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#never done this before at all
swannsways · 3 months
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favorite Angus Tully's quotes, The Holdovers (2023) dir. Alexander Payne
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followthebluebell · 5 months
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fishy :)
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yrsonpurpose · 7 months
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Alex & Henry ± the fact that you loved me all along.
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lazylittledragon · 7 days
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blueberry cinnamon rolls with the recipe because people on the bird app wanted it <33
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seleswrites · 2 years
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got tagged in a WIP ask game by @mister-eames​​ -- thank you!  sorry it took a bit, i got very anxious about sharing anything haha.
I have SO many WIPs (fics and originals), but not a lot I feel that I can share a decent prose of; not the best at summaries, but, send me a number and I’ll share an excerpt! 
✨1 - Untitled: “Good Day to be a Dog” AU - Arthur centric (Inception) 
Arthur and Mal’s family is cursed to turn into a dog after their first kiss, with it only breaking when they are returned a kiss by the same person. However after a New Year’s faculty party gone wild, he has no idea who he kissed that night. Cue trying to figure that out, all the while Mal keeps teasing him.
It’s supposed to be an open-ended short inspired by the ‘teachers’ prompt from AU-gust, but uh, my maniac self wants to give different endings for different ships lol… ¯\_(ツ)_/¯
✨2 - Untitled Selina/psychic-but-weird!Reader, referenced BatCat | post The Batman
Selina probably shouldn’t have stopped at a roadside cafe stuck dead in the 50’s. She should have left when the waitress warned her about the food. She should have definitely left when said waitress asked to read her fortune. But, damn it, how the hell did she know about Selina’s time with the Batman all the way in Bludhaven?
✨3 - UMBRA | The Batman | intended endgame BatCatReader, Falcone/Reader (note: toxic)
Sometimes you have to sell your soul to the devil to keep alive. When the devil is the mob boss Carmine Falcone, you really wonder if a forced contract to the actual Devil would have been kinder.
Dark fic. Wanted to play with writing being in a toxic relationship and the way people have to survive doing things not in their morals. Unsure if polyam or triangle of sorts as I’m still working through it while writing it.
✨4 - “Hardly Safe” - Doctor Who | 11th Doctor, Amy, Rory, Companion Reader/OC
Traveling with the Doctor never gets old; but when an adventure starts to turn sour as people’s memories -- even the Doctor’s -- get altered as people are dying, it’s down to the group to see what is going on in this tiny village and try to save the dwindling population from whatever is out there.
I know what the ‘monster’ is and if anyone knows DnD, you might know too. ;) 
✨5 - Four of a Kind | Ariadne/Arthur/Eames/OFC | Inception | Pre, during, post movie events What do you do when you have no OT4s but you want to write one? Add an OC to your OT3 lol. Basically having fun with this one as it’s a relationship/character study. 
“Never in a million years would she think she’d be helping Cobb on a heist. But she owes Arthur, and if he says they need her, then who was she to argue if inception could really work or not?”
Honorable mentions (that don’t have prose but I’m excited for !!): 
✨ tattoo shop/floral shop AriArtEames (Inception) | Eames is a tattoo shop owner, Ariadne is working at her family member’s/close friend’s floral shop, and Arthur is their tired accountant  ✨ crack-taken-seriously idea of a reincarnated Loki (MCU) as a cat, who gets adopted by a 30-40 something catlady that’s telling off a TVA agent from collecting him because “no, that’s my son, how dare you” (and no i haven’t yet watched the full series yet don’t at me, i don’t care for canon) ✨sister story/long fic of “The Ghosts We Carry” | Maximoff Twins/Reader (MCU), basically reader/oc is a vampiric mutant version of Rogue and/or Copycat (cuz I love the idea of blood magic in any variation) ✨ An Ariadne/Mal (Inception) short short inspired by AUgust theme: ghost ✨”In Love but Doomed from the Start”, Dream Husbands (Arthur/Eames) | Inception, possibly a dark soulmate au? ✨”The Dream Team goes to Hell” | D&D fusion where the team goes to one of the levels of hell to rescue Cobb from a devil that looks like Mal (to which the very much alive Mallorie is NOT happy about).
I dunno, do people even want to read stories with OCs? If I could make these ideas original, I would but like, I also wanna just have fun and write stories i wanna see lol  
I don’t feel too comfortable tagging others, so if you see this and you wanna do it, please go for it! (And totally okay to tag me, I’d love to see what you’re working on <3)
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snarkystarseeker · 8 months
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Short headcanons and individual pics below 👇💕🎉
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Starscream will only drink fancy and expensive energon. Usually strong or bitter but honestly he has a little sweet-tooth.(He wants to keep up his bad persona hehe) He usually prefers anything that originated from his home on Cybertron (Vos)
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Windblade's taste is exotic and unique since she comes from another colony (Caminus), she likes tangy, savory, and bittersweet energon.
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Bumblebee drinks literal sugar. He likes to add candies, syrups, basically anything tooth-rottingly sweet.
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🎉
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crabsnpersimmons · 3 months
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This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!
Inspired by @bamsara's “Solar Lunacy” fic.
If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!
so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:
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and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!
you thought the animatic itself was sad?
*writing muse laughs maniacally* IT'S ALL A METAPHOR
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Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.
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Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.
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Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.
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Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.
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Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.
Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.
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Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.
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Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.
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Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.
The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.
This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.
(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)
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Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.
The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.
From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.
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Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.
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Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.
There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.
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Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.
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Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?
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Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.
The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.
Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)
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Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.
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Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.
But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.
Thanks for reading and watching!
We'll be back to our regularly scheduled fun and games shortly!
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justdurgeythings · 2 months
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Reference
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lolottes · 5 months
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Ida is Constantine's good ex.
They separated on good terms after a few months because Ida wanted to start a family and not Constantine (for obvious reasons). Then, despite Ida's efforts to keep in touch as a long-distance friend, she quickly no longer received any news from him.
So when she sees him barely older and seeming lost in his town… she takes him for a ghost who has retained a very human appearance. She rushes to him because she is surely not the only one to notice the presence of a “tourist” in town.
She takes a minute to pity him and apologize. He hadn't ignored him, he was dead!!! Then start explaining to him why as a ghost it's not safe for him here even though it's very nice of him to visit <3
Constantine had not informed Ida about magic, after all it was one of his exes from before his cancer (a little near the time when he stopped responding to her) and his first triple sale of soul for escape death. But he knows Ida well enough not to contradict her. In addition, she gives him all the information in flash notes that he is looking for.
Okay, he also missed Ida. It felt SO strange to see her old. But she apparently hadn't lost anything from a mental point of view
This is how Constantine was invited to have tea and catch up on lost time at Ida's in addition to having a more complete debrief of the Amity Park situation
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rivster101 · 3 months
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Marcille profile pictures from episode 7
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come get yer Laughin'stock! get it hot off the press! free Laughin'stock right here!
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thesleepyknitter · 3 months
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New project alert! I’m doing my best to recreate the blanket in this illustration from Matt Forsythe’s Pokko & the Drum, which has taken up permanent residence in my librarian heart.
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fallenstarzz · 29 days
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Thinking many many thoughts about how Jean was Riko's partner for a YEAR and was still rooming with Goon #3. Because that was how unwilling Riko was to let go of Kevin. And how that implies that Jean was placed as his partner both because of the practicality of Kevin being gone AND as a punishment for letting him go in the first place. Being partners with Jean could actually slow Riko down depending on how often he's hurt (because I don't think Riko was all that exempt from the rules to the point where his partner's performance would completely not matter) and he was still placed there. Riko was just THAT angry at him over Kevin's escape. And all the while he was keeping Kevin's side of room like an altar, even back when he didn't even think Kevin could PLAY, because of an injury he caused.
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ferrouswheel11 · 4 months
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The original batkid age differences still work in the current comic era, and I'm gonna keep assuming they're canon unless they tell me otherwise. (sequel to this post)
Damian is canonically 14 (as of 2021).
This makes Tim about 21, which fits with his recent 'college dropout who lives alone on a houseboat' character arc (also 2021). A comic in 2015 said Tim was 16 when Damian was at least 10, but since it's a minor difference I'm gonna stick with the ~7 year gap they had pre-n52.
So Jason must be 23 — as far as I know, no canon contradicts this.
And Dick is about 29. This causes some minor issues, actually — in 2014 he was supposedly 21 when he should have been about 24, and in 2018 he's described as 'mid-20s,' which could be a stretch depending on how much in-universe time passed between 2018 and 2021. Overall though, not too messy.
So that makes Cass 24, Steph 21-22, and Babs around 30.
Honestly I have no idea how old Duke is beyond 'high school age" — from at least 2015 to present. Which actually kinda screws things up, if we assume that all the other characters aged 4 years in that time. Like, in 2015 he was closer to Tim's age, and now he seems to be closer to Damian's. For what it's worth tho, I think of him as ~17.
Anyway, point is DC DOES let their characters age (at least since the Rebirth era started in 2016. pretty sure n52 was like, a stasis bubble or something). I'm sure the timeline will continue to get wonkier as the youngest generation of heroes grows up, but for now the Bats seem to be doing alright.
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0h0possum · 4 months
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Codywan Headcanon/AU that lives rent free in my head
I think my favorite codywan headcanon/AU is that they are just so good at being professional and discreet when they need to, for literal years, that no one knows they are a thing.
Like my favorite idea of codywan is that they both agree their duties and obligations come first. Honestly they kinda deal with it like a business contract. They sit down and agree: yes they have feelings for each other, yes they want to be together, yes they want as much as a relationship as they can get now since they both never know when one of them might die, yes they need to put their war duties first, yes Obi-wan will always put his Jedi duties first, yes Cody will always put protecting and creating a future for his brothers first, yes the will keep this relationship under raps as it could be under scrutiny for breaking GAR and Jedi rules, yes they will only act as a couple when off duty.
They are just the opposite of Anakin and Padme, no one knows about them. Cody and Obi-wan aren’t trying to hide it per say, they just are so good at being The Commander and The General that no one would ever think they were anything but professional coworkers and maybe friends. Even if there are signs they may be more, their friends and family overlook them because ‘Cody’s too strict about following the regs to be interested in a relationship’ or ‘Obi-wan is too focused on being a model Jedi and following the Code to be in a relationship’.
They are too good at balancing their lives and being ‘The Unproblematic Couple™’.
So when the war ends and they defeat Palpatine, save Anakin and get the clones rights (because we only Stan happy endings in this Codywan house), they both agree mutually to take a break.
Cody takes time to find himself away from the GAR and being The Commander. He spends time with his brothers and helping them all find their feet once they leave the GAR. He helps build a life for them all, while also taking time to find who he is besides a soldier.
Obi-wan spends time reconnecting with Anakin and Ahsoka, making amends with both of them. Getting to finally return to being a peacekeeper and not a General at war. I imagine he would maybe step down from the council to just be a simple Jedi. Not Master of Sorensu, youngest ever High council member, The Negotiator, General, or Sith Killer.
After their short break they agree to start meeting up again, seeing if they still feel the way they did about each other when not in the stressful environment of war and an army setting. But, lo and behold, they still of course love each other. (All the while everyone just assumes it’s Obi-wan and Cody meeting up as ex. Coworkers. They used to be the best of FRIENDS during the war)
After Obi-wan sees Anakin is fine (living with his wife and kids) and the rest of the Order isn’t in dire need of his help, and Cody sees his brothers are finding their feet in the world without need of his leadership, they both just decide they’ve been dating long enough (a few year during and after the war) and they’ve put other duties ahead of theirs relationship long enough.
They just fucking get married and buy a house. Obi-wan leaves the order and Cody moves away from his brother. And they just get married.
WHICH COMES OUT OF NOWHERE TO EVERYONE ELSE. Everyone’s like “??!!!”, “since when have you two ever been together?!”
And fucking Obi-wan and Cody (with biggest deadpan older brother energy) just say “oh yeah, since like the middle of the war? We thought you guys knew? It just never came up in conversation?”
Just absolutely bamboozling everyone in their lives. Rex and Anakin both are like “YoU nEvEr ThOuGhT tO tElL mE? YoUr BrOtHeR?”. Cue Obi-wan and Cody vaguely shrugging and saying ‘there were more important things going on’.
But yeah I just like the idea of Cody and Obi-wan jump scaring their families with their relationship.
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8bit-mau5 · 1 month
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One-hour experimental comm i finished in January! This is my first time drawing a marvel villain and my big-men loving self was overjoyed to get to draw one of my fave depictions of Doc Ock ever, tied with Spiderverse's Liv 💚
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