Godrick could just walk down to Liurnia, he fits through the doorways (+ headcanons)
I've been writing little ficlets and headcanons for myself where I tend to include Godrick just walking down to Liurnia because he indeed fits through every doorway and passageway all the way there, but I don't think I've ever shown the pictures. Here you go!
Imagine him seeing a gorgeous sunset after thousands of years of being inside the castle, only seeing its walls. War, loss, self-mutilation, ridicule, false hope. And yet, something as simple as the colours of a sunset remain constant. After all, Radahn could not hold back the sun.
So here are some sweet little headcanons, why not:
Godrick x Tarnished headcanons - Sunsets ignore war
imagine finally being able to convince him to take the path leading from his throne room to Liurnia
it would take conscious effort to convince him, even after proving your loyalty to him, he'd expect being attacked and would refuse for quite a while
you'd have to remind him that Liurnia remained neutral during the Shattering, and also that you just cleared the area and there is absolutely no one there to disturb him (Thops is just chilling, he doesn't need to know about him)
timidly he'd agree, would insist to go at night though
you'd convince him to go at sunset to see the beautiful colours, being in the castle for several thousand years would make anyone go mad
you are aware of his homesickness, and you thought maybe this occasion would take his mind off of being hyperfocused on returning to Leyndell
he is grumpy on the way there, repeating that it's a bad idea and if something goes wrong, you'll not be excempt from punishment
you know well he is just trying to mask his nervousness so you just quietly lead the way
once there, the sun is already setting, painting the sky with beautiful colours; you are happy it isn't a foggy evening this time
you both stop shortly after exiting the castle, looking towards the ocean where the sun is setting
you stand next to him, he has been awfully quiet ever since he stepped out of the castle
usually he is vocal, be it in a positive or negative way, he'll make sure you know what he thinks; the sudden change indicates that he is processing emotions unusual to him
you don't look at him directly to provide some level of privacy, but from the corner of your eye you can see that he is in complete awe, just quietly admiring the sky
Godrick thinks he is lucky for the enormous height difference now, he is happy that looking at his face would require conscious effort on your part to turn and look up at him
he knows you are more considerate than that... he hopes at least; otherwise you would have seen something glistening in his eyes
surely, the Stormveil winds made his eyes very sensitive, no other reason
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Every time I think about it too much, I go utterly insane over Noé's little "I'm glad you're the person you are now" speech.
Like, no matter how you read their relationship, it's undeniable that by that point, Noé cares about Vanitas so much. He's clearly quite upset by Vanitas's "as if anyone could fall for a person like me" line. And because of that, he goes out of his way to try and reassure Vanitas that he's good and worthy of love, and he specifically crafts his reassurance in a way that he thinks Vanitas will be able to accept.
He prefaces his kind words with "I still don't like you," because he knows that Vanitas reacts poorly to outright being liked. He adds on the line about his statement being "arbitrary" in an effort to pretend that his speech wasn't prompted by hearing Vanitas spill his self-hatred. He goes to lengths to make things look as much as possible like Noé's just sharing a thought, not trying to comfort Vani, but his intent comes through crystal clear.
Yet at the same time, the way he ties his speech to his thoughts on having met Astolpho shows that he really is being genuine. He goes out of his way to say all this because he wants to reassure Vanitas, but he doesn't say a word that isn't from the heart. Regardless of whether he “likes” the way he is or not, he’s genuinely grateful to have the Vanitas that he has.
It's so telling that Noé's reaction to hearing Vanitas speak self-hatingly is to go out of his way to contradict that hatred with affection. And that he tries to go about it so delicately. It speaks so much to his depth of feeling and his emotional intelligence. It’s just such a good scene.
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“Lines to ⸻.” also known as “Sonnet to Byron” written by Percy Shelley (1821, fair-copied in 1822) and published posthumously. Shelley had threatened to give up writing due to his lack of success. Byron’s fame and Shelley’s great admiration for his recent works often frustrated Shelley and worsened his depression, despite Byron generally encouraging him. In an early draft below, Shelley began with the line “I am afraid these verses will not please you, but” before seemingly drawing over it with trees.
“If I esteemed you less, Envy would kill
Pleasure, and leave to Wonder and Despair
The ministration of the thoughts that fill
My mind, which, like a worm whose life may share
A portion of the unapproachable,
Marks your creations rise as fast and fair
As perfect worlds at the creator’s will,
And bows itself before the godhead there.
But such is my regard, that, nor your fame
Cast on the present by the coming hour
Nor your well-worn prosperity and power
Move one regret for his unhonoured name
Who dares these words. — the worm beneath the sod
May lift itself in worship to the God.”
The fair-copy was made about six months before Shelley, Edward Williams, and their boatman Charles Vivien all died in a sailing wreck during a storm while returning from visiting Lord Byron and Leigh Hunt. Thomas Medwin said that Byron never saw the poem, and it’s likely, given that it was never shared or published until long after Byron died (about two years after Shelley).
Sources: Percy’s handwritten draft from the Digital Bodleian Library, MS. Shelley adds. e. 17 p. 94 https://digital.bodleian.ox.ac.uk/objects/0f0cba27-6264-4c4e-8b03-3a83c700c1f5/surfaces/1d16ddc7-3cf9-4c96-b435-36f2077168d1/ - Percy’s handwritten fair copy from the British Library Digitized Manuscripts Collection, Zweig MS 188 https://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Zweig_MS_188&index=16 - Transcriptions from The Manuscripts of the Young Romantics: Percy Shelley, vol. 8 (Garland, 1997) https://archive.org/details/faircopymanuscri0008shel/page/249/mode/1up?q=Sonnet+
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I just learned Rammatra's character (design and lore) is actually just a rip off of two Argentinian fans' overwatch oc named Voltikko. Made months before Ramattra was released. Never contacted or compensated for thier work.
Blizz is using Ramattra to sell overpriced skins and further predatory monetization, and worse yet they are monetizing STOLEN WORK this way.
https://twitter.com/MarioKMentasti/status/1589124322937143296?t=z0E8Y_vn_JNVaBvVJcfZJw&s=19
Seriously what the hell. There is NO WAY that Ramattra wasn't lifted from Voltikko's design, the big extra arms, face + cord hair, and Ramattra's construction skin, and lore bites, are all lifted from Voltikko's design and lore created by two fans. The way I honestly thought it was paid concept art just to realize no, it was stolen from.
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