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springcatalyst · 1 year

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🖊 for any milo and/or reiji details they fascinate me ^-^

YES thank u they live in my brain

Let me go on a tangent before I even get to what this ask actually is cause why wouldn’t I- Milo and Reiji are interesting characters to compare to each other, because despite their entwined storylines, I don’t draw a lot of connections between them as they were designed. Characters that never interact are fun to draw conclusions with because it’s more obscure out-of-universe things: Julian and Milo are so different but they follow very similar paths and come from very similar places. Milo and Brooke (actually they do interact but only like, once) both deal with the results of a corrupted worldview that once questioned, can’t be ignored once again. Reiji and Diana share an inherently wary, bleak outlook on how the world functions as a result of their own experiences. And characters that do interact but were designed that way are... designed that way. Julian and Liliana are the same stuff poured into different molds, impossibly similar and impossibly different, and that drives everything about their relationship- they’re foils. Diana and Julian start at the same place in the same situation, (for different reasons), and end up wildly different people in opposite directions- they are diverging paths evidenced by truth or lies.

But Milo and Reiji aren’t connected by anything inherent or anything unchangeable. Their meeting in the first place is mostly chance and a little bit of give and take of compassion. They stick together because the alternative is being alone in a world that’s so much bigger than both of them, so much older, and just a little bit more broken. Their relationship is a choice in a way that really isn’t the case for a lot of other characters.

And I mean, they do have parallels, but they seem different somehow, because they actually apply in-universe. They reflect off each other. They both leave something behind that they wish they could get back: but while Reiji’s was taken from him by circumstance and chance, Milo’s was a culmination of something grown that eventually he had to choose to abandon, though if there was any other way, he would have taken it. (He tried, before. It didn’t work.)

But now they’re both missing something, and with it, their place. Reiji doesn’t know where he belongs and the truth is that he doesn’t belong anywhere. He can’t return to the one place he did- (it wasn’t a place, but a people. They’re long gone, even as they live) -and now he searches aimlessly for someplace he can return to. He doesn’t find one. Milo loses everything he’s ever known when he walks away, and even as he makes the decision to, it feels like the admission of some crime (it looks that way to them, and he knows it). He longs for the community he lost, but even if he gets something close to it, it’s wrong, because it isn’t them, and because the reason he left still follows him.

They’re both ghosts wandering a vast expanse of unknown. There is exploration in it- Milo especially does genuinely love the places he passes through, the people he meets briefly, the idiosyncrasies of each town, city, village. Reiji less so- he’s only ever known the wandering, so it isn’t as special to him. He’s always looking for something that will change, but even so, traveling with Milo forces him to see things he wouldn’t otherwise.

The difference between them is that Milo stops being a ghost. As time goes on, less and less is searching and more and more is exploring. More is fixed than is broken. But the opposite is true for Reiji. As he finds nothing it feels more and more like he is one of very, very few. That he has found no place to exist because there is no place for him, for those like him. Reiji is looking for answers in an environment that buried most of them, in a world that hunts the rest. And it becomes this obsession- a thousand whys.

Why didn’t his flock look for him? Why did he even survive? Why is he hunted? Why did it start and why won’t it change? Why is the world sitting on the ashes of an older one? Why are people broken by something they don’t remember? Why does every place he goes scream that there used to be more? Why are his people a part of it? Why are they here? Why do they occupy a world that is so clearly not made for them? Why does he not know where they are made for?

Reiji asks a thousand whys and they can all be summarized by one what: What happened?

Milo and Reiji cross incomprehensible distances and in the time that takes, a lot changes. Milo goes from being a ghost of who he was and who he should be to being alive in a way he wasn’t before, genuine in a way he didn’t allow. Milo looks for an answer in a different way than Reiji, because he is looking for certainty. He wants someone to tell him, with no room for error, what is true and what is corrupt. He wants surety and permanence in a way that just doesn’t exist, and so instead must choose which side he’s on- he must decide what to believe, because nobody can tell him black and white. With that choice becomes an acknowledgement that the world isn’t as simple as good and evil, and the two can very much coexist, that perfect and unredeemable don’t really exist, not here, anyway. He’s allowed to just be. Reiji, though, doesn’t get the opportunity to make that choice, to take that answer. He isn’t looking for the answer to a moral question or a cosmic should. He is looking for a reason, which is an order of magnitude more impossible to find. He looks to the past for why and the nature of time is that he keeps getting further and further from it. He finds very little, which only makes him look harder, which makes it worse when he finds even less. He starts down an impossible spiral that he can’t get out of until he finds what he wants, but what he wants just doesn’t exist in the way he needs.

#ask #ocs #this is... incomprehensible #mein gott. i didn't mean to do that. THANK YOU for enabling me but like.. goddamn #i HOPE they fascinate u because you are getting ABSOLUTE BATSHITTERY in response #basically uhhhhh i would like to formally apologize to reiji for making him like this? it wasn't my intent but now hes here #get fucked sketchbook boy #u ask for details i give u the rundown of their overall character arcs in the most vague way possible. good FUCKING luck #im so sorry. have fun?? idk IM having fun anyway. thank u queen for allowing this #they are just.. my little guys who are so incredibly fucked up. i will talk about them SO MUCH and i will be SO INSANE about them #i loveeee comparing characters to each other I love how they're different and the same i love foils and parallels and bullshit and arcs #i like how i started this like 'oh yeah milo and reiji arent actually that parallely' and then proceeded to say the exact opposite #i guess they arent on PURPOSE. the others that are are like that on purpose but these two just ended up that way #they're just guys. little dudes in a uhhhhhhhhhh environment a couple hundredish years post-natural apocalypse. you know. as you do #i have so many fuckin thoughts. probably could go on another tangent but this already turned out longer than i meant it to so i wont do that #i mean IF YOU WANT ME TO. but i shant #feel like a widow in a murder mystery. '~ive already said too much...'#ya know. whadever man its 1am again. pleace daniel we can't keep doing this

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crowfeathers · 2 years

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aw hell yeah alyosha redesign

#kaye reads tbk #I GOTTA DRAW HIM LIKE THIS NOW gdi #i liked this little side plot with kolya and the subversion of making a main character a side character in someone else’s story #that’s a favorite trope of mine #also yeah i haven’t liveblogged this book much but im now 69% done. nice #i did enjoy book 8 and all the stuff going on with dmitri but i didn’t wanna spoil the crazy parts #and w book 9 it just felt very boring getting through the repetitive investigation stuff. YES it’s pivotal to mitya’s character arc #YES it forces him to reconcile with every sin he’s committed YES it’s plot important. but goddamn.. it was like a long recap episode

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foxstens · 1 year

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aria of sorrow is......... fine

#my posts #gameblogging #liveblogging castlevania #its the okayest game i have ever played #the souls system is farily interesting #the visuals and the music aren't terrible #in fact there is even one song that i happen to like #i feel nothing towards the characters or the story #and it has gotten fairly frustrating a few times #bc i just went to a place that i was extremely underleveled for due to not wanting to fight a boss #but now im watching gameplay of sotn and goddamn.........#it'd be my favourite game if it was like 40 hours longer #it's the freaking voice acting the visuals that they really didn't skimp on #the sound effects and the fucking orchestral fucking music #AND THE FUCKING MOVEMENT GOD #THE SPAMMABLE BACKDASH #AND THE WALKING ANIMATION THAT IS SO INTRICATE AND DETAILED #AND ALUCARDS VOICE AND HIS SOUNDS OF EXERTION #AND THE FUCKING WEAPONS AND ITEMS AND HIS JUMP ARC #AND BEING ABLE TO SLASH DOWNWARDS DIAGONALLY?????????????#so much of that just felt revolutionary in sotn #and............ it does not exist in this game #lowkey feels like going backwards #half of it is prob just bc of the gba's limitations #BUT STILL #ugh i cant wait to play the ds trilogy #ill def like it much more

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bicth-and-in-that-order · 7 months

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Rambling thoughts of various Yuri manga I’ve read

1. Kase-San and Yamada (Morning Glories sequel series) by Hiromi Takashima

notice how Kase’s name is first, which is representative of her being the main one to cause problems in their relationship

If you asked me what my favorite yuri manga was like 2-3 years ago, I’d say Morning Glories and Kase San everytime. Every avid yuri fan has either read or watched Morning Glories because, at the time in 2010, it was groundbreaking, and I stand by the fact that the original series still holds up to this day. It was cute, sweet, wholesome and only had a few obligatory “we love each other but we’re giRLs😳😳😳” moments. Most of all it wasn’t a pseudo-incest-straight-male-porn-pandering-garbage-fest—also known as “Citrus”. Was it cliche at times? Yes, but they all are lol. Did they add to the dumb ass “blonde femme and dark hair masc” trope? Also yes. But it was adorable and it was my first ever yuri so it holds a special place in my heart.

And it SEEMED like it was only going to get better in Kase San and Yamada, the sequel. The girls would be heading to college and the story could theoretically focus on more mature topics while they navigate their new relationship. Keyword: theoretically. Unfortunately, instead of exploring interesting relationship dynamics and storylines, the plot of each story arc boils down to: Kase is insecure because a man breathed next to Yamada or Kase is being completely insensitive to Yamada’s feelings…again…—> ✨miscommunication drama ✨—>big over dramatic apology scene—>boring makeup sex or other romantic gesture.

Literally that’s how every single plotline goes. Kase is so goddamn dumb and insensitive to Yamada’s feelings and Yamada’s a complete doormat who can only stay mad for 0.2 seconds before getting pussy whipped like a spineless ass bitch. And for all that Yamada sacrifices for Kase; her hometown, her dreams, her apartment, what does she get in return from Kase? Oh that’s right; bare minimum romantic gestures and a neglectful partner who can’t even call her “girlfriend” in front of others:

Like I thought we were over this shit. It’s been THREE years of them together, a whole anime production, and god knows how many irl years and we’re going back to “we love each other but we’re giRLs😳😳😳” WHY???

And then Kase later goes onto bet her entire three year relationship over the ugly bitch in the next panel, so now I’m questioning whether or not Kase even loves Yamada with the amount of bullshit she’s put her through. Which COULD be an interesting plot point, but Kase never gets any consequences for her actions and the creator genuinely thinks this is romantic and full of tension so I’m 10000% positive that this arc, just like all the others, will end with some makeup sex and we’ll be right back to step 1. Sigh.

2. Tamen De Gushi by Tan Jiu

Tamen De Gushi’s problems are interesting but it’s NOT because of the Chinese government💀

So today’s dark haired masc and blonde femme of the day are Sun Jing and Qiu Tong, respectively. Their personalities aren’t anything to write home about, if you read ANY high school yuri romance, then you know exactly what happens in this story beat for beat. But, BUT, however derivative it is, I find their dynamic very endearing and down to earth. Idk maybe it’s just the translation, but other yuri stories often have this very inauthentic “anime” vibe to it. Which is to say the characters act very cutesy, overly dramatic, and have this stilted, caricature-esque acting of how the creator thinks teenage girls are supposed act.

However, I’m happy to report that Tamen De Gushi is a breath of fresh air in this regard. The characters and interactions they have are grounded and feel organic, which makes them feel like real people, not aliens pretending to be human. This really elevates the humor in turn, oh did I mention that Tamen De Gushi is super funny? Because Tamen De Gushi is super funny, here’s one of my favorite panels and it’s all because of Sun Jing’s goofy ahh expression:

Like go girl give us nothing

If you’re wondering why I haven’t spoke much about the actual romantic relationship between the girls, that’s because there isn’t one💀 Which, okay, that’s not a fair assessment, they have a ton of romantic tension and they flirt a lot. It’s certainly building to a great romantic relationship, but it can’t quite get there due to legal/political reasons sadly. 😔

Edit: I received new information in regards to what happened to Tamen De Gushi. While I reached my limit for posting pictures, I want to point out that the Chinese government had nothing to do with Tamen De Gushi getting censored, rather it was a dispute between the author and the publishing company. The prior information I received was false and I prob should’ve looked it up more so sorrrry. The fact still remains though that after their big lesbian kiss towards the middle of the story and maybe a few other moments, that’s just kind of it. You’re stuck waiting for something to develop, but nothing really happens. The comic very quickly becomes a collection of slice of life segments and cute pictures that imply a relationship between the girls, but not really ;) ;). Now things are just kind of left in purgatory for the foreseeable future and, well, that’s Tamen De Gushi y’all.

Compared to Kase San and Yamada, the characters were much better, which is not saying much, but without an actual romantic storyline, there’s just not a lot for me to comment on to be honest. It’s really pretty though, look at this art :

3. Beauty and the Beast Girl by Neji

my personal favorite and the BEST yuri I ever read

So next on the list is Beauty and the Beast Girl (I’m going to abbreviate to BatBG from here on) , which I already spoiled my feelings on the matter so this will basically be me gushing about this story for several paragraphs straight, enjoy.

Contrary to what the title suggests, it really has nothing to do with Beauty and the Beast’s story except in name. The main girls are Lily Blind, who is actually fucking blind 💀 and Heath the monster girl. Already I’m happy because instead of blonde femme and dark hair butch, it’s blonde femme and of-course-you-have-purple-hair-and-pronouns masc. Lol, all jokes aside, Lily, unlike her blonde femme counterparts is quite assertive and voices her opinions all the time. In fact, she’s the one who pushes Heath to be more open and communicate with her rather than the other way around. This is, in part, due to the story BatBG is trying to tell. I say BatBG is in name only to Beauty and the Beast because Lily isn’t trying to find the “beauty” within Heath or learning to love a beast or whatever, she’s fine just the way she is and her love for Heath is unconditional. Plus the only thing beastly about Heath is her appearance…which I’ll harp on later, but her behavior is in no way different from a regular human except in very rare, specific moments.

At its heart, BatBG is a story about forgiveness (the creator literally says as much) , but it’s also about the cycle of violence that results from being outcasted and deprived of love. BatBG is set in a world of humans and monsters, where the monsters are outcasted and either have to stay away from human society like Heath or assimilate themselves by hiding away their monster like traits, which is a really queer narrative on top of an already queer story. I don’t want to go into too much spoilers, but sometime before the beginning of the story, Heath in-directly hurts Lily before they ever meet. However, it’s not about Lily needing to forgive Heath, or trying to get over the pain she inflicted upon her, rather its Heath learning to forgive herself and in effect, learning to love herself as much as Lily loves her.

Another big aspect of BatBG is disabilities, Lily Blind is in fact Blind lol and while there are times she struggles with her blindness, she never views her disability as something she needs to be ashamed of and never, ever, blames Heath for it or holds it against her unlike what many, many, many, many other stories end up doing. Her blindness isn’t treated like a super power either, it’s a legitimate disability. She just accepts that it’s a part of her and goes onto say that if not for her blindness, she would’ve never met the love of her life, which I found to be an incredibly profound thing to say.

Now that I’ve gotten this far, I suppose I can add a bit of a disclaimer. So BatBG is waaaaay more explicit about the physical affection between the girls than in any of the previous stories I talked about. Heath and Lily are constantly kissing on, hugging, and almost always flirting with each other, and make no mistake, these girls do be fucking. The sex scenes are never perverted or gross, but genuinely super sweet and romantic, which makes it way hotter imo (huh imagine that🤔). And aside from being hot, it also serves a purpose! Lily’s pretty damn horny underneath all her nice girl antics and while it’s not a major part of her character, it does give a slight edge to her personality and, most importantly, balances out the dynamic between Heath and Lily. It would’ve been very easy to fall into that boring trope where Heath is aggressively horny and Lily is the submissive blind girl, but by making Lily be the one to initiate the sexual encounters, it not only compliments Heath’s more reserved nature, but breaks the stereotype that people with disabilities are pure precious being who couldn’t possibly have sex, which is ableist af btw. Many people think the existence of any sex scenes at all is superfluous, but in BatBG, it truly elevates the story, the characters, and the romance in ways that wouldn’t be nearly as satisfying without it.

Now, with as much praise I gave BatBG, there is one criticism I have, but it’s a quibble really, and it can be explained in a single image:

There is a dissonance between the story and the art, the story says: “Heath is a big, ugly scary monster”

The art says:

And like yes, it can be argued that Heath is simply regurgitating the things bigoted people have said to her, but at no point in the story is this ever challenged or brought up in any meaningful way. Lily is blind so she doesn’t know what the hell she looks like and the other characters aren’t any help either. It’s not a big deal or anything, it just would’ve elevated the story if Heath was actually kinda ugly/more monstrous and not incredibly beautiful because right now it’s giving skinny girl who calls herself fat all the time, and it’s like, babe, who tf are you fooling? 😭

Other than that, BatBG is incredibly profound despite its premise being so deceptively simple and I love it to pieces so …yeah! READ IT.

4. Superwomen in Love! Honey Trap and Rapid Rabbit by sometime

Well, at least there are no blondes

So imma just abbreviate to SiL btw

Alright, let’s get started. The premise is that a villainess falls for the super hero girl and then that plotline is dropped in about 16 pages. I’m not even joking, the villainess falls for the hero, loses her job as a villain and then joins the hero all in one chapter. The REAL plot is actually about a council of evil alien-humans who want to destroy humanity because of generic super villain reason #434: the leader of the aliens is sad and misunderstood :( I’m not even going to lie, I had 0 interest in “X” (the generic ass name of the main villain) and her band of useless lesbians. They did literally nothing in the story except be a nuisance and contribute to X’s incel breakdown at the end. Their inclusion actively made SiL worse because the story has this weird tonal problem where in one breath the villains are portrayed as complete jokes and then you turn the page and now they’re shooting children like girl what💀 And these useless lesbians hog sooooo much of SiL that desperately needed to be given to Honey trap and Hayate to develop their relationship.

When the story DOES actually focus on Honey Trap and Hayate, it’s pretty good, even cute at times, there just wasn’t enough time given to them to flesh their relationship out. As it stands, Honey Trap and Hayate don’t have much of a dynamic, or personality for that matter. Honey Trap’s main gimmick is that she’s extremely horny for Hayate and delulu:

Aside from that, she’s a great value version of Heath, but even a watered down character is better than, like, nothing. All I really know about Hayate is that she’s nice, heroic, likes wearing tacky clothes and ….that’s it. She loves Honey Trap because…………they fought together a few times so why not🤷‍♀️ I’d say at least that’s better than Tamen De Gushi, but actually it’s not because these grown ass women don’t even kiss , all we get is a love confession and their gremlin love child and that’s supposed to be satisfying I guess.

And the worst part is that SiL has the audacity to pretend the romance was something that it clearly wasn’t:

Girl…yall were “””enemies””” for 10 panels.

Now, it’s stated they have been rivals for a while, but I guess Honey Trap forgot all of that because the moment she sees Hayate’s face, my good sis is pussy whipped for life. And that’s in spite of apparently being the evilest one out of the evil group because Honey Trap has no grudge or baggage toward Hayate. She immediately turns good with no issues and Hayate is only distrustful of Honey Trap for 1 or 2 speech bubbles and then she’s not. Anything else that happened was off screen, which means it didn’t happen. Ironically, the very next entry on this list will do a MUCH better job at an ex-villain love story, but for SiL, there’s just not much going on.

Another reading of this story is to call it a “parody” but…no, it isn’t. SiL isn’t a comedy, yes there are comedic moments that poke fun of the genre, but the rest of the story genuinely wants you to take it seriously. Except it can’t. X and her league of dimwits are boring as piss and they oscillate between Saturday morning cartoon villains and child murderers seemingly on a whim. So I can neither be endeared to them nor take them as a serious threat. Honey Trap and Hayate are there, but I lament on all the potential lost from what could’ve been an amazing relationship.

5. Yamujiburo/Kianamaiart’s Hanamusa webcomic

This one is kind of cheating, but I also don’t care let me talk about hot MILFs💀

So the final entry on this list is a webcomic series by one of my fave artist: kianamaiart! And it’s right here on tumblr so check it out!

I stumbled upon this webcomic a few weeks ago, fell in love and now I want to talk about it. This yuri pair thankfully has no blonde femme in sight and instead features two popular Pokémon characters: Jessie from Team Rocket and Delia Ketchum, Ash Ketchum’s mom. What I love about this ship and the world Kiana creates around them is that it’s a very unconventional pairing. There’s just not many romances where a single mom falls in love with an ex gang member and the best part is, Delia being a mom is a big part of her character and she doesn’t ignore Ash in favor of her new relationship with Jessie. She has time for both and doesn’t prioritize one over the other, which many ppl fail to do even irl so good on you Delia!

Now, as for the romance it self, Jessie and Delia are a unique pair. Jessie’s overconfident, brash, drama queen personality doesn’t automatically put her in the “dominant” role and Delia’s sweet, motherly personality doesn’t automatically put her in the “submissive” role. Their dynamic in the webcomic actually plays out in the reverse, Jessie is the one who gets easily flustered and Delia’s…intense, to say the least:

(But Tbf if Delia looked at me like that I’d be at her beck and call too💀)

This subversion of these tropes creates a fun dynamic for the couple and it’s super adorable to see how their energies bounce off each other in each new situation Kiana puts them in. I also love how both Jessie and Delia inspire each other to live out their dreams and they become better versions of themselves by being together.

And one last thing, I don’t have any smart commentary to go along with this, I just really like this drawing of Jessie:

no thoughts, head empty

Final Thoughts

Soooo yeah, that’s the end of my dissertation on yuri comics. I know I ended up dragging a lot of popular yuri, but it wasn’t my intention to make you guys hate any of things I talked about. These were just my thoughts as an avid yuri fan, so let me know your thoughts as well, especially if you read any of the yuri I talked about. And even though I’m super picky about the type of yuri I read, I’d still love to hear any recommendations. Who knows, it might dethrone the undefeated champ that is Beauty and the Beast Girl.

#Yuri #yuri manga #long post #Anime #manga #lgbt #lgbtq+#wlw post #kase san and morning glories #tamen de gushi #beauty and the beast girl #superwomen in love #hanamusashipping

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tgcg · 6 months

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part 2 of something specific

CG: I’M GOING TO NEED TO WATCH THROUGH IT AGAIN TO REALLY HONE DOWN WHAT I THINK OF IT, BUT FUCK IT, I MIGHT AS WELL SHARE MY THOUGHTS NOW SINCE WE’RE FRESH OFF OF WATCHING IT.

CG: SO, THEY’RE ACTUALLY A REALLY FASCINATING EXAMPLE OF RED ROMANCE. I’D GO SO FAR AS TO SAY VERY SUBVERSIVE OF ALTERNIAN UNDERSTANDINGS OF THE SORT, COMPARED TO WHAT YOU’D USUALLY SEE IN FICTIONAL MEDIA. IT’S LEVELS ABOVE THE TYPE OF DYNAMICS I WOULD TYPICALLY SEE IN MY NOVELS, DISREGARDING THE QUALITY OF VACILLATIONS AND YOUR QUOTE-ENQUOTE “POLYAMORY” PRESENT. BECAUSE SAKURA’S POSITION IN THIS IS PRACTICALLY POINTLESS, BUT I DIGRESS.

CG: ACTUALLY — THAT WAS KIND OF FUCKED UP, BY THE WAY. WHY IS SHE WRITTEN SO POORLY?

TG: remember when i told you about misogyny

CG: I WILL NEVER FUCKING GET THAT. OUR MOST POWERFUL FIGURES WERE GENERALLY GIRLS. HOW THAT TRANSLATED SO FUCKING TERRIBLY IS BEYOND ME!

CG: AND HOW THE SHIT DID THE UNIVERSE *I* HAD A DIRECT HAND IN CREATING END UP BEING SO MIND-BOGGLINGLY BACKWARDS ABOUT ROMANCE?

CG: DID NOT EVEN AN ERRANT TRICKLE OF MY INFLUENTIAL THINKPAN OOZE MAKE IT THROUGH THERE? AT ALL?

TG: not even a droplet my man we decided to be equally anal about other stupid shit i guess

CG: NO KIDDING!

CG: ANYWAYS.

TG: if yall managed to get through that door and reign supreme over the human race for lip smackin eternity you know mens and womens would be macking on each other in various gender arrangements with gleeful wild abandon

TG: itd be a goddamn utopia

CG: FUCKING EXACTLY! BUT INSTEAD I’M HERE. DOING THIS. WITH A GOD, UNIVERSE PENDING. INSTEAD OF BEING A GOD REIGNING OVER A UNIVERSE MYSELF.

CG: *ANYWAYS*!

CG: THEY START OUT WITH A RIVALRY, SURE, BUT THERE’S ACTUALLY NOTHING BLACK ABOUT IT. THEIR FEELINGS FOR EACH OTHER ARE STRICTLY POSITIVE, IF HIDDEN BEHIND A MORE AGGRESSIVE FACADE. THE VIOLENCE OF THEIR RELATIONSHIP BOTH COMES FROM THE SOCIETY THEY WERE RAISED INTO, AND SOME OF THEIR MAJOR CHARACTER FLAWS AND INSECURITIES. NARUTO IS FIERCELY DEFENSIVE OF ANYONE WHO JOINS HIS CIRCLE BECAUSE HE’S DESPERATE FOR CONNECTIONS, AND REFUSES TO LOSE THEM AT ANY COST EVEN IF THEY LEAVE SUPPOSEDLY OF THEIR OWN ACCORD. SASUKE SEPARATES HIMSELF FROM THE PEOPLE HE LOVES OUT OF FEAR – AND DESIRE FOR REVENGE AGAINST HIS BROTHER CONVINCING HIM THIS IS NECESSARY.

CG: LIKE, EVEN WITHIN THE FIRST MAJOR ARC IN THE LAND OF WAVES YOU CAN SEE THAT THEY CARE ABOUT EACH OTHER SO DEEPLY THAT SASUKE WOULD DIRECTLY SACRIFICE HIMSELF AND HIS POTENTIAL FOR NARUTO’S. AND BELIEVING SASUKE TO BE DEAD IS THE FIRST CATALYST TO NARUTO’S POWERS BEING RELEASED. THAT IS *REALLY* EXTREME. ESPECIALLY BY TROLL STANDARDS, BUT I UNDERSTAND KILLING PEOPLE IS A MUCH FUCKING LARGER DEAL PSYCHOLOGICALLY FOR HUMANS. THAT KIND OF REACTION TO DEATH WOULD ONLY BE RESERVED FOR A CURRENT OR POTENTIAL QUADRANTMATE… AND IS OTHERWISE ONLY EXPRESSED BY TROLLS WITH DISEASES.

TG: oh yeah like the friendship disease right

CG: UGH.

#davekat #dave strider #karkat vantas #homestuck #comix #something specific

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david-talks-sw · 9 months

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The series Ahsoka is coming out soon, and in light of the recent comments by Ashley Eckstein...

... I figured I'd also point out that people hated Ahsoka.

Every complaint you've heard about Rey? It had been hurled at Ahsoka about 7 years prior.

“Oh, she’s fighting Grievous and she’s only, like 13?! That’s so OP!”

“She feels like a Mary Sue written for a prequel based fan fiction.”

“Oh, she disobeyed an order from Yularen on Ryloth?! She’s so snippy!”

“Ugh, I hate her and her stupid voice!”

“She’s always pointing out stuff other characters have missed, like she’s so perfect! She's a Mary Sue with an annoying voice and personality.”

And honestly? I remember that period. People despised Ahsoka (and sometimes voiced anger towards Ashley Eckstein too), just like they hated Hayden Christensen, and most Prequel-related content.

But guess what? They weren't the target audience. Said Eckstein in her 2018 book It's Your Universe:

“Ahsoka’s arrival on the scene was met with mixed reactions. She had a big personality and was very snippy. [...] She talked back to Anakin, and some even called her bratty. Critics didn’t quite know what to think, but kids loved her. Finally, girls had another character besides Leia and Padmé to play on the playground — and now there was a lightsaber in their hands.”

They didn't "fix" Ahsoka, as you'll see on some click-baity YouTube thumbnails.

She had a fucking character arc. There was nothing to fix.

The whole point of her character is that she starts out as immature and petulant as Anakin is in Episode II. This forces Anakin himself to grow up, so he can better take care of her.

Eventually, they both mature together... and at some point, Ahsoka surpasses Anakin by learning and implementing the Jedi teachings, while Anakin remains stuck on that first part (no thanks to Palpatine).

Same thing goes for Reva. The character has a goddamn arc.

I'm all for putting a "save the cat" moment to make these characters more likeable (and even when they do, like they did with Rey, then somehow the problem becomes that they're too likeable), but at the same time, I think parts of the fandom should wait and see before prematurely hating on a character (who almost always "just happens" to be female, weird!) to see what story is being told.

#ahsoka tano #ashley eckstein #The Clone Wars

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triptychgardener · 1 month

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Hello sorry if this is a bother but I am asking in good faith where is the reading for transmasc nepeta. I’m asking this cuz of your last ask (the June one) and I see aradia Dirk and Jane. Thoes all I have seen post and analysis about. But I have not really seen anything about nepeta.

Okay so first thing you gotta understand is that gender in Homestuck, for lack of a better way to say it, can be understood in how characters reflect and relate to each other. That being said to understand Nepeta's gender, we gotta understand the gender of at the very least one other person.

Dave.

And more specifically.

Davepeta, Homestuck's very own first(ish) trans character.

Davepeta is noted to be a sort of platonic ideal of existence for both Dave and Nepeta. Somehow, through a strange series of cosmic coincidences, these two end up making an odd sort of parallel. Both having a strange relationship to a man who loves him some goddamn horses. The whole Akwete Purrmusk thing. I mean, Dave canonically engaged in semi-nonironic furry roleplay with Nepeta offscreen, and given what we know about what becoming a furry in Homestuck means, it's not a leap to describe this as their ideal form.

But, although we don't see a lot of Nepeta's character arc, we do see a lot of Dave's. He struggles his whole life under an incredibly oppressive masculine force (both of Bro and, indirectly, Lord English), and once the game is over ends up deconstructing and largely rejecting that.

So when Davesprite, who's also probably been thinking about this for even longer, bereft of purpose or identity, finds a kindred soul in a spunky catgirl... well the rest is Davepeta.

And similarly, there are points in the story where Nepeta acts kind of uncomfortable with how others see her as exclusively something to be protected. The whole "Dear, sweet, precious Nepeta" grates on her early on, as Equius uses it as an excuse to control her actions. The whole of moiraillegience as it is originally explained (i.e. one party helps to calm down an especially brutal and violent person from outbursts of anger, and in turn that person will protect the more docile, even-tempered soul from external harm) even kind of FEELS like the way heterosexual relationships are portrayed in a lot of conservative spaces, where women are nuturers and caretakers while men are protectors. And Nepeta is supposed to, in this situation, be the person who helps Equius manage his emotions, which she feels some consternation at!

Now, over the course of Hivebent, their relationship appears to evolve and get a bit more balanced, but it still carries these overtones of "I will protect you, and you will handle my outbursts." Notably, when Equius goes to seek the Highb100d, and leaves Nepeta behind.

And of course not after roleplaying as each other.

Which. I mean come on.

But notably, Nepeta doesn't just stay put! She doesn't really want to be protected all the time! And when push comes to shove, she leaps out to defend, or at the very least avenge, her best friend.

And then, we don't really see Nepeta for a while!

Until we get to the end of the comic.

During their whole "date", Nepeta seems a little uncomfortable with Jasprose's affections. She may be a bit flattered, but Jasprose also fully admits later that she was frankly looking for any girl she could fall in love with after the tragic death of her girlfriend and possible more tragic untimely resurrection.

But then the pivotal handshake happens, and we get to see who is perhaps the most happy being in all of Homestuck.

Then we get into some of the only actual discussion of gender in Homestuck. We don't get much besides that, for both of their lives, Dave and Nepeta both felt something was missing. Something felt wrong that they couldn't quite place that made them both miserable. I don't think it's a massive stretch to say this could be gender dysphoria.

And when they combine, they feel the fullness of the gendered experience they were missing, melded together like a two-piece puzzle.

Now while the abovementioned "strong identities as a boy and a girl" might throw you off, I would point to what Victoria Lacroix said about this passage: note the lack of the word "respectively." I rest my case.

Now full disclosure, my personal headcanon for Nepeta is genderfluid transmasc. The whole affinity for roleplaying lends itself to a more shifting identity and I just think Nepeta, given more time, would love exploring the little nooks and crannies of gender.

This isn't going into the more complicated shit with Gender when it comes to Equius and Dirk and all that other stuff. Here's a quick summary so you can see exactly how my brain is broken.

Anyways, thanks for the question! I hope I answered my thoughts on the topic adequately! If other people have more to say about this, please feel free to add on!

#whoof this was a long one #asks #anon

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sarucane · 5 months

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Why was finding Stede's letter so important for Ed?

Real talk, I adore the season 2 finale and to me the rush is worth it to have a safe ending place. But this episode is so overpacked, and Ed goes through such an incredible character arc and I love it, so here goes my rant on why he burst into tears and screamed at the forest when he read Stede's letter.

Ed is all goddamn over the place in the first part of this episode, tossed about by his insecurity and baffled by what is safe and what is unsafe. He has a voiceover about how amazing being a fisherman is, then ends up regressing into childhood trauma when another father figure freaks out over dinner. Ed doesn't even choose to leave the fisherman fantasy: the fantasy gets shattered and he gets fired in a high-speed parallel of Stede trying to go home (return to a safe, simple life) and finding he doesn't belong there in S1E10. At least Ed does manage to not drown in self-hatred on the way out.

And then Ed returns to the pirate safe space, only to find that it's been invaded and taken over. And that his selfishness, the low self-esteem that distorted his view of reality and his relationship, may have had real consequences for someone he loves (another parallel with Stede, this time early season 2). Ed may have been off pretending to be a "dirty old fisherman" while Stede died.

What was safe is now unsafe. All Ed has left is himself--so he really looks at himself.

At the fact that the kraken is always there, no matter what clothes he wears or how deeply he tries to bury it. He can fight that and run from it, and end up losing everything. Or he can embrace it, and figure out what comes next. Be what he was made by his past, however dark that past was.

But Ed's past wasn't all darkness. Ed walks onto the beach and gets a letter from the past, and suddenly there is something safe again in his world. Something worth killing for.

Ed first started falling for Stede through the stories Stede built around himself, stories formed by boastful encounters with Izzy, muttered hallucinations, and trinkets decking his ship. Back then, Ed didn't believe he himself was a good person, didn't believe he could have friends. But Stede told him stories about friendship and treasure maps, and Ed took these to heart and told stories to match, and Ed found truth through the fiction.

Then Stede left, and those stories fell away for Ed. Ed embraced the story of the kraken, of Blackbeard. Instead of a story about love or survival, he wrote a story about an impossible bird, a raiding record, and a treacherous crew--and mourned a story about lost love.

But Stede kept writing stories. He poured himself into his letters, poured his heart into sustaining his connection to Ed in spite of all the obstacles.

Ed didn't believe in this story after Stede came back, even though he wanted to. He kept emotional distance from Stede, avoided risks, and bailed after two days. Because Ed didn't trust that their bond was solid, that their story was something that could survive Ed's darkness, insecurities, and damage. Didn't trust that what Stede said this time, he had truly thought about, and meant with all his heart.

Stede didn't get how insecure Ed was in all this, because Stede was just so sure of Ed, and of their love. Stede believed in his story with his whole soul, and Stede's stories have a way of creating reality--after all, the whole crew of the Revenge became "real boys." But he couldn't figure out how to communicate this to Ed, to let Ed believe it too.

And then, at a moment where his identity is fractured and re-forming, Ed finds this letter. And just like that, there's a solid ground of story beneath his feet.

Because there was, in fact, solid ground beneath his feet all along.

Ed's and Stede's relationship, like all relationships, is hard. But they formed a real bond of love in season 1, and like Mary Bonnet said, being in love is easy. Ed can trust it--like he did before, but for real this time.

Ed's figuring this out ruddy late. He and Stede didn't communicate these things to each other when they had the chance, and now the chance may have slipped away. So now, Ed yells his feelings at the world and runs off to try to find his person.

When Ed finds Stede again, he doesn't hold back anything. He doesn't hesitate to kill, and he doesn't hesitate to drop his sword when he reaches Stede. They're finally face to face, in every way. Finally balanced, and seeing each other clearly, and able to communicate.

And, for the first time since he and Stede reached each other this season--for the first time since his vision in the Gravy Basket really--Ed is utterly vulnerable.

And entirely safe.

#our flag means death #ofmd #ofmd s2 spoilers #ofmd s2 #ofmd spoilers #ofmd meta #ed teach #stede bonnet #blackbonnet #gentlebeard #arrrggggghhh every moment needed time to land it's like they were counting seconds in this ep #there's just too damn much it's as much as stede went through last year but 7 minutes less screentime #goddamn gorgeous tho #hey if someone sees this and can direct me to gifs that hit the still images i'll be eternally grateful gif searching makes me nuts #i gave up after half an hour on gif searches sorrry

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zombee · 6 months

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I feel like the luckiest Our Flag Means Death fan in the world after the season 2 finale. By a series of incredible circumstances - including a significant metatextual realization that came in at the 11th hour - it was close to perfect for me.

This essay has everything. Completely normal behavior over a television series. Steven Universe references. The David Jenkins School of Whatever is Best for the Bit. Humbling catharsis.

First: this piece does not exist with the central thesis of “it’s okay to not like something but that’s not the same thing as it being bad.” I feel like thousands of words have already been written on this since Thursday, so I’m going to try to not get too in depth on that.

Second, cards on the table, because it’s relevant and I don’t want to waste your time if this is going to sour your ability to hear me out: I’m an Izzy Canyon hater. For MANY reasons, but from way before the concept of the Canyon existed, (some) Izzy fans pinged me in the same way as Snape/Kylo Ren fans did, and before May 2022 was over I went from genuinely enjoying Izzy’s character and place in the narrative to hating him because his fans made it impossible for me to enjoy him anymore.

(SOME! of his fans. Please don’t keep making me say this, although I’m not going to talk about the Canyon directly anymore after this. I know there are a ton of normal Izzy Enjoyers and even Canyonites, I am literally friends with many of them, please take this all in the good faith it’s intended and if you’re not One Of The Bad Ones then you’re fine! I very carefully don’t go anti-Izzy on main, and when I stopped enjoying his character, I stopped writing him into fics. I’m not trying to be a dick, I just want to be honest. Anyway.)

The season 2 finale made me weep over Izzy Goddamn hands.

ALL season long, I was disgruntled. All season long. I really, truly, DEEPLY appreciated what they were doing with his character and arc, I thought it was wildly on brand for the themes of community/queerness in the show, I saw the vision, I liked it!!! But. I wanted a fucking apology, yall. I needed three seconds of “sorry I called you a slur, Ed :/” and that would have been enough. But I had to let it go. It was poisoning my enjoyment of the whole season, which I loved with very little exception (not none!) and I just had to let it go. I wasn’t getting an apology. That didn’t negate what they were doing with his character.

Yall. They withheld the apology on purpose.

THIS FUCKING SHOW!!!

Let’s go back a bit. I was at the episode 6 + 7 screening, and the breakup shook me. Probably a LOT more than if I had watched it alone in bed at 3am on my laptop - five days of no sleep after NYCC, lots of emotions, seeing it on a big screen with a hundred other intense fans, etc etc - but I did see other folks reacting in parallel ways to me when the episodes aired to the regular public, so maybe I would have felt the same way. Regardless, I was mad at Stede and to a lesser extent Ed. I NEEDED AN APOLOGY FOR THAT FISH LINE. I needed it! “Whativah” autocorrects to “WHATIVAH” in my phone. I was going through it.

(When I rewatched the episode when it aired it was not nearly as bad as I remember, lol)

So now the episode 8 screeners go out and the reviews drop and I think I catch one half-glimpse of a “What a heartbreaking ending!” kind of snippet, and some of my friends who are spoiler fiends unintentionally drop little hints about similar ideas (devastating/heartbreaking/split the fandom) type shit.

And I was a fucking WRECK! about it.

I do love this whole show with my whole chest. I do!!! But I’m not rotted because this is an excellent television show, I’m rotted because two old men kiss each other! On the MOUTH!!! in an excellent television show. You get it, right? I’ve written 700,000 words across almost 100 fics and 98% of them are dedicated to those two men falling in love in different universes.

So it just did not even occur to me the “heartbreak/devastation/fandom split” would be about anything but Gentlebeard.

Another piece of this that was fucking me up - David Jenkins and his “satisfactory” ending biz. My brain was reacting like this show was ENDING ending, even if I knew logically! that this is just season 2!!! And I wasn’t ready for that, because what if it wasn’t personally satisfying, and I’m a mess about it? Why was I so worried about not liking it? I’d liked the whole season! Even if they didn’t nail the landing I wasn’t going to stop writing fic or hanging out with my pirate community & friends.

…is what I kept trying to tell myself, but the way anxiety disorders work is funny like that lol. What if I did stop writing fic and hanging out in pirate spaces? That would hurt much more than a show I like disappointing me. And for anyone who’s having that experience with ofmd s2, I’m so very, very sorry. It sucks and that’s where my epiphany came from on Wednesday before the finale.

Because it has happened to me before.

I flit from hyperfocus to hyperfocus, as ya do when you’re spicy, but the last thing to get its hooks in me PROPERLY like pirates was Steven Universe. And I did NOT like the way the regular season ended!!! (I actually really did like most of Future; that’s not what I mean. I mean season 5). I don’t like how they handled the Diamonds, tldr; I think the scope of their villainy got too out of hand, and I was left grieving the thing that had meant enough to me I ran a fan convention for four years based around it.

Side note: imagine if I had channeled the hyperfocus of almost a million words of fanfiction into an American OFMD con instead. We could have made magic :( I did consult with Our Con Means Death though so I am at least a teeny tiny bit of that one!

I did not like the way Steven ended… but I do respect the story they were telling and think they told it well.

I’m still sad about it. Steven is still one of my most beloved, it will always be beautiful and great to me, but that experience did and does sully my memories. There is so, so, so, SO much more good than bad from being in that fandom, and I cherish it. And I hope, if you’re having this experience with OFMD right now, that you’ll find similar comfort.

But, like I said at the top, “it’s okay to not like something but that’s not the same thing as it being bad” has been belabored already by people better at writing about it than me. I just had the incredible privilege to remember my brush with lower case T trauma and having that experience in my last REALLY big deal fandom. That’s why I had been so extra anxious about being disappointed. Because it happened to me before. It helped so much to connect those two.

So the finale happens, and it’s actually about twelve hours of me going from “eh, rushed but fun, whole season was great” to “THIS MAYBE IS THE BEST SHOW OF ALL TIME, ACTUALLY!”

BECAUSE THIS SHOW MADE ME CRY OVER IZZY FUCKING HANDS!!!!

They literally told me this was the story they were telling this season. “Men can change” “The end of piracy” “Ed leaving Blackbeard behind (ish).”

As for me? I didn’t get an apology for the fish. Instead, I got “Sorry I was a dick.” “You weren’t a dick. Life’s a dick.”

Just… fuckity BAM. THREE FUCKING SENTENCES resolving that fight. Saying so much in so little.

In real life, should these two men have an actual conversation about this shit? Sure!!! But that’s not how OFMD tells its stories!

It works in symbolism. It works in vibes. It works in an hour’s worth of content into each half-hour episode, and for how much lamenting I have done about the pacing, I would prefer that 100x to having to stretch it out too much.

I have said since March 24, 2022 that OFMD wields anachronism as a weapon. First and foremost, it’s fucking funny, but in addition to that, it’s stating clearly: “This is a fantasy world. This is not real history. This show is about romance (and so much more than that), and the rest is just VIBES!!!”

Sometimes vibes can be historical accuracy. Sometimes vibes can be true emotional poignancy. Sometimes vibes can be Ed finding his sunken leathers in the sea, changing underwater somehow, and coming out of the ocean like the Birth of Fucking Venus, because water and rebirth and mermaids and shit is all very prominent this season. And ALSO, and this is very important! BECAUSE IT LOOKS FUCKING COOL!

I don’t want to do much real Izzy meta here. It’s been said by others, and better than me. But it was telegraphed and it was symbolic – he was the paragon of Traditional Piracy in season 1, for goodness’ sake, and Traditional Piracy is Toxic Masculinity, and he was a part of Blackbeard and Ed had to leave Blackbeard behind (yknow, ish), and he got this ABSOLUTLEY FUCKING LOVELY! storyline about appreciating what a (queer) community can do, and god fucking shit fucking dammit… most of all, best of all (for me), was Buttons landing on Izzy’s grave at the end. Men can change. And Izzy DID!!! He did it for Ed. For love. For community. I am puzzled by “it’s fucked up to use Izzy to further Ed’s storyline” because… this was Ed’s season, in the way that season 1 was Stede’s. And Ed cannot be removed from piracy as a whole (neither can Stede!) so to have this old, set in his ways, coded-queerphobic character blossom to the point he can give this gift to Ed and to piracy… idk man. I just find it so fucking beautiful.

It is okay not to like what they did. It’s okay!!! It’s okay, and it’s okay to mourn, and while it’s not okay to do [insert vile behavior here], it’s okay to carefully examine what you think is “bad writing” vs “what you would have preferred to happen” and give good-faith, textually-based criticism on that.

But I want to remind you over and over and over again, this show works on vibes. It tells its stories leaving many, many, many gaps. There are many things I would have liked to see, and y’know what? I would have told the Izzy story differently. I would have personally done it differently. But it’s not my show! It’s not my show, and I am humbled and delighted to remember that, and to appreciate Our Flag Means Death for what it is and not what it isn’t.

Other words have been written better than I could about the 18 months between seasons 1 and 2 and what that does to us as rabid fans with expectations of how things will go. Millions and millions and millions of words have been written about OFMD, fictional and non, and that is going to color our expectations and experience. We had built it up SO MUCH in our minds and along the way I think some of us forgot (INCLUDING ME!!!) that it is first and foremost about Vibes.

The vibes of Izzy’s death are about rebirth and forgiveness and leaving traditional piracy behind. And he got to die in Ed’s arms, knowing (HAPPILY!) that he had been wrong, and giving Ed the gift of letting him know he is loved, and being a part of something. We had a funeral but we also had a wedding. The only constant is change. Men, piracy, Blackbeard; it all changes. And Izzy found peace in that.

Before my last point, I want to @ myself on things I felt versus realizing in the end it is (I will say it until I’m blue in the face) about vibes.

· I was convinced they left Buttons’ transformation ambiguous because they wanted to leave room for it not having been real. NO!!! It is real, until they decided it isn’t. Magic in the OFMD universe? Fucking why not!!! IT’S SYMBOLIC!!! IT’S IMPORTANT TO ED’S STORYLINE AND THE CENTRAL THESES OF THE SHOW!

· I was unhappy, and still am a little, about the Polycule Situation, but now that I realize Oluwande is Zheng’s Stede… I am less so. The Zheng : Auntie :: Ed : Izzy vibes, btw? Fuckin immaculate.

· Obviously they touched on Stede/Ed’s “killing people trauma” but I’d reallyyyy like Stede to address it, and even though I think Ed’s is left on a very satisfying note, I’d like him to dip a bit more into it as well. But if they don’t, oh well! It’s not like they ignored it, they just didn’t have a Deep Dive like I Wanted Them To!

· They didn’t deal with Ed throwing Stede’s shit away. They just ignored it! Stede started to collect new trinkets, and I believe that was as much about giving the audience back the old feeling of the Revenge as it was anything important (not to say it wasn’t also important thematically!!!). Just like Ed going back to his leathers is both Extremely Important thematically and about putting Taika back in the leathers because that’s what Blackbeard should be wearing for the epic final scenes for the sake of visually keeping the show consistent. That’s Blackbeard’s uniform.

· Stede’s frilly little outfits my beloved. God I hope they give him back some of his frippery in season 3. I think they will re: cursed suit BUT his journey this season was about something else, so!

· Ed’s stupid little non-profit non-apology, oh my god. It was so funny. And there is a transition from eps 5 to 6 where Ed is back in his leathers and the crew is more comfortable around him. They didn’t have to have him do a Real Apology, it’s implied it was all settled. What was the timeline? A day? DOESN’T MATTER, BABY, VIBES!!!

· Lots more, I’m sure, but now that I’ve tried to let it all go, I’m remembering less of what I wanted and appreciating what I got!

And, last point here, I think it is also very very very important to remember that a lot of people are normal about this show. In fact, WAY more people are normal about this show than aren’t. And that is EXTREMELY! IMPORTANT!!! because otherwise it wouldn’t be profitable and we all know what would happen then. We are the core of it, to be sure. Without word of mouth that stems from our intensity, this show would not be NEARLY as successful as it is. I truly, truly believe that.

But.

Do normies need deeply emotional discussions dissecting the central relationships? No. What normies need is Ed and Stede running dramatically toward each other on the beach and kissing. And I am happy, so fucking happy, to realize that’s what I need too. I’ve got fanworks for the rest.

I love this fucking show and this fucking fandom and its fucking creators so much. Fuck.

#our flag means death #ofmd #ofmd s2 #ofmd season 2

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