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ki-limepie · 2 years

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tagged by @jiminsproof to show my whole ass and talk about my favorite 10 blorbos<3 i live my life through fictional characters from games an anime so i will try to whittle my list down to 10 hahah

the top two are in order because i’m completely normal about them but the rest are just scattered without an order in mind ahah

Yatora Yaguchi (Blue Period)

oikawa may be my og blorbo but yatora is my Forever blorbo. have i talked about blue period enough? the answer is no, never. aside from blue period just being the most real and personal manga i have ever read in my life, yatora just GETS me on a personal level that i cannot describe . the way he’s confident to the point of cocky, but crashes and burns twice as hard; the way he’s so so flawed and he has doubts and struggles but still, at his core, just loves art and wants to connect? oooouuugh [”: anyway blue period chapter 47 broke me, made me have a full on breakdown but yatora is forever my special favorite blorbo

Oikawa Tooru (Haikyuu!!)

oh my original blorbo... i have so many thoughts and emotions and feelings about oikawa that i cannot possibly put into words but he is my og blorbo that i adore and cherish so much while also punting him to the moon [”: his constant push to work harder, better, and his immense pride is extremely personal to me; he’s the reason i wrote 20 haikyuu fics over the course of the pandemic and for that i love him

Mono (Little Nightmares II)

ogs remember my intense little nightmares brainrot early last year<3 i don’t have many thoughts about mono other than “that is my little guy”, i spent a long time studying his (essentially nonexistent) character personality and maybe i’m projecting my nonbinary agenda on him but he’s a very special little guy to me

Rachel Gardner (Angels of Death)

so here’s the thing about aod. it is not a well written story nor is it one i would recommend to anyone because of how grisly and edgy it is. and yet, have i consumed Every Kind of media that i possibly can of this story? yes absolutely i even bought two copies of the final volume of the manga by complete accident. something about the early 2000s rpgmaker edginess is special to me and i found the game at a very... turbulent time in my life, let’s say haha none of the characters are good characters but ray has just that touch of “fucked up traumatized child” that i connect with somehow

Maka Albarn (Soul Eater)

yknow i think maka was one of my og awakenings KJGDSKA soul eater is just one of those anime/manga that i fondly think about from time to time and i’ll never forgive what they did to it in the spinoff. maka is just that kind of girl who would kick my ass to the moon and when i was a teen, i definitely had a huge crush on her (not to mention she’s voiced by laura bailey in the dub; a win all around for me)

Theobald Leonhart (LiEat)

looks like i’m pulling out my ✨obscure rpgmaker games ✨ card on this one. lieat is one of those games that really spoke to me and i don’t know why! theo is such an important character to me and that “stuck with you until we’re eventually family” relationship he has with efi melts my heart [”: also miwashiba popped off with their character designs

Mob/Shigeo Kageyama (Mob Psycho 100)

mob is actually my little guy ever sorry mono, this kid is so important to me. mp100 in general is just extremely important to me (how are we feeling about mp100 III in october? insane.) i don’t have any big deep reason why i enjoy him so much, he’s just very easy to love

Shion (No. 6)

sometimes i think about no. 6 and the pain it brought me and i think that was truly my villain origin story; in my heart, they get a happy ending and are gay and in love forever [:

Kris Dreemur (Deltarune)

so deltarune.... i feel like every fellow nonbinary that i know loves kris. solidarity 🤝 i don’t have complex feelings or emotions about kris yet, they’re just so... the character ever yknow? little gremlin enby

Gear (Servamp)

i miss servamp, i need to catch up again sometime... this guy is just so Me, that’s all i’ve got to say about him; he feels like he was written and designed for me [: i’m forever salty that we will never get animated wolfboy gear but he is in my heart

thank you once again natalia for allowing me to be unhinged about my guys 💕

#i want it to be known that when i woke up today and saw you tagged me i said to myself out loud 'I GET TO TALK ABOUT MY BLORBOS TODAY? :DD'#and then immediately told my friends who congratulated me #most of my thoughts on these characters are incoherent and u would think as a writer i would have more eloquent words for them #actually i think my thoughts just became more incoherent as i got down the list #my thoughts: wow i adore this character so much and can relate and entirely understand their struggles and personality #my mouth: hehehe the guy ever #honestly i also could have just written down like 5 blue period characters . yotasuke i'm so sorry i excluded you...#keywrite #natalia 🌙

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ebitchwriting · 2 years

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Resident Evil 2002 Movie Review

I grew up on a variety of genres as my parents really didn't care too much about age limits on what movies me and my brother watched. We were also too poor to afford cable after I was 8, so most of what my generation grew up on, we didn't. So we watched our giant wall of VHS films. We had Disney movies, ninja movies, a shelf dedicated to zombie and monster movies, a lot of Nightmare on Elm Street and Friday the 13th movies (including Freddy v Jason), and a lot of comedy and rom-com movies that were again meant for 13 up, not little six-year-old me(which not complaining about btw just find it funny compared to my peers). My fave movie at 6 was 28 Days Later. Because of that, I would say I'm a connoisseur of horror and fantasy(I was the weird one lol), and of course that led to me becoming obsessed with the Resident Evil game series.

I decided to rewatch the Resident Evil movies since I'm sick and have mothing better to do. And man, do I have some opinions on the first one.

The first Resident Evil movie is objectively the most quality Resident Evil movie that Paul WS Anderson out of the lackluster bunch. The first one genuinely held a degree of suspense, and ominous and foreboding feeling in the quiet, empty rooms and when we think the characters of the film are alone. There's actual tension regarding the timer to get out of the HIVE. You actually feel bad and start rooting for the characters as they're picked off one by one. The movie still held the spirit of the games in that the true villain of the events isn't just the mindless zombies, or the Red Queen, or even Spence, but that it's the cold, selfish greed of corporations that give no fucks about how many people die, or how torturous their deaths are, only their profits and data matter to the corporations, which is something that is immediately lost within the sequel. Not to mention I'm a total slut for practical effects and minimal CGI effects, which this movie nailed.

Although a big, and probably unpopular reason, why I think the first one was genuinely good, even if it is a bit cheesy, is BECAUSE they used 0 characters from the game. Hear me out! The biggest thing everyone, and mean everyone, focuses on is how exact to the OG character the new depiction is whenever something(game, book, reboot, etc) is adapted into a movie or a TV show. Everyone has such high expectations for what they expect that forget that a movie or tv show are fundamentally different in how the story and characters are structured and that it's near to impossible to directly translate the original media into a film or show. What we should be more focused on is whether or not they capture the spirit of the story and characters in question. In Resident Evil (2002), since they eliminated the original game characters(OGC), that gives them more creative room to do what they want with the original movie characters(OMC), creative room with the environment, and creative room to focus on the core value of Resident Evil as a whole: corporate greed is the true monster. And something that the movies does that I found more interesting than in the games was how they created an origin for Nemesis, through Matt. A man searching for his sister with few clues other than her workplace and that she had a contact willing to sell the company out. He struggled so much, only to find that she's dead, and now has to team up with the contact, Alice, to escape the HIVE only to be kidnapped by inethical scientists who forced him into the NEMESIS program, and effectively wiped his memory by the sequel. Which yes is technically bringing in an OGC but the movie arguably handles it very well and makes Nemesis more tragic and compelling than a lab-grown experiment for STARS specifically. If only the sequel had stuck to that instead of shoe-horning in the "STAAAARS" thing as well as dragging in random OGC and straught up retconning the time difference between the end of the first film, and the beginning of the second film. Or at the very least have Matt, now Nemesis, focus entirely on Alice, no one else, and of the other OGC characters brought in, limit to just Carlos.

Overall, 7/10 for Resident Evil (2002). I may do reviews for the other films, but warning the ONLY ONE getting a mildy good review is the Resident Evil Extinction.

#EBitch speaks #resident evil #paul ws anderson #movie review #resident evil 2002 #EBitch reviews

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greysfall · 3 years

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My 4444-word review of NEO TWEWY (with personal illustration + heavy spoilers)

My overall critical score for the game is 7.5/10, while my personal enjoyment score is 8.5/10. This review is posted as I have 80% completed the game, got the secret ending and achieved the Angel psychic rank. I’ll first start with the main pros and cons as follows.

PROS:

- Enjoyable as a whole, still upholding the first game’s spirit in world building and sharing the same backbone - which was mostly revealed in the Secret Reports, it’s impossible to grasp the story without reading them.

- The new cast and new game is charming in their own way

- The old cast’s return is one of the biggest highlights for sure, it was fun and impactful. Everyone stays true to themselves and also had their own stories wrapped up nicely.

- Boss designs are cool, new pins are fun to use and collect

- The connection between the old and new cast is well written and executed, including but are not limited to the tension between the old and new protagonist, the weird but fun interaction between the 2 Composers, the new friendships revealed and formed

- Sho being in the main cast is something so uniquely TWEWY and uniquely Sho

- Still good music

- Still many fun side quests, some of them really uphold the same quirky spirit of the old game and some are surprisingly touching

- Many new nice stores and yummy looking foods to explore

- The map is really easy to memorize for me, it’s fun to travel around the “current” Shibuya to see all the differences compared to the past

- The social network is crazy and interesting to read through

- Has an anti-frustration system to help 100% complete the game more easily and earn money faster, so post-game is relatively managable.

- Overall, I really feel the efforts the team poured into making this as their passion project, not just during the development process but for all the last 14 years. They showed the vision of what they wanted to make, at the same time giving something to both the old as well as new fans.

CONS:

- The biggest problem with the game is scenario writing. The story is so heavily back-loaded. The director himself thought it would be better to balance out the tension flow by adding more at the beginning but gave in to the scenario writer in the end, probably due to time pressure. This results in an underwhelming execution of characterization and lots of wasted potentials for the first half of the game.

- I struggle to view it as a stand-alone game, since the backstory and the old cast both play such an important role in the core of the game. If someone plays this game without having played the OG, they can only enjoy it on surface value at best.

- The new cast is nice but most of them aren’t quite as intriguing as the old cast, maybe it’s cuz they’re all too nice deep down that they lack a little bit of an edge, of that batshit craziness that everyone in the OG used to have? I think some characters (Fret, Nagi) ended up weaker in terms of characterization because the writer is too afraid of making them unlikeable – which kind of backlashed cuz they only became likable in the most expectable way to cater for a specific group of fans. I would have wished for the other team leaders to be more crazy too, had they not suffered 30+ loops of the Game…

- The CAMERAWORK IS HELL.

- Gameplay does get tedious at certain points with all the time travels.

- Shiba is so badly written as a villain, some Shinjuku characters should be given more screentime cutting into Shiba’s– like Hishima or Kaie or even, Hazuki (though his limited presence also solidified his importance).

- Some of the main character designs, for example Beat’s hairstyle and his food reactions are hilariously bad. What’s the point of covering up most of his unique facial features?

- Some of the minor/side characters’ design are too cool for them to have such a small role (eg: Ayano, Eiru). Ryoji did get much screentime but is nowhere as fun as Makoto was.

- Overall the scope of this game is made a little too big for the team to handle as perfectly as the last game that was very compact, it felt somewhat rushed in development too so the missing pieces are clearly there in the final picture

The entry fee versus paying for it all in the end

An important difference between the Neo game and the original Shibuya game was that the Shibuya rule asked for an entry fee that is the Player’s most important asset, stated as a chance the Composer gives them to reexamine themselves. Meanwhile, the Shinjuku rule neither encourages nor allows personal growth and ultimately aims to erase as many Players as possible. It’s a pity we were never introduced to the full Shinjuku rulebook, as it seems like the system there focuses more on building up power and a grand government to compare with the individuality-driven system of Shibuya.

When you have to compare the new game and the original game (OG), this is an important factor to consider. Also, the OG has a serious storyline running through and through, locked with a different partner/GM creating unique atmosphere for each week and you don’t get to see your old partners again until the end. NEO’s team system does not allow such deep insight and communication between the Players. All of your teammates are always there throughout, the dynamic does change with each new addition but it is not as prominent as a partner change.

Another important factor is how the OG was built from scratch for a new platform as “something no one has ever seen before”, while Neo recycled a lot of old unused ideas from the previous development (check out this interview for more details). The development team for NEO lacks 2 key members and had a change of writer so the final product is not as strongly bound together as the last game.

The new cast is definitely inspired by today’s teenagers (from the view of creators), compared to the old cast they’re more sociable and always seem to take whatever works for them despite feeling unstable inside. They are all innocent and genuinely nice kids, avoiding to hurt each other to a degree that they end up keeping some sort of distance. They’re also unable to communicate at deeper levels, always stagnant at this half-baked stage of equilibrium without any motivation to get to the core of things. That is the cost of entering the game without an entry fee, without even dying or having a reason to be there/to fight seriously. These kids were stolen from the RG into a Game that was decidedly the worst environment for them to change or develop, just wandering around cluelessly to find a way “out” until tragedies started to unfold one by one and they ended up being charged the total sum of the price for their actions – ultimately losing everything in the end.

That is, I believe, a story arc which can resonate more to the youth of today rather than of my generation. If the message of the old game was to “listen”, enjoy life to the fullest and accept to trust others, the message of the new game is to “speak up” from the inside, trying to understand yourself and take actions instead of just going with the flow and finally, to take responsibility for such actions.

If Neku was handpicked by the Composer for being the special one with an all-dense soul to ensure victory of the game then Rindo was just a normal kid chosen out of random by Kubo to be his back-up plan, who just happened to have a high enough imagination to awaken the incredible power from his pin. Rindo was then officially chosen by the Composer as Josh picked up and handed the pin to him again, this time not as Josh’s personal Proxy – but as the Proxy to represent the normal people of Shibuya and via whom he could gamble if humans can fight for their own fate.

The underworld heroine and the hero with little of his own

Shoka is for me a refreshing and layered heroine. She’s the kind of character that took at least 3 trials of creators to form as a complete individual – that included Nomura who gave her the base design and Reaper background, Gen who gave a more cunning touch and the writers who made her English dialogues more punchy. Dishonesty equals “tsundere” is such a cliché, so the English writers tried really hard to avoid that trope in my opinion, while still letting her good intention come through.

She serves as the character who is informed of everything the players should have known, and there was almost nothing she could do about it. Almost. Until she met Rindo.

They were drawn to each other by sharing a state of “not having anything of their own”. They both started out with not being able to truly know themselves, Shoka even hated her RG life but also managed to mature from that stage before Rindo. She must have vibed with Shiki’s love and passion in the Gatto Nero threads, initiating her connection with Shibuya and understanding herself more. With Shoka as Swallow, they were able to open up to each other and offer mental support… but was still not getting to the centre of their problems because for all this time, Shoka could not tell Rindo the most important things about herself.

How did Shoka feel when she met Rindo at the UG? She probably didn’t want to hope that he would live the day until she witnessed the Twisters’ potentials. From the very beginning, they were both incredibly conscious of each other and also constantly frustrated that the person they happened to “notice” was such a condescending bitch/a clueless loser. The Shinjuku Reapers are overall quite drunk in power and uncompassionate to Players, Shoka included. She is also a master of dissociation, which results in her constant boredom, tone swings, haughtiness and subconsciously distancing herself from the friend – the boy she cares about – from false hope, as she judged from facts that it was a hopeless situation where nothing could ever be. Maybe she is naturally a bit of a chameleon just like her name suggests (Shoka 紫陽花 = hydrangea, the color-changing flower), so putting on an act and always dissociating herself from what’s important was easy, while hiding her contradiction was impossible. It was the ex-Reaper Beat who broke it out to her, that she should decide whether she really cared and wanted to do something for a change. He knew how it felt like to cross that line, and knew she wanted to too.

Shoka is endeared by many of the Shinjuku Reapers and has shown independent acts of kindness (the Shinjuku ghost), proving that her kind and truthful side is as real as her harsh and dishonest side – which makes her a nice mirror to the previous heroine Shiki, who also embraced a dichotomy of self-complex and self-love within her character. In the end, she was the first of the new cast to ultimately accept all that is important to her and independently made the decision to help save Shibuya despite all costs.

She was jealous at Rindo’s interaction with Tsugumi and Kanon but remained silent cuz she wasn’t at a place to have any say about it. She also didn’t reveal about Swallow because that would only add an awkward irrelevance to their current situation, as she was too ready to face erasure at the end of the Game. She only wished to “play a game” with him, be it FanGo or the Reapers’ Game. The tension that the team could only feel at the end, she’s felt it the entire time. The song “DIVIDE” is applicable to not just one bond in the game, but it always makes me think of theirs. There is always a “divide” between her and Rindo throughout the course of their journey, as the living and the dead, as a Player and Reaper, as someone who has a place to return to and someone who doesn’t, someone who knows little but wields too much power and someone who knows a lot despite not being able to do much.

“If only I had the chance to connect with you on the other side

But time goes on, and without us realizing it

The battle is getting heated

Time goes on, and without us realiazing it

Divided again”

To be honest, maybe I didn’t grow any affection for the new main cast from Rindo’s perspective but from Shoka’s. Since I started to sympathize with Shoka, I started to see the boy in a more “real” way. The real Rindo, behind his peaceful façade with others, would lash out on Shoka for her unfairly harsh attitude while none of the others cared. He could also subtly feel that mantle of unspoken secrets from her, her own contradictions, the unresolved chemistry between themselves – and not knowing what to do with it rather than to feel angry with all the unfairness he could not process. (As a Libra too, he’s triggered the most by unfairness!)

It is actually a positive development as he’s at least “reacting” to something strongly now rather than to keep evading his problems. During my replay, I clearly saw the difficult situation Shoka was in, her remaining harshness after the Motoi incident was due to her internal struggle with a mission to save her own life, versus a chance to really be with the team. Her decision was to do both at the risk of losing favour from both sides. Rindo started to accept her layer by layer, as the person who resonated the most to her contradicting nature from the start and knew that via learning her resolve, he has learnt his too.

Later into the game, she even got too much of his attention. Maybe even without knowing she’s Swallow, he’s familiar with her thinking direction and Swallow had always been closer to him than any other friend. It was only after she had to betray her important ones twice that she could start being truly honest. The scene when she died a 2nd time left a strong impression in me, the little reveal let Rindo know that he is also losing Swallow as he’s losing Shoka – and that only death could drive the last secret out of her. Her final “Later, loser” echoed through Rindo as it was the final truth, with only him remaining to hear it: they had actually, already lost everything.

Rindo was the boy who never dared to face all that matters to him until he lost it all, fighting an unfair battle in the faith that they would somehow still win. Shoka was the girl who always knew what was dear to her, but never dared to think she could be together with them ever after and still threw her all into a battle she knew was losing. I think they stir each other on naturally to fill out their gaps, similar to what the Shibuya game partner systerm would have aimed for. The end reward was a little divine intervention to help close up the divide between them once and for all.

During the game there was not enough space to process anything personal so at the ending when they officially became “friends”, it was an important affirmation of their bond. Some people complained it was friendzoning but it’s not, they just have arrived at the perfect place to start something more. “From now on, we will truly be together” – I read it as that kind of message.

The heroine from a lost battle, with her story taken away

After reading the secret reports and playing the game to be surprised of how small a role Tsugumi had in the main game despite being the “Hype-chan” thought to be a major character of the next TWEWY installment, many fans would feel sad at a missed opportunity to see the Shinjuku arc in full depiction.

It was shown clearly that, a Shinjuku arc was very carefully planned out and is a vital part of the whole story, yet it could not be made due to various circumstances behind the development scene. I would assume, that the team were not able to make a TWEWY game that ended on a despairing note, but it already happened in their mind, thus becoming a mental burden that forced them to break away from it and started the game anew with NEO. A significant part of NEO became the healing arc for the Shinjuku characters, especially for Tsugumi though I really wished more emphasis should have been placed on her rather than Shiba. We didn’t even get to see her brother – Shinjuku’s Conductor who had a vital role and instead was given the clueless Shiba, who had absolutely no idea what’s going on all the way until the last day in NEO. It’s as if Tsugumi has had her story stolen away from her, because her own battle ended with a saddening loss.

I think every time the game creators look at Tsugumi, they would feel that sadness too. Maybe to them, she is a bigger character than what is seen by the fans, as despite their failed effort to depict her story, she’s lived in their mind for all these years through periods of destruction, healing and rebuild. Though it is a pity we could not get to experience the full scope of the Shinjuku story, the creators was clear about the place they wished for it to arrive at.

Individuality, connection and the social network

The team system adapted from Shinjuku rulebook does not allow much room for personal development, as the team dynamic is closer to a work relationship forced to bear results, than a spiritual bond to max out all corners of understanding as found in the partnership system. The old Shibuya system allowed only 1 winner and 1 week limit per game, while the new rule declares for a 1 winning team and only the team at last place will be erased – the other teams will enter another loop. Furthermore, whichever team to challenge the unwinnable Ruinbringers will face the risk of ending up dead last followed by erasure. As a result, the longest-standing teams are most likely not the strongest ever recorded, but the ones who have figured out a strategy to simply survive until something changes, enjoying their newly found social constructs while they are at it. Basically, it is a system to hypnotise players into the illusion that they are still “living”.

Therefore, we as players would not get to the core of each Player individually as fast and directly as we did in the last game. The Twisters were able to stand out not because they’re powerful, they only started to have a real chance after growing enough to each form a meaningful and personal connection to another teammate. It did not come as a team, nor did it intiate from the existing friendship between Rindo and Fret. In fact, I did not find much solidity or anything truly note-worthy about the main team and new characters within themselves until they started clashing with other team members, Reapers and new recruits from week 2 onwards. Rindo found his personal development with Shoka (via a clash with Motoi and pretty much a mini dating sim between them), then via the confrontation of his role with Neku; Fret found his with Kanon then Nagi, the team learned about the real Neku via Beat, Neku entered the UG via Coco’s wish to save Tsugumi… it was not the team but their personal links that empowered them to fight and solve each of their problems.

The other team leaders may have failed because they did not form such personal links, after 30+ hopeless loops Fuya’s team all fell apart to pursue their own interest even at the cost of erasure, Motoi quit his KOL façade to work like a dog for the Reapers (probably to save just his own ass not his team), while Kanon dropped her tricks to find changes via honest cooperation in acceptance of a fair loss. The despairing note in that is huge without making much of a scene because their failure didn’t happen at their best effort to “win”, but in their last attempt to find a way “out”. Even Shiba got his way “out” in the end thanked to his personal friendship with Hishima and Tsugumi.

Something has shifted in the mindset of the game creators in the last 14 years, as both games are about “connection vs individuality” but the last game focuses more on connection between just individuals and this one on the overall network that is formed out of those individual connections.

The introduction of Beat into the main cast was truly the bridge between old and new, they helped each other out in several turns before officially recruiting him. Beat is a character whom a lot of fans including myself have felt somewhat concerned about after Neku disappeared from the RG, so when the new kids welcomed Beat with warm and organic interaction and Beat seemed happy, I started to feel like I wanted to help them out too! I think the overall team chemistry is enjoyable enough for new players, but I could warm up to the new kids more from the pov of a returning character – whom I’m glad to be Beat, as the older brother figure who is genuinely kind, fun, serious and upbeat at the same time; who is needed and needs the kids in return.

The social network is a fun and refreshing feature. You can read all of the crazy tidbits about Shibuya and the links each character have formed with the town people, it’s also fun to visualize how the characters act off screen. Characters’ profiles provide extra insight into their background too, like how it reveals Tsugumi has been friend with Coco during her time in the RG. During the game when not all characters have showed up, you can sometimes guess which empty spot will belong to whom. For example there is a 1 character linking to Neky that is not linked to anyone else, so I could guess that was Joshua, and that another character linking only to Joshua was probably Hazuki, hinting that the 2 Composers are related before either of them even showed up.

Hazuki only showed up for 5 minutes, but his presence is so vital and true to the game that I think he is the most memorable out of the new cast. The two Composers have such an intriguing bond, with their yin/yang or phoenix/dragon themes, opposite color design, the sempai/kouhai tone and the way they keep some sort of distance/work relationship as if it’s mandatory between Higher beings, yet at the same time they can talk so casually because they are truly equal – and different from one another. I have written a separate meta on them here.

Some people pointed out, that all Shinjuku characters’ names and themes are based off Hanafuda cards and the Phoenix in Hanafuda belongs to the Paulownia suit – which is Joshua’s name flower. This is so interesting because it feels like the creators somehow saw it as a sign to interweave the Shibuya and Shinjuku storylines together. Though it doesn’t come out much on the surface, it’s fascinating nonetheless considering both Josh and Haz had at some point interfered with the other town’s affairs.

“Shibuya tour with Haz” was such a special scene, as it happened between 2 characters who do not/no longer have a reason to care about Shibuya, on the subject of what is worth saving about Shibuya. Hazuki carried out the purification of Shinjuku and stepped in to restore Shibuya just as part of his job and unlike Hanekoma or Joshua who both possess profound understanding of humanity, he really didn’t know humans at all. Rindo’s irrational wish invoked in him a sense of curiosity, to try gambling on something irrationally and learning a bit of what his senior have experienced. With all the pieces put together, it provides an overview on Higher beings as a whole, and that Joshua and Hanekoma are really the odd ones out with Hazuki being somewhere in between them and the rest.

The old friends

It’s easy to have returning characters overshadow the new cast as they have already matured out of their personal story arc and stayed in our hearts for all this time. In the end, I have managed to enjoy both the old and new cast separately and altogether, and they will both find their own place in our memory of this game for the long term.

Sho is truly as crazy as ever, the game wouldn’t be the same if Sho is any less of what he is. Sometimes it doesn’t feel like Neky or Beat is younger than Nagi at all, with moments when it seems like Neky has aged 14 years instead of 3 years. His friendship with Coco surprised me pleasantly, and their interaction together with Beat was fun to watch. Rhyme’s found a new dream and her friendship with Kaie is precious too, especially considering that she can still talk to him online after the game ended. Josh and Neku’s interaction suggested that they have resolved the past and are on equal terms now, they even parted ways in good spirit and I don’t feel any worry about them like I did before.

Neku and Shiki’s reunion scene was beautiful, theirs is such a special bond that it has grown and supported them even without being able to see each other. I am so happy to see them all again and that they stay true to who they are, albeit looking more grown up, cooler and happier than ever before.

Overall, NEO can’t become a classic on par with the OG, but is definitely a good sequel and a good game in its own rights. I’m happy with whether or not there will be a 3rd game to complete the 3 monkeys theme, but if there will be – I hope the creators can really find the time to learn from the last 2 games and start over with a fresh mindset and strong core.

#neotwewy #neotwewyspoilers #ntwewy #ntwewy spoilers #neo the world ends with you #twewy #review #meta #neo twewy #shoka sakurane #rindo kanade #tsugumi matsunae

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phoenixtakaramono · 3 years

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So I'm here to say that I really love your Bingyuan fic! The research you do for it and share with us is just amazing! I also have a q regarding LBG. From SV we know that he felt admiration for his Shizun so do you think that if SJ wasn't cruel to him LBG's admiration would've grown into love and attraction like it did in LBH's case for SY? Which then also raises a question: would LBH/LBG fall in love with any Shizun who was kind to him? Or was he just drawn to SJ's type of personality. WDYT?

Hi there, Anon! I’m glad you’re liking the Untold Tale! Thanks for reading! I think it lowkey helps when the story I’m writing (in general) is from a culture I’m familiar with and that I know some of its language nuances (just general Mainland dialect; I’m unfamiliar with Shanghainese, the Beijing dialect, etc etc). So fortunately for me, as someone who is Chinese but was born in the Western side of the world speaking Mandarin to family and friends, emulating the Chinese aesthetic and atmosphere in TUT comes a little bit easier to me than someone who did not grow up with this culture. I bet if I had been raised in China, I would be able to write something even more multilayered and deep but, alas, the youthful rebellious me of the past hadn’t taken my pinyin and Chinese character writing lessons seriously so I can only communicate verbally and understand audibly 😫. It’s very special for us writers in fandoms to be able to write a story of a culture that we actually know and can identify with. But high key it’s been immensely fun injecting some references of things I’ve come to notice from watching period C-dramas and the C-novels I’ve read, and I’ve come to learn interesting things about Chinese history and mythology even I didn’t know! So the story really writes itself.

Shen Jiu (OG!Shen Qingqiu)

To answer your question 🤔, to be honest this is why the SVSSS fandom is great—because there’s so many interpretations of the original source material. That’s why we have our headcanons and fanfictions to explore these many different possibilities. So for me personally, I can see it happening both ways: *1) LBG does develop a crush/falls in love with SJ, or 2) no matter how SJ treats him LBG regards him respectfully or coldly. I think Possibility 1 is more likely, since SY transmigrated into SQQ and we saw what happened with “Bunhe.”

Now, mind, for Possibility 1 to be more likely to happen, the SJ in PIDW will have to undergo a massive personality change/ a change of heart/ develop a good conscience and will need to clean up his image aka clear up the massive misunderstandings from PIDW canon (like him being mistaken as a pervert for Ning Yingying, visiting whorehouses, killing LQG, etc). It’ll be difficult though considering who Airplane has changed SJ into for his stallion harem novel (reading through SVSSS, my impression of PIDW besides it being the harem stallion novel is that it sounds similar to a “dog blood plot,” where audiences tune in to see how the villains are brought to justice). I literally have a line from TUT in a future chapter where SY says this about SJ since I will resurrect SJ and bring him into the story for closure:

People like Shen Qingqiu naturally had a set of deeply-rooted values. If one wanted to change them, it’d be easier to just have them reincarnate. (—TUT, ch???)

At his core, he’s a flawed man (which makes sense with the underlying cycle of abuse theory, considering his upbringing and backstory). He’s jealous and petty and prickly. His image is that of a proud and cold immortal. In Chinese terms, he’s the type of character archtype who I can see being àojiāo (definitely not canon characterization; this is just a stray thought that amuses me) in a romantic relationship.

LBH will have to recognize that^, or be in a position where he finds SJ’s caustic side endearing instead. He will also have to be extremely patient with him (although, since the joke in SVSSS is that LBH is an incurable M, it shouldn’t be that hard).

A fun thing about OG!SQQ is that he’s the cannon fodder scumbag villain of PIDW. He’s the reason LBG blackened from a white lotus. And, as you know, villains aka antagonists aka bad boys resonate strongly with people for a reason. That’s why we see a lot of Enemies to Lovers tropes, etc. It squicks me to use this phrase but “the allure of dating a ‘bad boy’ is strong.” SJ is that type of bad boy we could identify as a “fixer-upper project” (ugh, that phrase)—even with the red flags and warning signs—especially for those said to have a troubled past with rejecting neglectful parental figures/ family members/ friends and have have not outgrown their wish to convert that sort of person into a loving, accepting person. When we want something we can’t or shouldn’t have, our desire for it grows exponentially. In fanfiction this is a concept writers and readers can explore safely in a world of the imaginary.

From a Meta Perspective

Although, if we look at it meta-ly, the cold and proud and/or knowledgeable Shizun (teacher/ master) character who comes to know love and “is redeemed” by whomever is the love interest (typically a cute and quirky girl who may or may not have started off as naive to the innerworkings of the Cultivation World and therefore needs an established and mature mentor to guide them) is a very well-known archetype for a reason in Chinese fan culture.

Seeing a terrible person change their ways and try to become a better person because of the influence of the one they love is also a popular depiction for a reason.

It’s almost like gap moe. The crueler and aloof one starts out as (arrogance is a staple), the more impactful the shift is when we see such characters soften their edges.

The draw of the sacred master/disciple relationship is that it’s taboo, so I think it’s fair to say that such a relationship in fiction is a popular trope precisely because of this aspect. From a writer’s perspective, the main appeal is to show that there is someone out there who can cause this respectful figure to lose control (undergo emotional change) and go to great lengths to protect his/her precious person. That precious person also has to fall into the “not like other girls” trope (so they can show the ML a different world he would not have seen the beauty of before). On the other side, we look forward to the point of the story where the love interest has their “Oh” moment and realizes their admiration has somehow shifted into love and attraction over the course of events.

Other Romantic Possibilities

It’s very likely. I personally like the fanon headcanon where anyone with Heavenly Demon blood running through their veins feels a compulsion to “obsessively fixate on one person” (TLJ —> SXY, LBH —> SQQ). Personally I don’t recall if this was canon or fanon, but someone had written something about LBH imprinting on one person in his lifetime on the account of his demon nature. And I like that theory (I think it’s likely more fanon than anything but it’s an intriguing idea full of possibilities!).

For him to fixate romantically on one person, I personally don’t think the prerequisite is just by being kind to LBH (but it probably adds to the person’s appeal). There’s probably other factors that go into this to capture the male protagonist’s eye, such as him finding someone attractive (or passes his own personal standards) and/or having good chemistry with that person. So I could see him being into other Shizuns and whomever else. Personally I also think there is appeal in the unobtainable. It’s one thing to have someone’s affection (see LBG and his harem of 600 wives who definitely aren’t shy about giving him affection), but it’s another to know you’ve earned the affections of someone you really like and respect (especially if it’s someone thought to be unobtainable).

As long as the writer can provide a plausible justification for me to suspend disbelief and they set up events to justify it, I can swallow just about any ship possibility. It doesn’t necessarily have to be SJ’s type of personality. (For example, I read a very good fanfiction before where the writer paired Luo Binghe with Ming Fan. Ming Fan, people!!! And they actually pulled it off! What a madlad! Mind, it’s Shen Yuan who had transmigrated into MF in that premise, but the writer set up events that showed how these two characters came to bond and develop a deep friendship which inevitably had LBH developing a crush on his shixiong. I use this as an example because this is the type of unexpected (crack)ship, but because the writer did their work trying to make it seem plausible, we can only admire their hard work and effort at pulling it off.)

As the saying goes, there are plenty of fishes in the sea! As the protagonist, LBH/LBG can have many OTP possibilities with just about anyone as long as the writer can make it plausible. It’s all about the character development and the story/ central themes they wish to tell with the ship!

(Note, these really aren’t hot takes, lol. I’m just having fun answering to this casually from the perspective of a writer. Thank you for your Ask, anon!)

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eruriholic · 4 years

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Hello! I just want share my feelings about the ending of Remake. I'm really bothered by it, tbh. Should I even trust Nomura on directing this considering his obsession with timelines? I'm now concerned with my favorite scenes in the OG like the Under the Highwind and Cloud and Tifa in the Lifestream. 😥

Hey there Nonnie! I didn’t expect my response to be so long, so I’ve placed it under the cut. I hope this helps!

I’m gonna be honest with you, after my first watch of the ending, all I felt was pure amazement and nostalgia for the game. A little confusion, yes, but it was mostly overshadowed by the positive emotions that filled me, most especially in how satisfying it was to watch Tifa in the entire game. It was afterwards when I started to watch people’s analysis videos and saw everyone’s mixed reactions that I also grew anxious and scared of what the ending meant for the game.

It was just as Aerith said in the ending of Part 1 - how she misses the steel sky. The dull metal of the plates above the slums was always a constant, and in the constant we find comforting familiarity. There is nothing scary when you know just what you are staring at. But now the team is literally out in the open, walking under a boundless blue sky – the endless possibilities, the unknown, and it is without a doubt, frightening. Not just for the characters, but for us fans who now, after decades of knowing the story, are faced with blank pages and the ghosts of what already came to be. I also started to think of so many what ifs, so many ways to make this already complicated story even more complicated and angsty. I also felt troubled and scared, and it ruined how I had enjoyed the Remake. Also, adding timelines just somehow takes away what’s special about the game – if it didn’t workout here, it doesn’t matter because so and so could’ve happened in this timeline – and I just really am not a fan of that (no matter how much I love the best puppy boy Zack Fair).

I thought real hard about this – no way will I let the ending affect the sky-high I was on (and still am) while watching the playthroughs and rewatching all my favorite scenes. And then I came to this answer: despite all the worries stated above, there is something that I think we can all put our hopes on - the treatment and writing of Tifa and Cloud’s relationship.

I remember in an interview, the writer, Nojima, said there were so many things he wrote for the OG that didn’t make the final product. Nojima is widely known to love Tifa’s character, as does the then character designer and now director of the remake, Nomura. We were blessed with so many Cloti scenes that weren’t in OG, from the subtle to blatant, in words of support and comfort and even more in action. NPCs were even used here and there to remind the player of how Tifa is special or important to Cloud. Their relationship is treated with so much care, referenced even when Tifa is not around in a chapter. I do believe this slowburn is the story Nojima wanted to write, maybe had already written but was watered down for technical or practical reasons in the OG.

And when Tifa said in “Alone At Last” that it’s funny how they went their separate ways and they think they wouldn’t see each other again, but here of all places they meet again?? That, to me, was Nojima writing that Tifa and Cloud would always find their way back to each other, because their fates are inextricably linked to each other. This is even fortified when Cloud decides to stay even when his job is done, all because of Tifa.

I also strongly believe that no matter what changes the ending of Remake will be opening to, Tifa will always be the key to bringing back the real Cloud and repairing his fractured mind. She is the only one among them who grew up with him and can prove he is Cloud of Nibelheim, she is first and foremost the start of his journey when he decided to be strong enough to protect her. Cloud finds himself through her, Tifa successfully reconstructs her own memories through him, and they grow stronger together and because of each other. (Pls excuse me I’m crying at this point) Also, unearthing Cloud’s memories is the key to revealing the Nibelheim Incident, which is also Tifa’s origin story and the birth of the villain Sephiroth. This is a very important turning point and a core story element that it will be very odd to erase it. Also it has been set up that there is a metaphysical Cloud who isn’t the one we’re following in the story – the real Cloud who appears in his subconscious to support him when he falls down from Mako Reactor 5, at the start of Chapter 8.

(I also have an idea in mind about how the Lifestream scene will go if it will be altered/enhanced in the next instalment??? If in Part 2 Aerith lives, she will be the one to help open the way to the Lifestream, and as the number one supporter of Cloti she tells her something like “This is all I can do. The rest is up to you. You’re the only one who can do this.”)

Also, that iconic scene in which Tifa cries, and Cloud cannot find the words to comfort her, but embraces her instead and assures her that crying isn’t pointless? That, I think, screams “Words aren’t the only way to tell someone how you feel”. That was Highwind before the Highwind. If they already outdid themselves in the Midgar Arc where in the OG there weren’t a lot of key Cloti scenes, I think they just might take it up a notch in Part 2.

The Remake really was such a wonderful thing, and despite how the ending made me feel, I can’t help but be hopeful in the writing that has always, time and again, brought Tifa and Cloud together. Also, as Nojima said, when he wrote AC as the follow-up to the OG, he said that he knew “Tifa and Cloud would be together” in the end. Coming from the writer himself, I think the story is in the best hands.

About Nomura, I decided I will have faith in his love for Tifa to do right by her character. The only thing I wish for is for her to be treated the same way as Cloud when they encounter Sephiroth. She literally had the same journey as he did, and her life was drastically changed by the Nibelheim incident.

So there you have it, those are my thoughts about the ending, which I hope can extend some positivity your way. Sorry if this was too long!

#cloti #anon #asks #thank you for asking me this!#this helped me get my thoughts in order #tifa lockhart #cloud strife #ffviir #holic.txt #Anonymous

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parachutingkitten · 4 years

Text

Which Ninja Has Really Had The Most Focus Seasons? Let’s Find Out!

I am not here to end the focus ninja debate, I’m here to perpetuate it. We tend to squabble over the little things when we talk about this. Who gets to open their eyes in the beginning of the episode? Who’s on the set boxes? What counts as a real season? Well, I’ve come up with a system to try and quantify some of this. Now, it’s not perfect, and you might disagree with what I put where, or even the structure of my system, but I think the results are a fair estimate of how much time the writers actually spend with each character. And also, there are some pretty interesting conclusions to look at, so if you want to know more, join me under the cut :)

(Fair warning, this is a lengthy one)

How Does This Work?

I have 4 tiers of points. Focus, half focus, sub focus, and misc. Focus is worth 4 points, and is for ninja who are the sole focus of a full-length season. Half focus is worth 3 points, and is for focus ninja of split seasons, or seasons that share focus ninja. Sub focus is worth 2 points, and is for ninja who have a large, season defining plotline, but aren’t important enough to be the sole focus. I use this category to settle a lot of the debatable seasons. Misc. is worth 1 point, and is for the focus ninja of a short/special, sub focus of a half season, and other little things like that. Whatever ninja earns the most focus points has had the most focus time dedicated to them (theoretically).

I will be including all of the seasons, along with the pilot episodes, Day of the Departed, and the Prime Empire shorts, because these are pretty solidly essential viewing when watching the show. I’m not including stuff like Wu’s Tea, and those original ninjago shorts cuz… well, first off, I don’t think anyone really cares about them, but also, they’re not essential, and don’t really have focus ninja anyway. For the record, I am counting March of the Oni as a special and not a season. And no, I’m not including the movie. Duh.

I’m awarding points to any character I feel earns one, but not villains. Of course, villains are going to get decent screen time, that’s how basic plot structure works. In addition to characters, I will also be awarding points to an ensemble category, for any seasons that do not have a focus ninja. Though, the ensemble can only earn points at the focus and half focus levels. The ensemble earning points for sub focus just… doesn’t make sense. Like yeah, the rest of the cast is there… in every season. That’s how having a cast of characters generally works.

I would also like to add that this does not take into account the quality of the seasons. There’s always a debate to be had that the highest scoring ninja deserves another season, cuz the ones they’ve had are bad. I’m just interested in quantity. Alright? And again, this isn’t an end all be all answer, it’s just a set of numbers based on my perception of each season. I just want to start some more informed discussion.

And last but not least, spoilers.

The Breakdown:

(if you don’t care about my reasoning in assigning points, feel free to skip to the results)

Pilot Episodes

Kai is the focus character in these. I don’t know that anyone’s gonna fight me on that one. This is a special, so 1 point for Kai.

Season 1

Now, this one’s a bit trickier, because Kai is still noticeably the main character, but compared to the pilots, his role seems pretty equal within the cast of the OG 4. The season is about all of them growing as individuals and as a team together. Kai serves more as an insider POV than a real pure focus. I’m going to dub this an ensemble season (4 points) with a sub focus on Kai (2 points)

Season 2

Lloyd is definitely central to the plot this season, and does do the whole final battle thing, but again, the season is more about the ninja training Lloyd than Lloyd himself. Additionally, Kai serves as narrator this season, and gets himself some pretty sizable speeches etc. Again, I’m going to give ensemble 4 points for focus, and Kai and Lloyd both get 2 points each for sub focus.

Season 3

This is a Zane season. He gets the final battle, and the big realizations, and the love interest, it’s his season. There are some sizable sub plots this season, but none of them big enough to give anyone sub focus points. 4 points to Zane.

Season 4

This is a Kai season. He has the angst and love interest; he gets the points. Now, some people might think Zane earns sub points because the plot focuses on finding him, but that doesn’t mean he got more screen time than normal. That’s a plot device, not character time. He has a good little mini arc, but like… so does Garmadon, and Lloyd, and pretty much everyone. Kai gets 4 points.

Season 5

This season doesn’t have a focus ninja. Lloyd does get the intro, but he’s possessed half the season. Again, that’s a plot device, not character time. I’m labeling this as an ensemble season, so 4 more points to ensemble. The two arcs that really define this season are Nya becoming the water ninja, and Cole becoming a ghost. 2 points each for sub focus.

Season 6

This is a Jay season. This is undebatably a Jay season. 4 points for Jay. In fact, this season focuses on Jay to such an extent that they actively kick other characters out of the show in order to focus on him more. That’s getting him an extra point, cuz it’s kinda ridiculous, and this is my thing so I can do what I want. Now, this season focuses a lot on his relationship with Nya. He shares his title card with her. That’s not nothing. She has a sizable arc, and noticeable presence. I’m giving her 2 points for sub focus.

Day of the Departed

This is a Cole special. Do I really have to explain myself on this one? 1 point for Cole.

Season 7

Our first split season! This is a pretty clear-cut Kai and Nya season. I wouldn’t say one overpowers the other. They share the spotlight pretty well. 3 points each for half season.

Season 8

This is a Lloyd season. It’s his dad getting brought back, his angsty drama, his love interest, his season. 4 points for Lloyd. There are some other noticeable plotlines, but none of them big enough to award points for.

Season 9

Another split season, this time taking place in two separate locations. Season 9 in Ninjago is pretty much just season 8 continued. Same tone, location, conflict, everything. This half is still a Lloyd Season. 3 half season points to him. The half in the first realm is harder to pin down though. It’s mostly an ensemble season, but I do feel Wu and Cole’s relationship plays a big enough role to earn them some points, especially since it’s a multi season arc. I’m going to use the misc. category to award them both 1 point.

March of the Oni

This is a Lloyd special. I mean, they had some pretty good ensemble stuff, and them giving the intro to Cole was cute and all but... It’s Lloyd’s special. He dies and talks to God before being resurrected. Classic main character stuff. 1 point to Lloyd.

Season 11

It’s a split season again! But I would like to award full focus to the ensemble. Both chapters either focus way too much on side characters or split the time pretty equally between the core cast for it to be anything else. 4 points to the ensemble. But I would like to single out Kai and Wu as both having significant arcs. The first chapter spends a lot of time on Wu’s past, mistakes, and guilt. And Kai’s arc is put noticeably center, resolving in the last episode of the season. I’d like to give these two 1 misc. point each. To those who would argue that Zane needs points for his ice chapter… no. First of all, he was gone for the majority of the ice chapter, and was being used, yet again, as a plot device rather than a character. And also, technically, that would conflict with my no points to villains rule.

Prime Empire Shorts

These are weird, but most of them focus on Jay’s experience in Prime Empire, so 1 point goes to him.

Season 12

Now, this is, at least as of right now, a half season. It’s 16 10-minute episodes, that’s one chapter’s worth, so I’m going to award points accordingly. Now, a lot of people might think this is a Jay season, but the story doesn’t follow Jay’s perspective. That’s what the prime empire shorts were for. The story follows the ninja going to find Jay. And yes, based on episode descriptions, there is an episode where Jay fights a boss all by himself, but it’s not the final boss, and it’s only one episode where he’s on his own. I mean, Okino had his own episode this season, and this isn’t an Okino season. So, though I will award him 1 point for being a sub focus in a half season, I’m awarding 3 half focus points to the ensemble.

Results:

Chart version of the points awarded in my explanations above

Total points gathered by each person

Number of times a person was awarded any number of points

Number of times a person was awarded 3 or more points

Conclusions:

Well, there are several things I got out of this. Obviously, Kai scored highest in most categories. He was the main character of the pilot, so it’s really not surprising that the writers have ideas for his character. That being said, I do find it funny that, even though we would all agree that Lloyd is the series’ overall main character, he does not appear in the pilot. People watching the pilot to get a feel for the series would be missing the most important character. That’s just really funny to me. Additionally, the main character of the show did not score the most focus points. He was in the double digits though, so he really can’t complain too much.

The Times High Ranking Points Were Earned data refers to times a character got points for being the focus ninja of a season/half season. For all of the fuss people give about Kai and Lloyd having like 5 seasons, it’s really only 2 each that they have an undebatable hold on. And on top of that, they both only have one all to themselves. Kai having season 4 and sharing season 7, and Lloyd having season 8 and sharing season 9. They do have an absurd amount of sub focus on top of all that though, which is definitely what trips everyone up.

I was surprised Nya scored as well as she did, especially for joining the team late. In fact, if you take off the bonus point I gave to Jay, she would actually score higher than him. Even though she doesn’t have a solo focus season, she has a decent amount of focus in 3 consecutive seasons. Also, Wu made it on the board, which is good for him.

Again, unsurprisingly, Cole scored lowest in almost all categories. There’s a reason the Cole fans are pissed. The 0 high ranking points stat is really telling and seriously stings. But, the one thing he did score well on was times points were earned. Though he has little personal focus, the focus that he has is recurring and spread across the series. I would also like to add that he didn’t even score any points for his ongoing friendship arc with Jay, which did put his character fairly center stage for a while. I mean, though Cole doesn’t have any big focus areas, I would still say he’s got some decent development with several multi season arcs. He’s definitely not being totally ignored by the series or anything.

On the opposite side, one of the saddest things to me personally is that Zane was not only tied with Cole for focus points, but also was ranked lowest (lower than even Wu) in times points were earned. That means season 3 is the only point in the series when he held any meaningful and sustained focus. There are no shorts for him, or larger important plot lines, it’s just season 3. I mean, he was supposed to have more focus than Cole, right? We always rag on the fact that Cole doesn’t have a season, so he must have the least focus. Zane had his own season, surely he would have scored higher! But when you look back you realize that even though he’s had presence, the amount of meaningful stuff he actually does is pretty minimal. Seriously, writers, time to get this droid some sub focus.

Speaking of droids, I would like to bring up something I’m sure no one else was thinking about while doing this, and that’s Pixal. Pixal has been a part of the show since season 3 and has technically been working on the team ever since Season 4. By the looks of season 11, the writers want to include her as part of the main cast. They gave her a plot with Kai, Cole, and Jay where she basically led the defense of the monastery. She got her first solo episode in the ice chapter. Though the episodes aren’t out yet, season 12 episode descriptions seem to have her taking on a more active and offensive role and operating on equal footing with Zane. She is a member of the core cast now. Although she did join recently, it is interesting that a full-fledged member of the team didn’t score any points. Both Lloyd and Nya officially joining the team earned them some sub focus points. I just find it interesting that Pixal’s joining the team didn’t get her the same. Maybe there’s a more formal ‘joining the team’ arc for her coming in the future, but as for right now, she remains in this strange focus-less limbo.

My favorite finding though is that the ensemble category just dominated pretty much everything. Ninjago at its core is an ensemble show, and I honestly think it’s at its best when it just functions as one. What are some of the fandom’s least favorite seasons? 3, 6, and 7, right? These are all very clear-cut ninja focus seasons. I really think the fandom needs to stop forcing ninja labels onto every single season, cuz it really doesn’t do them any real service. It just makes you disappointed that X ninja is getting yet another season, or this X ninja season isn’t focusing enough on X ninja. Just enjoy the show for what it is! An ensemble show! The ninja shine best when they interact off of each other, not when they’re left to process their troubles alone.

Anyway, those are my thoughts. Feel free to comment any other cool data connections I missed! I hope this did a little bit to enhance your perspective on focus seasons, focus ninja, etc. It also probably made focus sound like a non word, so I’m sorry about that one. I know this is a long one, so seriously, thanks for reading!

#ninjago #parachuterants #focus ninja debate #is that a tag?#I used excel for this #it took forever #help a girl out here

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theliterarywolf · 4 years

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I was planning on keeping on with pokemon (havent played since the OG black ver) with either ultra sun or ultra moon since i tought these two would be a superior version of the original two like the 3rd game of every pokemon (Platinum, Crystal, Emerald and Black/White 2). So i want to know before considering buying either: why do you think they are bad?

Ultra Sun and Ultra Moon are basically the same situation as what happened with Super Mario Galaxy 2: there were one or two left over ideas when the main game was complete, the manpower, online service, and development software wasn’t in-house to support launching said ideas as a DLC expansion pack for 20-30 dollars so they took the base game they already had, made those one or two ideas the forefront, said ‘FUCK YOU, EAT MY ASS AND WRITE A DISSERTATION ON HOW IT TASTES’ to any semblance of a good story, and launched it for the same price as the original Sun and Moon.

You know what Ultra Sun and Ultra Moon add to the core game?

Two clumsy mini-games, a secondary campaign that really does nothing?? Because, at the end of the day, Ultra Necrozma is the definition of a ‘Gimmick Pokemon’, a third campaign that only serves to make the villain team leaders from past games look like idiots, and a complete bullshit retcon of the actually engaging story that vanilla!Sun and Moon produced. Some spoilers I suppose, even though the heyday of these games has long since gone.

And, yes, you should read this in the same tone as one of VivaReveries’ “X But Really Fast” videos.

Vanilla!Sun and Moon: “I’m a grieving woman who, in trying to avoid the grief of losing my husband to the void, I flung myself into researching the strange creatures of a new realm, not knowing that my constant exposure to them is degrading my mental state to the point that I start abusing my son and daughter, and torturing this innocent minor-deity we found in the name of science so I can open up a portal to be with the strange creatures I developed a pseudo-sexual fascination for

But then my daughter steals the minor deity away, goes into hiding, has a game-long coming-of-age development cycle and soon learns to not only develop into her own person but realizes that caring for mentally-unstable relatives may be a thankless feat at times, but the most important thing for you is keeping your own health and mental state in mind, that sometimes means cutting yourself off from their toxicity – oh, by the way, I psychologically manipulated the leader of the local hooligan gang who is going through his own reaction to his troubled relationship with his father and not being allowed to compete in this game’s TOURNAMENT ARC and has imprinted on me in order to cope –

Okay, back to business proper. After climbing a big ass mountain, bumping into the hippie fairy lady (which NEITHER VERSION OF THE GAME DID ANYTHING USEFUL WITH), and summoning either the deity of the Sun or the Moon (though, weirdly enough, the sentimental relationship between said daughter and the cover legendary seems more genuine in Moon than it does in Sun), and after confronting said hooligan gang-leader who finally realizes that I’ve gone CUCKOO FOR KOMALA PUFFS, my daughter and MC confront me in Ultra Space where I’m too busy gushing and fawning over my PRECIOUS, MIND-MELTING, LOVECRAFTIAN JELLYFISH BABIES THAT I’M SO OBSESSED WITH, BY THE WAY, THAT I FORCED SAID DAUGHTER TO WEAR CLOTHES THAT LOOK LIKE THEM,

They challenge me to a battle and I have a FUCKING BADASS HYBRIDIZATION TRANSFORMATION which is admittedly wasted since they just end up fighting my Pokemon. I’m finally defeated by a finishing blow by the cover legendary, I’m near death, but my daughter comes to try and talk to me before I go and my last words of the game, after having this unhealthy fixation with beauty and MIND-MELTING, LOVECRAFTIAN JELLYFISH BABIES and mentally abusing my daughter…

“Lillie… Since when did you become so… beautiful?”

Signifying that this lilly has managed to blossom without the sickening, overbearing greenhouse of her mother’s unstable affections.

Also, there’s a conversation with Hau that you can have that seems to be a Mandela Effect situation because some people swear they got it, others say no, but it let’s you know that Hau is from a broken family as well since his piece of shit dad left home because he was sick of always being in his grandfather’s shadow – Giving the game the overall theme of the Trials and Tribulations of Family.

…

Ultra Sun and Moon: “Hey, guess what? I abused my son and daughter and placed this island nation in mortal danger, not because I was mentally unhinged due to grief and MIND-MELTING, LOVECRAFTIAN JELLYFISH BABIES… But because there’s a giant ‘ORIGINAL OP CHARACTER, DONUT STEEL’ gold dragon in between universes and rather than discuss said threat with the leaders of this island nation, I’m going to jeopardize everything, torture a minor deity, and in the end make everything WORSE because it is my job to save the POOR, STUPID BROWN PEOPLE BECAUSE THEY OBVIOUSLY CAN’T FEND FOR THEMSELVES!!

*deep breath*

Oh, also, I end up getting kidnapped by Giovanni and serving as nothing more than the catalyst to justify the Rainbow Rocket campaign. Lol”

The only thing that USUM have on Vanilla!Sun and Moon is a few extra pseudo-legendaries, the Ultra Wormhole mechanic that allows you to find Pokemon and Ultra Beasts you can’t get in the main campaign, and the UltraSpace characters they introduced for the Ultra Necrozma conflict.

That’s… It.

Jesus Christ, I don’t like Gen 5 but at least Black 2 and White 2 enhanced the gameplay of their core games and gave an interesting story-campaign and antagonist.

Oh, I’m sorry, the other thing you get in USUM is a brief cutscene with your Starter Pokemon before you enter the Championship League. Whoo.

If you want to experience Gen 7 in a good way, gameplay and story-wise, just play the original games. There’s literally no reason to play USUM unless you REALLY want to see Pennywise’s and the Great Wall of China’s Pokesonas.

#Anonymous #replies

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laschatzi · 5 years

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Nah for them whook it's better, and his 'redemption arc' is better (i'm still looking for that redemption arc because it was like, what, an episode?) Because he's not emma's true love, well he's in a kind of way, but he wasn't with emma that it's the main reason a group of people hate on og killian

Hmmm tbh I’m not sure where you’re trying to go, nonnie. I’m gonna be honest with you: as I said in my original post: I love s2-6 Killian and s7 Killian equally, I’ve just loved s2-6 longer, and I really don’t like what you’re implying about s7 Killian in your first ask (assuming that the following asks I’m going to answer all in this post all came from you). ‘Redemption arc’ in quotes? Obviously you don’t seem to think he had one? Whereas I think that almost the whole story we got to see about him was one huge redemption arc, so we absolutely don’t agree here.

I’m also not entirely sure what you’re saying in the second half of your ask, but I’ll say that the main reason for the hate either Killian gets is whether he is or isn’t with Emma: OG Killian gets hate from anti CSers, because he is with Emma, s7 Killian gets hate from a lot of Emma-centric CSers, because he isn’t with her. Both is something I despise.

Yep, sure was predictable for Hook haters to take that mischaracterization and run with it. But yeah, wasn't expecting it from Hook fans, making it all about Emma, but in addition to them, the ones turning completely on Emma/CS in what I think they think is some grand defense of Hook as an individual, but in that action, they're also reducing his worth down to just one relationship with one character: Baelfire. They're doing the same thing, just swapping Emma for Bae. A mess all around :/

I haven’t really seen people who used to love CS “turning completely on Emma/CS” - what I have seen is people criticizing the way Emma and Killian were written as characters and in their relationship in later seasons, mainly the dumpster fire that was s6 (except for a few brilliant and very rewarding moments), and I have also seen people say - maybe some realizing it in retrospective - that they felt that Killian was often treated unfairly by the writing, not only but also in the relationship with Emma. If you have been following me for a while, then you’re surely aware that I’m one of them.

But the thing is: criticizing a character, pointing out their flaws (and at times shitty behavior) doesn’t mean “completely turning on them” or hating them. Saying that CS was often written a bit one-sided doesn’t mean “demonizing CS”, as you call it in the ask below. Claiming that OG Killian’s redemption had a lot to do with Emma, but wasn’t cenetered around her or fueled alone by her doesn’t mean saying it was only about Bae, where do you get that? Where has anyone said such a thing? You’re right, both would mean reducing Killian’s worth as a character.

I'm just tired of reducing Hook. I expect it from haters, not people who think they're championing him! Hookers who see his redemption as only thru Emma (which is false), and so "screw WH." The Hookers who resent that, but in that resentment, run in the other direction with it by demonizing CS or tossing OG Hook out with the bathwater, and THEMSELVES whittling his redemption down to just 1 other (Bae), which imo is just as insulting. Hook, and his redemption, is more multi faceted than that.

Again, I haven’t seen these two camps you keep talking about - reducing Killian to his relationship with Emma vs. reducing him to his relationship with Bae. I have only ever seen the first variation tbh, and I’ll say it again: criticizing that does not mean demonizing CS.

Where we absolutely agree is that Killian and his redemption (and yes, I mean both versions here) are very multi faceted.

I see Killian's redemption as kickstarted by so many things: finding a cause and people worth him working back to the good man he used to be. Not leaving thousands of innocent people to die because he made off with the bean. Coming to care for Emma, who he connected with and who understood him and increeased that desire to be a better man. Saving Bae's son, Milah's grandchild. Just, so many things. So to see different groups of FANS reducing all of that in attempts to defend him? No no no. Pass.Ok I think I'm done 😂

This is so true, there were many things playing into his redemption, learning that Henry was Bae’s son and being remembered of his betrayal of the boy Bae made him turn around his ship in the first place, and from then on there was no turning back again for him to being a villain. Ultimately, he never seeked redemption because he was looking for a reward (unlike others...) - at the core, he wanted to become a better man or, he wanted to get back to being that man.

But honestly, I don’t see people reduce this to defend him? Saying his redemption didn’t solely happen because of Emma doesn’t mean negating all these reasons, on the contrary, it means confirming them.

#replies #killian jones #hook meta #confusing nonnies in my inbox #I admit I was a bit confused #because I got confusing vibes from these asks #Anonymous

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jewelridersarchive · 5 years

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Why do we love seeing new versions of the same thing? Is it simple nostalgia? Is it the desire to engage with some sort of content that once moved us in a new and different way? Is it new creators wanting to stamp something they loved from their own childhood with their mark? Or is it all of the above?

I’m not immune to loving reboots. I devoured the new DuckTales on Disney XD, I’m reading the new Rainbow Brite comics from Dynamite, I’m watching the new iteration of Will & Grace, and continue to watch My Little Pony: Friendship is Magic. Reboots are fun; they not only allow fans who loved something to have a nostalgia party, but also allow potential new fans entry points into what sometimes appears to be never-ending streams of content (I’m looking at you, Transformers). But things seem out of hand when even ReBoot, the mid-90s CGI cartoon, has a reboot on Netflix (ReBoot: The Guardian Code). Have reboots become the “safe,” risk-averse way companies can cash in on portfolio properties that already have known fanbases? It’s the equivalent of an artist only drawing fanart because they know it will get thousands of likes versus hundreds on original content.

And I fully admit some level of fatigue with franchises that just keep chugging along, seemingly forever. Every movie that comes out seems to want to be a tentpole franchise builder. Or a reboot of an existing franchise, or a soft reboot that only takes some elements going forward, or an alternate universe or…well, you get the idea.

I love original content. One of the best shows I watched this year was Alex Hirsch’s Gravity Falls (yes, I know I’m rather late to the game). It was a bright spot of originality, something new and not tied to any other content or previous iteration. Many of the anime I watch and enjoy are either original or straight adaptations of an existing manga. I think original content and ideas are important in entertainment. They allow a generation to experience a piece of entertainment in its prime, and have something uniquely “theirs.” Kids of the 60s had Star Trek, kids of the 70s had Star Wars, kids of 80s will always be the original audience for Jem & the Holograms and He-Man/She-Ra, kids of the 90s will always have X-Men TAS and Sailor Moon. (And PGJR, of course haha). No matter if they are rebooted down the road or not, that original experience belongs to the original viewers.

Which is why it’s always hilarious to me when people who hate on the new version of something say “It’s ruining my childhood!” Your childhood is whatever it was, frozen in time. Those original cartoons obviously still exist, and if you have the desire you can watch most of them. A reboot doesn’t destroy the original, no matter how many changes it makes to the original idea. The best reboots can often give us (as adults) what we thought we were watching as children. And often, the reboot can drive traffic back to seek out the original, as adults want to share with children the version they loved at that age.

Which brings us to She-Ra. I didn’t watch any He-Man or She-Ra as a child, for whatever reason. I found He-Man & the Masters of the Universe through the 2002 anime-influenced incarnation (also a great reboot IMO), then went back and watched the 1983 cartoon, followed by the 1985 She-Ra: Princess of Power. I loved it all. Sure, sometimes it was goofy, and there was lots of animation reuse in the older versions, but the core concepts were really strong. They are classic good vs evil, freedom vs tyranny stories, told with engaging casts and crazy creative worlds.

I powered through all 93 episodes of She-Ra during the summer of 2010 while I studied for my board exams. It holds the special place of being the series I turned to to relieve the stress of studying. I love the 80s fantasy girl designs, the color schemes, the powers, the sheer kookiness of the side characters. She-Ra was the OG American magical girl, and I finally understood what all the fuss over this franchise was about. She-Ra feels iconic in the way that characters like Wonder Woman and Sailor Moon do. Yes, she starts out as a spin-off of the successful He-Man franchise, but he makes very few appearances in She-Ra’s cartoon.

But after her initial run, She-Ra remained a virtually dormant property for the next 30 years. He-Man had two different reboots in 1991 and 2002, but She-Ra was stuck in limbo. Only once the Masters of the Universe Classics collectible figure from Mattel released in 2010 did She-Ra finally see the light of day again. Story-wise, the bios on the back of the toy packages gave us a little info about She-Ra’s further adventures, but it wasn’t until the 2012/2013 Masters of the Universe comic from DC that She-Ra comes back, this time in the guise of the villainous Despara. It’s a dark but interesting take on the characters; an exploration of what being raised by the Evil Horde would really do to a person.

Interestingly, this seems to be the jumping-off point for the new “She-Ra and the Princesses of Power” animated series from Dreamworks and Netflix. This show takes as its central theme the relationship between Adora and Catra. When Adora finds the sword that lets her turn into She-Ra, she leaves the Horde – an organization to which she has devoted her life. Almost more importantly, she leaves behind Catra, her best friend. It’s this broken relationship that informs the emotional tone of the rest of the show.

Unlike the 80s version, this time around the Rebellion knows Adora’s identity as She-Ra. It’s an interesting change – shows of the 80s were obsessed with secret identities, and sometimes it could get ridiculous making up excuses for what happened to the other identity of the character every time. Thankfully, that is avoided here, and instead of angst over whether or not you can let people know the real you, we are treated to relationships that ask whether we can accept someone who we know has wronged us before.

Much has been made over this update’s reworking of the body types and ethnicities of the main princesses. While I confess not loving all the updated designs and missing the 80s fairytale warrior goddesses of the original, I understand and fully support the change. Reboots are about viewing something old through the lens of today, and audiences of today want to see themselves in the media they watch or read. We can’t (and shouldn’t) go back to mostly-white casts. The world is a rainbow of colors, and the show feels richer for including them.

Speaking of rainbows, I have to mention the new show’s decidedly queer bent. The relationship between Adora and Catra is somewhere between ex-best-friends and ex-girlfriends in tone. Netossa and Spinerella, long shipped by the fandom, are finally outed in a true relationship this time around. Other characters like Scorpia, Bow, and Entrapta all tap into queer mannerisms and norms as well. The end result is unlike anything else I’ve ever seen in children’s entertainment, and I couldn’t be happier. I wish I’d had something similar as a child, but I’m grateful today’s queer kids have their own heroes.

When we talk about a successful reboot, what are we looking for? Here’s what I think a good reboot need to accomplish.

Bring the characters and concepts of the original property up to date for current audiences.

Explore the characters or world in new and different ways.

Add depth to the original concept.

She-Ra and the Princesses of Power does all of these in spades. I think it’s the nicest treatment an 80s female-driven property has gotten in a reboot. The show is full of strong characters with interesting dynamics, great writing, and interesting world building. Yes, some of the episodes can be a bit predictable and the designs are not always my favorite, but everything works together toward a greater whole. I won’t spoil the story for you, because seriously if you haven’t watched this, get thee to Netflix and enjoy!

For the Honor of Grayskull!

Chris

P.S. Can you imagine getting a ✨Princess Gwenevere and the Jewel Riders✨ reboot that brought all this to the table? I’d die!

Read the complete blog at The Jewel Riders Archive! http://www.jewelridersarchive.com/posts/she-ra-the-princesses-of-power-and-reboot-culture/

#jewel riders #princess gwenevere and the jewel riders #princess gwenevere #unicorn #unicorns #animation #mattel #She-ra #she ra #princess of power #heman #he man #he-man #masters of the universe

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davidmann95 · 6 years

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What are your thoughts on Infinity War and do you think the portrayal of Thanos is gonna make it harder for DC to do Darkseid in a future move due to comparisons?

Extended disconnected musings below the cut because world-shaking spoilers fucking obviously, but for the section of my audience that hasn’t seen it yet but is fine with simply seeing my immediate reaction and placement of it: it’s so very good, y’all. Hype as modern blockbuster filmmaking gets. Not a top-5 MCU flick (which is a credit to the MCU, not in any way a ding against this), but if you only count the Avengers movies that actually have “Avengers” in the title, this is definitely the best of that lot.

* I had been, while not concerned per say, very curious how the Captain America team would handle this - the writers might have been there from the beginning and done some pretty bombastic pulpy action in the first Cap movie, but the Russo Brothers had been entirely on the grounded side of the franchise, even doing the relatively grounded Avengers movie in Civil War - given this would be the most cosmic and superheroey of the bunch, and they acquitted themselves magnificently in every way imaginable. It’s big, it’s funny, it’s ballsy, it’s engaging, it’s fun, it’s weighty as hell, it’s emotional, it’s the gold standard of this sort of thing. I have no idea what they’ll do if they ever stop doing Avengers movies, because at this point the sky is the absolute limit for them.

* I know people have already inevitably been complaining about this being dependent on previous movies for continuity and character, to which I say

1. Fuck you, this is the sequel to a once-in-a-generation filmmaking blockbuster that completely changed the game, of course you’re going to know who the goddamn Avengers are, most especially if you’re going to see this movie. Don’t act like you’re that cool. You’re not that fuckin’ cool.

2. This may not have been a movie of character development, but it’s by no means a movie short on character. It’s very much in the vein of Grant Morrison’s JLA, in that it banks on familiarity and iconography not to change our understanding of these characters, but to do the most conspicuously *them* moments possible. Captain America might be a minor presence, but he’s Captain America as heck in this, and so forth.

3. This only banks on you having seen the first Avengers. Banner is our entrypoint character because he himself doesn’t know what’s going on so the Avengers breakup can be recapped in broad terms, the initial conflict you don’t really have to know about Ragnarok to understand (they could’ve been fleeing Thanos destroying Asgard for all a casual viewer would know), Spider-Man’s role is obvious even aside from him being a cultural icon, Panther is Cap’s secret ally the rest of the team barely knows about so and Wakanda are broadly understood, and the Guardians and Strange are reintroduced. Strange you immediately know all you need: Wong defers to him so he’s clearly a big deal, but he’s also still telling him things about magic - even if jokingly - so clearly Strange is not the most seasoned veteran and hasn’t been in this hidden mystic world forever. The Guardians are space bozos, and based on Star-Lord’s manchild nature and 80s nostalgia and lack of familiarity with the Avengers you can guess he hasn’t been to Earth in a long time even if he clearly hails from there.

* Thanos was…good? Though I would have yelled “BULLSHIT!” at my monitor when I saw Starlin declared Thanos in an interview to be exactly as he had always envisioned him had I seen this at the time, because this is very much from the Slade-in-Teen-Titans “scrap everything, and it’ll wind up better because there’s nowhere to go but up” school of villainous improvement. But seriously, while surely people will write eye-rolling thinkpieces on his nature and goals, he’s a proper vile bastard of the sort we haven’t quite gotten in these movies before that more than justifies his place after 6 years of buildup, with humanity to spare keeping him from being a caricature; it should avoid Darkseid comparisons quite deftly (and vice-versa), even if none of what made this work can translate back into the comics. And as much as the sidekick baddies might have been traditional uncanny-valley CG, this guy might be the most amazing effect I’ve ever seen in a blockbuster: I totally bought this was a real flesh-and-blood living being existing in recognizable 3-dimensional space whenever they zoomed in on his expressions. And more importantly, they acknowledged he has a nutsack for a chin.

* Speaking of effects, that’s how you do a fuckin’ magic fight!

* And speaking of villains: SKULL. What a payoff, and I sure hope he stays and fills the role Mephisto did in the original Infinity Gauntlet as Thanos’s right hand man, because I want to see him face down with Steve as Captain America one more time. In a very different movie/s, I could have seen him seizing the Gauntlet and promising Thanos he too will wipe out half the universe, but much less indiscriminately, with the great tyrant dying with the ultimate monstrosity his endeavor has brought about evident to him at last. And then you’d have the ultimate Nazi as the final boss, since not only are he and Cap enemies, but he battled Iron Man’s dad, was well-versed in Asgardian mythology and stole one of Odin’s treasures, and is like Hulk a failed Super Soldier. What we got should be pretty good too though. Fingers crossed he at least sticks around to menace Bucky and Sam once one of them takes over as Cap.

* Outside the villain, boy, who would have expected Thor would basically be the closest thing to a main character of this movie? I guess Marvel rightly expected Ragnarok would be fire, and knowing that he’ll now be the major remaining original Avenger, are trying to build him up in double-quick time. And with only half of Asgard gone, they can keep the setup Waititi provided after this (even if I wish they hadn’t brought back his eye. I’m not worried for him personally though; his godly constitution should be more than capable of resisting mere alien raccoon ass germs). And given Ultron was the Iron Man-centric flick and Civil War was literally a Captain America movie, it feels fair they gave this to the third member of the core trio. By contrast, I’m not sure whether Black Panther was too late for them to account properly for him, or they did know, and that’s why the final action was set in Wakanda even though it’s relatively irrelevant.

* The characters getting to bounce off each other was much of the heart of this, and while Downey vs. Cumberbatch was totally reasonable - I wish Strange and Spidey had more time together as promised as fellow Ditko creations, but doing Sherlock vs. Holmes makes sense, with “Do you concur, Doctor?” almost feeling deliberately evocative - I never would have expected Thor and Star-Lord to be the standout comedic pairing. And yet, as Drax put it, it entirely makes sense: “He is not a dude. You are a dude. He is a man.”

* What most leapt out at me as signalling this is the post-Trump movie relative to Civil War’s summer 2016 blockbuster? There, the question of whether or not the government can be trusted is the inciting incident that drives everything. Here, that the government is actively working against the right thing is so plain that Rhodes - who had previously said his critical injuries were more than worth standing up for the Accords, so passionately did he believe in all they stood for - immediately, casually acknowledges that the entire thing is fucked and bails with no fanfare, and that’s the end of it.

* I’d expected this to be an all-out invasion flick and so had been disappointed no Defenders or whatnot would at least cameo, but as it really turned out I’m not surprised there wasn’t a place for Daredevil to stick his horns in. And despite assurances, no Hawkeye! I’m sure as many as 5 or 6 people were quite disappointed.

* Betting pool on who’s actually dead? Obviously everyone vanished will be okay, but the others? Gamorra looks pretty stiffed, but she seems a safe bet to return. Vision’s end felt gruesomely final, but they put so much effort into implying he might be able to survive without the stone, and now they have a seminal story to draw on for a potential solo movie of his. Loki, I think, is most likely to remain in the ground. A last-minute return and final prank against Thanos wouldn’t be out of place for him by any means, but his character has come full circle, and I think it’s more likely that if he returns it’ll be as Kid Loki.

* Speaking of the vanishing, I really appreciate the thought that clearly went into who was taken off the board. The castoffs either really had nothing to do with the Thanos conflict, even and indeed especially if they were big for maximum shock value (Black Panther, Spider-Man, White Wolf, Falcon, Mantis), or DID have something to do with Thanos but whose arcs in terms of physical confrontations with him reached their logical climaxes (Star-Lord vented regarding their shared relationship to Gamorra, Drax tried and failed as he was always going to because that one-sided hate he wanted fulfilled isn’t as much at the core of his character as Gamorra’s relationship with Thanos is). Or in Strange’s specific case, the enigmatic type with an ace up his sleeve who could logically leave a final mystery and hope for others to have to rely on. And as a whole, it means the final OG Avengers movie ISN’T going to be an even bigger crossover movie than this the way we thought. This, for the MCU’s 10th anniversary, was the big crossover movie. The last Avengers movie as we’ve known it up to that point is mostly just going to be the founders (plus Captain Marvel, a mandatory Wakandan representative or two, and Rhody since he’s the other hero who was introduced in Phase One) getting one last hurrah. And it makes sense to go with that smaller cast, because they’ll want space to really zero in on Steve and Tony before they go, and since going at Thanos head-on is no longer an option, there’s not really going to be an opportunity for the same kind of massive super-war we got in here anyway, because then he’d simply de-create them.

* Steve and Tony are going to die, and going into pure fanfic, I think I know how it’ll happen. Steve will get the Gauntlet, and it’ll kill him to use it, but in an homage to the climax of Kree-Skrull War, he’ll use his last breath to not only revive everyone, but bring together an army of superheroes to defeat a depowered Thanos once and for all (Gamora or maybe Nebula almost certainly striking the final blow), raising his returned shield high, exchanging a last look with Bucky, and finally crying out “AVENGERS ASSEMBLE!” And Tony? Tony is going to knowingly walk to death in a doomed fight against Thanos as a distraction to give Steve that chance, becoming the guy who lays down on the wire and lets someone else crawl over him. It not only reaffirms his partnership with Steve and the idea behind the original Avengers just as both die, but brings his character arc totally full circle: he faces down the embodiment of his nightmares, and after having lived as the ultimate egotist, he dies as the man who sacrifices himself so someone else can secure the win. And Thanos was I believe introduced in an Iron Man comic, so that aspect’s pretty appropriate too.

* Jackson finally almost got to say motherfucker in one of these! And that’s the second Marvel movie with a character nearly saying fuck. Take the leap Disney, I believe in you. And much as that last shot in the stinger was neat, and much as this alternative would have been literally impossible, how much cooler would it have been if that screen had shown a “4″?

* My #4 title prediction? Avengers: The End. There was a big Thanos story by Starlin titled Marvel: The End where he destroys everything but ultimately turns it back, and that’d be both ominous enough to fit the warning that we should be scared of this title, and spiritually truthful. And since the Spider-Man movie right afterwards will according to Feige mark the start of the new MCU, they can title that Spider-Man: Brand New Day in accordance with said new beginning.

* Post-all this? It’ll be awhile yet before the Fantastic Four and X-Men come on stage, so ‘Phase 4′ will basically have to stall until they can bring in Doom to be the true final boss before the inevitable reboot a decade or so down the line. Spider-Man’s the new lead (hence the Iron Spider armor, which in Homecoming seemed deliberately to be overly gaudy as Tony’s vision of a Spidey remade in his image but now seems an indicating as his leading man status, the red/yellow/blue color scheme marking him as Peak Superhero) along with Panther, Captain Marvel, and likely Thor as the old standby. The Avengers likely disband for a bit due to losing the core and break up into different teams - your Ultimates, Champions, Young Avengers, etc. - before coming back together in New Avengers, managing to make the Avengers movie after the next one an event by making it about the reformation. Osborn leading the Cabal’s the big bad; he’s the leading man’s leading villain, he has the pedigree thanks to Dark Reign while still being able to put on a Goblin suit at the end, he lets them do the inevitable “all the bad guys get together to fight the Avengers” story, and while it might not work as well as it would have post-BvS pre-Justice League, using Sentry/the Void - a compromised, frightening, unsure, ‘realistic’ Superman figure - as his muscle and the true threat would be hella charged at the moment in a way I could see the MCU being cocky enough to go for, even if they never outright do Avengers V Squadron Supreme.

That’s what I got. As the god of thunder would say, farewell and good luck, morons.

#Avengers: Infinity War #Avengers #MCU #fanfic #Opinion

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