chronically ignored as a child, and he sees children as being fully sentient in a way that a lot of 80s parents didn’t. Since he isn’t much of a traditionalist, Aemond doesn’t care if Cadi has short hair or dresses primarily in Teenage Mutant Ninja Turtles t-shirts. Similarly, Aemond is not fazed that Amir is gay, and I’m sure the fact that Aemond is European has a lot to do with that. Aemond is definitely not a rural Louisianan at heart!

Willis, by the standards of the time and place, is actually a relatively decent dad; he cares about spending time with Cadi and has negotiated a schedule where he has custody three days a week, which is (sadly) way more time than a lot of dads spend with their kids! We learn in Chapter 10 that a huge source of anxiety for him has been his fear of Cupcake meeting someone who will take her and Cadi far away from Napoleonville, and thus from Willis. He also invests in certain activities that he and Cadi enjoy doing together, like boating/fishing. Willis may have a very traditional, conservative view of gender roles—and life in general—and he doesn’t always take Cadi’s interests seriously, but he isn’t an awful guy.

Although his mullet is definitely awful.

What was your favorite moment of this series?

The first vivid scene I envisioned for Napoleonville was Aemond asking Cupcake to marry him under a massive southern live oak after abandoning his wedding to Christabel—the Princess Diana of this story—but I’m not sure if I can call that my favorite moment. I was really excited to write Chapter 6 because of Aemond jumping into the alligator-filled water to rescue Cupcake, but as much as I loved it I don’t think that’s my favorite scene either.

My favorite scenes tend to be small, quiet moments, probably things that don’t stand out to anyone else. I think my absolute favorite scene of Napoleonville is in Chapter 7 when Cupcake is in bed with a migraine—sad, stressed, missing Aemond but also furious with him, reflecting on never feeling chosen, fearful of Cadi one day leaving her—and Aemond shows up and is just super gentle and kind and apologetic for the way he was the last time they saw each other.

They’re two people who are both in a lot of pain, both physically and emotionally, and they desperately want to help each other even if they aren’t sure how.

Speaking of Chapter 6, do you have an idea how it went between Aemond, Aegon, and Willis on the boat once they realized Cupcake was overboard?

Oh yeah! It all unfolded within a few seconds, so it was super quick. How I saw it happening is that Cupcake goes overboard, and all three men hear the splash and then turn around to see she’s gone.

Aegon is thinking “RIP cake lady,” because he certainly has no idea what to do about it and would sooner chew off his own arm than jump in that water. Willis scrambles to grab ropes, etc. to at least try to help her back into the boat. And then Willis starts giving Aemond orders and as he’s shouting, Aemond just dives into the bayou and Willis and Aegon are left staring at each other like “???” 😂

Aegon was so much fun in this story. I loved the relationship between him and Aemond.

I think we all know by now that I'm an Aegon girlie, and so of course Napoleonville Aegon had to have an opportunity to shine!

This is the first series since my HOTD debut (Have You No Idea That You’re In Deep?) that Aegon and the protagonist have no romantic relationship, but they still develop a friendship and fondness for each other that I think is really healing for Aegon. He has resigned himself to being the failure of the family, and is an afterthought in the Targaryen household (and to his wife, Princess Stephanie of Monaco).

Even Aemond, who Aegon loves and admires (even if Aegon is not very good at expressing this), is oftentimes preoccupied and emotionally closed-off. But Cupcake remembers Aegon and tries to make him feel included when she starts showing up at the mansion. She can't resist a sad, maligned outcast!

Were there any other characters in your story that you enjoyed writing?

Of course I loved writing Amir, Willis, and Cadi, but I think the character I grew the most unexpectedly attached to was Christabel.

She's so young and idealistic, and although she is Cupcake's rival of sorts, she is pretty impossible to hate because she never does anything wrong. Christabel is an Aemond fangirl who expresses emotions openly, even when no one around her does. She wants a real relationship with him and does everything in her power to please her fiancé and make him proud of her. And Christabel is aware on some level that things aren't right, but everyone else in her life is trying to gaslight her into thinking that all courtships and marriages are like this.

All these details are true for the real Princess Diana as well. Even years into her marriage when things were clearly dire, Diana would still choose outfits based on what Charles might think she looked good in. She spent so long trying to earn her husband's love, but it was an impossible (and agonizing) mission. Fortunately for Christabel, she didn't have to endure 15 years of torment before breaking free.

Do you feel Reader and Aemond complement one another well?

Absolutely! On a superficial (and kinky) level, Aemond likes being in control and Cupcake likes being able to rely on someone else to make trustworthy decisions, so in that sense they're a perfect match. But they also just genuinely get along well and are able to understand each other.

From the very first meeting, Aemond can tell when Cupcake is nervous, and she can tell that he's wearing his authoritative confidence like armor, and they both adjust to try to make the other feel at ease. Furthermore, Cupcake might be a high school dropout, but she is not dumb. She lacks academic training (and is often self-conscious about not knowing certain words or references), but she's a naturally clever person who can keep up with Aemond intellectually and pick out inconsistencies in his logic (as there are MANY!).

Finally, the life Cupcake has built for herself in Napoleonville is simple but has true warmth and love, something that Aemond needs.

Was there anything in specific that inspired your Reader portrayal?

So I very rarely write a Reader with a specific inspiration in mind, but I do have one for Cupcake. You'll probably think I'm insane at first, but Cupcake is inspired by my grandma.

My grandma was born in rural Western Maryland in 1945, and her family was so poor they didn't even have indoor plumbing. She was considered very beautiful and very clever and she had all these dreams about what she wanted to do with her life. Then when she was sixteen, she got pregnant and had to drop out of high school and marry my grandfather, because that's what people did back then. She wasn't given any other options.

They ended up moving to an urban area and my grandma became a real estate agent, and by any outsider's perspective she had a normal, happy, all-American existence. But my grandma also endured decades of domestic violence, substance abuse, and profound dissatisfaction with her life. This environment was not good for the children, both of whom (my aunt and dad) developed severe mental illnesses that they still struggle with to this day. My grandma was a very tenacious, passionate person and open with me about how she felt she'd never been treated right by a man, and I was a little too young then to fully understand what she meant. She passed away in 2018 after a long battle with cancer, and I think about her a lot, and I wanted Cupcake to be someone who broke free and got the fairytale ending that my grandma (and so many other women) never had.

What is next for Maggie's Suffering Sundays?

I am delighted to say that there is a new series on the way soon!

I'm not sure EXACTLY when it will be ready, because I want the rollout to be a little different this time (you'll see what I mean... 👀), but I've already begun writing. I believe there will be 12 chapters total, and 12 is a significant number! In terms of vibes, I think this new series is most similar to Now I’m Covered In You.

I hope you love it. 🥰

#interview with a writer #iwaw 22 #bts #of their brilliant writing #writing community #writing stuff #writers on tumblr

[mister13eyond]

dont normally post about drama but this seems relevant:

im seeing a lot of people jump to "james somerton was never good anyways" in retaliation for the hbomb expose, but there's a really fine line to tread there before you get into stepping on the toes of the people he stole from, you know?

some of his videos and analysis did seem genuinely intelligent, thoughtful, insightful, and well-written. yeah, it turns out those are the result of him stealing from other people. but that doesnt mean the original writers WEREN'T intelligent, thoughtful, insightful and good writers. he had plenty of garbage opinions interspersed throughout, but the reason many people (myself included) were suckered in by him is that the queer creators he stole from DID have really important and interesting analysis. the parts of his videos that were good were stolen, but by discounting his essays entirely we're throwing the baby out with the bathwater and insisting those he stole from didn't have anything important to say.

the parts he himself supplied were trash, but he stole the work of some genuinely brilliant and insightful writers and passed it off as his own- and that writing still exists and is still brilliant and insightful; we just know now who was actually responsible for it and who to thank for that work

lets just be careful when we smugly proclaim that we always hated everything he had to say- because a lot of the words we're discounting were never his to begin with, and the last thing those authors need is to have their work trash talked because it ended up in the mouth of someone dishonest

#james somerton #hbomberguy #im just saying like #i liked a lot of points he made in his videos because it turns out he was never the one who made those points #now i can go seek out the original authors and Actually read the work that intrigued me in the first place #they DO deserve credit for their writing! #saying everything he ever made was garbage and nothing he said was worthwhile is such a disservice to those authors #they DID do really brilliant work #and then it was stolen and passed off as his #but their work still stands on its own merits- even more so now that i know #that much of the stuff i Disagreed with was his own opinions or tweaks and that the original work #is not bogged down with his bullshit #and can read it as originally intended #i think admitting that the writers he stole from Are really genuinely good writers and that the opinions he stole from them ARE compelling #is the least we can do to ensure that the authors don't feel like their work is irrevocably taken and tainted

[omegalomania]

we do not know and might not ever know the full story behind mania and the circumstances under which it was produced but we know enough by now to understand that there was a lot of strife and frustration involved in the way it came about. the band has been clear on this much. the divisive reception upon release didn't help any. and we know the last time that happened with folie, it led to that record essentially being forgotten and aggressively sidelined for years afterward. the roughness of its reception was explicitly one of the things that patrick especially cited as difficult for him to look back on, and one of the reasons it took so long for him to embrace those songs again.

it took mania five years what took folie a full hiatus and double that time.

this too is healing.

#*making poasts #i have my own ~case study~ i wanna write abt mania one day but it is not this day #i know part of it is that the mania tour was their last headlining tour prior to this one so those songs are newer #and the second is that these things do simply take time #but im glad theyve acknowledged their 7th child again...shes important to me #folie - brilliant as it was - also came from a period of immense internal friction #folie had more time to soothe over than mania has #but it means a lot that theyre working so hard to reforge that bitterness into something they can look at with fondness #it all comes back to that kintsugi feeling....doesnt it ever

[lord-squiggletits]

One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).

And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?

Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.

Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.

And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.

Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP

#squiggposting #and like dont get me wrong barber wasnt trying to make cybertronians the bad guys or whatever #it's just a problem with his writing where like. he has A Message he wants to send #and so he uses the entire story literally just for The Message even if it involves bullshit plotlines #or familiar characters ppl were reading about for the past decade being shit on by OCs made up to fill a new roster #like barber's writing tends to lean way too much on a sort of lecturing tone #without giving proper care towards including moments where characters get to like. fucking express themselves and share their side #sort of like how barber couldnt be bothered to write pyra magna and optimus actually talking to each other during exrid #and instead during OP ongoing pyra is suddenly screaming about how OP is unteachable #even tho she never even tried to teach him bc she and OP never interacted bc i guess barber couldnt be bothered #he just needed someone to lecture OP so fuck making the story make sense or like letting OP get to say anything in defense #this is the infuriating part of barber's writing bc i think he has incredible IDEAS and was in charge of the lore i was most interested in #but most of the time his execution sucks and he's basically just mid with a few brilliant moments occasionally #or like he has a message about the cycle of violence he wants to convey #but his narrative choices trying to convey that theme made his story come off as super unsympathetic to the ppl who suffered #to the point where barber actively kneecapped some scenes that couldve been super fucking intense and emotional #in favor of the characters lecturing each other or some stupid plot to criticize OP #that time in unicron where windblade screamed about how this is their fault and then arcee replied that her planet is build on coloniation #shouldve happened more often than literally the last series of the ocntinuity. like goddamn stfu about your moral superiority #when your own sins are right fhere lol

[someonesspring]

#I am literally nauseated at how brilliant this writing is #andor #andor spoilers #star wars

[incorrectskyrimquotes]

story idea: the dragonborn dies somehow but the power itself must continue on as destiny bids, so the power attaches itself to some rando who them has a full power of the dragonborn. all while the world has stopped to mourn the greatest hero skyrim has ever seen.

#idk where id go with this #something about grief from a distance definitely #maybe something about expectations #i might tap up a concept for this using eryn('s death) and. idk. ill pick an npc OR make one up myself #full disclaimer im on meds as im writing this so while to me in the moment this sounds brilliant im sure its actually kinda stupid #ill decide in the morning #feel free to rb this with your own takes on the concept tho thats be neat reading material