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#my gods how i loved him.

myrkulitescourge · 5 months

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the way that one line from the new epilogue in an astarion romance is going to HAUNT me

just. what a profoundly intense thing to confess to someone.

like, just these six months of newfound happiness with you exerts a force on his heart equal and in direct opposition to two centuries of endless torment, the gnawing hunger and exploitation. this flashbulb-bright fraction of his long life holds the same gravity to him as years upon years of darkness and suffering.

in all likelihood, he hasn’t even known his lover for as long as his worst memory lasted, that year sealed away to go mad from starvation and sensory deprivation, yet he still tells them this brief time has been so fundamentally and powerfully important that the weight of even that unimaginable hell is vanishingly small compared to this present he has now and the future ahead of them both.

how am i supposed to act normal about this.

#i need to lay down #just drop this in there right at the beginning why not!#that’s INTENSE. and completely sincere considering his demeanor at the party. god #he’s so… nice. in the romanced epilogue. i expected him to be a little smug and jokey #if tav told him the others weren’t doing so hot without the two of them around #but he takes it so genuinely and with visible disappointment?? literally shocked me #i thought he would say oh of course their lives have taken a turn without our impressive leadership lol!#and then redirect into something a little less flippant #but man. he just gets sad. astarion six months into a loving relationship is like a stray cat that instantly gets cuddly when you adopt it #dude went cotton candy marshmallow saccharine sweet in a HEARTBEAT #bless the others with your presence he says. i’ll always be here he says. we have forever after all he says.#head in my hands. how could they do this to me #astarion ancunin #astarion bg3 #astarion #bg3 epilogue spoilers #bg3 spoilers #baldur’s gate 3 spoilers #bg3

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p4nishers · 8 months

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i cant get over the ball being so CLEARLY all for crowley i can't get over aziraphale trying to woo him with a WHOLE FUCKING BALL because that's what he knows that's what romance IS for him because he's been wanting to dance with crowley ever since dancing was invented and he's so stuck in time with the way he dresses and talks and he still thinks a dance is the high of romance AND HE MADE A WHOLE ENTIRE FUCKING BALL FOR CROWLEY JUST SO HE COULD DANCE WITH HIM like now it's so fucking obvious he gave away his BOOKS without a second thought and it was all for crowley he organised a whole JANE AUSTEN THEME BALL just so he could have an excuse to finally dance with the love of his life and i can't get over this i'm shaking my fists and pacing up and down he did not give a single fuck about anything other than dancing with crowley and HE BARELY TOUCHED OTHER PEOPLE'S HANDS WHILE HIS WHOLE FUCKING PALM WAS PRESSED TO CROWLEY'S AND i need to lie down

#im actually not okay im never getting over this #this was actually the most romantic thing to ever happen on television prove me wrong you can't #no because he spent CENTURIES reading about and witnessing and orchestring romances and he's been wanting to living in them WITH CROWLEY al #this fucking time and crowley rescuing his books was the most romantic thing that ever happened to him and in return HE GAVE AWAY THE BOOKS #HE LOVES SO FUCKING MUCH FOR CROWLEY AND OH GOD OH JESUS #how am i still not normal about this show im literally box breathing and my heart is fucking POUNDING from a SHOW i cant i just cant #i need psychiatric help #good omens #good omens s2 #azicrow #crowley #aziraphale #aziracrow #ineffable spouses #good omens season 2 #ineffable husbands #go s2

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confessedlyfannish · 1 month

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Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

#i feel like I'm going to reread this and want to add other stuff #but I also just want to post it and get it out there #fun fact i scribbled a bunch of lines down at 2am bc i didn't want to forget them #im bad at multiple drafts #my writing #dp x dc #dp x dc au #dp x dc prompt #dp x dc crossover #danny phantom #batman #i live to make everybody dramatic #but also i subscribe to a world where clockwork doesn't know how NOT to be dramatic #lol he's a ghost from all of time he doesn't know how to speak to humans and tailor it to the century let alone the decade #and his favorite little girl who calls him clocky loves how he speaks so #he doesn't need to change for nobody #nor feels inclined to #also I feel like as god he's way more inclined to threaten to get what he wants than like...be vulnerable #jazz: let's unpack that #clockwork: we never do #jazz: are you saying that because it's true or because that's what you want to be true?#clockwork: ...#also I cannot take credit for BITCH I MIGHTWING #wish i could #that is cash money right there #shoutout to 11thsense

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bread-that-draws · 1 year

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Flowey’s so funny and has me so fucked up like he’s a talking flower. He tries to kill you upon your first interaction. He is ten years old. He is damaged beyond repair. He’s a flower named Flowey. He’s become friends with every single character. He’s killed all of them countless times. He knows everything about everyone. He doesn’t care anymore. He takes care of his mom when she can’t take care of herself. He’s killed her before. He doesn’t care if you kill her. He thinks she’s trying to replace him. He just wants to be himself again. He wants to destroy everything. He hates you. You’re the only one who understands him. He wants his best friend back. He’s terrified of them. He believes in kill or be killed because he died by giving mercy to the wrong person. He believes himself to be the wrong person. He doesn’t understand when you show him that kindness he showed others, even when you know he could kill you for it. He’s tried every route. He asks you if you have anything better to do when you try to do the same. He’s a direct reflection of the player. He’s a fucking talking flower named flowey and his only voice line is by Ronald McDonald and his officially licensed plush does a little dance for you

#‘Flowey would listen to i bet on losing dogs by Mitski and cry until he throws up and Chara calls him cringe from beyond the grave’#-me to my friend when I ranted about this last night #he has me so fucked up like oh my god #how is the best character a fucking talking flower #I love undertale’s writing so much like it’s mastered minimal evidence giving away the biggest parts of characters #i can analyze him i can study him under a microscope #i can put him in a terrarium with a sticky note that says gay baby jail you know #he has me SO fucked up #flowey #flowey the flower #asriel #asriel dreemurr #I’m talking about flowey btw not asriel i know they’re the same person but not to me #like how i consider little baby me and fucked up 13 year old me different people #asriel sits on the playground and cries when nobody wants to play warrior cats with him #and flowey sits in the back of classrooms and answers ‘life is MEANINGLESS’ to every question #not speaking from experience ofc (im lying)#love my edgy flower *puts a magnifying glass up to him and notes how fucked up he is*#i think more characters need to be fucked up beyond repair #undertale #utdr #character analysis

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unexpectedbrickattack · 1 year

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Hiding the rest of this HUGE comic behind a readmore for ur sanity

Hes got the keenest eye for these things!

Now that this is hiding behind a readmore i can justify writing an essay in here. Nothing big tho i am just very chatty :)!

Postgame where Peppino still gets visits every now and again from the bosses of the tower. I already drew one for the noise (lmao) but i wanted to draw each of the main four interacting with him in some way.

Pepperman is a refined and well renowned artist. His art is highly sought after and his advice is not taken lightly. He has many MANY fortunes to pull from to make his visions a reality and to influence anyone to do anything. Except for Peppino.

From the very first fight, Pepperman is immediately, overwhelmingly obsessed with this stout little brawler. He is much much more than what meets the eyes. He is initially extremely offput and annoyed that a human so boldly decided to waltz into his domain, and he expects to be able to steamroll and bully this…beast…out of his place of work. He is refined when he wants to be, but he is quick to use his brute strength to get what he wants if only bc he knows he can do it

And so when he decides to fully charge and thrash this little trembling human, expecting him to skitter away the second he gets struck, he is completely unprepared for when he gets launched to the other end of this room. The human looks so incredibly PISSED, like a bull seeing red, and suddenly this little altercation suddenly became a real actual ‘knock your teeth out’ brawl. This human is only like half his height, but his punches and bashes fucking knock the wind out of him.

And like ! To add insult to injury!!! After he wins the fight! He visibly deflates, the adrenaline seemingly wearing off. Hes just this trembling fuckin whelp again !!! Whimpering as he fucking runs back out through the portal to do god knows what. And Pepperman could not be any more fucking intrigued. Like this no name came in, whooped his fuckin ass, and went about his day. Its unreal

While Peppino is running around climbing the tower, Pepperman is in his room losing his mind. Hes obsessed. No one has challenged him in this way. No one has fought him and WON. He is ALWAYS able to bully people into submission either through brute force or with money, and he got his ass handed to him !! He needs to know more. Its quite literally consuming him.

Cut to the final fight, set up for a rematch; and he knows he is going to get steamrolled again but it is SO exhilarating to get another chance to see this humans form up close again. This time he can try to commit everything to memory. Its all such a blur though, and in a quarter of the time it took to end their first fight, its over. He gets to watch the human fight the gunslinger with his bare hands, no gun necessary, and he doesnt even bat an eye at what looks to be a clone of himself. He is a force of nature tearing through every single defense, and when Pepperman watches the actual final fight with the bizarre little pizza man, its like hes caught in a movie. The rain, the storm, the atmosphere. He wishes he could burn the entire scene into his mind.

So when everything returns to normal, he takes the time to travel for days to come and find this little human named Peppino. The memory is still strong and vivid but eventually, details will start to slip his mind. He needs to find this human, convince him to sit and do some still life sessions with him to help cement the humans appearance in his head. He hasnt had to resort to…asking for permission for anything in a loooong time…he bullies people into doing what he wants but Peppino is not your average person, and if he wants something from this man, he’ll have to meet him at his level.

He...can make an exception for Peppino...he supposes.

#pizza tower #peppino spaghetti #peppino #pepperman #i love love love how this little comic turned out #esp with how peppino came out in so many panels #esp the one w pepperman holding peppino close: that one is the best i think #anyway #yeah #heehee #this is not intended to be shippy but do as u please #pepperman is just an artist that appreciates beautiful BEAUTIFUL forms #and people who defy him #and he has No filter #peppino is like oh my god #hes eccentric…the worst kind of person….#but like #no one has tried to fight him since the tower collapsed #and everyone seems peaceful enough now #so if this weirdo thinks hes ‘beautiful’ and ‘exquisite’ and ONLY wants to spend some time to draw him #well thats better than fighting again; hell take it #also #heehee yes; peppino is using a walkman #hes been holding onto that shit for decades its his ol reliable

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