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#no that’s exactly what I’m saying
chronically-unlucky · 7 months
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Listen all I’m saying is it’s weird that Adam would name his kingdom after Princess Aurora that’s all. Like I get they couldn’t use France but AURAdon? Could’ve been Belladon after his wife and as a reference to the plant which is used for headaches like how “Auradon” was created to get rid of the headache of dealing with villains
(Belladonna is primarily a poison though which still works because the Isle of the Lost was a bad thing to make since the people there are forced to live in squalor even if they were not directly villainous I.e. the sidekicks and offspring)
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trickstar5654 · 1 year
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Rewatched Thor 1 the other day and man. Does anyone else ever think about how Thor used to act before he got banished to Earth because Jesus Christ
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theminecraftbee · 3 months
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also I know it’s been half an hour but I am still dying that gem went “I know what I should joke about. ethubs and scarian making babies together.” if we ever needed proof she is here in the walls watching us,
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doctorsiren · 4 months
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Drew Trucy in some outfits I’ve worn in the last couple weeks
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puppyeared · 11 months
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personal character design headcanons + brainrot
Note: the re-bound!au does NOT belong to me, it belongs to @chipper-smol I’m just not normal about it lol
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#I SAY PERSONAL BC ITS MY OWN SPIN ON IT. NOT CHIPPERS CANON UNLESS THEY DECIDE TO OR NOT YOU HEAR ME /LH#I made a banner and everything this time. PLWEASE send them your questions not me JAJFHDSF#I thought it would be cool if macaque has two separate forms as a shadow and inside a mindscape. like I wanted his shadow form to reflect#him in his prime and then the mindscape form as what he looked like when he died. or a more vulnerable state at least#based on LBD appearing to MK as the ivory lady when she died in the S3 special. I don’t know exactly what it was but my first thought seein#the white void was she was appearing to MK in his mindscape to talk to him. so I built on that#I wanted to give him a more ‘Smokey’ look as a shadow just based on how he manipulates them in the show like in shadow play. I hope this#makes it look cool and immaterial. and then his mindscape form would be more battered up and tangible#the last couple images are chippers ideas though since they said the monkeys are drawn to MK when macaque is possessing him lol#and the fact that macaque doesn’t have any senses unless he’s possessing someone + literally sniffing out wukong in the scroll 🤨📸#I also have a vivid image of macaque moving from the mindscape to physical form like umm. kind of like when he passes the boundary between#physical and spirit/mind(?) it’s like the shadow covers him like ink. or pulling Saran Wrap over your face and it clings to your skin#so it kind of makes the shadow seem like a sort of shell or covering.. and I love the idea of MK meeting macaque in the mindscape for the#first time too. like the moment mac rescues him from LBD and MK sees him all battered and tired looking brooooooo#I’m not even sure if that would count as a mindscape but it rattles around in my brain like loose marbles#god I fucking love this au. gives me imagination fuel swear to god#my art#doodles#lmk#Lego Monkie kid#Monkie kid#lmk au#re-bound!au#rebound au#lmk sun wukong#lmk swk#lmk macaque#lmk six eared macaque#lmk mk#lmk xiaotian
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turtleblogatlast · 1 month
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[ cw: violence mention / death mention / ]
Will never stop thinking about how Leo, all alone in an endless void and being beaten again and again and again by the only other living thing around, still finds comfort in that space. The situation he was in was completely hopeless, and in any other circumstances he would not have escaped, at least not fast enough to save him from permanent (or even fatal) damage, be it physical or mental.
And yet, despite the bleakness of his situation, despite the agony and helplessness, all he needs is one glance at a crumbled photograph, one glance to remember his family, and that’s enough of a reason for him to smile.
Maybe that’s why his powers center around manipulating space - because no matter how much space is between them, no matter how dire his own situation may be, just the thought of his family, alive and okay, is enough to give Leo hope.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt leo#rise leo#the prison dimension is horrifying on its own#add in a monstrous being that towers over you and has vowed to ensure your suffering?#god I can’t imagine how scary that is#Mikey opening the portal was a miracle because if he hadn’t managed it there#it’s really up in the air what could have become of Leo#personally I subscribe by the theory that you straight up can’t die in the prison dimension#so it’s a prison in all ways#but the thought of a Leo who manages anyway who adapts and continues to have hope despite it all…#Leo saying he’s nothing without his family is a double edged sword really#because the thought of his family alone is all he needs to live. to hope.#to smile#nothing without them…but they’re EVERYTHING to him#and maybe he doesn’t realize it but…the feeling is mutual#one thing too is that hope that comforts Leo so much is not just that#should he think his family needs help - that hope can turn into determination#I’m unwell about this family#actually on my point of their powers - I truly do think the abilities tie in not only to their personalities#but to their relationship to family and love in general#kinda like love languages in a way#Mikey with his chains and time abilities values being around his family the most - he wants them to experience living in the moment togethe#Donnie is someone who is 100% a gift giver to show his love - his constructs are exactly that aren’t they? gifts of his mind#Raph is someone who willingly bears the weight of the shield - he protects his family like the best big brother possible#and Leo - he goes off on his own a lot but his mind is constantly on his family anyway#like a sailor at sea no matter how far he travels the compass always point in one direction - and for him that compass points home#even if he can’t make it back - it’s still there#and that’s enough
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autism-alley · 4 months
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hi originally posted this at the end of a long thread of back and forth, here’s the og post if you want full context but i feel like this needs to be its own post especially bc i keep seeing this argument being made—the argument that the kids (in this case it was annabeth) SHOULD just know the monsters are monsters and who they are and how to defeat them before ever encountering them, that it’s a problem if they don’t.
the problem is not if 12 year olds should recognize a trap when they see one, even if they’re smart 12 year olds, and if that’s realistic. that is entirely beside the point.
the problem is rick riordan wrote a book series whose formula is bringing myths to the modern age and he’s not sticking true to that in the show—percy jackson and the olympians’ Shtick is taking these classic, ancient threats and giving them a new face. these traps work because these kids are not walking into a cave marked with Get Out and getting ambushed by monsters—the monsters are disguised as harmless mortal human beings, in harmless mortal human being places (for the most part) and i think we—and more importantly, the show—are all forgetting the mist, the magic involved here. it’s not just that medusa is a “creepy lady with her eyes covered” it’s that there is ancient magic at work here, magic that, like the systems of abuse pjo exists to criticize, has been evolving and continuing its malevolence for millennia. it’s formulaic, that’s the point. it’s the same trap you’ve learned about all your childhood, the same trap a thousand children before you learned all their childhoods, and still, it works. you fall into the trap. because that’s how generational abuse works. it’s a trap. it isn’t enough to learn monsters exist, what they look like from a second hand story that originated thousands of years ago. if you want to escape alive, you have to adapt as quickly as they do, recognize their face, and ultimately, beyond any individual trap, the game itself has to change. real, generational change.
so. the problem is rick riordan wrote a series with a formula for action that perfectly captures the overarching, systemic conflicts he was commentating on, and then threw that formula out in the show because it was “unrealistic”. i don’t give a damn about realism when it works to the detriment of the story. this is a story about generational abuse, yes, but it’s told through ‘a tale as old as time’ and that’s why it works so fucking well. and when it comes to basic storytelling, if your characters know the threat before they even walk in and you do practically nothing to then make up for the stakes you have removed, that’s a flaw. now you’ve lost the entertainment value for your audience, on top of also lessening your themes.
something else that is so. honestly soul-crushing as a writer and a creative, is that to me this is reflective of the way we are now afraid to tell earnest stories. stories where we care not for listening to the people who want to pick apart fictional, mythical, fantasy stories for not being “realistic” instead of aligning with our target audience who acknowledges reality is not what makes a story. think of your favorite movie, show, book, comic, what have you—has the reason for your favoritism ever been because it is the most reasonable, the most grounded, the most practical out of any you’ve seen? or is it because of the emotion? the way it speaks to you, to your life and the person you are? the journey it takes you on? is the percy jackson and the olympians book series so good because it’s inherently realistic?
the secret to storytelling is, very simply, focus on your story. everything else is secondary. if it’s written well, it doesn’t matter to me that the characters walk into a trap that, to the audience, is obviously a trap. because i can understand how the characters don’t know it, and how the story falls apart if the narrative just tells the characters it’s a trap from the jump. that’s what dramatic irony is—first used in greek tragedies! this is literally a tale as old as time in every sense except for the end—where it’s happy. and it’s not earned if we don’t first see, over and over, the status quo as a tragic trap.
it’s not about if annabeth (or the other kids) is “smart enough” to not walk into a trap, or about if she’s just too prideful to not walk into what she knows is a trap (or any reason that could apply to the other characters), it’s that annabeth, at the end of the day, is a character. she is a storytelling tool for the messages of the narrative. that doesn’t make her any lesser. in fact ignoring it reduces her, because it reduces what she represents. it’s about how rick riordan, or whoever else at disney, has fumbled the storytelling bag so ridiculously hard that they can’t take the simple, effective formula outlined from start to finish (by good ol 2009 rick himself) and adapt it to the screen without answering the most unimportant, derailing, anti-story questions.
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thedynamic · 6 months
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Okay okay spoilers but NO cause the entire ENTIRE point on ep. 6 was to show how the life hawk thought he was supposed to have is inherently wrong for him and how it’s hurting everyone around him and how Tim is the piece of his life that he is missing to make it correct again. How Lucy is heartbroken and angry and how Hawk is always pretending and so unhappy and how Tim is confused and scared and lonely and how Hawk’s son is so mad at the world because his parents are too wrapped up in their little web of lies to even pay any attention to him and the sense of wrongness we feel throughout as audience members because they are PURPOSEFULLY holding Hawk and Tim’s relationship at a distance to us because that’s what Tim is doing to Hawk in the narrative and ugh ugh ugh how Tim and Hawk make a fantastic parenting pair because Tim brings out the best in Hawk and how Lucy could’ve found real happiness if she wasn’t with Hawk and how Hawk and Tim would’ve had real happiness together like literally I’m in SHAMBLES
Ep. 6 is a hard watch because it HAS to be a hard watch to make the point that their relationship is the only thing that will ever be able to make them who they’re meant to be
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beckkii · 7 months
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forever thinking about the slow descent of big shot spamton. the way his glitches start off as his typical small quirk but soon become something worse and sinister as off putting phrases come in, more often as well, weirding out (and worrying) those around him. the way he’s found oftentimes either completely zoned out or muttering to himself for minutes on end, only to say to others that he’s “just distracted.” the way his once cheery and bustling room in the mansion goes empty and dark as he spends all his time in the basement, so much so that swatch and the swatchlings immediately head there first thing in the morning to kick him out, only to find him rambling lost in prayer and screeching as he’s carried away
anyways. why don’t ppl talk about spamton’s slow descent into insanity. i wanna talk about spamton’s slow descent into insanity
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cubbyyyy · 3 months
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Andreils peaceful violence
In my other post I mentioned how Andrew and Neil are never afraid to point out each others flaws because they know the intention is never to actively hurt the other.
I wanted to expand on that.
Andrew and Neil both have violent tendencies. It’s a result of their life and circumstances. Life never showed them kindness, so they never learned it. They don’t know how to be gentle, they don’t know how to be kind, how would they? The world never was kind to them. Being raised with brutality, seeing the worst of human life doesn’t make room for much softness.
So they leash out. Andrew with his knives. Neil with his mouth. If someone does them wrong, they aren’t afraid to snap. Their temper is hard to control, life was too unfair to them to teach restrictions in their behavior.
Yet. They learn to show kindness, in their own way.
Nicky once asked who humanizes who in this relationship and the answer is both.
Their kindness is in their trust to say what’s on their mind and knowing the place it comes from. Both aren’t afraid to address each others flaws but for once in their life they learn not to leash out, not to snap as an answer. Why? Bc they know it’s what needs to be said and that’s the only reason why it’s being said at all. It’s not to hurt and it’s not to break the other. And they trust in that. Their bad sides aren’t overwritten, they don’t pretend like the other is flawless, they aren’t afraid to address sore spots, instead they take it in. And learn. It’s a peaceful violence. Pretending like their wrongs don’t exist would be brutality. It shaped too much of their characteristics to be overlooked or talked down. They would never learn to grow out of their tendencies if they wouldn’t hold the other accountable for it, so they do it and they know the kindness that comes from it. I want you to be better. We are better than this. We deserve more than this.
Their violence isn’t an answer, their violence became a question. You want to be like that? They say. It’s peaceful.
little extra;
Andrew and Neil are kind. They don’t let the other stay the way the are. They force each other to learn, to be better, to not give in. I see you and I won’t let you become what you think you are. Your future doesn't need to be as dark as you make it out to be. Lets become something together.
Andrew and Neil are gentle. I will listen but I hear the lie. I will point out that lie and wait till you hear it to. They aren’t nothing, they are everything and eventually they know it too.
Andrew and Neil are soft. I will kiss you rough while exploring every inch of you, feel every angle bc i want to know you. Your hand is rough and tender and all I can think about is how it’s your hand and how that makes all the difference.
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exilepurify · 1 year
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I want to talk about this photograph!!!
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It’s the one on Reigen’s “With our satisfied customers!” corkboard hung up in the office and it appears specifically when seen by Tsubomi in s2e8.
This corkboard displaying all of Reigen’s satisfied clients didn’t show up until s2e6—after Separation Arc begins. Reigen realizes he’s completely alone at the bar, has his panic attack in the alleyway, and then starts his big push for fame with the livestreams and stuff. He puts up this corkboard around that point in the episode, partially to showcase his efficacy to potential clients, and probably also to try and convince himself that he’s not alone.
Upon first—and even subsequent—watches, I didn’t think anything about the picture. Like, yeah, of course Tsubomi would see some evidence of Mob in the Spirits n’ Such office. He’s been there multiple days a week for years. But I’ve been thinking about it more this time around and it kinda just hit me how sweet it is.
This picture of Mob and Reigen is on the corkboard for satisfied clients, where it doesn’t really belong. Mob isn’t a client. It’s markedly more casual than the other photos all taken in the field because it’s literally just them hanging out together in the office. Also, Reigen has his arm on Mob’s shoulder, so this is the only picture on the entire board where Reigen is initiating contact and demonstrating affection (the one where the lady has her arm around his shoulder doesn’t count because that wasn’t his personal action).
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The picture is also pinned beneath two other photos that are layered on top, insinuating that they happened after his picture with Mob. I like to think that Reigen hung this picture up on the board after he and Mob reunited, even though it’s a board for clients, just because he loved it and wanted to have it in the office. I think he wanted to have tangible evidence of his connection with Mob after spending so long alone, especially in the office. And the two pictures on top might just be clients that came after the end of Separation Arc but before the events of episode 8. Sneaking photos of a loved one into office space is such a classic dad/big brother move lol.
In addition to this, there’s an illustration that came in the Mob Psycho 100 II DVD/Blu-Ray set that’s very similar to this. (I couldn’t find a full version without the “SAMPLE” 😭)
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It looks like another version of the “satisfied client” board with another picture of Reigen and Mob pinned on it, both of them making peace signs and smiling at the camera. I think Reigen just really likes taking cute photos with Mob and pinning them around the office lol. It’s incredibly endearing when you think about it—especially since Reigen tried to act so cool and unaffected by everything near the start of the series. No one is immune to Mob.
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The Wolf and The Witch
Part 1/?
Steve knows better than to enter the Witchwood. He’d been warned from the time he was a child, back before the wolf, that it was home to its namesake. And not just any witch, a dangerous one. One that had killed an entire hunting party, unprompted, with the flick of a finger. None who have entered those woods since have ever returned.
Steve knows better than to enter the Witchwood, but he doesn’t have a choice. Robin is slumped over his back, hands clenched tightly in his fur, clinging desperately to consciousness. He can feel her blood, warm and sticky, matting the fur of his back. His own gait is slowed, every step jolting the silver teeth digging into his right hind leg and sending sharp pain shooting through him. He’s not sure how much longer he can run, and he can hear them - the bloodthirsty cries of the townsfolk dead set on his murder.
They had been found out. So many cycles of living in this town, living among its residents as a friend and neighbour, and still they’ve all turned on him. Of all the times for it to happen, too. It was the moon he had agreed to make Robin a wolf. She had already been weakened from the wolf taking hold when they had been attacked, the silver already a weakness but her body not yet given over to the strength of the wolf.
Steve wishes he could take her to Nancy, knows Nancy would help despite everything, but the townspeople have blocked them off, funneled him in his blind panic. His only hope is to lose them is the wood, but even then he might lose Robin to his own fumbling medical knowledge.
But first, he has to get away from their pursuers. Steeling himself with a deep breath, Steve enters the Witchwood.
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Eddie is no stranger to people trying to do him harm. It’s been a constant in his life from the time he was a child, long before his gifts had awakened. And one that had- well. It’s been a constant of his life, sure as the cycle of the moon and sun. So he notices the prickle of someone entering the woods, but he gives it no regard. It happens a few times a year, that someone gets it into their heads that they will be the one to kill “The Witch of the Woods”. None ever even make it to him, losing themselves in the enchanted trees.
These trees are older than him, and their magic is their own. They like him and welcome him among them, but otherwise are hostile to outsiders. In the beginning, he had tried to help those who became lost in the woods, but those days have long since passed. Despite what his uncle says about his soft heart, Eddie’s become bitter and jaded and he no longer pays any mind to those who venture into the woods.
But this time, something is different. Eddie feels the disturbance of someone crossing into the forest, feels the shift of magic as the forest warps around them, and it’s… different. The ways and paths of the trees are second nature to him, he can tell by the shimmer of magic against his skin which paths have been revealed and which hidden away and this…
The forest is being lenient, gentle. The interlopers are shown the ways to peaceful places, soft and danger-free. Eddie can recall only a few times that the forest has been kind to intruders, and it has almost exclusively been to children.
So he’s more than curious already when he feels the buzz of more people crossing the boundary into the woods. A lot more. And Eddie realizes that this hunt is not for him.
The trees are not so kind this time, opening its twists and turns like a maze, a trap for anyone foolish enough not to turn back immediately. They don’t, of course. They never do. Eddie pays them no mind, drawn instead by curiosity to the two that are being pursued.
He steps between the trees, slipping into a space that’s folded away between reality, picking his way with ease through paths that are there and paths that are not until he emerges at the edge of a small clearing, moonlit and mossy. Theres a tiny spring-fed pond and there, limping toward it, is a wolf. It’s huge, the size of a small bear, with a strong frame and thick russet fur.
It notices him at the same time as he notices it, and it’s massive head swings to face him, teeth already bared in a snarl. It’s hackles raise, and it turns fully, squaring up, a threatening growl rumbling across the little clearing to him.
Eddie steps back, already gathering his power until it glows around him with dark energy, because this is no normal wolf. Even without the size and the silver trap clamped around its leg giving it away, he can see it in its eyes, feel in its presence that this is something more.
He recalls his childhood, the warning tales at his mother’s knee. He remebers later, freshly chased out of town and taken in by his uncle, watching as the old man leafed through his ancient book and warned Eddie that he wasn’t the only dangerous thing in the wilds. Eddie has no doubt that he’s come across one of those dangerous things now. He looks at the wolf and knows exactly what he’s seeing.
A werewolf.
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sinfulsunni · 1 month
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ok but lowkey I think we need to talk more about how Izzy had a whip on his belt in early s2… like,, I don’t actually have any constructive thoughts about it I just think we should Discuss.
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anna-scribbles · 2 months
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h-how do you ever finish any of your work? genuine question because you seem to be productive despite your agreste syndrome and I need to learn your ways. but also how do you ever finish any of your work
unclear. last night i stayed up and finished a report worth 25% of my grade at about 5am, arrived on time for my 9am lecture, and spent about half of it zoned out while thinking about seventeen year old emilie agreste. and i was one of the most active participants in the class discussion
#in some ways it IS the move to go to grad school right out of undergrad#because your body can still sort of operate like a college kid#i’m on about 3ish hours of sleep rn and this morning it felt SO over but now i’ve eaten something and we’re so back#i also don’t really do caffeine. except sometimes i’ll go get one of those panera death lemonades#i might be able to snag a short nap before work#but anyway about seventeen year old emilie. i was thinking abt how she was in that movie solitude and adrien said she was seventeen#WAIT. NO. HE SAID SHE WAS SEVENTEEN IN THAT PHOTO ON HIS DESKTOP NOT IN THE MOVIE#well. okay whatever i’m gonna tell you what i was thinking about anyway#OKAY i’m back i just checked the wikipedia page and then i watched the end of gorizilla. to make sure i’m not lying. because i’m normal.#anyway i was thinking about the solitude film and how it’s super rare and old and obscure and whatever. and how apparently#emilie wrote it herself and andre produced it#and i’m thinking about how gabe was discovered by audrey and that’s how he got his start in the fashion industry#so now i’m like?? did gabe and emilie first meet on the set of solitude? because gabe was designing costumes or whatever?#and that’s how audrey found him? have people already thought about this??#also i just checked and it doesn’t say emilie’s last name in the credits and also it’s ‘graham films’ with the twin rings logo m#so i’m assuming she’s still emilie graham de vanily at that point#anyway it comes back to seventeen year old emilie because i started imagining seventeen year old runaway emilie having her new life in pari#after escaping her british nobility life#and the first thing she does is write and star in an original movie. of course.#and she meets this repressed bisexual punk upstart costume designer who is so the opposite of everyone she’s ever known#and he’s immediately so unhealthily obsessed with her. which she appreciates.#and then they proceed to have the most toxic doomed evil relationship of all time#also she gets cheated because once gabe gets money he represses himself SO hard that he is now exactly like all the people emilie grew up w#but at least he’s still obsessed with her#this is what i was thinking about during class today. i don’t know how i get anything done either.#ml#anna rambles#asks
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sydneys-adamu · 7 months
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I know the I’m sorry sign is essentially a frustrating stop gap that stands between carmy syd and an honest and expressive conversation and allows them to constantly dodge their actual feelings but fck if it’s not the most romantic shit I’ve ever seen. like what is that. how do they do that
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clamsjams · 3 months
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anyone else get sad when ur reading a fic and koby is there but not helmeppo? like i know ur doing an au where koby joined luffy or whatever but like. that’s his buddy. do not separate
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