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#navajo woman
classicwoodie · 1 year
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Modern day Navajo sitting near a Hogan.
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punkeropercyjackson · 1 month
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Inspired by a post i just saw,here is the only correct take on a Batfam Atla au(Tw for things present in Atla canon such as racial and misogynistic violence)
@mayameanderings @desi-pluto
Duke is the Avatar-No ifs or buts,he's literally THE SIGNAL OF HOPE FOR GOTHAM
Jason is a Fire Nation commoner who got adopted by the Fire Lord after his parents' death
The Fire Lord is Black Mask and Talia is Ursa but it's not shipping because EW,she's got no positive relation to him and was instead Jason's firebending teacher he thought BM succeeded in killing in his rage after finding out she was trying to adopt him but she actually escaped and got amnesia and a matching burn scar to Jason's but only the opposite side because she's his other half his father burned the bridge to
You know the drill-Jason's sent to capture Avatar Duke,Duke redeems him with his little shit sunshine boy swag without even trying,they are hashtag brothers in every universe.Lil bit more on Duke is that he's actually a Fire Nation Avatar but of the black etchnic subgroup in the comics and his parents were driven mad by spirits sent as 'punishment' for their 'impurity' by General Joker and this is why he is a nomad at the beginning,having fled the Fire Nation because he was sick and tired of still being the problem child at school but getting no comfort this time
(Note:Jason is part of this subgroup and for self-indulgence,every other element has their own black etchnic variant too)
Stephanie is an Airbender-Air Nomads are objectively the best part of Atla so she deserves it.She's tibetan AN and black AN mixed and is pretty much an Aang and Ty Lee fusion-Both in design and personality.Her plot is getting tangled up with Duke and Cass as the og trio when they end up at her temples and she ends the series as the Earth King's consort(that king being Cass)and an ambassador but beforehand spends her time doing anti-imperialist war crimes
Cass is the daughter of the Cains,who lied to everyone about her being mute so they could train her to be the perfect submissive obidient daughter only for it to be blasted back in their face as she learned Earthbanding at the tutelage of badgermoles since they couldn't speak either and she became an underground pro-bender as 'The Silent Bandit' to make money for herself to run away from home and her first instinct when she made enough was to go to the Air Nomads for safety.This more or less worked in the end as she ended up getting crowned Earth King over the actual bloodheirs
Tim is a nonbender who knows chiblocking,the last skill Janet taught him before she died and he used it to avoid getting bullied but isolated himself from other kids as a result because they thought he was a freak.He accidentally joined the main gang when they visited his hometown in the Fire Nation and helped them blend in and they went on an adventure where they gave him honorary member status and he became an official one when they returned
Dick is a trans waterbender and she's their mentor who joined in on their travels because she wasn't about to let a bunch of kids run around fighting fascists without an adult around so they'd have backup and someone to take care of them.She herself was the leader of the Teen Titans,a resistance team,but retired after having her bending taken away and it's returned to her by Duke a bit into her time with them.She leaves Roy to take care of the tribe and when they reunite,he pulls her into a passionate kiss as a confession in front of the whole Duke's Court(their team name)and they have your typical grossed out kids reaction and after this he becomes the Team Dad to her Team Mom
Damian is also trans and named Yasmine and here comes the big previous Avatar plot twist:It was actually Talia,who is of arab and chinese Earth Kingdom descent and not Fire Nation!!Part of the BM tragedy is that she died during childbirth due to Fire Nation induced sickness and this manifested in a Spirit World fiasco that ended with her being ressurected but no longer the Avatar because her soul'd been passed onto Duke by then and she was given a new one and her being lied to about Yasmine being stillborn so she'd stay in the FN.Yasmine's a Talia Warrior and does her best to uphold her mother's legacy due to all the thing's she'd been told about her
She joins Duke's Court,they find Talia again,Duke learns how to cure his parents with Avatar powers and they live happily ever after despite the struggles,Jason gets Lightningbending and white fire as symbolism for healing his inner child and the ages are Duke and Damian-12,Stephanie and Tim-13,Cass-14,Jason-17,Dick and Roy-25 and Talia-40s
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jaigeye · 1 year
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rey skywalker
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albertonavajoart · 2 days
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Wonder Woman & Rocketeer
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paleonativeart · 6 months
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Day 3: Limited Color
A Navajo woman is getting ready to tie her hair up.
The limited color is based on “Hot headed Warrior” by color palette of tumblr.
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randomfoggytiger · 2 months
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Mulder and Scully, Past Lives, and the White Buffalo Calf
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An extract from the next part of my Scully Family meta series.
Albert Hosteen at first compares Mulder's recovery in The Blessing Way to the Navajo tale of the Gila Monster: "When the F.B.I. man Mulder was cured by the holy people, we were reminded of the story of the Gila monster, who symbolizes the healing powers of the medicine man. In this myth, the Gila monster restores a man by taking all his parts and putting them back together. His blood is gathered by ants, his eyes and ears by sun, his mind by Talking God and Pollen Boy. Then lightning and thunder bring the man back to life."
However, Hosteen soon receives word from another (unnamed) tribe that links the birth of their legendary white buffalo calf to the day of Mulder's recovery: "Like the Navajo, these people have their own stories and myths. One of these stories tells of the white buffalo woman who came down from the heavens and taught the Indians how to lead virtuous lives and how to pray to the creator. She told the people she would return one day, then she turned into a white buffalo and ascended into the clouds, never to be seen again. But on this day, when the holy people had given the F.B.I. man a miracle, a white buffalo was born and every Native American knew, whether he believed the story or not, that this was a powerful omen and that great changes were coming." 
Canonically, this sets up exciting possibilities that aren't followed through (or, at least, not very well); but if one takes a step back, the Mulder and Calf comparison doesn't work at all:
Melissa's sacrifice is drawn directly to Scully throughout the entire episode, with Scully repeating that fact in doomed tones over and over and over.
The White Buffalo Woman is a feminine mythology, tying more neatly to the mother buffalo/Melissa's "sacrifice" and the calf/Scully's "rebirth" (as foretold in the legend.)
Not only does Melissa act as the "maternal" guide to Scully's inner voice, she is also her protector, supporter, and keeper-- in this life and the next (Beyond the Sea, The Blessing Way, A Christmas Carol, etc.)
If parallels between Mulder's "rebirth" and Melissa's "sacrifice" can be drawn, so can Scully's escape from her assassins and "rebirth" back into normal civilization alongside Melissa's death. It would also line up narratively with Albert's monologue about the buffalos: “The white buffalo calf had survived; but after a day it would no longer drink its mother’s milk. On the third day, the mother buffalo laid down in her stall and would not get up. They said the men could do nothing for her. That night, she died." Scully, too, was separated from her sister for a period of three days; and Melissa, too, died on the third.
Furthermore, there is no connection between Mulder's set of circumstances and Melissa's, narratively or mythologically.
However, we all know The X-Files is loaded with errors because of a lack of a show bible and a broken, incohesive narrative; that means, unfortunately, there is one possibility for the comparison to work-- and that is by taking The Field Where I Died's canon seriously.
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TFWID posits that Mulder, Melissa Rydell, and Scully are connected soulmates, recycled together as an unholy trio in each life (kind of like the vampires in 3) and doomed to suffer tragic fates until they get it right. (On the surface, this might further prove the hypothesis that "the X-Files was always a dark show with an unhappy ending" except that Chris Carter himself said that wasn't the case-- though he might have changed his mind recently.) Massive plot holes of the episode aside, TFWID also posits each soul is reborn into a new body regardless of the sex of that body, meaning Mulder was alternately a Confederate man and a Jewish woman in previous lives.
And the Jewish woman reincarnation is the stickler... because that was the last past life Mulder had (to my knowledge) before his current one. Meaning, Mulder soul could very well be the White Buffalo Woman at some point in his past, reborn in this life, again, to bring about the justice and better ending he'd failed to accomplish in the preceding ones. It would do away with the feminine-only bent to the mythology, at the very least; and it would tie into Chris Carter's overall vision for the show-- fate vs. freewill, with fate winning out again and again in Mulder and Scully's lives.
However, that would negate the more interesting and accurate interpretation of the White Buffalo Woman mythology: that Scully, not Mulder, was the woman fated to save the world.
That interpretation would also make sense because Scully often experienced visitations from the dead or dying in the series, including Albert Hosteen's apparition in Amor Fati... which was right after the revelation that shook her to the core: finding the key to everything in Africa. And if that be the case, then the files and the Conspiracy and being a part of Mulder's quest was Scully's fated journey; and that Mulder had made repeated mistakes that destroyed his life in each of the past ones. That Scully was here, now, to "keep him honest, make him a whole person" and safeguard him from danger (and himself) while saving the world.
Furthermore, this interpretation of canon (which I argue is the only factual one) would also negate the late-in-the-game comparison between William and buffalos in Season 9 since:
The White Buffalo Woman was prophesied to be reborn with agency-- to be a leader herself, not a vessel for the next "Messiah"
It would mean Scully's son was a natural product of her and Mulder's dedication to each other, a bonus to saving the world and setting her partner's life to rights
Conclusion
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While Hosteen's narrative states that Mulder is the White Calf and Melissa's life was sacrificed for his, it does not fit narratively with the White Buffalo Woman legend nor the ensuing events of the episode and rest of the series.
Thank you for reading~
Enjoy!
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liquor-and-poker69 · 10 months
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the dude string trail
(aka jasper cowboy headcanons UwU)
i had a conversation with the one and only @su-angelvicioso that inspired me so strongly i wrote this even though i was Not Writing Twilight at the time, and you know what fuck it, i think it's funny. cori, as always, thank you for being my favorite person to talk about twilight with.
this is completely authentic and not sarcastic at all. why would you think that
one fall, jasper decides that he misses embracing his texan heritage. he wants to get back into being a cowboy!
(this is definitely only about him missing horses and his human life & has nothing at all to do with being sick of living with the cullens & kind of in trouble because he ate someone again & tired of having to defend himself to alice about wearing boot-cut jeans for no apparent reason. because none of those things are happening. obviously.)
“back into being a cowboy?” emmett says. “wait, when were you a cowboy?”
jasper ignores emmett, who is obviously just jealous of jasper because he has superpowers and is better at fighting, and definitely doesn’t know anything about cowboys or cowboy culture because what would someone from rural tennessee know about cattle ranching.
he also definitely doesn’t have a cooler more authentic southern accent than jasper. what
because the cullens are richer than god and alice will do literally anything to get rid of jasper right now because he called her maría by accident again i mean what that never happens he gets himself a nice two-week vacation all alone on a ranch up in wyoming.
(texas is too sunny. that’s definitely the only reason he doesn’t go south.)
he arrives. he realizes that he has gotten way too used to living in houses that esme made because he explicitly chose a ranch with some of the fanciest cabins, and he’s a vampire who doesn’t feel discomfort or really need to sleep—but he still sees the cabin where he’ll be staying and winces.
it’s…it’s fine, he supposes. a little log cabin, with lots of windows and glass doors and a view of the mountains. it’s just…
well. first of all, is the emphasis on the little.
also it’s just…very brown. surely the log walls would be enough, right, they don’t need to have brown rugs too? and brown curtains? and weird little yellowish shades on the lamps?
at least the blankets are colorful. great southwest style.
(he squashes the part of himself that sounds an awful lot like maría laughing about how cheap and mass-produced the thing clearly is; not even a good imitation, she’d probably sniff,and then go and find herself a new rebozo just out of spite—)
(this is why jasper isn’t in texas.)
whatever.
he waves off the worker who led him to the building—she’s in the middle of some spiel about what to do if he has questions, but why would that be relevant?
she radiates annoyance for some reason, as she heaves jasper’s suitcases into the building and hurries off. he has to admit, she does a very good job of covering it with a bright smile. if not for the empathy, he probably wouldn’t have noticed.
did he do something wrong, he wonders for a moment, but ultimately he decides the girl must just be in a bad mood today.
weird. he can’t imagine working here is that bad.
anyway. jasper isn’t here to worry about the interior design of the cabins, he’s here to be a cowboy!
(his thoughts sound like maría laughing at him again, at that idea, but he’s not going to think about why, thanks.)
jasper, because he is a vampire war lieutenant and a strategist and not an idiot (thank you very much, emmett), is well aware that the horses might not react...let's say ideally...to him being a vampire.
he also has a plan.
it's a great plan. simple. he'll sneak down to the pastures in the dead of night and wander around getting the horses used to his smell.
the plan did not account for the possibility that a number of the employees would be sitting on a porch at midnight smoking weed together. (didn't they care about their jobs? what if something went wrong with the horses? geez.)
admittedly he sneaks past them easily enough, but it's still annoying.
the more difficult thing his plan apparently failed to account for...
were horses always this mean?
jasper, over the course of his midnight jaunt, gets kicked, bitten, knocked over into piles of horse shit, (apparently even a vampire can be thrown off-balance by an entire herd of furious ungulates), and somehow covered in hay.
he refuses to consider the possibility that alice is watching this.
(when he gets back to the cabin later that evening, he of course finds a sticky note in his suitcase informing him to just throw the entire outfit away.)
he does, eventually, figure out that he can use his powers to calm a few of the horses down long enough to let him get within approaching distance.
this is inevitably followed by him letting his guard down, and said horses booking it away from him at top speed, shrieking like demons, but he decides to call it good enough regardless.
he spends basically the rest of the night in the shower, which he was not expecting to have to use. the water pressure is shit.
he definitely isn't sulking about this.
(he still smells like horse manure in the morning.)
the actual riding goes better though! totally! it's fine!
"so, do you have any horse experience?" the employee (he's pretty sure it's a different one than earlier) asks him as she leads him down to the corral.
"it's been a while," jasper says, "but i used to be pretty good."
for some reason, this makes the girl's eye twitch.
despite her obvious annoyance, she keeps trying to make conversation. jasper, despite wanting to tell her to fuck off, but is extremely polite and subtle and good at secret-keeping, (obviously), so he tolerates the conversation.
for some reason, it still doesn't go smoothly.
"where are you from?" "texas." "oh, nice! one of the other guides, jeremy, he's from austin." (a baffling pause, as though she's expecting him to say something to that inane statement.) "so was that where you learned how to ride?" "yes." "what'd you do?" "i was in the cavalry."
for some reason, that gets her to stop trying to talk to him, and jasper enjoys thirty seconds of blissful silence as she leads him into the pen of already-saddled horses.
this is what he's here for. who cares about the people, he's going to ride.
(he tries to ignore the fact that the horse she deposits him is extraordinarily fat, and so clearly done with life that he hardly has to try to calm it. it's fine. it is not a statement about what she thinks of his riding skill.)
(fine, it probably is. but she's clearly an idiot.)
anyways! he rides! it goes great! it's fine!
(anyone who says differently doesn't know what they're talking about and they weren't there anyway.)
"wow," the guide says as they start walking out toward the trail, "this is the most amped i've seen arrow like, ever." jasper, who is kicking the horse probably harder than a human would even be able to and getting absolutely 0 increase in speed, is not impressed.
"okay, we're coming up on a stream," she says at another point on the first insufferably long trail ride, as her mare splashes calmly through it. "your horse might not want to cross, so you need to just--"
jasper knows. he kicks harder.
the demon horse responds to this by deciding to jump across a stream that is literally the length of one of its steps.
jasper does not fall off. he just...gets down. very quickly. over the side of the horse's neck. onto his face.
his cowboy hat floats off downstream, but it was ugly anyway.
("okay no, my guy's definitely got the worst fashion boots," he overhears the guide saying to one of her coworkers during lunch, when they probably think they're out of human earshot, "did you see the fucking snakeskin patches--")
on another ridiculous ride through a bland, endless meadow, the nightmare horse stops dead in a patch of grass and ignores everything else, (including jasper's attempt to manipulate it into having any energy).
"he's trying to eat again," the guide says, sickly-sweet patient even though he can feel her amusement. "you just need to pull up to one side and kick forward!"
jasper comes the closest he ever has to revealing the vampire secret, (not counting the times he ate people), just so he can tell her that he knows, he has a perfect memory, the goddamn horse just won't do it.
in the second week he buys his way into--er, gets invited into--a more advanced session, with actual cows. of course, they leave him on the same asshole of a horse, who clearly doesn't know how to respond to basic commands like turning, even when he's putting all his weight into dragging the reins to the side.
("i'm pretty sure this dude has somehow never seen a cow," the guide complains during another lunch. "did you see the face he made when darren brought the herd in?" there's a beat, then they start giggling--if jasper had to guess, he'd say she's imitating said expression. which is just rude. he's seen cows before. obviously. he just wasn't expecting them to be literally covered in each other's shit. they smell so bad. who wouldn't make a face at that?)
anyways. the cattleworking is fine.
and he could totally have landed on his feet after the horse stopped out of nowhere if he wanted to.
he just needed to keep his cover. same for stopping the cow that tried to make a break for it and almost trampled him while he was down. he had it under control. he did not need the guide to electric-prod it in the face.
(alice and maría's voices are both laughing at him in his head now.)
one of the older men gently suggests that he might enjoy himself more going back to trail riding. that is also fine.
on day ten, he gets back to his cabin late (the girl asked if he wanted to help her brush down his horse today, and everyone else seemed excited about the option so he said yes, and now he smells like horse sweat), and goes to pull his twelfth new outfit out of the suitcase. (there is a washer/dryer in the cabin, but what does he look like?)
there's a note folded up in the button-down.
i'm picking you up in 15 at the front office, alice's chicken-scratch says, or you're going to snap and eat a bunch of horses and we're going to have to buy the ranch instead of getting me that paris studio that's going up for auction next year.
for a second, jasper considers ignoring it. he's not surrendering. this is his vacation goddamnit, he's fine--he rubs a hand over his mouth in thought, and an ungodly combination of horse hair, dirt, and hay smears onto his face.
20 minutes later, he's in the passenger seat, alice speeding around mountain passes and playing a pitying bluegrass CD for him.
"i had a good time," he tells her.
"sure, sweetheart."
"it was nice to cowboy again."
"mm-hmm, sweetheart."
"i do know how to ride horses."
"i know, sweetheart."
they drive the rest of the way back in silence.
(it never occurs to jasper that he should've left a tip.)
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Anger practice for my character, Chenoa
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dreamgirlzai · 2 days
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thebigkelu · 2 years
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Navajo woman weaving blanket - Detroit Publishing Co - 1910
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Invisible Woman by Alberto Navajo
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giuliapiana · 9 months
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My art
My place
My americanization.
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dianaof-themyscira · 2 years
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Wonder Woman by Alberto Navajo
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albertonavajoart · 2 years
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#Spideytober Day 19: Spider-Gwen (Ghost-Spider), created by Jason Latour and Robbi Rodríguez
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prairie-tales · 1 year
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Navajo chief’s blanket, c. 1880-90.
Region: South-West America.
Amongst the Navajo, weaving has traditionally been done by women. It regarded as a sacred art; the universe was created by a mythical ancestress known as Spider Woman, who wove the universe on a great loom. However, the woven textiles and designs of the Navajo tribe have no sacred significance. Early blankets were made using cotton and the wool of the Chinna sheep, using traditional upright looms. A Navajo would carryout all the processes of producing blankets, from shearing the sheep and spinning the wool, to dying and weaving. Many women kept large flocks of sheep. As with many traditional crafters, the Navajo weavers were quick to use the innovations introduced by European settlers, specially the ‘Germantown’ commercially produced yarns. These yarns, named after the town where they were produced were extremely fine and superior to the native yarns. The chemically produced dyes prompted a great change in the colours and patterns of the Navajo; the early, simply striped blankets of the first phase were superseded by exciting new designs in brilliant colours, known as ‘Eye Dazzlers’.
Source: ‘Folk Art’, Susann Linn-Williams, pp. 214-5.
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