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#not a bookseller not even at gunpoint
aduckwithears · 6 months
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Crowley yeeting the books is peak orange cat behavior.
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ineffableaddiction · 1 month
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Part 6: Not even at Gunpoint?
A Good Omens Fan Fic
He woke up. It was morning somewhere, but judging by the light filtering through the windows, it was probably afternoon here. Putting on dark glasses, then glancing at his watch, he realized just how long he’d been asleep.
The next thing he noticed was a scent which quickly pulled him downstairs. Examining his surroundings, he soon realized his error. “To sleep…. perchance to dream,” he murmured to no one in particular.
Walking over to the desk, Crowley sat down and gazed at the shelves to his right. He reached out a hand and let it move over various books, journals, and an assortment of other purely Aziraphale things. His hand paused on one in particular. Without thinking, he took the small, bound book from the shelf and just held it. This is the scent that drove him downstairs so quickly. It was everywhere.
He would need to get used to that. Crowley had taken his plants from the Bentley and set them up in the guest room of the bookshop before closing his eyes to sleep, and for the first time had woken up to the lingering presence of Aziraphale. Crowley missed his best friend.
Muriel was still new to Earth and didn’t find a need to sleep. Or eat. Crowley did convince her that she needed an outfit more appropriate for one who sells books.
The new clothes made the angel less obvious, yet she was still not quite blending in. She hadn’t been on Earth long enough to see what is current for the times, so she dressed as one would in a book, and in that book was from the 1930s. Muriel chose a blue dress with evenly distributed white spots, which was worn underneath a white jacket, and accessorized with a thin white belt and white shoes with what Muriel determined were practical heels. It made her seem either very much from a different time or on the cutting edge of fashion. Crowley had been around long enough to see certain styles fall in and out of favor.
At some point before his nap, Crowley seemed to have agreed to run the bookshop, with Muriel acting as his assistant. He recalled a conversation that was something about blending in and something else about not knowing how humans ran bookshops.
“Demons don’t know how to run bookshops either. Do I look like I’d run a bookshop?”
The thought of actual customers coming into the shop intimidated Muriel. “I don’t know how to handle the people. What if they ask me something a human should know? What if they insist on buying a book? If they find out I’m an angel, I can get in a lot of trouble.”
Crowley grudgingly agreed to take over the management of the bookshop. Aziraphale had entrusted him with it once, not that long ago. How hard could it be, only being open one or two hours on various days, not selling anything and scaring away customers?
Today marked the not-so-grand reopening that was both not advertised nor really wanted. Still holding the book, Crowley turned the sign on the door to indicate that the bookshop was open, then returned to the desk. Muriel was nervously pacing and rehearsing some of the pleasantries that Crowley had taught her. “How can I assist you?” “We’re closing soon.” “We don’t have that book in stock.” “They probably have that book at the shop a few blocks away.” “Have a pleasant day.”
Crowley glanced down at the book in his hand and opened it. He turned to a random page, and for quite awhile forgot to breathe. He recognized Aziraphale’s script and realized he was looking at a journal or diary and what was written wasn’t meant for him. He gently closed the book and just held it, seemingly deep in thought.
The chime of the bell on the door didn’t register at first, but then he heard Muriel asking the customer how she could be of assistance. Shifting his gaze to Muriel, it struck Crowley as odd when he noticed a small, neatly wrapped package in the customer’s hand. The customer was trying to give it to Muriel, who had not rehearsed what to do when a customer tried to bring you things and was beginning to panic. As he put that piece of Aziraphale back on the shelf, something fell from the book. He glanced down and stopped breathing for the second time. He’d have to deal with that later.
Seconds passed, and Crowley appeared beside the customer, announced that he was the shopkeeper and could he be of service. Muriel, with a look of relief. stood and observed.
“I was told to bring this here, but this is the first time I’ve seen your shop open.” The customer handed him the package, which was addressed to the bookshop in care of AJC. That was odd.
The customer left as quickly as they’d arrived.
“What is that?” Muriel was beside him, looking at the package with a mix of curiosity, distrust and confusion.
“I’m not quite sure, but let’s find out.” Crowley went back to the desk and sat down. He opened the package, which contained a book that had Aziraphale’s name written on the first page in his neat handwriting. There was nothing else written in the book, but there was a small note, decidedly not in Aziraphale’s handwriting, that said:
3rd Alt Rendezvous
Crowley looked through the packaging to be sure something wasn’t missed, but found nothing.
“That was a fabulous first day. I need to go. Don’t let anyone in.” Turning the sign on the door back to closed as he left, he was quickly in his Bentley heading towards the bandstand. He glanced at the book, now sitting on the seat beside him, frustrated and unsure how long the delivery had been delayed. The shop, while never keeping regular hours, had been open for less than fifteen minutes since the morning after the ball. The method of delivery didn’t indicate when they were assigned this task.
At least the Bentley was allowing him to drive at his normal speed.
On arrival, Crowley parked the car and rushed to the bandstand. It was empty, so he surveyed his surroundings and found nothing out of place. Alone, he opened the book and stared at Aziraphale’s name. “What is this? Who sent it? Am I too late?” Closing the book, Crowley anxiously paced and began talking to no one rather loudly. “Do you need me Aziraphale? Did you send me this bloody book? Why here?”
No answer came, so Crowley waited.
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crowleyanthonys · 9 months
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"Are you a bookseller too?" "Not even at gunpoint."
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ineffablelunatics · 3 months
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You ever think that Crowley isn’t a bookseller and refuses to even act like one because Aziraphale doesn’t like to sell books? He won’t act like a “bookseller”, because Aziraphale doesn’t like selling books. That’s Aziraphale’s safe place and he doesn’t want to somehow mess it up.
“Are you a bookseller?” “Not even at gunpoint.”
Sitting right across from Aziraphale, he says that he wouldn’t sell books even when he was being threatened. Yes, it’s Crowley being over dramatic, but it’s also a reassurance. He doesn’t even let the books burn in 1941. He didn’t have a choice in 2019. Crowley might not run a bookshop, but he’ll keep it safe. Even if keeping it safe just means not letting anyone buy books from a bookshop
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rosetintedpages · 9 months
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Crowley saying he wouldn’t be a bookseller ‘even at gunpoint’ then taking over bookshop duties the entire time Aziraphale was away… it screams head over heels
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unhingedpirates · 10 months
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I think that Crowley's response of "not even at gunpoint" when being asked if he's also a bookseller should be followed by him later in the season taking care of the bookshop (while aziraphale goes on a mission or sth). seLLING BOOKS. Because his Husband asked nicely and showed him his puppy dog eyes 🥺💕
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theravenmuse · 10 months
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Aziraphale: Crowley, I’m leaving you in charge of the bookshop for a few minutes. DO NOT SELL ANY BOOKS!
- later -
Nina: Are you a bookseller?
Crowley: Not even at gunpoint.
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thebootstrap-paradox · 8 months
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"Are you a bookseller too?"
"Not even at gunpoint"...
Also Crowley:
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zykamiliah · 9 months
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relationship status: crowley and the bookshop, aziraphale and the bentley
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apparently it won't leave me alone unless i write it down so here it goes: the way aziraphale treats the bentley and the way crowley treats the bookshop are metaphors about the status of their relationship and, to an extent, how they relate to each other
i mean yeah that was kind of obvious at the moment i was watching episode 3, but i didn't realize the implications of this particular metaphor until much much later (bc i didn't binged the season), after i watched the end of the last episode.
so here it goes!
i have no idea of other people have already talked about this, in which case i won't apologize since writing down this is part of my post-s2 coping strategies
crowley and the bookshop
crowley doesn't live in the bookshop per se, he doesn't rest there, he doesn't put his plants there, but it is where he spend a good chunk of his time. he's comfortable enough to takes off his sunglasses , meaning he's comfortable being himself there (mostly); the bookshop his anchor, and his world revolves around it.
what's important here is that when tasked with taking care of it without supervision, guarding it and its contents, he changes nothing about it.
i mean he's a bit careless with some books (don't throw them around ahhh!!) but for the most part he does nothing but to keep things as they are. he doesn't try to sell the books, he doesn't rearrange or change the furniture. the one time he does is after the whole business with heaven and hell and gabriel and beelzebub going off together, and he just puts everything back as it was before the party.
crowley loves the bookshop as it is, the same way he loves humanity as it is, the same way he loves aziraphale as he is. he doesn't want aziraphale to change. he takes care of him, helps him with everything he asks of him, is very protective of him; however in the same way he doesn't technically live in the bookshop and isn't a bookseller ("not even at gunpoint"), he has never said how he really feels about aziraphale, despite what his actions indicate.
crowley's love steadfast, and quiet, and there, but never fully realized. same as their relationship. aziraphale has let him in, but not completely. and crowley hasn't dare to take more space than he is allowed, because he doesn't want to lose what they have.
aziraphale and the bentley
in a mirror of how he relates to crowley, aziraphale asks the bentley to do things for him in that kind, authoritative way of his, and they get along fantastically. however when getting unsupervised alone time with the bentley, aziraphale proceeds to change its color, the music it plays, and even adds things to its interior. in its essence, the bentley remains the same, but its make up gets swapped for what aziraphale would like to see, what he thinks it's nice.
the bentley indulges aziraphale, because just like its owner, it's head over heels with him. it'll play aziraphale's music of choice without complain, it'll change his own color and go as fast as aziraphale likes it (which is veeeery slow), and it'll follow him around like a puppy; that's how much the bentley loves aziraphale.
crowley has to scold and demand and threaten aziraphale to get him to change the bentley back. and aziraphale is forced to comply, not because crowley asked, but because his own books were on the line. mercifully, he doesn't try to change the bentley's appearance again, though he still asks it to play him music that isn't beepop.
in retrospective it's glaringly obvious what this is about, which is: aziraphale thinking that crowley should be an angel. more specifically, that since crowley is good, and knows right from wrong better than aziraphale, it must mean that deep down crowley is still an angel. aziraphale just needs to bring it out, to make it happen.
but thing is, i don't think aziraphale realizes that crowley (and the bentley) being good to him in particular doesn't mean they want to be Good in the way aziraphale thinks heaven should be. because there's nothing good about heaven, something that s2 pointed out in more than one occasion.
aziraphale still can't let go of heaven, or distance himself from angelhood the way crowley has let go of hell (and heaven) and demonhood. he was forced to give it up when confronted with the end of the world, but it wasn't by choice. so a part of him still wants to go back; so, when given the chance to do so, he accepts.
this is all part of his character's journey. no matter how many times crowley tells him heaven is toxic, or how many times aziraphale experiences it for himself, he needs to realize it and let go of heaven by choice.
but as for now, he is still trying to pull crowley to his side, back to heaven, because, from his point of view, that's how it should be, because crowley is good! crowley know when to do the right thing! crowley asks questions! so if aziraphale is going to be supreme archangel, he wants to restore crowley to his rightful place, which is high up in heaven, doing good things, inventing things, bringing galaxies to life.
aziraphale's love (presently) is about relying in and allowing crowley to do things for him, about letting him into his safe space, (to a certain limit), doing things with and spending time with crowley, and trying to do what he thinks it's best for crowley. he still can't admit to other people or crowley or himself that they are together even when he says things like "our car", "it's my shop but we both get plenty of use out of it", but that's because he feels shame, and because he still hasn't let go of heaven's ideals and expectations.
which brings us to-
Heaven and God as a metaphor of Home and Family
in a way, what's happened at the end of s2 is that metatron (mom's assistant...?) came back to say "hey so since your big brother (gabriel) has run off with the enemy, we want you to come back to take care of the family business(running things in heaven)." previously crowley had been kicked out for asking questions, has been resentful about the whole thing for millennia, but when asked if he'd want to go back, he is not tempted at all. there's not lost love between him and his the other angels. the two times he sneaked back home(heaven), it didn't look like he was attached, even he was still somewhat familiar with it.
now as for his relationship with mom (God) that's an entire different matter. because he was still cast out for being who he is, for questioning authority, and that's a trauma he still carries with him.
but if crowley was the one that got kicked out, aziraphale is the one that stayed and tried to be as was expected of him. he tried to fit in with his family, even if secretly he was doing things they would frown upon. he'd try not to question authority, he'd be in denial about heaven's cruelty even when it smacks him in the face, because he doesn't want to be kicked out. and when he does get kicked out, somewhat, it's because he had to make a hard choice. but same as crowley, it's not like he wanted to, and he's still an angel, despite his own humanity and all his earthly attachments.
so when given the opportunity to go back home, to take the reins and do things as he thinks they should be done, and consequently be in a good relationship with his family and mom, he says yes. because he thinks that's what he should do, he thinks that's what he wants. mom asked her assistant to tell him that he could come back to run the family business! how could aziraphale say no?
he'll realize he doesn't need heaven, eventually. and he'll make his choice, and once he realizes that Heaven=/=Good, that Love=/=Heaven, he'll be ready to accept crowley as he is, without ever trying to change anything about him. and he'll let crowley in fully.
and they'll finally live together.
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shoemakerobstetrician · 9 months
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The Tragedies of Aziraphale and Crowley
A loooonng time ago I read a letter by a major American playwright (I think O’Neill or Williams) in which he was discussing one of his works, saying that he had to reinvent tragedy, that the Classical Greek form of tragedy was having to betray one’s duty to society to fulfill a personal or family obligation, and we no longer had that framework in modern society. His conclusion was that modern tragedy would be having to betray yourself, your dreams, your beliefs.
So we have Aziraphale, being asked by Crowley to run away with him and betray heaven - a Classical Greek tragedy.
And we have Crowley, being asked by Aziraphale to return to heaven and betray himself - a modern tragedy.
Either choice at the end of S2 that ended with the two of them together would have still been a tragedy for one of them.
This shit is heavy man.
I’m just going to click my heels together and repeat “South Downs cottage, South Downs cottage, South Downs cottage”
EDIT - I had most of what’s below in a comment on a wonderful post by @andromeda4004 , but I wanted to tack it on here as it’s related.
Somewhere here in a comment about the actors that recur in different roles (which, honestly, there’s a narrative reason for that, Neil lies) Neil refers to S1 and S3 as something like the main story. Presumably the main story is the end of the world, or the resolution of the question of whether or not heaven and hell will end it.
I think the main thing we got in this season is that Crowley will do ANYTHING for Aziraphale: dance, let him drive the Bentley, become a bookseller (even though he said not even at gunpoint) point a gun at his head. I think the reason he is so insistent with Aziraphale that he will kill Job’s children is that he is trying to keep Aziraphale from getting involved in not killing them, to protect Aziraphale from possibly falling, or at least from a crisis of faith. He’s willing to have Aziraphale think he’s a killer of children to protect him from that.
It makes it all the more tragic when Aziraphale asks him to come back to heaven with him. Aziraphale has finally crossed the line, asking him to betray himself, who he is now, for something he knows is a baseless fantasy. It’s a brutal setup for season 3.
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drconstellation · 6 months
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"Not Even At Gunpoint!"
Future Echoes of the Past #3
I didn't plan this meta. Well, maybe...just a tiny, weeny bit...I had been keeping a parallel in mind for a while...but not in this context. But it was kind of one of these moments:
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Lets start at the beginning.
@beebopboom has been exploring the three magic tricks that appear in the S2 opening sequence recently, and speculating how the third one might appear in S3, and I've been exploring the paintball fight scene at Tadfield Manor in S1E2 and how that relates to the Great War in Heaven that formed Hell, and the events around the Fall. The two topics intersect, as you have echoes of the Bullet Catch magic trick from the 1941 minisode in S2E4 appearing not once but at least twice at Tadfield Manor.
But...then I realised, there's more than one pointed gun. Way more.
I'd always liked this throwback line from Crowley in S2E1, when Nina asks him if he is a bookseller as well:
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Who would want to be a bookseller when this could happen to you?
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Shadwell, turning up at the book shop in S1E4, disturbs Aziraphale contacting Heaven through the portal (a modified Solomon's magic circle) under the oculus, and breaks in to confront him. The historical implications of Aziraphale's lines here are that before homosexuality was decriminalized in the UK meeting places for such people were often disguised as respectable looking book shops. Which makes Nina's question in S2E1 and Crowley's denial to her all the more...loaded? Ah, well, you can't fool Nina, now, can you?
Anyway, mah point is...Shadwell literally has Aziraphale at gunpoint, er, fingerpoint here. Loaded fingerpoint.
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But then, this isn't the first time Aziraphale has had a gun pointed at him. He had one pointed at him in the church in 1941 by the Nazi agent double-crossing Greta. His biggest fear, as always, isn't actually "dying," or standing in front of the guns, its the paperwork that he knows will go with getting a new body from the Ineffable Bureaucracy.
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Crowley turns up to rescue him, because he "didn't want to see [him] embarrassed." With a bit of equivocation between the two of them, all the time while at gunpoint from Greta, they team up to save each other.
This was even before we got to the Bullet Catch - his "show stopper!"
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Back to Tadfield Manor.
As they enter, Crowley is lined up in the crosshairs.
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Er, wait a minute...
Only Crowley is shown this way here, not Aziraphale. He's a target. I'm starting to ask what point in time this is referring to - the present or the past? Both. Yeah, why not both! The work I did in this previous meta in this series showed that Crowley was considered a target for early removal by the other demons-to-be prior to the Fall.
Then they are both shot.
I pointed out Aziraphale gets shot by blue paint, representing Heaven, but its a colour we don't see used again by any one in the fighting to come. But what I didn't talk about was WHERE he got hit - in the back. That's synonymous with treachery. Heaven has stabbed Aziraphale in the back, so to speak. wow. Nice - not.
And Crowley? He gets hit in the heart - just like the Norman/Lucifer parallel on the Yellow Team does a short while later during his "fall" scene - with the red paint, betrayed by the Red Team who represent the management in Heaven.
Seems the Ineffable Bureaucracy wanted both them out of the way during the Great War...it get more and more interesting each time I look closer at it...
So was Aziraphale ever in the crosshairs? Yep.
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And, as @vavoom-sorted-art points out, this is a time Aziraphale chooses to pick a weapon, and to fight. He didn't want the simple, safe deception trick with the ropes - he wanted a weapon. He really is much more the warrior than Crowley. Aziraphale, I think your nature as a principality is showing!
Firing that gun made Crowley sick to his stomach, and so did this metaphorical loaded gun - the Book of Life.
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As soon as he found out from Beelzebub it was a real possibility of being played he went back to protect Aziraphale. Crowley hates fighting - watch how often he will try shut it down as quickly as possible or try to escape it when he can. To him everyone has free will, and the person picking the fight with the other is imposing their will on them. That's 'not on' in his books.
Aziraphale, on the other hand, is still reacting with his ingrained Heavenly instincts - that he should follow his morals because they are 'right,' and more sophisticated weapons add weight to the moral argument. He thinks. Maybe. (Yeah, keep working on that doubt, angel.)
Az: Impressive hardware. I've looked at this gun, its not a proper one at all. It just shoots paintballs. Cr: Don't your lot disapprove of guns? Az: Unless they're in the right hands. Then they give weight to a moral argument. I think. Cr: [laughing] A moral argument? Really? *tosses gun away* C'mon. [Heads into the Manor.] [later, after Crowley changes the paintball guns to real guns...] Az: But there are people out there shooting at each other! Cr: Well -  Lends weight to their moral argument. Everyone has free will, including the right to murder. Just think of it as a microcosm of the universe.
I'll think I'll end this here and leave you with a small montage of the aftermath of all this gun play - everything going up in flames and smoke.
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Bring on S3!
If you didn't follow the links in the meta, and want to read the first two in this series, they are here:
#1: The Great War of Tadfield Manor
#2: The Newton/Crowley Mirror-Parallel in S1
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mimisempai · 2 months
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The end of denial
Summary
 After so many years of denial, not having to hide who they are from each other and telling the world is the most wonderful feeling.
Notes
For the @flashfictionfridayofficial - Hour of denial
On Ao3
Rating G -  458 words
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"Are you a bookseller, too?"
Crowley replied immediately, shaking his head, "Not even at gunpoint."
Aziraphale interrupted, "This is, um... Crowley. He and I..."
He looked at the demon in front of him, wondering how to introduce him, how to say he was important to him without saying what this was about.
He continued, "...go back a long time."
He was pleased to see Crowley's proud expression, but as always, he felt a tinge of sadness at having to deny what the demon really meant to him.
"Sir, you come in here every week, and every week Aziraphale tells you again that these books are not for sale."
Aziraphale, coming from the back of the bookshop, couldn't suppress a small, amused smile as he heard Crowley rebuff an insistent customer who came back every week trying to buy a book. 
Apparently, this particular customer had reached the end of his patience, for he replied with obvious annoyance, "Who are you, anyway? I want to see Mr. Fell."
Aziraphale approached and calmly said, "I'm here."
The client turned sharply toward him, then, pointing at Crowley, said, "Your assistant is being very rude and I..."
Aziraphale shook his head and replied in a cold voice, "I'll stop you right there, Crowley isn't my assistant, he's..."
He paused and saw Crowley looking at him expectantly, waiting for him to continue, then he hooked his arm under the demon's and continued in a much softer voice, "...my partner."
Aziraphale had deliberately said it so that there would be no doubt as to the nature of the partnership.
Seeing the client dumbfounded by what he'd just said, the angel added, "And I have nothing more to say to you than what he's just told you."
Then he changed his mind and continued, pointing to the door, "Just one more thing, if you would do us the pleasure of leaving and never coming back. Good day to you, sir." 
Ignoring the angry departing customer who showed his displeasure by slamming the door, Aziraphale turned his full attention to Crowley and, seeing his happy expression, knew he'd been right.
Crowley said softly, "Your partner?"
Aziraphale raised his hand and placed it on the demon's cheek as he replied gently, "Absolutely."
The time for denial was over. 
They could be themselves now and show what they meant to each other, and Aziraphale intended to make the most of it.
With a light touch of his hand, he drew the demon's face to his and kissed him tenderly, in broad daylight, in the middle of the bookshop, where everyone could see them from outside.
They had nothing to hide anymore, and damn hell and heaven, they were no longer afraid to show their love to the world.
_________
Still not beta'd
Still not my native language
Still hoping you'll enjoy this story  🥰
Still thanking you for bearing with me 😝
Ineffable Growing Love series : (After season 2) 
Part 1 Story 1-99
Part 2 Story 100-?
Ineffable Husbands masterlist : here (Before season 2)
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juniorcaptain · 9 months
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“Are you a bookseller too?”
“Not even at gunpoint.”
Broke: Crowley thinks he’s too cool to sell books
Woke: Crowley won’t sell books even under threat of violence because Aziraphale doesn’t like it
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thiswaltzthiswaltz · 2 months
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Are you a bookseller too?
Not even at gunpoint.
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Yes?
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spookyghostcupcake · 9 months
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"Are you a Bookseller too?"
"Not even at gunpoint"
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stumblingoverchaos · 3 months
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Being some recs for fics set after Good Omens S2
Tether Ginger_Cat, Words: 44,562 Aziraphale, Supreme Archangel of the Heavenly Host, is just minding his own business. Really. It's not like he's trying to get summoned to Earth during highly important archangelic duties. And Crowley's not trying to summon him, he swears, but somehow it still keeps happening... Now, if they could only figure out why?
We Can't Keep Meeting Like This Ginger_Cat, Words: 65,450 Once a year, Aziraphale and Crowley meet on Earth to discuss the development of the reincarnated Christ child. The problem is, they can't stop having sex instead.
What You Leave Behind (or, A.J. Crowley, Bookseller Extrodinaire) chubbytransboi, Words: 50,733 “Are you a bookseller too?” “Not even at gunpoint.” After The Promotion, Crowley finds himself as the proprietor of A.Z. Fell and Co. (Emphasis on the ‘Co.’) Or: new jobs, new friends, and new ways of healing. And a LOT of sticky notes.
of truth, of light, of good sideraclara, Words: 75,179 Crowley will save Earth alone if he has to.
Factory Settings Anonymous, Words: 106,998 Crowley gets reinstated as an angel.
and though i burn, how could i fall? (when i am lifted by every word you say to me) shadoweddepths, Words: 24,699 Five times Aziraphale and Crowley argue, and the one time they don't.
But You, My Dear, Are An Ocean megzseattle, Words: 76,895 After Aziraphale's defection, Crowley tries to figure out how to live life for himself.
don't let this darkness fool you mygalfriday (BrinneyFriday), Words: 23,887 Lurching to his feet, Crowley stumbles through his flat in the dark – tripping over empty whiskey bottles and clothes he’d stripped out of and never bothered to pick up again. Heart pounding, he throws open the door. And the bottom drops abruptly out from beneath him. It feels like falling all over again – except from so much higher up than he’d ever been the first time. This is worse. This is so much worse because it isn’t him. It’s Aziraphale.
Endless, Numbered contritecactite, Words: 48,244 Crowley knows where he's not wanted—or, rather, where he was wanted but didn't want to go and is now no longer wanted—so he takes off until he finds a place that doesn't matter. Yet. It starts to matter quite a bit just around the time that Muriel reaches out to him about a book in Aziraphale's old shop that doesn't seem to be acting quite right. A medium-burn sort-of fix-it told partially through Aziraphale's recent diary entries in which nothing terribly dramatic happens because they've had enough of that.
freshly disowned in some frozen devotion (no more alone or myself could i be) shadoweddepths, Words: 22,379 Aziraphale rejects the Metatron's offer and chooses Crowley instead. Crowley helps him through the aftermath.
mourning doves`` sleepyimpulse, Words: 22,686 “I’m sorry,” he registered himself saying between heaving sobs. “I’m so sorry, Crowley, I’m so sorry. Forgive me, please, please forgive me.” He hadn’t meant to say it like that, he knew the words were all wrong (he would never find the right ones). But the pain was coming at him in every direction and something, something had to give, and so he clung to Crowley like a life preserver. Crowley bent his body over Aziraphale’s and slowly, surely, pressed a kiss to his bloodied forehead. “I can’t,” he whispered, and Aziraphale went unconscious.
pieces of you blackeyedblonde, Words: 18,348 “Crowley,” Aziraphale whispers, hand mindlessly grappling for the golden clasp secured at his throat. “What have you done?” “What I’ve always wanted,” Crowley says flatly, clutching the baby close against his bare chest. “You made your choice, angel. And I made a few of my own.” “Whose,” Aziraphale starts to say, and then can’t speak for a moment while something visceral moves through him. “Whose child are they? Other than yours, I mean.” “Look at her for yourself,” Crowley says, drawing his dark wing up just enough that Aziraphale can gaze at the newborn without feathers blocking the lamplight glowing behind them. “You haven’t even been gone for a year—don’t tell me you suddenly can’t recognize one of your own.”
Touch my Tears with Your Lips IneffableDoll, Words: 27,217 The emptiness of Heaven is punishment itself, a torture for a very Earthly angel. He has no power. The Metatron lied to him. Crowley is somewhere else. Aziraphale is alone. When he eventually escapes back to Earth – where he belongs – Aziraphale and Crowley have a lot to work through, even after averting the Second Coming, a renewed attempt at taking away all they hold dear. They need to be gentle with each other’s fragile, fractured hearts and together, figure out how to love one another the way they’ve long wished to. A story of trauma, healing, and love. So, so much love.
Light the Corners of my Mind cyankelpie, Words: 25,897 Aziraphale, thirty-eighth order scrivener—at least, that's who they told him he was—wakes up from some perfectly normal memory loss to find a cryptic note written on his hand. The further he goes in his search for answers, the more questions he has. Will he ever learn why he was demoted to a desk job? Or how he'd managed to collect enough books to open a bookshop? Or why that familiar red-haired demon on Earth seems to be avoiding him?
Devotion, grace and other small miracles Chrissy22, Words: 4,343 Seven months after the events of Season 2, Crowley gets a phone call from a panicking Muriel.
journeys end in lovers' meeting terpsichorean, Words: 48,137 With the Second Coming averted and Aziraphale back on Earth, all Crowley wanted was a return to the way things used to be, before he confessed his feelings and kissed his best friend in what may be the most unsuccessful love confession of all time. In an effort to cheer an equally miserable Aziraphale, the two of them leave London to attend a murder mystery party in an old country estate. But things quickly go wrong and someone ends up dead. It's up to Aziraphale and Crowley to save the other guests from whatever dangers lurk within the manor. And maybe, Crowley will gather the courage to ask the one question he’s not sure he wants answered: why did Aziraphale come back?
nebula 231080 starklystar, Words: 33,710 Philosophers liked to pose the question, observation against perception: If a tree falls in a forest and no one is around to hear it, does it make a sound? Aziraphale would argue that sound was something witnessed, and Crowley would argue that if sound had to be witnessed, then why was virtue unwitnessed a nobler thing? But first, Crowley would point out that he himself had fallen, alone and without witness, and it had bloody fucking hurt.
I'm the treasure baby, I'm the prize stereobone, Words: 9,405 "Are you working for Mrs. Sandwich?" Nina asks. "No," Crowley says. "Well, yes. Well, define 'working'."
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